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Film Galaxy
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00:23:15eight o'clock. Don't you dare use that kind of tone with me. You were supposed to be home four
00:23:20hours ago to finish that job in the attic. I lost track of time. I'm sorry. Oh, well. Well, Debbie,
00:23:32these things happen. I mean, you're young. You're full of life. But if you want to remain in this
00:23:39house, you better learn to give me the respect I deserve. Now, when I tell you something, I mean it.
00:23:45And you better obey me and be on time. Goddammit, you're hurting me. How dare you use that language
00:23:51in this house. You're not going to turn out of the foul mouth trap your mother was. Oh, no, no, no.
00:23:57I'm going to teach you a little discipline. Now, you sit in there and you think what you have done.
00:24:04Tomorrow, you'll clean the garage and the attic.
00:24:15And I go running down the aisle where the wine is
00:24:43Now, Joy can't deal with the spiritual world at all. So, what she is symbolizing is, is the non-believer.
00:25:01So, we have the devil and we have a non-believer.
00:25:04Good morning, Mr. Strand. Good morning.
00:25:07Class, this is Debbie Strand. She's a new student.
00:25:14All right, settle down. Just settle down.
00:25:17Thanks for helping me yesterday.
00:25:19You're welcome. Please, take a seat.
00:25:21Oh, my.
00:25:30Okay, moving on.
00:25:32Uh, Ms. Wright, could you pass out this list of possible themes for tomorrow's homework?
00:25:40Okay, now getting back to what we were talking about.
00:25:42Joy is the intellectual.
00:25:43Her wooden leg represents Joy's soul.
00:25:46Now, what if he takes her from the schoolroom and takes her into the barn, opens his briefcase, and points...
00:25:54What a spaz.
00:25:59Sorry.
00:26:00Hey!
00:26:01What are you laughing at?
00:26:05Megan, are you all right?
00:26:07Yes, I'm fine, thank you.
00:26:09Okay, don't forget to write a page in your journals for tomorrow.
00:26:17The Strand, you need to start one.
00:26:20Oh, and last call for the garage sale on Saturday.
00:26:22Anything you want to get rid of, bring to my place.
00:26:24We're going to be there all day.
00:26:26I also need one kind-hearted volunteer to help me Saturday.
00:26:30I will.
00:26:31I will.
00:26:31Great.
00:26:32Two volunteers. Very cool.
00:26:34Okay.
00:26:35Great.
00:26:35I'll see you Saturday.
00:26:37See you.
00:26:37Okay.
00:26:38Bye.
00:27:05Bye.
00:27:06Bye.
00:27:07Bye.
00:27:07Bye.
00:27:07I want to talk to you, Strand.
00:27:11Piss up a rope, Megan.
00:27:14Megan with two E's?
00:27:17Two E's.
00:27:19I know what you're up to.
00:27:22What?
00:27:26Come on.
00:27:28What am I up to?
00:27:31Megan.
00:27:32Megan.
00:27:35Well, I know what you are.
00:27:37You're a little bitch.
00:27:42Don't show up on Saturday.
00:27:45You or the Freak.
00:27:56Excuse me, miss.
00:27:58Debbie?
00:28:00Who are you?
00:28:03Joe Rosales, LAPD.
00:28:04This is my partner, Phil Archer.
00:28:07What do you want?
00:28:09Debbie, we need to talk to you about the, uh...
00:28:11I know it's only been a few days, Debbie.
00:28:13We really have to go.
00:28:14I realize this must be tough for you, but we'd really like to talk about the fire.
00:28:18I don't want to talk about it.
00:28:19Debbie, the sooner we talk about this, the sooner we can put the whole matter behind us.
00:28:24I really don't want to talk about it.
00:28:26Oh, yeah, she's going to be a lot of fun.
00:28:38Yes?
00:28:38What do you want?
00:28:39Mrs. Long?
00:28:40Mrs. Long, yeah?
00:28:41Oh.
00:28:42I was Detective, uh, Rosales and Archer.
00:28:45Uh, we're sorry for your loss.
00:28:46I know this is a tough time, but if we could speak to Debbie about the fire for...
00:28:49No, you may not.
00:28:50That poor child has been through enough.
00:28:52Now it's time to put this in the past.
00:28:55Ma'am, we feel like we still have some unanswered questions.
00:28:57Questions.
00:28:59Grieving mother.
00:29:01Poor thing.
00:29:05Anhydris.
00:29:06A-N-H-Y-D-R-O-U-S.
00:29:09Without water.
00:29:10Met Janie, thank God.
00:29:20More importantly, Peter.
00:29:22The first time I saw you, the heat in your eyes, I knew you were different.
00:29:26A-N-H-Y-D-R-O-U-S.
