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Court métrageTranscription
00:00:00My name is Stephanie Harper and this is Eden.
00:00:14In this area, in his area, my father was king.
00:00:18On the day he died, 17 years ago, I was in my 23rd year.
00:00:23And I was scared. And I was alone.
00:00:25If I had known then what nightmare awaited me,
00:00:31I think I would have decided to die with my father.
00:00:55Subtitling by Radio-Canada
00:01:21Hello Sir.
00:01:22Yes, I would like to see Joanna Randall.
00:01:25I don't have an appointment, but I absolutely must talk to him.
00:01:28She is very busy at the moment.
00:01:29What topic would you like to see her discuss?
00:01:31Do you want to?
00:01:32This gentleman wants to see Joanna.
00:01:33Yes, my name is Dan Marshall. I am a friend of Tarawel.
00:01:36Please tell him that it's very urgent.
00:01:38Do you have your so-called higher education?
00:01:40It's a completely new design.
00:01:41Yes, it's so new that no one found a way to warn us.
00:01:44This character has been added to the script.
00:01:45But we have always used mannequins and we will continue to do so.
00:01:49Hello, a certain Dan Marshall sees you.
00:01:50Who's waiting for him? I'm not receiving anyone at the moment.
00:01:52So, are we going or not?
00:01:53Let's go, Jason.
00:01:54No !
00:01:55Okay, who is the author of the script?
00:01:57It's me.
00:01:58That's what I thought.
00:01:59But is he a friend of Tara's?
00:02:00What? Dan Marshall?
00:02:02But what is this, Dan Marshall?
00:02:04It's me.
00:02:04I told you she was busy.
00:02:05Would you please wait outside?
00:02:07I am looking for Tara Wells.
00:02:08I thought you might be able to help me.
00:02:09I don't have time today, I'm sorry.
00:02:11Leave your address with Lisa.
00:02:12We say one thousand dollars, two thousand dollars to come.
00:02:17$68,000.
00:02:24I take my leave.
00:02:25You have the honor of participating in the photo shoot
00:02:26the most expensive ever made in this studio.
00:02:29Exact.
00:02:30We'll see what your boss says about it.
00:02:31if he retains the ability to speak.
00:02:33Miss Randall, I live in the North.
00:02:35I was here in Sydney.
00:02:36I went back home two days ago.
00:02:37At home, they were waiting for me to provide information.
00:02:38that I had been looking for for almost a year.
00:02:41Excuse me, but what is your name again?
00:02:42Dan Marshall.
00:02:43The information was quite important.
00:02:44so that I can jump on the first plane and come back here.
00:02:46They concern Tara.
00:02:48Lisa, ask me Jerry Marr.
00:02:50Call his house first.
00:02:51Where did you meet Tara?
00:02:53In Queensland, 14 months ago.
00:02:55Can you speak to us in your office?
00:02:56Johanna, he's on the other end of the line.
00:02:58No, I'm sorry, but you'll have to wait.
00:03:00I'll take it home with me, Lisa.
00:03:08No, listen!
00:03:09No, listen to me, you.
00:03:11Do you want me to call Jason?
00:03:12No, it's unnecessary, Lisa.
00:03:14And what about Jerry Marr?
00:03:15I will call him back.
00:03:16And tell Jason to start taking his photos.
00:03:18All right.
00:03:22Excuse me, but we have all the troubles in the world this morning.
00:03:25And when I talk about trouble, I'm being way too polite.
00:03:28Would you like to sit down?
00:03:29THANKS.
00:03:30Miss Randall, I know Tara trusts you.
00:03:40Well, well, up to a certain point.
00:03:43What did she teach you about herself, about her life?
00:03:45For what ?
00:03:46I like Tara.
00:03:50I asked her to marry me.
00:03:52Oh yes ?
00:03:53She's seeing someone else these days.
00:03:56I want to know who it is.
00:03:57And that's why you came to bother me?
00:04:00Is that Greg Marsden?
00:04:01You seem sincere and I find you very likeable.
00:04:03But I'm not in the habit of getting involved in private life.
00:04:06of the one I represent, unless it influences their work.
00:04:08I understand, but if I told you
00:04:09that there is no one named Tara Wells.
00:04:13In short, Tara Wells would be a pseudonym.
00:04:15It's more than that.
00:04:17But if she's not Tara Wells, then who is she?
00:04:19Stephanie Harper.
00:04:25Stephanie survived the hunting accident.
00:04:27She had been almost disfigured and mutilated.
