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BRITCOM I
  • 17 hours ago

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00:00I need you to go to Arlo Jones' room right now, and tell me, is he there? Is he alive?
00:17Not to us. He's here. He's in his cell.
00:30He's here.
00:36He's here.
00:38He's here.
00:42He's here.
00:48No, no, no.
01:01He's here.
01:07My father died on the day of our last session.
01:30The day you said you'd been speaking with God and God told you I was a fake.
01:35You asked God to punish me and God said he would.
01:41He'd do that just for you.
01:46So did he.
01:51Or was that someone more earthly?
01:55My father died from a gunshot wound to the head in his office.
01:59And now I discover you were a patient of his.
02:01You knew where he worked.
02:05Did you have my father murdered, you twisted fuck?
02:19God works in mysterious ways.
02:25How did you know?
02:26How did you fucking know?
02:30You visited my father before you were arrested.
02:54You told him vengeance is mine.
02:58How could you possibly know that?
03:02Well, perhaps you're not the only one who speaks to God.
03:05I've visited your father, yes.
03:09He even managed to draw a little blood before the police interrupted me.
03:14He was a weak man.
03:16I betrayed my trust.
03:18I told him about my urges and he told the police, so am I sad he's dead?
03:27No.
03:29But if you think I can arrange murder from inside here...
03:35By urges, you mean the ones that led you to violently rape and murder for women?
03:39Your daddy didn't understand me either.
03:41Like father, like son.
03:45You don't think I understand you?
03:49No.
03:51No, I understand you.
03:57Imogen Carswood.
03:59Doctor.
04:03She was in a relationship with my father.
04:05Doctor, I didn't kill her.
04:09I told you that before.
04:11Told everybody.
04:13I didn't kill her.
04:15But of course you didn't.
04:16Listen.
04:17Your DNA was all over the crime scene.
04:19I was framed.
04:22Oh, yeah, right.
04:22Sure.
04:25You know as well as I do, Doctor.
04:27Imogen wasn't raped.
04:29And seeing as you know me so well, you'll have to admit that's a bit of a snag in my so-called pattern.
04:37They couldn't prove my crimes, so they found a way to put me in prison.
04:44The husband died on the stand.
04:51And she knew it.
04:54You didn't.
04:55When the guilty verdict came in, I looked over at the lead detective, and do you know what I saw?
05:05She was smiling.
05:09Another smile of a job well done.
05:11The smile of someone who got away with it.
05:25I've been tailing you.
05:41I didn't trust you.
05:43And I still don't.
05:47Margot McIntyre.
05:49Had a look at the wounds, and I'm glad you asked me.
05:51They're pretty special.
05:53Definitely a collector's item.
05:54Rare, that type of weapon.
05:56You ever seen it before?
05:58At first I thought, no.
05:59But then I remembered a case involving a particularly nasty London gang.
06:03Carved up this rival like it was a Halloween pumpkin.
06:06I had to rack my brains to remember when it was, though.
06:09It's just a guess, Mark, but it's probably when you were in London.
06:13Correct.
06:152016.
06:18That's your weapon.
06:19Quite the bad boy, eh?
06:21Oh, Jesus.
06:23The knife that killed Margot looks like this one.
06:26They're illegally imported from Brazil.
06:28Decent market for them on the dark web.
06:29It's called a Dragon Apex.
06:31Shipment of 400 was seized six months ago off the back of a chicken lorry.
06:34This one came from the evidence locker.
06:37This is good work, Seth.
06:41Don't you think it's odd?
06:43A man dies by suicide, and then his assistant gets murdered so soon after.
06:48Yes, I do.
06:50Do you have a theory?
06:51I know...
06:53I know with Dr. L that it was suicide, but I just...
06:58I just think we need to take another look at that gunshot residue report.
07:02Hey, thanks for coming.
07:18Do your dead daddy's office look at all files?
07:21How could a girl resist such an enticing second date?
07:23I was going to call my sister, but I need your objectivity.
07:29Wow, it gets better and better.
07:30Sorry.
07:31Sorry, I bought cakes.
07:33Oh, now you're talking.
07:36So, here, what is it exactly we're looking for in these files?
