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Short filmTranscript
00:00:00Ready!
00:00:04Ready, ready, ready.
00:00:08Come in here.
00:00:10One more.
00:00:12Come on, come on.
00:00:14Come on.
00:00:16Come on.
00:00:18Come on.
00:00:20Come on.
00:00:22Come on.
00:00:24Ready, ready.
00:00:26I can't believe I'm so close to Freddie Jones.
00:00:39Charlotte!
00:00:40Why are you just standing here when there's people without hors d'oeuvres?
00:00:44Sorry, sir.
00:00:45The caterers were in.
00:00:45I'm sorry to get more.
00:00:47Finally, more hors d'oeuvres.
00:00:49I was just talking to the head of the studio.
00:00:51We share a ski cabin.
00:00:52She's having a great time, Uncle Seth.
00:00:54Oh, at least I have one.
00:00:56I don't care who knows how to host a party.
00:00:58Charlotte, you could take a few notes here from Ava.
00:01:01This isn't your backwoods Applebee's.
00:01:03This is a Hollywood party.
00:01:06Hey, Mark Paul Gossler!
00:01:08He's right.
00:01:09You're too uptight and slutty.
00:01:11It's not helping your whole Walmart aesthetic.
00:01:15It's not helping that I've been working this entire party by myself.
00:01:18It doesn't matter how hard you work.
00:01:20People have to like you.
00:01:21Nobody likes a martyr who dresses like she works at the DMV.
00:01:25Give up and go home.
00:01:28Thanks, Ava.
00:01:28But I don't need advice on how to charm a room from a nepho baby.
00:01:32I've been working for Tip since I was 15.
00:01:33Mr. Jones?
00:01:47Call me Freddy.
00:01:51Right.
00:01:52Um, I'm so sorry.
00:01:54You don't need to be sorry.
00:01:55This party needed a little excitement.
00:01:57It was trash and everybody knows it.
00:01:59Yeah.
00:02:01I mean, I prefer your earlier work, but you were still excellent.
00:02:06Thanks for telling me the truth.
00:02:08Nobody tells me the truth anymore.
00:02:10Well, it was, uh, nice bumping into you.
00:02:18Hey, Mr. Jones.
00:02:20Hey, you should be the one entertaining our star client.
00:02:23Not her.
00:02:24I can only hire one of you.
00:02:25Right now, she's winning.
00:02:27Do better.
00:02:28Hello, sir.
00:03:11Where am I?
00:03:17Good morning
00:03:18Good morning
00:03:41Did you forget that today is the first day of your master plan? Come on man, get down here
00:03:47Yeah, alright
00:04:00Hey, what a premiere, Mr. Jones
00:04:02I don't know whether you pour radiant on screen or off
00:04:05Hey, what can I get you? You want a coffee, water?
00:04:08No, I'm fine, thanks
00:04:09How about I'll just, I'll get both, just in case
00:04:12Close the door
00:04:16O negative, your favorite
00:04:23I figure after last night, you would be pretty hungry
00:04:26I didn't even like that, okay
00:04:30I needed help and I needed an exit
00:04:32Come on, Freddy
00:04:34I've been your best friend and your enabler for the last 200 years
00:04:38And during that time, I've known you to be very picky, very cautious, and a very, very demanding vampire
00:04:45So come on, give me something, how'd she taste?
00:04:52I don't know man, I think she was an intern, I didn't even get her name
00:04:56But nothing happened
00:04:59Good, cause I got enough to worry about while you're going away undercover
00:05:03You sure about this plan?
00:05:05I mean come on, why can't you just go to the Maldives like every other actor?
00:05:09I just need to get away from everything, the business, my parents, this whole movie star lifestyle
00:05:16It's just
00:05:17But why do you want to go undercover as an intern?
00:05:19Is this about that intern girl?
00:05:21Yeah, I may have come on a bit strong
00:05:23I don't know, there's just something about her
00:05:25But how do you know dressing up like an intern is going to help you get to know her?
00:05:28And how do you know that when you get close to her, you're not just going to blow your cover?
00:05:31I don't know, I'll play it cool, I'll work hard, hopefully our paths will cross
00:05:35I can feel it though
00:05:37Fine, I'll do what I can
00:05:39But please, promise me you're not going to let this intern thing distract you from your actual job
00:05:44Thanks Coleman, this is going to be the role of a lifetime
00:05:51Better
00:05:54But you can't help but look like a movie star
00:05:56I think I might need help from a glamour, so
00:06:00So I didn't know if you wanted all the...
00:06:03Where's Mr. Jones?
00:06:06He had an engagement
00:06:09Who's this?
00:06:10This is Edward, our new intern
00:06:13Oh great, another one
00:06:16Well, let's get you started
00:06:23Jesus, this might actually work
00:06:33When can I expect money from you?
00:06:36I'm bartending nights and weekends
00:06:38But if you don't make some more money soon, you won't have a home to return to
00:06:42Do you know the debt we're in?
00:06:44We're going to lose the bar if you don't start helping
00:06:47The internship is going great
00:06:49I'm going to have a new job before we know it
00:06:52Okay?
00:06:53Mom, I have to go
00:06:55Bye
00:06:56After you humiliated yourself in front of the entire industry
00:07:03I'm surprised you even came in today
00:07:05What happened to me last night?
00:07:07I know I only had one drink
00:07:09Were you taking bets on who you ended up with?
00:07:11My money's in the pay from the mailroom
00:07:13Leave me alone now
00:07:14Oh, if it isn't Miss Life of the Party
00:07:26You know it's one thing to entertain the clients
00:07:29But it's another to walk around acting like a drunken floozy
00:07:32I'm sorry, I don't
00:07:34Oh really, you're sorry about that
00:07:36Well, there's penance you can show around the new intern
00:07:39We have a new intern?
00:07:40Yeah, yeah, that guy
00:07:42Hey, come on over here
00:07:43Paul Kogan, yeah, you
00:07:45Jesus, stop doing workouts and talk to her
00:07:49Hi, I'm Edward
00:07:57Hi, I'm Edward
00:08:01Are you okay?
00:08:03Yeah, I'm Charlotte
00:08:05Let me show you around
00:08:11Hey cutie
00:08:13Hello
00:08:14Are you running for junior exec?
00:08:15No, I'm not looking for anything permanent
00:08:18Oh good, we should get along fine then
00:08:21So, where are you from?
00:08:23Look, I'm supposed to help Charlotte with something, so...
00:08:26Between us?
00:08:28Charlotte's character isn't going to get her very far in this industry
00:08:32This was her last night
00:08:33Where are you going?
