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Short filmTranscript
00:00:00Hey! Hey, hey!
00:00:30Hey, hey, hey, hey, hey!
00:01:00Hey, hey, hey!
00:01:30Hey, hey!
00:02:00Hey, hey, hey!
00:02:29Hey, hey, hey!
00:02:37Hey, hey, hey, hey, hey!
00:02:39I'm taking everyone to a picnic in the sun.
00:02:44With the music, the wrecking music.
00:02:49It don't matter if you're broke.
00:02:52I said your worries are the smoke.
00:02:54Yes, indeed, with the ganja week.
00:03:00Let the music come to the beat.
00:03:02Come and pick me here with me, and we'll be.
00:03:07I said that you're killing me!
00:03:10La, la, la, la, la, la, la.
00:03:14Hey, you're true.
00:03:16I'm thinking somebody's lost.
00:03:18All right, I surrender.
00:03:19I surrender.
00:03:21I surrender.
00:03:22Let's go.
00:03:26If you give it half the man, everybody's
00:03:30coming and start dancing with her.
00:03:33It's making real
00:03:36There is something in the air
00:03:38You can feel it everywhere
00:03:41It's the magic
00:03:43Making magic
00:03:47You can leave my life
00:03:49When your mind is fine
00:03:51I can't get you
00:03:52Stay right here for me
00:03:56Hello?
00:03:57Yes?
00:03:59Oh, all right. Thank you.
00:04:03What's that?
00:04:04The tour
00:04:05It leaves in 10 minutes
00:04:07Can't we just pass on that?
00:04:10You already paid for the tickets
00:04:12Yes, but I also
00:04:14I'd like to pass on that, actually
00:04:16I paid for this
00:04:18What is it?
00:04:20It's gorgeous
00:04:22Oh, Joe, I love you
00:04:29Now, what about St. Mary's?
00:04:32St. Marie
00:04:33St. Marie
00:04:34St. Marie
00:04:35It's an island, a crazy island
00:04:37More than most, that's all
00:04:39I hope you're right
00:04:41All right
00:04:48Hi
00:04:49Oh, how are you?
00:04:50Fine, thank you
00:04:51How's your condition now?
00:04:53Works perfectly, thanks to you
00:04:54Good
00:04:55Hey, Paul
00:04:58Met him on a plane coming down
00:04:59Oh
00:05:00It's Paul Morrison, ace photographer
00:05:03Pleased to meet you
00:05:04No, you're only more famous artists
00:05:06Oh, no, no, no
00:05:07Just plain painting, please
00:05:08Thank you
00:05:09Well, if you don't mind
00:05:11I'm going to go pick up the rest of my stuff
00:05:13There's no hurry
00:05:14Pop
00:05:15Save me a seat?
00:05:16Promise
00:05:19There's a lady next door
00:05:21She looks good
00:05:22It looks good
00:05:35Hey, Matt
00:05:37Matt
00:05:41Matt!
00:05:42What did you do that for?
00:05:44A silly tour of yours asleep
00:05:46You still want to go?
00:05:47Oh, great
00:05:51Come on, let's be a real pick
00:06:14Come on
00:06:22Hello
00:06:25Oh
00:06:26Oh, thank you
00:06:27We'll be right there
00:06:30Come on, lover
00:06:31Turn to go
00:06:32This son of a honeymoon
00:06:34Oh, come on, Eddie
00:06:35It'll be romantic
00:06:36Yeah
00:06:37Yes, of course
00:06:39Thank you very much
00:06:44George
00:06:45George
00:06:48Time for the cruise
00:06:49Feel up to it?
00:06:50Oh, sure
00:06:53You got your pills?
00:06:55Ethel, don't worry about it
00:06:59Ten islands
00:07:00In five days
00:07:01And I haven't forgotten them yet
00:07:03Have I?
00:07:04It's a good way
00:07:06Just in time
00:07:07What if?
00:07:10Thank you
00:07:11Jerry
00:07:13Jerry, let's just
00:07:14For us to get out of here
00:07:17Before you eat another whole banana pie
00:07:19Now, you listen to me a second
00:07:20Come on
00:07:21I'll give you a Hershey bar on the bus
00:07:22Oh, where'll I get you home?
00:07:25Wow, wow, wow
00:07:26Here we are
00:07:27Everyone, let's open seven
00:07:30This way, please
00:07:31Three
00:07:32Five
00:07:33This way
00:07:34This way
00:07:35This way, please
00:07:36Seven
00:07:37Seven
00:07:38Nine
00:07:39This way, please
00:07:40Seven
00:07:42This way
00:07:43Eleven
00:07:45All present and accounted for
00:07:49Good afternoon, ladies and gentlemen
00:07:51Freda and Tilly, some tours welcome you
00:07:55And I, Reginald Chomley-Jones, your tour guide
00:07:58Welcome you too
00:08:00Today, our tour will take us to the fascinating island of San Marie
00:08:04Our neighboring republic
00:08:06We're confident
00:08:08That you're about to have one of the most exciting, fun-filled evenings of your entire lives
00:08:16The reception
00:08:17To the taste of the artist with an eye to the beauty of the exotic
00:08:23To the restless spirits in search of excitement everywhere and anywhere
00:08:29To the photographer who wishes to preserve this single arcane forever
00:08:34To you, sir, will be much less scenes for wonderments
00:08:38Strange activities for the students of life and human nature
00:08:43Who wish to understand the wellspring of life mysteries
00:08:48That's what the Caribbean is all about
00:08:50That's what the Caribbean is all about
00:08:51Open, open, open!
00:09:21Open, open, open, open!
00:09:51Open, open, open, open!
00:10:22Where are you taking me?
00:10:24It's a surprise.
00:10:26There are people upstairs.
00:10:29Don't worry, I need Captain $20.
00:10:32You've got complete privacy.
00:10:34I don't know, Joe.
00:10:36I really don't feel good about this.
00:10:38No, but I feel very good about this.
00:10:49Where?
00:10:50Oh, right about here.
00:11:20I don't...
00:11:25I don't believe this.
00:11:26Thought you paid $20.
00:11:27I did pay $20.
00:11:30I don't believe this but you paid $20. I did pay $20
00:11:47Deserve this what the hell do you want?
00:11:55Once you just throw me over the side
00:12:00You are to be congratulated above all
00:12:04You are men and women of great pastes and discrimination
00:12:08You spurned me artificial for the world of the genuine
00:12:11You have demanded a real thing and you shall have it
00:12:14On the beautiful island of San Marini
00:12:30Okay, all right
00:12:34Let's go, let's go, let's go, let's go
00:12:38Come on, let's go, let's go, let's go
00:12:40Watch this way, ladies and gentlemen
00:12:50It's cute
00:12:51Doesn't it look like a figurine?
00:12:52It does, doesn't it?
