- hace 3 semanas
Reparto: Maribel Fernández, Alma Delfina, Lyn May, Jacaranda Alfaro, Elsa Montes, Araceli Aguilar, Lizbeth Castro, Lucy Cantú, Charly Valentino, César Bono, José Natera, Gastón Padilla, Gerardo Vigil
Dirección: Mario Hernández
Dirección: Mario Hernández
Categoría
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CortometrajesTranscripción
00:00:00Listen to my tomb, drummer
00:00:30Our water to the dear cunt
00:00:32Listen to my tomb, drummer
00:00:33And I bring my song
00:00:35Listen to my tomb, drummer
00:00:37And a name is knowledge
00:00:38Listen to my tomb, drummer
00:00:40Its well-known streets
00:00:42Listen to my tomb, drummer
00:00:43Because the tires are very bad
00:00:45Listen to my tomb, drummer
00:00:47I have them well dressed
00:00:48Listen to my tomb, drummer
00:00:50I start on top, I do it
00:00:52Listen to my tomb, drummer
00:00:54It's with a little cunt, the little friend
00:00:55Listen to my tomb, drummer
00:00:57Listen to my tomb, drummer
00:01:013 degros with ma...
00:01:03Namal is!
00:01:04Book and debut
00:01:05How many branches?
00:01:07Carmen, there is no dawn
00:01:10The cousanes and veataco
00:01:14The word is never forgotten
00:01:18And my baby is for the fioga hälta
00:01:21Arropeibilidad se, lanese
00:01:23Come on, Tobias, this isn't something you see every day, even if you're feeling lazy.
00:01:38For me!
00:01:53That lady doesn't know that every kid born in Mexico already owes twenty thousand dollars.
00:02:12That's why I save the country a lot of money every night.
00:02:23Thank you!
00:02:53So you can cool down, you bastard.
00:03:18High!
00:03:23Bye bye!
00:03:37Thank you!
00:03:39What happened, Maquita?
00:03:53When are you going to give me the taco you promised me?
00:03:56Well, I'd better give you money for your tacos now and they'll die, right?
00:04:00Look
00:04:00Be careful, Grandma
00:04:03Good morning
00:04:09Good morning
00:04:09Good morning
00:04:11I'll leave that to you.
00:04:12Don't worry, I've already got your guato
00:04:14This idiot already busted his ass.
00:04:30No more, just water
00:04:35Add more milk, Zacarias.
00:04:38Hey, rat
00:04:39Okay
00:04:40You might as well sell it as pulque, dude.
00:04:43Good morning, Maca
00:04:45What's up, Ms. Celta?
00:04:47As soon as I get back from school, I'll bring you the sheets you asked me to get.
00:04:50From school?
00:04:51Why would I bring these monstrosities?
00:04:52Let them go on their own, man
00:04:53Don't be so big
00:04:55Things his dad does
00:04:56You know it's very delicate.
00:04:59He says there are many cockroaches
00:05:01Go get your brother, hurry, mother
00:05:03Don't you know what?
00:05:07He's just been promoted to first sergeant
00:05:10Oh, is that really a lot?
00:05:12Well, he says he's getting closer to becoming a major general.
00:05:16Oh, how awful, it smells like a skunk that's peed, I swear.
00:05:21Oh, of course.
00:05:23Oh, look, your damn blowtorch hair
00:05:25What is a division general?
00:05:29It will be fun
00:05:32You shut up, you filthy pig
00:05:34That guy grabs everyone.
00:05:36Chuyín
00:05:41Hurry
00:05:42Well, I'm going now because it's getting late.
00:05:45Do you think he's stealing from you, guys?
00:05:52Which one steals from him, guys?
00:05:53They hang around the wealthy neighborhoods, not here.
00:05:56No, I did steal that little boy.
00:06:00Which?
00:06:11I want some chewing gum
00:06:13Bread children
00:06:14What? A popsicle?
00:06:15No, some peanuts
00:06:17I don't want marzipan, I want hot.
00:06:18Look
00:06:19I humbly beseech you
00:06:23They should just buy it already and stop bothering us.
00:06:26Oh, ma'am
00:06:27I'd better leave.
00:06:28I'm leaving too, grandma
00:06:30I don't want to be late for Miss Lucy's class
00:06:32Adela
00:06:35Here I go
00:06:36Thank you
00:06:44Listen
00:06:53Is she your daughter?
00:06:56No sir, she's my granddaughter
00:06:58And what does he study?
00:07:02International Public Relations
00:07:04What the hell? Is she on a scholarship or what?
00:07:06One of her sisters is paying for her studies
00:07:09What are you smoking, old lady?
00:07:12Headlights
00:07:13Headlights
00:07:14They are lighthouses
00:07:15Wash your ears, Dumbo
00:07:33What happened?
00:07:34What happened?
00:07:38What happened?
00:07:40Oh, God
00:07:41Come, come
00:07:44Come with your dad
00:07:45Come
00:07:47Where did I fulfill your promise?
00:07:54Even a double tie?
00:07:55One night it was after dinner
00:07:57Now I want my breakfast.
00:07:59Daughter, you look like you're from the div
00:08:01Furthermore, love is a drink of moderation.
00:08:05Oh, when you took me out of the cabaret you told me the complete opposite
00:08:08Oh, I'm going to love you night and day
00:08:12But that was three years ago.
00:08:14And you only fulfilled your promise to me for three days.
00:08:17But spending all day up in the guava tree is a record.
00:08:20Furthermore, I have given you a house, I have given you my name, a job, all that I have given you
00:08:26Oh, that's what I'm asking for.
00:08:28That?
00:08:29What can you give me?
00:08:31For me, it would be better to do it one night when I get back.
00:08:33Then you arrive home exhausted and all you can think about is sleeping
00:08:37No, no, it's just that how am I going to go to El Villar, to croyote, to make a fortune
00:08:40I'll buy a chupirul and I'll bring the violin
00:08:43That it will seem extraditable
00:08:46Oh, even if you bring the violin perfectly tuned
00:08:49We had several
00:08:51Hey girls, do you want me to take you somewhere?
00:09:12No, thanks
00:09:13Okay, then I'll take you home, Adelita.
00:09:17Excuse me, how do you know my name?
00:09:22Finding out
00:09:23Research is my profession
00:09:26Hey, who could it be?
00:09:32I don't know, but he's always hanging around the school.
00:09:34They say it's a strip, huh
00:09:36Police?
00:09:37Yes, agent
00:09:38So, little sister, we have to be very careful with him, okay?
00:09:41I think he's leaving...
00:09:45Oh, you bastard!
00:09:47I already put the light on the mother
00:09:48Hi Maca, what are you doing now?
00:09:51We're just doing stupid things here.
00:09:53Oh!
00:09:56Let's go!
00:09:57But you look absolutely gorgeous
00:09:58Oh, you want them for makeup, you know.
00:10:00No, no, no, you've got your own thing too, girl.
00:10:03Yes, but the truth is I'm in love with a guy who doesn't even hit me.
00:10:08Oh, don't say that!
00:10:12If you have your own things and that's what you have to spare, then great!
00:10:15You have a choice.
00:10:17And look how much you spend your time, choosing and choosing
00:10:20That's the bad thing I have too much of.
00:10:22Well, then what are you complaining about?
00:10:25I'm fed up, bored
00:10:27I've made a lot of love
00:10:28I pretended to do it
00:10:29And I even thought I was in love
00:10:32But the truth is that it is only now that
00:10:34When they left it for you, Irene, right?
00:10:36His name is Escobedo, he's an agent of...
00:10:38Oh, that policeman I don't know!
00:10:40From the police?
00:10:41But I dream about him
00:10:42I'm obsessed with it
00:10:44I'm bewitched
00:10:45Know
00:10:46I would give anything to have him in my arms
00:10:49Even if it was just for one night
00:10:50Oh, I lowered myself into his arms, my young man has nothing!
00:10:53Because he's a show-off.
00:10:55He says he only wants to hang out with rich girls
00:10:57With little maids
00:10:59He wants a woman who belongs only to him.
00:11:01And from no other man
00:11:02Hey, and where in the zoo does this guy live?
00:11:08No, theyeterísse....!
00:11:11No, theyeterísse!
00:11:12A lot of whole.
00:11:31Aguanse, Muense.
00:11:36Piches thieves.
00:11:40Calm down, calm down, no insults.
00:11:42Ha ha.
00:11:44Also, what a lovely little drink.
00:11:53Chacoalates.
00:11:53Chacoalates.
00:11:54Chacoalates.
00:11:56Chacoalates.
00:11:57Chacoalates, chacoalates, ovations.
00:12:01Chacoalates, ovations.
00:12:05Damn city.
00:12:08Oh, what fame.
00:12:11Who?
00:12:31Eginio
00:12:31Which Eginio?
00:12:33Well, I don't think there's another Eginio in this damn neighborhood.
00:12:35And why isn't it opening?
00:12:38I forgot my keys
00:12:39I'm not telling you about keys.
00:12:41And here's your dude, right?
00:12:43Chisted
00:12:44I'm going to do it in this cold.
00:12:50I don't feel like I'm not going through it.
00:12:52And what happened to him now?
00:13:00I want to see what he thinks about training.
00:13:01Did he go training or play sword fighting?
00:13:03Oh, how magical, if it was what it was, it's because I was mugged.
00:13:05Were you robbed?
00:13:07Yes, you already know they're not even in fashion
00:13:08No, go ahead, well yes
00:13:09Listen
00:13:10That?
00:13:13Aren't we going to invite him for a coffee?
00:13:15No
00:13:15Why not?
00:13:16Because first he orders the coffee and then he'll want the picket line.
00:13:19Well, what do you think?