00:29:56A-N-H-Y-D-R-O-U-S.
00:29:57Salad.
00:29:59Oh, my.
00:30:02No.
00:30:03No, I just got out of the shower.
00:30:05Oh, that's gonna stop me.
00:30:07Come on, I'm hungry.
00:30:08I'm hungry, too.
00:30:09My hair's wet.
00:30:12So?
00:30:13I don't know, I gave it a shot.
00:30:21Honey, is the stove on?
00:30:26Honey, honey, we need a bath.
00:30:49Okay.
00:30:50Okay.
00:30:50Let's go.
00:30:51Sorry, I'm sorry.
00:30:57Come on.
00:31:27I am looking forward to this weekend.
00:31:45You are?
00:31:47Yes.
00:31:49An entire weekend to ourselves?
00:31:52Well, sort of.
00:31:55I have two students coming over to help out.
00:31:57What?
00:31:58What are you talking about?
00:32:02I'm talking about the garage sale on Saturday.
00:32:04I have two students from my first period coming over to help out.
00:32:07No.
00:32:09No.
00:32:10We are going to the desert this weekend.
00:32:13Honey, I changed my whole flight schedule around.
00:32:16Shit!
00:32:17Uh-huh.
00:32:19Oh, man.
00:32:20I am so sorry.
00:32:23It's okay.
00:32:24Don't be sorry.
00:32:25Just postpone the garage sale.
00:32:27I can't postpone it.
00:32:29I have commitments to the art department.
00:32:30I have two students giving out their Saturday.
00:32:32I can't.
00:32:34Hmm.
00:32:36This happens all the time, and, uh...
00:32:39Oh, come on.
00:32:39It doesn't happen all the time.
00:32:41Oh.
00:32:42Yeah.
00:32:42Well...
00:32:43What about my sister's wedding?
00:32:47I had 35 final papers to grade.
00:32:50Besides that, I don't like your sister.
00:32:52Hmm.
00:32:55Okay?
00:32:56I really hate your sister.
00:33:05I'll make it up to you.
00:33:08You know what?
00:33:09I...
00:33:09I got it.
00:33:13Where are you going?
00:33:14I'm going to see if I can trade shifts with another flight attendant.
00:33:17I need some time away from you.
00:33:18Marilyn.
00:33:41Hey, Greg.
00:33:42How have you been?
00:33:43I'm walking today, guys.
00:33:45Later.
00:34:09Need some help?
00:34:14Shouldn't you be with your jock-itch friends?
00:34:16I just wanted to walk my new neighbor to school.
00:34:25Be nice.
00:34:43Is this fun for you?
00:34:51Fun? Yes.
00:34:53You don't know what fun is.
00:34:59You don't know what fun is.
00:35:01Can't we see you?
00:35:03Yes.
00:35:04Yes.
00:35:05I can't go.
00:35:06I can't go.
00:35:07Oh.
00:35:08No, no.
00:35:09No.
00:35:10No, no.
00:35:11No, no.
00:35:12No, no.
00:35:13No, no.
00:35:14No, no.
00:35:15No, no.
00:35:16No, no.
00:35:17I'm just out of love, it's broken
00:35:31I'm just out of love, it's broken
00:35:37Ow! Ow, my leg!
00:35:45Ow!
00:35:49I guess you won't be making it to the garage soon
00:36:15Ma'am?
00:36:19Yes?
00:36:21May we speak with the principal, please?
00:36:23He's gone for the day. Your business?
00:36:25Former teacher of yours, Mr. Roberts, died recently in a fire
00:36:31Now, maybe you can help us
00:36:34Possibly
00:36:35Possibly
00:36:37Do you remember a student by the name of Debbie Strand?
00:36:39She just transferred out of here last week
00:36:41Yes, she left something of an impression here
00:36:43How's that?
00:36:45She had a nasty crush on Mr. Roberts
00:36:49How long did that go on?
00:36:51Oh, months
00:36:52She was finally suspended when Mr. Roberts complained that she had been stalking him
00:36:56Stalking?
00:36:57Oh, the whole thing turned into quite a soap opera
00:37:00Especially when he got involved with Debbie's mother
00:37:03What on earth is going on in here?
00:37:27Nothing, I was just playing with Bebe
00:37:29What do you have there? Let me see
00:37:31They're just clothes
00:37:33Well, where did you get these?
00:37:35Answer me!
00:37:39I bought them
00:37:41Don't you lie to me!
00:37:43I told you, I bought them
00:37:45And where are you hiding the other things at all?
