- 8 hours ago
The film is about Gioia, a centerfold model for the adult Pussycat magazine. She is harassed by a killer who sends her photos of her co-workers with her own erotic photography in the background. The film was developed as a vehicle for Serena Grandi after the success of the film Miranda (1985).
Category
π₯
Short filmTranscript
00:00:00The
00:01:47Kim, put your head back slowly.
00:01:50More.
00:01:51That's it.
00:01:53Now move it forward again.
00:01:58Okay.
00:01:59That's good.
00:02:00Look to your left, Kim.
00:02:01And keep laughing, all of you.
00:02:04Remember, you want to be possessed, Kim.
00:02:07Good.
00:02:08That's it.
00:02:10That's it.
00:02:11Keep laughing.
00:02:12Good.
00:02:12Sexier.
00:02:13Make it sexier.
00:02:14Just a few more, then we can stop.
00:02:23Keep it up.
00:02:24Your water nymphs.
00:02:24Have fun.
00:02:25You're drunk with desire.
00:02:26Touch your lap.
00:02:27Move around more.
00:02:27Offer yourself, Kim.
00:02:28You love it.
00:02:30You too, Christine.
00:02:31That's it.
00:02:31Good.
00:02:33More abandoned.
00:02:34Let yourself go.
00:02:36Surrender to pleasure.
00:02:37Now, Kelly, take her around.
00:02:39You think it was a bright idea?
00:02:40Were you shooting that story with Kim?
00:02:42Yeah, I think so.
00:02:44Even if it's not the same thing.
00:02:46Oh, Tommy knows his work.
00:02:48And Kim's beautiful.
00:02:50But you were something else.
00:02:52I'm getting cold in here.
00:02:53Don't show it.
00:02:54You're supposed to be hot.
00:02:55I can't believe it's been three years.
00:02:57It's more like a lifetime.
00:02:59Where's the makeup artist?
00:03:01Okay, come on out, girls.
00:03:05Evelyn!
00:03:08Evelyn!
00:03:10Where's the makeup girl?
00:03:12I don't know.
00:03:12I guess she's inside.
00:03:14What do you mean she's inside?
00:03:16Here I am.
00:03:16Oh, finally.
00:03:17I'm not paying her to sit on her ass.
00:03:19Look, the girl's makeup is running.
00:03:21Do you mind getting to work?
00:03:23How come your brother always gets a man?
00:03:24Come on, let's go.
00:03:25Look, we're losing the light.
00:03:28Here, Kim, let me help you.
00:03:30Gloria.
00:03:31Oh, hello, Mark.
00:03:32I'm watching you.
00:03:33You are?
00:03:34Yes, and I'm going crazy.
00:03:37If I told you I was playing with it,
00:03:40would you come over and help me?
00:03:42No, don't be angry.
00:03:44It's not true.
00:03:45Don't hang up.
00:03:46I just have to tell you how beautiful you are today.
00:03:48More than usual.
00:03:50Are you wearing your panties now?
00:03:54No, don't be dangerous.
00:03:54Don't hang me down your skirt.
00:03:56You don't know how much pleasure I get just watching you.
00:03:59Do you want to let me see you in the nude?
00:04:02I'd be forever grateful.
00:04:05Listen, Mark.
00:04:06You've been watching a show right under your window that isn't so bad.
00:04:10Be happy with that, huh?
00:04:11You're not like those others, Gloria.
00:04:14You could put out my fire, all right.
00:04:18You're a sex goddess.
00:04:19You make my member throb with desire.
00:04:21Who wants to penetrate your flower and explode?
00:04:23This is getting boring, Mark.
00:04:25And you're not very funny.
00:04:31Outline her upper lip a little more.
00:04:33Here.
00:04:33Do you have much more to shoot?
00:04:35Oh, a couple of hours.
00:04:37I'd say less.
00:04:40The light's going.
00:04:42Come on.
00:04:43Then I'll go inside and help Evelyn.
00:04:45You're all staying for dinner, I hope.
00:04:47Oh, quel dommage.
00:04:48Kelly and I have to catch a plane tonight.
00:04:50We have a fashion show in Paris tomorrow morning.
00:04:53Sorry, Gloria.
00:04:55Thanks, anyway.
00:04:56C'est un bon voyage.
00:04:58Au revoir.
00:05:03Okay, Kim, let's start over here.
00:05:05Tony, we're ready.
00:05:07Tony.
00:05:08Tony.
00:05:13This guy had just finished making love with a girl.
00:05:18I'm sorry, he said.
00:05:21If I'd known you were a virgin,
00:05:23I'd have taken more time.
00:05:24But, honey, she says,
00:05:27if I'd known you had more time,
00:05:29I would have taken my panties off.
00:05:33You're right, Roberto.
00:05:37Evelyn, as usual, the dinner was just perfect.
00:05:43What would Gloria do without you?
00:05:47You're the best at everything.
00:05:50Now, now, don't be unpleasant.
00:05:51He doesn't have to work at it.
00:05:53It's a natural gift.
00:05:57Speaking of natural gifts,
00:05:59I found a gift for you.
00:06:01To my darling, Gloria.
00:06:14They're sweet.
00:06:16Well, after that little coup de théÒtre,
00:06:18I think I shall be going.
00:06:20Good night.
00:06:22Good night.
00:06:22I'm coming with you.
00:06:25The night is still young.
00:06:26Good night, Roberto.
00:06:34Don't be late, Tony.
00:06:35Tomorrow we'll have to choose the pictures.
00:06:37Okay, boss.
00:06:41Do you need a ride, Kim?
00:06:42No, thank you.
00:06:43I'll stay a while longer.
00:06:44I came with my own car.
00:06:45Hmm.
00:06:46Okay.
00:06:48Aren't you scared to go home on your own?
00:06:51You never know who you might run into.
00:06:54Just as long as he's cute.
00:06:56Listen, honey.
00:06:57There are times when you and I have the same needs.
00:06:59I'm going to bed now.
00:07:05I want to be at work early tomorrow.
00:07:11The next issue has got to be especially good,
00:07:14seeing as you're back with us.
00:07:15I'm sure it will.
00:07:17Good night.
00:07:20See you soon, Kim.