07:39Anything out of the ordinary in Detective Brown's investigations into my father's clients.
07:46Arlo Jones is a vicious killer.
07:49Imogen Carswood was one in a string of his victims.
07:51I said I've been having those thoughts.
08:07You told me it was the right thing to do.
08:09You were the one who encouraged me to go to the police.
08:14I didn't do it.
08:15I never killed Harry.
08:16I didn't.
08:18Sorry, Harry?
08:19Who's Harry?
08:20Harry Nash.
08:21She lied.
08:29She knew Harry.
08:30She worked the case.
08:32The Harry Nash murder.
08:33She told me she'd never heard of the victim.
08:36And the man convicted always claimed he didn't...
08:38Hold on.
08:43Lazz?
08:44Alfie, hi.
08:45Um, quick question.
08:46The Father Frank suicide video.
08:49Can you remember who it was given to?
08:50Which officer?
08:52Yeah, it was, uh, DCI Brown.
08:57Am I going insane or is that really suspicious?
09:00Why would you try to conceal it?
09:01And how many more are there?
09:09Police.
09:11We've had reports of some strange psychic activity on the property.
09:14Do you mind if I come in and take a look around?
09:17Get in.
09:24What, uh, what are you doing here, anyway?
09:27I've got a client of 15 minutes.
09:28Nothing.
09:29Just wanted to see you.
09:31Oh.
09:31Hmm.
09:32Wanted to see you too.
09:3315 minutes, you said.
09:47Ah, it's your brother.
09:48What's he want?
09:49Just ignore him.
09:53Just answer it.
09:57Hi, mate.
10:03I'm going to make a statement, and I want you to remember, based on 30 years of friendship,
10:20I wouldn't make this statement unless I really believed it.
10:25I'm all ears.
10:29I think Detective Brown killed my dad.
10:33Oh, just like Olsen killed your dad.
10:42Just like Billy killed your dad.
10:43Just listen to me.
10:44All right, listen.
10:46I think she's framed a number of people for murder.
10:49I think she may have even killed Margot to cover her tracks.
10:52Ghost tell you this, did it, lads?
10:53Seth, I'm not joking.
10:54Ghost fucking wafted in on a spooky breeze and tells you that my boss is a murderer.
10:58A murderer, lads.
11:00Are you for real?
11:01She's a highly commended cop.
11:02What the fuck are you talking about?
11:04Too many of my dad's clients have either ended up dead or in prison for this to be a coincidence.
11:09Your dad dealt with deeply disturbed people, lads.
11:11He wasn't running a fucking soft play centre.
11:13Just read them.
11:14I'm not entertaining this.
11:16Well, you have to because your boss is corrupt and needs confronting.
11:19All right?
11:19Read them.
11:20I'm not reading them.
11:21Just read them!
11:22I'm not fucking reading them!
11:23I lose my job!
11:25God, is that all that matters to you?
11:28Seth, this has gone too far, lads.
11:29Where are you going?
11:29Seth!
11:32Seth!
11:34Come on!
11:34Ever since you got back here, you've been rattling cages and trying to dig up shit to make sense of your father's death.
11:39You were seeing ghosts and now you're seeing cover-ups.
11:42You need help, lads!
11:44I'm finding her and confronting her with the truth!
11:47No, you'll do no such thing.
11:48We're going back to your house and we're talking to Jenna and we're going to get you some help.
11:52Because this has gone far...
11:54I need help, all right?
11:57From you!
11:57From you, my oldest friend!
11:59I need you to trust me and believe me and come with me to confront her!
12:03I can't do that, mate.
12:06I'm phoning Brown and I'm going to...
12:08No, you're going back there!
12:09Yes!
12:09Why'd you become a cop?
12:17Get the fuck off me!
12:18Why did you become a cop?
12:20Lads, I swear to God, lads!
12:21I'll tell you why.
12:23To write fucking wrong.
12:24To put killers away, all right?
12:26Read the files and tell me I'm wrong!
12:30Okay.
12:31Okay.
12:39Interesting location.
13:04Any excuse to get out of the station?
13:07I'll buy you a coffee.
13:09I'm fine.
13:11What's this about?
13:14Seth said you had information regarding your father's death.
