- 6 weeks ago
The plot of Hell Squad (1986) follows a group of Las Vegas showgirls who are recruited to become commandos to rescue the kidnapped son of a U.S. diplomat
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Short filmTranscript
00:00Get this, a cow.
00:16You know, that last steak was a horse.
00:19What in the hell happened to them?
00:21Just disappeared into the atmosphere.
00:24Can you dig this? A complete elephant wiped out.
00:28That'll sure add to the smog up there.
00:30What are they trying to prove with this new bomb?
00:33That they can destroy humanity but leave the buildings.
00:36Maybe we can sell our gear to a paint commercial.
00:39The entire race wiped out, but chevron paint didn't even heal.
00:44Let's get back to the base.
00:46We're not supposed to be spending more than 15 minutes in this radiation.
00:58I can't believe they actually did it.
01:00I mean, until now, the neutron bomb was just an idea.
01:02I just can't believe they actually tested one.
01:04And not just anyone, but that goddamn ultra neutron bomb.
01:06Well, the UN bomb as the president calls it.
01:08I mean, what kind of sick brain can invent a device
01:10that kills all life within a certain radius,
01:12that doesn't even singe in newspaper?
01:14Some of us in government positions believe the UN bomb is a blessing.
01:17What happened to you, Dad?
01:18You're starting to sound just like those mush heads in Washington.
01:20Come here, son. I want to show you something.
01:22Look out there, son.
01:23See what war can do to a city?
01:24The people out there may never be able to rebuild what was once theirs.
01:26If America should engage in a nuclear war,
01:29I'd rather we be hit by a bomb that will leave
01:31our cities intact for future generations.
01:32Why should our descendants have to live like war?
01:34Well, why are you not going to be able to rebuild?
01:36Why do you want to live like war?
01:37Why do you want to live like war?
01:38Why did you want to live like war?
01:39Why do you want to live like war?
01:40You want to live like war?
01:41Why do you want to live like war?
01:42The Americans believe the UN bomb is a blessing.
01:43What happened to you, Dad?
01:44You're starting to sound just like those mush heads in Washington.
01:46Come here, son.
01:47I want to show you something.
01:48Look out there, son.
01:49See what war can do to a city?
01:50is intact for future generations.
01:52Why should our descendants have to live like rats,
01:55roveling through rubble and debris,
01:57just because a handful of their ancestors
01:58wanted to kill each other?
02:00Use the ultra-neutron bomb,
02:02and there won't be any descendants to worry about.
02:05I'm sorry, Dad.
02:07This whole thing stinks to high hell.
02:11When I get back to the States,
02:13I'm going to use my name and my influence
02:15as a son of an American ambassador,
02:17and I'm going to tell the people about this,
02:18this horror.
02:20Jack, son, wait!
02:24Hello, Jack.
02:24How are you?
02:25Leaving so soon?
02:27Got to go.
02:38Ready to take that dictation now?
02:40Yes, sir.
02:48No, Colin попробes your hand.
02:50I'm going to call her down to
02:50When someone theo dасkões com
02:50You can see the police chief
02:51but didn't tell the police chief
02:51you can hear.
02:51Me okay.
02:52I'm going to keep youましょう.
02:53Bye.
02:55See you then.
03:03Bye-bye.
03:08Bye-bye.
03:09Bye-bye.
03:09Bye-bye.
03:10Bye-bye.
03:10Bye-bye.
03:12Bye-bye.
03:13Bye-bye.
03:15Bye-bye.
03:16Bye-bye.
03:17Bye-bye.
03:18Can we go a little faster?
03:28The sooner we get out of here, the better I'll feel.
03:30We may have no choice unless those are your friends.
03:36Hey, here we are.
03:38Come on!
03:43Come on!
03:44Let's get the hell out of here!
03:48Get out of here!
04:05Come on, man!
04:07Beat off!
04:14Come on!
04:16Come on!
04:17Let's go.
04:47Let's go.
05:17Hey, where are we?
05:32I want you to connect me with the American ambassador, Mark Stewart.
05:37This is a call of great urgency.
05:39Do not screw it up.
05:40Hey, hey, we're going.
05:46You see, Mom?
05:47What are you taking me?
05:48Jack's got to be alive.
05:50Otherwise, we would have found his body, too.
05:52And he would have sent this.
05:54It adds up, Mark.
05:55I've seen this scenario before.