00:13:20We started first with the picket line
00:13:22And then we poured the coffee to let it rest.
00:13:24Yes, yes
00:13:25I'm going to give the little nip to his mommy
00:13:27Oh no
00:13:28And I'm going to pour boiling coffee on his back to warm him up.
00:13:31Damn, man, he's about to die of a little lung from messing around.
00:13:34I will arrive at the cemetery with my spirit held high.
00:13:37Well, with this damn cold weather, it's going to get really crooked.
00:13:39So what?
00:13:41Did the coffee invest in me or not?
00:13:42Go ahead, but don't overstep your bounds.
00:13:44Okay
00:13:44Oltame!
00:13:46Well, I'm getting closer to the stove.
00:13:48Well, it's time to start fresh.
00:13:49Okay
00:13:50There I am
00:13:53I'm already here
00:13:53Now cover up his miseries
00:14:00No, you see.
00:14:01That's why
00:14:02I already saw it
00:14:03Thank you
00:14:04I was freezing.
00:14:06From the cold
00:14:06How do you like it?
00:14:12Did you see the little piggy?
00:14:14Or of a chimito on a precipice
00:14:16The coffee
00:14:18Ah, coffee
00:14:19Ah, coffee
00:14:20Do you want it with sugar?
00:14:22No, because it sweetens my fat.
00:14:24The fact that?
00:14:27Me...
00:14:28Sweets make me fat.
00:14:29So...
00:14:39Her husband is on the other side
00:14:40Yeah
00:14:41He went to collect a few dollars for her
00:14:44The one who was supposed to come today to take me to Michoacán
00:14:46His parents left him a ranch there.
00:14:48AND...
00:14:49Well, let's head home that way.
00:14:50And how long ago did your husband leave?
00:14:54Ah, well...
00:14:55It's already acting like...
00:14:57Two years, more or less
00:14:58So much time has passed and...
00:15:04He didn't feel like it.
00:15:05Ah, well, what do they give me?
00:15:07If I feel like it
00:15:08Clear
00:15:09And doesn't he want to satisfy his desires?
00:15:16And what the hell is it to you?
00:15:18Because of the desire
00:15:19Stigo no
00:15:20Excuse me for butting in.
00:15:22Well, he's not going to get involved in this, you see.
00:15:25Well, and...
00:15:27The little nip he offered me
00:15:29There's their picket line
00:15:41That picket line, right?
00:15:44Well, there's no other way.
00:15:44And if it holds up
00:15:45Oh, and I'm also going to charge the account for the little bottle, okay?
00:15:48This new card
00:15:49The one I want to get rid of is you.
00:15:51And if he keeps laughing
00:15:53You're the one who's going to get screwed.
00:15:55Because I am married
00:15:57You too, right?
00:15:58So what?
00:15:59My mom is also married
00:16:00If you see how he dresses it on the outside
00:16:01There are even queues
00:16:03Oh, no
00:16:04And what do you want me to do?
00:16:06Let him do it
00:16:07Look, ingenuity
00:16:08We already chatted
00:16:09I already sheltered him
00:16:11I already gave him his injection
00:16:13Less
00:16:14Of this
00:16:16Ah, this one, yes.
00:16:17And I can take it with me, right, Maquita?
00:16:19Well yes
00:16:19Is someone going to pay for it?
00:16:21Well, of course
00:16:22Maquita
00:16:24And wouldn't you like to die like your mothers?
00:16:27Butterflies?
00:16:29As?
00:16:31Crossed
00:16:31And in a corner
00:16:32I'm going to pierce him
00:16:34The violin, wretched thing
00:16:36But which violin?
00:16:36They already stole it from me.
00:16:37Well, even if it's just the bugle
00:16:39I'm staying!
00:16:41Your daughter is going to stay
00:16:42Her sister
00:16:42When I brought it to her
00:16:43From a double chest
00:16:44Bitch
00:16:45Whore, whore, whore
00:16:46Bitch
00:16:48Damn, my sister
00:16:48Can't you hear her?
00:16:50Stupid
00:16:50Oh, and what are you dressed up as now?
00:17:12From Chapulín Colorado
00:17:14And with a woman's jacket
00:17:17I was mugged
00:17:19Again?
00:17:22Yes, and now it's worse.
00:17:23Only the goalposts took pity on me
00:17:26And he lent me his jacket
00:17:27And that's all he lent you?
00:17:29You know we don't let anything slip.
00:17:33Because he is faithful to his husband
00:17:35It is possible to grow
00:17:37I think it's awful.
00:17:39Well, she also told me about the one on the 13th.
00:17:41They saw that husband there in Tierra Blanca
00:17:44By Culiacán
00:17:45Over there, smuggling Coca-Cola or Pepsi
00:17:48Oh, I don't know what about.
00:17:49From Orange, mensa
00:17:51I think the husband is all a lie.
00:17:54Well, I also think it's all just a story.
00:17:56That every two weeks there are robberies
00:17:58No, didn't you see that I arrived at Raiz?
00:18:00I mean, they even took my violin down.
00:18:02Pig
00:18:03No, it was stolen.
00:18:05I don't know, I'm just being suspicious.
00:18:06No
00:18:09Here it is
00:18:12Woe to you.
00:18:13And a good death
00:18:17Oh, you're not in tune anymore.
00:18:19Oh, my dear girl
00:18:21Oh, my little one
00:18:25Oh, my teddy bear
00:18:28Oh, my mom
00:18:29That?
00:18:31How do you make that sound, you idiot?
00:18:35Don't you even know who you're sleeping with at home?
00:18:38Look at me
00:18:38I am Edna
00:18:40Your wife
00:18:41Don't confuse me with another
00:18:43Oh, Ednita
00:18:45What if my mouth makes a mistake?
00:18:48My little violin
00:18:49Come, let me give you a minor C.
00:18:52Maca!
00:18:57Maca!
00:18:58Maca!
00:18:59Here, Dad!
00:19:01Goodbye, Mrs. Saca
00:19:02See you later
00:19:03Have a good trip, ma'am.
00:19:04What's up, shark?
00:19:09When are you going to start with sheets?
00:19:12I'll give them to you this afternoon
00:19:13Weren't you saving it for your husband?
00:19:17The sheets
00:19:18Oh, hey
00:19:20By the way, I boiled Mr. 15 today, huh?
00:19:23And she told me she had seen your husband
00:19:25Aureliano
00:19:28In an inpatient hospital
00:19:31With AIDS
00:19:32And what was the neighbor doing in a hospital?
00:19:37That's what I'd like to know.
00:19:39Peche gossipy people
00:19:41Well, what I wanted to do was ask you a favor
00:19:43Please prepare some calpeño broth and chilaquiles for me at noon today, okay?
00:19:47You cook really well.
00:19:48You're sure to have a gentleman guest, right?
00:19:53Well, look, I don't know if he's a gentleman or not.
00:19:54But it's a fucking blast
00:19:56Oh, little sister
00:19:57So you already did it
00:19:58Oh, who knows?
00:19:59Because he's from the opposition
00:20:00And in a moment of carelessness
00:20:01These talks or it gives me
00:20:02Tamas!
00:20:05National
00:20:05Oh, if you don't give me money for expenses
00:20:08Well, give me what I want, won't you?
00:20:09Won't you give me anything for breakfast?
00:20:11Will he be able to?
00:20:11Will he be able to?
00:20:12Oh, all you ever think about is eating
00:20:14Oh, and you too.
00:20:16So that I congeal
00:20:17What a pleasure, my dearest neighbor
00:20:22I already know, Lupe
00:20:23Which Lupe?
00:20:24Of his rise
00:20:25To first sergeant
00:20:26Because you know
00:20:27That the first thing is the very best.
00:20:28I would like to ask you a favor, neighbor
00:20:31Tree-maker, lero
00:20:32Your sweet potato vendor
00:20:33He takes care of it.
00:20:35That's it, isn't it?
00:20:36That he no longer writes verses
00:20:38Because every time he writes verses
00:20:40If it rhymes
00:20:40I get goosebumps.
00:20:42I'll try to debut
00:20:44That old obsession
00:20:45From when he was a bard
00:20:46I left her
00:20:47Well, it was a burden.
00:20:48Are you a bard?
00:20:49That's right, my dearest neighbor
00:20:51That's right, my dearest neighbor
00:20:51My verses ran
00:20:53From coffee shop to coffee shop
00:20:54From Parnazos to Ganti
00:20:56From muse to table
00:20:58Wow, how did you become a sweet potato vendor?
00:21:04If I told you
00:21:06Life is a pain in the ass
00:21:07From a sweet potato
00:21:09Don Metodio
00:21:10No, I didn't make a double entendre with my own name.
00:21:14Look, I just remembered my fellow countrymen from Tula.
00:21:17This one from Tula?
00:21:19Tuleño
00:21:20Ah, look, you are very close to my land
00:21:24Wow, and where are you from?
00:21:26From Celaya
00:21:27From Celaya
00:21:28Celayeno
00:21:29Made of cajeta?
00:21:33Ah, I wanted to speak with you, Don Renato.
00:21:35And what am I good at?
00:21:39As?
00:21:40What for?
00:21:40So that he pays me the three months' rent he owes me.
00:21:43Don't play dumb
00:21:43Ah, rent
00:21:46Well, I don't know the rent anymore.
00:21:48Yes, the rent
00:21:49Since he was already promoted
00:21:49I think the sea already has a father, don't you?
00:21:52Man, no
00:21:52Don't worry, man
00:21:55Oh, for the love of God
00:21:56I will repay him handsomely.
00:21:58Hey?
00:21:58I mean, by far
00:22:00And you too, huh?
00:22:02Don't do it
00:22:03Where you feel
00:22:04He also owes me some money from the rent receipts
00:22:07Speaking of receiving
00:22:09Why won't you see me privately?