00:12:54What you're about to see is not like magic
00:13:04But truly a religious ceremony
00:13:08When paying the risk
00:13:18Watch yourself
00:13:19globally
00:13:29Black
00:13:30Indэтase
00:13:32Indэтits
00:13:34More
00:13:36Middle
00:13:40or
00:13:41past
00:13:42So my name is
00:13:44So my name is
00:13:54And I'm
00:13:56Thank you
00:13:59Let's go.
00:14:29Let's go.
00:14:59Let's go.
00:15:29Let's go.
00:15:59Let's go.
00:16:29Let's go.
00:16:59Let's go.
00:17:29Let's go.
00:17:31Let's go.
00:17:33Let's go.
00:17:37Let's go.
00:17:39Let's go.
00:17:43Let's go.
00:17:45Let's go.
00:17:51Let's go.
00:17:53Let's go.
00:17:59Let's go.
00:18:05Let's go.
00:18:07Let's go.
00:18:17Let's go.
00:18:19Let's go.
00:18:21Let's go.
00:18:31Let's go.
00:18:33Let's go.
00:18:35Let's go.
00:18:37Let's go.
00:18:39Let's go.
00:18:41Let's go.
00:18:43Let's go.
00:18:45Let's go.
00:18:53Let's go.
00:18:55Let's go.
00:18:57Let's go.
00:18:59Let's go.
00:19:01Let's go.
00:19:11Let's go.
00:19:13Let's go.
00:19:15Let's go.
00:19:17Let's go.
00:19:27Let's go.
00:19:29Let's go.
00:19:31Let's go.
00:19:33Let's go.
00:19:47Let's go.
00:19:49Let's go.
00:19:51Let's go.
00:19:53Let's go.
00:19:55Let's go.
00:20:19Wow.
00:20:20Did you believe it?
00:20:22I don't know.
00:20:23I'm too sorry for me.
00:20:25It's poppycock.
00:20:26Don't worry about it.
00:20:27I don't know.
00:20:28I don't believe it.
00:20:29It's just a show.
00:20:30Seeing is believing.
00:20:32Hey, where's Donna?
00:20:33She couldn't handle it.
00:20:35She and Aya took a walk in the middle of the mass.
00:20:37Never mind them.
00:20:38Where's our tour guide?
00:20:39That's right.
00:20:40Maybe the zombies kidnapped him.
00:20:43Don't make jokes.
00:20:44This is serious.
00:20:45We're all alone here.
00:20:46God knows where.
00:20:50Yeah.
00:20:51Where is that character?
00:20:52This place has given me the creeps.
00:20:54I am telling you, honey.
00:20:56It was only a show.
00:20:58Show?
00:20:59I know what I saw.
00:21:01Here you are, Reverend.
00:21:03This is for the church collection box.
00:21:05Thank you, Mr. Jones.
00:21:06We just aren't getting as many visitors as we're used to.
00:21:09Yes, I'm aware of that, Mr. Jones.
00:21:11I'm sorry to hear that, Reverend.
00:21:13Do not concern yourself, Mr. Jones.
00:21:16The gods will provide me with other means.
00:21:21Best you go look after our guests.
00:21:24Right you are, Reverend.
00:21:25Mr. Jones.
00:21:31Take this to help you guide your way.
00:21:34Thank you, Reverend. Good night.
00:21:36Farewell, Mr. Jones.
00:21:39Farewell.
00:21:42What was that?
00:21:43Simply the cry for Jungle Bird, my dear.
00:21:45Where did he come from?
00:21:46No, my friends.
00:21:47I'd best get you back to the boat in time for dinner.
00:21:49This way, please.
00:21:50Let's go.
00:21:51Let's get out of here.
00:21:58Someone please get those torches, please.
00:22:00Careful, watch your steps.
00:22:27Hey there, Roy.
00:22:30Here we are.
00:22:31Start her up.
00:22:34Watch it now.
00:22:41Come on, Roy. Start her up.
00:22:51Roy.
00:22:53Roy.
00:22:54What's the problem?
00:22:55A bit of an accident, I'm afraid.
00:22:56What kind of an accident?
00:22:57I'm sure I don't know, but our driver seemed to have disappeared.
00:22:58Wait a minute.
00:22:59What's that?
00:23:00It's probably the foggiest.
00:23:01Hey, Forster.
00:23:02Are you supposed to stand around here all night?
00:23:03This driver seems to have taken off.
00:23:04Hey, Chumlee.
00:23:05The keys are in here.
00:23:06Let's go.
00:23:07Of course.
00:23:08Of course.
00:23:09Silly of me, huh?
00:23:10Yes.
00:23:11That's for sure.
00:23:12All aboard.
00:23:13Let's go.
00:23:14Everything ship-shaped shortly.
00:23:15This driver seems to have taken off.
00:23:17Hey, Chumlee, the keys are in here. Let's go.
00:23:20Of course, of course. Silly of me, huh?
00:23:23That's for sure.
00:23:24All aboard. Let's go.
00:23:26Everything's ship-shaped shortly.
00:23:45Whoa, whoa, whoa, whoa.
00:23:50What's up, Chumlee?
00:23:52Can you believe this?
00:23:54You got gas?
00:24:03Come on, Chumlee. Come on, come on.
00:24:12See you outside a minute.
00:24:14Where are you going?
00:24:21That explains it.
00:24:22That explains what?
00:24:23Somebody took the distributor cap.
00:24:25Well, I must have taken it with him.
00:24:27Yeah? Why?
00:24:28So no one would steal the bus.
00:24:30Uh-huh. What are you doing to go to Hotwire?
00:24:34Hotwire?
00:24:35Just take my word for it.
00:24:37Without a distributor cap, we'll never get this thing moving.
00:24:39Well, then there's only one thing for it.
00:24:42What?
00:24:44There's a phone booth just down the road.
00:24:47I'll have to go ahead and call for help.
00:24:49Hey, Pa, what's going on?
00:24:51I'll be with you in a minute.
00:24:52Listen, this is your tour, Mr. Jones.
00:24:55You got us here, you got us on.
00:24:58Yes, yes, yes, yes, of course, of course.
00:25:01That would be the thing to do, wouldn't it?
00:25:04Right.
00:25:05Get with it.
00:25:06Sure.
00:25:07Sure.
00:25:25What's the hold up, huh?
00:25:26It looks like the driver hurt himself somehow.
00:25:29He must have gone to get help for himself somehow.
00:25:32He must have gone to get help for himself.
00:25:34What's wrong with the motor?
00:25:35The driver took the distributor cap with him.
00:25:37What on earth for?
00:25:39Sure.
00:25:40So the natives wouldn't steal the bus.
00:25:42That's obvious.
00:25:43So what are we supposed to do now?
00:25:45Our Tom and God has gone down the road to use the payphone.
00:25:48I knew something terrible was going to happen.
00:25:50Nothing terrible has happened.
00:25:52Ever since they started playing around with those dead bodies.
00:25:55This is rightful.
00:25:56How is he service?
00:25:57I say.
00:25:58I'm perfectly happy right here.
00:26:00I heard that.