00:07:21Night.
00:07:26Has it been long since you took an interest in the magazine?
00:07:29It's over a year now,
00:07:31since the day of the accident.
00:07:33It's over a year now, since the day of the accident.
00:07:59Do you like talking about it?
00:08:15Why not?
00:08:17You know, the day you married Carlo,
00:08:19a lot of people thought you were only doing it for his money.
00:08:21Well, don't you believe it?
00:08:23I married because I was in love.
00:08:25No other reason.
00:08:30And never once did he ask me to stop posing in the mood.
00:08:33Instead, he gave me the chance to start a magazine of my own.
00:08:36I was the one who decided to stop modeling
00:08:38and put all that behind me
00:08:39because I wanted to be with him
00:08:41and have his children.
00:08:43I was afraid I wouldn't have time for work.
00:08:45Besides, there was Evelyn,
00:08:46always so efficient and ready to help.
00:08:49But maybe Carlo and I were too happy,
00:08:51and fate decided to teach us a lesson.
00:08:53I'll never forget that day he was killed,
00:08:55and a wind came up and his people turned over.
00:08:58He was like a child who was in love with a toy,
00:09:01determined to reach a record of 200 kilometers an hour.
00:09:05Well, he left me well off.
00:09:06The magazine, everything.
00:09:09And the memories of all we shared in this house.
00:09:12Now I have to start to live for myself again,
00:09:15as well as for Carlo.
00:09:16You're right, Gloria.
00:09:17I'm afraid I'd board you.
00:09:28Oh, no, on the contrary.
00:09:31If I didn't have to get up early,
00:09:32I'd stay here all night.
00:09:40You don't have to come with me.
00:09:41I know the way.
00:09:43Ah, it stopped raining.
00:09:45I'll call you tomorrow.
00:09:45Bye.
00:09:47Bye.
00:10:17Bye.
00:10:18Bye.
00:10:19Bye.
00:10:20Bye.
00:10:21Bye.
00:10:22Bye.
00:10:23Bye.
00:10:24Bye.
00:10:25Bye.
00:10:26Bye.
00:10:27Bye.
00:10:28Bye.
00:10:29Bye.
00:10:30Bye.
00:10:31Bye.
00:10:32Bye.
00:10:33Bye.
00:10:34Bye.
00:10:35Bye.
00:10:36Bye.
00:10:37Bye.
00:10:38Bye.
00:10:39Bye.
00:10:40Bye.
00:10:41Bye.
00:10:42Bye.
00:10:43Bye.
00:10:44Bye.
00:10:45Bye.
00:10:46Oh, my God.
00:11:16Oh, my God.
00:11:46Oh, my God.
00:12:17Hello?
00:12:18Your blonde model has just been murdered.
00:12:21Her body's floating in your swimming pool.
00:12:23Do you hear me?
00:12:25You're not very funny, Mark.
00:12:28I'd much rather hear your vulgarity than this stupid excuse to phone me.
00:12:32She was killed with a bitch form.
00:12:35Believe me, Gloria, it wasn't a pretty sight to watch.
00:12:38Didn't you hear anything?
00:12:39No.
00:12:40Well, if you wanted to frighten me, you have.
00:12:45Now, let me get some sleep, please.
00:12:48Too bad you turned the pool lights on.
00:12:50I might have been able to see the murderer's face.
00:12:53It might have been a woman.
00:12:54She had long, blonde hair.
00:12:55Are you listening?
00:12:56Yes.
00:12:57Do you want me to call the police?
00:12:59You're not putting me on, Mark.
00:13:01Oh, no way.
00:13:03Well, shall I call the police or will you?
00:13:04No, wait.
00:13:05Let me go and look first.
00:13:06Listen, Gloria, you better not.
00:13:08You won't like what you see there.
00:13:09Only a wild, crazed animal could kill someone like that.
00:13:12You'd better stay in the house.
00:13:35Evelyn?
00:13:40Evelyn?
00:13:41Evelyn?
00:13:42I'm sorry.
00:14:12I didn't mean to scare you.
00:14:14I...
00:14:14I just went into the kitchen to get a drink.
00:14:17Mark just told me.
00:14:19He said that he saw Kim murdered in the poultry's mouth.
00:14:22And you believe him?
00:14:23That boy's sick.
00:14:24He's sick in the head.
00:14:26Don't pay any attention to him.
00:14:27Go back to bed and forget it.
00:14:30Nothing has happened, I'm sure.
00:14:31Come on.
00:14:32I'll bet on it.
00:14:34Good night, Gloria.
00:14:35Good night.
00:14:37Good night.
00:14:37Good night.
00:14:37Good night.
00:14:37Good night.
00:14:42Good night.
00:14:43Good night.
00:14:43Good night.
00:14:43Good night.
00:14:44Good night.
00:14:44Good night.
00:14:45Good night.
00:14:45Good night.
00:14:46Good night.
00:14:46Good night.
00:14:47Good night.
00:14:47Good night.
00:14:47Good night.
00:14:47Good night.
00:14:48Good night.
00:14:48Good night.
00:14:48Good night.
00:14:49Good night.
00:14:49Good night.
00:14:49Good night.
00:14:50Good night.
00:14:51Good night.
00:14:51Good night.
00:14:51Good night.
00:14:52Good night.
00:14:52Good night.
00:14:53Good night.
00:14:53Good night.
00:14:54Good night.
00:14:54Good night.
00:14:55Good night.
00:14:55Good night.
00:14:56Good night.
00:14:56Good night.
00:14:57Good night.
00:14:57Good night.
00:14:58Good night.
00:14:58Good night.
00:14:59Good night.
00:14:59Good night.
00:15:00Good night.
00:15:00Good night.
00:15:01Good night.
00:15:01Good night.
00:16:02Sit on you!
00:16:13Good morning.
00:16:14Good morning.
00:16:16Good morning.
00:16:17Good morning.
00:16:18Good morning.
00:16:18Good morning.
00:16:20Yes, the lighting's good.
00:16:21Can you use that one?
00:16:22I don't know.
00:16:23I prefer this one.
00:16:24Look.
00:16:25Yes, it's got movement.
00:16:26But so does this.
00:16:27And I like the line of her body.