00:08:34Where are you going?
00:08:35To go help Charlotte?
00:08:36Like you should have done last night
00:08:37So, Freddy just went on vacation
00:08:38When he gets back, he's going to want something very different for his next project
00:08:43We're looking for something that's very character driven, but at the same time something that only he could play
00:08:47So, ideas?
00:08:48What about a period piece?
00:08:49You know, Freddy has this classic quality to him, like he could almost be from a different time
00:08:50Um, I could see him in a western or a Jane Austen movie
00:08:51Uh, that's really perceptive
00:08:52Excuse me, interns? But the grown-ups are talking?
00:08:53Do you know how you're talking about?
00:08:54You know, he's going to be talking about his own story?
00:08:55The guy is going to be talking about the story
00:08:56He's going to be talking about the story
00:08:57He's going to be talking about the story
00:08:58And he's going to be talking about the story
00:08:59He's going to be talking about the story
00:09:00And he's going to be talking about the story
00:09:01So, ideas?
00:09:03What about a period piece?
00:09:05You know, Freddy has this classic quality to him
00:09:08Like, he could almost be from a different time
00:09:11Um, I could see him in a western or a Jane Austen movie
00:09:14Oh, that's really perceptive
00:09:15Excuse me, interns? But the grown-ups are talking?
00:09:19Do you know who you're talking to?
00:09:23Do you know who you're talking to?
00:09:29I mean, it's...
00:09:31Freddy...
00:09:32Edward's...
00:09:33First day
00:09:35Sorry
00:09:40Oh, I totally forgot
00:09:42I've actually got to run
00:09:44But I'm greatly looking forward to hearing all of your ideas
00:09:51When you're big shots, you can open your mouth every time a dumb idea pops into your head
00:09:55But until then, you're nobody
00:09:58I'll remember that
00:09:59Good
00:10:01Charlotte, you can stay and clean up after the party
00:10:02I'll tell the cleaning services to skip this weekend
00:10:05Tonight?
00:10:06But I have another job ahead
00:10:07Oh, great!
00:10:08But you should have thought about that before you embarrassed our department
00:10:11Ava
00:10:14Happy hour
00:10:16I'm buying
00:10:18You know you don't have to stay and clean up with me, right?
00:10:24I don't mind
00:10:26Can I ask you something?
00:10:29Are Ava and Seth real pieces of shit?
00:10:31You...
00:10:32I shouldn't laugh
00:10:36No, you should
00:10:37You have a really beautiful smile
00:10:40No, but seriously, why are they always like that?
00:10:44I don't know
00:10:45It's just kind of the way they are
00:10:46Ava's in the running for the same job as me
00:10:48And Seth's her uncle, so...
00:10:52Anyway, what's your story?
00:10:54Why are you here?
00:10:55I mean...
00:10:56You can call it a court of life crisis
00:10:59I don't know, I guess I've just been sheltered my whole life, so...
00:11:01I just wanted to try something new
00:11:02You wanted to try picking up trash with me?
00:11:05I mean, there's worse ways to spend your day
00:11:08Plus, I thought you could, you know, teach me a few things, and I can learn the ins and outs
00:11:13Deal
00:11:15Shoot, I'm gonna be late for work
00:11:17Look, this isn't work?
00:11:19Not for me
00:11:21You know we don't get paid, right?
00:11:23What?
00:11:25I'll see you on Monday
00:11:26Hey, Coleman
00:11:29Yeah, give me the personal file on Charlotte's sin
00:11:31Yeah, I need to know everything about her
00:11:33Also, dude, we gotta start paying these interns
00:11:35Alright
00:11:37Why would you want to meet here?
00:11:38You hate places like this
00:11:40Hey, Coleman
00:11:42Yeah, give me the personal file on Charlotte's sin
00:11:44Yeah, I need to know everything about her
00:11:46Also, dude, we gotta start paying these interns
00:11:48Alright
00:12:03Why would you wanna meet here?
00:12:04You hate places like this.
00:12:07Yeah, you do.
00:12:08What can I get the tube?
00:12:10Mr. Hart?
00:12:13Edward, do you guys know each other?
00:12:17Us?
00:12:17No, no, no, no.
00:12:18That's okay.
00:12:20Look, he's a friend of my father's.
00:12:23I just didn't want anyone to think that was another Nepo baby.
00:12:26That's why you're so sheltered.
00:12:28Don't worry, your secret's safe with me.
00:12:30Do you know what you'd like?
00:12:31Yeah, we'll take two Bloody Marys.
00:12:35Extra bloody.
00:12:41What?
00:12:43Small world.
00:12:44Small world, and oh, look.
00:12:46Right there is where it tells you where she works in her personnel file.
00:12:50Yeah, would you look at that?
00:12:52I think you already did.
00:12:53She's amazing, bro.
00:12:55Top of her class.
00:12:57Full-ride scholarship.
00:12:59She could be anything.
00:13:00I don't know why she'd want to settle at the bottom in Hollywood.
00:13:02Sounds like somebody else that we know.
00:13:04Even the drinking.
00:13:06Okay.
00:13:07You know, Ava had a lot to do with that.
00:13:09You could smell it on her a mile away.
00:13:13If you have some time this weekend, and you feel like getting your hands dirty.
00:13:17Yeah, sure.
00:13:18I'll be right back with those drinks.
00:13:19Oh, brother.
00:13:25You are in love.
00:13:28Can you make mine a double, please?
00:13:30Hey, so how do you know if a script is worth pitching?
00:13:44A good script grabs you on the first page and doesn't let go.
00:13:46You can't stop thinking about it.
00:13:48Edward, save yourself some time.
00:13:50If a script isn't on the blacklist, it's a pass.
00:13:54It's that easy.
00:13:55Like this one.
00:13:56Once you find a script you love, it makes all the drudgery worth it.
00:14:07At least for me.
00:14:08Hey, stop gabbing and get me your weekend script reports.
00:14:12I need something that screams Freddie Jones to bring to Coleman.
00:14:16So what do we got?
00:14:17I read a lot of great scripts.
00:14:19This top one is a modern take on Sunset Boulevard.
00:14:22Isn't that, like, black and white?
00:14:24That's one of the greatest movies of all time.
00:14:27You sound just like Freddie Jones.
00:14:28He always says that that's the movie that inspired him to act.
00:14:31Look at you two.
00:14:33Sounding like nerds and losers living in the 50s.
00:14:36A contact just sounding an action romance.
00:14:38That's perfect.
00:14:39Ava, you are the best.
00:14:42I bet Freddie's gonna love that.