00:26:01Hey, listen.
00:26:02While everybody's carrying on, what happened to the newlyweds?
00:26:05Ed and Donna.
00:26:06You, I completely forgot about them.
00:26:09We should look for them.
00:26:10Oh, I hope they're all right.
00:26:11I do too.
00:26:12Don't worry about them.
00:26:14Why not?
00:26:19Boy.
00:26:21Oh, my God.
00:26:26What in the name of God is happening?
00:26:56Oh, my God.
00:27:18What?
00:27:19I love God.
00:27:21I love God.
00:27:23Who are you studying with, Adler?
00:27:25What? Steve?
00:27:27Steve?
00:27:28He went down the road.
00:27:29Down the road?
00:27:30You have to see what's keeping the tool man.
00:27:32Oh, yeah, I'm sorry.
00:27:34Still drowsy.
00:27:35That must be him now.
00:27:53What's the story?
00:27:56No story.
00:27:57What do you mean?
00:27:58I mean, no tour guide.
00:28:00And the paint phone was ripped up.
00:28:02Because there's nothing, only this.
00:28:05This hat.
00:28:06And no Chumlee what's-his-name to go with it.
00:28:09I just knew something awful was gonna happen.
00:28:11You know, there's something fishy about all this.
00:28:14Yeah, voodoo magic, maybe.
00:28:15Hey, honey, don't make jokes.
00:28:17Sorry.
00:28:18Right, we've already lost two people.
00:28:20Lost the driver.
00:28:21And now the tour guide's abandoned us.
00:28:23So, what do we do now, Mr. Big?
00:28:26Beats the hell out of me.
00:28:27Not my kind of decision.
00:28:28Why doesn't everybody just relax?
00:28:31It's supposed to be a fun picnic, remember?
00:28:35We can always contact the voodoo people.
00:28:38Not on your life.
00:28:40And there's one thing I'm certainly not doing.
00:28:42What's that?
00:28:43Spending my night cooped up on this stupid bus.
00:28:46Yeah, this place getting creepy about a minute.
00:28:48Wait a minute.
00:28:49Here's always the house.
00:28:50What house?
00:28:51That villa a couple miles down the road.
00:28:53I didn't see any villa.
00:28:54That's because you don't have my fine painter's eye.
00:28:56It's on the mountain.
00:28:57Hey, maybe they have a phone.
00:28:58Yeah, maybe they don't.
00:29:00Listen, Joe.
00:29:01Anything's better than just sitting here.
00:29:04The zombies coming to life over there?
00:29:06No, thank you.
00:29:07Hey, hold your horses.
00:29:08Maybe we'll be better all waiting here until morning.
00:29:11How many people want to stay here tonight?
00:29:13Or how many want to try and get to the house?
00:29:15No way.
00:29:16No way.
00:29:17No way.
00:29:18I agree with Joe.
00:29:19Hold it.
00:29:20Hold it.
00:29:21I agree with Joe.
00:29:22Let's try it again.
00:29:23This time with the hands.
00:29:24No, George.
00:29:25Not with Joe.
00:29:26Listen, some zombie touched my throat.
00:29:29What puts my heart.
00:29:30We go with the majority.
00:29:32Okay, that's it.
00:29:33All hands.
00:29:34Let's go.
00:29:50Why me?
00:29:51Angel, you're the one who saw the village.
00:29:53Either way.
00:29:56Let's watch your footing.
00:29:57Okay, you'd be kind of treacherous.
00:29:59Oh, I'm right here.
00:30:00Hey, what's happening?
00:30:01I've seen what else we can use.
00:30:03This should come in handy for chopping a trail or something.
00:30:06Yeah, something like a zombie.
00:30:07Ah, here's a first aid kit.
00:30:08In case we have to patch him up again.
00:30:09That's it?
00:30:10No, hold it.
00:30:11There's another light.
00:30:12Oh, yeah.
00:30:13Oh, yeah.
00:30:14Oh, yeah.
00:30:15Oh, yeah.
00:30:16Oh, yeah.
00:30:17Oh, yeah.
00:30:18Oh, yeah.
00:30:19Oh, yeah.
00:30:20Oh, yeah.
00:30:21Oh, yeah.
00:30:22Oh, yeah.
00:30:23Oh, yeah.
00:30:24Oh, yeah.
00:30:25Oh, yeah.
00:30:26Oh, yeah.
00:30:27Oh, yeah.
00:30:28Oh, yeah.
00:30:29Oh, yeah.
00:30:30Oh, yeah.
00:30:31This will light the way for the honeymooners.
00:30:32Great.
00:30:33But hurry up, okay?
00:30:34Oh, my god.
00:30:35Oh, my god.
00:30:38Oh, yeah.
00:30:40I'm
00:30:50going to
00:30:58Everybody watch their step, okay?
00:31:00Here, let me have his back.
00:31:02Hold it.
00:31:03What's wrong?
00:31:04The honeymooners.
00:31:06Everybody watch their step, okay?
00:31:09Here, let me have his back.
00:31:11Hold it.
00:31:12What's wrong?
00:31:13The honeymooners.
00:31:15We got...
00:31:18We got to try and tell them how to find the house.
00:31:20Well, how do we do that?
00:31:21I'll leave instructions.
00:31:23Anybody got some paper?
00:31:24Yeah, I do.
00:31:25Oh, good.
00:31:26I'll take this.
00:31:27Sure.
00:31:29You sure you want to go back there?
00:31:31I'm sure I don't want them on my conscience.
00:31:33Okay, we'll take it slow, all right?
00:31:35Don't worry about it.
00:31:36It's only one row.
00:31:37All right.
00:31:38Hey, what happened?
00:31:39I forgot my percutative boots.
00:31:41That is not funny.
00:31:42Do you think they'll find it?
00:31:43What's so funny that the aunt was jumping off?
00:31:45I thought it was funny.
00:31:56No, no.
00:31:57I can't do that.
00:31:58I'm scared of it.
00:31:59I'm afraid not.
00:32:02No, no.
00:32:03No, no.
00:32:04No, no.
00:32:05I could never do that.
00:32:06I could never ask.
00:32:07I'm afraid I can't do it again.
00:32:08No, no, you don't.
00:32:10Go to school.
00:32:11I'm afraid of it.
00:32:12I have to go.
00:32:13You don't want to come.
00:32:14No, no.
00:32:15No, no, no.
00:32:16No, no, no...
00:32:17No, no, no, no, no.
00:34:19Got jumped. That's what happened.
00:34:21It was hiding on the bus.
00:34:23That son of a bitch hit me like a ton of bricks.
00:34:26Who was it?
00:34:26Who the hell knows?
00:34:27The voodoo people.
00:34:29Sandy, you got voodoo of the mind.
00:34:31Well, who else?
00:34:32Well, maybe it was that driver.
00:34:34Maybe he went off his rocker or something.
00:34:35It looked like a weedhead to me right from the start.
00:34:38It wasn't a driver.
