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A mysterious visitor from Mars arrives on Earth with a terrifying mission in Devil Girl from Mars (1954) – Terror from Outer Space. This classic British science fiction film combines alien invasion, suspense, and vintage science fiction atmosphere in a memorable cinematic adventure.
Step into the golden age of classic sci-fi cinema and discover a strange encounter that threatens humanity. If you enjoy vintage science fiction, alien invasions, and classic black-and-white movies, this film is worth watching.
Enjoy this classic movie and subscribe for more vintage films, timeless cinema, and classic science fiction adventures.
Step into the golden age of classic sci-fi cinema and discover a strange encounter that threatens humanity. If you enjoy vintage science fiction, alien invasions, and classic black-and-white movies, this film is worth watching.
Enjoy this classic movie and subscribe for more vintage films, timeless cinema, and classic science fiction adventures.
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FunTranscript
00:00:06The End
00:00:37The End
00:01:04The End
00:01:33This is the BBC Home Service
00:01:36Here is the news
00:01:38It was announced by the Home Office today
00:01:41That the mysterious noise heard over a lonely part of Invernessshire yesterday
00:01:46Was caused by a supposed meteor falling to earth
00:01:50What's a meteor?
00:01:51I don't know, Tommy
00:01:52It's a good job it didn't drop on anyone if you ask me
00:01:55Oh, here's your auntie
00:01:57Many reports have since come in
00:01:59Regarding an unidentified white aircraft
00:02:02Come on now, Doris, turn it off
00:02:04You can read all about it in the papers in the morning
00:02:06And it's long past Tommy's bedtime
00:02:08Off you go, Tommy
00:02:10I'll be up to tuck you in in ten minutes
00:02:12All right, auntie
00:02:16But, Mrs. Jameson, there's a meteor drop near here
00:02:19Meteor?
00:02:20A bit of rock from the sky
00:02:22Tommy?
00:02:23Yes, auntie?
00:02:24I'm going
00:02:26I'll be real glad when his parents come up from London
00:02:29And take them off my hands
00:02:30It's sort of romantic, isn't it?
00:02:32Coming all that way just a drop in our back garden
00:02:34Oh, you're fair daft
00:02:36Mrs. Matthews in the village said it dropped near Ochenary
00:02:38And that's nearly 40 miles away
00:02:40Now get on with your work
00:02:46Professor Arnold Hennessy
00:02:48The well-known astrophysicist
00:02:49Has travelled north today
00:02:51To investigate the mysterious object
00:02:54And will give a detailed report to the Home Office of its size
00:02:57Professor
00:02:58If you can tear yourself away from your own hero worship
00:03:01For just a minute
00:03:02Maybe you can make something of this map, huh?
00:03:04I'm no good at reading maps
00:03:06Look, you plot stars millions of miles apart in the heavens
00:03:10Yet you can't even read a map of Scotland
00:03:13Do you want to know something, Professor?
00:03:14What?
00:03:15We are lost
00:03:18Marooned in the highlands in the depths of winter
00:03:19You know, this whole thing is a waste of time
00:03:22I don't believe it'll turn out to be a meteor
00:03:25More probably an engine cowling of an aeroplane
00:03:28Anyway, we're seeing Bonnie, Scotland
00:03:31Robert Justin, who earlier today escaped from Stirling Prison
00:03:35Is still at large
00:03:36His description is as follows
00:03:39Height, 5 feet 10 inches
00:03:42Fair hair
00:03:43Daria
00:03:46Good-bye
00:03:47Thank you
00:04:04Chris
00:04:05The End
00:04:34James!
00:04:36Yes, my dear?
00:04:37And where are you going?
00:04:39Just into the lounge, dear.
00:04:40Into the lounge bar, you mean?
00:04:42Well, you'll stay here.
00:04:43If you're thirsty, there's plenty of water in the tower.
00:04:46And Doris.
00:04:47Yes, Mrs. Jameson.
00:04:48Hurry up with those dishes.
00:04:49Yes, Mrs. Jameson.
00:05:01Thanks, Mrs. Jameson.
00:05:22Robert.
00:05:24It isn't Robert now, Doris.
00:05:26It's Albert.
00:05:27Albert Simpson.
00:05:29Have they let you out?
00:05:30With my luck?
00:05:32What a chance.
00:05:34You've escaped them.
00:05:35They're after you.
00:05:36What do you think?
00:05:38When you came in, why?
00:05:41I got you a matter, Doris.
00:05:43You said you took this job to be near me.
00:05:45That you'll be waiting for me when I got out.
00:05:48Well, I'm out.
00:05:49What can I do?
00:05:51Give me a bite to eat.
00:05:53Somewhere to sleep.
00:05:54You know what you're asking.
00:05:56I know.
00:05:58Well, if you'd rather not.
00:06:04Heaven's alive.
00:06:05Who are you?
00:06:06I'm...
00:06:07He...
00:06:07He's on a hiking tour, Mrs. Jameson.
00:06:09Got lost on the moors and luckily saw our lights.
00:06:12My name's Simpson.
00:06:14Albert Simpson.
00:06:15You want a room and a bath?
00:06:17I don't see your luggage.
00:06:19You'll have to pay in advance.
00:06:21Oh, I'm sorry, I...
00:06:22Isn't it awful, Mrs. Jameson?
00:06:23He's lost his wallet.
00:06:24He's just been telling me about it.
00:06:27There he was crossing the stream and...
00:06:29And he looks over to see a fish that's in the water and...
00:06:32And next thing he knows, his wallet's gone.
00:06:35I...
00:06:35I'd be willing to work for my keep.
00:06:38Very well.
00:06:39I...
00:06:39I can't refuse your hospitality.
00:06:41I'll find you plenty of jobs to do.
00:06:43Don't worry.
00:06:44Thanks.
00:06:45Thank you very much.
00:06:46But I warn you.
00:06:47I'm counting the spoons.
00:06:56Thanks, Doris.
00:06:58I could drop her some?
00:07:01Those things you wrote.
00:07:03What were they?
00:07:05Letters to a dead man?
00:07:07Yeah.
00:07:09I broke out of there because I couldn't stand it anymore.
00:07:11You're hurting me.
00:07:12Because I had to see you again.
00:07:13You killed her.
00:07:14It was an accident.
00:07:15Was it an accident you married her instead of me?
00:07:17Don't, Doris, don't.
00:07:23Take your drink, Albert.
00:07:27And I'm sorry.
00:07:31Let's talk of something else.
00:07:37Have you been Albert?
00:07:41How did they treat you in there?
00:07:45Did you read a lot?
00:07:49You used to like reading Albert.
00:07:51Stop it!
00:07:54Who's staying in this place?
00:07:57Only Mr. and Mrs. Jameson and their little nephew.
00:08:00Tell me.
00:08:02Tell me.
00:08:22That was David.
00:08:24He works here.
00:08:25Gives me the creeps.
00:08:26Then there's Miss Prestwick.
00:08:28Who's she?
00:08:29Model from London.
00:08:30Real good looker.
00:08:31What she's doing in a place like this, I don't know.
00:08:53Good evening, Mr. Jameson.
00:08:54Good evening, Miss.
00:08:55Looks as if we're going to have a storm.
00:08:56Indeed it is.
00:08:57But storm or shine, you are always pretty as a picture.
00:09:02The suit is man-tailored from Moore-Grogane.