00:04:33But she was alive.
00:04:37After a certain time,
00:04:38She was admitted to a clinic in northern Queensland.
00:04:40And there, for six months,
00:04:41She underwent a series of surgical procedures.
00:04:42which completely changed its external appearance.
00:04:45She then returned to Sydney
00:04:46under the name Tara Wells.
00:04:50This is the most extravagant story
00:04:51that I've never heard.
00:04:54Except for one of my friends who belongs to the service
00:04:56missing persons from Queensland police.
00:04:59You and I are the only ones who know the truth.
00:05:02Because it's the truth, I swear to you.
00:05:04But Stephanie Harper was at least in her forties.
00:05:08It's true.
00:05:11I am very busy.
00:05:13We told you, Mr. Marshall,
00:05:14and I don't have...
00:05:14Dr. Marshall.
00:05:17It's me, Miss,
00:05:17who carried out all the interventions.
00:05:20You can inquire
00:05:20with the medical board.
00:05:23I helped create Tara Wells.
00:05:26So far,
00:05:28I have always been bound by professional secrecy.
00:05:31But this is the first time
00:05:32that I am in love with one of my patients.
00:05:34I also believe that she is in grave danger.
00:05:37So you need to tell me who the man is.
00:05:42Greg Marsden.
00:05:50THANKS.
00:05:50Please don't breathe a word of it to anyone.
00:05:59Thank you, John.
00:06:07It's there, you see?
00:06:09That's where we're going.
00:06:10That's where we're going.
00:06:40...
00:06:54Here we go.
00:07:24Hello, Cathy.
00:07:28Hi.
00:07:29Still in great shape, eh?
00:07:31Miss Wells.
00:07:32Pleased to meet you.
00:07:36I'm going to show you your rooms.
00:07:39We haven't used the first floor since the accident.
00:07:44You must have gone through some difficult times, then.
00:07:47I believe that you and Mrs. Marsden were very close.
00:07:51Stephanie Harper was like my own daughter.
00:07:54I put you there.
00:08:07I thought I told you to put Mademoiselle in Stephanie's room.
00:08:12The view isn't as beautiful.
00:08:13That's not the view.
00:08:23If you find everything you need, we always keep it ready.
00:08:28Lunch will be served in half an hour.
00:08:30That's not the view.
00:08:36Don't pay attention to Cathy.
00:08:38She raised Stephanie.
00:08:39And she never loved me.
00:08:41In her mind, I am responsible for Stephanie's death.
00:08:45If you want to apprehend her, a word of advice: don't call Stephanie, Mrs. Marsden, anymore.
00:08:49Cathy would never forgive you.
00:08:50I will not forget it.
00:08:51I'm staying in my grandfather's room, across the hall.
00:09:01I'm glad you're here.
00:09:10I'll let you unpack your suitcases and go check if everything is in order.
00:09:21Are you alright, Christophe?
00:09:24Yes.
00:09:25Put them on the bed, that will be fine.
00:09:36THANKS.
00:09:38Don't mention it.
00:11:53Subtitling by Radio-Canada
00:12:23I remember that lunch was excellent.
00:12:26Are you here? I came to see if you were up for the challenge.
00:12:29It depends.
00:12:31Would you like to go for a horseback ride?
00:12:32Ah yes, I think I'm still up for that.
00:12:34If you had seen Stephanie ride King,
00:12:36She was only 5 or 6 years old and she rode better than her teachers and elders.
00:12:39And that was just the beginning.
00:12:42King is his horse.
00:12:43He only ever let himself be mounted by her.
00:12:45And nobody's going to ride King, Cathy.
00:12:48I'll meet you outside as soon as you're ready.
00:12:50All right.
00:12:50See you later.
00:13:02Sat !
00:13:06Sat !
00:13:06Sat !
00:13:07Sam, where are you, for God's sake?
00:13:10Sat !
00:13:13Yes, Mr. Marsden.
00:13:15Saddle two horses for Miss Wells and me.
00:13:17Hurry up.
00:13:18Do you want me to seal King?
00:13:20No, definitely not King, you idiot.
00:13:36This one is for you.
00:13:37Sam says he is very gentle.
00:13:40What is his name?
00:13:41Bang.
00:13:41This is not the name of one of Max Harper's companies.
00:13:46You need to read the financial information.
00:13:48From time to time.
00:13:52Sat ?
00:13:53No, it's unnecessary, it'll be fine.
00:13:55Let's go.