00:22:11And that's how I'll pay him, with sweet potatoes.
00:22:13Oh, give that one to your mommy.
00:22:15Enjoy!
00:22:16I am pure saba
00:22:17What happened?
00:22:19What happened?
00:22:20What happened?
00:22:21Pass it on to what?
00:22:22What about me?
00:22:22What happened is that we'd better leave.
00:22:24Because this old woman turned out to be a real bitch.
00:22:27Hey?
00:22:28I mean, very, very stingy, stingy
00:22:31Be careful, okay?
00:22:34Don't let their mother cut them apart.
00:22:36I mean, yeah, beat the shit out of him, dudes
00:22:38How are we?
00:22:41How are we?
00:22:42Aliech nine
00:22:43The roof is falling down
00:22:45Ah, he gave you a platoon!
00:22:59Come in on time!
00:23:01Look, Elsa, you're being too clever.
00:23:04And you're earning yourself a beating.
00:23:06What did I do now?
00:23:13It makes me think you didn't do everything I asked you to do.
00:23:15Everything, Renato? What do you think?
00:23:18You took my boots to get a half sole put on them
00:23:21Yes, Renato, I brought them.
00:23:23Did you put buttons on my warrior?
00:23:26Yes, Renato, I glued them on.
00:23:27Did you take my appointment as first sergeant to be marked?
00:23:31Yes, Renato, I took him
00:23:32Did you steal my equipment?
00:23:34No, Renato, I messed up
00:23:35Didn't you mess up my gear?
00:23:39No, I just brushed it
00:23:40It's because the fat ran out
00:23:42And what do you like?
00:23:43And they only sell it on Carmen Street.
00:23:45I was planning to go tomorrow.
00:23:46Don't get out of line.
00:23:49Don't get out of line.
00:23:51You're leaving immediately for her!
00:23:54But...
00:23:55Orders don't get to argue with you!
00:23:57Do you think I'm going to arrive at the barracks?
00:23:58With an unpolished fitting?
00:24:00And I'm not a soldier!
00:24:02No, sir!
00:24:03Yes, sir!
00:24:05Hi, Maca!
00:24:19Hello!
00:24:20Have you put the half soles on my dad's boots yet?
00:24:23Already?
00:24:24No, well that's great.
00:24:25Why does he seem angry?
00:24:28With that promotion thing?
00:24:29Ah, damn, he's already gone up in love.
00:24:31Whom?
00:24:33Him!
00:24:34His promotion has gone to his head.
00:24:37He says it's very important.
00:24:39Don't let the salt out
00:24:41Hey, do you want me to give you the boots?
00:24:45No, in a little while.
00:24:46I'm running an errand on Carmen Street
00:24:48Hey, he's about to leave.
00:24:50I don't know if you would be so kind as to bring me some gold ribbons.
00:24:52It's because the girl from number eight asked me for it.
00:24:54Okay
00:24:54Hey, what happened to the chilaquiles and the caldo plaseño?
00:24:59I'll bring it to you in a little while.
00:25:00And did you wash your hands?
00:25:01I love you for your lotion, you bastard.
00:25:16That?
00:25:17She says, owner, daughter and nothing on the corner
00:25:19If I'm not going to give him an injection
00:25:23An injection
00:25:25Hey, I only drink wine
00:25:28I'm leaving this in your hands, okay?
00:25:30Yeah
00:25:30We're taking advantage, you're going to get a piece of glass stuck in your arm.
00:25:32And you pass a taco
00:25:35Nice to meet you, look, here's some for your taco
00:25:40No, the other one.
00:25:42Look how stupid you found him
00:25:46You never bathed in the other one.
00:25:49Mrs. Ednita
00:26:00What happened?
00:26:04Mrs. Ednita
00:26:05Blessed are the eyes
00:26:10How have you been, Renato?
00:26:13Here, recovering in the military militia
00:26:16Hey, hey, and speaking of military people, where's your husband?
00:26:24Oh, at the pool hall, like every morning
00:26:27Yeah, man, I really would play black eight.
00:26:32With you so round, so square, but in my house
00:26:36Well, that's what you say.
00:26:40But he has a different opinion
00:26:41It's like I don't attract him that much anymore.
00:26:44It'll be cool, dude
00:26:46That's why I've come to see Doña Maca
00:26:48They say it cleanses, but a good kind, you know?
00:26:51What do you think?
00:26:52That?
00:26:52That it is not
00:26:53Oh, well
00:27:01I'll come back another day
00:27:03See you later
00:27:04High!
00:27:14Hey, why did you yell at me so loudly?
00:27:17I mean, hold on a second, man.
00:27:20Ah
00:27:21Do you know who taught Doña Maca all the tricks of Atelello of the Maya?
00:27:28Well, the witch Hermelinda, lovely
00:27:30No, my little queen.
00:27:31A humble servant
00:27:33Go on
00:27:35And who taught you that?
00:27:37Well, the counting tree
00:27:39It was very cold in the battalion
00:27:41And well, I was there in Guatemala, right?
00:27:44I met a sorcerer
00:27:45Then he showed me that I need one.
00:27:48Magnetism in the hands, isn't it?
00:27:51Blessed herb
00:27:53Water
00:27:53And lots of eggs
00:27:55Oh, the most necessary thing.
00:27:57Oh, look
00:27:59Here comes the little goalkeeper
00:28:01He's going to give an injection
00:28:05A little one in the long
00:28:07No, man, she's the one who's really into injections.
00:28:10But the only one who opens the door
00:28:13Because he is faithful to his husband
00:28:16And you? What's your role here?
00:28:22Didn't I leave him guarding the goal?
00:28:24Oh, well, I just left it for a little while.
00:28:27I just left her for a little while
00:28:29Hey, jerk
00:28:31And what are you laughing at?
00:28:33My dear, you're in trouble.
00:28:35Ol, what happened?
00:28:37I'm already feeling down about the sweet potato thing.
00:28:38It arrived
00:28:40It arrived
00:28:41Well, it's not like it reached me.
00:28:43But you will receive it.
00:28:44Just be patient with me
00:28:46He's going to have it
00:28:47But what to put on his mother
00:28:50Pinche llevativo
00:28:50Here are the eggs
00:28:57The spring water
00:29:00And the herb of virtue
00:29:03And here are the hands full
00:29:07Of the holy electromagnetic power
00:29:12Oh, you've surprised me, Don Renato
00:29:14Okay, take off your dress.
00:29:19Take away what?
00:29:22Ah, deaf girl
00:29:23Take off your dress
00:29:26I didn't know that in the cleaning
00:29:30One had to undress
00:29:31Remember that the cleaning
00:29:33It's for her little Caracas body
00:29:35Not for the clothes
00:29:36If I hadn't sent it to the dry cleaners
00:29:39Well, if you say so.
00:29:49It won't come out, it won't come out, it won't come out
00:30:01Like something out of a movie, huh?
00:30:04And how lucky!
00:30:05Today you're getting them all, all of them
00:30:07All luck is inspiration
00:30:10But remember
00:30:10Lucky in the game
00:30:12Unlucky in love
00:30:13Right
00:30:14They've let me down lately.
00:30:16All the moves
00:30:17The only one who is faithful to me
00:30:19She's my wife
00:30:20Yeah
00:30:20Evil spirits
00:30:27They are going
00:30:28Holy, saint of saints
00:30:33The truth is, you can already feel it.
00:30:39As a more liberated ethnic group
00:30:41Hey?
00:30:43Like what
00:30:44It's penetrating him
00:30:47The Big Dipper
00:30:48Hey?
00:30:51It feels more
00:30:53More in control of her little body
00:30:56The truth is that
00:31:01I really needed a cleanse.
00:31:04What beautiful hands she has
00:31:08Don Renatito
00:31:09Because of the woman you have
00:31:39What a woman
00:31:39Yes, she loves you very much.
00:31:42Plus, it's delicious!
00:31:44Excellent, but with respect
00:31:46TRUE?
00:31:46No, without respect
00:31:47She has some bad charms
00:31:48Okay, calm down.
00:31:49Come on, calm down
00:31:50Sorry, sorry
00:31:51I redeemed her
00:31:53I took her out of work
00:31:54From the cabaret where he used to hang out
00:31:55Ah, yes
00:31:55Yes, to straighten out his life
00:31:57She's straightening up for me
00:31:59Straightening up?
00:32:02early bird
00:32:09Oh
00:32:10Oh, how you know things!
00:32:14Renatito
00:32:15Hello, Mata
00:32:19What are you doing, Elsa?
00:32:21What do you want me to give you now?
00:32:22Your dad's boots?
00:32:23Well
00:32:23Thanks, sis.
00:32:25I'll bring it to you right now
00:32:26The food you ordered
00:32:27Okay, then
00:32:28Help me with this, okay, little sister?
00:32:29Okay
00:32:29Hey, you suck that.
00:32:36Come here and help me
00:32:37At a job, far away
00:32:38And you're going to have a bad time.
00:32:40If I give you a taco, yes
00:32:42But with chorizo and more cheese
00:32:44I disgust you, don't I?
00:32:51Now we're really going to do it.
00:32:52A proper cleaning
00:32:55Oh, Natito
00:32:57You were a real expert at cleaning.
00:33:02The basis of experience is the method
00:33:06Method?
00:33:10Now yes
00:33:11Let's bring the good vibes.
00:33:16And let's get out of here.
00:33:18Why did you lock it?
00:33:38Why did you lock it?
00:33:38Why did you lock it?
00:33:38Why did you lock it?
00:33:48Otú te...
00:33:48That?
00:34:00Did he bring the coals?
00:34:01And the officers' boots.
00:34:15Yeah!
00:34:22Something's fishy here.
