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  • 23 hours ago
Charlize Theron, Peter Chernin, David Heyman, Dan Lin, Debra Martin Chase and Emma Tillinger Koskoff joined for the annual Oscar Producer Roundtable.
Transcript
00:00obviously Joker has been a huge box office success but there was some controversy around it did you
00:09see that coming as a producer when you were working on it not while we were making it really
00:14there was a little pushback at times prior to getting it officially greenlit you know it's
00:21some concerns about some of the you know gun violence understandably but once we got you
00:29know locked and loaded and the budget and up and running every everything was great and the trouble
00:36didn't start brewing until we screened it really for the first time and just wanted to be very very
00:40aware and careful given the subject matter and uh yeah it's been it's been it's been interesting i'm
00:47just glad that we opened and acquire it quiet on the western front the box office has been amazing
00:56so that's wonderful but just that um you know people with beta breath that we can just to make
01:01sure yeah it was it was a nail biter for sure
01:04how did you react when the sort of de-aging of the actors came up as the way that that movie was
01:16going to be made you know we had pablo hellman from ilm as our uh visual effects supervisor on silence
01:21and he'd been reading about this project and he's the one who approached us and said i think we can
01:28do something you know there had been three four years of r&d before we decided to make the movie
01:33and we saw a test and we saw what it could be and took it from there i mean it was very very
01:37very very promising what we saw and it was it was very very easy technology to work with you know
01:44there was no head cams no dots no you mean you were free to do what you needed to do because it was
01:50all essentially done in post the camera rigs were easy to work with it didn't add time to our days
01:57it was amazing
01:58my film joker the themes in that film are important at this time in in the world i know it's very
02:11controversial i'm not trying to get into into that but i was very um moved by that script and you know
02:18have a lot of empathy for the themes going on in that film and and i think that it's important to
02:25really look at those those individuals who are suffering from mental illness and really try to
02:32find some love and empathy for these people for me the themes in that movie were empathy and you know
02:38feeling uh sad and empathetic for that character i do want to touch on the sort of power dynamic
02:43between the producer and the director what do you do when they tell you something and you're just not
02:49sure that's going to happen they want a three and a half hour movie they have a very specific vision
02:54for their story what do you do how do you deal with that mine is neither one of mine really takes no
02:59for an answer so i have to i'm trained very well in the scorsese filmmaking world where you know he's
03:07uncompromising and extremely exacting and um so i have learned now over 16 years with him um how to
03:16protect and cover for those those instances so i feel like silence was insane that movie to get made
03:24from start to finish and i really i learned so much on that and i learned moving forward i knew what to
03:29look for and what to cover for uh but but neither one wants to and i've only really produced for two
03:35todd and marty and um you know they're they they will not compromise and you have to figure out
03:42our job to really keep them safe and protected and with their actor actors and cast and in you know
03:50in their locations and their sets and making the days but maneuvering behind the scenes to somehow
03:55make it all make it all happen and that's that's how i that's how i work
04:00that's how i work
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