- 2 days ago
Embark on another thrilling chapter of the classic adventure saga in Shadow of the Eagle III – The Eagle Strikes Back. When old enemies rise and hidden secrets resurface, the Eagle returns with fierce determination to protect justice. Packed with suspense, mystery, and heroic action, this episode delivers the timeless charm of vintage serial storytelling.
Category
🎥
Short filmTranscript
00:00The
00:08The
00:14The
00:20The
00:28Supercast!
00:51Mysterious warnings, written on the sky by an unknown flyer who calls himself ...
00:58are part of a blackmailing plot against the directors of an airplane factory.
01:03They have reason to believe that the Eagle is a former member of the flying squadron
01:08to which they belong during the war.
01:11Nathan Gregory, the man they suspect, is now owner of a small carnival show.
01:17Agents of the Eagle have kidnapped Gregory and are holding him prisoner
01:20to make it look as if he is hiding from justice.
01:24Gregory's daughter, Jean, accompanied by the strong man of the carnival show,
01:29has discovered her father's whereabouts and is trying to rescue him.
01:33Meanwhile, Craig McCoy, stunt flyer with the carnival, is rushing to Jean's aid,
01:39pursued by the directors of the airplane company,
01:42who suspect him of being an accomplice of the Eagle.
01:53So, Jean, let's meet it.
02:08Oh, we can't. Dad's in here.
02:11It's locked.
02:13Look, we can reach him along this scaffold.
02:17Look, we can reach him along the scaffold.
02:43Well, that finishes McCoy.
02:46Now we'll get Gregory.
02:54See if you can squeeze through there, Billy.
02:56You'll have to make it a little bigger, Craig.
03:04You two bring her along.
03:06I'm going to get out with Gregory.
03:07Okay.
03:08Now what's all this about?
03:20These are the men that are holding my father prisoner.
03:23He's in that room.
03:24Not so fast.
03:25You two men, come along.
03:27We'll look into this mess.
03:34Oh, he's gone.
03:35The other men must have taken him.
03:43Well, Gregory certainly has been here, as she said.
03:45Of course he's been here.
03:47Held prisoner by these two men.
03:49And another one.
03:51Why were you holding Gregory?
03:53We were trying to hold him for you.
03:55For us?
03:57What?
03:58What do you mean?
03:59We're private detectives.
04:01This girl and her father came to us with a scheme that sounded crooked.
04:05That's a lie.
04:06What was the scheme?
04:07They wanted us to help decoy you gentlemen here.
04:09So as Gregory could trap you.
04:10It isn't true.
04:11They...
04:12Quiet.
04:13We've heard your story.
04:14Go on.
04:15Well, we let the girl phone you.
04:16Then jumped them.
04:17Gregory got away.
04:18It's a mess of lies from beginning to end.
04:19My father was brought here a prisoner.
04:20I found out where he was and came here with the hope of rescuing him.
04:22He's only stunned.
04:23You stay here and bring him, too.
04:24I'll go to the hospital.
04:25I'll go to the hospital.
04:26I'll go to the hospital.
04:27I'll go to the hospital.
04:28I'll go to the hospital.
04:29I'll go to the hospital.
04:30I'll go to the hospital.
04:31I'll go to the hospital.
04:32I'll go to the hospital.
04:33I'll go to the hospital.
04:34He's only stunned.
04:35You stay here and bring him, too.
04:36I'll go see what's going on upstairs.
04:37I spent half of my life taking care of this big hallucin.
04:40Well, once more won't hurt you.
04:46I swear my story's true.
04:48But I have no proof.
04:50No more than these men have.
04:52Well, both stories seem to check up.
04:55Well, I don't know which to believe.
04:57Uh, come in here.
04:58Look what I found.
05:03Look at that.
05:14Well, this seems to clinch the case against you and your father, Miss Gregory.
05:17Where is he?
05:18I tell you, I don't know.
05:20These men have him hidden away to make him appear guilty.
05:24Very well.
05:25Since you won't talk, I think we'd better call the police.
05:28Wait a minute.
05:31All right.
05:32So you'd cause this girl's arrest on the word of two thugs you've hired to railroad her father to prison.
05:37Why are you?
05:38Ah.
05:39Easy, Evans.
05:40You're not dealing with a girl now.
05:42Nor a crippled old man.
05:44Why, that's ridiculous.
05:45Why should we want a railroad, Mr. Gregory?
05:48Because you're afraid of what he can tell about you.
05:50Afraid he'll tell how you crippled him and stole his invention.
05:53If you dare accuse me of...
05:54This is for Mr. Evans.
05:55For me?
05:56Well, that's strange.
05:57You all knew I was here.