00:16:29What do you think, Gloria?
00:16:30Oh, they're all good, Roberto.
00:16:33Tony, I know you'll pick the right ones.
00:16:35And Kim is marvelous.
00:16:36Okay, let's go with these three.
00:16:41Yeah.
00:16:42Just a moment.
00:16:42I'll connect you.
00:16:43Oh, before I forget, Evelyn.
00:16:46Kim left her lighter last night at my house.
00:16:49Will you give it to her?
00:16:50Mm-hmm.
00:16:51She'll be happy to know she didn't lose it.
00:16:52Why don't you go into the other office to choose the pictures?
00:16:58Because it's yours.
00:17:00Well, in there I feel like a fish out of water.
00:17:02Well, then put on your scuba gear.
00:17:05There's a shark waiting for you.
00:17:07Laura!
00:17:07I couldn't get her out.
00:17:09She knew you'd come in sooner or later.
00:17:11And so she waited.
00:17:13She's waited in every year?
00:17:15Not quite.
00:17:16But over an hour, for sure.
00:17:18Come on.
00:17:19Find an excuse.
00:17:21She'll just come back another time.
00:17:23Ah.
00:17:23And I was feeling so good.
00:17:25Tear her to pieces, Gloria.
00:17:27Otherwise, she'll tear you to pieces.
00:17:37Ah, welcome back, Gloria.
00:17:41And to what do I owe this pleasure?
00:17:48Are you here for the usual reason?
00:17:50I'd say suffering has enhanced your beauty, my dear.
00:17:53But not my willingness to deal with you.
00:17:56But why don't you want to sell me your magazine?
00:17:59I know there are better things you'd like.
00:18:01For example?
00:18:03Hmm.
00:18:03To live.
00:18:05You might travel.
00:18:06You have plenty of money.
00:18:07Ah, my dear, when I think of how you were
00:18:11when I saw you for the first time,
00:18:14you were so provincial
00:18:15and ready to do anything for money.
00:18:18I had to support Tony and myself then.
00:18:21And as you can see, I did it.
00:18:24It's funny, now you're the one who needs me.
00:18:26Don't you ever think of thanking those
00:18:28who lent you a hand in the past?
00:18:31And who should I thank?
00:18:33Me, for example.
00:18:35You never helped anyone for nothing, Flora.
00:18:37Don't give me that.
00:18:39You're too selfish.
00:18:40But I was the one who got you started in modeling,
00:18:42or you'd have turned into a chief prostitute.
00:18:44You and your brother Tony didn't know where your next view was coming from in those days.
00:18:48Why, if it hadn't been for me, you'd be walking the street.
00:18:51If you hadn't had the good fortune, darling, to have known me.
00:18:55Walking the street, no.
00:18:57A prostitute, maybe.
00:18:59When there's nothing else, even prostitution's a way of keeping alive.
00:19:02How much do you want?
00:19:03And this is funny, you know.
00:19:05Here I am the victor.
00:19:07When you fought off all those men...
00:19:09Oh, my men.
00:19:10They never meant anything more than a Kleenex.
00:19:13Something you use and throw away.
00:19:15Girls are precious, though.
00:19:18You know how to hit someone where it hurts most.
00:19:21I do.
00:19:22And you?
00:19:23When I said I wouldn't work for you any longer, you did everything to ruin me.
00:19:27You even did your best to turn my husband against me with your vile eyes.
00:19:33Well, I'm not selling out, Flora.
00:19:35You better forget it.
00:19:36Now go.
00:19:37Okay, when you're poor again and you're too fat to make out with men, call me.
00:19:42You still have some capital.
00:19:44You know, those pictures you once posed for.
00:19:47I'd always be willing to buy them back again.
00:19:50I'm sure that you'd realize a good profit.
00:19:53Oh, naturally, my dear, I couldn't offer the same price.
00:19:56Those photographs still have some value.
00:20:00But, uh, mostly as souvenirs.
00:20:04There was another souvenir that you wanted from me and never got.
00:20:08And that you begged for.
00:20:10Be careful, Gloria.
00:20:11Don't make me change my feeling for you to hate.
00:20:14I warn you, the hate of a woman can be very bad.
00:20:26I don't know.
00:20:40I know.
00:20:43I think so.
00:22:14Evelyn, you know you shouldn't drink.
00:22:28It's bad for you.
00:22:29What's wrong?
00:22:30Oh, I found this under the door.
00:22:37Oh, my God.
00:22:40Damn her!
00:23:02Inspector, take a look at this pitchfork.
00:23:11I found it in the gardener's tool shed.
00:23:13It looks like it's never been used before.
00:23:21Yeah.
00:23:23Strange.
00:23:27I've got a sample of the pool water.
00:23:29Take it to the lab for analysis.
00:23:30I don't think they'll find anything new.
00:23:34Just playing it safe.
00:23:36With the lab too?
00:23:37Yeah.
00:23:38Any sign of burglary?
00:23:40No, nothing.
00:23:40Did you see him?
00:23:51He looks like anything but a cop.
00:23:53Because you watch television too much.
00:23:57They always make us out to be different than we are.
00:24:05I'm sorry.
00:24:06Forget it.
00:24:07I'm used to it by now.
00:24:08Since I joined the force, my hardest job is to get people to trust me.
00:24:11They usually take me for a hood.
00:24:13Please sit down, Inspector.
00:24:14I questioned that kid, Mark.
00:24:19He didn't try to hold back.
00:24:21He told me exactly what he witnessed here last night.
00:24:24It appears absolutely certain he saw a murder.
00:24:27He's the only witness we have, but I don't think he'll be very useful.
00:24:32All we know is the murderer was blonde.
00:24:34But there are lots of blondes, both men and women, and wigs besides.
00:24:38But why send that photograph?
00:24:40And pose Kim's body in front of a poster of me.
00:24:43And why was she killed?
00:24:44Right here, at my house.
00:24:47If we had the answers to all your questions, the case would be solved now.
00:24:50But by sending that photograph of her here, it looks like it points to me.
00:24:54Why?
00:24:54I don't know.
00:24:56And that's not the only thing that's baffling.
00:25:03It's either a warning or an attempt to implicate you.