05:58It won't be the last time an American dignitary son or daughter is kidnapped.
06:01If only the abductors would make contact.
06:04This damn waiting is...
06:06Ambassador Stewart speaking.
06:16You must tell me, is Jack alive?
06:24Here, say hello to your daddy.
06:28Dad, I'm alive and okay.
06:31Don't worry about me.
06:33Don't do anything rash.
06:34What do you want?
06:36Use your political influence and great wealth to get us the second phase fuel formula for the ultra-neutron bomb.
06:45Or by Allah, your son will be returned to you organ by organ.
06:49How much time do I have?
06:52Let me see.
06:55Well, one thing's certain.
06:57You can't meet their demands.
06:59The UN bomb is a dangerous enough weapon in the hands of sane people.
07:03I've got to do something, Jim.
07:04He's my son.
07:05If we can pull a rescue.
07:07Have an idea.
07:08Look, don't bullshit me.
07:10I've already been refused help by the Israelis.
07:13Even our own government.
07:15Too many political problems involved.
07:16I am not talking about any government-sanctioned rescue.
07:20Then what?
07:21Girls look great tonight, Jan.
07:23You did a terrific job with them.
07:25Should be a good show tonight.
07:27Thanks, Joe.
07:28Hey, ladies, turn to your left a little bit for you.
07:47Hello.
07:49I'm joking.
07:50I sure hope there's enough to go around.
07:53Do you want a drink, gentlemen?
07:54I want you to take a water.
07:55What are you talking about?
07:56Dad, take a walk.
07:59I'll get security jammed.
08:15What's wrong, boys?
08:16I thought I'm supposed to be the weaker sex.
08:18All right, you creeps, want any more to come and get it?
08:31That's enough, Jim.
08:32You passed the test.
08:35Jim, what's going on?
08:37I have an offer that can make you and your girls
08:46more money than you'll ever make in Las Vegas.
08:49What are the details?
08:51Come on.
08:52Let's go.
08:53Sounds good.
08:55Come on.
08:55Let's go.
08:55Come on.
08:56Let's go.
08:57Let's go.
09:18Jesus, would you look at that?
09:26It's a military coming through, Sergeant.
09:28I often wonder about that myself, sir.
09:35It's hot out here.
09:37The officer's bar closes in an hour. Get my drift, Sergeant.
09:41So, this is the secret training center.
09:44This was used as a special CIA training camp.
09:48Well, Beth, you said you wanted me to be on the bus in the morning.
09:51Yeah, but they sure have a house in Springfield.
09:53Not exactly in Palm Springs, either, but for 25 grand.
09:57Hey, what are you gonna do with that 25 grand, Billy?
09:59She hasn't got it yet.
10:01You gonna let them keep us here all day, Sergeant?
10:04All right, ladies, let's settle down.
10:09All right, you're all here because you volunteered.
10:12And we promised you money and excitement.
10:15But I'm warning you, it's not gonna be easy.
10:17I'd like to introduce you to your commanding officer.
10:20This is Colonel Ballin.
10:22And this is your drill instructor, Sergeant Hearth.
10:26We have less than 10 days to transform you from Las Vegas showgirls
10:30into expert commando fighters.
10:32During that time, some of you will be dismissed, some will quit.
10:36Some, if you don't listen to every word I say, could be seriously injured.
10:41But I'll tell you this.
10:43Those of you that do make it through
10:45are gonna be the best fighters that ever came out of this camp.
10:51If you're having any second thoughts about this, now's the time to speak up.
10:54The bus hasn't left yet.
10:55Any questions before we start?
10:57Good. Move them out, Sergeant.
10:59Right away, sir.
11:02We're gonna move down to the obstacle course now.
11:04When I blow this whistle, I want you to move through this course
11:07as if you were going through a minefield.
11:09Imagine if those tires were mines and you touched one of them.
11:12You could lose both legs.
11:14This guy's got a fertile imagination.
11:16Let's move it out.
11:22All right, let's go.
11:23Come on.
11:46Come on.
11:55That's okay.
11:59Where we got a friend and he'll fall behind you.
12:01All right, both men always have anomp in chicken Idaho security.
12:04Come on.
12:07Come on.
12:11I'm gonna get back.
12:12How do you even have a chicken?
12:14¶¶
12:44Ladies, an ordinary piece of wood, but you can if you think you can.
