- 10 hours ago
Lord Wingate, aquitted after appearing in court for fraud, starts up a 'finishing school' to teach girls how to extract money from rich men, in return for a percentage of their gains.
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Short filmTranscript
00:00:00The End
00:00:30Well, Pat, if I'm not back in two hours, you know what to do with her.
00:00:49Good luck, Pav.
00:00:51Thanks.
00:01:00Good luck.
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00:04:55Only to find that both his parents had been killed during a bombing raid
00:05:04while staying at their Knightsbridge apartment in London
00:05:08and that he had inherited the entire Wingate estate
00:05:12valued at that time at nearly three million pounds.
00:05:17Master Giles, glad to have you back, sir.
00:05:27Glad to be back, Fred. And how are you?
00:05:30Very well, sir.
00:05:31Good. You're looking younger than ever.
00:05:33Thank you, sir. After you, sir.
00:05:40Do you remember Clara, our cook, sir?
00:05:43Of course I remember Clara. I'm nice to see you again.
00:05:47And the maids are new, sir.
00:05:51Where did you find these girls?
00:05:52The village.
00:05:53Yes, sir.
00:05:55Amazing.
00:05:57Good heavens.
00:06:02I must have known you when you were old.
00:06:04Just at all.
00:06:12Tiny things.
00:06:13It took very little time for the handsome young bachelor
00:06:16to savour the pleasures of civilian life
00:06:19and on an unearned income of several thousand pounds per year,
00:06:25he was able to give very careful thought
00:06:27to the methods in which his newfound fortune should be spent.
00:06:33Many long hours were spent in meditation
00:06:36over his wealth of business ideas.
00:06:41But first things first,
00:06:47and Giles Wingate's army experiences
00:06:49had given him a commendable sense of class equality.
00:06:55It offended him to be waited on by uniformed servants,
00:07:00and he promptly ordered his staff to abandon their uniforms
00:07:05for something a trifle less formal.
00:07:22And to adopt a less formal...
00:07:24Oh, Polly!
00:07:26Oh, Polly!
00:07:26Oh, Polly!
00:07:27I say!
00:07:27...relationship with their master.
00:07:30I don't know what you want all this on for.
00:07:32Ooh!
00:07:33Mrs. Giles Wingate.
00:07:35From that moment,
00:07:39Polly embarked on a spending spree never before equaled.
00:07:44In one day, for example,
00:07:46she purchased from one London store 11 fur coats.
00:07:50She consumed 31 sports cars during one year.
00:07:57Needless to say,
00:07:58with young Wingate down to his last two million,
00:08:00the marriage ended in divorce.
00:08:02After Polly, the maid came Tania,
00:08:08the so-called movie actress.
00:08:14She came to stay for a weekend,
00:08:18bringing one of her films with her.
00:08:20Ah!
00:08:20Ah!
00:08:21Ah!
00:08:22Ah!
00:08:22Ah!
00:08:23Ah!
00:08:23Ah!
00:08:23Ah!
00:08:24Ah!
00:08:24Ah!
00:08:25Ah!
00:08:25Ah!
00:08:26Ah!
00:08:26Ah!
00:08:27Ah!
00:08:27Ah!
00:08:28Ah!
00:08:28Ah!
00:08:29Ah!
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00:08:30Ah!
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00:08:31Ah!
00:08:31Ah!
00:08:32Ah!
00:08:35Ah!
00:08:36Ah!
00:08:36Ah!
00:08:37Ah!
00:08:38Ah!
00:08:38Ah!
00:08:41No, Mr. Lee,
00:08:46Well done.
00:08:46Yes, sir.
00:08:47But.
00:08:55Sir,
00:08:56Oh!
00:08:57That's why Broad!
00:09:00Oh!
00:09:00Ah!
00:09:00Ah!
00:09:01The whole place lived.
00:09:04Don't worry.
00:09:05Don't worry.
00:09:06Stop it.
00:09:08Take that, you dirty rat.
00:09:31Don't worry.
00:09:45Don't worry.
00:09:51Give me an English aid.
00:10:15Right, give me a brass.
00:10:17Suffering at the hands of gangsters on the screen
00:10:22was so moved with compassion and pity
00:10:26he asked her to be his wife.
00:10:30Three months and 500,000 pounds later
00:10:34she took off with a homosexual actor
00:10:37and has never been seen since.
00:10:40From the publicity accrued from this tempestuous romance,
00:10:44Winget became the target for every cunning,
00:10:46gold-digging wench in the country
00:10:49and as fast as these women moved in
00:10:51so my client married them one after the other
00:10:55making in each case a vast settlement
00:10:59on the injured parties.
00:11:04Then came a stenographer, Mary
00:11:07who was so transparently after her employer's money
00:11:10that just anyone could have seen through her.
00:11:14Marianne, a dancer who soon stripped Winget
00:11:17of 20,000 pounds in alimony
00:11:20as efficiently as she stripped herself of her veils
00:11:24and of Ingeborg, a Swedish masseuse
00:11:29who by her highly skilled training
00:11:31in the manipulation of the human body
00:11:33extorted, among other things,
00:11:38a promise of marriage
00:11:40which ultimately led to yet another costly divorce.
00:11:45heroism is a physical worker
00:11:47and the military менее
00:11:49is a physical worker
00:11:50in with social work,
00:11:52acesse care for at least
00:11:53and as she would have a physical worker
00:11:54that is reduces her skin
00:11:56from a female person
00:11:56and the other things
00:11:57they could bring more
00:11:58to the children's first
00:11:58a female person
00:11:59who would have a child
00:12:00who would have a child
00:12:01who would have a child
00:12:03who would have the child
00:12:04who would have a child
00:12:05or, who would still want to lead
00:12:06or at the same time
00:12:07who would want to walk
00:12:08or whether they could
00:12:09the child
00:12:10should be a child
00:12:12or refer
00:12:13These and other adventures at the hands of ruthless, mercenary women...
00:12:23...brought my client to the brink of ruin and forced him, much against his will...
00:12:27Your Honour, I must object. This man...
00:12:30Sorry, Honour, no objections.
00:12:46Much against his will...
00:12:49...to borrow money from his own real estate business, which he has since repaid...
00:12:53...and which he now regrets.
00:12:55Er, I mean, he regrets the borrowing, not the repay.
00:12:59And I ask your Lordship to put yourself in my client's position...