00:37:47I know there's more
00:37:49But where are they you sneaky little sneaky
00:37:51Get upstairs and finish packing that trunk
00:38:17Hi, Bebe
00:38:39Hey
00:38:45Come on
00:38:46Yes, that's good
00:38:48Oh, yeah
00:38:50Goodbye
00:39:02Hasta la vista, Bebe
00:39:16Yeah, who is it?
00:39:34It's Debbie
00:39:36Oh, hi, come on in
00:39:38Hello?
00:39:39Yeah, come on in here
00:39:40Hi
00:39:44Hi, sorry I'm late
00:39:46No, actually I'm early
00:39:48Thanks for helping out
00:39:50Would have been nice if Megan could have made it too
00:39:52But I'm sure we'll manage
00:39:54She's such a cluck
00:39:56Broke her leg, don't you have any compassion?
00:39:58I didn't mean anything by it
00:40:00Whatever
00:40:02Are you mad at me?
00:40:04No
00:40:06No
00:40:10No, I'm not mad
00:40:12I had a really bad night
00:40:14My girlfriend
00:40:16That night
00:40:18Things aren't what they should be
00:40:20I'm sorry
00:40:22No
00:40:24No
00:40:26No
00:40:28No, I'm not mad
00:40:30I had a really bad night
00:40:32My girlfriend
00:40:34My girlfriend that night
00:40:35Were uh
00:40:36Things aren't what they should be
00:40:38I'm sorry
00:40:39No
00:40:40No, I shouldn't be taking the bet on you
00:40:44Friends?
00:40:46Friends
00:40:47Great
00:40:48Well, let's sell some junk
00:40:49Okay
00:40:50Okay
00:41:20See this isn't for milk, this is for cream
00:41:46Alta Dina Dairy, $10
00:41:48What?
00:41:49No, $5
00:41:50And
00:41:51Two
00:41:52Two?
00:41:53Okay
00:42:00How much for a lunch box?
00:42:02Glitter?
00:42:03I don't know
00:42:08Thank you
00:42:13Hey you
00:42:14Hey
00:42:15What are you doing girl?
00:42:16I thought I'd come check out the junk
00:42:25Debbie
00:42:26Does this work?
00:42:27I don't know
00:42:28Peter
00:42:30Hey Jenny
00:42:31You come to help us out?
00:42:32You're right
00:42:33Does it work?
00:42:34Boy that's a cool tattoo
00:42:36I don't know, here
00:42:38Let's try it out
00:42:39Let's try it out
00:42:46It works
00:42:51Ten dollars
00:42:52Why don't I get one of you grabbing his ass?
00:42:54What?
00:42:55I'm not doing anything
00:42:56Cool picture, huh?
00:42:57Phoebe?
00:42:58Where are you sweetheart?
00:42:59Phoebe?
00:43:00Phoebe?
00:43:01Where are you sweetheart?
00:43:02Phoebe?
00:43:03Where are you sweetheart?
00:43:04Phoebe?
00:43:05Phoebe?
00:43:06Phoebe?
00:43:07Phoebe?
00:43:08Where are you sweetheart?
00:43:10Phoebe?
00:43:11Phoebe?
00:43:12Phoebe?
00:43:13Phoebe?
00:43:14Where are you sweetheart?
00:43:15Phoebe?
00:43:16Phoebe?
00:43:18Phoebe?
00:43:21Mommy's got a biscuit for you
00:43:23I have a biscuit for ya!
00:43:45Seventy-six, seventy-seven, seventy-eight, a hundred and seventy-eight dollars.
00:43:49Get out!
00:43:51We make a good tan.
00:43:54Yeah, we do.
00:43:58I'll get it.
00:43:59Thanks.
00:44:08It's locked.
00:44:09Sorry. The spare key's under the pot.
00:44:17Hi, it's Peter. Leave a message.
00:44:22Peter, there's a flu bug going around. Some of the girls are out sick.
00:44:25I'm gonna pick up a couple more flights, so I don't know when I'll be back.
00:44:28Probably Monday.
00:44:30We need to talk.
00:44:31Bye.
00:44:32Bye.
00:44:33Message erased.
00:44:37Message erased.
00:44:38correspondence
00:45:12Who was it?
00:45:32No one.
00:45:34It was the wrong number.
00:45:42What are you doing?
00:45:50Where's the bathroom?
00:45:51It's right there.
00:45:52Thanks.
00:45:52That door is screwy.
00:46:05Let me get it.
00:46:05Well, thanks for helping me today.
00:46:18You were great.
00:46:20My pleasure.
00:46:26So I guess I'll see you Monday.
00:46:28Yeah, I'll see you.
00:46:35Peter, Peter, Peter.
00:46:57They didn't make them like that when I was in school.
00:46:59Where have you been?
00:47:26I was at church praying for my mother.
00:47:29Oh, pray.