12:55Remember that saying? I want you to come up.
12:58Each of you can do this, but Jan, I want you to come up.
13:00I want you to concentrate on putting your fists right through this wood, right into my chest.
13:06Okay, you can do that now. Take your time and concentrate.
13:09See your hand going all the way through. Let's go.
13:11Okay, now, how did Bruce Lee do this?
13:22Good job.
13:23Ha, ha, ha, ha.
13:41Ladies, this is a killing instrument.
13:45It's the M16 rifle now being used around the world in more wars than we need.
13:50You take care of it,
13:51and it will take care of you.
13:56Now, remember, squeeze those rounds off slowly.
14:00Okay, on your shoulders.
14:02Ready on the left.
14:04Ready on the right.
14:05Hold it, hold it, hold it, hold it, hold it, hold it.
14:10What's the problem here?
14:11I can't seem to get it right, officer.
14:14Uh, well.
14:18Uh.
14:20Try it from the hip.
14:21I told you never to point that weapon anywhere but down the range.
14:37Do you understand?
14:50You don't do a thing until you're instructed.
14:51Do you understand?
14:52All right.
15:00That's enough for today.
15:01Ladies, I, uh, got permission to use the, uh, officer's swimming pool.
15:05I want you all to change it in your swimwear.
15:08In a few minutes, we'll call you, back out, and tell you who has been selected.
15:11Woo!
15:14Woo!
15:15All right.
15:17Woo!
15:17Woo!
15:17Woo!
15:17Woo!
15:18Woo!
15:18Woo!
15:18Woo!
15:19Woo!
15:19Woo!
15:20Woo!
15:21Woo!
15:21Woo!
15:22Woo!
15:22Woo!
15:23Woo!
15:23Woo!
15:24Woo!
15:24Woo!
15:24Woo!
15:29Hey, Jan.
15:30When will we know who's selected?
15:33Yeah.
15:34And who turns back into a showgirl?
15:36Let me.
15:37We.
15:38Hey, you'll all be a better showgirl for this.
15:40Sing!
15:41Two, three, four, five, six, seven, eight, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, nine, 12,
15:46Oh, we use that in our new number.
15:48Huh.
15:48Especially the target practice.
15:51Oh, well, it was a nice vacation.
15:53A nice paid vacation, if nothing else.
15:56Well, I had a wonderful time at it.
15:58Oh, and it had a wonderful time with you.
16:02Yeah, those guys can keep their eyes off you.
16:06I hope watching you made them overlook our mistake.
16:08Well, you might have served a useful purpose after all.
16:11I always serve a useful purpose.
16:13Yeah, a couple of them.
16:16I'm kind of sorry it's all over with, you know?
16:19Now that I got my body back in shape, now what do I do?
16:24Oh, you can always join the real army if this one won't take you.
16:28Jan, if we're not selected, can we still get our old jobs back?
16:31With all this training, if they won't give us our old jobs back,
16:34we'll just go in and take them back.
16:36I sure hope I'm one of the lucky ones who get selected.
16:40After what we've been through,
16:41I wonder if it's the lucky ones who get turned down.
16:46All right, ladies, let me have your attention.
16:48Quiet down, girls, we're going to read the match.
16:51Quiet!
16:53Because of the delicacy of this mission,
16:55I'm going to read the selected girls by their first name only.
16:59Of course, Jan, you'll be the leader.
17:01Oh, yeah!
17:08Billy.
17:10All right!
17:10Yeah!
17:12Gail.
17:12Oh, wow!
17:14Tina.
17:14Sure.
17:15Megan.
17:15Ah!
17:16Ah!
17:16Oh, nothing.
17:17Chrissy.
17:17Oh, of course.
17:18I knew that.
17:19Ah!
17:19Ah!
17:19Ah!
17:20Ah!
17:21Ah!
17:21Ah!
17:22Ah!
17:22Ah!
17:23Ah!
17:23Ah!
17:24Ah!
17:24Ah!
17:25Ah!
17:25Ah!
17:26Ah!
17:27Ah!
17:28Ah!
17:29Ah!
17:29Ah!
17:30Ah!
17:30Ah!
17:31Ah!
17:32Ah!
17:33Ah!
17:34Ah!
17:35Ah!
17:35Ah!
17:36Ah!
17:36Ah!
17:37Ah!
17:38Ah!
17:39Ah!
17:40Ah!