00:34:39A zombie, perhaps.
00:34:42Here, you tell me.
00:34:44What's that?
00:34:45I chopped it off and whatever it is.
00:34:47Maybe one of them savages.
00:34:49It looks like a bird or a bear.
00:34:51Look, it doesn't matter who right now.
00:34:53All I know is homozylum.
00:34:55You read me.
00:34:56It was trying to kill me.
00:34:57Got it?
00:34:58Okay.
00:34:59So where in the hell is this house of yours?
00:35:01As a matter of fact, it's right up there.
00:35:06At least could have put a light in the room now.
00:35:09Oh, George, this is no time for jokes.
00:35:11Laughter is the best medicine.
00:35:13The region's digest says so.
00:35:15George, you're incorrigible.
00:35:17All right, let's go.
00:35:17Let's go to Mexico, all right?
00:35:19Right behind you.
00:35:20All right.
00:35:21We're almost there, man.
00:35:24Maybe we'd be better off on our own.
00:35:27This bunch is jinx.
00:35:29Suit yourself now with me at safety in numbers.
00:35:44Jesus, some people.
00:35:46Stop complaining.
00:35:48Nearly took my eye out.
00:35:49Only thing putting your eye out is that pretty understatement.
00:35:51He's got his butt up front there.
00:35:53What the hell are you talking about?
00:35:54Matt.
00:35:55Matt.
00:35:56I'm running out of steam here.
00:35:58What do you want, up or down?
00:36:00Come on, up or up or down?
00:36:02Excuse me.
00:36:04Thanks, honey.
00:36:05I know that was suspicious.
00:36:07No, he wouldn't be here.
00:36:08I don't like the sound of that drum.
00:36:21I don't like the sound of that drum.
00:36:35You're in there.
00:36:37Drum, are you now?
00:36:43Hold it a sec.
00:36:44What's the problem now?
00:36:45I'm not sure.
00:36:49I smell it.
00:36:51Yeah, scum cabbage.
00:36:53Yeah.
00:36:53Smells like rotten eggs.
00:36:55No, rotten meat.
00:36:57I smell it back at the bus.
00:36:59It's following us.
00:37:00Let's not panic. We're almost there.
00:37:03The house can't be but another quarter of a mile or so down the path.
00:37:06George! George! George!
00:37:16George! Oh, my God, my God, it's George!
00:37:20George! George!
00:37:27George! George!
00:37:29You think we can carry him?
00:37:33Yeah, we could, but we shouldn't.
00:37:35Yeah, I'll read you. So what do we do?
00:37:37You guys go up to the house and get help if you can.
00:37:40Well, what about you?
00:37:42I'll stay here with him until you get back.
00:37:44Yeah, I'll read you.
00:37:46So what do we do?
00:37:47You guys go up to the house and get help if you can.
00:37:50Well, what about you?
00:37:52I'll stay here with him until you get back.
00:37:54Yeah.
00:37:55Get going.
00:37:56I'll hold it for you, okay?
00:37:57Okay, folks.
00:37:58Paul and George are gonna take a little rest here.
00:37:59The rest are gonna go to the house and get help, okay?
00:38:01I'm not leaving him!
00:38:02I'll look after him.
00:38:03I am not leaving him!
00:38:04Okay, we'll go for help and be back before you know it.
00:38:06I'm not leaving him!
00:38:07He's gonna be fine, right?
00:38:14He's gonna be fine, right?
00:38:16He should be fine, right?
00:38:17Okay, we'll go to help you back before you know it.
00:38:20I'm not leaving him.
00:38:26Come on, darling.
00:38:31He's gonna be fast, right?
00:38:47I'm not leaving, I'm not leaving.
00:38:53I'm out of here.
00:38:57Okay.
00:39:02Okay.
00:39:09Okay.
00:39:11Okay.
00:39:12Okay.
00:39:14Okay.
00:39:17I'm going to go first.
00:39:24I'm going to go first.
00:39:25Okay.
00:39:26Oops.
00:39:27Here.
00:39:28Come on.
00:39:29It's beautiful.
00:39:30Look.
00:39:31Hey.
00:39:32They're all so slow.
00:39:33So these fins are loose.
00:39:34This isn't very sturdy.
00:39:35Cool.
00:39:36Cool.
00:39:37Cool.
00:39:38Cool.
00:39:39Cool.
00:39:40Cool.
00:39:41Cool.
00:39:42Cool.
00:39:43Cool.
00:39:44Cool.
00:39:45Cool.
00:39:46Cool.
00:39:47Cool.
00:39:48Cool.
00:39:49Cool.
00:39:49Cool.
00:39:50Cool.
00:39:52Come on.
00:39:53Watch out.
00:39:54Charlie.
00:39:55Charlie, come on.
00:39:59What?
00:40:00I'm coming.
00:40:01I'm right.
00:40:04I'm coming.
00:40:05I'm coming.
00:40:06You're coming.
00:40:07You're coming.
00:40:08adviser.
00:40:09There.
00:40:11iono.
00:40:15Helen! That's too hot of me!
00:40:18Wait, I can't see this!
00:40:19Oh, my God!
00:40:20Helen!
00:40:21Jerry!
00:40:23Helen!
00:40:33Hey, what's up?
00:40:34It's here?
00:40:35I don't know. Something's over there.
00:40:38Jerry!
00:40:39Oh, my God!
00:40:45What happened?
00:41:00An accident.
00:41:01Helen and Jerry, they went under, slipped, I think.
00:41:03You think?
00:41:04It was hard to tell.
00:41:06Listen, Helen was almost over to the other side,
00:41:08and then suddenly she was falling in the water.
00:41:10Yeah, and Jerry dove in to help her.
00:41:12What's the matter? Didn't they see something over there?
00:41:14Paul, it happened so quickly, it was open like that.
00:41:19Hey, Joe, hey...
00:41:20What?
00:41:21You see what happened?
00:41:22No!
00:41:23Man, it's so dark, I can't see it.
00:41:38Steve.
00:41:39Take me easy, Helen.
00:41:41I can't take a few more of this.
00:41:42You're theliestieenabaren Tagesball...
00:41:44All human beings, yes!
00:41:45Just keep it coming!
00:41:46Go, stop, stop.
00:41:51I'm so happy to be somebody else.
00:41:52Hold on up.
00:41:55Come, stop man.
00:41:57Come, stop, stop, stop!
00:41:58You're the same baggage.
00:42:01Oh,ry, why don't I go somewhere?
00:42:02I don't know where they are...
00:42:03Well, let's go weather you might.
00:42:05He's back!
00:42:08Farson, turn out!
00:42:25Come on, we can't wait around the whole night.
00:42:31Hold your horses. We're waiting for Paul.
00:42:37Dad?
00:42:39Yeah.
00:42:40Oh, God.
00:42:41Both of them?
00:42:43Yeah.
00:42:43What do we do? We can't leave them there.
00:42:46We can't, unless it's your suicide.