00:09:06The detail and pockets being unusually interesting.
00:09:08Their effect being enhanced by the classical simplicity of the skirt.
00:09:11You don't say this.
00:09:13The suit may be used for town or country wear.
00:09:15Hey, and what about wear in the Scottish hotel in the middle of winter?
00:09:19Oh, Jamie!
00:09:20Oh, come in, my dear.
00:09:36Mr. Simpson's a new visitor, Miss.
00:09:38Just around.
00:09:40What are you, a fisherman?
00:09:42No, just a hiker.
00:09:47Your face seems awfully familiar to me.
00:09:50Really?
00:09:52Doris, where's the kitchen?
00:09:54Through there.
00:09:55Well, extraordinary man.
00:10:13What does it say?
00:10:15Lock something that way and the Bonnie Charlie this way.
00:10:18Sounds like a pop.
00:10:19We'll take the pop.
00:10:20And a drink.
00:10:23Jamie, you're at it again.
00:10:25Yes, my dear.
00:10:26Put that down.
00:10:28The minute my back's done, there he is taking a dram.
00:10:31Jamie, did you hear what I said?
00:10:33Put it down, dear.
00:10:34I can see you have.
00:10:37My wife has the most unpatriotic content for our national beverage, Miss.
00:10:41You should see him when he has a patriotic head in the morning.
00:10:44I'll have no patience with you.
00:10:58Here we are, Professor.
00:10:59The Bonnie Charlie.
00:11:01Look, Carter, I'm a very busy man.
00:11:03I think we should push on ahead.
00:11:05We could get a good deal further tonight.
00:11:06Professor, I've been driving since daylight.
00:11:08I'm not moving out of here until the morning.
00:11:09All right, all right.
00:11:11But you won't get much of a story here.
00:11:13Well, I can always dream, can't I?
00:11:16Sets up a couple of big scratches.
00:11:18Right?
00:11:19We can knock them off.
00:11:21Well, go and see what they want, Jamie.
00:11:23Maybe somebody's come to buy a drink.
00:11:24Yes, my dear.
00:11:27All right, all right.
00:11:28I'm coming.
00:11:33Ah, good evening.
00:11:34Good evening.
00:11:35I wonder if you can fix us up with rooms for tonight.
00:11:37Oh, well, I don't know about that, gentlemen.
00:11:38This is an inn, isn't it?
00:11:40Indeed I, it is that, sir.
00:11:41But you see, we're really closed for the winter.
00:11:44Except, of course, for the bar.
00:11:46Ah, then by all means, lead us to the bar, Mr...
00:11:48Jimmys.
00:11:49All right.
00:11:49Thanks, sir.
00:11:50Then I come in and warm.
00:11:51Yes, gentlemen.
00:11:52This way.
00:11:57Fire.
00:11:58Good.
00:11:58Yes, and a bar.
00:12:00This is my wife, gentlemen.
00:12:01Oh, how do you do?
00:12:02How do you do?
00:12:03Good evening, gentlemen.
00:12:04Dear, they want accommodation for the night.
00:12:06We lost our way.
00:12:07We have rooms booked at Ochenary, but...
00:12:09Well, that's 40 miles away.
00:12:10You can't drive as far at this time of night.
00:12:13Most of my rooms are closed, but, well, I'll see what I can do.
00:12:17Oh, thank you very much.
00:12:19You won't find everything as it should be, mind, but the beds are good.
00:12:23Well, I expect you'd both like something to eat.
00:12:26What I need most is a drink.
00:12:27Of course.
00:12:28I'll sell you myself, sir.
00:12:29You'll do nothing of the sort, Jamie.
00:12:30I'll send Doris to look after the bar.
00:12:32You go and get the bags out of the car.
00:12:34Yes, ma'am.
00:12:41Why, hello.
00:12:42Good evening.
00:12:43My name is Carter, Michael Carter.
00:12:45I'm a correspondent in the Daily Messenger.
00:12:46Oh, really?
00:12:47I write a weekly article.
00:12:48You'd probably read it.
00:12:49Oh, probably not.
00:12:50I don't read the Messenger.
00:12:51Oh, well, such is fair.
00:12:54You're not the landlord's daughter.
00:12:55You're a guest.
00:12:57But from where?
00:12:58And why here in the depths of winter?
00:13:01Now, there is an interesting clue.
00:13:04Not many girls drink tomato juice unless...
00:13:06Unless what?
00:13:07Unless they're afraid of putting on weight.
00:13:09I know.
00:13:09You're a near hostess.
00:13:12So you're not a near hostess.
00:13:14Who are you?
00:13:14I'm Doris.
00:13:15I'm Michael.
00:13:16I should like a very large whiskey and a very small soda.
00:13:18Possibly this lady would like another...
00:13:20Oh, Miss Prestwick only drinks tomato juice.
00:13:22Hello there, Mr. Jameson.
00:13:24Professor jar me in a drink.
00:13:25Miss Prestwick is avoiding me.
00:13:26Oh.
00:13:27I'm not at all surprised.
00:13:29How do you do?
00:13:30My name is Hennessy.
00:13:31Professor Hennessy.
00:13:31The professor would like a scotch.
00:13:33Mr. Jameson, what about you?
00:13:33Oh, thank you.
00:13:34I'll have a wee scotch, too.
00:13:36Professor Hennessy.
00:13:37That's it.
00:13:37The radio.
00:13:38You were on the nine o'clock news.
00:13:40Something about your coming up here to look for thunderbolts.
00:13:42Well, of course, there's no secret about it.
00:13:45The Home Office has asked me to investigate a meteor that's evidently fallen near O'Hanare.
00:13:51Mr. Carter here.
00:13:52He's covering the newspaper side of it.
00:13:58I'm sure I saw a flash of light in the sky.
00:14:01Really?
00:14:01Really?
00:14:05Just a shooting star to give it its popular name.
00:14:08Quite a common phenomenon, Miss Prestwick.
00:14:10Nothing to worry about.
00:14:11I've seen them before, Professor, and this was a much larger flash.
00:14:14When a matter such as the one I'm investigating gets reported in the newspapers, well, naturally
00:14:19people start imagining all sorts of things.
00:14:22You mean...
00:14:23You mean I thought I saw something that wasn't there?
00:14:26Well, you probably exaggerated its size.
00:14:28Come on, have a drink with me.
00:14:30That's it.
00:14:31Ah, welcome back to the happy circle.
00:14:33Well, let's all have a drink on me.
00:14:35No.
00:14:36This time it's on the house.
00:14:38It's not every idea where I have a distinguished professor from London, a writer for the newspapers,
00:14:42and a right body lassie staying with.
00:14:45Blinks on the house!
00:14:46Jamie?
00:14:47What did you say?
00:14:48It's a good thing supper's ready.
00:14:50Will you take your places, please?
00:14:53Right.
00:14:53I hope you won't mind eating here, but it's the only room we're able to keep properly heated
00:14:58in the winter.
00:14:59Professor, will you sit there?
00:15:00Oh, thank you.
00:15:01Mr. Carter?
00:15:02Now, I'm sure you're all going to like my Scotch broth.
00:15:05I'm sure we will.
00:15:06We've come a long way just to see a wee bit metal from the skies, Mr. Carter.
00:15:08Mr. Carter's editor hopes it'll turn out to be a flag saucer.