17:41Ah!
17:42Ah!
17:43Ah!
17:44Those of you not selected, we want to thank you, with a bonus of $1,000 a piece.
17:49I can't understand why they passed me by.
17:52Either can I, Mary.
17:53Either can I.
17:54Yeah.
17:55Hi, Mr. Ambassador.
17:56How was the flight?
17:57I'm in Vegas, aren't I?
17:58Right.
17:59Yeah.
18:00Well, I hope the hotel's treating you right.
18:01Never mind that.
18:02I want to know what progress is being made with your scheme to rescue Jack.
18:06Well, everything's going well so far.
18:08Just give me one more day and I'll be able to show you the entire plan.
18:12And then, you'll be able to see our secret weapon.
18:15Hell Squad!
18:16Hell Squad!
18:17We're the best!
18:18Don't ever put us to the test!
18:21Don't ever put us to the test!
18:24If you want a job well done!
18:27Call for Hell Squad!
18:29We're the best!
18:31We're the best!
18:32Woohoo!
18:33Woohoo!
18:34Woohoo!
18:35Woohoo!
18:36Woohoo!
18:42According to the Geneva Convention, we are obligated to give you food and water once a day.
18:47So here's your food, and here's your water.
18:52Ha!
18:53Bon appetit!
18:54What, is this some kind of cruel joke?
19:01You bring me a handful of Las Vegas showgirls and you tell me they can get my son out?
19:04Mark, it's no joke.
19:05It's all we've got left.
19:07These girls are commando trained.
19:09Each one of them is an expert in their field.
19:11Karate, marksmanship, demolitions.
19:13Mark, you said yourself that no one else would lift a finger to help us on this.
19:18It's all we've got left.
19:20A bunch of showgirls or whatever?
19:22That's their cover.
19:29Show me you.
19:34Hey, wait!
19:35Let's go!
19:40To force him to get what they want.
19:42What if we can't pull this off?
19:44Then what?
19:45Well, they said his son would be sent back to us in bits and pieces.
19:48A hell of a lot to expect from a handful of Las Vegas dancers.
19:52Yeah, what a responsibility.
19:54We're not just Las Vegas dancers.
19:56We're trained commandos.
19:58Even so, our lives are really going to be on the line, huh?
20:03Suddenly, 25 grand doesn't look so great.
20:07Look, we knew we weren't training to become camp counselors when we signed up.
20:11So let's go on with it.
20:13Go ahead, Jim.
20:14Okay, you're booked as Las Vegas dancers at a club in Carajan.
20:18Now your uniforms, vehicles, and weapons will be delivered to you by friends.
20:22You'll receive instructions by phone as to possible locations where Jack might be held prisoner.
20:28Your mission, Miss Richards, now that you've decided to accept it, is to take that location at any cost and free it.
20:36Are we going to have to kill people?
20:38No, we just fire point blank.
20:40If they fall down and die, that's their problem.
20:52I'm pushed.
20:54Really, what an exhausting flight.
20:56Wow!
20:58If I would have known hotels look like this in this part of the world, I would have visited here long ago.
21:08It's the British influence. Otherwise, we'll be staying.
21:12Don't get too enthusiastic. This might be the only luxury we see while we're here.
21:15Well, I could just sleep for days. Wake me up when the war's over.
21:18Don't take up too much room there. There's nine of us and only five beds.
21:21Aren't you guys forgetting something?
21:22What's that?
21:23The bedroom.
21:24I'm taking.
21:27This might be the only luxury we see while we're here.
21:30Well, I could just sleep for days.
21:32Wake me up when the war's over.
21:35Don't take up too much room there.
21:37There's nine of us and only five beds.
21:39Aren't you guys forgetting something?
21:41What's that?
21:42The bedroom.
21:47Hey, a tub! A tub!
21:50All right!
21:51There's enough room in here for all of us.
21:54Well, I'd rather be in there with all men.
21:57Oh, no.
21:59Oh, all men.
22:01Hey, so what do we do? Take turns?
22:03Well, I read on the plane over here that there's a water shortage.
22:06Plenty of oil in this country, but little water.
22:24Let's go.
22:30Rey...
22:31There's so much persistence of animals here.
22:35Lր
22:41We go.
22:43We go.
22:45We go.
22:47We go.
22:49Oh, my God.
23:19Oh, my God.
23:49Oh, my God.