13:18Correct.
13:25You were the senior investigating officer on the Cassandra Rhodes case.
13:31What does that have to do with your father's death?
13:32And it was your strong belief that she was murdered by her partner, Neil, who fled the country.
13:38Correct.
13:39More recently, you led an investigation into the murder of Imogen Carswood, which resulted in the conviction of Arlo Jones.
13:46I'm failing to see where all this is leading.
13:49The conviction Arlo Jones strenuously opposes.
13:52Arlo Jones, the serial killer.
13:54Both were connected to my father.
13:57Arlo, a patient.
13:59Imogen, a lover.
14:02And they weren't the only ones.
14:05Frank, the priest convicted of murdering Harry Nash.
14:09He made a video before his death saying he was innocent and that Harry's killer was still at large.
14:14The psychiatrist says he gave that video to you, and you did nothing with it.
14:22In there, I found discrepancies.
14:26Highly improbable connections.
14:28Dubious evidence in murder cases you were investigating.
14:32All of which involved patients of my father or people known to him.
14:39I don't hear a question.
14:42I think you were using my father's psychiatric practice.
14:46Seeking out people with troubled backgrounds and using them as scapegoats for your crimes.
14:53I think my father found out.
14:55Confronted you about it.
14:57So you killed him.
15:03I see.
15:08Well, that's quite the fantasy you've concocted.
15:14Can you on board with this?
15:17Definitely like to hear your side of the story.
15:19And then what?
15:20Arrest me?
15:22I don't need to remind you, I'm your senior officer.
15:25Yep, I know that.
15:26And this impromptu confrontation is wildly inappropriate.
15:39Can you get me a glass of water, please?
15:40Yes.
15:40Yes.
15:56I loved your father very much, Joel.
15:58Can I get a glass of water, please?
16:01Lemon drizzle cake.
16:02Reminds me of my grandma.
16:03She made better lemon drizzle than anyone on this earth, bar none.
16:08You ain't tried mine yet, mate.
16:13Seth!
16:15I'm calling back up.
16:18Seth, you okay?
16:20Call the police!
16:21She is the police!
16:22Just call the fucking police!
16:23What can I do?
16:24How can I help?
16:24Just get her.
16:26We've got to room!
16:27We've got to room!
16:28We've got to room!
16:29dunno!
16:30It was me!
16:46We've got to room!
16:47I don't know.
17:17I don't know.
17:47I don't know.
18:17I don't know.
18:47I don't know.
18:49Someone's going to come and take a statement, so just stick to the facts.
18:54You suspected her.
18:55You brought your suspicions to me.
18:56And she tasered me.
19:00Thanks, mate.
19:03I still don't understand any of this.
19:07It makes no fucking sense at all.
19:10But I am sorry I doubted you.
19:16I still think you need to talk to someone, though, Liz.
19:25All this.
19:26It's a lot, mate.
19:29I'm sorry.
19:33I brought so much shit into your life since coming back.
19:36No, you haven't.
19:38Well, you have.
19:39It has been nice having you back, though.
19:44And I connected with your hot sister, so...
19:48Every cloud, eh?
19:51Just...
19:52Just take care of her, yeah?
19:55If you two become a thing.
19:59Yeah.
20:00Don't have to come back and get all heavy with you.
20:02Hmm.
20:02I reckon I could take you.
20:07As long as you don't bring your imaginary friends as backup.
20:09Or a taser.
20:13You're funny.
20:15You finally got funny.
20:17Yep.
20:18That's why your sister likes me so much.
20:20See you, mate.
20:25Joel.
20:26Don't push it.
20:27I don't want to have to use this.
20:34Believe me, it'll destroy you.
20:37Let it go.
20:39I can spare you so much pain if you just stop now.
20:44I can't do that.
20:46Please, please, just...
20:47Just go home.
20:49Let this go.
20:50I can't.
20:57I can't.
21:28Hey.
21:29I know it's a bit strange, but...
21:31I just wanted to talk to you.
21:33About my dad.
21:35Joel Lazarus.
21:37I know you're...
21:38Close.
21:40It's Aiden, right?
21:42He's...
21:43Talked about you.
21:44Is it a bad time?