00:14:48Yeah.
00:14:49Yeah.
00:14:49I bet Freddie will love that.
00:14:51Yeah.
00:14:57This script has a lot of heat.
00:14:59And it's a great part for Freddie.
00:15:01Yeah, if we don't jump on this now tomorrow,
00:15:03I promise we're gonna read in the trades that Leo's doing it.
00:15:05It's really good.
00:15:14But it's completely wrong for Freddie.
00:15:17But it's got everything.
00:15:18Action, sex, he even has his shirt off for over an hour.
00:15:22Yeah, but there's plenty more where that came from.
00:15:25Good.
00:15:27Because Freddie's looking for a wide spectrum.
00:15:31So I'm gonna want to hear pitches from all of the interns.
00:15:34And whoever can pitch a film that Freddie actually wants to buy
00:15:38gets the junior executive position.
00:15:40Are you okay, honey?
00:15:53That beer has more head than a truck stop men's room.
00:15:56Yeah, sorry.
00:15:58It's just work stuff.
00:15:58Work stuff or romance stuff.
00:16:03Don't look so shocked.
00:16:05Spending 20 years in a bar,
00:16:06I get really good at reading people, okay?
00:16:09I don't even know if it's mutual.
00:16:11It is.
00:16:12How do you know that?
00:16:13Because I got a sense about this stuff.
00:16:16Plus, he's sitting over at that table
00:16:18and he just asked about you.
00:16:26What are you doing here?
00:16:29Well, I got those scripts that said toss them in the trash
00:16:33and I thought you'd want to talk about them.
00:16:38Okay.
00:16:38Thanks for coming out tonight.
00:16:44You know, even if nothing happens,
00:16:45I love talking about movies with you.
00:16:48I love talking about movies with you, too.
00:16:51Honestly, four hours does not seem like enough time.
00:16:54Shit.
00:16:59Smell that?
00:17:01O negative.
00:17:03My favorite.
00:17:06That's interesting.
00:17:18Let's take them both.
00:17:26I'm hungry.
00:17:28Sniff again.
00:17:30He's one of us.
00:17:33No way.
00:17:35Is that?
00:17:35I got to go.
00:17:48You'll never guess who just came in.
00:17:51You're his biggest fan.
00:17:53Can you imagine being so famous
00:18:10you have to lie about being on vacation?
00:18:12Don't you have work you should be doing?
00:18:14My contact just sent me another hot script,
00:18:16so no.
00:18:17No.
00:18:17No.
00:18:17No.
00:18:17No.
00:18:17No.
00:18:17No.
00:18:17No.
00:18:17No.
00:18:17No.
00:18:17No.
00:18:18No.
00:18:19No.
00:18:19No.
00:18:21No.
00:18:22Hey, Charlotte.
00:18:26Um, can I get your help?
00:18:28I jammed the printer again.
00:18:30Again?
00:18:31Yeah.
00:18:32Seriously?
00:18:33Yeah.
00:18:37Hey, what do you have for me?
00:18:40I just forwarded you a new script
00:18:41everyone is talking about.
00:18:43That's all you have?
00:18:46That script just sold,
00:18:47and it's not even what he's looking for.
00:18:49Aren't you even listening?
00:18:50How am I supposed to find something
00:18:52small and pretentious?
00:18:53It's boring.
00:18:54Figure it out.
00:18:56I got you to third base.
00:18:57You can score your own home run.
00:18:59If that farm girl brings in a script
00:19:01that Freddy wants to buy,
00:19:02I can't stop Coleman from hiring her.
00:19:05Get on it.
00:19:07Now.
00:19:09Jesus fucking Christ.
00:19:11Okay, maybe I did want to talk to you.
00:19:37Yeah, well, you better do it fast
00:19:39because I might have to run away suddenly
00:19:40with no explanation.
00:19:42Okay, Charlotte, look about the other night.
00:19:44It's fine.
00:19:45You don't have to explain.
00:19:47We worked together.
00:19:48You did the smart thing.
00:19:50We should keep it professional.
00:19:52Right?
00:19:52Yeah, I mean, if that's what you want.
00:19:59Don't do it like that.
00:20:00You're going to rip it.
00:20:05Is this my proposal?
00:20:07Yeah, I was bringing all extra copies for you.
00:20:10It's so nice.
00:20:14Well, it should work now.
00:20:16Okay.
00:20:18Thanks.
00:20:18Thanks.
00:20:22Why is the door locked?
00:20:30I didn't lock it.
00:20:32Must have been Ava.
00:20:37Hey, are you okay?
00:20:39It's...
00:20:40I'm claustrophobic and
00:20:42you can find spaces
00:20:43that make me panic.
00:20:45Okay, hey, hey, hey, hey.
00:20:46It's going to be okay.
00:20:48All right, you're going to be okay.
00:20:49Trust me for a second, okay?
00:20:52Better?
00:20:54How did you do that?
00:21:10Just a little trick I learned.
00:21:14Yeah, you're right.
00:21:17We should probably keep it professional.
00:21:18Wait.
00:21:30Okay.
00:21:46What's going on here?
00:21:47Oh, it's the door locked.
00:21:53Let's get you out of here.
00:21:54Come on.
00:22:03Man, being an intern is hard work.
00:22:07By the way, have you seen
00:22:08Charlotte's proposal?
00:22:09It's pretty good.
00:22:11Ready?
00:22:12It's time to go back.
00:22:13I've got paparazzi circling the kill
00:22:17just looking for a scoop
00:22:18and guess what?
00:22:20You know who's been calling me?
00:22:22Diana.
00:22:23And she's been asking me questions.
00:22:25Okay.
00:22:26So what, Diana?
00:22:27Is paparazzi working for her now?
00:22:28Vampire paparazzi.
00:22:31When is that woman
00:22:32ever going to realize
00:22:33it is not going to work out
00:22:34between us?
00:22:34I don't care what she wants
00:22:36or what my parents want
00:22:37or what the paparazzi wants.
00:22:39It's not going to work.
00:22:41Yeah.
00:22:41Well, it's easy to be patient
00:22:42when you're an immortal bitch.
00:22:44True.
00:22:46I know you and Charlotte have a bond.
00:22:49I don't.
00:22:50It's time to call a rap on Eddie
00:22:52and time to get back to work.
00:22:55It's back to my lonely, gilded cage.
00:22:58You signed up for this.
00:23:00She didn't.
00:23:07How's your project proposal going?
00:23:09Why do you care?
00:23:10I want it to be good
00:23:11if I'm going to hand it in.
00:23:13What are you talking about?