00:42:49Who was it? Did you see what it was?
00:42:53Must have been some kind of crazy, human or not.
00:42:56Listen, let's get to the house first, then decide what to do, okay?
00:42:59Yeah, right. You two go ahead.
00:43:01What happened? How did she fall in?
00:43:29I thought you were going to stay back there and cover our asses.
00:43:33Now, Matt, you better cover your own ass.
00:43:37What's that supposed to mean?
00:43:39It means that something out there is after us.
00:43:42You've got to be kidding. What did we do to anybody?
00:43:45Yeah, who knows?
00:43:47It doesn't seem to matter.
00:43:48I'll tell them.
00:43:49George and Ethel. They're both dead.
00:43:53Murdered.
00:43:54Oh, my God.
00:43:55First Helen and Jerry, now George and Ethel.
00:43:59Somebody out there wants us all dead.
00:44:01Sure.
00:44:03You want to stay and check it out?
00:44:05Keep going, baby.
00:44:06Matt, take it easy.
00:44:07Take it easy as soon as we get to this house up there.
00:44:11Whoa, we better think this one over.
00:44:14Why?
00:44:15Why?
00:44:16Because that nutcase may be operating out of the house.
00:44:21Yeah, who knows?
00:44:22But right now he's behind us across the river there.
00:44:24So?
00:44:25So we check out the house, okay?
00:44:29Okay.
00:44:30I knew we never should come.
00:44:31Yeah, yeah, yeah.
00:44:33Mexico would've been so much nicer.
00:44:34Yellow's drizzers with their guitars.
00:44:35I love the towers.
00:44:37Shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh.
00:44:41shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh.
00:44:55Let's go.
00:45:03Come on.
00:45:18Let's go.
00:45:19Come on.
00:45:20Come on.
00:45:25What the hell is going on?
00:45:30Don't stop. Take her back.
00:45:50Get her room.
00:45:55Come on.
00:45:58It's about time.
00:45:59All right.
00:46:00It's a river.
00:46:02Up step.
00:46:03Now we can get to the top.
00:46:06Come on.
00:46:07Got this.
00:46:25We can get over.
00:46:38We can get over.
00:46:39Hello? Anybody home?
00:46:47If Igor answers, I'm leaving.
00:46:50Igor?
00:46:50You know Igor, Dr. Frankenstein's butler?
00:46:52Sick.
00:46:53No, not sick.
00:46:55Just tell me...
00:46:56Sick!
00:47:06Whoa!
00:47:09You going home?
00:47:12It's emergency, we need a telephone.
00:47:15You going home?
00:47:17It's emergency, we need a telephone.
00:47:28Hello?
00:47:36Is there another match?
00:47:39Yeah.
00:47:54Oh, civilization.
00:47:56Looks like everybody left in a hurry.
00:47:58If they left.
00:48:01And what's that supposed to mean?
00:48:03They could all be dead in their bed upstairs.
00:48:06Well, they could, couldn't they?
00:48:08Yeah.
00:48:08Yeah.
00:48:09Yeah.
00:48:10Paul, let's check it out.
00:48:14Keep an eye on the girls, okay?
00:48:17Okay.
00:48:18Good.
00:48:19I've got a significant headache, small one, but I think I've got some ice cream.
00:48:31Just like a Girl Scout.
00:48:32Always prepare it, huh?
00:48:33They've got some ice cream.
00:48:35Really!
00:48:37Mmm.
00:48:39Let's see if they want some water.
00:48:42Let's see if they want some water.
00:48:43A light.
00:49:13If you don't bother him, he won't bother you.
00:49:30More good news. No dead bodies upstairs.
00:49:34Ladies, I'll take care of this.
00:49:43I'll take care of this.
00:49:49I'll take care of this.
00:50:01Oh, my God.
00:50:31You know, if you ask me, I think everybody is missing the point.
00:50:35Oh, and what's that?
00:50:37Well, I think we should be trying to get in touch with someone,
00:50:40to tell them what's happening to us.
00:50:46Here's some more news, good and bad.
00:50:50First, the bad news.
00:50:53No telephone calls. That's out.
00:50:56And now, the good news.
00:51:01Now we've got some real protection.
00:51:04Where the hell did you find that?
00:51:06Out in the backyard.
00:51:07So they had a shootout here.
00:51:10I told you they could all be dead.
00:51:13Is that thing loaded?
00:51:14Yeah, but only two rounds.
00:51:16Please, Joe, be careful.
00:51:19Don't worry. I've been handling guns all my life.
00:51:22Is that a fact?
00:51:23That is a fact.
00:51:29Can I take a look?
00:51:33If you're going to wear it like that,
00:51:36you're going to keep it like this.
00:51:39And actually, that one makes Sandy very happy.
00:51:43All you, for that part.
00:51:45Oh, no.
00:51:47Terrific.
00:51:48Damn it.
00:51:49Damn it.
00:51:50Just let me leave.
00:51:52Damn it.
00:51:54Old places like this,
00:51:56they are usually on generators.
00:51:59We better check the basement.
00:52:03You'll be able to be okay.
00:52:05Are you kidding with this cannon?
00:52:08Come on, Joe.
00:52:10This is not how I do it.
00:52:13Please put that away
00:52:15until we really have reason to use it.
00:52:18All right.
00:52:24God, watch that green ball.
00:52:27It looks like it.
00:52:29Give it a crank.
00:52:36Hey,
00:52:38anybody know what
00:52:39endocopagy or vagin is?
00:52:43Mm-mm, my boy.
00:52:46Joe.
00:52:50Joe.
00:52:52What?
00:52:53You took Anthropology 35.
00:52:55You ought to know.
00:52:57How do you spell it?
00:53:00Well, it's anthro,
00:53:01and then it's...
00:53:07P-O-P-H-A-G-Y.
00:53:11Cannibalism.
00:53:14What?
00:53:16Oh, my God.
00:53:19There's a whole shelf here.
00:53:22German, French, and Italian.
00:53:24And all on cannibalism.
00:53:29Hey, you know you're right.
00:53:31And what do they say?
00:53:32Different strokes for different...
00:53:33Joe!
00:53:34Hey.
00:53:35What's wrong?
00:53:40That awful smell,
00:53:41it's back again.
00:53:43Jesus,
00:53:43I've got the left of the door!
00:53:49Connie.
00:53:51What are the other guys?
00:53:54Go?
00:53:56Sandy.
00:53:58Get out of sight.
00:54:00Sandy.
00:54:01I can't move.
00:54:04I can't move.
00:54:12Don't move.
00:54:15Joe.
00:54:17Shh.
00:54:17Don't leave me.
00:54:19I promise I'll be all right back.
00:54:26Joe.
00:54:27Don't move.
00:54:28I can't move.
00:54:28I can't move.
00:54:29I can't move.
00:54:29I can't move.
00:54:29I can't move.
00:54:29I can't move.
00:54:31I can't move.
00:54:32I can't move.
00:54:47I can't move.