06:00Well, I guess this better's all doubt.
06:15It's signed a friend.
06:17And reads, I dare not tell my name, but Miss Gregory knows where her father is hiding.
06:21Is there any answer?
06:22The answer is...
06:23This young lady is going to police headquarters.
06:28Quick, Jean, make a run for it.
06:29I'll try and hold him.
06:30Father!
06:31Father!
06:32How are ya, pal?
06:34I think I'm all right.
06:35Ah, you would be, you big malocak.
06:39If you'd beしい...
06:40I'd be in trouble with you, B-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b...
06:46How are you, pal?
06:50I think I'm all right.
06:54Ah, you would be, you big palookas.
06:58Hey, Mr. Gregory, wait for us.
07:02Frank's in trouble upstairs. Go help me.
07:06Well, you're not my father.
07:10Help!
07:14Help! Help!
07:22That's not the skipper.
07:26He's kidnapping Gene.
07:30Hey, wait for me, will you?
07:44Give me that mortar.
07:48Keep those men from following me.
07:52Hey, bring that block.
08:00Can you lift one end of that car thick, Nick?
08:04A cinch.
08:08Well, he to it.
08:18Just hold that a minute.
08:20I'm going out of the car thick.
08:22Don't worry.
08:24I have to move the car thick.
08:26Oh, I have no idea!
08:28You have to come out of that car thick.
08:30I haven't seriously yet.
08:34Just leave all the water.
08:36I have to leave.
08:38I will walk the water away.
08:40I don't know.
08:42I got to leave.
08:44Something is wrong with the car.
08:46Maybe a brake sound.
08:48Have you got it in gear?
08:50Yes, the gear's all right.
08:52What's the matter, mister?
08:54Want your car stopped?
08:56Go pen your papers, little boy.
09:02Hear those gears are all right.
09:04What's the matter, mister?
09:06Want your car stopped?
09:08Go pen your papers, little boy.
09:10What's the matter?
09:12Hear those gears are all right.
09:40You may as well give up, Clark. I've got you.
09:42And I'll take you both with me for a long ride.
09:45You may as well give up, Clark. I've got you.
09:49I'll take you both with me for a long ride.
10:01Take the wheel and back to the carnival.
10:09Take the wheel and back to the carnival.
10:11Gentlemen, right this way.
10:15Gregory's greatest show is now open to the public.
10:18A mammoth collection of hard and unusual entertainment.
10:23You may as well come through, Clark.
10:25We know you're the Eagle.
10:27And you're not going to get out of here until you clear Mr. Gregory.
10:34I'm sorry.
10:41You're not the Eagle. Why are you wearing his disguise?
10:44That's the only way that I can get Miss Gregory out of the hands of those men.
10:48Well, why should you want to get her away from them?
10:52Because I wanted to compare notes with her.
10:54Check up on what I might want to do.
10:56I'm sorry.
10:57I'm sorry.
10:58I'm sorry.
10:59I'm sorry.
11:00I'm sorry.
11:01I'm sorry.
11:02I'm sorry.
11:03I'm sorry.
11:04I'm sorry.
11:05I'm sorry.
11:06I'm sorry.
11:07I'm sorry.
11:08Because I wanted to compare notes with her.
11:10Check up on what I myself know about the Eagle.
11:13Well, what do you know about the Eagle?
11:16I know all about him.
11:17I know that he's committing these crimes and lying them on to Gregory.
11:21But unfortunately, I can't prove it.
11:24Who is it?
11:25Whom do you suspect?
11:30If I told you, I'd be putting my life in your hands.
11:33Well, we won't give you away, Clark.
11:35Who is the Eagle?
11:37I've seen enough to know that it's a member of our own firm.
11:46And the last one that you would suspect.
11:51It's...
11:52It's Mr.
11:54��ck.
11:57Out!
12:13Now!
12:14Now, what's this all about?
12:16I...
12:17Now, what's this all about?
12:19I... I heard a shock fire.
12:21This fellow keeps running out, and I... I grabbed him.
12:23That's all I know.
12:28Craig never done it. They're framing him.
12:30I know they're framing him, but you can't do anything about it.
12:41Come on, let's go see where the shooting was done.
12:43The rest of you people stay here.
12:45Will it be all right for us to go along, officer?
12:47Okay, Major Evans.
12:55Is he?
12:56Well, they're trying to frame it on Craig to get him out of the way.
13:00But he didn't do it. I can prove.
13:02Oh, you can't prove nothing. Your word don't count.
13:06If he goes to prison, both he and my father will be convicted.
13:09We've got to save him some way.
13:11I know, I know. Let me think.
13:15We're not going to get in on it.
13:16Maybe he's not going to get in on it.