00:13:02...and imagine yourself beset on all sides by scheming, ambitious women...
00:13:06...forced into dishonesty...
00:13:08...and to deal as leniently as you can with this unhappy, exploited man.
00:13:20I suppose we must.
00:13:29Two years.
00:13:31But, my Lord!
00:13:32No!
00:13:33Suspended, of course.
00:13:36We will now adjourn for lunch.
00:13:44Well, sir, we virtually won the case, didn't we, sir?
00:13:46Yes, of course.
00:13:47Well, what does it mean?
00:13:50Suspending a sentence.
00:13:51You're free.
00:13:53I think I did pretty well for you.
00:13:55Of course, paying the money back did make a difference.
00:13:59But, by the way, how did you manage to get hold of it?
00:14:00The 30,000, I mean.
00:14:03Erm...
00:14:04Shall we say, rather wealthy lady.
00:14:07Yes, I suppose with all your experiences, you have learnt a trick or two.
00:14:11Yes, it's been a costly education.
00:14:1330,000 back for a three million investment.
00:14:16However, I shall now sit back and reap my reward, as they say.
00:14:20Really?
00:14:23What exactly have you in mind?
00:14:25There's still one or two details to be sorted out.
00:14:27Yes, of course.
00:14:28I'm sure there are.
00:14:33I've already put several advertisements in different periodicals.
00:14:37Let me get this straight.
00:14:38A school for sex, eh?
00:14:41It might work.
00:14:42Of course it will.
00:14:43Dear old chap, I've been conned, swizzled and seduced
00:14:48by some of the loveliest, cleverest birds in the world.
00:14:52I think I must know just about every trick that there is to know
00:14:55for lifting money from the unsuspecting male.
00:14:58Now, if I impart this knowledge to, say, half a dozen girls to start with,
00:15:03on a commission basis of, say, 33 and a third percent,
00:15:07can you see the potential?
00:15:10Oh, by the way, where we're going, I think, erm...
00:15:13Yes?
00:15:17One thing I've learnt about my fellow men,
00:15:19and don't think I'm alone in my vulnerability,
00:15:21is a truth, and it's simple.
00:15:23The shrewdest, toughest, hardest businessmen in the world
00:15:27have got one great weakness.
00:15:32One Achilles' heel.
00:15:34One chink in their armour.
00:15:37And that is...
00:15:39Crumpet.
00:15:41Sex.
00:15:42It's quite, quite.
00:15:43Take this girl here, for example.
00:15:45One subtle, I'll grant her, but...
00:15:46Watch her.
00:15:48And watch her audience.
00:15:49You might learn something.
00:15:51And watch her audience.
00:15:52And watch her audience.
00:15:53You might learn something.
00:15:58And watch her audience.
00:15:59And watch her audience.
00:16:00You might learn something.
00:16:02You might learn something.
00:16:10I'm...
00:16:12I'm...
00:16:43Oh, and I think I might be able to help you there.
00:17:08I have a friend who's a probation officer.
00:17:10I think I could get you a regular supply.
00:17:11Really?
00:17:12For a commission, of course.
00:17:15Would you like me to make some inquiries?
00:17:17Um, discreetly.
00:17:19Of course.
00:17:20Oh, my goodness.
00:17:23Oh, my goodness.
00:17:25Oh, my goodness.
00:17:27Oh, my goodness.
00:17:36Oh, my goodness.
00:17:38Oh, my God.
00:18:08Here we are, Fred. Back in business. You can take the covers off now.
00:18:15Glad to see you're back, sir. You know, I really thought you would have gone for a couple of years at least.
00:18:21Do you know, sir, Wingate Manor has had a master for the last ten generations.
00:18:26I remember dear Jonathan Wingate, your grandfather, sir. He very nearly did time for goods.
00:18:32Yes, quite. But now it's time to think of work. We've got to earn some money, Fred. Think about paying your wages, eh?
00:18:37That's all right, sir. Don't you bother about me.
00:18:43Anything on for lunch, Fred?
00:18:45Made some soup, sir. Quite frankly, I wasn't expecting you.
00:18:51Mmm, excellent. Your cooking qualifications will come in handy.
00:18:55What do you mean, sir?
00:18:56Oh, I've got lots of little surprises for you, Fred.
00:19:00You'll know all those jolly little pictures you've got tucked away in your cupboard.
00:19:04Well, you'll wait and see what's going to happen down here very soon.
00:19:13Good God.
00:19:14What is it, sir?
00:19:17Don't worry. I'll soon shoo her off.
00:19:19No, just a minute, Fred. I think this might be the lady I'm expecting.
00:19:23Our new deputy headmistress.
00:19:26She don't look like a schoolmistress to me, sir.
00:19:30Well, she's got rather, shall we say, special qualifications.
00:19:35Surely, will you, Fred?
00:19:37Very good, sir.
00:20:07Mr. Giles Wingate?
00:20:11Good morning.
00:20:12You must be the lady of the Bearwash.
00:20:13Yes, my husband, the late Duke of...
00:20:15My goodness, what a charming kitchen you have.
00:20:22How many kitchen staff have you?
00:20:25Well, we have Fred here who chefs for us,
00:20:28and anyway, now that we're in the kitchen, perhaps a cup of coffee?
00:20:33An enchanting idea.
00:20:34Oh, perhaps something a little stronger.
00:20:38Much better.
00:20:39Brandy, please.
00:20:41Fred, a large brandy for the Duchess,
00:20:43and a dry martini for me.
00:20:46A martini and a large brandy for her grace.
00:20:52Certainly, sir.
00:20:53Now, Duchess, you wrote to me in answer to an advertisement in the Times.
00:20:59I note in your letter that your husband, the Duke, died in 1966.
00:21:05Now, what have you been doing since then?
00:21:07Dear Archie, yes.
00:21:08It took some time spending, I mean, tying up his estate.
00:21:13Such a lovely man.
00:21:15You know, it was the publicity and the news of the world that killed him.
00:21:18Oh, interesting.
00:21:20You have experience with girls, yes?
00:21:24Your large brandy, madam.
00:21:28Your martini, sir.
00:21:29Thank you, Fred.
00:21:30Cheers.
00:21:31Cheers.
00:21:31Cheers.
00:21:31Cheers.
00:21:32Cheers.
00:21:32Cheers.
00:21:32Cheers.
00:21:32Cheers.
00:21:32Cheers.
00:21:32Cheers.
