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Christopher Abbott on 'Piercing' Role, Working with Mia Wasikowska | Sundance 2018
Hollywood Journal
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1 week ago
Abbott and Wasikowska star along with Laia Costa in the film, directed by Nicolas Pesce.
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🎥
Short film
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00:00
All right, you go first.
00:02
Oh, like that? Like, me first?
00:04
Yeah. All together, right?
00:06
That was pretty cool, though.
00:08
You should get a trophy for that.
00:10
That was better.
00:16
To kick things off, we like to start with a chairlift pitch,
00:18
so a quick synopsis of the film.
00:20
You want to take it away?
00:22
Yeah. The movie is about a guy
00:24
who has a newborn baby
00:27
and is having some dark impulses.
00:29
And to sort of quell his dark desires,
00:33
he plans what he thinks is the perfect murder,
00:36
but the woman who arrives to his hotel room
00:40
is not who he expected,
00:42
and a game of cat and mouse ensues.
00:45
Way over time.
00:48
And for the actors, these characters are very complicated.
00:52
There's a lot of layers to them,
00:53
so I'm wondering how did you come to understand their motivations?
00:57
Oh, for me, between Nick's script and the book, there's a lot there.
01:01
There's a lot of, and coincidentally, there's a lot of interior monologue
01:05
that happens in the book.
01:06
So I think that fed a lot of stuff, for me at least.
01:10
Yeah, I'm wondering then what was the filming process like?
01:14
Do you guys have a particularly memorable day or a moment from set
01:17
when you're working in such confined spaces on such a short timetable?
01:21
I think the good thing about it was that there were really few locations,
01:25
so we'd sort of shoot the film in each location.
01:30
And then we just had like, well, it felt like a lot of time,
01:34
even though it was like 18 days.
01:36
You know, it was like a week or so in each location, so it felt like...
01:40
For me, it was weird that when we were doing like daylight,
01:43
it was a night, so it was all fake.
01:46
And when we are doing night, it was daylight.
01:48
So it was like all totally like reversed.
01:51
That was something I've never at least seen that much in a shooting.
01:55
Tonally, shooting the film felt like what the film is.
01:58
And how would you describe the tone?
02:00
Pretty strange.
02:02
But I think fun and funny, dark, but it's weird.
02:09
The story was originally a book,
02:12
so I'm wondering what drew you to the book
02:15
and what was the choice to make it into a film?
02:18
I discovered the author, Rue Murakami,
02:20
because he wrote the book that Audition is based on,
02:23
the Takashi Miike film, and it's one of my favorite movies.
02:27
And I really love his work piercing the novel reads like a movie.
02:33
The second I read it, I could see it in my head
02:36
and it had a lot of just between the subject matter
02:40
but also kind of stylistic things that I wanted to play with.
02:43
And yeah, it seemed like a perfect movie for me.
02:45
It's going to be funny.
02:46
This movie is funny.
02:47
This movie is funny.
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