00:47:32Isn't that nice?
00:47:34Don't you lie to me, you blasphemous slut.
00:47:37You've been out carousing.
00:47:38Carousing?
00:47:40I was out with a friend.
00:47:42Oh, a friend.
00:47:43Are all your friends deviant men twice your age?
00:47:47What are you talking about?
00:47:48Giving your body to men.
00:47:51You're a whore just like your mother.
00:47:52Don't call me that.
00:47:54I'm nothing like her.
00:47:55Don't you dare talk back to me.
00:47:57I saw him.
00:47:57He's the one.
00:47:58The one you've been writing to.
00:47:59I'm talking about this.
00:48:02How dare you?
00:48:03This is my house.
00:48:05And I will not have this immoral behavior in it any longer.
00:48:08Now, I am calling the police.
00:48:10Then I am calling the school and reporting this devil, Peter.
00:48:14Then I'll call that Asian woman and have you put in a reforce school.
00:48:18You're not going to do anything.
00:48:23What?
00:48:24Spare the rod.
00:48:25Spoil the child.
00:48:26Is that the idea?
00:48:27Is this how you raised my mother?
00:48:29No wonder she was such a fucking bitch.
00:48:33Oh, please don't.
00:48:36Please don't.
00:48:37I'm sorry, Grandma.
00:48:39Did I hurt you?
00:48:40Oh, please don't.
00:48:44You talked to me.
00:48:47I've hurt me.
00:48:49I've mercy on me.
00:48:51Fuck mercy.
00:48:53You never showed any mercy.
00:48:54My mother never had any mercy.
00:48:56And now I don't have any mercy.
00:48:59It's a family thing.
00:49:00Fiona sure has been generous.
00:49:14She's very excited about this mission.
00:49:16Careful, this thing weighs a ton.
00:49:18Yeah.
00:49:19I remember she said that if she were younger, she'd love to go herself.
00:49:22Oh, she is.
00:49:24Spiritually, of course.
00:49:26Let's help Fiona we missed her at church.
00:49:28And that we're all praying for a speedy recovery.
00:49:31Uh-huh.
00:49:58What will prompt the children to stray so?
00:50:12I don't mind, nor the devil's workshop.
00:50:15We must show them that Satan is not the way.
00:50:19Marilyn?
00:50:43Marilyn?
00:50:43Marilyn?
00:50:49I didn't expect you back so soon.
00:50:52I certainly didn't expect this.
00:50:57You have no idea how glad I am to see you.
00:51:01Glad to see you too.
00:51:03What the hell are you doing here?
00:51:06Taking your shower.
00:51:08You know what I mean.
00:51:08How did you get in here?
00:51:10Don't you have any conditioner?
00:51:12How did you get in here?
00:51:13Your spare key, remember?
00:51:18Yeah, I remember.
00:51:20No, don't.
00:51:22You stay right there.
00:51:23We will discuss this when you're dressed.
00:51:25Hello?
00:51:40Marilyn?
00:51:43Yeah, yeah, no, I'm fine.
00:51:45Where are you?
00:51:50No, no, I'm sorry.
00:51:51You just caught me a little bit off guard.
00:51:53So, where are you?
00:51:58No, no, I didn't.
00:51:59You left a message here.
00:52:05Yeah.
00:52:06Yeah, that sounds great.
00:52:08No, it sounds great.
00:52:10Okay.
00:52:11I'll see you tomorrow.
00:52:13Yeah, me too.
00:52:15Bye.
00:52:18So, how's Marilyn?
00:52:19You have to leave.
00:52:26Peter.
00:52:27This one has some fun.
00:52:30Apparently, you think there's more to our relationship than there is.
00:52:36I saw the way that you looked at me the other day.
00:52:38I don't know what kind of a schoolgirl fantasy you've got concocted for us,
00:52:46but you have to understand something right now.
00:52:48There is nothing going on here.
00:52:58There is something.
00:52:59No, there is nothing going on here.
00:53:14Fuck!
00:53:14Okay, everybody.
00:53:21Sit down.
00:53:24Open your readers to page 212.
00:53:26That's Young Goodman Brown by Hawthorne.
00:53:29Read that while I get organized.
00:53:31We'll discuss it when you're done.
00:53:32These are for you.
00:53:45Well, Mr. Mansoor, this is so sudden.
00:53:49They're not for me.
00:53:53Who?
00:53:59Be right back.
00:54:00What's the problem?
00:54:06They were sent to my room by mistake.
00:54:08I assumed they were for me, and I opened the card.
00:54:14I thought you were still seeing Marilyn.
00:54:16I am.
00:54:17She must be very understanding.
00:54:19No, this is a student.
00:54:20A student?