00:15:12Oh, turn this.
00:15:12Come now, Professor.
00:15:13Don't be too hard on us.
00:15:14Newspapers are published every day.
00:15:16We've got to fill them with something, you know.
00:15:17Oh, but a couple of spaceships would come in very useful.
00:15:20Exclusive to the messenger.
00:15:22Crude, but correct.
00:15:24Scotland of all places, the home of the Loch Ness Monster.
00:15:27Ah, I won't hear a word against that decent animal.
00:15:29No, a dead Scotland, a power of good man.
00:15:31I saw it with mold to eyes.
00:15:33Aye, that was the time you saw two monsters, Timmy.
00:15:37Now, where's the bread?
00:15:38I told that young man to bring it.
00:15:41Albert.
00:15:42Oh, there you are.
00:15:43Well, come in.
00:15:44Come in.
00:15:48Well...
00:15:49What is it?
00:15:51I know you.
00:15:53I don't think so.
00:15:56Doris, be careful what you're doing, girl.
00:15:58That's Albert Simpson, Mr. Carter.
00:16:01He's... he's a guest here.
00:16:03Is that so?
00:16:04And very welcome, too, isn't he, Mrs. Jameson?
00:16:06Maybe he won't be so welcome when you know who he really is.
00:16:09Don't you read the papers?
00:16:11Don't you listen to the radio heat?
00:16:24Don't you listen to the radio heat?
00:16:44Come on, Professor.
00:16:45I'll go, too, my dear.
00:16:47You, Mrs. Bessert, can stay here.
00:16:48Oh, my God.
00:16:56Oh, my God.
00:17:14THE END
00:17:46THE END
00:18:05Hello, hello. It's an aircraft, though, right, but like nothing I've ever seen before. Hello. What do you mean? Hello.
00:18:09Hello. It's like something from another planet.
00:18:16Professor. Professor, what do you make of it? That thing out there?
00:18:19I must confess I'm completely buffened. Beyond the fact that it's some kind of plane or high-velocity missile. Or
00:18:27spaceship. That I'm very reluctant to believe. But, Professor, it looks like a flying saucer. No, no, no, no. We
00:18:34mustn't let our imaginations run away with us.
00:18:35I quite agree with you, Professor. You'll see the proper authorities will be here directly to take it away. I
00:18:41don't like it. I don't like it at all. Where's Albert gone? Who? Albert Simpson.
00:18:46Oh, yes. I guess he's taken the opportunity to get out, and all the going's good. What do you mean?
00:18:50I mean that Simpson's real name is Robert Justin.
00:18:53The murderer of the escape from Sterling Jail. He's not a murderer.
00:18:56Isn't he? The jury, Fatsa. Hello. Hello, hello.
00:19:01Here I am with a flying saucer on my lap. Not mentioned escape company. I can't get the phone to
00:19:05work. Hello.
00:19:11Professor, how do you think it looks now? It's red hot. That means it can be at least two hours
00:19:18before we can go near it.
00:19:20Mr. Jemison, how far is near his phone? Seven miles. How far is the village? Seven miles. That's where the
00:19:25house with the phone is.
00:19:26Well, I'm going right there. You coming, Professor? Yes. The Home Office should be informed of this without delay.
00:19:31Come on. Mr. Carter. Yes? Mr. Carter.
00:19:35I know it sounds silly, but I don't like to be left here on my own.
00:19:39Oh, you'll be all right. We won't be long.
00:19:44All right, Professor.
00:20:00Who's there?
00:20:09Anyone there? Anyone?
00:20:14Don't scream, please.
00:20:15It's you.
00:20:17Go away from me. Go away from me.
00:20:18It's all right. I don't want to harm you. You are anywhere else.
00:20:22What are you doing out here?
00:20:23I don't know. I just had to get out of there while I could. Please, don't give me away.
00:20:30I must say you don't look dangerous.
00:20:32I'm not. Believe me, I've never hurt anyone in my whole life on purpose.
00:20:36Mr. Carter said that you...
00:20:37I know, and he was right in a way, but he doesn't know what really happened.
00:20:42It's none of my business, and I'm far more frightened of that thing out there.
00:20:48Thanks. You know, when I first met you, I thought you were pretty stuck up, but you're not.
00:20:55You're a really nice person.
00:20:58Well, I've got to get out of here.
00:21:01You poor thing. You're really far more frightened than I am.
00:21:05Haven't you got any friends?
00:21:07I've got one.
00:21:09Well, you'd better go now, and thanks.
00:21:12Good luck.
00:21:18We've spent a lot of time together in this kitchen, Jamie, over the years.
00:21:22Yes, my dear.
00:21:25It's all right, my dear. I'm with you.
00:21:29I know, and I'm glad of it.
00:21:43Oh, I thought you'd gone.
00:21:47Where is it?
00:21:48The professor and Mr. Carter have gone down to the village.
00:21:50That reporter, did he say what he was going to do about me?
00:21:52I don't know, but I'm sure he'd turn you in if he got the chance.
00:21:55He won't get it.
00:21:56Why did you come back?
00:21:57Why didn't you go when you could?
00:21:58Because, well, because I couldn't leave you just like that.
00:22:04Come on, I've got an idea.
00:22:05What is it?
00:22:15Don't do that.
00:22:19Someone might see.
00:22:23What is this?
00:22:23You're staying here.
00:22:25No, no, I can't do that.
00:22:26Why not?
00:22:27It's the risk you'd be taking.
00:22:28If they found out you'd been hiding me, you know what it would mean.
00:22:31Prison for you, too.
00:22:32But no one's going to look for you here.
00:22:33That reporter thinks you've gone.
00:22:35They never give up looking for me, Doris.
00:22:37But you won't be you, silly.
00:22:39We'll make you look different.
00:22:41Maybe you could grow a moustache.
00:22:43You'd look nice with a moustache, Albert.
00:22:45And then what?
00:22:46Well, perhaps we could go abroad.
00:22:49Just the two of us.
00:22:51Ireland.
00:22:52You don't have to have a passport for Ireland.
00:22:56You know, when you came back tonight, I was frightened.
00:23:01I didn't know.
00:23:04Now I do know.
00:23:07What do you know, Doris?
00:23:10I love you.
00:23:12I've always loved you.
00:23:23I've got to go now.
00:23:24I love you.
00:25:06Is the tank full?
00:25:08The tank is full. I've checked the carburetor and ignition. This car is perfect. I can't understand it.
00:25:12Just like the telephone.
00:25:14Well, what's to be done now? Do we walk to the village?
00:25:18Professor, I think we'll stick around here.
00:25:20Yes.
00:25:21You may be right. Otherwise, we may miss something important.
00:25:24Come on, let's go inside and not start freezing out here.
00:25:27This way.
00:25:31I'll try that phone again. Doris fixes up a couple of big scotchies, will you?
00:25:37Hello. Hello. Hello. Doris.
00:25:40Oh, hello.
00:25:41Doris, what's the matter, girl?
00:25:44Mike, hello.
00:25:45Come over here a minute.
00:25:47What's the matter?
00:25:50What do you make of this?
00:25:56She can't see us. She can't hear us.
00:25:58Doris. Doris!
00:26:01What's wrong with her?
00:26:03Her pulse is racing.
00:26:04She's had some kind of severe shock.
00:26:07What's the explanation?
00:26:11Hypnosis, perhaps, or...
