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00:00Take a listen to these three snippets.
00:02I want you to guess which songs are produced by humans and which are produced by artificial
00:07intelligence.
00:08Well, I tricked you because all of these songs were created with AI, including the last one,
00:27which just became the first ever AI-generated song to hit number one on Billboard's country
00:33digital song sales chart.
00:34I know, I know, but that was the point.
00:38Most people can no longer tell the difference between a human-made song and one made by AI.
00:46Ipsos and music streaming app Deezer surveyed 9,000 people across eight countries playing
00:52one human song and one AI song.
00:5497% of respondents got it wrong.
00:58So how hard is it really?
01:00Kato on the track is a number one Billboard charting music producer and says there's usually one
01:06big giveaway, but it's something trained ears pick up faster.
01:09AI-generated songs still, to me, have this very sanitized quality to it where the singing is
01:19perfect. The production sounds like very clean and like very, uh, like the chord progressions
01:27are like so clean.
01:29So to test this out, I brought in the big guns, AKA my sister and music lover and Harry
01:35Kumar, co-founder and chief creative officer of the quantum technology company Moth.
01:40Oh, this is going to be hard.
01:42In spring mornings, the sun rises on the horizon.
01:49I think that's AI.
01:50I'm inclined to say it's AI.
01:51It has like a weird, like metallic sound, but it's also way too on beat for that style
01:59of song.
02:00What she's hearing that too perfect feel is the same thing many producers listen for in
02:07music software. Everything sits on a grid, like a musical spreadsheet. When you click notes
02:13with a mouse, they snap perfectly onto that grid. But when a real person plays a melody,
02:18even the best musicians are slightly off the grid, not off beat, just human. Those micro
02:25imperfections are what make music feel authentic. While AI hits every note with math
02:30medical precision.
02:31I think it's real. I think potentially the vocals were already sampled.
02:44My first instinct was it's not AI.
02:48Oh no, I should have went with what I thought.
02:51This second song is all over TikTok. It's now been deleted, but people have suspected it
02:57was AI for some time now. And those rumors grew when it vanished from Spotify.
03:03Back in September, Spotify announced new AI protections, including a ban on impersonation
03:09and AI cloning of artists' voices, unless the artist gives permission.
03:13A Spotify spokesperson confirmed the reason for the removal of I Run to Straight Arrow News,
03:18saying this song was removed for violating Spotify's impersonation policy.
03:23No royalties were paid out on the track streams. To be fair, our contestants did pretty well
03:29overall. But what you saw here is exactly what's happening globally. AI tools like Suno,
03:35recently valued at nearly $2.5 billion, are evolving so quickly, some songs sound indistinguishable
03:43from real humans. As I mentioned, Kumar is co-founder and CCO of Moth. A few months ago,
03:48Stray Arrow News reported on Moth's Breakthrough, the first song ever created using quantum AI music
03:55technology.
04:07We used some classical machine learning techniques and some quantum machine learning techniques to
04:14then produce this generative stream of music, where each time you listened to it, it was stylistically
04:20the same, but always different. Kumar isn't anti-AI. He says some generative AI is astonishing,
04:28some is a little scary, but a lot of AI companies are now hitting computational limits,
04:33pushing beyond what today's modern computers can handle.
04:36We're starting to see a lot of these companies choke on their own ambition.
04:39And that ripple effect hits the music industry too. Cato also isn't anti-AI. He actually likes
04:46using it as a collaborative tool, especially for new artists still building their sound.
04:51I think new artists and new songwriters especially, who are still kind of in that 10,000 hours phase,
04:59can use a platform like Suno, type in their lyrics, or feed it one of their beats that they made,
05:07and then just like generate a ton of ideas that they can work off of, right?
05:12But legal questions get marky. Multiple lawsuits are being filed over who owns the rights to AI-created
05:19music.
05:19And they say that, okay, if you're on a pro subscription, you own the copyrights, right?
05:25But that's also like contingent on whether it can actually be enforced, because they know that
05:33they've trained their model off of the world's music.
05:36And on top of that, both Cato and Kumar agree that AI often lacks real human authenticity.
05:43The way that AI has been applied, and specifically the way that data has been stolen, the way that we
05:51are, you know, prompting, you know, prompting visuals without really much artistic practice
05:58involvement in that, I think is unsustainable, and also is unlikely to, in the long term,
06:04really resonate with users, with consumers of content, of media.
06:09The Ipsos Deezer poll also found most listeners want clear labeling when a song is 100% AI.
06:16Half believe AI will play a major role in music creation within 10 years.
06:20But for the people who do this for a living, the concern isn't just technology, it's preserving
06:26the value of human craft.
06:27As a music producer of the last 15 years, I care deeply about this craft in this art form.
06:35And so when I see people who are able to kind of like, play ball in our space now, because
06:42of tools like AI, and some of these other platforms, it makes me feel a certain type of
06:47way.
06:48You know, but at the same time, I'm never going to hate on someone that's trying to get their
06:53shine on.
06:53The future of music may be part human, part AI, or something in between soon.
06:59But as Harry Kumar put it,
07:01The future is coming, that's for sure.
07:04For more on this story and others, head over to san.com or download our mobile app.
07:09I'm Kennedy Felton with Straight Arrow News.
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