24:19Oh, my God.
24:49Oh, my God.
25:19Oh, my God.
25:20Oh, my God.
25:21Oh, my God.
25:22Oh, my God.
25:23Oh, my God.
25:24Oh, my God.
25:25Let's go.
25:26Oh, my God.
25:27Oh, my God.
25:28Oh, my God.
25:29Oh, my God.
25:30Oh, my God.
25:31Oh, my God.
25:33Let's go.
26:03Great.
26:05This isn't anything like the team we trained on now.
26:21Don't worry.
26:23I'll figure this thing.
26:27I might rotate left.
26:31I've got them in my sights.
26:35Can't make a big bang.
26:37Always do, honey.
26:41Yeah!
26:43It's a direct hit!
26:47Let's go!
26:49They're the jeeps!
27:03Go that way!
27:05Watch out!
27:07You're driving on the ammo dump!
27:09Look out!
27:11Watch where you're going!
27:13Watch out!
27:15Watch where you're going!
27:17All right!
27:19It's okay.
27:21It's a good thing you didn't hit that ambulance.
27:25It's a good thing you didn't hit that ambulance.
27:27It's a good thing you didn't hit that ambulance.
27:29It's a good thing.
27:30It's a good thing you didn't hit that ambulance.
27:32It's a good thing.
27:34It's a good thing you didn't hit that ambulance.
27:35Look out.
27:36Look out!
27:37Watch where you're going!
27:39All right.
27:40It's okay.
27:41Oh, my God.
28:11Oh, my God.
28:41Oh, my God.
29:12Besides, we always talk like that to one another in the States.
29:15I just bet you do.
29:23Well, how are you tonight, you rancid sacks of suet?
29:27Oh, we got a great show for you, lame-brained idiots, tonight.
29:32Of course.
29:40Ah, listen, drink up, drink up, you scum-bums.
29:45I need all the money I can get so I can get out of your stinking country.
29:48Nice scene.
29:55Yeah, that's it.
29:55Come on.
29:56Come on.
29:57Come on.
29:58Come on.
29:59Come on.
30:00Come on.
30:01Come on.
30:03Come on.
30:04Come on.
30:05Come on.
30:06Come on.
30:07Come on.
30:08Come on.
30:09Come on.
30:10Come on.
30:11Come on.
30:12Come on.
30:13Come on.
30:14Come on.
30:15Come on.
30:16Come on.
30:17Oh, I'll drink of that.
30:23Oh, I'll drink of that.
30:37Yes, sir.
30:43You know, in the finale number, it's a kick, part of a ray, and then it turns.
30:48No, no, no, no.
30:49It's a kick, a ball change.
30:50A kick, a ball change, and then it turns.
30:54Hey, don't worry.
30:54Nobody's looking at your feet anyway.
30:56I'm looking at my feet.
30:58Ah, what are you doing?
31:01Hello?
31:02Be at Lebanon Heights at 12.
31:20I want to make it so simple.
31:32All right.
31:33Here's to Hell Squad.
31:34Hell Squad!
31:35Hell Squad!
31:36Hell Squad!
31:37Hell Squad!
31:38We're the best!
31:39Hell Squad!
31:40Hell Squad!
31:41We're the best!
31:42Don't ever put us to the test!
31:45We're the best!
31:46We're the best!
31:47We're the best!
31:48We're the best!
31:49Hello, John.
31:51Follow my directions, precisely.
31:54Be there.
31:55Oh, yeah.
32:09Are you kidding me?
32:12Oh, yeah.
32:22Are you kidding me?
32:24Oh, my God.
32:27Oh, my God.
32:29Oh, my God.
32:31I just feel so...
32:35Shit.
32:42Jack!
32:55What's up?
32:56Here.
32:57Oh, wait.
32:58Ah!
32:59Ah!
33:00Ah!
33:01Ah!
33:02Ah!
33:03Ah!
33:04Ah!
33:25Roger.
33:26And she.
33:33I want to thank you all for visiting me today.
33:37Visiting you?
33:38You slob!
33:39You kidnapped us at gunpoint at our hotel.
33:42How you got here isn't important.
33:46You're here.
33:48And now I suppose you want to know why you're here, yes?
33:53Because I want to know why you are in my country.
33:57I don't believe you are only dancers.
34:00I want to know what you are doing here, spying.
34:23You can't cut your tongs, eh?
34:33Oh.