00:23:14My contact fell through
00:23:15and I can't hand in nothing,
00:23:17so unless you help me,
00:23:19I'll have to hand in this.
00:23:23The fuck, Angela?
00:23:24How'd you get pages
00:23:26from my journal?
00:23:27Care for how you talk to me?
00:23:29You're one phone call away
00:23:30from being a stupid slut
00:23:32that tanked Freddy's career.
00:23:33There's no scandal
00:23:34if we didn't even sleep together.
00:23:37I don't understand
00:23:38why you would do this, Ava.
00:23:39If you work for Freddy,
00:23:40you're going to ruin his career.
00:23:42I won't.
00:23:43Unless you force me to.
00:23:45So what will it be?
00:23:54Let's get set up.
00:23:59They love the proposal so much,
00:24:01they want me to present it
00:24:02to the board.
00:24:02I hope you're happy with yourself.
00:24:04You're looking at the new
00:24:05junior executive.
00:24:07Don't worry.
00:24:08I request you to stay on
00:24:09as my personal intern.
00:24:14God.
00:24:15Hey, where are you going with that?
00:24:27Have you seen Eddie?
00:24:32Looks like your little boyfriend
00:24:33left without saying goodbye.
00:24:35Let's focus, everyone.
00:24:36We've got a lot to discuss.
00:24:37Guess he wasn't as into you
00:24:39as you thought.
00:24:39I don't think we'll need you
00:24:40for this meeting.
00:24:41I'm pretty sure there's some cleaning
00:24:43to do around the office.
00:24:44Fine with me.
00:24:48Mr. Jones?
00:24:49Where are you going?
00:24:53Please stay.
00:24:54I need everybody to put some in here.
00:24:57Sure.
00:24:58You can take notes.
00:25:00There he is.
00:25:02End of the hour.
00:25:02Hey, welcome back, Freddy.
00:25:04Looking tan and refreshed
00:25:05better than ever.
00:25:07Thank you, Seth.
00:25:07Appreciate that.
00:25:13I would really like to know
00:25:15what this movie is at its core.
00:25:17Ava, this is your baby.
00:25:19I would love to hear from you.
00:25:21Well, at its core,
00:25:22it's a Freddy Jones movie.
00:25:24That's what people are paying to see.
00:25:26So what's your vision?
00:25:27Do you see this more
00:25:28as a classic Hollywood homage,
00:25:30a mystery, a romance?
00:25:33I think it has it all.
00:25:36What's your favorite part?
00:25:37The ending.
00:25:38What happens in the end?
00:25:39Your character, uh,
00:25:44wins?
00:25:45You know, it's funny.
00:25:47You wrote such an elegant summary,
00:25:49but you can't recall
00:25:50any major plot points
00:25:51or how it ends.
00:25:53I'm just curious.
00:25:53Did you actually read the script
00:25:54or did you just have AI
00:25:56spit out a report for you?
00:25:57Of course I wrote this.
00:26:00It's just been a few weeks
00:26:01and I, I...
00:26:03What do you think?
00:26:07At its heart, it's...
00:26:08It's a romance.
00:26:11A mystery with a satirical edge,
00:26:14but ultimately a love story
00:26:16with its poignant and tragic ending.
00:26:20Sounds like a good movie.
00:26:22Why do you think it'd be
00:26:23beneficial for my career?
00:26:24Because people might not know it yet,
00:26:27but you can do more than look good
00:26:28with your shirt off.
00:26:30Opening weekend,
00:26:31they're gonna go to see
00:26:32Freddy Jones, the movie star.
00:26:34Come Monday,
00:26:34they're gonna tell their friends
00:26:35to go see Freddy Jones,
00:26:37the actor.
00:26:41I love that.
00:26:43You sold me.
00:26:46Ava,
00:26:46I would like you to take notes
00:26:47for Charlotte from now on.
00:26:48What the hell was that?
00:26:59Ow, you're hurting me.
00:27:01I just answered his question.
00:27:02You set me up.
00:27:04You humiliated me.
00:27:05You should have prepared me better.
00:27:07I just know I had to prepare you,
00:27:08didn't you?
00:27:08Read what you handed in.
00:27:10It was insanely long
00:27:11and I have better things to do.
00:27:13That was the whole point
00:27:13of using your proposal.
00:27:15You made me look like an idiot.
00:27:16No, Ava.
00:27:17Actually,
00:27:18you did that all on your own.
00:27:19You made me look so bad.
00:27:21I need an explanation.
00:27:22She set me up.
00:27:24Your assistant executed
00:27:25a master plan
00:27:26to embarrass you
00:27:27and take control of a meeting.
00:27:28If that's true,
00:27:29then we should probably
00:27:30have her on the executive payroll.
00:27:31She planned this.
00:27:32With Freddy,
00:27:34I have proof
00:27:34just to humiliate me.
00:27:36They slept together.
00:27:38That's enough.
00:27:40Buzz, I'm sorry.
00:27:41Where is it?
00:27:42Where is it?
00:27:43Where?
00:27:43Here it is.
00:27:47Can we get security, please?
00:27:49No.
00:27:51It was her.
00:27:53They slept together.
00:27:53Why don't you believe me?
00:27:55Let go of me.
00:27:56Do you know how much
00:27:57this dress costs?
00:28:02I'll see you again soon.
00:28:03Hey.
00:28:14So,
00:28:15how'd it go today?
00:28:16Where were you?
00:28:19Ray Jones!
00:28:21Look at me!
00:28:22Get out of here!
00:28:23No, I told you guys,
00:28:23no, no pictures!
00:28:24Go!
00:28:25Get out of here!
00:28:26Go!
00:28:27What the hell is going on?
00:28:30Why did they
00:28:30call you Freddy?
00:28:31Look, Charlotte,
00:28:34I...
00:28:35I never meant to trick you.
00:28:46Please.
00:28:49I don't...
00:28:50I don't know what to think.
00:28:51I don't know who you are.
00:28:54Charlotte.
00:28:54Charlotte.
00:28:54Oh, you'll pay for that.
00:29:18We just wanted a story.
00:29:20But I guess we'll settle
00:29:23for something else.
00:29:26Get the fuck away from me!
00:29:38Charlotte.
00:29:40Are you okay?
00:29:41You look hurt.
00:29:41Are you hurt?
00:29:42I'm fine.
00:29:43So sorry.
00:29:44This is all my fault.
00:29:46Why are you apologizing?
00:29:47You just saved me life.
00:29:48Come on.
00:29:49Oh, the boss is gonna love this.
00:30:08You sure you're okay?
00:30:09Thanks, Tom.
