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IR Interview: Teyana Taylor For "One Battle After Another" (Awards Track) [Warner Bros.]
The Inside Reel
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2 days ago
Actress Teyana Taylor talks to Awards Track about approach, colors of performance, reaction and energy in regards to her role as Perfidia Beverly Hills in the Paul Thomas Anderson film: “One Battle After Another” from Warner Bros.
Category
🎥
Short film
Transcript
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00:00
I
00:15
Wanted to protect you from all your mom's stuff
00:20
My stuff even though I know that's impossible
00:24
This is the end of the line not for you
00:30
I'm gonna keep around you cause a winner don't quit on themselves
00:33
Whoa, who's this?
00:39
Oh, they're just my friends
00:40
Now is that a he or a she or a they?
00:43
It's not that hard, they, them
00:45
Okay, I just want to be polite
00:46
Yo, say it, say it, baby
00:57
Love you, Bob
00:58
Love you too
01:00
This one takes us to a whole level, new level of authenticity
01:06
Finding her, I mean, cause the energy with everybody
01:10
Between, you know, DiCaprio as Bob
01:14
And Penn as Lockjaw
01:15
Is something completely different
01:17
Can you talk about modulating the energy in those scenes
01:20
And keeping it up?
01:21
Mmm, I mean that's a good question
01:23
Honestly, the first thing was the level of safety
01:25
You know, to be on set with legends like Sean Penn and Leonardo
01:30
And they, and they're so gentle
01:33
And their mentorship is just everything
01:35
I think like, knowing that they treated me as if like
01:40
I was up there with them, you know
01:43
That makes me want to go hard
01:44
Because that means that we're here to make a great movie
01:46
And this, we're not here for egos
01:48
And we're not here for, for pride
01:50
You get what I'm saying?
01:51
And for me, I'm a player
01:52
You know, so one
01:54
I feel like I already got a point to prove
01:55
And two
01:56
When I'm down for the cause
01:58
I'm down for the cause
01:58
And we gonna get this done
01:59
So even if I'm nervous
02:00
All that shit go out the window
02:02
Before they yell action
02:04
When they yell action is on
02:05
The same thing
02:05
When that whistle blow
02:06
Game is on
02:08
When that gun blow
02:09
The race is on
02:10
You get what I'm saying?
02:11
And that's the kind of energy that I have
02:14
And I love to make the people who's come before me
02:16
That I love and admire and respect so much
02:18
I just love to make them proud
02:20
I like when Paul yelled cut
02:22
And they're like, okay
02:24
You know what I'm saying?
02:25
Like, I love that
02:26
That pumps me up
02:28
It gets me going
02:28
This is Bob Ferguson
02:31
I was a part of the French 75
02:33
Bitch, I felt like Tony Montana
02:38
Steve Lockjaw just attacked my home
02:41
And I cannot remember
02:43
For the life of my only child
02:45
The answer to your question
02:48
Maybe you should have studied the rebellion text
02:50
A little harder
02:51
I need to find my daughter
02:53
Well then call us back when you have the time
02:56
Did you
02:57
You just
02:57
You just
02:58
You know, you are so unsuitable for my daughter
03:10
My child comes from a whole line of revolutionaries
03:15
And you look so lost
03:18
What are you going to do about this baby?
03:21
Did you find her voice fairly early?
03:24
Because she
03:24
She has this whole body motion thing
03:26
The way she carries herself
03:28
Everything
03:28
Can you talk about that?
03:29
Because you can read the script
03:31
But then when you get on set
03:32
It takes on a whole other thing
03:33
Oh, that's real shit
03:34
Honestly, to find Perfidia
03:36
We couldn't do that through the script
03:38
We had to have a lot of conversations
03:40
And we had to really
03:41
You know, color coordinate her layers
03:43
Because she is so complicated
03:45
She's so complex, you know
03:46
So it's kind of like
03:47
I wanted to get her layers
03:49
And then, you know, color coordinate them
03:51
And really just know when to dive into those colors
03:55
You know what I'm saying?
03:56
So
03:56
What I'm doing here
04:00
Is I'm creating a closed circuit
04:03
Very important to keep your cap shunted like this
04:08
So you don't accidentally detonate your charge
04:12
Don't stop
04:14
I want you to create a show
04:16
This is an announcement on revolution
04:18
The message is clear
04:22
I'll be seeing you very soon
04:24
Not if I see you first
04:25
What colors did you lock in on on her?
04:30
Was it certain details that you liked?