34:34Oh.
34:35Oh.
34:36Oh.
34:37Oh.
34:38Oh.
34:39Oh.
34:40Release one of them and bring her over here.
34:44Oh, Taddys huge.
34:45Oh.
34:46This can't eat once a week.
34:47Oh!
34:48Oh!
34:49All right.
34:50This is going to be a sweet Wednesday.
34:52In Tuesdays.
34:53Oh!
34:54wh ti?
34:55This can't eat once a week...
34:58...on Tuesdays.
34:59And what is today everyone!
35:00It's Saturday.
35:01And what is today, everyone?
35:04Saturday.
35:05No, it's Wednesday.
35:07Saturday.
35:09Wednesday.
35:11Wednesday.
35:12Now, who sent you?
35:15Joe sent us.
35:17Uh, Joe?
35:18No, Joe Hastings from the William Morris Agency sent us here.
35:23We're dancers.
35:24We dance at the Ed Al Casino every night at the 9 p.m. dinner show.
35:27Showtime!
35:29Five, six, seven, eight.
35:30Da-da-da-da-da-da-da.
35:32Woo!
35:32I don't believe you're only dancers.
35:35Several of my men were killed in my West Tower by a group of female commandos.
35:42Do we look like soldiers?
35:44Do we have guns?
35:46I'm not wrong.
35:48I'm never wrong.
35:49It must be you.
35:51I am correct.
35:52I'll feed each one of you to the tiger, one by one, until I get the truth.
35:58Jack, behind you!
36:12Look out!
36:16Look out!
36:32Look out!
36:33Ah!
36:34Ah!
36:34Ah!
36:37Ah!
36:39Ah!
36:43Ah!
36:43Ah!
36:44Ah!
36:45Ah!
36:46Ah!
36:48Ah!
36:49Ah!
36:50Ah!
36:51Ah!
36:52Ah!
36:53Ah!
36:53Is there a chance there for a ship potentially?
36:54Ah!
36:55Ah!
36:58Tell us where they're holding Ambassador Stuart Sun.
37:05Get them kept off of me.
37:07Better tell us where Ambassador Stuart Sun is first.
37:11The dungeons of Amal Zwila. Amal Zwila.
37:15Now get them off of me.
37:25Bon appetit, Kitty.
37:28I can't see anything for a beer.
37:32Look, there's tire tracks. There's got to be a road somewhere.
37:35Ah, so what? There'll be no one on it.
37:38Probably some chariot tracks from 200 B.C.
37:41You realize that we could die of dehydration out here.
37:46Even lack of water.
37:48We've only got about six more hours to live.
37:52Yeah, Pauline, get us out of this peril.
37:55Okay, well, we can't walk.
37:57I don't want to go.
37:57Oh, shit.
37:59It's probably sheep.
38:02I wonder what it is.
38:03Deja vu.
38:04I saw the same scene in Lawrence of Arabia.
38:07It turns out to be an Arab who shoots the man who was watching him.
38:10Come on, let's get the hell out of here.
38:15And go where, huh?
38:17Well, we can't just stand here and be slaughtered.
38:20You make that what it is yet?
38:21I can see several heads and huge bodies.
38:25Elephants out here in the desert.
38:29They're camels.
38:31They sure are.
38:32How are we going to fit nine girls on three camels?
38:38A couple could ride on ahead and get hell.
38:41No, I think we should all stick together.
38:43Can't they carry all of us?
38:53Faye, where can a girl get a cold drink around here?
38:56Is that water in that bag?
39:02Sure it is.
39:02Let's have a drink.
39:05Oh, what is it, Tina?
39:07It's camel piss.
39:08This guy's taking his camels to the doctors with their specimens.
39:12Give me that.
39:13Oh, what is it?
39:22It's only warm water in goat skin bags.
39:25Sure it tastes terrible, but at least it's water.
39:27I'd rather dehydrate.
39:29We will, we will.
39:31Maybe we should follow them.
39:41They might lead us to civilization.
39:43Oh, man.
39:44It could be days.
39:45No, we can't go on much further.
39:52A car, a car!
40:02Hey!
40:03Hey!
40:03Hey!
40:04Hey!
40:05Can you give us a ride?
40:06How far is the nearest city?
40:10We're going to the Phoenicia Hotel.
40:13Please, take us to the city.
40:15Yeah.
40:15Oh, please, Tina.