00:26:12Or what?
00:26:15Something to do with that thing out there.
00:26:16No, that's absurd. I tell you, that's absurd.
00:26:26What?
00:26:30Who are you?
00:26:31My name is Naya.
00:26:34Where do you come from?
00:26:37Mars.
00:26:38Mars.
00:26:39But that's preposterous.
00:26:41You men on Earth are much as we expected.
00:26:45We scientists were always skeptical about the possibility of life on Mars,
00:26:50but certainly nothing so human.
00:26:52You are a scientist?
00:26:54Yes.
00:26:54You are a very poor physical specimen.
00:26:57You speak English?
00:26:58Of course. You are English, aren't you?
00:27:00What other language should I speak?
00:27:07You speak other languages?
00:27:09I speak them all.
00:27:10You pick up our radio.
00:27:12Of course.
00:27:14Is this the first time any of your spaceships have landed in this Earth?
00:27:18Yes.
00:27:18This is the first landing.
00:27:20Why did you land here?
00:27:22A miscalculation.
00:27:23The course was set for London,
00:27:25but the planet's atmosphere was sick of unexpected.
00:27:27A part of a ship was torn off.
00:27:29The supposed meteor, Professor.
00:27:31Yes.
00:27:32Repairs will take about four Earth hours.
00:27:35Are you alone in the ship?
00:27:37Charney is with me.
00:27:39Charney?
00:27:40Charney is a mechanical man.
00:27:42A robot with many of the characteristics of a human,
00:27:44but improved by an electronic brain.
00:27:50The metal from which the spaceship is constructed can reproduce itself.
00:27:55The metal reproduces itself.
00:27:58Do you realize what you say?
00:28:00They've turned the inorganic into the organic.
00:28:03Just why are you going to London?
00:28:05Many of your Earth years ago,
00:28:07our women were similar to yours today.
00:28:10Our emancipation took several hundred years
00:28:12and ended in a bitter, devastating war between the sexes.
00:28:16The last war we ever had.
00:28:19So you've had wars, too?
00:28:21All inhabited planets have had wars.
00:28:23Some have ended by wiping themselves out.
00:28:26How?
00:28:27For every new weapon invented,
00:28:29a defense was perfected,
00:28:30until the ultimate weapon was developed,
00:28:32a perpetual motion chain reactor beam.
00:28:36Incredible.
00:28:37What form did it take?
00:28:38As fast as matter was created,
00:28:40it was changed by its molecular structure into the next dimension,
00:28:44and so destroyed itself.
00:28:45So there is a fourth dimension.
00:28:48After the war of the sexes,
00:28:50women became the rulers of Mars,
00:28:51but now the male has fallen into a decline.
00:28:54The birth rate is dropping tremendously,
00:28:56for despite our advanced science,
00:28:59we have still found no way of creating life.
00:29:03So you've come here for new blood?
00:29:05In a way.
00:29:07But also to test a newly invented organic metal,
00:29:10of which my ship is built.
00:29:12On Mars, some think I will not return,
00:29:14that the metal is too unstable.
00:29:16But when I get back,
00:29:17we will build more spaceships.
00:29:20Meanwhile,
00:29:21I will select some of your strongest men
00:29:23to return with me to Mars.
00:29:25And if they don't want to go with you?
00:29:26There is no if.
00:29:28Your philosophy may not be appreciated.
00:29:30How do you propose to subdue London,
00:29:32or anywhere else for that matter,
00:29:34once you take your pick of the man?
00:29:36A simple matter.
00:29:37The nuclear ship contains a paralyser ray mechanism,
00:29:40capable of freezing all life over a wide area.
00:29:43Like your first me just now?
00:29:45Yes.
00:29:45Michael Professor,
00:29:46don't you understand that this thing from Mars
00:29:49can destroy all life?
00:29:50But we must look objectively on what's happening.
00:29:54Mars offers the scientific millennium now.
00:29:57This is the turning point in the history of the world.
00:30:00Oh, you're back.
00:30:02Mrs. Jemison,
00:30:03may I introduce your latest guest,
00:30:05Miss Naya.
00:30:06She comes from Mars.
00:30:07Oh, well, that'll mean another bed.
00:30:10She's come from where?
00:30:12From Mars.
00:30:13Oh,
00:30:14Jamie.
00:30:16Jamie.
00:30:17Oh,
00:30:18Mr. Jemison,
00:30:19where is he?
00:30:19I'll go after her.
00:30:23Mrs. Jemison!
00:30:24Mrs. Jemison!
00:30:29Mrs. Jemison,
00:30:30what happened?
00:30:30It's David.
00:30:31I can't find him anywhere.
00:30:32No, it's...
00:30:33Oh,
00:30:34Jamie.
00:30:35David,
00:30:35he's banished.
00:30:36Where can he be?
00:30:37You think he's gone with Simpson?
00:30:38No.
00:30:39The lager's right,
00:30:39so he'd never go with Albert Simpson.
00:30:42But...
00:30:43Have you?
00:30:44Of course.
00:30:45Is he alive?
00:30:46No,
00:30:47he was superfluous.
00:30:48A hopeless specimen.
00:30:49Do you know what they're doing this after murder?
00:30:51I can't believe it.
00:30:52I can't believe it.
00:30:52I can't believe it.
00:30:52I can't believe it.
00:30:54Tom,
00:30:54do not try to follow me.
00:30:55You cannot get help.
00:30:57Around this house,
00:30:58I've drawn an invisible wall
00:30:59for which no one may pass,
00:31:01in or out.
00:31:02No.
00:31:05No.
00:31:15No.
00:31:16No.
00:31:16No.
00:31:17No.
00:31:18No.
00:31:19You're just vanished.
00:31:20But that's absolutely ridiculous.
00:31:22I'm a scientist.
00:31:23I believe what my brain tells me to believe,
00:31:26what I can see with my own eyes.
00:31:27Even when it's there and you can't see it, Professor?
00:31:29And that explains the car and the telephone not working.
00:31:32I'm going to try and find this invisible wall.
00:31:34No, Professor, no.
00:31:35Come back, nun.
00:31:36Come back.
00:31:40Oh, Mrs. Jamieson,
00:31:41what's to happen to us?
00:31:43To all of us everywhere?
00:31:45I don't know.
00:31:47But whatever comes
00:31:48must be met with courage.
00:31:50Remember that
00:31:51and put your trust in the Lord.
00:31:54Come on, Jamie.
00:31:55While we're still alive,
00:31:56we might as well have a cup of tea.
00:32:06Oh, it's you.
00:32:10What are you doing up here all by yourself?
00:32:13Well,
00:32:13you can see that thing better from up here.
00:32:18The tomato juice girl
00:32:19wouldn't by any chance have a scotch around, would she?
00:32:21No.
00:32:22But I've got some brandy.
00:32:24Here.
00:32:25Help yourself.
00:32:26Oh, thank you.
00:32:30Why do you do it, Michael?
00:32:32Do what?
00:32:34Drink so much.
00:32:36The girl is as good
00:32:37as she is beautiful.
00:32:40Don't try and be too clever about things, Michael.
00:32:43It's like drinking, you know.
00:32:45It doesn't do any good.
00:32:48All right.
00:32:49Who was it?
00:32:50Name?
00:32:51Not important.
00:32:53It isn't a story.
00:32:55It's a very old story.