00:25:06We'll investigate the background of that model and find out who her friends were.
00:25:09Inspector Corsi.
00:25:10Excuse me.
00:25:10Can I send the men back now?
00:25:12I don't want to know.
00:25:16How about you?
00:25:21I don't know.
00:25:25Yeah.
00:25:26I don't know.
00:25:27I don't know.
00:25:28I don't know.
00:25:29Your breakfast is served.
00:25:51You know you shouldn't spy on your neighbors.
00:25:54It's not very nice.
00:25:56Have you finished?
00:25:57I'll do as I like.
00:26:14Your father called from London last night.
00:26:16But you wouldn't answer.
00:26:17He said he'd call back today.
00:26:19Well, tell him I'm out.
00:26:21What about your mother?
00:26:22Well, she's still on vacation, enjoying herself.
00:26:28Anyway, I don't give a good damn about either of them.
00:26:33Oh, thanks.
00:26:33Holy God.
00:27:01The beautiful model's corpse was found this morning in a garbage bin on Via Calderolo.
00:27:06Now, you are the news vendor who discovered Kim's body, whose picture appears on the cover of this magazine.
00:27:11Tell us in your own words how it happened.
00:27:13Well, I just finished enwrapping new issues of Pussycat and was going to put the plastic in the trash bin when I saw her, poor girl.
00:27:18Then what did you do?
00:27:20I called the police.
00:27:22And how did you feel?
00:27:23What was your reaction?
00:27:24Why, I was shocked.
00:27:26I got sick almost.
00:27:27To see her like that, eyes staring at me, bright blood all over her dress.
00:27:31Especially after seeing her so pretty and sexy on that cover picture.
00:27:33What?
00:27:34Hello?
00:27:35You heard of thanks of murderer, huh?
00:27:37Mark, how can you say that?
00:27:39The one who killed her did you a favor.
00:27:41Your magazine's going to sell like hotcakes now with her picture on the cover, isn't it?
00:27:4633 years of age and unmarried.
00:27:48Police declined further comment at this moment.
00:27:50Now back to our studio for the rest of the news on the Good Morning Dealer.
00:27:55A favor.
00:27:57Hmm.
00:27:58Only a sick kid like him could come up with an idea like that.
00:28:03Why do you talk to him?
00:28:05It's just that I pity the kid.
00:28:07Who are you calling, Evelyn?
00:28:13The printer.
00:28:15Ruggiero, is that you?
00:28:17Good.
00:28:18I was afraid you'd already left.
00:28:20Listen, I want another press run.
00:28:23Oh, you'd already figured we'd need one.
00:28:24Good.
00:28:25Yes, that should do it.
00:28:27I'll talk to you later.
00:28:29My God, Evelyn, do you think we should be exploiting her murder?
00:28:32Gloria, you're a publisher.
00:28:33You can't afford to pass up this chance.
00:28:35No, it's a mistake, Evelyn.
00:28:37Gloria, I'm always trying to increase our circulation, and now's the perfect chance.
00:28:41I want you to call Ruggiero back and cancel it.
00:28:43What for?
00:28:45By doing that, do you think it would bring Kim back?
00:28:47You know it wouldn't.
00:28:49So why?
00:28:50Yeah.
00:28:51I think Evelyn's right.
00:28:54Even though the killer didn't mean to do you a favor.
00:28:56How many copies are they printing?
00:29:03Well, come on.
00:29:04Here it is.
00:29:05The printer told me how many they ordered a little while ago.
00:29:08Oh, this is awful.
00:29:16Pour me a martini.
00:29:17Oh, forgive me, Millie.
00:29:28Isn't it a little early to be drinking?
00:29:31It's not quite 9.30 yet.
00:29:32Oh, well.
00:29:33My liver's about to explode anyway.
00:29:44The photographer said he should be finished with him by noon.
00:29:47And you say that Sabrina says she won't be coming back.
00:29:53That's right.
00:29:54She signed an exclusive contract with Pussycat.
00:29:57At double the salary that we offered her.
00:29:59That bitch is getting the best we have.
00:30:12Sometimes you just hit on the right idea by accident.
00:30:15Come on, I'll show you the studio.
00:30:17Fine, I'm curious.
00:30:29Here's the set.
00:30:42Well, what do you think of it?
00:30:44You like it?
00:30:45I think it's fantastic.
00:30:47And this is where I see Sabrina.
00:30:49Lost and alone in a world out of time.
00:30:51Haunted by surreal nightmares.
00:30:54Well, what do you say?
00:30:55It'll cost me a fortune.
00:30:57But how can I say no to you?
00:30:58I knew you'd like it.
00:31:03If you'd brought Evelyn,
00:31:05it wouldn't have been so easy.
00:31:08That's the reason.
00:31:09I only brought you along.
00:31:15Oh, I've got to talk to the set designer.
00:31:17Do you mind waiting?
00:31:18How long will you be?
00:31:2015 minutes.
00:31:21Okay, I'll have a look around.
00:31:28Hey, Johnny, you shouldn't scare the girls like that.
00:31:43Yeah, I suppose you're right.
00:31:44But if she's seen you without your makeup,
00:31:47she'd have probably faded.
00:31:48When you see the chief of the other tribe,
00:31:58you pick up your sword.
00:31:58Yeah, but don't forget the last shot.
00:31:59I had the sword like Gloria.
00:32:03Alex.
00:32:04How are you?
00:32:05Fine, and you?
00:32:06Okay, let me look at you.
00:32:08Ah, you're prettier than ever.
00:32:10Listen, I've got a 10-minute break.
00:32:13Do you want to talk for a while?
00:32:14Do you mind?
00:32:15Why not?
00:32:19I didn't recognize you dressed like this.
00:32:23I know.
00:32:24How long has it been?
00:32:26Over three years, huh?
00:32:27Yeah.
00:32:28And it was my fault.
00:32:30I don't want to rake over the past,
00:32:31but I want you to know that deep down,
00:32:33I knew you were the right girl for me.
00:32:34And that if we kept going together,
00:32:36it would have ended in marriage.
00:32:37And the very thought of marriage really scared me.
00:32:42You're born free, eh?
00:32:46There's a right time for everything.