00:30:09Does that hurt?
00:30:19A little.
00:30:22Are they always following you like that?
00:30:25Is this what it's like
00:30:26to be Freddy Jones?
00:30:28I'm sorry I got you into this.
00:30:31But I hope you don't sneak out this time.
00:30:32I hope you don't sneak out this time.
00:30:33I hope you don't sneak out this time.
00:30:38Weren't you hurt?
00:30:40I think you might have hit your head
00:30:41a little too hard.
00:30:43It's probably to lie back.
00:30:47Look, I live in a world full of powerful people.
00:30:50And not all of them are good.
00:30:52But you are.
00:30:54Look, all I want to do
00:30:55is protect you, Charlotte.
00:30:55Hey.
00:31:12Good morning.
00:31:13Good morning.
00:31:14Listen, I have breakfast
00:31:16coming up for you right now.
00:31:18I'm going to step out
00:31:18and make a quick phone call, okay?
00:31:21Just lie back and rest.
00:31:22All right.
00:31:36Coleman.
00:31:37Hey, what do you know
00:31:38about the paparazzi attack last night?
00:31:39That cannot happen again.
00:31:41You got it, boss.
00:31:42Your life is cured.
00:31:43Yeah, she better.
00:31:47Shit!
00:31:48How long has it been?
00:31:49I hear you and Freddy
00:31:50have been very busy boys
00:31:52behind my back.
00:31:53Look, I'm sure you're disappointed
00:31:55that he's not going to do
00:31:56another sequel, as am I,
00:31:58but he's already made up his mind.
00:32:00Listen, dipshit.
00:32:01We both know which head
00:32:02he's thinking with
00:32:03and it's not the one
00:32:03above his shoulders.
00:32:04Well, that's not my business.
00:32:06Actually, fuckhead,
00:32:07it is your business.
00:32:08My guy just sent me these photos.
00:32:10No, I don't know the pay rate yet, mom,
00:32:27but it's...
00:32:28It's entry-level.
00:32:32$3,000 a month?
00:32:33How am I supposed to...
00:32:34No, I know it's a...
00:32:36Okay, mom.
00:32:40Okay, mom, I have to go.
00:32:43Okay, bye.
00:32:45What was that all about?
00:32:47Nothing.
00:32:47You know, this is all
00:32:50really nice,
00:32:52but I have to go work
00:32:52brunch in an hour.
00:32:54What?
00:32:55Cancel.
00:32:56We can stay in bed all day.
00:32:58I got food brought up to us.
00:32:59Look, you just got a promotion.
00:33:00You don't need to be
00:33:01working back over there.
00:33:02Yeah, well,
00:33:03until I get my first paycheck,
00:33:04I'm not going to change it.
00:33:06Fine.
00:33:08Do what you want.
00:33:08Let me know if you need
00:33:14anything else.
00:33:21Diana?
00:33:27Diana?
00:33:28So,
00:33:29you're the girl that's turned
00:33:30Freddie's career upside down.
00:33:32You're more stunning in person.
00:33:34I don't know about that.
00:33:36Don't sell yourself short.
00:33:37Success in Hollywood
00:33:39is all about branding.
00:33:41So, what's good here?
00:33:42Not much.
00:33:44So, why are you here, Diana?
00:33:45I know you're not here
00:33:46for the bottomless mimosas.
00:33:48You've got talent,
00:33:49and I need a development assistant.
00:33:51I already have a job.
00:33:53I work for Coleman,
00:33:54who works for me.
00:33:56I'm a silent partner
00:33:56in his business,
00:33:57but my family's money
00:33:59keeps the lights on.
00:34:00I didn't know that.
00:34:02I'm actually working on a project
00:34:04with Freddie right now.
00:34:05So, you just started fucking,
00:34:06which is a branding problem.
00:34:10For who?
00:34:11And how did you know that?
00:34:13It's a small town,
00:34:14and I have many sources.
00:34:16I do pay well.
00:34:17Charlotte, darling, welcome.
00:34:40Come in, come in.
00:34:41You wanted to talk about the new scripts?
00:34:43Oh, no.
00:34:44It's self-care Sunday.
00:34:45I need you to give me a foot massage.
00:34:47I'm sorry, what?
00:34:48You heard me.
00:34:49I've been on my feet all week,
00:34:50and I need to relax.
00:34:52Diana, I'm your assistant.
00:34:53I'm not a masseuse.
00:34:54Let's get one thing straight.
00:34:56If you want to keep this job
00:34:57and have any chance at all
00:34:59of making it in this industry,
00:35:00you'll do as I say.
00:35:01That's a good girl.
00:35:17Oh, no, that is it.
00:35:25Charlotte, she cannot keep
00:35:27treating you like this.
00:35:28You need to tell Freddie
00:35:29and then teach this witch a lesson.
00:35:32No, Sam, that's exactly
00:35:33what she wants me to do.
00:35:34I need to prove
00:35:35I can make it on my own.
00:35:36Well, how much more can you take?
00:35:38As much as I need to.
00:35:40This is my dream.
00:35:41I'm not giving up on it.
00:35:42Hey, Mom, what's up?
00:35:59Charlotte, honey,
00:36:00I'm afraid I have some bad news.
00:36:03Your father's medication prices
00:36:04have gone up again,
00:36:06and we're struggling
00:36:06to keep up with the debt.
00:36:08I'm sorry, Mom.
00:36:09I wish I could help more,
00:36:10but things are a little...
00:36:12tough right now,
00:36:13but I'm not giving up.
00:36:26I can do this.
00:36:29I have to do this.
00:36:40What's all this?
00:36:41I just wanted to celebrate
00:36:42your recent victories,
00:36:44so I thought I'd do
00:36:45something special for you
00:36:46for all your hard work.
00:36:59Are you serious?
00:37:01Yeah.
00:37:01Root Beer Floats.
00:37:02Your hometown favorite.
00:37:04My parents used to get me
00:37:05one of these
00:37:05after every soccer game,
00:37:06whether we won or lost.
00:37:07Go and try it.
00:37:08I can't.
00:37:10I'm on a special diet.
00:37:14Charlotte, I'm tired
00:37:16of hiding our love
00:37:17from the world.
00:37:18I'm tired of being chased
00:37:18by the paparazzi.
00:37:21I want to go public
00:37:22with our love.
00:37:23Are you sure?
00:37:23That's a big step.
00:37:25Yeah, I've never been more sure
00:37:26about anything
00:37:26in my entire life.
00:37:27We'll support you
00:37:28no matter what.
00:37:28Miss Dunn, welcome.