21:48No.
21:50Er, no, come on in.
21:51Come on in.
21:51Come on in.
21:57I don't like talking about myself.
22:03Oh, you and me both.
22:05A lot of people find it uncomfortable.
22:07It's not that.
22:08It's just...
22:10I don't trust people.
22:12Like, I've told people things before, but...
22:15They just...
22:15Didn't keep them secret.
22:16Well, I promise you, whatever you say in here will...
22:20Stay between us.
22:23Cross my heart and hope to die.
22:24Stay between us.
22:53I don't know.
23:23Alison.
23:33We need to talk.
23:37I know.
23:39I know what you did.
23:42What we did.
23:47I've been so stupid.
23:53In psychology, we call guilt the useless emotion.
24:00Remorse shows our humanity, but guilt becomes toxic.
24:03It eats away at us.
24:05So you don't feel guilt?
24:07None whatsoever.
24:08For years, I thought you were helping me close cases.
24:12Telling me we were playing the system because these people deserve to be in prison.
24:15They do.
24:16Says who?
24:17The great psychiatrist?
24:19Let's not get melodramatic.
24:22You reaped the rewards, Alison.
24:25The accolades, the acclaim.
24:27You were always very ambitious in that regard.
24:30It always struck me as strange giving awards for police workers.
24:33It's always uncouth.
24:36I thought you were my friend.
24:37But you manipulated me.
24:42And I let my ego get in the way.
24:47You killed Imogen.
24:50Don't even deny it.
24:51I know you did.
24:52And then you made me believe it was Arlo Jones.
24:54I loved Imogen.
24:59And she was sick.
25:01She was dying.
25:03She was terrified of it.
25:04So you strangled her?
25:06I put an end to her suffering.
25:10Is that what you tell yourself?
25:15There are times for some people, Alison, when staying lingering in the world is infinitely more painful than leaving it.
25:21And the others?
25:25What about the others?
25:27Father Frank Barnway left a recording before he killed himself, claiming his innocence in the murder of Harry Nash.
25:34There were signs.
25:35I should have seen them, but I was so caught up.
25:38You've been giving me information over the years to deflect from yourself.
25:45Alison, you have no idea.
25:47Some of the clients that come through my office are deeply traumatized people with deeply troubled lives.
25:55They're like a broken vase.
25:56You can glue it back together.
25:58And from a distance, it may look normal.
26:00But up close, you will always see the cracks.
26:03Rationalize it any way you want.
26:05You murdered them, Jonathan.
26:06And then you got me to convict innocent people for your crimes.
26:13So you think...
26:15What?
26:15We confess.
26:20We've both seen those prisons, Alison, 22 hours a day in a cell, being prodded and poked.
26:27We wouldn't last two minutes, and you are a corrupt cop.
26:30You'd be ruined.
26:31I can't just let it go.
26:41You understand that, don't you?
26:50I do.
26:53You're not built that way.
26:55So what are you proposing, Alison?
27:03We could take a different route.
27:05You could write a note.
27:21Say goodbye.
27:30In your...
27:31How did you put it?
27:31Pain.
27:34Pain lingering.
27:37And then your secret
27:39dies with you.
27:47That's a route that favors you rather more than me.
27:52Those cracks in the vase.
27:57The ones you got when Sutton died.
28:01They could never be repaired, could they?
28:02They could never be repaired, could they?
28:02How can you be sure I won't use this on you?
28:16How can you be sure I won't use this on you?
28:21Be sure I won't use this on you.
28:51You've been a good friend, Alison.
28:56Through the bad times.
28:59You've always been there.
29:09Do you think I'll see Sutton?
29:13I hope so.
29:17Do you?
29:19I don't know.
29:22But at least I won't miss her any more.
29:30There is that.
29:34I wish there was another way.
29:37But there isn't.
29:39Is there?
29:48I'd like to be alone.
29:51I'll wait outside.
29:56Goodbye.
30:00And thank you.
30:04Knowing you has been a pleasure.
30:07It's been a pleasure.
30:08No, no.
30:12No.
30:16No.
30:20No.
30:21No, no, no, no, no, no.
30:51You've reached Dr. Joel Lazarus. Please leave message after the turn.