00:21:33Cheers.
00:21:34Cheers.
00:21:34Cheers.
00:21:34Cheers.
00:21:35Cheers.
00:21:35Cheers.
00:21:35Cheers.
00:21:36Cheers.
00:21:37Cheers.
00:21:37Cheers.
00:21:38Cheers.
00:21:43Well, that will be all, Fred.
00:21:47That will be all, Fred.
00:21:50Now, Duchess, you were saying your experience with girls.
00:21:54Yes, indeed.
00:21:56The windmill.
00:21:57I was her girl there, you know, then the leader in Paris,
00:22:00and after that I had my own modeling school.
00:22:02A big success that was, until those Russian girls let me down.
00:22:06Let you down?
00:22:07Yes, the papers played it up, of course, called it The Cabinet Cuddles Affair.
00:22:12You'll probably remember it.
00:22:13Everybody else does.
00:22:14It was in 1956.
00:22:17No, I can't say I do.
00:22:19Nothing, really.
00:22:20After a late debate on the budget of the House of Commons, some of the MPs had to stay overnight.
00:22:25When the morning came, nobody could find their clothes.
00:22:28It was an Ursula that took them.
00:22:30I never did like the girl.
00:22:31Well, anyway, 23 of my girls happened to be there at the time, quite innocently, of course.
00:22:38Nobody believed them.
00:22:40That's how I met Archie.
00:22:41He was Minister for Internal Affairs at the time.
00:22:44We were both completely exonerated.
00:22:47Absolutely fascinating.
00:22:49Oh.
00:22:50Well, old Duchess, I think that we can say that your application has been successful.
00:22:55Now, before we discuss your percentage...
00:22:58I mean your salary.
00:23:00I think I should give you some details of the school and your duties.
00:23:05Now, at this moment, on its way from London, is a minibus containing a group of girls.
00:23:22Hey, Clumpy.
00:23:23This isn't the way to Holloway.
00:23:25Please, call me Mr. Clamp.
00:23:26We're not going to Holloway.
00:23:29You've been paroled.
00:23:30We're going to Wingate Manor.
00:23:32And you approve school.
00:23:34Are you coming with us, you lover?
00:23:36Oh, go on.
00:23:37You alone, Beth, or is that the best you can do?
00:23:39Hope we've seen you all time.
00:23:40Shh, quiet.
00:23:44Are you okay, Harry?
00:23:45Are you kidding?
00:23:47Yeah, what's all this about Wingate Manor?
00:23:49Some new school they're taking us to.
00:23:51Progressive Rehabilitation or something.
00:23:53Oh, yeah?
00:23:54Well, we've got to get you all out of here before we get there.
00:23:56Don't let him suspect anything.
00:23:58I'll think of something.
00:23:59What's going on back there?
00:24:01Nothing, Mr. Clamp, sir.
00:24:03Where are we?
00:24:16I just was a small village.
00:24:18Don't know what it's called.
00:24:19Anybody about?
00:24:20No.
00:24:22Well, if you see somebody, let me know.
00:24:24I've got an idea.
00:24:25Just pass the copper.
00:24:34Me, ain't it good.
00:24:35Bloody margons.
00:24:36Get Cat to stop the bus.
00:24:37Throw a faint or something.
00:24:38You're mad.
00:24:39With a copper?
00:24:40Do it quickly, girl.
00:24:41You, Beth, you do it.
00:24:42Come on, come on.
00:24:42Do it anything.
00:24:43It doesn't matter.
00:24:44One, two, three.
00:24:46Oh, oh, oh, oh, oh.
00:24:47What's going on?
00:24:49She's fainted.
00:24:50It must be the car drive.
00:24:51It affects some people like us.
00:24:53What's the trouble?
00:24:58What's going on?
00:24:59She needs an aspirin and a glass of water.
00:25:01Yes.
00:25:02Look, there's a house over there.
00:25:03They'll help.
00:25:05Where?
00:25:05Through the trees.
00:25:07I can't see any house.
00:25:08Of course there is.
00:25:09My eyesight's better than yours.
00:25:10I'll go.
00:25:11Oh, no, you don't.
00:25:12I'll go.
00:25:14And remember, no funny business, girl.
00:25:17I'm going to lock you in.
00:25:21Don't work all right.
00:25:23I'm going to lock you in.
00:25:34Oh, that's okay.
00:25:42You're all right.
00:25:43Okay.
00:25:44Hey, Harry, what now?
00:25:45Get undressed.
00:25:46Everything?
00:25:47Yeah, everything.
00:25:48I'll tell you what to do while I'm picking them off.
00:25:50Hurry.
00:25:51Come on, Mr. Schoenberg.
00:25:53It's cold.
00:25:53I know.
00:25:54Come on, hurry.
00:26:05Oh, I've got stuck.
00:26:07Come on, hurry up.
00:26:08I've got stuck.
00:26:08Come on, hurry up.
00:26:12I've done it.
00:26:13Come on, hurry up.
00:26:38Come on, quick, because he's coming.
00:27:05There's no sign of the house here.
00:27:08There's no sign of the house here.
00:27:18All set?
00:27:19Yes.
00:27:20I think you can remove your lines, okay?
00:27:22Yes, I think so.
00:27:28You're taking advantage of your...
00:27:30Who the hell do you think you are?
00:27:31What are you doing? Why are you taking the clothes off?
00:27:33It's disgusting.
00:27:34What are you doing?
00:27:35Get back in the bus this minute.
00:27:36Please don't do this.
00:27:37Get back into the bus immediately.
00:27:39I won't tolerate this nonsense.
00:27:41Girls, please.
00:27:42Taking advantage of...
00:27:43What are you doing?
00:27:45Get back in the bus this minute.
00:27:47Let's go for a swim, you said.
00:27:49Change into your swimming costumes, you said.
00:27:51Take those clothes off, you said.
00:27:53And then you attack us.
00:27:54Yes, you're just a dirty, dirty, dirty old man.
00:27:57Don't do that.
00:27:58No, no, no, then.
00:27:59Is this man annoying you?
00:28:01Yes, officer.
00:28:02Thank goodness you're here, officer.
00:28:04This man just sat on us.
00:28:05All we want was a lift.
00:28:06Then he makes a strip like this.
00:28:08Oh, absolute nonsense, Sergeant.
00:28:10My name is Horace Clapp,
00:28:11and I'm a probation officer of the Crown.