00:14:00Go on, go.
00:14:01Let's go.
00:14:31You are one of those men who cannot bear to be beaten by a woman.
00:15:01You didn't suggest that idea.
00:15:02You were making a face.
00:15:03No not at all.
00:15:04Yes, I saw it clearly.
00:15:05Was I doing that?
00:15:08Yes, something like that.
00:15:12What's your secret to staying so cool in this heat?
00:15:16You seem to have been born for this setting.
00:15:18It's as if you were born for the Sydney fashion scene.
00:15:23You are a series of surprises.
00:15:25Come on, you should know that every woman is a series of surprises.
00:15:31It's nice to see you laugh.
00:15:37That doesn't happen to you often enough.
00:15:38The women who mock me and treat me like a puppet regret it.
00:15:44It was you who wanted to come to Eden.
00:15:45I'm not here just to breathe the country air.
00:15:48You're hurting me, Greg.
00:15:49You desire me as I desire you, and not having you drives me crazy.
00:15:54Greg, you can't ignore how I feel about you.
00:15:58But I...
00:15:59But what?
00:16:00Every time you hug me, I think of Stephanie, I think of your wife.
00:16:06I beg your pardon.
00:16:07I can't get her out of my mind.
00:16:08I can't get her out of my mind.
00:16:09Do you want the truth?
00:16:10I married Stephanie Rapper for her millions.
00:16:11Things weren't going very well for me anymore.
00:16:13Competitions were no longer going well for me.
00:16:14Competitions were no longer going well for me.
00:16:15I didn't try to get her out of my mind.
00:16:16But...
00:16:17But what?
00:16:18Every time you hug me, I think of Stephanie, I think of your wife.
00:16:24I beg your pardon.
00:16:26I can't get her out of my mind.
00:16:28Do you want the truth?
00:16:33I married Stephanie Rapper for her millions.
00:16:36Things weren't going very well for me anymore.
00:16:38Competitions were no longer going well for me.
00:16:40I had a knee injury and young guys like McEnroe were becoming more formidable every day.
00:16:46My backhand wasn't what it used to be, nor was anything else.
00:16:49I met Stéphanie at a charity sale, and I realized that she liked me.
00:16:52I thought, "That's the solution."
00:16:59But keep in mind that...
00:17:01Despite all her wealth, Stéphanie Rappeur had absolutely no class.
00:17:05She was old.
00:17:08She was fat.
00:17:10She was stupid.
00:17:12I had to be half-drunk to be able to make love to her.
00:17:19Did I hate that creature?
00:17:29You, Tara, are everything my wife was not.
00:17:31I think we should go home now.
00:17:34I think we should go home now.
00:18:01Tara, I love you.
00:18:11Come.
00:18:31...
00:18:41...
00:18:47MFP subtitles.
00:19:17MFP subtitles.
00:19:47MFP subtitles.
00:20:16MFP subtitles.
00:20:46MFP subtitles.
00:21:16She needs to go to a retirement home; she'll be better off there.
00:21:21Greg, Eden is the only home she has known in 40 years.
00:21:26Time passes and everything changes for each of us.
00:21:29Would you like to take a walk in the garden?
00:21:39Not tonight, Greg.
00:21:41I'm tired.
00:21:43We have lost the habit of breathing fresh air.
00:21:48Does that bother you?
00:21:50Yes.
00:21:50Yes.
00:21:53Huge.
00:21:58Thank you for being so understanding.
00:22:20Thank you for being here.
00:22:27Thank you for being here.
00:22:27It's a day.
00:22:53Enter.
00:22:53I looked at some old photos.
00:23:13You were in my room this afternoon while I was horseback riding.
00:23:17No, that's not true.
00:23:18You left your glass of port on the dressing table.
00:23:25That's true, I went there.
00:23:27I wanted to make sure the towels had been changed.
00:23:32I wouldn't want you to think I'm a liar.
00:23:38No, of course not.
00:23:41Okay, I'll leave you to your photos.
00:23:45Thanks again, Cathy.
00:23:46Your dinner was perfect.
00:23:48Good night.
00:23:53Good night.
00:24:18Subtitling by Radio-Canada
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00:28:28He's here, he's here!
00:28:51Where is she?
00:28:52He doesn't tell me she's not here, because I know she is.
00:28:55And I don't know what you're talking about.
00:28:56Salte liar!
00:28:57Who told you I was here, huh?
00:28:58Who ?
00:28:59What difference does it make?