00:37:47It is an honor
00:37:48to have you in our store.
00:37:49How may I assist you today?
00:37:51I need an outfit
00:37:52for the gala tonight.
00:37:53Something that'll make me
00:37:54stand out.
00:37:54Of course.
00:37:56We have the latest collections
00:37:57from the top designers.
00:37:58I'm sure we'll find
00:37:59something perfect for you.
00:38:04Diana, look at this one.
00:38:06This would look stunning on you.
00:38:08Oh, sweetie.
00:38:10I don't think that dress
00:38:12is quite worthy
00:38:13of someone like
00:38:14Miss Dunn's statue.
00:38:16You're right.
00:38:17My assistant here
00:38:18doesn't quite understand
00:38:19the difference
00:38:20between high fashion
00:38:21and, well,
00:38:24whatever she's wearing.
00:38:29Oh, now this
00:38:31is a dress worthy
00:38:32of your presence,
00:38:34Miss Dunn.
00:38:35It's from our
00:38:35exclusive collection.
00:38:37I'll take it.
00:38:39Class cannot be taught.
00:38:46Oh, Charlotte.
00:38:48I'm just teasing.
00:38:49Here, let me buy you
00:38:51a dress to make it up to you.
00:38:54Go on, try it on.
00:38:55I insist.
00:39:05Well, well, well.
00:39:07Look at you, Charlotte.
00:39:09You clean up nicely.
00:39:10I guess that dress
00:39:17just doesn't work for you.
00:39:18You're better off
00:39:19in your ragged clothes.
00:39:20And you will have
00:39:21to pay damages, of course.
00:39:23I'm sure that dress
00:39:24is worth more
00:39:24than your monthly salary.
00:39:27Ciao, Bianca.
00:39:30Come on, Charlotte.
00:39:32The gallo awaits.
00:39:33Freddy, I'm so glad
00:39:52you can make it.
00:39:54Yeah, good evening, Diana.
00:39:55Well, well.
00:40:05If it isn't
00:40:06Little Miss Cinderella
00:40:07wearing a dress
00:40:08made of rags.
00:40:09Actually, this is
00:40:10the same gown
00:40:10from earlier,
00:40:11just with some alterations.
00:40:13You can't just...
00:40:15This is a black tie event,
00:40:16not a costume party.
00:40:17Well, I believe
00:40:18true style comes from within,
00:40:19not a designer label.
00:40:22Just remember, Charlotte,
00:40:23you still work for me.
00:40:25You're lucky
00:40:25I don't fire you, Charlotte.
00:40:28I think it's time
00:40:29for you to leave, Diana.
00:40:31But I...
00:40:32Freddy.
00:40:34Goodbye, Diana.
00:40:43You look absolutely beautiful.
00:40:45We need an answer
00:40:48before the press conference starts.
00:40:49We're willing to offer
00:40:50a substantial investment.
00:40:53Just say the word.
00:40:54Freddy, say the word.
00:40:55Freddy isn't the man of the hour, huh?
00:40:59Freddy Jones thinks so.
00:41:02It's the best key.
00:41:03I'm the one
00:41:03who's gonna invest
00:41:05in a little film, pretty boy.
00:41:07Whether you like it or not.
00:41:10And who might this lovely lady be?
00:41:15Arm candy for the night,
00:41:18no doubt.
00:41:21Watch your mouth,
00:41:22Zabeski.
00:41:23Ah, he's got a temper.
00:41:27What are you gonna do
00:41:28about it, pretty boy?
00:41:31Listen, Zabeski.
00:41:33You're not gonna invest
00:41:34in my film
00:41:34or disrespect my girl again.
00:41:37Do you understand?
00:41:38Ah!
00:41:41Freddy, walk away.
00:41:53Quite a scene you caused
00:41:55earlier, Zabeski.
00:41:56What do you want, Diana?
00:41:57I couldn't help but overhear your little altercation with Freddy.
00:42:02Seems like we both have something to gain by taking him down a peck or two.
00:42:07I'm listening.
00:42:09It's simple.
00:42:10You want money and a taste of that pretty little assistant of his.
00:42:13I want Freddy.
00:42:15And I think I know a way where we can both get what we desire.
00:42:19I like the way you think, Diana.
00:42:23What do you have in mind?
00:42:24We hold a press conference, and when Freddy's distracted, I'll announce our new film together, cementing me at his side.
00:42:31I love it.
00:42:33When do we start?
00:42:35Leave it to me, Zubeski.
00:42:37You just play your part when the time comes.
00:42:46Freddy.
00:42:48On the gala, I saw something.
00:42:50Your teeth, they weren't normal.
00:42:54And the way you fought, Zubeski.
00:42:57What's going on?
00:43:00I'll tell you, Charlotte.
00:43:03Only because we're bonded by blood.
00:43:05What the hell does that mean?
00:43:06It means I'm a vampire.
00:43:09You know, when I was a little girl, I always dreamed of becoming a vampire.
00:43:21The magic, the mystery of it all.
00:43:25Life became nothing but work and pills.
00:43:29The thing about magic, Charlotte?
00:43:30So you just got to know where to look.
00:43:44The magic's out there, Charlotte.
00:43:46You just got to know where to look.
00:43:47And I'll miss you, baby, by my side.
00:43:53Where are you now, baby?
00:43:57Baby, did you hear me mean to say goodbye?
00:44:02Oh, I can't think I'm one good reason why.
00:44:15I need to know where to look.
00:44:20Yeah.
00:44:23Hey, Charlotte.
00:44:25I'm meaning to talk to you about being Diana's assistant.
00:44:29Look, I honestly don't like the way she's been mistreating you, and I don't want you working for her anymore.
00:44:34And I've been thinking, if you need help financially or otherwise, I got you.
00:44:43You can't take that.
00:44:46I don't want to rely on you.
00:44:48But I insist you take it.
00:44:51I would feel a whole lot better.
00:44:53Please.
00:44:54Fine.
00:44:55But just for emergencies.
00:44:56It's Diana.
00:45:08She's been blowing up my phone all night.
00:45:13It's Ignore.
00:45:23Diana.
00:45:26You know she's not going to stop calling.
00:45:34Just answer it.
00:45:37Diana.
00:45:38What do you want?
00:45:40You're with Freddie, aren't you?
00:45:42It's none of your business.
00:45:44Actually, business is why I'm calling.
00:45:47I have a proposition for the both of you.
00:45:49So we can be done with all of this nonsense.
00:45:52We're here to settle things like you said.
00:46:05No more games.
00:46:06I already told her about us.