00:32:48And what frightens you today, for example,
00:32:50tomorrow might seem a good possibility.
00:32:53You mean you're saying you're a changed man?
00:32:55You?
00:32:55I could.
00:32:57Ah, you'll never change.
00:32:58You'll be a villain till the day you die.
00:33:02Am I really that bad?
00:33:04No, but it's very disturbing for the girl you're with.
00:33:08I guess with Carlo it was different.
00:33:11Oh, I'm sorry.
00:33:12I didn't mean to talk about him.
00:33:13I don't mind.
00:33:15After all, if we hadn't broken up,
00:33:17I would never have known Carlo.
00:33:20I guess I owe you one, Alex.
00:33:22Well, hang on.
00:33:23I'm about to make you a proposition.
00:33:25Come on, Alex.
00:33:29You've got me on pins and needles.
00:33:31What's the proposition?
00:33:32Am I supposed to believe that a leopard can change his spots?
00:33:37Yeah, why not?
00:33:38A big bat will have been changed into a lamb
00:33:41by a very sexy Bo Peep.
00:33:42Oh, Alex.
00:33:43Uh-huh.
00:34:09Now, change your expression to one of pleasure.
00:34:11That's it.
00:34:12Good.
00:34:14Thanks.
00:34:15Tony just called.
00:34:17He said the pictures are going to be great.
00:34:19I want you to have a look at the proofs for the next issue.
00:34:22Has Alex called me?
00:34:24Here?
00:34:25No.
00:34:26He's been gone more than a week and he hasn't even called the house yet.
00:34:28Maybe he's having trouble with the phones in Yugoslavia.
00:34:31I know the problems Alex has.
00:34:33They're either blondes or brumettes.
00:34:35Didn't you say it changed?
00:34:37Yes, but I don't know how much.
00:34:40Look.
00:34:41On page one, a photo of Sabrina.
00:34:43On page three, answers to Gloria's letters.
00:34:45And Wolf says she's almost finished writing them.
00:34:47And then...
00:34:48Of course you call me.
00:34:49Oh, please don't mention his name or he might come back again.
00:34:53He spent days in here asking us all kinds of questions.
00:34:56Come on.
00:34:57Can we go on?
00:34:59Roberto.
00:35:00I'm going with Sabrina.
00:35:02Hmm.
00:35:03I could see she's the kind of girl who's not exactly lacking initiative.
00:35:08I'll see you later.
00:35:10Tony.
00:35:11Yeah, what?
00:35:12You're going to take her back to our studio?
00:35:14I don't know.
00:35:16Enjoy yourself.
00:35:17It's so hot in here I can't breathe.
00:35:18The windows are all open.
00:35:19In fact, I'm beginning to feel chilly.
00:35:20I'm going to feel chilly.
00:35:21I'm going to feel chilly.
00:35:22What?
00:35:23What?
00:35:24Tony.
00:35:25Tony.
00:35:26Tony.
00:35:27Yeah, what?
00:35:28You're going to take her back to our studio?
00:35:29Tony.
00:35:30Tony.
00:35:31Yeah, what?
00:35:32You're going to take her back to our studio?
00:35:33I don't know.
00:35:34Enjoy yourself.
00:35:35It's so hot in here I can't breathe.
00:35:37The windows are all open.
00:35:38In fact, I'm beginning to feel chilly.
00:35:40Come on darling.
00:35:41Don't take it so badly.
00:35:42You know it happens to a lot of men sometimes.
00:35:43Yeah.
00:35:44You must be an expert.
00:35:46You don't have to be insulting just because you're angry.
00:35:49Come on, darling. Don't take it so badly.
00:35:54You know, it happens to a lot of men sometimes.
00:35:58Yeah? You must be an expert.
00:36:02You don't have to be insulting just because you're angry.
00:36:06Better to just laugh it off.
00:36:09Yeah, you're right, I should. I guess I work too hard.
00:36:19Hello? Spaleto? Hotel Grazia. Oh, good evening.
00:36:37I'd like to speak with Senor Alex Worth.
00:36:41He's an actor. He's shooting a motion picture there.
00:36:46Oh, there's no one shooting a film there now.
00:36:49I'm sorry. Thank you. You're back.
00:36:53Let me know if you need me to pose or for anything else.
00:36:56Yeah, sure.
00:37:04Ciao.
00:37:06Ciao.
00:37:16Ciao.
00:37:17Ciao.
00:37:18Ciao.
00:37:19Ciao.
00:37:20Ciao.
00:37:21Ciao.
00:37:22Ciao.
00:37:23Ciao.
00:37:24Ciao.
00:37:25Ciao.
00:37:26Ciao.
00:37:27Ciao.
00:37:28Ciao.
00:37:29Ciao.
00:37:30Ciao.
00:37:31Ciao.
00:37:32Ciao.
00:37:33Ciao.
00:37:34Ciao.
00:37:35Ciao.
00:37:36Ciao.
00:37:37Ciao.
00:37:38Ciao.
00:37:39Ciao.
00:37:40Ciao.
00:37:41Ciao.
00:37:42Ciao.
00:37:43Ciao.
00:37:44Ciao.
00:37:45Oh, my God.
00:38:15Oh, my God.
00:38:45Oh, my God.
00:39:15I hear sales are booming.
00:39:17They should.
00:39:19Thanks to all the work you've done.
00:39:20Oh, my God.
00:39:50We slept together.
00:39:51Is that it?
00:39:53Oh, no.
00:39:54Oh, my God.
00:39:57Oh, my God.
00:39:58Oh, my God.
00:40:02Oh, my God.
00:40:08She was found this morning by some children. She was in a pond. The coroner says she's been dead a few days. I was probably the last one to see her alive. The last one, no, you're forgetting her killer.
00:40:38What's that strong odor of perfume I smelled on her? It's strange. That perfume helped kill her. Essence of tuberose.
00:40:46Do you mind explaining, Inspector? How could perfume kill her? It attracts bees. They must have been infuriated first. Then, attracted to the odor on the model's body, they began to sting her. It's certainly a devilish way to murder.
00:41:01What about that photo? You've convinced yourself the killer's real target is you, right?
00:41:08It seems to be obvious now. Look, try not to worry. And don't look for motives, because that's our work.