00:28:13Likely story.
00:28:15Do you have any credentials, sir?
00:28:16Of course I have.
00:28:17I thought something like this would happen
00:28:19when I saw this fellow pick up these hitchhikers, officer.
00:28:21Are you a witness, sir?
00:28:22Yes.
00:28:23I was walking along the road
00:28:24when I saw this fellow scouring the curve.
00:28:26He was obviously looking for an easy pick up,
00:28:28and eventually I saw him pick up these four young ladies.
00:28:30Absolute nonsense, Sergeant.
00:28:32Here are my credentials.
00:28:35This, sir, is a membership card for the Raymond Review Bar.
00:28:45Ah, this seems to be in order, sir.
00:28:47Of course.
00:28:48Are these four girls in your care, sir?
00:28:49Yes, Sergeant.
00:28:50You know, these girls would do anything to obey justice.
00:28:53I'm taking them to Wingate Manor.
00:28:56You see, and I trust you'll allow me to go unhindered
00:29:00and forget this little incident.
00:29:02It wouldn't look good on my record.
00:29:05Wingate Manor, sir.
00:29:06That's right.
00:29:07Well, I suppose it's all right.
00:29:09See you at Wingate Manor.
00:29:10All right, girls.
00:29:11Come on.
00:29:12Into the bus.
00:29:13All right, come on, come on, come on.
00:29:20All right, sir.
00:29:21Boy, now you've got to have it.
00:29:22Thank you, Sergeant.
00:29:23All right, sir.
00:29:24Boy, now you've got to have it.
00:29:25Thank you, Sergeant.
00:29:30Wingate Manor.
00:29:50I'm going to go.
00:29:51Go.
00:29:52Go.
00:29:53I'll do it.
00:29:54Go.
00:29:55Go.
00:29:56Go.
00:29:57You're welcome.
00:29:58Oh, my.
00:29:59I'll do it.
00:30:00You're welcome.
00:30:01I'll do it.
00:30:02Go.
00:30:03The next question,�, is your question.
00:30:04Go.
00:30:05Go.
00:30:06Go.
00:30:08Go.
00:30:09Go.
00:30:10Go.
00:30:11Go.
00:30:12Go.
00:30:14Oh, my God.
00:30:44Oh, my God.
00:31:14Oh, my God.
00:31:44Oh, my God.
00:32:14Oh, my God.
00:32:44Oh, my God.
00:32:46Oh, my God.
00:32:48Oh, my God.
00:32:50Oh, my God.
00:32:52Oh, my God.
00:32:54Oh, my God.
00:32:56Oh, my God.
00:32:58Oh, my God.
00:33:00Oh, my God.
00:33:02Oh, my God.
00:33:04Oh, my God.
00:33:06Oh, my God.
00:33:08Oh, my God.
00:33:10Oh, my God.
00:33:12Oh, my God.
00:33:14Oh, my God.
00:33:16Oh, my God.
00:33:18Oh, my God.
00:33:20Oh, my God.
00:33:22Oh, my God.
00:33:24Oh, my God.
00:33:26Oh, my God.
00:33:28Oh, my God.
00:33:30Oh, my God.
00:33:32Oh, my God.
00:33:34Oh, my God.
00:33:36Oh, my God.
00:33:38Oh, my God.
00:33:40Oh, my God.
00:33:42Oh, my God.
00:33:44Oh, my God.
00:33:46Oh, my God.
00:33:48And you are a woman, then?
00:33:49Well, no.
00:33:50Good.
00:33:51Oh, don't stop.
00:33:52I say, Duchess, would you like to tell me what all this is about?
00:33:57Mr Wingate, this oath followed me from the village and then started to molest me.
00:34:04I insist that you call the police.
00:34:06I don't think there's any need for that.
00:34:09Now, if you'd like to just sit down and tell me your name.
00:34:12Hector.
00:34:13Hector Shawnesset.
00:34:14Si, and you live and work in the village, yes?
00:34:17Oh, no.
00:34:18I live up in the big house, but they work for prizefighters around here.
00:34:21Here.
00:34:22You could give me a joke, would you?
00:34:24Well, I'm afraid I haven't any use for a prizefighter either.
00:34:28Unless...
00:34:29Are you any good at PT?
00:34:31No, that's it again.
00:34:33I don't mean that sort of PT.
00:34:35I mean physical training.
00:34:37Yes.
00:34:38I spell with all of them.
00:34:39Bruce Rooker.
00:34:40Tommy Fowl.
00:34:41Us, I'll punch you with the best of them.
00:34:43Well, it's only too painful in our best.
00:34:45Mr. Wingate, you're not serious.
00:34:47Well, it might be useful.
00:34:49And cheap.
00:34:50Now, look, Hector.
00:34:51If I take a chance on you, will you promise me one thing?
00:34:54To leave the Duchess here alone.
00:34:56Five feet, sir.
00:34:57Five feet, sir.
00:34:58Just to be...
00:34:59Just to be bringing the same air, sir.
00:35:00Just to be feeling...
00:35:01Quite.
00:35:02Quite.
00:35:03Now, you go off home.
00:35:04Smarten yourself up.
00:35:06And come back here tomorrow morning at nine o'clock.
00:35:08And I'll show you your duties.
00:35:09Sir, yes, sir.
00:35:10Thank you, sir.
00:35:11Oh, and Hector.
00:35:12Yes, sir.
00:35:13Don't tell anybody in the village that you're working here, will you?
00:35:15Well, don't forget your condition of employment.
00:35:17My lips shall be sealed.
00:35:19Our love shall remain a secret forever.
00:35:21Thank you, sir.
00:35:22Thank you, sir.
00:35:23Thank you, Reverend.
00:35:24Thank you, Reverend.
00:35:27Heyers.
00:35:46Here they come, Fred.
00:35:47Look!
00:35:48My very first pupils.
00:35:49All right, girl.
00:35:51Out you got.
00:35:57Master Giles, you should make a splendid headmaster of a girl's school.
00:36:06You think so, Fred?
00:36:09Now stay here, and don't move.
00:36:12I won't be long.
00:36:15Well, I don't know about you, but I'm going to find you.
00:36:18Oh, Mr. Winnicott.
00:36:21That's correct.
00:36:22Could I have a word with you, sir?
00:36:23Of course.
00:36:25In private, sir?
00:36:26Oh, yes.