00:34:25Show some respect.
00:34:27I'm the only one locked up here.
00:34:31So what's your problem, old man?
00:34:35I want a shot from the cannon.
00:34:40I like this voice.
00:34:41Saint, old man!
00:34:44Yeah!
00:34:49Ostos!
00:34:51Ostos!
00:34:53Not anymore!
00:34:55Ostos!
00:34:56Ostos!
00:34:57Ostos!
00:34:58Ostos!
00:34:59Good clothes
00:35:15To bed
00:35:19Legs up
00:35:23Stop playing the monk
00:35:26I prepare
00:35:28Almost there
00:35:31Well
00:35:34And now
00:35:47Who can remove this Picasso?
00:35:48Oh no, this one stinks really bad
00:36:07Solovino
00:36:09Can you do me a favor?
00:36:13So be it, sir.
00:36:14Go and tell Methodius if he can bring me some bananas.
00:36:18Seven
00:36:19Oh, I really need it.
00:36:21Oh, so
00:36:24Oh, so
00:36:26So
00:36:30So
00:36:31So
00:36:35How can you be here, queen?
00:36:38Oh, oh, I was in a hurry
00:36:41They had me on a diet
00:36:44Oh no, they put me on a grill.
00:36:49Oh, you know that for any warm-up
00:36:51Here's a little something
00:36:54Oh, I'm leaving.
00:36:57Oh, I'm leaving.
00:36:59Leave?
00:37:01But why are you leaving so soon?
00:37:03Yes, I'm leaving, so go for it!
00:37:03Hey, but with the luck you're having now
00:37:06Yes, but I'm feeling guilty because I've been neglecting my old lady.
00:37:10You're amazing!
00:37:11With an ass like that, man
00:37:13I'm getting to that
00:37:14Baby
00:37:15What do you do that makes you successful?
00:37:17Shall I come with you?
00:37:24Etna
00:37:24Etnita
00:37:26Etnita
00:37:30Look what I brought you
00:37:33Yes, Laura
00:37:34Look what I brought you, Etna
00:37:37What are you looking at, huh?
00:37:42Oh, the soap opera, can't you see?
00:37:44Okay, that's what you say to wild roses
00:37:46Or to wild roses, this
00:37:49Let's go to the box
00:37:53Who's going to fight?
00:37:55What do you mean, who's going to fight?
00:37:56Ah, he's going to fight.
00:37:57Etnita
00:37:58Against ingenuity
00:37:59Al Box Extreme
00:38:01Oh, I don't feel like it.
00:38:03What do you mean you don't feel like it?
00:38:04You always feel like it
00:38:05But not now
00:38:06You're my old lady
00:38:08But not you, stupid girl
00:38:10So what's not?
00:38:12No
00:38:13No
00:38:13No
00:38:14And go with the goalkeeper
00:38:16So what's not?
00:38:21No
00:38:21Last
00:38:23No
00:38:24No
00:38:24Which one is the goalkeeper, huh?
00:38:26Understand
00:38:28Get out of there, you damn boy!
00:38:46That's why the country isn't progressing.
00:38:47Wow! Why are you hitting me?
00:38:48Because you were a peeping Tom!
00:38:50Ladies must be respected.
00:38:52You have to have no dignity to do that.
00:38:54I was just checking it out.
00:38:56I'm going to give him a real eyeful, damn it.
00:38:59Doesn't it bother you that they're spying on your sisters?
00:39:01I don't have any sisters, that's why I spy on other people's sisters.
00:39:04Let's go!
00:39:06I don't have any sisters, that's why I'm looking at other people's sisters.
00:39:09To be ashamed to do that.
00:39:17Hey, you bastard!
00:39:39Maquita, I'm so glad you found it.
00:39:40My wife sent me there with the doorman.
00:39:42And then, after you find her.
00:39:44So she sent her with me.
00:39:46And here I am.
00:39:46Ah, so if he tells him to go to hell, that's fine too, right?
00:39:50No, not there, I would think about it.
00:39:53Because I wouldn't go there.
00:39:54So why is your esteemed sir referring you to me as if I were the police station?
00:39:58Well, it's just that...
00:40:00She knows you're passing me by.
00:40:01Notice that I don't even pass you the rest, not even the tip of the thread.
00:40:04No, I'm telling you it happens to me figuratively.
00:40:07Ever since I met you, you've driven me crazy, Maquita.
00:40:10With those big things, those big things, those great legs.
00:40:15I feel it getting all worked up, it's making me twitch.
00:40:19But I feel like it's coming out.
00:40:21What's leaking out?
00:40:22My heart, because they give me so much heat that...
00:40:25Why am I telling you this, Maquita?
00:40:27Uh-huh.
00:40:27So, as you say, figuratively speaking, I'll pass.
00:40:31What happened, huh?
00:40:32It didn't happen, but what do you say we try it instead?
00:40:35And once they're gone, maybe it will happen.
00:40:37Well, you know what? I'm not going through with it.
00:40:40Because I don't make washers with tinsmiths.
00:40:43But he does like playing the violin, right?
00:40:45I love it.
00:40:46Do I love playing the violin?
00:40:48Yes, and especially like this, look.
00:40:50Oh, let's go on, Maquita, then.
00:40:54Oh dear, who invited him into my house?
00:40:57The only thing I do when I enter her house is that I want to love her.
00:41:00Why is he resisting?
00:41:01It's soap that doesn't run out.
00:41:03All I want is to pound the pig with soap.
00:41:05Yes, it's soap, but not for your teat.
00:41:09What am I saying, get out of here?
00:41:10To your damn sponge.
00:41:11Oh, yes.
00:41:13I want to love her.
00:41:14Which one to love?
00:41:15What you want is to put it on.
00:41:16Well, "to love" sounds cooler, don't you think?
00:41:19What you really want is a dick.
00:41:20Oh yes, not you.
00:41:22Look at your bad boys because it's a sin.
00:41:24What a shame.
00:41:25If it looks more like a chicken to me, look, just some enjoyment.
00:41:28What a chest.
00:41:30It's the buttocks, sir.
00:41:31You are nothing of the pelangocha.
00:41:33She still has the same chubby cheeks.
00:41:34Besides, I'm not going to stand in line for my husband, you know?
00:41:37Her husband?
00:41:38He's an idiot, he's the animal who abandoned all of this.
00:41:42Look, Maquita, if I were your husband, I would never abandon you.
00:41:46Well, if you were my husband, I'd already be eating you up.
00:41:50Well, Spiron!
00:41:51He doesn't wait or wait.
00:41:54It's some bastard who's playing music.
00:41:56I'm going to open it for him.
00:41:58Permission.
00:42:00He left me with the little key in it.
00:42:02I don't need to do anything else for him.
00:42:04Ah!
00:42:08Here's your medicine, grandma.
00:42:11You must be joking.
00:42:12But this is, for me, the best sleeping pill.
00:42:16I sleep like a rock for twelve hours straight.
00:42:19You saw that I woke up during the earthquake of '85.
00:42:23And what about the fact that almost half the neighborhood collapsed?
00:42:26Cheers.
00:42:28Cheers.
00:42:29That takes away your life, not your health.
00:42:31The priest is for sermons.
00:42:33The one you almost never see?
00:42:35I'll go see him when the bad time comes.
00:42:40Grandma, sometimes I've started to think.
00:42:43What will it feel like when you move?
00:42:46That they turn off your light forever.
00:42:48Escobedo, I've finally found you.
00:43:09You're lost, aren't you?
00:43:10What do you want?
00:43:19I love you.
00:43:21You know very well that I don't go around with whores.
00:43:24Whores?
00:43:25We'll leave it at that.
00:43:27Because if you insist, I can improve the term.
00:43:34What's up, man?
00:43:35How are you?
00:43:36What does the champion talk about?
00:43:38In what way?
00:43:38Where is the principal?
00:43:39It came to me.
00:43:40It came to me.
00:43:42I'll be right back, I'm going to tune my instrument.
00:43:44Good luck, matador.
00:44:00What happened?
00:44:00What happened?
00:44:01It doesn't give him anything.
00:44:02Let's explode the last sauce.
00:44:04The drunken salsa, come on.
00:44:05Okay, ready?
00:44:08Endurance.
00:44:09Endurance.
00:44:09Endurance.
00:44:10Endurance.
00:44:10Endurance.
00:44:11Endurance.
00:44:11Endurance.
00:44:11Endurance.
00:44:20Let's get down to business.
00:44:22But now you're paying me.
00:44:24Oh, Nereida, you're always making them feel like you have damn money.
00:44:27Oh.
00:44:28Another blow to the head?
00:44:29Okay, look, when payday comes, well, we'll settle up and I'll pay you back everything.
00:44:38the caps and even touch charro hats.
00:44:41If you don't get it done by hand, you'll do it yourself.
00:44:45No, because it comes out.
00:44:48Already.
00:44:50Hold on to the suit.
00:44:50Slow.
00:45:03Who?
00:45:04Me, the Freckled One.
00:45:06And your mother.
00:45:07Yes, but that doesn't take away from the good quality of your wife's butt.
00:45:10If you want, come on over.
00:45:13In that saint, asshole.
00:45:20Pedrito, pass me the parinete, please.
00:45:24Here you go.
00:45:25Thank you.
00:45:27But that's how they caught the spy.
00:45:28What do you mean you're leaving, and what's the price?
00:45:30Yes, I'm leaving.
00:45:31My godfather is waiting for me.
00:45:32A true customer.
00:45:34A true customer.
00:45:35And what am I?
00:45:35You, my love?
00:45:37You're a real piece of work.
00:45:40Cachuchero and madreado.
00:45:45What is this?
00:45:47What do you see? A wind instrument?
00:45:48No, I'm a violinist and I don't blow.