00:54:21Are you out of your mind?
00:54:22That's not what you think.
00:54:23It might be in your interest not to go to prison for buffing your student.
00:54:27I mean, we all have our little fantasies.
00:54:28I just don't think you should act on them.
00:54:31I am not buffing my student.
00:54:33Yes.
00:54:34The flowers are for your diction and penmanship.
00:54:42Miss McGray?
00:54:43You're late.
00:54:44Hi, it's Peter.
00:55:07Leave a message.
00:55:08Hey, I'm arriving at 6.
00:55:13I got a great idea.
00:55:14Dinner at Umberto's around 8?
00:55:16Let me know.
00:55:17I'm at 212-555-0183, room 876.
00:55:22Bye.
00:55:23New York Gardens Hotel.
00:55:35Yes, hello?
00:55:36Hi.
00:55:37I'd like to leave a message for room 876, please.
00:55:40Please hold.
00:55:41Thanks.
00:55:44Social services.
00:55:47Miss Nakashi?
00:55:48Can I help you?
00:55:49Joe Rosales, LAPD Homicide.
00:55:54It's my partner, Phil Archer.
00:55:55I was wondering if we could talk to you about Debbie Strand.
00:55:58Sure.
00:55:59How can I help?
00:56:01We need some family background information.
00:56:03Well, not much I can tell you.
00:56:05Anything would be helpful.
00:56:07Well, she's a minor.
00:56:09That stuff is confidential.
00:56:12Yeah.
00:56:14You mind?
00:56:15Please.
00:56:16Please.
00:56:16Please.
00:56:19We're not looking to hurt anybody.
00:56:24We have an open investigation with this fire incident, and nobody wants to talk about it.
00:56:29Now, I don't want to call the DA and drag this kid and her grandmother into court if I don't have to.
00:56:37Off the record, otherwise we do the court and DA thing.
00:56:42What do you want to know?
00:56:43It is true, this love.
00:57:00You'll see, with your beautiful stare that sees only me, I will stay in your arms until forever meets.
00:57:07What do you want?
00:57:21You weren't at school today.
00:57:22I want to make sure you're feeling okay.
00:57:24Obviously you are.
00:57:26Thanks for caring so much.
00:57:28Where's the witch?
00:57:29She's asleep, so you should leave.
00:57:32Asleep?
00:57:33Oh, asleep.
00:57:36Well, good.
00:57:37She won't hear us.
00:57:38I told you, I'm seeing someone.
00:57:41Oh, yeah, who?
00:57:43You don't know him.
00:57:44Yeah, because he doesn't exist.
00:57:46Yes, he does.
00:57:48Yeah, who, Mr. Rinaldi?
00:57:53Oh, bingo.
00:57:55Yeah, I think I nailed it.
00:57:56I've seen the way you look at him.
00:57:58Every chick in school has a crush on him.
00:58:00It's that poetry bullshit.
00:58:03It's not a crush.
00:58:06It's serious.
00:58:08You're nuts.
00:58:10You know, he doesn't even know you exist.
00:58:12Really?
00:58:12Then what was he doing with me Saturday?
00:58:14Oh, because you helped him with this garage sale nut bag.
00:58:18That's what everyone thinks we did.
00:58:22Oh, really?
00:58:25Well, then why don't you show me what he's been teaching you?
00:58:28I'm not interested.
00:58:29Well, then if you're having an affair with Mr. Rinaldi, I better have a talk with Principal Saunders.
00:58:36You know, it's just not right, his corrupting a minor and all.
00:58:41So that's where we're at?
00:58:45Yeah.
00:58:45Let's see what we can work out.
00:58:53This is gross.
00:59:11Let's go to your bedroom.
00:59:12No, my grandmother will hear us.
00:59:14But it smells like that bug spray stuff.
00:59:23But, uh, I like bug spray.
00:59:26Hey.
00:59:40Take it easy.
00:59:41Come on.
00:59:45Hey.
00:59:46Stop it.
00:59:47You'll rip it.
00:59:47Look, I'll get you a new one.
00:59:52Look, maybe we shouldn't do this.
00:59:54Look, what the fuck is wrong with you?
00:59:56What?
00:59:57You're not getting out of this now.
01:00:01Stop it.
01:00:02Stop.
01:00:04No, stop.
01:00:05Please.
01:00:05Shut up.
01:00:07Shut up.
01:00:15No.
01:00:23Let me help you with that.
01:00:25You're answering.
01:00:29You're answering.
01:00:32You're answering.
01:00:32Big mistake.
01:00:52Bitch.
01:00:53Bitch.
01:00:54Bitch.
01:00:55Get off me.
01:01:23Damn.
01:01:28No means no.
01:01:29Don't you guys get that?