31:21You've reached Dr. Joel Lazarus. Please leave message after the turn.
31:51You've reached Dr. Joel Lazarus.
32:21You've had to hear all that. But you know I record everything that happens in this room.
32:27She murdered me. She gave me no choice.
32:32You killed him.
32:38I freed them from their pain. And I freed everyone else from the danger of them.
32:44You met Cassandra. She killed him in my office.
32:49Of course I couldn't leave a dead body lying in my office, so I helped her move him.
32:52But what was the likelihood of someone like that keeping a secret?
32:55Or not killing again. So she was my first.
33:01And Harry, do you know what he'd do if he knew we were even talking?
33:05The damage had been done. Coming forward made it worse.
33:08The truth, son, will not always set you free.
33:10I've spent my whole life trying to understand this.
33:15And most people have empathy, morality, some sense of right and wrong, however twisted.
33:23And then there are the others who are beyond repair.
33:31The wiring is too far gone.
33:33What happened to don't let them feel abandoned? Not for a moment.
33:37I didn't abandon them. I saved them.
33:40Self-justifying crap. You killed because you wanted to kill.
33:46You got a taste for it.
33:50Possibly.
33:53But why?
33:56Why, Dad? Why?
33:59After something, something closed in me.
34:03I saw things differently.
34:06You murdered people.
34:10God, we know what it's like.
34:15Don't we? I mean, we know.
34:16I had my own pain.
34:18I had lost a child.
34:20In the worst possible way.
34:24But I never stopped loving you.
34:27Either of you.
34:28And that last day, the only person I wanted to speak to was you.
34:34What would you have said?
34:45I'd have tried.
34:47I'd have tried to make you understand that whatever I'd become,
34:52you're my son, and I've always loved you.
34:55I just wanted my dad back.
35:06That's all I've ever wanted.
35:08That drawing on my suicide note,
35:20do you know what that symbol means to me?
35:23Time isn't linear.
35:31It's cyclical.
35:33Sons become their father's job.
35:36It's in their blood.
35:38History is destined to repeat itself unless we break the pattern.
35:50No, Dad.
35:52You were ill.
35:53I have spent my whole life trying to be like you.
36:03But not anymore.
36:13Not anymore.
36:21Then let me go.
36:23Break the pattern.
36:31Goodbye, son.
36:37Bye, Dad.
36:53Like a circle in a spiral.
37:19Like a circle, like a wheel within a wheel.
37:24Never ending or beginning on a never-spinning reel.
37:31Like a snowball down a mountain or a carnival balloon.
37:38Like a carousel that's turning, running rings around the moon.
37:44Like a clock whose hands are sweeping past the minutes of its face.
37:51And the world is like an apple whirling silently in space.
37:59Like the circles that you find in the windmills of your mind.
38:10Like a tunnel that you follow to a tunnel of its own.
38:18Down a hollow to a cavern where the sun has never shone.
38:25Like a door that keeps revolving in a half-forgotten dream.
38:31Like a door that keeps revolving in a half-forgotten dream.
38:31All the ripples from a pebble someone tosses in a stream.
38:37Like a clock whose hands are sweeping past the minutes of its face.
38:43And the world is like an apple whirling silently in space.
38:49Like the circles that you find in the windmills of your mind.
39:03Hi, this is Laura. Please leave a message and I'll get back to you.
39:07Hi, Laura, it's me.
39:12I really want to see you.
39:19I look into his dead face.
39:45There's blood gushing from his head where I hit him.
39:47And I stare at him on the ground and I feel nothing.
39:52Not happiness, not relief, just nothing.
40:00You told me it was the right thing to do.
40:02You were the one who encouraged me to go to the police.
40:05But I said I wasn't ready.
40:09God came to me and he says,
40:11Would I mind exacting his punishment for him?
40:13And I said, Only too happy.
40:17You know, I record everything that happens in this room.
40:25Sorry, Dad.
40:28Sorry, did you have a moment?
40:32Sons become their fathers, Charles.
40:34It's in their blood.
40:36I forgot.
40:57It's in their blood.
40:58Laura?
41:19Laura?
41:19Laura?
41:28Laura?
41:58I'm sorry.
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