00:45:51Ah, well now he has to blow.
00:45:53Now that I don't have any balls.
00:45:55Because to blow this out you need to have...
00:45:58No, dude.
00:46:01Oh, sweet potato!
00:46:02The sweet potatoes are delicious!
00:46:04Plantains with cream, plantains!
00:46:07And not a banana?
00:46:09The way he asked for it showed politeness.
00:46:11Heh, heh, heh, heh, heh, heh, heh, heh.
00:46:13Oh, don't mess with me, dude.
00:46:16I'm talking to the queen of the neighborhood, not the ticks.
00:46:19Thank you.
00:46:23Thank you.
00:46:23You take advantage of the neighbor.
00:46:30Just because you see her and I don't know.
00:46:33It's the only fifth one we have left.
00:46:36Okay, dude.
00:46:37What's up, dude, Maca?
00:46:38That?
00:46:38Haven't you finished yet?
00:46:40Ah, bad.
00:46:41I decided to take this filing cabinet apart and now I have extra feet and a face.
00:46:45Help me throw her over there, come on.
00:46:47You see.
00:46:47Alvarla, dude.
00:46:50What is water, dude?
00:46:50Ah, Alvarla, also well!
00:46:52Don't leave all the burden on me!
00:46:54Okay, there.
00:46:57Beware of thimbles.
00:47:00Squash.
00:47:01Subject, girl.
00:47:12Well, it's the Escobedo, you know?
00:47:15He is the only man I have ever desired, and he despises me.
00:47:19Hey, isn't that half a knife?
00:47:21Oh no, not that, you see, he's quite the macho man, huh?
00:47:24Oh, little sister, we see faces, but we don't know hearts, we eat bread rolls.
00:47:28But, what's worse, he insulted me and it hurt me a lot.
00:47:35He called me a whore.
00:47:36Harlot?
00:47:38How would you notice it?
00:47:40Hey, Mata, what does "whore" mean?
00:47:43Oh no, you know?
00:47:45That you never went to university.
00:47:46No, you're a donkey.
00:47:48Whore, comes from the word branch.
00:47:50And from the branch comes the stick.
00:47:52That explains everything, doesn't it?
00:47:55Yeah.
00:47:56I think so.
00:47:57So, neighbor, what would you like to treat yourself to?
00:48:00With a tuber or with a banana?
00:48:02No, neighbor, I don't want anything right now.
00:48:04My children are the ones with the cravings.
00:48:06Give me a sweet potato for the big one.
00:48:08Oh, wow.
00:48:10And what about for her boyfriend?
00:48:12For my little one, give me a banana.
00:48:14Here, thirst is not denied water.
00:48:17Thank you.
00:48:19Let's go.
00:48:21I'm leaving the business in your hands, okay?
00:48:23I'm going to deliver your order to the one at number seven.
00:48:24It seems like Mrs. Ednita has been craving sweet potatoes a lot lately, hasn't she?
00:48:34You wax beak.
00:48:35Just do me a favor and that's it.
00:48:36And then you give me my doorknob.
00:48:40Even for his prickly pears.
00:48:41Here among the tender ones there is one.
00:48:44I think they're olives.
00:48:47If you have any sisters, we can ask them.
00:48:52The only sister I have is the one I have from Cambodia.
00:48:54That milk has hatred in it.
00:49:02Get me a subway ticket, dude.
00:49:06Did you know?
00:49:07The cards will tell us this.
00:49:09You see.
00:49:13Okay, Minerva, shuffle them.
00:49:15Who?
00:49:30Method.
00:49:32It's open, come in.
00:49:33As Hernán Cortés said.
00:49:39Let's see, Torres.
00:49:44What is the pregnancy?
00:49:45The pill finally hit me.
00:49:47Or I swallow my shrimp.
00:49:49What do I do now?
00:49:50Well, don't do it anymore.
00:49:52I'm getting on track.
00:49:53But with legs crossed.
00:49:55No, wait, man!
00:49:56Don't make me nervous.
00:49:57Yes, look, it says so here.
00:50:00Danger.
00:50:01Danger?
00:50:01Yes, danger from the lizard.
00:50:04Yes, that one's going to come closer and to the jack.
00:50:07But not the jack of cups, which is you.
00:50:09The suit of coins, which is virginity.
00:50:11Oh, yes, you.
00:50:12Are there really any fifth-grade gold medals?
00:50:14Oh, little sister.
00:50:15According to Hermes, in my gesture, who was Pythagoras' cousin,
00:50:17and that they knew it all, every single one,
00:50:19That's what the cards say, that's what they mean.
00:50:21Oh, look, there, there, Maca.
00:50:22Stop messing around and tell me what you see.
00:50:25Look, honestly, for me,
00:50:26This monkey is not going to come near you.
00:50:31But to a neighborhood.
00:50:34I'll kill him!
00:50:38Hey, Cesar,
00:50:40And how long does Macaria say her husband will be back?
00:50:44Aurelian,
00:50:46The one who left Bracero and is going to come for her to take her to Michoacán.
00:50:51Oh, ma'am,
00:50:52which means he's coming back.
00:50:53It's all just talk about him leaving Bracero.
00:50:56You don't say.
00:50:58The truth is that Maca made up that tall tale.
00:51:02because she's ashamed for people to know that her father stole all their savings.
00:51:08with many sacrifices
00:51:09and went to live with a snobby woman from Sacépolar.
00:51:12Did Aureliano do all that?
00:51:16That and more.
00:51:17Oh, Aureliano is such a bastard.
00:51:20Well, it's not even worth it anymore, is it?
00:51:22Hey, Macaria,
00:51:24Could we cast a spell?
00:51:26Who are you?
00:51:27Well, who else would Cobedo be?
00:51:29Ah!
00:51:30Simon,
00:51:31You have a picture of...
00:51:33Siri, a newspaper article?
00:51:36Clarion,
00:51:36bugle and you give your butts.
00:51:37You bring it.
00:51:38You don't feel like it again?
00:51:46Oh,
00:51:47You're not being a nuisance,
00:51:48You're not letting me concentrate on my exercises.
00:51:50You don't love me anymore?
00:51:52Oh,
00:51:53I got tired of begging you,
00:51:55It almost seemed like you were doing me a favor.
00:51:58Man.
00:51:58Man.
00:52:08The thing is...
00:52:09Wanna,
00:52:10I want it, I want it.
00:52:12Oh,
00:52:13well no,
00:52:14no and no.
00:52:16You know I don't trust anyone when it comes to bruciada.
00:52:18Hey?
00:52:18Don't worry,
00:52:19Maquita,
00:52:19I've had a great time playing billiards,
00:52:20I've done a lot of coyote work.
00:52:21Hey,
00:52:22I bet he's not going to work as a musician anymore.
00:52:24If I don't have an instrument.
00:52:26They castrated him.
00:52:27No,
00:52:27No,
00:52:27No,
00:52:28God keeps the hour.
00:52:29My violin, which he worked with.
00:52:30They recorded it for me.
00:52:32Ah,
00:52:32whom?
00:52:32I'll get him one that's half cheek.
00:52:34Son,
00:52:34Well, I'll thank you for that.
00:52:35because they fixed everything for you in the stores.
00:52:38Oh,
00:52:38Gaspetra,
00:52:38Yeah, that's it.
00:52:39Consider it done,
00:52:39I'll get it for him.
00:52:41Well,
00:52:41Now let's get down to business.
00:52:42What did I want to see here in the crystal ball?
00:52:44Well, it's in the crystal ball that...
00:52:47I want to know about my mom.
00:52:48He doesn't fight with me anymore,
00:52:49He doesn't love me anymore.
00:52:50Well, that's good.
00:52:51Yeah,
00:52:51Yeah.
00:52:52Say,
00:52:52hey,
00:52:52Why do you think that?
00:52:54Well, because before he was always chasing after me, my jealous girl.
00:52:59I just want to use the bed for...
00:53:01for sleeping.
00:53:03And?
00:53:03When she was walking around there, big-headed,
00:53:05What's it to you?
00:53:06Was he keeping his promise or just playing dumb?
00:53:07No,
00:53:08No,
00:53:08I mean,
00:53:08The prince already knows,
00:53:10above all the time,
00:53:11No?
00:53:12One gets bored of eating the same dessert.
00:53:14Don't you think so?
00:53:15Well yes,
00:53:16And haven't you considered that she might also get bored of eating the same dessert?
00:53:20If you gave him rice pudding or guava paste with cheese,
00:53:22Well, maybe she wants banana with cream or her sweet potato with honey now.
00:53:27No,
00:53:29No,
00:53:29No,
00:53:29No,
00:53:29No.
00:53:30She is very loyal,
00:53:31I am the Coscorino,
00:53:33I see skirts and I'm off and on I go.
00:53:36Be sustainable,
00:53:37maquita.
00:53:39I'm bringing you a lift,
00:53:40No,
00:53:40No,
00:53:40No,
00:53:40No,
00:53:40No,
00:53:40No,
00:53:41No,
00:53:41No,
00:53:41No,
00:53:41No,
00:53:42No,
00:53:42No,
00:53:42No,
00:53:42No,
00:53:42No,
00:53:43Look,
00:53:43He already knows I'll do anything,
00:53:45But I'm not letting up.
00:53:47I work.
00:53:49Loosening.
00:53:50Oh,
00:53:50I wish.
00:53:51I see in this celestial sphere that going with me will cost me.
00:53:59And what else does he see in the ball?
00:54:01I see in the crystal ball that if you want to keep your wife horizontal,
00:54:07When you walk upright,
00:54:10You have to give your wife what all women like to be given.
00:54:13What is it?
00:54:14May they feed us well,
00:54:16well dressed,
00:54:18well-walked
00:54:19and well stocked.