00:41:14I think from those photos, it's obvious I'm going to be the next victim. And when I asked Corsi, he said not to worry. He'll find the motive he said.
00:41:21It's my picture with those dead girls. If it's not for that, for what? It's a threat, that's for sure. But maybe he just wants to scare you.
00:41:30But do you think that someone who's already killed two women only wants to scare me? To commit crimes like that, he must be paranoid. One can't guess what he's thinking.
00:41:40But there's something else. There's some detail I seem to have forgotten. Madam, may I go now?
00:41:53Yes, thank you. What were you saying? That poster of me with the dead girls. It's an old picture, and only one person could have the negative.
00:42:00Who? Roberto. I gave him all those old negatives to hold that I got back from Flora. You have to tell Corsi.
00:42:07I'd better not. Why? The police would suspect him at once. They'd slap him in jail right away. Two girls, both were models, and he's gay besides.
00:42:17He probably doesn't have any alibis for either of those murders. How would you know that? I'm guessing. You know, he spends the night going around looking for men.
00:42:30I didn't want to tell you stupidly. A lot of those negatives, and a lot of valuable other stuff, was stolen from my place.
00:42:43I'd invited around a couple of kids. Roberto, are you trying to tell me those negatives are in the hands of the murderer now?
00:42:56Probably. But not necessarily. It's not absolutely certain that the negatives the murderer has are the original ones, Gloria. That big poster of you and the shots with the bodies could have been made from a dupe.
00:43:09I'm sorry, I don't understand, Roberto.
00:43:13Technically, there's no problem. All you've got to do is take a photograph of a photograph. You've got as many negatives as you like.
00:43:22Obviously, when you print them, the quality becomes more grainy. But once you've blown it up to six feet by six feet, it's impossible to tell the difference.
00:43:32Then we're back to where we started from again.
00:43:37I hope you're not too disappointed to find out that I'm not the murderer.
00:43:43Oh, no. No, don't think that. I never believed it was you.
00:43:47Don't turn the light on.
00:44:14Don't turn the light on.
00:44:20I have one.
00:44:25I want to admire you, Gloria.
00:44:44You want toοΏ½οΏ½οΏ½ it?
00:44:55You want to marry me?
00:45:00You want to marry me?
00:45:03You want to marry me?
00:45:05No, get back!
00:45:07Shut up. You want to murder me?
00:45:11Oh!
00:45:11Oh
00:45:41Gloria. Gloria, it's okay. It's okay. Nothing's happened. It's just a bad dream.
00:45:48Oh, God, it's terrible.
00:45:57Dr. Lorenz is here.
00:45:59Thank you. You may go.
00:46:01Hello, Mark.
00:46:07What are you doing?
00:46:09I'm taking my daily walk.
00:46:11I'm stretching my legs, Doc.
00:46:18Keep on treating it as a joke.
00:46:20And you'll never get out of that chair, my boy.
00:46:23You quack.
00:46:25You think I'm enjoying myself being nailed to this chair day after day?
00:46:28No, I know how much you're suffering.
00:46:30But I also know that your paralysis doesn't have any physical cause.
00:46:34That's what you say.
00:46:36My father, my mother, that's what you all like to think.
00:46:38You say there's no damage to my spine, eh?
00:46:42So you figure all that's wrong is right here in my brain, huh?
00:46:46Therefore, it's simply my fault that I'm crippled.
00:46:56It sounds like you enjoy playing the victim.
00:47:00Yeah, sure.
00:47:02I like being that.
00:47:05You know, doctor?
00:47:06You're pretty smart after all.
00:47:08The truth is, you don't want to walk.
00:47:11You have a mental block because you feel responsible for Chinsia's death.
00:47:17Yes, you're right.
00:47:18She hadn't been in my car.
00:47:22Chinsia might still be alive.
00:47:25And I'd be walking.
00:47:27And we'd even have been married.
00:47:33Oh, my God.
00:47:40No.
00:47:41No.
00:47:42No.
00:47:44No.
00:47:44Oh, God.
00:47:46No, please.
00:47:47No, please.
00:47:47She work in blue films, also?
00:47:59Only this one.
00:48:00No.
00:48:01But the public seems to be forgotten.
00:48:04Glory is quite respectable now.
00:48:07Do we have to watch any more?
00:48:18Leave it alone and sit down.
00:48:29Good morning.
00:48:31This must be important if you've called us all here.
00:48:34I've decided to accept Flora's offer.
00:48:37You want to sell the magazine?
00:48:43I have no intention of working any longer here after all that's happened.
00:48:46It seems the best solution.
00:48:48But it's not as though you killed them.
00:48:50But my pictures with those dead girls, are you forgetting that?
00:48:53Or doesn't it worry you?
00:48:55Well, it won't help selling the magazine.
00:48:57If the killer wants you, it won't solve the problem.
00:49:01Or are you going to go somewhere and hide?
00:49:03Throwing away all your work and hours won't stop that crazy.
00:49:07But if I stay here, you should have killed me.
00:49:10But if I stay here, you should have killed me.
00:51:40How did you know I'd be coming here today?
00:51:43I know everything.
00:51:45And what I don't know, I imagine.
00:51:48Isn't today the anniversary of Carlo's death?
00:51:50Yes.
00:51:51Yes.
00:52:20There we are again.
00:52:45Let your blood.
00:52:50Are you really sure you want to do this?
00:53:06Well, since I haven't sold the magazine yet, I thought I'd model again.
00:53:10That's in the old days.
00:53:12Hey, I haven't got anything against the idea.
00:53:14I think it's great.
00:53:17I'm coming.
00:53:20Sorry.
00:53:21Hi, Tony.
00:53:23Susan, this is my sister Gloria.
00:53:25I'm glad to meet you finally.
00:53:26Tony's always talking about you.
00:53:28Oh, what does he say?
00:53:30Oh, he thinks you're the greatest, the most beautiful, the most...
00:53:34Hey, hey, come on now.
00:53:35Tony always exaggerates.
00:53:36Yeah, this place is perfect.
00:53:49What's over there?
00:53:51Children's club.
00:53:53Gee, I didn't know it was so big.
00:53:56Hey, be careful.