00:36:27Fred, will you go and take the girls' suitcases and put them upstairs in the bedrooms,
00:36:32and then when you've done that, bring the girls all downstairs into the main hall?
00:36:35Certainly, sir.
00:36:38You?
00:36:50Now, Mr. Clamp, what can I do for you?
00:36:52Well, Mr. Berridge didn't say it would go to be like this, sir.
00:36:56You've had difficulties, Mr. Clamp?
00:36:58Oh, tell me, why aren't all the girls undressed?
00:37:01They're a bunch of hooligans, sir.
00:37:04They try to escape.
00:37:06Oh, I don't think I can do this very often.
00:37:11Nonsense, Mr. Clamp.
00:37:12When you see the lovely lorry that you're going to make,
00:37:15you won't be able to get those girls down here fast enough.
00:37:19Young ladies, sir.
00:37:20Ah, show them in, will you, Fred?
00:37:21Certainly, sir.
00:37:22This way, ladies.
00:37:23Oh, please.
00:37:31Hmm.
00:37:32A most interesting bunch of girls.
00:37:35Mr. Clamp, will you?
00:37:37Oh, oh, yes, sir.
00:37:38This is Sully Regan.
00:37:42She was probation to me for two years for shoplifting.
00:37:46Persistently.
00:37:47Naughty.
00:37:48You have to do better than that, won't you?
00:37:51This is Judy Arkwright.
00:37:53Third offence.
00:37:54Stole 140 pounds from an elderly gentleman.
00:37:57Worked in a near beer joint.
00:37:58Oh, good work.
00:38:00Really good.
00:38:01This is Beth Villiers.
00:38:03Involved in some sort of land fraud.
00:38:07I don't know much about it, I'm afraid.
00:38:09Excellent.
00:38:11You must tell me the details sometime.
00:38:16Is that all, Mr. Clamp?
00:38:17I thought there were four girls.
00:38:20Oh, my God.
00:38:22Pupils at Wingate Manor.
00:38:24Now, our object is to provide you with an education
00:38:27that will enable you to take your place
00:38:29as leading members of our society.
00:38:31Mr. Wingate.
00:38:32Yes?
00:38:33Could I ask you what were those contracts
00:38:35that you asked us to sign?
00:38:36Ah, yes.
00:38:37Yes, I was just coming to that.
00:38:39Now, you will realize that the education
00:38:41that you will undergo here
00:38:42will be of a most unique nature.
00:38:46As such, it will be very expensive.
00:38:50But the benefits that you will reap
00:38:51as a result of this should be substantial.
00:38:54Of course, you will understand
00:38:55that I want the school to benefit as well.
00:38:57So, in fact, what you have done
00:39:00is just sign over one-third
00:39:02of your future earnings to me.
00:39:05Why is this wrong?
00:39:08Now, I should like to introduce you
00:39:10to your teachers.
00:39:13Duchess.
00:39:15This is the Duchess of Burwash.
00:39:18Now, she will instruct you
00:39:20in a number of subjects
00:39:21under the heading of technique.
00:39:25Good evening, Gauss.
00:39:28Hector.
00:39:30And this is Mr. Shonksy.
00:39:33Who will instruct in...
00:39:36Department.
00:39:37Pleased to meet you, Gauss.
00:39:38Oh, dear, dear, dear, oh, dear.
00:39:55Oh, dear.
00:40:01Two hours late.
00:40:03I'm surprised it was all steamed up.
00:40:04Oh, don't keep on at me, Ethel.
00:40:06How would you like to have walked six miles?
00:40:11Seems a bit funny to me.
00:40:13I wonder what they're all doing up Wingate Manor.
00:40:15You ought to find out, you know.
00:40:17Oh, I ought to.
00:40:18But I don't think Mr. Wingate
00:40:19particularly welcomes me up there, you know.
00:40:21Why not?
00:40:22You're only doing what you were paid to do.
00:40:25Well, I felt so guilty last time
00:40:27when I had to go up there and arrest him.
00:40:29Wingates have been in this county for centuries.
00:40:31So it's...
00:40:33I always feel they're above the law
00:40:34of them sort of people.
00:40:35Why don't you just go up there
00:40:37and snoop around without him knowing?
00:40:39Yeah, I think I will.
00:40:40Yeah.
00:40:41Probably nothing in it.
00:40:42But don't say nothing to anybody, though.
00:40:44Oh, dear.
00:40:45What's up?
00:40:47Mr. Roberts.
00:40:48The Colonel?
00:40:49Oh, no, you didn't tell him.
00:40:51Mrs. Roberts was in the kitchen.
00:40:53I only mentioned...
00:40:54Ethel, how many times have I got to tell you?
00:40:56Especially the Colonel.
00:40:58You know his daggers drawn
00:40:59with the Wingate family?
00:41:01Figures he ought to have been
00:41:02the squire of the village.
00:41:04Still,
00:41:05I dearly love to know
00:41:07what's going on up Wingate Manor.
00:41:19Yes, I think that's about right.
00:41:21Now, this is your millionaire.
00:41:33And this is your dining room
00:41:35at the Carlton in Cannes.
00:41:36How do I get to Cannes in the first place?
00:41:38My dear,
00:41:39if you don't know how to get
00:41:40a one-way ticket
00:41:40to the south of France,
00:41:42I don't know why we're bothering.
00:41:44I want you to play it by ear.
00:41:46Now, Fred,
00:41:48you know how to react.
00:41:49Oh, I'll do my best, ma'am.
00:41:52Right.
00:41:59Now, I'll begin.
00:42:04Wiggle, dear.
00:42:05Wiggle.
00:42:05Now, look what you've done.
00:42:18Oh, it took me hours
00:42:19to dress as well.
00:42:21Oh, my dear,
00:42:21I'm so sorry.
00:42:22Allow me.
00:42:23No, no, that won't help.
00:42:24I shall have to go and change.
00:42:26Good.
00:42:27Good.
00:42:28Oh, dear.
00:42:29My roommate has the keys
00:42:31and she won't be back for hours.
00:42:33What am I going to do?
00:42:34Excellent, excellent.
00:42:36It'll be my privilege
00:42:37to allow you to dress in my room.
00:42:39Oh, thank you, sir.
00:42:40Could I ask you to be so kind
00:42:41and come with me?
00:42:42Just in case one of the porters
00:42:43thinks I'm breaking in.
00:42:44Of course, my dear.
00:42:46Marvellous.