00:29:00Where is Tara?
00:29:02I have two or three things to sort out with her, and right now.
00:29:04Julie, for God's sake!
00:29:06God !
00:29:07God !
00:29:07Do you even know who that is?
00:29:09Enough, Julie, enough!
00:29:11How many others were there?
00:29:13None.
00:29:15What a bastard and a liar!
00:29:16Julie, not so loud, do you hear?
00:29:18Why not so loud?
00:29:19Are you perhaps afraid that people might find out who the real Greg Marsden is?
00:29:23I want to see Tara.
00:29:25She's not here.
00:29:30I'm fed up with you, Julie.
00:29:33And I'm fed up with your scenes and your breath smelling like whiskey.
00:29:37You disgust me.
00:29:41Are you in love with her?
00:29:43Yes.
00:29:51There is a plane to Pine Creek tomorrow morning.
00:29:55Whatever happens, you'll take it. I'll make sure of it.
00:29:59I don't want to hear from you anymore.
00:30:01I don't want to see you anymore, Julie.
00:30:03And I no longer know that you exist.
00:30:05Is that clear this time?
00:30:06I advise you to get her to leave from here.
00:30:11And what will you do if I refuse?
00:30:13I will go to the police.
00:30:18And there, my dear, I will tell everything.
00:30:21I can just imagine the look on your admirers' faces.
00:30:24when they learn that their Greg adored
00:30:26the idol of the central courtyard
00:30:27to throw his wealthy wife into a crocodile-infested swamp
00:30:31after cheating on her with her best friend.
00:30:32You're involved in this too.
00:30:35Not as much as you.
00:30:37You're joking, my poor Greg.
00:30:42If you could see yourself right now.
00:30:45For that alone, it was worth the trip.
00:30:50You're not the only one who knows, you know?
00:30:54Yes, I told Philippe everything.
00:30:58Because he never stopped loving me.
00:30:59And guess what? He hates you.
00:31:05So, the worst thing that could happen to me,
00:31:07It's about being accused of complicity.
00:31:09I would say that you had threatened to kill me too.
00:31:12if I were to speak.
00:31:15Yes.
00:31:18And it will be your word against mine.
00:31:21My love,
00:31:23So think about it.
00:31:24Did you have a mobile phone?
00:31:27It's funny, but imagine, one day,
00:31:40I saw a beautiful stallion being castrated.
00:31:44Disgusting, it made me sick.
00:31:45So, my dear, try to stay on the straight and narrow.
00:31:53If you don't want to find yourself
00:31:54in a sadder state than this stallion.
00:31:56All right.
00:31:58And if someone has to leave here,
00:32:00This is Tara.
00:32:01Are you going to tell him or do you want me to do it?
00:32:04I believe that a church wedding
00:32:17would be frowned upon by our friends.
00:32:18if we stay at that point.
00:32:22We will have to be satisfied
00:32:23of a quick visit to the civil registry.
00:32:25That will be fine.
00:32:28We will have a very pleasant life.
00:32:29both.
00:32:34I saw Bill McMaster.
00:32:37He persuaded Stephanie
00:32:39to add a clause to his will.
00:32:41If I remarry,
00:32:42I would have absolutely nothing.
00:32:46I thought you might be interested in this
00:32:47to know.
00:33:04Eden doesn't call Pine Creek.
00:33:11Pine Creek,
00:33:12Can you hear me here, Eden?
00:33:15Over to you, Pine Creek.
00:33:19Where is Tara?
00:33:19She is not in her room.
00:33:21She went out early this morning.
00:33:22horse.
00:33:23She said she needed to think about it.
00:33:25Eden, here Pine Creek.
00:33:28Tell Sam and Chris
00:33:29that I need Allan Draver.
00:33:31And ask them
00:33:32if they know where Tara is.
00:33:36Eden, here Pine Creek.
00:33:38To you, Cathy.
00:33:43Eden, here Pine Creek.
00:34:02Did you see Miss Wells leave?
00:34:08No, Mr. Marsden.
00:34:09Here.
00:34:19I'm coming.
00:34:20Here I am, I'm coming.
00:34:21Oh, my ass.
00:34:25Yes yes.
00:34:27We need to find Stéphie.
00:34:28Do you hear?
00:34:29Find Stéphie.
00:34:32Stéphie.
00:34:33Stéphie.
00:34:34Stéphie.
00:34:35Stéphie.
00:34:35Stéphie.
00:34:36Subtitling by Radio-Canada
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