00:54:21And when do I give her her marizas?
00:54:24Well stocked with...
00:54:26Who?
00:54:38You?
00:54:39And who gave him permission to enter?
00:54:40Does Mrs. Sara Olvera live here?
00:54:44Yeah,
00:54:44He lives here,
00:54:45But it cannot be found at the moment.
00:54:47What can we offer you?
00:54:50Police.
00:54:53What do you want?
00:54:54The matter that brings me here is very serious, miss.
00:54:59And it requires the utmost discretion.
00:55:04Okay, just tell me what you want.
00:55:09Drug use and drug trafficking.
00:55:11And what does my grandmother have to do with that?
00:55:17I'm afraid, miss, that...
00:55:19that his relative is in a thick little room.
00:55:22It has been proven that she is a drug addict
00:55:26and the most serious
00:55:27marijuana is being trafficked.
00:55:33Do you know what the minimum penalty is?
00:55:34for those crimes?
00:55:36Twenty years.
00:55:42Yes, wow.
00:55:45Hey, you know what?
00:55:47My sister spoke to me
00:55:48And I don't know if it has any problems.
00:55:49because he said it was urgent
00:55:50and he wanted to see me.
00:55:51Don't laugh, man.
00:55:52How serious.
00:55:53So, you know what?
00:55:54I...
00:55:55What the hell am I going to explain to you?
00:55:57that not even your mother understands.
00:55:58Get out of here.
00:55:59Oh, take something off, okay?
00:56:00That?
00:56:03What happened, neighbor?
00:56:07That?
00:56:09Where is he going?
00:56:11To find Maca
00:56:12so that she can do a witchcraft spell for me.
00:56:14Oh, wow!
00:56:15And who are you going to cast a spell on?
00:56:18And what's it to you?
00:56:19That's what I'm saying,
00:56:20What the hell do I care?
00:56:23And what do you think?
00:56:25Let's...
00:56:26How about having a beer?
00:56:28I'm referring to my promotion.
00:56:30to first sergeant.
00:56:33Okay, I accept.
00:56:34but only because
00:56:35I'm very hot.
00:56:37Not the Turkish belt
00:56:38out of respect for the neighbors,
00:56:40bad.
00:56:41And he's a military man, mind you.
00:56:43He's a parking attendant.
00:56:46But you're so beautiful
00:56:47It's going to be very painful for me
00:56:48to fulfill my duty.
00:56:51But,
00:56:52Duty comes first.
00:56:54Are you going to take her to jail?
00:56:56No, not in my opinion.
00:56:57I'm following orders, miss.
00:56:58Okay, but
00:56:59Something can be done
00:57:00to prevent it, right?
00:57:02Yeah.
00:57:04Is there anything?
00:57:05Tell me.
00:57:07Swear to me that you won't be offended.
00:57:09I swear.
00:57:11If you would agree to be mine
00:57:13for one night.
00:57:17Sorry.
00:57:19Well.
00:57:20Did you hear my proposition, doll?
00:57:24No, well yes, I already heard it.
00:57:26But now I don't know what to do.
00:57:29Do it, Adelita.
00:57:32For your grandma.
00:57:33What can we offer you?
00:57:52Good afternoon.
00:57:53Hey, isn't my sister Tere here?
00:57:55The hand is back there.
00:57:56I'm asking you a favor,
00:57:57Sotelón tells him
00:57:57tell her to talk to her sister Macaria.
00:57:59I'll be waiting for you here in front.
00:58:00where are the musicians,
00:58:01those jerks.
00:58:02Yeah?
00:58:03Well.
00:58:03Thank you.
00:58:04I realize
00:58:12of the many
00:58:14that I love you.
00:58:18Now I value
00:58:19the sufferings
00:58:21that you went through
00:58:24next to me.
00:58:26Don't bother me,
00:58:50Damn pregnant goat, huh?
00:58:52Oh, of course!
00:58:53Ah, prick!
00:58:54strip pig!
00:58:55Alright, you fucking idiot!
00:58:57Aren't all the eggs left?
00:58:58harried?
00:58:59Love,
00:59:01I pray that you are happy
00:59:04because until now
00:59:06I realized,
00:59:08I realized
00:59:10what I asked for.
00:59:14Do you know how much it hurts me?
00:59:41To be without you?
00:59:43How much does he/she suffer?
00:59:44my chest
00:59:45Loving you in silence?
00:59:49Feeling so far away.
00:59:52And what do you think?
00:59:53Yes, as good neighbors
00:59:55Shall we strengthen our relationship?
00:59:58And what would you say,
00:59:59For example,
01:00:00if Methodius the Sweet Potato Vendor
01:00:02I would like to strengthen relations
01:00:03with Celsa,
01:00:04His wife?
01:00:05I'm stopping the event,
01:00:06There is a leak,
01:00:08And if I get angry,
01:00:09wall.
01:00:11Nothing else
01:00:11to strengthen relationships?
01:00:13Of course,
01:00:14Of course.
01:00:15Oh,
01:00:16My zones came out.
01:00:17I don't know about the wives
01:00:19They cannot have relationships.
01:00:21And I do.
01:00:22So what?
01:00:23Well, if you
01:00:23She's nobody's wife,
01:00:25shorty.
01:00:26And also
01:00:26his job
01:00:27relationships,
01:00:28No?
01:00:29Well yes,
01:00:30but my relationships
01:00:31They are not free.
01:00:32They pay
01:00:32and I put them on.
01:00:34And if not,
01:00:34And if not,
01:00:35No way.
01:00:36Gee,
01:00:37shorty,
01:00:38But why?
01:00:39The issue is metal,
01:00:41man?
01:00:41If it's a spiritual matter
01:00:42that arises from the viscera.
01:00:46Well,
01:00:47that?
01:00:50What is your fee?
01:00:51It's bad, isn't it?
01:00:57I like them
01:00:57the pretty girls.
01:01:00I can't help it.
01:01:02What are you saying?
01:01:04Yes or no.
01:01:06Well,
01:01:07Let me think about it.
01:01:10But don't delay too long.
01:01:13Because maybe
01:01:13I regret it
01:01:14and Mrs. Sara
01:01:16it's going to stop
01:01:16to the dairy farm.
01:01:20Well, it's because I'm a virgin.
01:01:22Better.
01:01:23What do you mean, better?
01:01:24For a man
01:01:25the best
01:01:25It's about being the first.
01:01:27Brand new.
01:01:29Oh,
01:01:29little hand,
01:01:30That's an adventure
01:01:30worthy of praise.
01:01:32Well yes,
01:01:32But it's tiring.
01:01:34Hey,
01:01:34He doesn't bend down,
01:01:35Give me some advice.
01:01:36What I do?
01:01:37Oh,
01:01:38Well, do it.
01:01:40I don't want to put it
01:01:41the horns of the ox
01:01:42to my husband's ox.
01:01:44Oh,
01:01:44then
01:01:45Be patient,
01:01:46have mercy.
01:01:48That happens
01:01:48with abstinence.
01:01:49Yes, it happens.
01:01:50but it's heavy.
01:01:51Mother's burden
01:01:52fasting.
01:01:53Fasting?
01:01:55Damn,
01:01:55It's been more than two years now.
01:01:56without a single one.
01:01:57Oh,
01:01:58Did you close soon?
01:01:59the change?
01:02:00Of course,
01:02:01dude,
01:02:01what is not used
01:02:02rusts.
01:02:03Oh,
01:02:03then
01:02:04come more often.
01:02:05I'd love to.
01:02:06No,
01:02:07man,
01:02:07come and see me.
01:02:08There are also some pills
01:02:09very good
01:02:10for tickling
01:02:11on the periphery.
01:02:12I'd love to tell you
01:02:13No way!
01:02:14But I'm not telling you.
01:02:15because you are my sister,
01:02:16uncle.
01:02:17Clown.
01:02:18Give me some advice.
01:02:19oh really,
01:02:20Damn.
01:02:21Notice that even
01:02:22I'm getting the urge
01:02:23to enter
01:02:23with a neighbor,
01:02:24a dude there
01:02:25who is a musician.
01:02:26Oh,
01:02:26little hand,
01:02:27well, the musicians
01:02:28They love the music.
01:02:29They play here,
01:02:30They play there.
01:02:32No,
01:02:32He loves it
01:02:32to play the ones from here.
01:02:34No,
01:02:34But you know what?
01:02:37Let's see if they don't let me.
01:02:38like a jukebox.
01:02:39As?
01:02:39They insert it into you
01:02:41through the slot
01:02:41and then they leave you
01:02:42playing alone.
01:02:45Well,
01:02:46That's five dollars.
01:02:47And that's even though I'm not...
01:02:47charging VAT,
01:02:48Hey?
01:02:49You're not getting away alive.
01:02:55What are you doing,
01:02:56Renato?
01:02:58Here,
01:02:59enjoying myself for a while.
01:03:00What are you doing?
01:03:00Didn't he come?
01:03:18Did nobody come?
01:03:18are you looking for me?
01:03:20Yeah.
01:03:20Who?
01:03:21He came, who is that
01:03:23inspector of
01:03:24cratrastro.
01:03:26The fact that?
01:03:27With you,
01:03:28What the hell for?
01:03:29I need a secretary.
01:03:30Damn?
01:03:31What's up,
01:03:31Mr. Claws?
01:03:32How good is she?
01:03:34little monkey?
01:03:35Well,
01:03:35my son.
01:03:36Viva!
01:03:37Damn it!
01:03:37Mommy!
01:03:44Oh,
01:03:45can,
01:03:45shit!
01:03:47So Minerva
01:03:48He already works from home.
01:03:50I'm a macho!
01:03:50And Minerva,
01:03:52Minerva.