00:32:57He was a dress designer.
00:32:59Very handsome.
00:33:00Very sophisticated.
00:33:01And very married.
00:33:02He's the artist and you're the model.
00:33:05You better talk about it.
00:33:07After tonight, you may never have another chance.
00:33:10If you're so much in love with him,
00:33:12why are you hiding from him?
00:33:14Because it's no good.
00:33:16It never was and it never will be.
00:33:18This isn't the first time I run away.
00:33:21Only he always found me.
00:33:22As you always hoped he would.
00:33:26And now I've come here.
00:33:27To a Scottish inn.
00:33:29Where he won't find you.
00:33:32And you know it.
00:33:34My dear girl, you're on the way to recovery.
00:33:37As your friend and advisor,
00:33:38I tell you, you may now safely take a drink.
00:33:46You know, I don't really like the taste of alcohol.
00:33:50Really?
00:33:51Well, it is an acquired taste.
00:33:54I've acquired it.
00:33:56Did it take you a long time?
00:33:58To acquire it, I mean.
00:33:59Long enough.
00:34:01There was a Spanish war.
00:34:02The invasion of Italy.
00:34:04D-Day.
00:34:05Vels, Spallon, Czechoslovakia.
00:34:07A few atomic explosions, which I did not see.
00:34:10And now this.
00:34:12A Martian ship.
00:34:13A flying saucer.
00:34:15But for me, it's not so much a landmark as...
00:34:18Journey's end.
00:34:20Now I'm letting my hair down.
00:34:25That's that thing out there.
00:34:30And it is there, Michael.
00:34:37Good Lord.
00:34:39What is it?
00:34:40Come on.
00:34:50What's happened?
00:34:53What?
00:34:54She wasn't...
00:34:55She wasn't lying.
00:34:56It's there.
00:34:57What is it?
00:34:58The invisible wall.
00:35:01I walked down the garden.
00:35:03Down the end where the slope is.
00:35:06They priced into it.
00:35:07It was just like crashing into a brick wall.
00:35:10The first thing.
00:35:11Oh, gracious.
00:35:12I'm just a little shade.
00:35:13She's jealous and we'd better get him in.
00:35:14Oh, dear.
00:35:15Take this.
00:35:18Steady.
00:35:21Put him in that chair.
00:35:25There it is.
00:35:26Quite a little.
00:35:28Give me a handkerchief.
00:35:30Here, do you eat him.
00:35:32Give him a little brandy.
00:35:35Here, you poor man.
00:35:36Drink this.
00:35:38What does one do about something one can't even see?
00:35:41I don't know.
00:35:42I honestly don't know.
00:35:43I do.
00:35:44She's got a gun of sorts.
00:35:45Then so have I.
00:35:46David, give that thing to me at once.
00:35:47I'll have no one playing with firearms around here.
00:35:49Someone might get hurt.
00:35:50That, Mrs. Jemison, is a general idea.
00:35:52You mean you want to shoot her?
00:35:53With no choice, unless...
00:35:54Unless what?
00:35:55Unless we take her prisoner.
00:35:56Or even for that, we'll need the gun.
00:35:58It isn't just for us.
00:35:59There's enough destructive power in that ship to wreck the whole country.
00:36:02You better let me have that, Mr. Jemison.
00:36:04I'm used to things like this.
00:36:06It's kind of ancient, isn't it?
00:36:07How many shells have you got?
00:36:08Just the five.
00:36:09Mind you, I don't know if it'll work.
00:36:10It hasn't been fired these 20 years.
00:36:12Oh, boy.
00:36:17Mr. Jemison, go behind that bar.
00:36:19Pretend to be busy, will you?
00:36:20Professor, stay right here.
00:36:22Mrs. Jemison, Ellen, I think you better go outside.
00:36:24I'm not leaving Jamie, and I'm staying right here.
00:36:27All right, if that's the way you want it.
00:36:28Michael, listen.
00:36:36You are all very quiet.
00:36:38No doubt you are resigned to the inevitable.
00:36:41That is wise.
00:36:44Professor, I observed your encounter with the electronic wall.
00:36:48Today it is you who learned the power of Mars.
00:36:51Tomorrow it will be the whole world.
00:36:54Put up your hands.
00:36:55And why should I put up my hands?
00:36:57Because if you don't, I'll shoot you.
00:37:04Get back or I'll find you.
00:37:06Get back!
00:37:07You fool.
00:37:08Get back!
00:37:09Get back!
00:37:10Shoot, man, shoot!
00:37:17You poor, demented humans.
00:37:19To imagine you can destroy me with your old-fashioned toy.
00:37:22What do you know of force?
00:37:24Forces will use it on Mars.
00:37:26But you shall know.
00:37:27You and the rest who dwell on this planet.
00:37:30I can control power beyond your wildest dreams.
00:37:34Come.
00:37:35Come.
00:37:36Come on, and you shall see.
00:37:54Psst.
00:37:55Hey, what do you think you're doing?
00:37:58Who are you?
00:37:59Hang on a minute, kid.
00:38:01You can't go down there.
00:38:04Sure I can.
00:38:05I've done it often.
00:38:07Maybe, but not at night.
00:38:08Kids like you shouldn't be around at this time.
00:38:10I want to see the aeroplane.
00:38:12Did you see it come down?
00:38:14Come on.
00:38:28Now, look, kid.
00:38:30I'm in enough trouble without looking after you.
00:38:32What sort of trouble?
00:38:34Oh, trouble.
00:38:35Are you a secret service agent?
00:38:37No.
00:38:39Gee.
00:38:40Maybe you're a killer.
00:38:42No, kid, but you shouldn't say things like that.
00:38:46Come on, mister.
00:38:48Auntie will see us if she comes outside.
00:38:50Let's get into the trees and look at the aeroplane.
00:39:02Gee, that's something.
00:39:14Now, Earthmen, look.
00:39:16Watch the power of another world.
00:39:19Now, Earthmen, look.
00:39:48The End
00:39:53THE END
00:40:28THE END
00:40:57THE END
00:41:33THE END
00:41:45THE END
00:42:08THE END
00:42:09THE END
00:42:11THE END
00:42:12THE END
00:42:17THE END
00:42:17THE END
00:42:33THE END
00:42:40THE END
00:42:40THE END
00:42:44THE END
00:42:45THE END
00:42:52THE END
00:42:53THE END
00:43:02THE END
00:43:13THE END
00:43:13THE END
00:43:13THE END
00:43:13THE END
00:43:33THE END
00:43:33THE END
00:43:35THE END
00:43:52THE END
00:43:54THE END
00:43:54THE END
00:43:55THE END
00:44:00THE END
00:44:03THE END
00:44:05THE END
00:44:06THE END
00:44:06THE END
00:44:06THE END
00:44:07THE END
00:44:08THE END
00:44:08THE END
00:44:08THE END
00:44:11THE END
00:44:11THE END
00:44:11THE END
00:44:15THE END
00:44:15THE END
00:44:16THE END
00:44:26THE END
00:44:26THE END
00:44:26THE END
00:44:27THE END
00:44:29THE END
00:44:47I DON'T KNOW WHETHER I'M AWAKE OR DREAMING
00:44:50MY MIND JUST WON'T ACCEPT
00:44:51IF ONLY WE COULD GET IN CONTACT WITH SOMEONE
00:44:53I'D GIVE ANYTHING TO SEE A SQUADRON OF H sand
00:44:56bombers right now. That wouldn't help at all. There's probably enough power out there to
00:45:00repel any bombs before they explode. That horrible robot. That machine. Michael, I'm
00:45:06frightened. Don't worry, dear. I suppose worse things have happened. Aye, but not much worse.