00:42:47Very good indeed.
00:42:49Now comes the kill.
00:42:53Now, this is your millionaire's room.
00:42:55There is the door.
00:42:56Take up your positions,
00:42:58both of you.
00:43:00Well, Hannah,
00:43:00you're supposed to be
00:43:01hiding away behind the sofa.
00:43:04Sue,
00:43:05you'll come over here
00:43:06and join me.
00:43:08Now, enter.
00:43:10Come along, my dear.
00:43:12I'll wait in the bathroom
00:43:14while you undress.
00:43:16It doesn't matter, sir.
00:43:17I'm sure you've got daughters
00:43:18much older than me
00:43:19and you're far too much of a gentleman.
00:43:21Quite.
00:43:21Quite.
00:43:22Why don't you sit down?
00:43:23Thank you, my dear.
00:43:29Tease him, dear.
00:43:31Tease him.
00:43:32Did you see a cat?
00:43:51haunted?
00:43:52Je...
00:43:52Marvellous.
00:43:54I'm coming.
00:43:55I'm coming.
00:43:56Oh! Not at all bad. A bit corny, perhaps, but still worth a quick 5,000, according to the age of the punter.
00:44:08Fred!
00:44:10Oh! You all right?
00:44:13It's my art, ma'am. Blood pressure, you know.
00:44:17Goodness, what's that?
00:44:19No, no, no, dear. Never make it appear as though it's vicious.
00:44:23Play on the punter's masochism.
00:44:25Start again. Just a minute. Get off my butt. Get off the back. That's it.
00:44:29Now sit on the side of the bed, there. All right?
00:44:32Now start at the top again, on the neck.
00:44:34Gently.
00:44:36Now, bigger.
00:44:38Harder. Deeper. That's it. Nice, nice.
00:44:43Now down, down towards the ribs. Down towards the ribs. Lovely.
00:44:49Harder. Press, press. That's it.
00:44:52That's it. Yes, yes.
00:44:54Now, gently. Up towards the top of the neck again.
00:44:58Now begin to work down the spine.
00:45:01Gently down the spine. Now this is it. This is where you're lulling him into a sense of false security.
00:45:07Right down. Right down. Right down. Now, quickly. A couple of rabbit punches in the spine. That's it.
00:45:13If you're that lovely, into the ribs, that's it.
00:45:15Now, start on the left leg. On the left leg. That's it. Massage. Gently., gently. You're lulling him again.
00:45:22That's it. He doesn't think anything's going to happen.
00:45:25Now, take it down to the knee. To the knee. That's it. Now, one hand under the ankle. Grab it. UP. That's it. That's it.
00:45:31One hand under the ankle. Grab it up. That's it. That's it. The submission hold. You've got it. That's it, darling. Lovely.
00:45:44Everything okay up here, Mr. Wingate?
00:45:46Oh, yes. Judy's doing fine. All right, my dear. Relax the leg. That's it.
00:45:52You go downstairs now and join Hector's class for PT.
00:45:55Oh. Hmm. How's your Beth doing?
00:46:01Very good indeed. I've sent her out to Hector's class.
00:46:04Yes, he's doing very well. I hope it ain't done. Put him right up here on your chest. Come on. Right up. Right up. Now, ready? One, two, three.
00:46:11One, two, three. One, two, three. One, two, three.
00:46:21You look like an old bag of bones, Beverly. Hold him up. Come on. Stretch right up. Stay the three together. Stretch right up.
00:46:27One, two, down. Up. Come on. Down. Up. Down. Up. Down. Up. Down. Up. Down. Up. Down. Up. Come on. Down. Up.
00:46:47Up. That's it. Hands down by your side. There we go. Right down to the ground this time. On each side of your feet.
00:46:53Hands above your head. One. Two. One. Two. One. Two.
00:47:07Hands above your chest.
00:47:09Hands above your chest.
00:47:10Switch right up. Ready. One. Two.
00:47:15Stretch up, Sue. Put that tummy in, Sue.
00:47:17What are you laughing at? Put your tummy right in.
00:47:20Hold your backside in. That's it. Hands above your head.
00:47:24Good morning, Sergeant. Colonel Roberts, what brings you up here, sir?
00:47:41Well, the wife told me there was something interesting going on. I take it you're investigating?
00:47:45I'm not making no investigation, sir. This is my routine, Reims.
00:47:49You can't fool me, Sergeant. I know there's something fishy going on.
00:47:52That bound of Wingate ought to be locked up. Fuck you. All the family are the same, you know. For generations.
00:47:58No, no, Colonel. We can't run around making accusations like that. We've got to be sure of our facts.
00:48:03Well, that's as may be. But I'm going to do a bit of investigation on me own.
00:48:06And when I've got my facts, I'm going to pounce. Good day, Sergeant.
00:48:11Good day, sir.
00:48:13Good day, sir.
00:48:19Now, girls, an advanced class and a more difficult situation.
00:48:23This is the big killing. You need far greater care.
00:48:31Young men obviously make the best husbands.
00:48:34Unfortunately, they're always reluctant to pay for services rendered.
00:48:39So we don't give it to them.
00:48:41Oh, I know all about this permissive age. But what we said in the fifties is true now.
00:48:47Once they've had you, they'll never marry you.
00:48:51So now, Harry, I've told you what to do.
00:48:53And Sally, you were just arriving at this young man's Chelsea flat.
00:48:58The object is to prevent him from seducing.
00:49:02My God, take up your position.
00:49:04Dearly beloved, we are gathered together to join this man and this woman in holy matter.
00:49:08Now, look, girls, if you can't get the old boy to the altar quicker than that, he's going to drop dead on you.
00:49:20Now, go back and start it all over again.
00:49:21Dearly beloved.
00:49:22I don't think we've got this quite right, Miss Sally.
00:49:26Come on, get dressed.
00:49:27We've got a lot of work to do yet.
00:49:28Now, Rudy, bring them back.
00:49:29Bring these chests right out.
00:49:30Ready?
00:49:31One, two, three.
00:49:32No, dear.
00:49:33I don't think we've got this just right out.
00:49:35Ready?
00:49:36One, two, three.
00:49:37No, dear.
00:49:38I don't think we've got this quite right.
00:49:39Quicker than that, he's going to drop dead on you.
00:49:40Now, go back and start it all over again.
00:49:41Dearly beloved.
00:49:42I don't think we've got this quite right, Miss Sally.