01:03:54He left the boiler
01:03:55turned on.
01:03:56What flavor do I like?
01:04:01Arrest,
01:04:02Mr. Claws!
01:04:02Oh,
01:04:03No!
01:04:03No!
01:04:06Chalet,
01:04:07I imagined it
01:04:08more leather.
01:04:10But I see it.
01:04:11with the eyes of desire.
01:04:13Chalet!
01:04:15I am evil
01:04:16I know him.
01:04:18You couldn't have been mistaken.
01:04:20And you didn't notice?
01:04:20Where did it come from?
01:04:21Wouldn't I leave?
01:04:22To touch my chat?
01:04:24Mirazo!
01:04:25I left the house!
01:04:26Doña Sarita,
01:04:28of the 10th.
01:04:29The one with the number 10?
01:04:31Are you serious now?
01:04:31Does he like old ladies?
01:04:33O Adelita,
01:04:34Don't be a fool.
01:04:37Out,
01:04:37Rumba!
01:04:39Already!
01:04:39The cape!
01:04:56Already!
01:04:57I don't know anymore.
01:04:58no need to think about it.
01:04:59Have you ever thought
01:05:00ever?
01:05:01I've thought
01:05:02in divorce.
01:05:02And I've thought
01:05:04in the murder.
01:05:08Tell me one thing
01:05:09sincerely.
01:05:12Why did you get married?
01:05:13with me?
01:05:14Because she's stupid.
01:05:17I do believe you.
01:05:19I have my mother
01:05:20but.
01:05:21Stop doing it!
01:05:22to the monk!
01:05:29Well, I don't think so.
01:05:30Really
01:05:30Did you say yes?
01:05:31So you're going to have
01:05:34would you be willing to donate them?
01:05:36What's that?
01:05:38To ease up
01:05:38the ones for sucking, dude.
01:05:41So you told him
01:05:42Did he give them to her?
01:05:45Yeah,
01:05:46He's coming today.
01:05:46at night
01:05:46at 11.
01:05:47And here in your room?
01:05:49Well yes,
01:05:49He sleeps in the other one
01:05:50my grandmother.
01:05:51Oh,
01:05:51Don't be mean,
01:05:52poor old lady.
01:05:52He's going to hear them
01:05:53Everything is going to speed up.
01:05:56Besides,
01:05:56he's going to realize
01:05:57of everything.
01:05:58No,
01:05:58if he sleeps like a rock.
01:06:00He didn't even feel
01:06:01the earthquake of '85.
01:06:03What a bastard.
01:06:04The earthquake
01:06:05horrible YouTube.
01:06:06No,
01:06:07Escobedo.
01:06:09Hey,
01:06:10Adelita,
01:06:10Look at that,
01:06:11And why?
01:06:12They're going to take her
01:06:12To jail?
01:06:13So what for?
01:06:14keep her company
01:06:14cheap farmer.
01:06:16Cheap expensive.
01:06:17Besides,
01:06:17because?
01:06:18Because?
01:06:18Let's see,
01:06:18Why are they going to take her?
01:06:19To the boat?
01:06:19Well, it's just that
01:06:20my grandmother
01:06:20Yeah,
01:06:21Yeah,
01:06:22Yeah,
01:06:22He smokes that stuff.
01:06:24Which one of those?
01:06:25I.
01:06:28Really?
01:06:28they mean
01:06:29that the old woman
01:06:30It burns his feet
01:06:30To Chamuco?
01:06:32Look what
01:06:32They are talkative.
01:06:33But,
01:06:33How do they think that?
01:06:34from your grandmother,
01:06:35Hey?
01:06:35Your grandmother,
01:06:36So you know.
01:06:37He smokes,
01:06:37smokes,
01:06:38strikes,
01:06:38Hey?
01:06:40That?
01:06:41Strikes?
01:06:42Stops that I
01:06:42I'll sell it to you.
01:06:44How awful!
01:06:44I thought the worst.
01:06:46Well yes,
01:06:46because you think about everything
01:06:47with the brain
01:06:47with which you crush yourself.
01:06:49What a brainiac.
01:06:50Touch yourself,
01:06:51touch yourself.
01:06:52Hey,
01:06:52Do you know what we should
01:06:53What to do?
01:06:54Report Escobedo
01:06:55with the police.
01:06:56No,
01:06:56No,
01:06:56No,
01:06:56No,
01:06:56No,
01:06:57wait,
01:06:58I have a plan
01:06:59Very macabre.
01:07:00Listen.
01:07:00Thank you!
01:07:30Thank you!
01:07:44Hey,
01:07:45Hey?
01:07:45Well,
01:07:46Didn't you know how to play the clarinet?
01:07:48No,
01:07:48Yeah,
01:07:48I play all the instruments,
01:07:49me when I played in the symphony orchestra.
01:07:52In the symphony orchestra?
01:07:53Yeah,
01:07:54I played in the symphony orchestra.
01:07:55Oh really?
01:07:56That?
01:07:56Are you just stirring or what?
01:07:57No,
01:07:57I used to play there in the symphony orchestra,
01:07:59just that
01:07:59It was the court's turn if we say an extraordinary tour, cousins, United States
01:08:04face and to give a lecture upstairs and the audition is a success and he gets up
01:08:13Mr. Dollar says that all the musicians read the instruments of
01:08:17dollars
01:08:22from the bass trombone drum set when they took me away with my damn
01:08:27little flute and there we go to India we arrive in India there the Jada receive us
01:08:32At the conference, a successful person gets up, cracks up, and says that musicians have
01:08:40instruments made from the most precious stones on this earth
01:08:46The wretches took it away, and I was left with my damn little flute
01:08:57and
01:08:59and
01:09:00and
01:09:04and
01:09:06and
01:09:10and
01:09:11and
01:09:12and
01:09:14But what did you do to yourself?
01:09:26I dressed up for you.
01:09:31And that's something you didn't want.
01:09:37Do you want a deal?
01:09:38No, I don't drink.
01:09:40But I will, I'm going to have one.
01:09:42Health.
01:09:44Well, while you have your drink, how about I go to the bedroom and undress?
01:09:48No, wait for me and we'll undress together.
01:09:51No, no, no.
01:09:52No, no, no.
01:09:53No, it's just that I wanted to ask him two favors, okay? I mean, that's bad.
01:09:58Two favors?
01:09:59Yes, it's just that I'm embarrassed, you know?
01:10:04Understand.
01:10:06But tell me, what is it you want?
01:10:09Well, the first one is that he doesn't enter the bedroom until I'm in bed and I tell him.
01:10:14It seems like a game, but okay.
01:10:20Out of respect for your modesty.
01:10:23And what is the second favor?
01:10:25The second is not to turn on the light.
01:10:28Okay, we'll do it in the dark.
01:10:36Thank you.
01:10:37So he stays here until I tell him to, okay?
01:10:44Just a moment.
01:10:45No no.
01:10:55Which neighborhood?
01:11:18There's even a danger that they'll jump over one.
01:11:21Hands up!
01:11:22Don't miss out, and it's me.
01:11:25What a fright he gave me!
01:11:27Ah, I put it in.
01:11:28Yes, you, then, who else?
01:11:30Now he wants me to carry the child?
01:11:32Look, sir, I don't know which child you're talking about.
01:11:35So, with your permission.
01:11:36And don't go around scaring decent people.
01:11:38Ale, ale.
01:11:40But how can we plan it, young man?
01:11:42He's a baby, I don't know, I'm a very open-minded person.
01:11:46We can do it.
01:11:50Already?
01:11:53Already?
01:11:55Yes, I already told him he can't come in.
01:11:59The person you are looking for right now is not at home.
01:12:01What do you mean it's not there?
01:12:02No, it's not there.
01:12:04I said so.
01:12:04He went to work.
01:12:05Time to work?
01:12:06Clarín Corneta and don't be out of tune.
01:12:08He went to work.
01:12:09Don't you know that Miss Minerva, I mean, uh, works nights?
01:12:13I know she works nights, but according to what I was told at the house, she's working here tonight with my own husband.
01:12:21Oh, no way.
01:12:23I saw her when she came out.
01:12:24Listen, listen, listen carefully, Liri, Liri.
01:12:26I don't even know who her husband is.
01:12:28Let's see who.
01:12:29I'd better introduce myself.
01:12:31I am Mrs. Casta Virginia de Escobedo.
01:12:35Wife, of course, of Mr. Escobedo.
01:12:38Well, nice to meet you.
01:12:40I am a sweetheart and it suits all tastes.
01:12:43And I am metanya.
01:12:45Don't be nosy.
01:12:48He's the sweet potato vendor, but we call him the squatter.
01:13:04Well, we've already met.
01:13:06And now, goodbye.
01:13:08Wait for me, wait for me, monkey.
01:13:10Let Macaria say.
01:13:12Let me tell you what I have to say.
01:13:14Okay, tell me, my little shit, Virginia.
01:13:16Breed.
01:13:17Casta Virginia.
01:13:18Take it away, the chinaya is taking me, I stuck myself.
01:13:22Let me explain.
01:13:24Escobedo doesn't go out with women.
01:13:26Is he gay?
01:13:27Women of the street.
01:13:29Oh, you gave me quite a fright!
01:13:31He despises them and calls them whores.
01:13:34In other words, he doesn't beat around the bush.
01:13:35He can only live with people of my rank and class.
01:13:40Now he really left the parade with those guys from my monkey.
01:13:43I said range.
01:13:44Stay out of it, Methodius.
01:13:46Well, don't you want that, miss.
01:14:06Don't make him...
01:14:11He knew me as chaste and virginal, just like my name.
01:14:17I was his and I've never been anyone else's.
01:14:23Death will come and I will not have known any man.
01:14:27Only him.
01:14:30What a beautiful full moon.