00:53:57She'll see us.
00:54:00Frankly, Tony, I think you're asking a lot of personal customer service.
00:54:03How could I refuse Tony anything?
00:54:06He's filled the house with flowers and candy.
00:54:12Yes, phone calls, caviar, champagne.
00:54:16You have a very persuasive brother.
00:54:19What do you think if I posed with just this wind jacket on?
00:54:21Uh-huh.
00:54:22Good idea.
00:54:22Well, maybe, better yet, neuron skis.
00:54:29Well, modestly wearing a scarf.
00:54:33Would you like to visit the other floors now?
00:54:35Oh, yes, I would.
00:54:45Pretty good shot, huh?
00:54:46Yeah.
00:54:48This is the men's department.
00:54:49This is still men's clothing.
00:54:57Men's sportswear, shirts, sweaters, underwear, slacks, you name it.
00:55:01They're as stylish as our clothes now, aren't they?
00:55:04Yeah, we do everything we can to please the ladies.
00:55:07They're all becoming more vain than we are.
00:55:10Oh, you're just jealous.
00:55:11Come here, man.
00:55:12Tony, please.
00:55:13Listen, what are you doing with it?
00:55:14Maybe we could have dinner or...
00:55:16Okay, but calm down.
00:55:18Oh, you come on strong, don't you?
00:55:23Hey!
00:55:25Hey!
00:55:26Come on, it's beautiful up here.
00:55:28Hey!
00:55:28Hey!
00:55:28Hey!
00:55:28Hey!
00:55:29Hey!
00:55:29Hey!
00:55:30Hey!
00:55:30Hey!
00:55:31Hey!
00:55:31Hey!
00:55:32Hey!
00:55:33Hey!
00:55:33Hey!
00:55:34Hey!
00:55:35Hey!
00:55:36Hey!
00:55:37Hey!
00:55:38Hey!
00:55:39Hey!
00:55:40Hey!
00:55:41Hey!
00:55:42Hey!
00:55:43Hey!
00:55:44Hey!
00:55:45Hey!
00:55:46Hey!
00:55:46Hey!
00:55:47Hey!
00:55:48Hey!
00:55:49Hey!
00:55:50Hey!
00:55:51Hey!
00:55:52Hey!
00:55:53Hey!
00:55:54Hey!
00:55:55Hey!
00:55:56Hey!
00:55:57Hey!
00:55:58Hey!
00:55:59Hey!
00:56:00Hey!
00:56:01Hey!
00:56:02Hey!
00:56:03Hey!
00:56:04Hey!
00:56:05Hey!
00:56:06Hey!
00:56:07Hey!
00:56:08Hey!
00:56:09Hey!
00:56:10Hey!
00:56:11Hey!
00:56:12Hey!
00:56:13Hey!
00:56:14Hey!
00:56:15Hey!
00:56:16You can't do the game
00:56:26It's your turn to die
00:56:46Susan?
00:57:16Susan, where are you?
00:57:18Susan!
00:57:19Where are you?
00:57:20Susan!
00:57:46Susan!
00:58:16Let's go.
00:58:46Let's go.
00:59:16Let's go.
00:59:46Let's go.
01:00:16Now it's your turn, Gloria.
01:00:34You can't escape.
01:00:38Let's go.
01:01:08Let's go.
01:01:38Let's go.
01:02:08Let's go.
01:02:38Let's go.
01:02:42Let's go.
01:02:45Let's go.
01:02:54Let's go.
01:03:02Let's go.
01:03:03Let's go.
01:03:04Let's go.
01:03:14Let's go.
01:03:16Let's go.
01:03:26Let's go.
01:03:28Let's go.
01:03:38Let's go.
01:03:40Let's go.
01:03:41Let's go.
01:03:50Let's go.
01:03:52Let's go.
01:03:53Let's go.
01:04:02Let's go.
01:04:04Let's go.
01:04:05Oh, my God.
01:04:06Oh, my God.
01:04:35Let's go.
01:04:36Let's go.
01:04:45Let's go.
01:04:46Let's go.
01:04:47Let's go.
01:04:55Let's go.
01:04:57Let's go.
01:04:58Let's go.
01:04:59Let's go.
01:05:00Let's go.
01:05:01Let's go.
01:05:02Let's go.
01:05:03Let's go.
01:05:04Let's go.
01:05:05Let's go.
01:05:06Let's go.
01:05:07Let's go.
01:05:08Let's go.
01:05:35What do you think, Inspector?
01:05:37Am I going to be the next victim?
01:05:39Yes.
01:05:40Hello.
01:05:41Hi, Gloria.
01:05:42It's me, Alex.
01:05:43Alex.
01:05:44How are you?
01:05:45Oh, I'm so glad you called.
01:05:46You finished your film?
01:05:47You back?
01:05:48No, baby.
01:05:49I'm sorry.
01:05:50But I'll be in Rome Monday.
01:05:52Gloria.
01:05:53I miss you.
01:05:54I miss you.
01:05:55I miss you.
01:05:56No, baby.
01:05:57No, baby.
01:05:58I'm sorry.
01:05:59No, baby.
01:06:00I'm sorry.
01:06:01But I'll be in Rome Monday.
01:06:02Gloria.
01:06:03I miss you.
01:06:05I'm sorry.
01:06:06No, baby.
01:06:07I miss you.
01:06:08Did you see you wearing
01:09:56And he's the murderer?
01:09:57I haven't time to explain now.
01:09:59Just do what I say and don't open your door to him.
01:10:01We're coming right over.
01:10:07Gloria, let me in.
01:10:08I have to see you.
01:10:11I have to see you.
01:10:13I have to see you.
01:10:18Gloria, wait.
01:10:22Gloria, wait.
01:10:23Gloria, wait.
01:10:27Gloria, wait.
01:10:34Gloria, wait.
01:10:36Gloria, wait.
01:10:37I have to see you.
01:10:45I have to see you.
01:10:46I have to talk with you.
01:10:47It's me, Robert.
01:10:48no, I have to see you.
01:10:57Help me.
01:10:57I have to see you.
01:10:59Stop, wait.
01:11:07Gloria, help me.
01:11:19I'm sorry.