00:49:44Come on, get dressed.
00:49:45We've got a lot of work to do yet.
00:49:48Now, Rudy, bring them back.
00:49:49Bring these chests right out.
00:49:50Ready?
00:49:51One, two, three.
00:49:52No, dear, I don't think we've got this quite right.
00:50:03You'll have to give him a little more passion, otherwise he'll lose interest.
00:50:07Try again.
00:50:14That's enough bloody passion.
00:50:16Lay off.
00:50:18Ow!
00:50:22Oh, my God.
00:50:52Oh, my God.
00:51:22Oh, Mr. Liniere.
00:51:31Nice to see you again, Mr. Clamp.
00:51:33I've got a little something here for you, I think, quickly.
00:51:36There we are, as promised.
00:51:39Thank you very much.
00:51:40All right, see you again soon.
00:51:41See you later.
00:51:41Come along, girls, and give your back to Fred.
00:51:43It's your case, Tom.
00:51:44And yours.
00:51:45And yours.
00:51:47And yours.
00:51:47And yours.
00:51:49Three months, Sergeant.
00:51:59Three months.
00:52:00What are you going to do about this scandal?
00:52:01Well, I don't see us anything I can do, sir.
00:52:04I'd have to know a lot more about this.
00:52:06I'd have to know a lot more about it.
00:52:07Well, I'm going to whip up a petition.
00:52:09Oh, all right, sir.
00:52:11Just as you liked.
00:52:15Well, girls, this is it.
00:52:17You've been with us for three months now.
00:52:22It's time for you to go and face the outside world.
00:52:31I shall always hold a very special place in my heart for you.
00:52:34My first, and I'm sure, my most successful pupil.
00:52:39I know that you'll capture the hearts of many unsuspecting males
00:52:42just as easily as you've captured mine.
00:52:44And now, Hector will drive you to the station
00:52:48and whence you will go your separate ways.
00:52:51Bravo, bravo!
00:52:55Goodbye, my dear.
00:53:00Go.
00:53:03Do honour to your school.
00:53:08And may God bless you all.
00:53:11Goodbye, sweetheart.
00:53:12Just take their money.
00:53:13Don't marry any of them, huh?
00:53:14Don't worry, Harry.
00:53:16Look after yourself.
00:53:17See you soon.
00:53:19Come on, girls.
00:53:20I will miss the train.
00:53:22Follow me now.
00:53:25Bye.
00:53:26Bye.
00:53:28Bye.
00:53:39Bye.
00:53:44Bye.
00:53:45Bye.
00:53:46Bye.
00:53:48I've got very attached to those girls.
00:53:58Now, old Dutchess, bring in the newcomers.
00:54:18Now that we've got the introductions over, I think it'd be a good idea if you were to disrobe straight away.
00:54:26We have a very scientific approach here.
00:54:29This will enable your teachers to peruse your natural talents,
00:54:35and therefore to give you the most beneficial and individual attention.
00:55:52Now you've got to work hard, you're going to do plenty of chest exercise, something like this.
00:56:18Now you try it. Now you've got to do that half hour every day. Every day you've got to do that.
00:56:23Well, Duchess, if you're just organizing the contracts for the new girls...
00:56:26Of course.
00:56:28I think I'll be off to bed.
00:56:30I'll be up later.
00:56:48Hey, look. There's Wingate.
00:56:55Oh, alright.
00:57:03Yeah, yeah. We know about it.
00:57:07Sergeant.
00:57:15Now, double-faced blackguard. What are you going to do about him?
00:57:18Well, there ain't nothing I can do, sir, unless he breaks the law.
00:57:21Nearly 300 guests attended the wedding yesterday of London model Beth Villiers to Sheik Abdul...
00:57:27Oop-la-o-doto, the Kuwait oil magnet.
00:57:31Miss Villiers, looking charming and composed, told our reporter that her success on the international scene had been mainly due to the training she had received at the little-known Wingate Manor Finishing School.
00:57:41Oh, by the way, we got a large cheque from her this morning.
00:57:45Oh, that's quick.
00:57:46Why did she fiddle the budget for her true self?
00:57:49Yeah, I'm not quite sure that I like all this publicity, you know. I mean, look at this thing in the paper yesterday about young Sally.
00:57:54Where are we? Ah, yes.
00:57:56Sally Regan, much in the news recently with her on-off on romance with horror film producer Sidney Myers, has signed a seven-year contract with a rival film company.
00:58:06It was reported that she negotiated the entire deal herself without any help from her agent.
00:58:11She added that her financial know-how had been acquired at Wingate Manor, an exclusive finishing school for girls.
00:58:18And then there was, there was young Sue the other day, not content with that twenty-thousand-pound settlement out of court from the defence minister.
00:58:25Tells them that it was all due to us.
00:58:27She is helping.
00:58:29I know, but it's-
00:58:31Oh, Mr. Mayor.
00:58:33Yes, Principal Wingate Manor speaking.
00:58:37I'm sorry, madam. I'm afraid we're full.
00:58:40Say, you'll have to help me here. Some woman says she's read about us in the paper. She wants to send her daughter to us.
00:58:47Won't you take no for an answer?
00:58:51No.
00:58:52Well, stay there for.
00:58:54Ah, madam, I'm very sorry. Yes, I know money talks, madam, but...
00:59:00Well, four hundred guineas a term.
00:59:03What?
00:59:05Very well, madam.
00:59:08That fixed her?
00:59:12No, she's confirming in writing.
00:59:15Thanks for your mind.
00:59:16…
00:59:20Out here.
00:59:21Wingate Manor School for Girls. This is the Deputy Headmistress.
00:59:27I see.
00:59:29Well, I'm afraid we're full up.
00:59:31Oh, eight or ten years, I should think.
00:59:35Hold on a minute. I'll speak to the Principal.
00:59:38I'll speak to the principal.
00:59:41I think this one's for you. It's a Biscount Snow.
00:59:44In for a penny, in for a pound.
00:59:47400 guineas a turn.
00:59:49Will you confirm?
00:59:51Thank you. Goodbye.
00:59:55I didn't expect anything about this one.
00:59:57I hadn't envisaged this sort of problem.
00:59:59Perhaps you could burn the place down.
01:00:08Oh, Daddy, what a super place!
01:00:20Do not forget the religious side of my education.
01:00:24Oh, good heavens no, Bishop.
01:00:26We cater for every denomination here.