13:17But they'll close.
13:18I'm going to get in on it.
13:19I'm going to get in on it.
13:20I know, there might be a link.
13:21I'll go see.
13:22Mr.
13:22Mr.
13:23Mr.
13:23Mr.
13:24Mr.
13:24Mr.
13:25Mr.
13:25I'm going to get in on it.
13:26No!
13:27Mr.
13:28Mr.
13:29Mr.
13:30Now, what is wrong?
13:31Mr.
13:32Mr.
13:33Mr.
13:35Mr.
13:36Mr.
13:36Mr.
13:37What's the meaning of this?
13:38Well, what does it look like?
13:38She got me that's all right, and I ain't squaw.
13:40I got it, and I ain't sorry.
13:44Where's the gun you shot him with?
13:46Why, she's got it.
13:47I laid it down so I could frisk him,
13:49and she slipped up behind me and grabbed it.
13:56This seems to clear you.
13:59Come on.
14:00And, Miss, you'd better come to the station with me
14:02and make a report.
14:04Come on.
14:06Come on.
14:07Gene, what does this mean?
14:09I know Kelly didn't do it.
14:11Your eyes gave you away.
14:13He knew they were framing you and did it to clear you.
14:16Well, I can't let him make that sacrifice for me.
14:18We can prove him innocent whenever necessary.
14:20If you go to jail, who will fight Father's battle?
14:24I don't know, but I certainly can't let...
14:30You and I are going to have a talk together privately,
14:32and you're going to tell me plenty.
14:34You can't scare me.
14:36You ain't got any gun in that pocket.
14:38Are you sure enough to take a chance?
14:41Don't forget, I know you tried to hang that killing on me.
14:44Okay.
14:45You win.
14:46Where will we go for the compaib?
14:49Over there where there's no chance of eavesdroppers.
14:51Begins to look as if we've been misjudging Gregory, doesn't it?
14:53Boy, what do you mean?
14:54Clark disguised from Gregory's clothes.
14:55It certainly looks as if he is the eagle.
14:56I'm trying to make Gregory appear guilty.
14:57Well, I.
14:59I.
15:00I.
15:01I.
15:02I.
15:03I.
15:04I.
15:05I.
15:06I.
15:07I.
15:08I.
15:09I.
15:10I.
15:11I.
15:12I.
15:13I.
15:14I.
15:15I.
15:16I.
15:17I.
15:18I.
15:19I.
15:20I.
15:21I hate to admit it, but I'm afraid you're right.
15:24Yes, Clark was the eagle.
15:27Get in there.
15:30Part the wheel, Jerry and keep it going until I tell you to stop it.
15:39Look!
15:40Another sky message!
15:41That means that Clark was not the eagle.
15:47Why?
15:48Why, he's spilling Clark's name.
15:50I wonder what that means.
15:57Why, it's a question mark.
15:59What?
16:00It means that Clark's been wiped out.
16:03And he's asking who will be next.
16:06You may have something in your pockets that'll tell me the truth.
16:18Mr. Gregory's stolen plans.
16:20Well, one of them.
16:22Whoever stole these plans is working for the Eagles.
16:24I didn't steal them.
16:26Well, you'll go to jail.
16:28I should rather tell who did steal them.
16:30Okay.
16:31I'll tell.
16:33Look.
16:34A message from the Eagles.
16:36Look, Major Evans.
16:38Look, Major Evans.
16:40Look, Major Evans.
16:43Look, Major Evans.
16:48Why, it's McCoy fighting with that stranger.
16:51That's no stranger to us.
16:53It's our boss.
16:54Your boss?
17:15That's the end of the voice.
17:18That's the end of the voice.
17:19That's the end of the voice.
17:20That's the end of the voice.
17:21That's the end of the voice.
17:22That's the end of the voice.
17:23That's the end of the voice.
17:24That's the end of the voice.
17:25That's the end of the voice.
17:26That's the end of the voice.
17:27That's the end of the voice.
17:28That's the end of the voice.
17:29That's the end of the voice.
17:30That's the end of the voice.
17:31That's the end of the voice.
17:32That's the end of the voice.
17:33That's the end of the voice.
17:34That's the end of the voice.
17:35That's the end of the voice.
17:36That's the end of the voice.
17:37That's the end of the voice.
17:38That's the end of the voice.
17:39That's the end of the voice.
Recommended
16:16
|
Up next
17:50
18:08
16:25
17:13
17:43
1:01:45
41:50
25:46
56:39
1:02:29
1:47:08
56:07
1:07:12
58:01
1:10:29
1:33:43
1:32:22
54:16
1:05:56
1:20:11
1:00:38
1:44
1:29:38
Be the first to comment