40:16Oh, my God.
40:17Where did these beautiful girls come from?
40:19My goodness.
40:21Come on over with me.
40:22I'll take you.
40:22I'll make a lot of money on you.
40:23Come on.
40:24Let's go.
40:24All right.
40:25Come on.
40:25We got it.
40:26Yeah.
40:26I'll make a lot of money on you.
40:39Oh, my God.
40:39Come on.
40:40Come on.
40:40Come on.
40:41Come on.
40:45Come on.
40:45Come on.
40:45Not even undressed yet.
40:55You'd better come up with the right answer this time, buddy.
40:58Amma's villa?
40:59Yeah, we think that's where they're holding the ambassador's son.
41:02Amma's villa is on Lake Cosmo.
41:06Well, how do we get there?
41:07Swim.
41:11You think it's safe telling this guy where Stuart's son might be?
41:14What if he's not on the level and he's using us to locate the son so that he can grab him?
41:20You're right.
41:21Then we'd better act fast.
41:22Come on, girls, get up.
41:23It's an emergency.
41:25Come on, get up.
41:26Let's get going.
41:27We think we found out where Stuart's son is.
41:29Yeah, come on, but we have to get there by morning.
41:32Come on.
41:33Come on, girls, we have to...
41:34We're a swimwear and snorkel.
41:37Come on, girls, and we gotta...
41:39Get up!
41:40Damn it!
41:44What are we stopping for?
41:55I'm reading this huge sign.
41:58There is no huge sign.
42:00No shit, Sherlock.
42:01We are lost.
42:03What are you guys doing?
42:04Now for road instructions?
42:05No, this isn't a public expedition.
42:07They didn't tattoo it on my ass.
42:09Well, at least we had to have it now.
42:11Yes, we would, wouldn't we?
42:12What's going on?
42:13What'd you stop for?
42:14We are lost.
42:16We're not lost.
42:18We're heading in the right direction.
42:19Well, couldn't you figure this out back at the hotel room?
42:23No, I left my atlas at home.
42:26Come on, girls, let's just keep going.
42:28It's gotta be in this direction.
42:29Yeah, it's gotta be around the bend.
42:30This is the only road in here.
42:31It has to be long.
42:32Okay, come on. Let's go.
42:33Just make it over that mountain.
42:34Just keep driving.
42:35Come on.
42:43Well, I don't see anything yet.
42:45Do you see anything yet?
42:47No, I don't see anything yet.
42:49Do you see anything yet?
42:50I don't see anything yet.
42:51Do you see anything yet?
42:52I don't see anything yet.
42:54Keep driving.
42:55We don't see anything yet.
42:56The lake, the lake.
43:04Where?
43:04There it is!
43:08Come on!
43:26Well, where's the transportation to get us out of here?
43:29You're it, kid.
43:30Let's go.
43:34I wonder if there's anything in the water.
43:35Oh, this will wake us all up.
43:56Come on.
43:57Come on!
43:58Come on!
43:59Come on!
44:01Come on!
44:08Come on!
44:09Oh, it smells in here.
44:34Hey, it's Doc in here.
44:36No shit, Sherlock.
44:39There are rats down here.
44:44Don't look at my spirit.
44:46Billy, it's wet in here.
44:59I'm trying, man.
45:00My knees are hurting.
45:04Oh, God.
45:06That was a spider.
45:08Oh, God.
45:09How did I get myself into this mess?
45:14Yeah, I drew aoi.
45:16And that's my personality.
45:18And I took my pot.
45:21I found my mould, and the dai HaiD.
45:24Oh, wow.
45:27Hello, hello, hello, hello.
45:30Hello, hello.
45:32Hello.
45:33Hello.
45:34Hello.
45:35Hello.
45:36Hello.
45:37Hello.
45:42That's what I call a doubleheader.
45:57Are you Jack?
46:00Are you Jack Stewart?
46:02It's too late for this guy.
46:03He's dead.
46:04Come on.
46:05This is him.
46:06Let's go.
46:07Come on.
46:08Come on.
46:09Hurry up.
46:10Hurry up.
46:11Come on.
46:12Let's go.
46:27Come on.
46:34You want to see another big bang?
46:36Aren't you supposed to light it?
46:39Well, I forgot something.
46:57Come on.
46:58Hurry up.
46:59Hurry up.
47:00Hurry up.