01:00:29You can see.
01:00:31Come along, my dears, this way.
01:00:34Straight through.
01:00:36Up the stairs.
01:00:38There we are.
01:00:40In there, that's it.
01:00:42Ah, Mr. Wind again, I'd like to show you
01:00:45some interesting pictures of my daughter.
01:00:48When she was a little girl.
01:00:50Yes, I'd be most enchanted to see those.
01:00:53Oh, yes.
01:00:54My, my, she has changed a lot, hasn't she?
01:00:57Quite a big girl now.
01:00:58Thank you, sir.
01:00:59See you again. Goodbye.
01:01:04That should give you all you need.
01:01:06Sergeant, do your duty.
01:01:08Right-o, sir.
01:01:09I'll have to phone the Chief Constable first, though, sir.
01:01:11Right. I'll stay guard.
01:01:23It's the waiting I can't stand, Mr. Berlick.
01:01:26What did you want it for?
01:01:27Oh, stop fussing, clap.
01:01:34I've just seen the Home Secretary.
01:01:37First, Sally Regan.
01:01:38They get a fortune as a film actress.
01:01:40Then there's, er...
01:01:42What's her name?
01:01:43Sue Randall with that Cabin and Minster's Candle.
01:01:45You've no idea how I had to lie myself out of that one.
01:01:48And now there's this Beth Villiers garibanting all over Kuwait.
01:01:52These girls are supposed to be under lock and key.
01:01:55Well, no, no, sir.
01:01:56I mean, it's a very good school.
01:01:57I've only your word for that.
01:01:59I've never heard about this place,
01:02:00and neither do I find now have any of my colleagues.
01:02:03Nevertheless, these girls are still on probation, Berlick.
01:02:06But what are you going to do about it?
01:02:08Yes?
01:02:09Put him through.
01:02:10Speaking.
01:02:13Oh, no.
01:02:17All right.
01:02:18I suppose that's all you can do.
01:02:20Right.
01:02:21I'll phone you back.
01:02:23That was the Chief Constable.
01:02:25Reports from the local police that your Wingate Manor is a brothel.
01:02:28Oh, my God.
01:02:29Oh, no, sir.
01:02:30It's not exactly a brothel.
01:02:32It's a...
01:02:33Look, Berlick, you'd better get down this straightaway.
01:02:34I'll do what I can to delay police action.
01:02:38Well, go on, man.
01:02:39Hurry up and save your skin.
01:02:47Okay, sir.
01:02:52And mine.
01:02:53Quiet now, girls, please.
01:02:56Quiet.
01:02:58Now, today we have several new girls with us.
01:03:02So I thought we'd start with something cheerful.
01:03:06A party that is extremely popular in the European capitals,
01:03:10particularly in Italy,
01:03:11is one that is more generally known as the Dolce Vita Orge.
01:03:16Now, one point about this type of party.
01:03:19It is extremely difficult to tell the princes from the paupers,
01:03:25or the rich man from the poor.
01:03:27And that will be the object of this lesson today.
01:03:35Everything all set, Sergeant?
01:03:36Yes, sir.
01:03:37We caught the others as they was travelling through the village.
01:03:39Good. Where are they?
01:03:40Here, sir.
01:03:44Sergeant, what is the meaning of all this?
01:03:46Why are we being arrested?
01:03:47These people are all the same, you know.
01:03:49If there were no customers, there'd be no immoral houses.
01:03:52Immoral houses?
01:03:53What do you mean, sir?
01:03:54Down come the old acid, sir.
01:03:56You know very well what's going on in there.
01:03:59And what's more, you're the patrons.
01:04:01If that's so after so, what am I doing here?
01:04:04Madam, just as we're country folk,
01:04:06don't think we don't know all about big city perversions.
01:04:15No, no, no, no, no, girls.
01:04:18No, no, no, no, no.
01:04:20No.
01:04:22Now look, I know he's got a big pectoral and all that,
01:04:26but he hasn't got any money.
01:04:27He's only the gardener's boy.
01:04:29Now I'm going to show you how to discern the ones with the money.
01:04:39Good precious, Mr. Berridge.
01:04:40The police are here.
01:04:41Put yourself to get a clown.
01:04:43Come along, Sergeant.
01:04:44We're wasting time.
01:04:45Hold on, sir.
01:04:46Standing.
01:04:47You guard the prisoners.
01:04:48You two pass.
01:04:49Come with me.
01:04:51Now then, Jenny, which of these gentlemen sitting here would you say was the millionaire?
01:04:55That one.
01:04:56Now, why do you say him?
01:04:58Because he's fat.
01:04:59Oh, dear, you don't necessarily have to be fat to be a millionaire.
01:05:03Now, what about our Frederick here?
01:05:07Wingy, quick!
01:05:08The place is surrounded!
01:05:09The police, you fool!
01:05:11Don't lie!
01:05:12Sit down!
01:05:14Sit down!
01:05:15Sit down!
01:05:16I've been here for just a minute.
01:05:19Why don't you try?
01:05:20Quiet!
01:05:25Mommy!
01:05:40Giles Henry Rice Wingate, Hubert Robert Berridge, and Horace Clapp.
01:05:47You have been found guilty of conspiring to use the premises known as Wingate Manor for immoral purposes.
01:05:55I have listened very carefully to your defence and learnt a lot from it.
01:06:00When I retire from the bench at the end of this month, I shall study this extraordinary case much more carefully and benefit by it.
01:06:10Have you anything to say before I pass sentence upon you?
01:06:13Good.
01:06:14Good.
01:06:15I am sending you...
01:06:16May it please, Your Honor.
01:06:17I would like to enter a plea of mitigation.
01:06:19Sit down and be quiet.
01:06:20I am sending these men where they cannot be entering into any competition.
01:06:27I mean, where they will not be able to corrupt members of society.
01:06:34Now, you will each of you go to prison for a term of three years.
01:06:39For Honor, I would like to take leave to appeal, aren't you?
01:06:42Yes.
01:06:43We all adjourn for lunch.
01:06:47Don't worry.
01:06:48He can't do that.
01:06:49I'll get you out on appeal.
01:06:50I say, did you see that dirty look I gave him and he sent it to you for three years?
01:06:55Maybe it was not.
01:06:59I Hamlet.
01:07:03Or something.
01:07:04Not Schule.
01:07:10So I do not take leave, take me home.
01:07:20However...
01:07:24You
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