01:11:37I can't understand any of this.
01:11:39Roberto obviously must have hated women.
01:11:42And especially you, Gloria.
01:11:44And why did he kill Tony? He liked him.
01:11:46It's difficult to know a killer's mind.
01:11:48But in the department store, what I clearly remember had a woman's voice.
01:11:52No, it wasn't a girl.
01:11:54The voice you heard at that moment might have sounded like a girl's voice.
01:11:58Assuming you're right.
01:12:01Why doesn't the rest of it make sense?
01:12:03That car that killed him, for example, why didn't it stop?
01:12:07I've got to blot it out, or I'll go mad too.
01:12:22Who is it?
01:12:23This is Mark. I see the police are there again. What kid?
01:12:27How does it feel to be surrounded by death?
01:12:29Stop calling you fool!
01:12:37Our battle seems to have finished.
01:12:58Though you certainly were a tough adversary.
01:13:01I'm sorry, my dear.
01:13:02I'm putting you out to pasture.
01:13:04You know, I suppose I really ought to thank you.
01:13:20I'm getting rid of a lot of bad memories.
01:13:23It's a shame you're so insensitive, Flora.
01:13:25I would have given it to you for the asking.
01:13:27Are you so proud of yourself now?
01:13:31Are you so proud of yourself now?
01:13:31Are you so proud of yourself now?
01:13:57Are you so proud of yourself?
01:13:58Are you so proud of yourself?
01:14:07Evelyn!
01:14:13Evelyn?
01:14:17Where is Evelyn?
01:14:18She's gone, madam.
01:14:19She took all her things.
01:14:21She left this letter for you.
01:14:22Gloria, forgive me for leaving like this, but I worked for you, not the magazine
01:14:31So what sense would it make for me to stay on, regretting what we no longer have?
01:14:35Good luck
01:14:35She must think I have a will of iron
01:14:38She wanted me to go on with the magazine after all of those killings
01:14:52Yes, hello
01:15:06Hello
01:15:22Oh no
01:15:52Tony, oh dear God, no
01:16:22Oh no
01:16:52Now it's your turn, Gloria
01:17:00You can't escape
01:17:06It's your turn to die
01:17:13Come out, show yourself
01:17:16Kill me if you must, I can't take anymore
01:17:19It's your turn, Gloria
01:17:21Now it's your turn, Gloria
01:17:32You can't escape
01:17:39It's your turn, Gloria
01:17:46How would you like to die?
01:17:49The police took the pitchfork I used to kill Kim
01:17:53And I didn't have time to get more killer bees that liked Sabrina so much
01:17:58But I think of something
01:18:00But I think of something
01:18:00Maybe on the order of how I did Susan
01:18:03No, no, no
01:18:11It's me
01:18:12What's the matter?
01:18:29don't you like me don't you like me oh no i haven't become a transvestite
01:18:42i'm not even very good at that but why tony but why
01:18:48you should know glory you're the only one i love i've always loved you since we were kids
01:18:58tony you killed those poor girls what made you do that you ought to thank me yeah that bitch
01:19:07ken was trying to take your place as a model and sabrina your place in bed and i didn't want that
01:19:13and that little sales girl susan was trying to trap me even roberto wanted to betray me
01:19:20no tony no i'm dead gloria everyone thinks i'm dead
01:19:25i could have run away but i figured while you're alive i i'll never be free
01:19:34but first i want to see you naked one more time no no no no no
01:19:46help
01:19:46help
01:19:53help
01:19:55help
01:19:56no
01:20:00no
01:20:10And now, Strick, I can't for the last time.
01:20:20Just for me.
01:20:24No, Tony, please don't ask me that.
01:20:33No.
01:20:35I don't know what you're doing.
01:20:38Oh, yes, I do.
01:20:39You belong to me, only me.
01:20:49Go on.
01:20:55I've always loved you, Gloria.
01:21:00Every part of you.
01:21:06Your lips.
01:21:07And your tongue.
01:21:23And the curve of your white throat that leads to the valley between those rose-capped hills.
01:21:33Now I want to see them.
01:21:48Nobody else will ever caress your body again, Gloria.
01:22:06No.
01:22:07Oh, no.
01:22:09No.
01:22:09No.
01:22:10Now this.
01:22:10No.
01:22:11Take this off, too.
01:22:15I said take them off.
01:22:20Tony!
01:22:20Is my brother alive?
01:22:42Yes, he'll make it.
01:22:43Though I'm afraid he'll need a wheelchair the rest of his life.
01:22:47I'm sorry, Inspector.
01:22:48She's still in shock.
01:22:50She has to sleep.
01:22:50Yes, I'm going.
01:22:53I hope that from now on life will be better for you.
01:22:57We'll see.
01:23:02Get well soon.
01:23:06Let's try to sleep now.
01:23:08Call me if you need me.
01:23:09Let's try to sleep now.
01:23:12Let's try to sleep now.
01:23:14Let's try to sleep now.
01:23:16Let's try to sleep now.
01:23:18Let's try to sleep now.
01:23:19Let's try to sleep now.
01:23:20Let's try to sleep now.
01:23:21Let's try to sleep now.
01:23:22Let's try to sleep now.
01:23:23Let's try to sleep now.
01:23:23Let's try to sleep now.
01:23:24Let's try to sleep now.
01:23:25Let's try to sleep now.
01:23:25Let's try to sleep now.
01:23:26Let's try to sleep now.
01:23:28Let's try to sleep now.
01:23:28Let's try to sleep now.
01:23:29Let's try to sleep now.
01:23:30Let's try to sleep now.
01:23:31Let's try to sleep now.
01:23:32Let's try to sleep now.
01:24:32Did I frighten you?
01:24:40I'm sorry.
01:24:42I just had to see you.
01:24:50Here.
01:24:51Thanks.
01:24:52Gloria, you won't mind if I phone to tell you that you're beautiful. More beautiful.
01:24:58Of course you can, Mark.
01:25:00Do you know that I'm getting better? I'm beginning to walk a little now.
01:25:05I'm so glad. It's good to see you again.
01:25:08And you, you get better, huh?
01:25:10Yes.
01:25:17Don't forget me now. Promise?
01:25:19I won't.
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