01:01:31What is it?
01:01:32You stop understanding English when you get a hard-on?
01:01:48No.
01:01:49It's too bad.
01:01:50Your macho friends can't see you now.
01:01:52You make sure.
01:02:20Oh, Marilyn.
01:02:21I'm so sorry about the other night.
01:02:22Shh.
01:02:23Shh.
01:02:24Shh.
01:02:25Shh.
01:02:26Shh.
01:02:27Shh.
01:02:28Shh.
01:02:29I'm so sorry about the other night.
01:02:59I'm so sorry about that.
01:03:29I'm so sorry about that.
01:03:59Okay.
01:04:07Have a seat.
01:04:12How are you doing, Peter?
01:04:13Fine.
01:04:14I could use a little more sleep, but otherwise no problems.
01:04:18Everything okay at home then?
01:04:20Yeah, perfect.
01:04:22Uh-huh.
01:04:22Joyce, if this is all you want to talk about, can we do it late around late for class?
01:04:29Peter, sit down.
01:04:31Okay.
01:04:34Peter, it's been brought to my attention that you may be getting a little too involved with your students.
01:04:40What has that pompous ass been telling you?
01:04:44What pompous ass would that be?
01:04:47Mansour?
01:04:49Mansour and I didn't talk about you.
01:04:50Is there something he knows that I should be aware of?
01:04:55Peter?
01:04:56No.
01:04:59Peter, I heard about the basketball game.
01:05:04Come on, Peter.
01:05:06Gambling for grades.
01:05:09The basketball game?
01:05:13Oh!
01:05:15Oh, yeah.
01:05:18Rather unorthodox, don't you think?
01:05:19Not to mention setting a bad precedent, perhaps?
01:05:23Yeah.
01:05:24I guess I see your point.
01:05:27Good.
01:05:29Thanks, Joyce.
01:05:32Anytime.
01:05:32Anytime.
01:05:33Debbie?
01:05:46Debbie?
01:05:49Miss Long?
01:06:02Debbie?
01:06:04Miss Long?
01:06:06Hi, Miss Nikashi.
01:06:16You scared me.
01:06:20Sorry.
01:06:22How's school?
01:06:26Good.
01:06:28Any trouble with Fiona?
01:06:30No, she's okay.
01:06:32Thanks.
01:06:36Oh, my God. What happened to your face?
01:06:38Nothing.
01:06:40Nothing. I just fell.
01:06:42Debbie, you can tell me.
01:06:44What happened? Was it Fiona?
01:06:46You can tell me.
01:06:48It's really okay.
01:06:50She won't be doing that anymore.
01:06:54So sorry.
01:06:56I should have known with your mother's history of abuse.
01:07:00What?
01:07:04I think it's best you come with me now.
01:07:08I like it here. I don't wanna leave.
01:07:10I have to take you out of any abusive situation.
01:07:14And after what those detectives told me, I have no choice.
01:07:16Detectives?
01:07:18Would you like some lemon?
01:07:24I think it's best you come with me right now.
01:07:28I'm sorry, Anna.
01:07:30I just can't do that!
01:07:34I've got a date.
01:07:36I've got a date.
01:07:46May I help you, sir?
01:07:48Yeah.
01:07:49I have a reservation.
01:07:50Rinaldi for two at 7.30.
01:07:52Rinaldi, Rinaldi.
01:07:54Yes.
01:07:56The lady's already here.
01:07:58If you would follow me, sir.
01:08:00Here you are, sir.
01:08:14Hello, Peter.
01:08:16How sweet.
01:08:20No.
01:08:22No.
01:08:26These are my new friends.
01:08:28This is Dan.
01:08:29And this is Art.
01:08:30And this...
01:08:31is Peter.
01:08:32Hey, Peter.
01:08:37If you'll excuse me.
01:08:39Peter, have a seat.
01:08:41Where's Marilyn?
01:08:46She couldn't make it.
01:08:48Who's Marilyn?
01:08:49The other woman.
01:08:53Come on, let's go.
01:08:54I'm gonna take you home.
01:08:55But you just got here.
01:08:57We're having so much fun, aren't we?
01:09:01I said let's go.
01:09:02Why don't you go, Peter?
01:09:04I'll take her home.
01:09:05Why don't you and your friend go back to your anaposto?
01:09:08She's a minor.
01:09:11Come on.
01:09:16Let's go.
01:09:17I don't wanna go.
01:09:18I don't think she wants to go, Peter.
01:09:20It's not your business.
01:09:22I said, come on, let's go.
01:09:25Come on.
01:09:28I'm making it my business, Peter.
01:09:37Get back.
01:09:38Get back.
01:09:39I'm coming out of here.