47:01We gotta go back to the hotel.
47:02We gotta go back to the hotel.
47:03We gotta go back to the hotel.
47:04Open there.
47:05Shut up.
47:06Shut up.
47:27Get from here.
47:31Alli!
47:32Unwaste.
47:34Viewing.
47:35Opens下.
47:36Good.
47:37Man.
47:38Look at that.
47:39No problem.
47:40I'm sorry if you had one here.
47:45See what I call a key thing.
47:47Your company owner is working.
47:49This is and the last question about by theond,
47:53Let's go.
48:23Let's go.
48:53Let's go.
48:55Let's go.
48:56Let's go.
49:00Oh, Jacob.
49:23The girls are here, Stuart.
49:33Uh, Mr. Ambassador.
49:35Show them in, please, Anne.
49:36All right.
49:38Remember, it's Tuesday.
49:40Is our date on as usual?
49:41Of course.
49:42Okay, great, thanks.
49:45You can go right in.
49:48They're here.
49:49Oh, great.
49:53Good show.
49:56Congratulations.
49:57Thank you so much.
49:59Good show, Steve.
50:00Good show.
50:01Thank you so much for getting us.
50:02How are you?
50:02Oh, good show.
50:04There goes something else.
50:06Good show.
50:09Congratulations.
50:10Thank you so much.
50:12Well, everything worked out fine.
50:14Here's your money.
50:16Not quite.
50:17At least not unless you want a repetition of the kidnapping.
50:21What does that mean?
50:21Or worse.
50:22What does that mean?
50:24Jack's back safely.
50:25The girls did a remarkable job.
50:26Yeah, what's all this about, Jan?
50:29Didn't any of you wonder how the terrorists knew every move we made?
50:34Well, I wondered how we kept getting fake instructions every night by phone.
50:39Then the next day we'd go out and wipe out a bunch of Arabs.
50:43But they weren't terrorists.
50:45Wait, are you saying that one of us is an enemy agent?
50:48That one of us risked all your lives?
50:52That one of us masterminded the kidnapping?
50:54Yes, Jim.
50:55That's exactly what I'm saying.
50:57But why?
50:58He's right, Jan.
50:59You're going off the deep end.
51:01Let's just take our money and get the hell out of here.
51:04You'd like that, wouldn't you, Tina?
51:06Take the easy way out.
51:08No more scrapes.
51:09No more problems.
51:10Just get our money and get it over with.
51:12Jan, you've flipped.
51:14None of us here is a terrorist.
51:15Uh, Anna, why don't you call the girl, Patsy?
51:19Of course.
51:22Yes, why don't you, Ann or Anton or whatever your name is?
51:30Would you just back off a minute, all right?
51:32Would you let me explain?
51:33Well, how did you know it was Ann or Andy?
51:59It had to be someone in our immediate group.
52:02Quite frankly, Ann or Andy was the only one beyond suspicion.
52:06Besides yourself, Mr. Ambassador.
52:09Well, thanks a lot, Jan.
52:10Really?
52:11That's really great.
52:12I'm sorry, gang.
52:14But thanks to those weird midnight phone calls, I wasn't even sure of myself.
52:19Well, how did you finally zero in on Ann or Andy?
52:22When I went to the ladies' room, right after Ann or Andre had left.
52:31The ladies' room?
52:34Yeah, the toilet seat was up.
52:38Well, everybody knows that a man has to lift the toilet seat to go to the bathroom.
52:46Listen, you girls take Ann or Anthony downtown to police headquarters.
52:50Okay, come on.
52:51Let's go.
52:51Wait a minute.
52:52What is your name?
52:54Fred.
52:55But don't you know you'll be executed as a traitor?
52:58Nobody lives forever.
52:59Let's go.
53:00Come on.
53:01I'm shocked.
53:05It just goes to show you can work with a person and never really get to know you.
53:13How about a quiet dinner together soon, to get better acquainted?
53:16I'd like that, Dad.
53:18Mind if I bring a friend along?
53:21Not at all.
53:21In fact, let's bring a few friends along.
53:27How about it, Jan?
53:28How about a little dinner and conversation?
53:31Okay.
53:32But give me two years to change.
53:33Come on, Jan.
53:35Come on, Jan.
53:36Be reasonable.
53:37Come on, Jan.
53:37Be reasonable.
53:37Come on, Jan.
53:39The End
54:09The End
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