00:54:48I can't move.
00:54:51Steve.
00:54:52Simon's trying to break in.
00:54:54I don't know.
00:55:24I don't know.
00:55:54I don't know.
00:55:59Joe!
00:56:00Hey, Joe!
00:56:01You all right?
00:56:06Just one shot.
00:56:08Fast as quick as lightning.
00:56:11Good-bye, Joe Tate.
00:56:15The bad guy's got it down.
00:56:16You want to go up against him with just that?
00:56:19No way.
00:56:20He's a monster.
00:56:32It's a monster.
00:56:49Thank God it.
00:56:53I asked him not to leave him.
00:56:56I told him not to go out there.
00:56:58I pleaded with him.
00:57:01No.
00:57:02No.
00:57:04He had to be the cowboy.
00:57:07Just like a little boy.
00:57:09A little stupid cowboy.
00:57:28This just can't be happening.
00:57:31I don't believe that I'll never see him again.
00:57:36He was always playing tricks on me.
00:57:39Little boy tricks.
00:57:41It's scary sometimes, but always fun.
00:57:45We fight and make up, but it was just a big game between us.
00:57:49I can't believe it was the last time.
00:57:53I just can't.
00:57:54It's not fair.
00:57:55And I won't believe it.
00:57:56And I won't believe it.
00:57:57I need you, Joe.
00:58:07Sandy, maybe he'll turn up.
00:58:08Turn up.
00:58:10What, like the other?
00:58:13Lying in a filthy pit, in like a rabbit?
00:58:16And there's nothing to do.
00:58:17Oh, he was such a sweet guy.
00:58:21He was like a little boy.
00:58:24And he was really sweet.
00:58:26Good girl.
00:58:49I'll get the lights.
00:58:51It's up here.
00:59:15We can't go up against a .38 with just that.
00:59:18There's only one slug left.
00:59:21You want to be a hero?
00:59:23No, thanks.
00:59:25How about you?
00:59:26Wait a minute.
00:59:28What else is there?
00:59:30A court call.
00:59:39Man!
00:59:43Get the hell out of here.
00:59:48What's going on?
00:59:55We're welcoming, Matt.
00:59:57Or a friend zombie.
00:59:59You mean fried zombie.
01:00:01I certainly hope it works.
01:00:20How are you coming?
01:00:21Okay, I'm set.
01:00:22All right.
01:00:23Screw them.
01:00:24Screw them.
01:00:25Okay.
01:00:26Okay.
01:00:27Okay.
01:00:28I'm not mad at all.
01:00:29Okay, I'm not mad at all.
01:00:30you're really serious about you very serious
01:01:00lucky me this is Caribbean is it boy meets girl vice versa I meant about fried
01:01:07zombies listen I don't know what to believe anymore walking corpses zombies
01:01:16Bacchus whatever what do you think Paul up to now all the monsters I've seen
01:01:25that's been here one I give a
01:01:55where'd he go he just disappeared well let's try and find out what happened to Joe
01:02:18it's day
01:02:36looks like it goes off this way
01:02:49just one round left
01:03:02I bet he didn't have time to use it that's what we do
01:03:32hold it right there mister
01:03:35anything you say friend what are you doing here
01:03:41oh I'm tracking a creditor just bust out of here
01:03:44you get him
01:03:45no no no he moves faster than lightning
01:03:48but I will eventually though
01:03:51okay come up
01:03:52nice and slow
01:03:55oh I can't take it I've been Mickey mousing around these jungles for the
01:04:02past two three days what have you been doing out there
01:04:06I told you I've been tracking that thing or things
01:04:11because whatever you want to do
01:04:11well I've never seen the images
01:04:13name's Whitney
01:04:16Elliot Whitney
01:04:19I had a house
01:04:20over there
01:04:21other side of the valley
01:04:23had a house
01:04:24yeah
01:04:25they burned me out
01:04:27most custom around here it seems
01:04:30I'm from
01:04:30I'm from Boston
01:04:31originally I
01:04:33retired down here
01:04:34to get away from those
01:04:35New England winces
01:04:37When I get instead
01:04:39Well, what did you get trouble trouble there's nothing but trouble from the from the critic
01:04:48Kill my wife murder my partner who did that?
01:04:55Political terrorists Indians crazy on Gansuit or maybe some prehistoric tribe beats me
01:05:03Bloodthirsty is all I know miss. I'm sorry, mr. Whitney. This is sandy. This is Connie
01:05:23Where's Joe still no sign of it don't understand Steve
01:05:33Oh
01:05:46Hey, you didn't see judge
01:05:48Who
01:05:52Sorry, but there's nobody else out there
01:05:56I'm anyway, is it the Buddha people who took him away? Oh, I really don't know
01:06:02No, a bunch of us came up from the port for the voodoo mass and ever since then has been nothing but trouble
01:06:08Are these murderers these monsters are they cannibals?
01:06:14Where the devil did you get that idea because the bookcase in there is full of books on cannibalism?
01:06:20Well, I'll tell you when Columbus first arrived here these islands were inhabited by the Arawak Indians
01:06:28They were beastly types
01:06:30Then they were invaded by the character
01:06:33They came up from Columbia and Venezuela
01:06:36They were fierce bloodthirsty types
01:06:40They swept through the islands of Cuba and Haiti and Jamaica all the islands that we know today is the Carribeans
01:06:47The Carribeans
01:06:49The language that they spoke was caravan
01:06:51The Latin form for caravan is cannibal
01:06:55The flesh eaters
01:06:57Well, that's what the Carribeans really were
01:07:01Well, I don't know what to say about it for today, but frankly, I don't even like to think about it
01:07:07Is there some place here that I could wash up a bit?
01:07:14Sure, I'll show you
01:07:15Sure, I'll show you
01:07:17Thank you
01:07:37What the hell has gone wrong?
01:07:42What the hell has gone wrong?
01:07:50What the hell has gone wrong?
01:07:55Everything!
01:07:56And now what are we?
01:07:58Later.
01:07:59We've got to get them out of this house
01:08:07We'll try and hold them till morning
01:08:12Then we'll make a run for her
01:08:14Or the shotgun will be a big help
01:08:16She'll be light in two hours
01:08:18And then what'll we do?
01:08:20Then we tear up and run for her
01:08:22Yeah, if we have the time
01:08:24Do you know something we need to do?
01:08:26No, but maybe we should ask Mr. Whitney
01:08:28He seems to be the local expert
01:08:29Expert? Expert on what?
01:08:31What do you expect next?
01:08:33Well, I don't think that...
01:08:35Anybody will be safe here any longer
01:08:38Why not?
01:08:39And as I've told you
01:08:41Arson is a way of life around here
01:08:43You look at a man cross-eyed
01:08:45And the next thing you know
01:08:46He's burning down your house
01:08:48As you've learned
01:08:50There's a lot of things that are at issue here
01:08:52There!
01:08:54Look!
01:09:05What the hell do we do now?