01:09:42Please.
01:09:43Don't.
01:09:44I'm coming out of here.
01:09:45You're welcome.
01:09:46I'm going to be here.
01:09:47I'm thinking I'm going to be here.
01:09:48Let's go!
01:09:50I have a question.
01:09:51Let's go.
01:09:52Do you just take a moment?
01:09:53Let's go.
01:09:54Come on.
01:09:55Don't let me know.
01:09:56Don't let me know.
01:09:57We're going to wait.
01:09:58Don't let me know.
01:09:59I can't do that.
01:10:01I can't do as long as I'm going to do.
01:10:02It's not boring.
01:10:03It's hard for me.
01:10:04I can't do all my stuff.
01:10:05I can't do it.
01:10:06I can't do all my stuff.
01:10:07I can't do the stuff.
01:10:08I can't do the stuff.
01:10:09I can't do it.
01:10:10Jesus, Peter.
01:10:23I know.
01:10:26What the hell's going on?
01:10:32I don't know.
01:10:40I mean, who's that?
01:10:47That's her.
01:10:49Just wait in the car.
01:11:01I've been waiting here forever.
01:11:04Peter, thank God you're all right.
01:11:06Don't.
01:11:07You were so great with those men last night.
01:11:09Listen to me.
01:11:10Peter.
01:11:10Just listen to me.
01:11:11You need some help.
01:11:13Peter.
01:11:14Listen.
01:11:15I'm going to talk to somebody at the school.
01:11:18No, you can't.
01:11:19I don't love you.
01:11:23Don't say that.
01:11:26Peter.
01:11:27It's all right, Marilyn.
01:11:28Just get back in the car.
01:11:33It's her.
01:11:36That's why you're being like this?
01:11:38This game stops now.
01:11:40This game stops now.
01:11:40This game stops now.
01:12:08It's her.
01:12:08It's her.
01:12:10Yeah.
01:12:16It's her.
01:12:28It's her.
01:12:28I don't know.
01:12:58Okay, now this right over here, this could have been done with a large kitchen knife, and if that is indeed the case, it was probably done with a right-handed sweep like this from behind, and it could have gone deep enough to sever the carotid sheath, in which case, it would have stroked out like that.
01:13:28Oh, Detective's Homicide, looking for Principal Saunders?
01:13:37And where?
01:13:45Just a little bit.
01:13:49Mm-hmm, I'm still holding.
01:13:51Cyanometry.
01:13:55P-S-Y-A-N-O-M-E-T-R-Y.
01:14:00Blue tissue.
01:14:02Anything blue.
01:14:04I'm going to try it.
01:14:04Wrong.
01:14:06S-I-A-N-O-M-E-T-R-Y.
01:14:10The study of blue light.
01:14:16Gentlemen.
01:14:19Cyanometry.
01:14:20C-Y-A-N-O-M-E-T-R-Y.
01:14:23The study of blue in light.
01:14:25Is there anything else I can do for you?
01:14:34Uh, yeah.
01:14:41Mr. Rinaldi, she's in a meeting right now.
01:14:44Just ignore me.
01:14:47Joyce, I need a minute.
01:14:49We were just going to call for you.
01:14:51Please come in and sit down.
01:14:55Peter, this is detectives Rosales and Archer.
01:15:02They're here because of Debbie Strand.
01:15:04We haven't been able to locate her this morning.
01:15:06And we understand that you were involved with her
01:15:08in some sort of an altercation last night.
01:15:11Yeah, I can explain that.
01:15:15Is something...
01:15:17Is she okay?
01:15:18I'd have to say no.
01:15:20She's not okay.
01:15:21What do you think?
01:15:22What do I think?
01:15:23Well, the reason I was coming to talk to Joyce this morning
01:15:27was about Debbie Strand.
01:15:29You see, Debbie believes that she's...
01:15:32that we are in love with each other.
01:15:35Oh, good.
01:15:37Yeah.
01:15:39I've tried talking to her.
01:15:42Nothing gets through.
01:15:42She's obsessed or delusional or something.
01:15:48You haven't done anything to encourage this kind of behavior.
01:15:51No, no, I didn't.
01:15:52But you didn't feel it was necessary
01:15:53to tell Miss Saunders about this.
01:15:55Well, I thought I could handle it.
01:15:56I thought that it was a simple schoolgirl...
01:15:59thing.
01:16:01You don't have kids.
01:16:02I have dozens.
01:16:03This girl's father was killed when she was a child.
01:16:13There was suspicion her mother did it,
01:16:14but never proved out.
01:16:16On top of that,
01:16:17it looks like both her mother and father
01:16:18abused her when she was young.
01:16:21Nothing about this girl is simple.