00:45:11If only we could get inside that spaceship. I wonder if... Have you any ideas, Professor?
00:45:17I wasn't. What's that? Jamie! Oh!
00:45:24No doubt you are having a council of war. It amuses me to watch your puny efforts.
00:45:30The wise man always seeks to discover the truth. Even his means of doing so are limited.
00:45:36It would take you a thousand years to learn a fragment of what we have achieved.
00:45:41Perhaps not, if I had you for my teacher. What do you mean? As a scientist, I can only
00:45:47believe the evidence of my own senses. So far, the only thing I know about you is that you
00:45:53can kill. That is also a human accomplishment. You say your spaceship is very powerful. We
00:46:00also have powerful machines. None to equal those of Mars. Indeed.
00:46:06You say you believe the evidence of your senses. Very well. Then you shall see. Perhaps then
00:46:12you will realize your helplessness. Come.
00:46:19Professor, Professor, don't go. Don't go. I must.
00:46:22I must.
00:46:44Professor, Professor, Professor, Professor, Professor, Professor, Professor, Professor, Professor,
00:47:08hours ago it was quite hot. Only the outside. That was caused by the friction as we entered
00:47:14the atmosphere of the earth at over 6,000 semantics. The interior is insulated against
00:47:19heat or cold. But how did the outside cool so quickly? You have no wisdom. The entire
00:47:25structure of the nuclear ship is made of a new organic metal. Therefore, each molecular
00:47:31cell can absorb its own amount of heat or cold. It could have absorbed all the heat
00:47:36in a matter of seconds. Fill your eyes, Earthman. See such powers as you never dreamed existed.
00:47:45Now, look again. The evidence of your own eyes, Professor. Can you still see? There is enough
00:47:57power there to drive this ship anywhere in the universe. Enough power to obliterate this
00:48:02speck of matter you call Earth. What is the power? Something you scientists have not yet dreamed
00:48:08of. A form of nuclear fission on a static negative condensate. A negative condensate? Exactly.
00:48:16Your atomic bomb is positive, causing the explosion to expand upwards and evaporate. Our force is
00:48:22negative and explodes the atomic forces into each other, thereby magnifying the power a thousandfold.
00:48:28And the fuel? Self-propagating. The accessory action of each drive expands, and it causes
00:48:35the same motion to happen again and again. It is what you call perpetual motion.
00:48:41Perpetual motion? Impossible. You talk like a primitive savage. Because your science has not
00:48:48discovered these things does not mean they are impossible. Even inventions as radio and television
00:48:53you would have considered impossible a hundred years ago. But enough. Now we shall return
00:49:00to the others.
00:49:32You think it will work? Kill that switch. Try bullets and have that knife. Right.
00:49:46What happens if the professor comes first? Then we fail. I am going to stand by that switch
00:49:51and let me know who comes first. Right? They are coming. The professor is coming first.
00:49:59Are you sure? Yes. No. No. They have changed places. Now, Michael. Now. Right.
00:50:10You fools. Do you think you can hurt me with this? Even your limited intelligence will convince
00:50:16you by now, but you cannot harm me. Perhaps your scientist will help to convince you. Now
00:50:21you must cease your stupid tricks, or I will destroy the child. The child? You haven't.
00:50:25You can't have. Oh, dear. The child is safe so far. You have seen some of my power. Perhaps
00:50:34this will help to show the others. You devil, if you harm that child. Look. Look, she's going
00:50:43all blurry. It can't be. You still doubt? Michael, I can't stand anymore. I never thought
00:51:04how I'd left to see the day. How did she get him? How did she know he was here? He's
00:51:09not
00:51:10there. The poor lads in that devil's hands. I'll never forgive myself. Oh, no, my dear.
00:51:18You mustn't blame yourself. We are just simple folk up against a strange power. We can only
00:51:25trust in the Lord. But we must have sinned something terrible. Michael. Michael, no.
00:51:34We've done enough talking, Helena. Professor. What's it like in there, Professor? Will he come
00:51:59out alive? Will he come out at all?
00:52:34問 him. He'd come out at all.
00:52:35What is it?
00:52:47You have taken the child.
00:52:49And so?
00:52:49Why did you take him?
00:52:51He is a young creature.
00:52:53His mind is free from your stupid emotions and fears.
00:52:56If I take him, he will make a willing subject.
00:53:00But a weak one.
00:53:01Why not exchange him for someone who would suit your purpose better?
00:53:06Exchange him?
00:53:07For whom?
00:53:09For me.
00:53:11For you?
00:53:14Release the child and I'll follow you willingly.
00:53:16It's a fair bargain.
00:53:21But I must go back.
00:53:22I can't leave Michael alone and ask...
00:53:24Professor, either Michael can achieve what he sets out to do
00:53:27or he's passed any help from us.
00:53:29Poor wee Tommy.
00:53:30I'll never forgive myself.
00:53:32He can't blame me, Russell.
00:53:33If that devil wanted to take him,
00:53:35there's nothing any of us could do to stop her.
00:53:37How will I ever face my sister with the life of her son on my conscience?
00:53:42No, I'm going out there and I'll fetch him back.
00:53:45Listen, there's someone outside.
00:53:47She's back.
00:53:48She'll kill us all.
00:53:55A bit that scared you.
00:53:57Tommy!
00:53:59Oh, thank God.
00:54:00Oh, dear.
00:54:13Tell me, Sonny, what happened?
00:54:17I saw the aeroplane come down from our window.
00:54:20I wanted to have a look.
00:54:22I pulled on my trousers, auntie, so it was all right.
00:54:26Oh, dear.
00:54:27Then...
00:54:27Yes?
00:54:29I climbed down the roof with a nice man.
00:54:32What nice man?
00:54:33He was up in the attic.
00:54:35He came with me.
00:54:37What's she got into her?
00:54:39Go on, son, go on.
00:54:41Then we went across to the barn and we saw the big machine come over.
00:54:45Then we turned and ran and ran and ran.
00:54:48And then we met the lady in the black flying suit.
00:54:50Merci, me, you poor laddie.
00:54:53Oh, it was fun.
00:54:54Then she took me back with her to the aeroplane.
00:54:57But she didn't show me much.
00:54:59I waited for a long time in a bright sort of room.
00:55:03Then she came and told me to come back.
00:55:06Gee, wait till I tell the fellas at school.
00:55:09Tommy, Tommy, did you see a tall, dark man in there?
00:55:13No, there's nobody there.
00:55:18Jamie, take him upstairs.
00:55:20Come on, son, come on.
00:55:22There's a boy such a big hairy boy.
00:55:24Come, my dear, and help me put him to bed.
00:55:26The Lord be praised.
00:55:28He's safe back with us.
00:55:31Albert.
00:55:33Albert.
00:55:34Albert, you're all right.
00:55:36What were you doing in the garden?
00:55:39Foolish woman.
00:55:41Running like a frightened rabbit in the night.
00:55:45What's the matter, Albert?
00:55:47You're talking all funny.
00:55:50We are all the slaves of a great and powerful civilization.