01:09:07Hide in the jungle
01:09:08Oh, it wouldn't work
01:09:09Why not?
01:09:10Well, they're expert trackers
01:09:11They furrow us out in no time
01:09:13What else is there?
01:09:15Ambush!
01:09:16Are you kidding?
01:09:17There's a million miles of jungle out there
01:09:19True, but we know where they are now
01:09:21Down by the road
01:09:22And to get here
01:09:23They'll have to cross the river
01:09:25Human or subhuman
01:09:27They'll take the shortest route
01:09:29Especially since you've wounded one
01:09:31Okay, let's get organized
01:09:34Come on, Sandy
01:09:37Here, here, here
01:09:38You take these
01:09:39You're in better shape than I am
01:09:41To handle the blood of us
01:09:43Out this way
01:09:45You've got to get to the river first
01:09:53No!
01:09:55No!
01:09:56No!
01:09:58No!
01:09:59No!
01:10:00Come on
01:10:01Let's get out of here
01:10:02No!
01:10:03No!
01:10:04No!
01:10:05No!
01:10:06No!
01:10:07No!
01:10:08No!
01:10:09No!
01:10:10No!
01:10:11No!
01:10:12No!
01:10:13No!
01:10:14Oh, it's all right. It's just a little spiller. Oh, I twisted something. Can you walk?
01:10:29I'm afraid not. You go right ahead. I'll be all right. We can't leave you here alone.
01:10:35No, no. Go ahead. I'll be just fine. Listen, we can't waste any time.
01:10:41Exactly. You've got to get to the river first.
01:10:45You go ahead. I'll hide us in the underbrush.
01:10:48Are you sure? Positive.
01:10:52Sandy?
01:10:56I'll go with the two of you.
01:11:02Okay, we'll come back for you after it's over.
01:11:07I love you, Angel.
01:11:09I love you, too.
01:11:31Now, what the hell is going on here?
01:11:33Oh, my dear girl, it's all classic for me.
01:11:36The what? Double-crosser.
01:11:38And then Lizzie paid off the Colombians in counterfeit.
01:11:41And then he and his pusser girlfriend planned to skip with the real green.
01:11:45And so, what happened?
01:11:47Well, the cowboys, they burned them out.
01:11:49They turned them at that shop.
01:11:51Those savages, they come up in the middle of the night and toss a couple of bottles of cocktails.
01:11:59Then, swoosh, a lifetime of work goes up in smoke and flames.
01:12:04Here, everybody has to handle his own problem.
01:12:07We've got no fire department, but that was the last problem Hernandez and his whore had to face.
01:12:15That's only half of it.
01:12:16And the other half?
01:12:17Well, there's an informant on your end of New York.
01:12:20An informant?
01:12:21When the Colombians got a tip that someone in this tour group had the cash on this trip, they sent up a hit squad.
01:12:27So I wasn't finger-directed?
01:12:28Oh, absolutely not.
01:12:29They just simply started eliminating you, one by one, and then searching through the bags for the payment.
01:12:35And what's the drill now?
01:12:36Business as usual, my dear.
01:12:38But what about all that needless hocking up of all those people?
01:12:41My dear girl, it's all part of the subculture.
01:12:44Women and children and even babies are not immune to their revenge or instruction.
01:12:50Plus the fact that I imagine that someone employed some torture.
01:12:55Who's got the goodies and all of that?
01:12:57I don't find amusing.
01:12:58Oh, no?
01:12:59Well, my dear girl, it's all part of the total scene.
01:13:02There's fun and games and good times.
01:13:05Isn't that what it's all about, huh?
01:13:10Oh!
01:13:11Sorry.
01:13:12Just give me a second.
01:13:14It seems that you're a bit out of condition, my dear.
01:13:18This hit squad, Whitton, why do they smell so awful?
01:13:24It's rotten bark and trees and slimy jungle things.
01:13:32It's a concoction that they smear on themselves so they smell like rotting corpses.
01:13:38It certainly isn't Chanel, is it?
01:13:40Oh, you're beginning to feel a little better, I see, huh?
01:13:45Well, it's true, but it keeps the local primitives at arm's length and it reminds them of their zombies.
01:13:52It keeps them at distance.
01:13:54It's really quite amusing, though.
01:13:56You've got a great sense of humor at me.
01:13:59I'll die laughing.
01:14:01I rather doubt it.
01:14:04Hernandez and his whore certainly didn't.
01:14:08I'll beat him to it.
01:14:14Okay, it's a crossfire.
01:14:17All right, Sandy, you get behind Paul, all right? Come on.
01:14:20I'll take it. Come off.
01:14:38Steve, look like somebody's on our side.
01:15:08Now I'm coming.
01:15:10Come on.
01:15:11Let's go!
01:15:12Let's go!
01:15:13Let's go!
01:15:14Let's go!
01:15:27Let's go!
01:15:30Tell, tell my, your wife, your folks, tell, tell Miami, Miami, tell Miami, tell Miami,
01:16:00Miami, D-E-A, you're not dead yet, I'll get help, D-E-A, Drug Enforcement Agency, looking for a connection, with us, like 10 little Indians, only one left,
01:16:26and you, the hell,
01:16:33Sandy, Sandy,
01:16:51Sandy,
01:16:58What was all that shooting about?
01:17:01The boys from Bogota, greeting your friends.
01:17:04Those animals have been following us all night.
01:17:06Trust that everything has been properly settled, I hate loose ends.
01:17:10Be careful, my dear.
01:17:11Well, you certainly seem at home.
01:17:12I ought to, this is my house.
01:17:17But the fire, you said.
01:17:18Ah, that was Hernandez, cocaine cowboys, they wanted me alive and well, at least until I completed the last transaction. Do you have it?
01:17:32Of course.
01:17:33Well, let me see it.
01:17:34Let's see the candy first.
01:17:35Ah, you are a tough customer. I've always been a great believer of Edgar Allan Poe. The purloid leather, you know. You want to hide something, you hide it in plain sight.
01:17:47Have no fear, it's top grade. Number nine rock. Yeah, but you're supposed to have enough for 10 mules to haul back to the States. After I see you're in, my dear.
01:18:04Five million. U.S.
01:18:2225 million on your end.
01:18:24Ah, but I'm the one taking the chance getting it back to New York.
01:18:26Ah, back to your little discotheques and plane pens.
01:18:31My dear friend, don't knock it if you don't know it.
01:18:34Of course not, my dear.
01:18:48Right this way, my dear girl.
01:18:52Now, just keep your eye on it.
01:18:55Magic.
01:18:56Yeah.
01:18:57Ooh.
01:18:58One.
01:18:59Very efficient.
01:19:00Efficiency is the key to industry and profit.
01:19:02Steve, you startled me.
01:19:03Yeah.
01:19:04Ah.
01:19:05Ah.
01:19:06Ah.
01:19:07Ah.
01:19:08Ah.
01:19:09Ah.
01:19:10Ah.
01:19:11Ah.
01:19:12Ah.