01:14:33Oh, be careful, don't wake him up.
01:14:36That damn werewolf in Sparta is the mother of them all, miss.
01:14:39It's my scarf.
01:14:43You don't understand any of that, do you?
01:14:46That's called loyalty.
01:14:49rectitude,
01:14:51loyalty and devotion.
01:14:54Now he really went too far, huh?
01:14:56And you got involved again.
01:14:58My name is Methodius.
01:15:02Look, ma'am,
01:15:03Your ego shows that you know nothing about loyalty.
01:15:06Man, damn life!
01:15:07Calm down!
01:15:09On the contrary, young man.
01:15:11Man, this woman doesn't give up, not for anything.
01:15:15Well, and her husband is always a bit of a show-off.
01:15:17You already kneed me the other day.
01:15:19Oh, I already told you!
01:15:20He pulled me out and I ended up on the ground.
01:15:24That busybody should shut up already.
01:15:25Method.
01:15:28Well,
01:15:29The fact is, I am loyal to him.
01:15:31And he cheats on me with one of those...
01:15:35What does he call it?
01:15:36Harlot.
01:15:38Well, I already told him that there's nobody here with that name.
01:15:40Don't do it.
01:15:42I am referring to the aforementioned Minerva Camarena de Toledano,
01:15:45which for better indication
01:15:46He lives in number nine of this henhouse.
01:15:51Well, look, just so you know.
01:15:53Come and fill yourselves with shit in this fucking chicken coop!
01:15:55Wow!
01:15:56Come in!
01:15:59Then I will sacrifice myself
01:16:00just to catch them red-handed.
01:16:04Other.
01:16:16The flies,
01:16:18But I know they are.
01:16:21So far my ears have never let me down.
01:16:24Ah, damn it!
01:16:25And what are the ears of his big dog doing?
01:16:27But now she really screwed up, my dear.
01:16:30This is very strange.
01:16:31No, man, it's delicious.
01:16:34Oh, little redhead,
01:16:35I think you're quite clueless, huh?
01:16:38You shut up, you insolent person.
01:16:39Vicente?
01:16:40No.
01:16:41Vicente is the most decent.
01:16:42that stops so that you can sit down.
01:16:45What people!
01:16:47Seriously, in two.
01:16:51The three of them.
01:16:54Well, it's not there.
01:17:09But I'll wait here until she arrives.
01:17:11Oh, little redhead,
01:17:12But it's very cold.
01:17:14It doesn't matter,
01:17:14I'll wait for her inside the car.
01:17:16Come, come.
01:17:24What are you doing, you scoundrel?
01:17:38Anaya?
01:17:39No, I'm methodical.
01:17:40And that's why he gets involved?
01:17:42No, I'm getting involved to take care of her.
01:17:44to keep an eye on her,
01:17:45to talk to him,
01:17:46so that she won't be alone,
01:17:47so that he doesn't get cold.
01:17:48I know how to take care of myself.
01:17:49Yes, but you look very pretty.
01:17:53So,
01:17:54You look like one of those TV personalities.
01:17:57She looks like a soap opera actress in this thing.
01:18:00The girl is very pretty.
01:18:02Haven't you seen it?
01:18:03Yes, it's true.
01:18:04What should I tell him?
01:18:05The other day,
01:18:07I saw a lady just like you.
01:18:09Pretty,
01:18:10pretty,
01:18:11big,
01:18:12and just like you.
01:18:14And what do you think?
01:18:16A band gets together,
01:18:18They jump on him and set him on fire.
01:18:20Pyre?
01:18:21Pyre!
01:18:23Don't you know what a pyre is?
01:18:24Yeah.
01:18:24Someone comes along and irons it,
01:18:26then another,
01:18:27then another,
01:18:28And then another one comes along and irons it.
01:18:30and iron it,
01:18:31and she...
01:18:31There were about nine of them.
01:18:34Nine?
01:18:35Nine!
01:18:36Imagine how a bee...
01:18:38As?
01:18:39Well, all ironed.
01:18:41How cruel!
01:18:42And the poor lady was screaming.
01:18:44Oh!
01:18:45I'm irritated!
01:18:46I'm irritated!
01:18:48I'm irritated!
01:18:49Irritated!
01:18:50And that one of the gang
01:18:51he thinks to say
01:18:51The irritation is relieved with saliva.
01:18:54And there they go,
01:18:56and first one,
01:18:57and then another,
01:18:58and then another,
01:18:59and then another one.
01:19:01The nine.
01:19:02The nine?
01:19:04Together!
01:19:07Oh, miss!
01:19:09What legs are you wearing, Rita?
01:19:11That?
01:19:11What had they told him?
01:19:14And that's where you really didn't know, huh?
01:19:21And that's where you really didn't know, huh?
01:19:38I've never enjoyed myself so much, you know?
01:19:51Isn't he rich?
01:20:01What happened?
01:20:05The thing is, I'd never had an orgasm before.
01:20:10Erasmus? I am Methodius!
01:20:13Alright, my Vale.
01:20:16Keep living up to your little name.
01:20:19No? Method!
01:20:22Yes, my king.
01:20:28Do you know what I'm thinking?
01:20:30I'm going to divorce that old hag who has me under her thumb.
01:20:35And I'm going to marry you.
01:20:43You?
01:20:45But then you?
01:20:49The Whore, your future wife.
01:20:55No, no, no, no.
01:21:00I'm very irritated.
01:21:03Really?
01:21:05No, Neto.
01:21:07No, no, no.
01:21:08No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:21:38Fabulous!
01:21:39Okay, we're leaving now, Maca.
01:21:45Last night I had nightmares.
01:21:51I dreamt that this house turned into a brothel.
01:21:54Oh, Grandma, what strange dreams you have!
01:21:58I already told you that you're not smoking that filth.
01:22:01They're lighthouses, my girl.
01:22:03Little lanterns!
01:22:05Right?
01:22:08Oh!
01:22:13Listen to yourself, you bastard!
01:22:18No, Aurelias!
01:22:23Macaria!
01:22:23Oh, it makes me wait and wait so long!
01:22:26Oh, my life!
01:22:27I've come for you, my soul, to take you to our home.
01:22:30Yes, you're just on the other side.
01:22:32My beautiful Michoacán awaits us.
01:22:34Let's go!
01:22:35Oh yes, but first let's go to the room, I'm already pacing.
01:22:38Me too?
01:22:39Yes, me first, because the truck didn't have a bathroom.
01:22:43Come on!
01:22:43Yes, that I'm better at it?
01:22:54Yes, I'm better at it.
01:23:07Hey!
01:23:09Don't get involved
01:23:12Eugenio
01:23:18The thing is
01:23:20I got paid today and I'm bringing home a lot of cash.
01:23:23Do you remember when you let me have a spiked coffee?
01:23:27My dear little doorman
01:23:29What happened?
01:23:32Shall we have a spiked coffee?
01:23:35I'm going to give you your pickaxe
01:23:37But with this, you son of a bitch
01:23:40Ah! Here you go!
01:23:43I already said it, you idiot!
01:23:55Oh, what a beautiful dress they brought her as a gift!
01:24:01Now that's a man!
01:24:02Not like the one I have at home
01:24:05Oh, how beautiful love is!
01:24:10This Aureliano reminds me of my Pancho
01:24:13Handsome
01:24:14Serious
01:24:16And bastard
01:24:17Here's another one who didn't know how to appreciate it
01:24:22To the man who is inside all of this
01:24:25Oh!
01:24:26And she's quite the woman
01:24:27He remained true to his letter to Carval
01:24:29Don't worry
01:24:32No, it won't worry you.
01:24:34Hold on to the flute on tour
01:24:36The one we did with the symphony orchestra
01:24:37But
01:24:37A 38
01:24:3938?
01:24:40Yeah
01:24:41And the bad thing was that it exploded inside
01:24:43And the good thing was that it came with expanding valves.
01:24:45It just says
01:24:45Oh!
01:24:48I never doubted that Aureliano would return
01:24:51That's good.
01:24:52Congratulations!
01:24:54Yeah
01:24:54Although with you it'll be a shame, huh?
01:25:00Why the pity?
01:25:01Well
01:25:01With the buttocks your wife has
01:25:03My wife again
01:25:05The last one
01:25:06But what kind of buttocks does she have?
01:25:16Did it stop working?
01:25:18That?
01:25:19The pickup truck
01:25:20I thought we were about to inaugurate it.
01:25:24No, because I'm out of gas.
01:25:28Did you bring a little bit in a container?
01:25:30No, but I also have a low-profile tire.
01:25:32Ah, no, well I don't have that much damn air, huh?
01:25:43Romineta!
01:25:44My friends who arrive
01:26:05Today, lying in my tomb
01:26:06From different places
01:26:08Today, lying in my tomb
01:26:09I bring you my songs
01:26:11Listen to my tomb lying down
01:26:13So they don't forget their feet
01:26:14Listen to my tomb lying down
01:26:16I want to sing to them.
01:26:18Listen to my tomb lying down
01:26:19Something I carry inside.
01:26:21Listen to my tomb lying down
01:26:23I say it and I will consent
01:26:25Listen to my tomb lying down
01:26:26Not even that much I love you
01:26:28Listen to my tomb lying down
01:26:30Listen to my tomb lying down
01:26:33Listen to my tomb lying down
01:26:34Listen to my tomb lying down
01:26:35Listen to my tomb lying down
01:26:36Listen to my tomb lying down
01:26:37Listen to my tomb lying down
01:26:38Listen to my tomb lying down
01:26:38Listen to my tomb lying down
01:26:39Listen to my tomb lying down
01:26:39Listen to my tomb lying down
01:26:39Listen to my tomb lying down
01:26:40Thanks for watching the video
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