00:55:56Let us prepare for our rulers.
00:56:00Have you gone daft, Albert?
00:56:02I thought you'd gone away.
00:56:04Go.
00:56:06There is not much time.
00:56:15Thank goodness for that.
00:56:17But what do you suppose has happened to Mr. Carter?
00:56:19I don't know.
00:56:21Still, if she let the child go.
00:56:25Michael!
00:56:33Where's Ellen?
00:56:34She's upstairs with her wee boy, but...
00:56:35Michael, what happened out there?
00:56:37I've got to say goodbye to Ellen first, then I'll tell her.
00:56:39Oh, Mr. Carter.
00:56:40Oh, Mr. Carter, it's Albert, sir.
00:56:42Who?
00:56:42Albert.
00:56:43Albert Simpson.
00:56:44He's upstairs.
00:56:45But the...
00:56:45I thought the chap was miles away.
00:56:47No, he didn't go.
00:56:48He came back.
00:56:49He came back to me.
00:56:50But something's happened.
00:56:51He's talking all funny and he doesn't seem to know me.
00:56:54Oh, quick, sir.
00:56:54Come upstairs.
00:56:56All right.
00:56:58Wait a minute.
00:57:00Go downstairs.
00:57:01But Mr. Carter...
00:57:02Go downstairs.
00:57:05Go downstairs.
00:57:07Simpson.
00:57:19No, no, no, no, no, no, no.
00:57:26No, no, no, no, no, no, no, no.
00:57:56No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:58:02no, no, no, no, no, no, no, no, no, no, no, no.
00:58:04Come on.
00:58:05Mr. Carter, Mr. Carter, Mr. Carter, Mr. Carter, what do you think?
00:58:07Michael, what do you think?
00:58:07Let's get him downstairs.
00:58:08Clean him up, then.
00:58:14Mr. Carter, why did you have to knock him out?
00:58:16If I hadn't, he'd have knocked me out.
00:58:17What's going on?
00:58:19It was convict, Mrs. Jemison.
00:58:20He was upstairs.
00:58:21So he didn't get away.
00:58:23what's put into you girl doris what do you know about him did you know he was up there yes
00:58:30yes i
00:58:31hope to die what mr carter says he's a murderer what can a man like that be to you mrs
00:58:37jemison
00:58:37it really isn't any of our business and we've other things to think about michael professor
00:58:42what's it like in there oh ellen this spaceship must be destroyed destroyed but how professor
00:58:49what did you see in there i saw the source of power a mere globule of energy but mighty enough
00:58:55to take the ship here from mars and back again this source of power it's small incredibly small
00:59:01probably a self-propagating atomic pile exactly in the center of the ship
00:59:14perhaps one determined blow delivered might release this power in the form of a terrific
00:59:20explosion a blow delivered by the right person given the right opportunity but that would be
00:59:27suicide certain death to whoever delivered the blow one life in exchange for millions yes
00:59:32professor what are you trying to say to michael what is it that i don't know
00:59:38ellen it said
00:59:40it is time earth man
00:59:47michael what does she mean
00:59:51ellen i've got to go now
00:59:54with her why because he made a bargain
00:59:58he is returning with me to mars of his own free will
01:00:04michael
01:00:05why do you weep
01:00:08because i love him
01:00:35i don't understand
01:00:37What is it she's saying?
01:00:39What bargain has she made with him?
01:00:41Can't you guess, Miss Pestwick?
01:00:44The bargain was over Tommy, the child.
01:01:01You made your bargain.
01:01:02Do not regret it.
01:01:03I am not regretting it.
01:01:04It is better for you and your people to know how helpless they are.
01:01:08The tricks they tried.
01:01:10How childless they were.
01:01:12Nothing can resist this power.
01:01:55That was the last trick, Earthman.
01:02:06They're coming back.
01:02:08Maybe she's changed her mind.
01:02:10I doubt it.
01:02:14Michael.
01:02:16Michael.
01:02:17Michael.
01:02:23He tried to gain control of the robot.
01:02:26Because of his trickery, you will all die.
01:02:29James!
01:02:31Do you hear, Earthman?
01:02:33You have brought death upon all in this room.
01:02:36In a few minutes, as you calculate time,
01:02:39the nuclear ship will have repaired itself.
01:02:42When I leave, this house and everyone in it will be destroyed.
01:02:47Take me with you.
01:02:49Another trick?
01:02:50Why should I take you?
01:02:52Because when you get to London, you will need a guide.
01:02:54A guide?
01:02:56In spite of your great knowledge,
01:02:58many things there will be strange to you.
01:03:01Why should I take you?
01:03:03Since you've been here last,
01:03:05I've been thinking deeply.
01:03:08It is only right that Mars, with its superior knowledge,
01:03:11should triumph over Earth.
01:03:13Mars will triumph.
01:03:14I am a scientist.
01:03:15Take me with you.
01:03:16Let me share in that triumph.
01:03:18But, Professor, you said that you were...
01:03:19Never mind what I said a moment ago.
01:03:21I've changed my mind.
01:03:22Why should I die?
01:03:23I... I am willing to go with you in one condition.
01:03:26Well...
01:03:27That you...
01:03:28Spur the others.
01:03:30I will spare...
01:03:32No one.
01:03:34But in saying that I need a guide,
01:03:36you speak sense.
01:03:38I will take...
01:03:39One of you.
01:03:40The rest will die.
01:03:44Then, you will take me?
01:03:45I do not know.
01:03:47Three times already during this Earth night,
01:03:50you've tried to trick me.
01:03:51It will not happen again.
01:03:54No one will enter the nuclear ship till it is ready.
01:03:58I will return soon.
01:04:00One of you will come with me.
01:04:03The rest...
01:04:04will die.
01:04:09Professor, I can't understand it.
01:04:11I can't believe that...
01:04:12That I was trying to save my own skin?
01:04:14Thank you, Miss Presswick.
01:04:16You had me fooled.
01:04:17You sounded sincere enough.
01:04:18I am sincere.
01:04:19I am sincere in my efforts to try and get on board that ship.
01:04:22Do you realize that soon it will be on its way to paralyzed London and we...
01:04:26What's to be done?
01:04:27Whoever gets on board that ship must try to destroy it.
01:04:30But who...
01:04:31Who will do it?
01:04:31There's very little time left to decide that.
01:04:34I have one little job to do.
01:04:36If we can't save ourselves,
01:04:37perhaps we can save others.
01:04:39I'm going to write down what has happened.
01:04:41You mean someone may find it?
01:04:43Yes.
01:04:44What little I have learned may help the authorities while there is yet time.
01:04:49I go to my room and try and write it down as simply as I can.
01:05:11The atomic structure of the metal from which the ship is constructed is apparently organic.
01:05:16The molecules can reproduce themselves, the same principle as a tree or vegetable.
01:05:23And like any living thing, it must have a weak spot, a vital spot at which one can strike.
01:05:32I'm 26, Michael.
01:05:35And in all those years, I haven't done a single thing I really wanted to do.
01:05:45And what would you do if you could start all over again?
01:05:50Spend more time in the country.
01:05:53Find the right man.
01:05:55Have children.
01:05:58See, it's Michael.
01:05:59Ellen, those things you said downstairs.
01:06:05You must have thought me an awful fool.
01:06:08Yeah.
01:06:09Why did you say them?