01:16:25I'm sorry.
01:16:26I have a call for Mr. Rinaldi.
01:16:28It's Debbie Strand.
01:16:29And she says it's an emergency.
01:16:47No, Peter.
01:16:48You need to make this real clear.
01:16:50You do what we say,
01:16:51or I cuff you to the car.
01:16:54Stay behind me.
01:16:59Come on.
01:17:09Debbie.
01:17:10This is Detective Rosales.
01:17:12I've got Peter with me.
01:17:15Go away.
01:17:16I only want to see Peter.
01:17:18He's out here.
01:17:19Come on out.
01:17:20We can talk about this.
01:17:21No, I don't want to talk anymore.
01:17:23Leave me alone.
01:17:24Debbie, you know we can't leave.
01:17:26We're here to help you.
01:17:28Let me go in there.
01:17:29Let me go first.
01:17:40Debbie?
01:17:43Why don't you...
01:17:44Joe!
01:17:48Why didn't you bring him here?
01:17:50Why won't you love me?
01:17:54Shoot.
01:17:55God damn it, Peter.
01:17:58Get back here.
01:17:58What the fuck?
01:18:03This hurts.
01:18:07Debbie?
01:18:08Debbie, it's Peter.
01:18:09Open the door.
01:18:11You can trust me, Debbie.
01:18:12I don't want to talk anymore.
01:18:15Debbie, you don't have to do this.
01:18:17You come out of there,
01:18:18I promise I'll stick by you all the way.
01:18:20I know how you really feel.
01:18:22Debbie, I am on your side.
01:18:24I'm on your side.
01:18:26I promise.
01:18:26Officer down.
01:18:27Request backup.
01:18:28Debbie, you come out of there.
01:18:291729 Oxford.
01:18:31Debbie, please come out of there.
01:18:35No!
01:18:35No!
01:18:36No!
01:18:44No!
01:18:45No!
01:18:48No!
01:18:49No!
01:18:50Thanks.
01:20:52It's her.
01:20:53That's why you're being like this.
01:20:57Oh, God, no.
01:21:01Oh, no.
01:21:05What the hell?
01:21:18Come on, come on.
01:21:25Oh, my God.
01:21:32Come on, come on, come on.
01:21:35Stay with me.
01:21:37You're not going anywhere.
01:21:54Fuck.
01:21:56Fuck.
01:22:09You bitch.
01:22:17He's mine.
01:22:18You're mine.
01:22:19You're mine.
01:22:25You're mine.
01:22:26Shh.
01:22:27Marilyn!
01:22:28Marilyn!
01:22:29Debbie!
01:22:30No!
01:22:31Marilyn!
01:22:32Marilyn!
01:22:33Debbie!
01:22:34No!
01:22:38No!
01:22:39No!
01:22:40Oh!
01:22:41Ah!
01:22:42Ah!
01:22:43Ah!
01:22:44Ah!
01:22:45Ah!
01:22:46Ah!
01:22:47Ah!
01:22:51Maryland, Maryland, please be...
01:22:59Don't move!
01:23:01Officer, there's a girl in here with a knife.
01:23:04Let me see your hands, Hallie.
01:23:05Now!
01:23:06There's a girl in here...
01:23:07Now, shut up, get down!
01:23:08You're making a mistake, shut up!
01:23:13Get off!
01:23:21This is ruining everything.
01:23:40No.
01:23:42No, no, forget her.
01:23:45I will, in a minute.
01:23:47Debbie.
01:23:49There's no need to kill her.
01:23:51Peter, we need some time alone.
01:23:57I know.
01:24:00I know.
01:24:02It's just you and me, Debbie.
01:24:07It's just you and me.
01:24:16I love you.
01:24:21You're going to kill her.
01:24:23You're going to kill her.
01:24:26Agh!
01:24:28Agh!
01:24:30Agh!
01:24:36Agh!
01:24:38Agh!
01:24:40Agh!
01:24:44Agh!
01:24:56Agh!
01:25:02Peter!
01:25:04Come on, Peter!
01:25:06Peter, come on!
01:25:08Don't tell me, Peter!
01:25:10Okay!
01:25:26Agh!
01:25:28Gleeuuu!
01:25:30I told you to be friends, but you werejem.
01:25:32We need to be friends!
01:25:34We need to be friends, but we need to be friends.
01:25:36I need to be friends.
01:25:38We can be friends in the family.
01:25:40We need to be friends.
01:25:43I'm sorry.
01:25:43I can be friends.
01:25:44I can be friends.
01:25:45With the family being friends.
01:25:47I cannot be friends.
01:25:49I am not coming.
01:25:51Agh!
01:25:52Agh!
01:25:53Agh!
01:25:54Agh!
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