00:46:07So you can't hang that over my head.
00:46:09Splendid.
00:46:10I hate secrets between friends.
00:46:13On that note, this was going to be a surprise, but...
00:46:17Pam?
00:46:17Pam?
00:46:17You goddamn bitch.
00:46:25Oh my god.
00:46:27I can't believe my daughter's dating people's sexiest man alive.
00:46:32Two years ago, but charmed.
00:46:35With how hard Charlotte's been working, I thought this would be a nice treat.
00:46:39It was so nice of you to fly me here.
00:46:41Why didn't you tell me your boss is so generous?
00:46:43Diana's very humble, and she doesn't like people talking about her generosity.
00:46:49What are you doing?
00:46:50I just wanted to show you the gold-digging trash you've been in bed with.
00:46:54Watch this.
00:46:57Pam's been telling me a lot about life in the country, and how hard it's been.
00:47:03Yes, that's true.
00:47:04With your dad's back surgery he needs, and the black mold in the house, they might have to sell, and it breaks my heart.
00:47:10That's none of your concern, Diana.
00:47:11But it could be.
00:47:13What if I wrote your mother a check for two million dollars?
00:47:17In exchange for what?
00:47:20You leaving Freddie alone.
00:47:23Forever.
00:47:26Two million dollars?
00:47:28Would that cover it, Mom?
00:47:31Oh yeah, I guess it would.
00:47:33We don't want your money, Diana.
00:47:38And I won't be bullied out of ending my relationship, not by you, not by anyone.
00:47:44Well, then there's nothing left to consider.
00:47:47Your happiness is all that matters, sweetheart.
00:47:49I'm sorry, but we don't need your money.
00:47:54Not if it means sacrificing my daughter's heart.
00:47:59You're making a mistake, both of you.
00:48:01But if that's how you want to play it, fine.
00:48:03Just know that I do have a plan B.
00:48:05And trust me, you're not going to like it.
00:48:10You're done here, Diana.
00:48:11As far as your plan B, we'll handle that together.
00:48:16Come on, ladies.
00:48:17Let's go.
00:48:18This isn't over.
00:48:25Not by a long time.
00:48:32Alright, you two.
00:48:33Let's review.
00:48:35Diana, you're going to go out first.
00:48:36People are going to be super excited to see you.
00:48:38And then you're going to introduce Freddie.
00:48:39Freddie, they're going to be equally excited to see you.
00:48:42Then the two of you will talk about the movie.
00:48:44And then you'll take questions from the journalists.
00:48:46Sound good?
00:48:47Sounds great.
00:48:48Fantastic.
00:48:49Oh, they're ready to go.
00:48:50We've got to get out there.
00:48:51Otherwise, we're going to keep them waiting.
00:48:52And we do not want to do that.
00:48:53They look perfect.
00:48:54Great job.
00:48:55Come on, you two.
00:48:55Let's go.
00:48:56No, no.
00:48:56You look perfect.
00:48:56You don't need to check yourself.
00:48:57Let's go.
00:49:10It isn't a pretty little assistant.
00:49:16What are you doing?
00:49:17You're thinking about your blood, Charlotte?
00:49:22About the way it tastes.
00:49:24The way it must feel.
00:49:26Rolling down.
00:49:28My throat.
00:49:29Stay away from me.
00:49:30I'm warning you.
00:49:31Or what?
00:49:32You're warning me.
00:49:33What are you going to do, sweetheart?
00:49:34I'm going for help.
00:49:36Oh, we just want to thank you for coming with me so much.
00:49:42And now, without further ado, let's welcome the man of the hour, Freddie Jones.
00:49:48I think your blood will be the sweetest I've tasted in years.
00:50:01And I'm going to save her.
00:50:03And I'm going to save her every last drop.
00:50:10Come on, Freddie.
00:50:13Sure.
00:50:16What?
00:50:17What?
00:50:18And I'm going to save her every last drop.
00:50:24You're out of here, Charlotte.
00:50:28Freddie.
00:50:35I see you around my girl again, Zabeski.
00:50:38I'll rip out your fucking throat.
00:50:40Charlotte.
00:50:48Are you okay?
00:50:50You came back.
00:50:52I'll always come back for you, Charlotte.
00:51:02I'm sorry, everyone.
00:51:04I'm not sure what's keeping Freddie.
00:51:05Oh, thank you, thank you, thank you.
00:51:15You guys have some time.
00:51:16Sorry I'm late.
00:51:16You all know how I like to make a very dramatic entrance.
00:51:20There are two things I would like to talk about.
00:51:23First one is, I'm really proud of this film that Diane and I have made.
00:51:27Me too, Freddie.
00:51:29I think it is a great project for us to end on and go off on our own.
00:51:33Two.
00:51:34I would really like to introduce you all to something very special to me.
00:51:38She's the one of the bravest, smartest, most beautiful woman in this town.
00:51:44My new career advisor and future Miss Freddie Jones.
00:51:48Miss Charlotte Sims, everybody.
00:51:55I'm so sorry I didn't tell you about the announcement.
00:52:03It's okay.
00:52:04Just from now on, no more secrets.
00:52:07We're going to face the challenges together.
00:52:10I love you, Charlotte.
00:52:11I love you, too.
00:52:13I do want to ask you one thing, though.
00:52:15Yeah, anything.
00:52:16Could you ask for my father's blessing?
00:52:18It's a tradition in my family.
00:52:20It would mean the world to me.
00:52:21I would be honored to ask your father for his blessing to marry you.
00:52:25But remember, you don't have to tell him everything.
00:52:28Okay.
00:52:28Come here.
00:52:29Alexander, Zelda, I need to speak with you now.
00:52:50Alexander, Zelda, I need to speak with you now.
00:52:53Diana, what brings you here in such a state?
00:52:56It's Freddie.
00:52:58Your son has gone too far this time.
00:53:00He's announced his engagement to a human at a press conference, no less.
00:53:05A human?
00:53:07Are you certain?
00:53:08Yes.
00:53:09Some nobody named Charlotte Sims.
00:53:12He's putting our entire order at risk by telling all of our secrets to her.
00:53:17This cannot be allowed to continue.
00:53:19The secrecy of our kind is of the utmost importance.
00:53:23I couldn't agree more, Zelda.
00:53:25That's why I came to you.
00:53:26I worry about Freddie and I fear that he's not thinking clearly.
00:53:30What do we really know about this Charlotte girl?
00:53:33She could be a threat to our whole way of life.
00:53:36We cannot take any risks.
00:53:40We'll handle this matter personally.
00:53:43You have our work.