04:32
Or was it like
04:33
You ever just had
04:35
Like, you know, how you just got
04:36
Like, you know
04:36
Red, white, blue, orange
04:38
Simple colors
04:39
She is
04:40
Perfidia is like
04:43
When all the paint kind of spills
04:46
Or that color
04:47
That when you keep dipping the brushing
04:49
After using a different color
04:51
And then the water is kind of like brown
04:53
It's just this weird color
04:55
You know
04:55
And that's Perfidia
04:57
Because you even see the part
04:58
Where she walks out on Bob
04:59
And her baby
05:00
It's silent
05:01
But you see even the face
05:02
You see she's hurt
05:04
But you also see
05:05
This is a woman
05:05
I feel like
05:06
But still
05:06
I gotta show up for myself
05:08
To have to be so
05:10
You know
05:12
Tedious
05:13
With those colors
05:14
It's like a drop of this
05:15
Drop of pink
05:16
Drop of green
05:16
Drop of red
05:17
Because she's angry
05:17
Drop of blue
05:18
Because she's cold
05:19
It's like
05:19
How do you
05:20
You know what I'm saying
05:20
And then that pink
05:21
Of just being vulnerable
05:23
But then that pride
05:25
And that ego
05:25
And it's just like
05:26
Oh
05:27
She gets in her own way
05:28
And it's just like
05:29
It's a color that you can't really
05:31
She's so
05:31
Goddamn
05:32
Complicated
05:34
She is
05:34
It's just a splash
05:35
Of different colors
05:36
You know
05:37
But she is primal
05:38
I mean
05:38
Because you see her
05:39
Just like
05:40
Bam
05:40
Like that
05:41
You know
05:41
You see her
05:41
Get cold
05:42
Man
05:43
It's interesting
05:44
But that requires
05:45
You see her get cold
05:45
Like after a sad face
05:47
Like you see
05:47
She'll be like
05:48
That lip quiver
05:49
A little bit
05:50
She'll get that baby
05:50
And then she's like
05:51
This is the new consciousness
05:53
You know what I'm saying
05:54
It's just like
05:55
Yeah
05:55
How she just flipped that
05:57
Like that
05:57
It's crazy
05:58
For bringing justice
06:00
To the vigilante group
06:01
Known as the French 75
06:03
We are here to award
06:06
Steven Lockjaw
06:07
With the medal of honor
06:09
You have to understand
06:12
Who will love
06:13
Me and mom
06:16
We used to run around
06:16
And do some real bad
06:17
They got hurt
06:21
Now they're coming after us
06:23
I'm sorry
06:24
I didn't ask for this
06:25
That's just how the cards
06:26
Were rolled out for me
06:27
It's not cards
06:28
You don't roll cards
06:29
It's dice
06:29
Dad
06:30
What is wrong with you
06:31
Well talking about the flip
06:33
Because the thing is
06:33
There is some humor
06:34
In these scenes
06:35
Some gallows humor
06:35
Like with DiCaprio
06:37
And even with the way
06:38
Sean plays Lockjaw
06:39
So I mean
06:40
Could you talk about
06:41
Finding sort of
06:41
Because you're not playing it
06:43
For any kind of laugh
06:44
You're playing it for the drama
06:45
But sort of the humanity
06:46
Comes out of that
06:47
Right
06:47
Right
06:48
Right
06:49
No that's real
06:50
And it's crazy
06:50
Because a lot of those
06:51
Funny moments
06:51
Come from
06:52
The magic that we create
06:54
On set
06:54
You know
06:55
Paphidia was a mess
06:56
You know
06:57
In the funniest way
06:58
And she just didn't give a
06:59
F***
06:59
It was unapologetically
07:00
Herself
07:01
And my ability to improv
07:03
Definitely helped
07:05
Push the needle
07:05
In regards to
07:06
Some of the funny parts
07:08
Because it's just like
07:09
Okay cool
07:10
Well since we playing
07:10
Get it out
07:11
Were you surprised
07:13
How people
07:13
Yeah were you surprised
07:14
How people reacted though
07:15
To the character
07:16
Because being on set
07:17
And then in the theaters
07:18
Two different things
07:19
You know
07:20
I know
07:20
I mean it really
07:21
It was
07:22
You know what I like though
07:23
In all the screenings
07:24
It was really dope
07:25
To see
07:26
Everybody pass the vibe check
07:28
They laughed
07:29
When they were supposed to laugh
07:30
They cried
07:31
When they were supposed to cry
07:32
Because I'm like
07:33
You know
07:33
Even the letter
07:33
At the infamy
07:34
I'm like
07:34
This is the most vulnerable
07:35
We hear
07:36
Paphidia
07:37
Like I wonder
07:38
If people can hear it
07:39
Like because now
07:39
I'm overthinking
07:40
I'm like
07:40
I wonder if people
07:40
Can hear it
07:41
You know
07:42
Even though it's
07:42
Super loud in here
07:43
And to hear so many
07:44
People sniffling
07:45
And it hit them
07:46
The way that I hope
07:47
And that it would
07:49
Because reading that letter
07:50
I was really crying
07:52
And I'm like
07:52
I hope that people
07:53
Feel that
07:54
And they hear that
07:56
Even though they don't
07:57
Have the visual
07:58
To see that
07:59
You feel what I'm saying
08:00
So it's like
08:01
It felt good to know
08:02
That people
08:02
Are understanding
08:03
Those small nuances
08:05
And you know
08:05
Those small details
08:07
In there
08:07
But it requires thought
08:09
And it's the best film
08:09
It does
08:10
It does
08:11
And that's why it's good
08:11
To actually watch it
08:12
More than once
08:13
I think the first time
08:14
People get so overwhelmed
08:15
With everything
08:16
It's good
08:17
It's all good
08:17
But that second time
08:18
You go and watch it
08:19
That third time
08:19
You start catching
08:20
Other little shit too
08:21
You know what freedom is
08:23
What
08:23
No fear
08:24
Go
08:26
Not one thing
08:48
It's another
08:48
Find that to be true
08:50
No fear
08:50
Come on
08:51
No fear
08:51
What a little thing
08:52
Will
08:53
ó
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