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'Bohemian Rhapsody': How Rami Malek Was Transformed Into Freddie Mercury | THR News
Hollywood Journal
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7 weeks ago
Capturing the energy and flamboyance of Queen frontman Freddie Mercury for Fox's Bohemian Rhapsody meant a dramatic transformation for Rami Malek, best known as the twitchy lead character in USA's TV drama 'Mr. Robot.'
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Short film
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00:00
Can you go a bit higher?
00:01
If I go any higher, only talks will hear me.
00:04
Try.
00:06
Queen biopic Bohemian Rhapsody hit theaters November 2nd, with Mr. Robot star
00:10
Rami Malek bringing the band's charismatic frontman Freddie Mercury back to life
00:14
in a performance that has gained widespread praise.
00:16
For Malek to embody Mercury's energy and flamboyance, he had to undergo a
00:20
dramatic transformation which involved some serious makeup and the guidance of a
00:24
movement coach.
00:25
Hair and makeup department head Jan Siebel was the artist tasked with taking
00:29
37-year-old Malek from Mercury at age 19 into his late 30s.
00:33
Certainly parts of his face really look like Freddie, but then there are other parts
00:36
that don't, says Siebel.
00:37
Rami's nose was a bit bigger, so he put on a tiny prosthetic nose to give him the very
00:41
straight aquiline nose that Freddie had, and because that also helped bring Rami's
00:45
eyes in a bit.
00:46
Siebel used eye makeup with shading to make his eyes appear closer together and
00:50
shaded in his cheeks.
00:51
Rami has a fantastic jawline, not too different from Freddie, but I brought that
00:55
out even more, she says.
00:57
The department also had multiple mouthfuls of teeth made to more closely match
01:01
Mercury's distinctive pearly whites.
01:03
According to Siebel,
01:04
We went through many pairs until we got the pair that we thought would do what we needed
01:07
them to do, but wouldn't take over.
01:10
Turns out, the precision of Siebel's artistry was proven when Queen Band member
01:13
Brian May's wife Anita came to set.
01:16
Says Siebel,
01:17
He came up to the stage as Freddie in his later look, and she burst into tears.
01:20
It was so emotional.
01:22
Meanwhile, movement director Polly Bennett was given the job of getting Malick to move
01:25
like Mercury.
01:26
At their first meeting, Bennett told the Mr. Robot actor she wasn't going to teach him
01:30
choreography in the traditional sense.
01:32
You need to understand why this man moves the way that he did, she told him.
01:36
That's what's helpful for an actor.
01:37
Rami isn't a dancer, therefore I shouldn't be treating him as one.
01:41
In order to help Malick truly inhabit the role, Bennett did a deep dive into Mercury's
01:45
life, not just examining footage of interviews and performances, but also delving into his
01:49
youth so she could deconstruct Mercury's movements.
01:52
Everyone moves differently because of what they've experienced, what they've seen, who their
01:57
family is, what space they've grown up in.
01:59
This is what I've called a movement heritage, she says.
02:02
Two interesting discoveries were that Mercury frequently masked his mouth using a microphone,
02:06
cigarette or glass because he was self-conscious about his teeth, and that he had been a long-distance
02:11
runner in his youth, which contributed to the way he sprinted across the stage.
02:15
Bennett explains that her greatest challenge was combining Mercury's spontaneity with the
02:19
film's faithful frame-by-frame recreation of Queen's 1985 Live Aid performance.
02:24
There was no freedom in it, she says.
02:25
So to make it not look learned or structured and to teach it in a way that felt free was something
02:30
I had to be mindful of.
02:32
While Sewell's moment came in the form of Anita May's emotional reaction, for Bennett it was when
02:36
she watched Malick perform the 20-minute Live Aid set from beginning to end.
02:40
Says the movement coach,
02:41
when he did the whole section, beat by beat, gesture for gesture, breathing at the right time,
02:46
flipping the microphone at the right time, not skipping a line, picking up a guitar, playing the
02:50
right chords, Proud doesn't even begin to describe it.
02:53
To read more on this story, head to THR.com.
02:56
For The Hollywood Reporter News, I'm Lyndsey Rodrigues.
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