00:53:44So we thought we'd come in on Friday and stay the weekend.
00:53:55Oh, boy, you probably need bodyguards.
00:53:57The whole town has gone crazy since you two went public.
00:54:00We felt like celebrities at Walmart today.
00:54:03But I don't know, why would a movie star want to come all the way to Whitewater, Minnesota?
00:54:07Well, I just want to see where Charlotte grew up.
00:54:09And honestly, I want to come and meet you, sir.
00:54:11Plus, we have some news.
00:54:12I knew it!
00:54:14I knew it!
00:54:15Freddie, you're going to get you the most beautiful, most expensive wedding dress ever, aren't you?
00:54:19Oh, yeah, you bet.
00:54:20No, you're not.
00:54:21Mom, you've been saving your wedding dress for 25 years so I could wear it.
00:54:25Well, it has a tear, remember?
00:54:27I mean, it's going to look like an old sackcloth compared to what Freddie can get you.
00:54:31Well, I'm not getting married in anything else.
00:54:32So, if you don't want me wearing my birthday suit at my wedding, you better mend it.
00:54:37All right.
00:54:37All right.
00:54:38Love you.
00:54:39Bye.
00:54:53Something's wrong.
00:54:54I've been trying to get my parents since yesterday and they haven't answered their phones.
00:54:58Okay, I'm sure everything's fine, Charlotte.
00:54:59It's not like my mom to not answer.
00:55:01Look, your mom is just super excited about us coming to visit.
00:55:05I'm sure she's just caught up on all the preparations.
00:55:07Maybe you're right, but I have a really bad feeling.
00:55:10Okay.
00:55:11All right, well, I can call a pilot and we can head over there right now and check.
00:55:16Let's go.
00:55:23Mom?
00:55:25Dad, is anyone here?
00:55:31This is where they said to meet them.
00:55:37Freddy, I think something's happened to them.
00:55:39Charlotte, don't worry.
00:55:40We'll find them, okay?
00:55:42I promise.
00:55:43Thank you for joining us on such short notice.
00:55:53Oh, well, we've never been to the West Coast before, so we don't mind the change of plans.
00:55:58We just as soon come out here, then have Freddy visit us there.
00:56:01My phone can't get service.
00:56:04I was hoping to tell Charlotte where we are.
00:56:06We're in a dead zone.
00:56:09They'll be joining us shortly.
00:56:11In the meantime, we wanted the chance to get to know you.
00:56:15Our son's welfare is of the utmost importance to us, and so we'd like to know what sort of stock he is associating with.
00:56:24Well, we have the same concern about Charlotte.
00:56:28Yeah, we don't know much about these powerful Hollywood types, but what we do know, it's not very wholesome, like sex slaves and...
00:56:35Clones.
00:56:36Yeah, clones, yeah.
00:56:38We don't have slaves or clones.
00:56:43But there are many reasons why Charlotte and Freddy's union could be complicated, challenging, even dangerous.
00:56:53Dangerous?
00:56:53The truth is, we brought you here to ask you some very important questions.
00:57:00Please follow us to the parlor.
00:57:09All right, thank you.
00:57:11I've got private investigators here and in Minnesota, and I've called in favors with anyone we know in law enforcement.
00:57:18Charlotte, we're going to find them.
00:57:21Promise.
00:57:21Are you okay?
00:57:25I'm hanging in there.
00:57:27Look, I'm going to go, but I'll be back soon.
00:57:29Where are you going?
00:57:30I'm going to talk to somebody who might know what the hell is going on.
00:57:36I'll be back.
00:57:37Where are they?
00:57:52I don't know what you're talking about.
00:57:54Charlotte's parents are missing.
00:57:55Oh, heavens.
00:57:57Hopefully they didn't get lost remembering which trailer's theirs.
00:57:59Okay, Diana, tell me where they are.
00:58:01I'm going to rip you in half.
00:58:03Coleman.
00:58:07Charlotte's parents turned up on a security camera at LAX.
00:58:10They're not with Diana.
00:58:14Okay, well, where are they now?
00:58:15They're with your parents.
00:58:17Why the hell are they with them?
00:58:18You told the human our secrets.
00:58:21They're tying up your loose ends.
00:58:23That's so good.
00:58:40Oh!
00:58:42Hi.
00:58:44You're okay?
00:58:46Okay?
00:58:47We're better than okay.
00:58:48We're having a great time.
00:58:49What took you so long?
00:58:51Mom, Dad, what are they doing here?
00:58:55You let the cat out of the bag.
00:58:57We had to vet Charlotte, make sure she was all right.
00:59:00We were going to share our darkest secrets with her.
00:59:03Not to mention our only son.
00:59:05Okay.
00:59:07And?
00:59:08Charlotte is a lovely young woman.
00:59:12A good student, a hard worker.
00:59:15You picked a good one.
00:59:17And her parents are fun.
00:59:18Oh, aren't they?
00:59:19Who knew thousand-year-old vampires and Midwesterners had a lot in common?
00:59:25Both kind of slow to change.
00:59:27We went to the barn.
00:59:28It was unlocked.
00:59:29No one was there.
00:59:30Ted, did you forget to fix the deadbolt again?
00:59:33Uh, I meant to, but with everything going on, I think I must have forgot.
00:59:39Alexander is the same way.
00:59:41Completely useless around the house.
00:59:43But I am good with toasts.
00:59:47Here's to a beautiful journey.
00:59:49No road is long when you have good company.
00:59:53To the happy cuppa.
00:59:55Cheers.
00:59:55Cheers.
00:59:56Cheers.
00:59:56Cheers.
00:59:57Cheers.
01:00:09By the power invested in me, I now pronounce you husband and wife.
01:00:14Oh, my God.
01:00:23Oh, my God.
01:00:31Congratulations.
01:00:32I guess the best woman won.
01:00:34So I don't have to worry about you anymore?
01:00:36No.
01:00:37I've moved on.
01:00:39Are you serious?
01:00:40Yeah, she's crazy.
01:00:42But she knows the business.
01:00:45And she gets me.
01:00:47Good luck with that, brother.
01:00:48Yeah, I've known you for 200 years.
01:00:50Charlotte, good luck with that.
01:00:52I just have one question.
01:01:02What is it?
01:01:05Is she going to drink milk?
01:01:07No.
01:01:09No, I'm just kidding.
01:01:10Yeah, she is.
01:01:11No, I'm so...
01:01:11No, I'm so...
01:01:26No.
01:01:27No.
01:01:27No.
01:01:27No.
01:01:27No, no.
01:01:28No.
01:01:28No.
01:01:28No.
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