01:19:14Ah.
01:19:15Ah.
01:19:16Ah.
01:19:17Ah.
01:19:18Ah.
01:19:19Ah.
01:19:20Ah.
01:19:21Ah.
01:19:22Ah.
01:19:23Ah.
01:19:24Ah.
01:19:25Ah.
01:19:26Ah.
01:19:27I'll bet.
01:19:28Where are the others?
01:19:29Back out there, dead.
01:19:30God, what happened?
01:19:32We were ambushed, just like your friend here planned.
01:19:35My dear young fellow, you've given me too much credit.
01:19:38Steve, please put that thing away.
01:19:40You don't need it here.
01:19:41We're all friends.
01:19:45See that?
01:19:46Money makes strange bedfellows.
01:19:48Man, this is strictly a business transaction.
01:19:52For how much?
01:19:53A few hundred thousand.
01:19:56So long?
01:19:58Twelve people dead for a few hundred thousand?
01:20:01I'm not an ungenerous man, young fellow.
01:20:04And now that you're with us, I'd be delighted to share with you.
01:20:12But I owe it to you.
01:20:14Since you've done away with those animals that have been howling me.
01:20:19Stop running, baby.
01:20:21Because I got news for you.
01:20:23Feds are...
01:20:35The next one's for you.
01:20:37Are you crazy? You just killed that poor man.
01:20:39Poor man, my ass! He's another greedy pig like you!
01:20:44No.
01:20:45No.
01:20:46No.
01:20:47No.
01:20:48No.
01:20:49No.
01:20:50No.
01:20:51No.
01:20:52No.
01:20:53No.
01:20:54No.
01:20:55No.
01:20:56No.
01:20:57No.
01:20:58No.
01:20:59No.
01:21:00No.
01:21:01No.
01:21:02Steve, use your head.
01:21:04I'm not talking thousands, I'm talking millions.
01:21:06Good to hear.
01:21:07Tell Paul and Sandy and all the others dead out there.
01:21:10Forget about them. I had nothing to do with that.
01:21:13Can't you think of the living and the living that we can do together?
01:21:16Living? What about the loving? Wasn't that part of the package too, Angel?
01:21:20The loving, of course it is. You just told me you loved me only an hour ago.
01:21:24Could I have possibly changed so much in so little time?
01:21:27No, you haven't changed. I have.
01:21:29Constance, please don't kill me.
01:21:34Kill you? That's not my plan.
01:21:37What are you going to do with me?
01:21:39Turn you in, sweetheart.
01:21:41A dealer like you should only be 20 years to life.
01:21:44Steve, that's not fair.
01:21:45I'm not playing a sap for you anymore, Angel.
01:21:50I'm frightened.
01:21:51You didn't mind leading us up here.
01:21:53I can't help it. I'm scared now. Please.
01:21:55Don't worry. Both sides were wiped out except for you and me.
01:21:58Steve, please.
01:21:59Get moving.
01:22:04Look, whatever happens, I want you to know one thing.
01:22:07That I really love you.
01:22:09Okay, maybe in the beginning I was playing you along.
01:22:12But the way you stood up tonight...
01:22:18I gotta hand it to you.
01:22:20When you lie, you lie due to...
01:22:22Oh, God, no. Not a lie.
01:22:23The truth. Maybe for the first time in my life.
01:22:26And for whatever it's worth to you, I really did fall in love with you.
01:22:29Whatever happened in that house had nothing to do with you or me.
01:22:33I really need you in my life.
01:22:36Steve!
01:22:39Steve!
01:22:52Steve!
01:22:55Oh, God.
01:22:56God.
01:23:26You took too long to reach me, Mr. Johnson.
01:23:56No, I'll take that now.
01:24:01No way.
01:24:02We needn't quarrel, sir.
01:24:05Let me go!
01:24:08Let me go!
01:24:11Sandy!
01:24:12Steve!
01:24:15Simply quid pro quo.
01:24:26I told you the gods would provide.
01:24:33Now, Mr. Jones will escort you back to your boat.
01:24:40Ha! Ha! Ha!
01:24:43Ha!
01:24:44Ha!
01:24:45Ha!
01:24:46Ha!
01:24:47Ha!
01:24:48Ha!
01:24:49Ha!
01:24:50Ha!
01:24:51Ha!
01:24:52Ha!
01:24:53This way, folks.
01:24:55Good evening, ladies and gentlemen.
01:25:00Jones scores welcomes you.
01:25:02And I, Reginald Chomley Jones, your tour guide, welcome you personally.
01:25:08Our tour today will take us to one of the most fascinating islands of the beautiful Caribbean.
01:25:15I think I can safely promise you a tour you'll never forget.
01:25:22There'll be sights you've never experienced before, thrills you've never experienced before.
01:25:35Of all the visitors who come to these arts, you are to be congratulated above all.
01:25:51You are men and women of great nature.
01:25:56And you are to be congratulated above all.
01:26:01You are men and women of great taste and discrimination, who spurn the artificial, who demand the genuine, the real thing.
01:26:31Let your mind in the groove.
01:26:34Let your body start to move and feel the rhythm.
01:26:44And feel the rhythm
01:26:46The reggae rhythm
01:26:48Cause we're taking everyone
01:26:52To a picnic in the sun
01:26:55With the music
01:26:56The reggae music
01:26:59It don't matter if you're wrong
01:27:02Set your worries up and slow
01:27:05Yes indeed
01:27:06With the ganja wheel
01:27:09Let the music set you free
01:27:13Come and picnic here with me
01:27:16When we'll be
01:27:18Singing la la la la la
01:27:24Singing la la la la la
01:27:30Singing la la la la la
01:27:35Singing la la la la la
01:27:40If you give it half a chance
01:27:44Everybody starts to dance
01:27:47Start dancing with us
01:27:49To the reggae rhythm
01:27:51There is something in the air
01:27:54You can feel it everywhere
01:27:57It's the magic
01:27:59The reggae rhythm
01:28:01If you eat a drink of wine
01:28:05When your mind is feeling fine
01:28:07What can you do
01:28:09It's just like moving forward
01:28:12Let the music set you free
01:28:15Come and picnic here with me
01:28:18And with me
01:28:19You can feel it
01:28:49While you do
01:28:51One Bettango
01:28:55It's the magic
01:28:55I think what's going on
01:28:56It's the magic
01:28:56We can feel it
01:28:57It's the magic
01:28:58Now we'll be
01:29:00To the magic
01:29:00You
01:29:00Maybe
01:29:02Snack
01:29:02Once se
01:29:03Then
01:29:04AF
01:29:05Fast
01:29:05Then
01:29:06茶
01:29:06Je james
01:29:06And
01:29:07Jejame
01:29:08la la la la la la la
01:29:09By
01:29:09Thank you
01:29:10нул
01:29:10You
01:29:11Z
01:29:11en
01:29:12всё
01:29:12B
01:29:14Y
01:29:14Te
01:29:15typing
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