01:06:12I had a sense of loss.
01:06:15Why?
01:06:18I don't know how to say it, but...
01:06:21I felt I'd found the right man at last and...
01:06:24I was going to lose him.
01:06:30Ellen, did you...
01:06:32Did you really mean?
01:06:36Yes, Michael, yes.
01:06:43Oh, I'd have made a no-good husband.
01:06:45I'm not particularly fond of the country.
01:06:48I'm not as fertile.
01:06:49Oh, Michael, you'd have made me very happy.
01:06:53Why didn't we meet years ago?
01:06:56This business of people meeting and falling in love.
01:06:59You know, if that thing hadn't landed out there, we'd still have met.
01:07:04We'd have been indifferent to each other.
01:07:07Privately, you'd have thought me just a self-opinionated newspaper man.
01:07:11What about me?
01:07:13Just a stupid girl from the big city dazzling the natives with clothes she kept for next to nothing.
01:07:19You wouldn't have known what the other was really like.
01:07:22Oh, Michael.
01:07:24No.
01:07:25I was good on stairs.
01:07:28And joined the natives.
01:07:30What happened?
01:07:31You all right, Albert?
01:07:32I think so.
01:07:34What hit me?
01:07:35That woman?
01:07:36Never mind about that now, Albert.
01:07:38She must have hypnotized you.
01:07:40And Mr. Carter came upstairs, and you had a fight.
01:07:42These ropes?
01:07:43Who tied me up?
01:07:45He did.
01:07:45He thought you might...
01:07:47I see.
01:07:47He thought I might be dangerous.
01:07:49I see you've recovered, have you?
01:07:51Remember what happened?
01:07:52Sort of.
01:07:53Nothing like a good cup of tea in a crisis.
01:07:56How's Tommy, Mrs. Jameson?
01:07:57I've just been up to him.
01:07:59He's sleeping in my room tonight.
01:08:01The poor wee souls sound asleep.
01:08:03We must all be prepared for her return.
01:08:07One of us must be inside that spaceship before it takes off.
01:08:11If one of us is not inside it, we may all die seconds within its taking off.
01:08:16Or she may kill us before it leaves at all.
01:08:18Either way, we all die.
01:08:20Or one of us dies so that the others may be saved.
01:08:24As I've explained, I'm the logical choice.
01:08:28No.
01:08:30Jamie!
01:08:30It's all right, dear.
01:08:31I'm only a useless old man.
01:08:33You can't, Jamie.
01:08:34I couldn't bear it.
01:08:36This whole argument is ridiculous.
01:08:38There's only one logical person to go.
01:08:39Me.
01:08:40I made a bargain, remember?
01:08:42Michael, you...
01:08:42Ellen, I'm not really a very nice person.
01:08:44Hasn't it ever occurred to you that I might have an ulterior motive for going?
01:08:47Selfish reasons?
01:08:48Selfish reasons?
01:08:49Yes.
01:08:49The person who goes in that spaceship is under no compulsion to wreck it.
01:08:52He can go to Mars and keep his life.
01:08:54You wouldn't.
01:08:55Wouldn't I?
01:08:56Well, the best thing to do is to just wait and see, isn't it?
01:08:58We're wasting time.
01:08:59If we cannot decide who is to go, there's only one thing for it.
01:09:02That's draw a lot.
01:09:03Right.
01:09:03That's the best idea.
01:09:04I'll take them, Mr. Jermison.
01:09:07Now.
01:09:09Heist goes.
01:09:10Yes.
01:09:11Professor, you first.
01:09:13Ten of spades.
01:09:14Mr. Jermison.
01:09:15What is it, Jamie?
01:09:17The sea of clouds.
01:09:18The sea of clouds.
01:09:20King of spades.
01:09:21I go.
01:09:23Michael.
01:09:24Now, there's been a bit of time to lose.
01:09:26You've got to work as fast as you can.
01:09:28Listen.
01:09:29When you get inside the spaceship, you will see the power crucible in a kind of shaft.
01:09:34Then, it's up to yourself.
01:09:36I understand.
01:09:37As for the rest of us, have you got a cellar?
01:09:39Why?
01:09:39There's one below this very room.
01:09:40Well, it mightn't afford much protection, but perhaps it's the best we have in the circumstances.
01:09:46I'll be right now.
01:09:47Come on.
01:09:48Darling.
01:09:48But Albert.
01:09:49What about Albert?
01:09:50Never mind him.
01:09:51We'll get him down in a minute.
01:09:52Come on, Doris.
01:09:52Doris, you must come.
01:09:53All right, Miss Prestwick.
01:09:55In a moment.
01:09:56I'll come.
01:10:04Albert.
01:10:06Are we really going to die?
01:10:08Perhaps, Doris.
01:10:09Perhaps we are.
01:10:11But I'm scared.
01:10:13Nothing like this has happened to me before.
01:10:15Nothing like this has ever happened before.
01:10:18But why to us?
01:10:20Well, it had to happen sometime.
01:10:23Somewhere.
01:10:30There's no reason for believing that we on Earth are the only living people in the universe.
01:10:38I've been reading about it.
01:10:40There are thousands of stars and planets up there.
01:10:43We'll reach them someday.
01:10:45Probably the moon first, and then out into space.
01:10:50Will she...
01:10:52Will she really kill us?
01:10:53Maybe not.
01:10:55She said she...
01:10:56She probably didn't mean it.
01:10:57People have to have a reason for killing.
01:10:58I've got to forget that.
01:11:01You had a reason.
01:11:03No one has the right to kill.
01:11:04Not even...
01:11:05She was bad.
01:11:07They should never have sent you away.
01:11:10I'm just realizing what a fool I've been all my life.
01:11:14Oh, help.
01:11:15Doris.
01:11:21Come on, now.
01:11:23You must go or they'll miss you.
01:11:26Go and hide yourself somewhere.
01:11:33You're seeing him.
01:11:42Goodbye, Doris.
01:12:08So you are coming.
01:12:10Yes.
01:12:12Where are the others?
01:12:14They are hiding.
01:12:16They are afraid.
01:12:17Do you go with me
01:12:18of your own free will?
01:12:22Of my own free will.
01:12:51Mr. Carlton.
01:12:52Mr. Carlton.
01:12:53Later, Doris.
01:12:54I've got to get Albert down first.
01:12:55It's Carlton, please.
01:13:05Give him a chance, Mr. Carlton.
01:13:06Give him a chance.
01:13:07Come on.
01:13:08Come on.
01:13:20Come on.
01:13:23Pick him a chance.
01:13:24Come on.
01:13:26Come on.
01:13:28Come on.
01:13:29Come on.
01:13:56Help me! Help me!
01:13:58Turn it down! It's turn it down!
01:14:00Stop!
01:14:02Just go!
01:14:03Stop!
01:14:05Stop!
01:14:06Stop!
01:14:08Stop...
01:14:17Stop!
01:14:20Stop!
01:14:23Stop!
01:14:25I don't know.
01:15:00I don't know.
01:15:26I don't know.
01:15:37Albert.
01:15:39Albert did it.
01:15:47I don't know.
01:15:50I don't know.
01:16:07I don't know.
01:16:10I don't know.
01:16:12I don't know.
01:16:12I don't know.
01:16:14I don't know.
01:16:15I don't know.
01:16:16I don't know.
01:16:17I don't know.