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"Unstoppable Taylor Swift" (2023) is an inspiring and uplifting production that celebrates creativity, determination, and personal growth. The film highlights themes of perseverance, self-expression, resilience, and the pursuit of dreams. With engaging performances, motivating storytelling, and a character-focused narrative, this production provides an empowering and enjoyable viewing experience. Audiences who enjoy inspirational stories, personal journeys, and uplifting narratives will find this film both memorable and motivating.
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05:43Elle n'a pas été donné à la chance d'envoyer une autre contracte
05:50qui nécessitait qu'elle a créé six albums plus d'albums sous le label
05:54en exchange pour les masters des premiers six,
05:57qui elle a pensé que c'était pas acceptable.
06:01Elle a mis en fait la contribution de Kanye West's 2016 «Famous» music video,
06:08où West used a stunt double à jouer Taylor,
06:10qui s'appelle «a revenge porn video, which strips her body naked».
06:16Swift also allèged that Braun colluded with two clients
06:20to bully Swift online and persuaded Kim Kardashian,
06:24who was then married to West,
06:26to arrange an illegally recorded snippet of Swift's phone call with West.
06:31She was alluding to a FaceTime screenshot of Bieber, West, and Braun
06:36that was posted to Bieber's Instagram after Kardashian released the snippet.
06:40Despite being aware of Braun's involvement in harassing Swift,
06:47Borshetta was accused by Taylor of betraying her loyalty
06:50by selling the masters to Braun.
06:52On November 14th, 2019, Swift claimed that Braun and Borshetta had stopped her from singing
07:02some of her older songs at the 2019 American Music Awards
07:06and using some of them in her upcoming documentary, Miss Americana.
07:10She said they were exercising tyrannical control over her music
07:15and claimed Borshetta told her team that she would be allowed to use the music
07:19only if she agreed to not re-record copycat versions of her songs.
07:25Swift commented,
07:26For an estimated $405 million, Braun sold the masters, related videos, and artwork to Shamrock Holdings in October 2020.
07:52Swift claimed that she tried to bargain with Braun, but that he only gave her the opportunity to get the masters back
08:07if she signed an iron-clad NDA that only let her talk favorably of Braun.
08:13She refused to sign the NDA.
08:15She also claimed that Braun mandated Shamrock not to notify her about the sale until it was complete.
08:28After the news came out,
08:30We Love You Taylor started trending worldwide on Twitter,
08:34with Swifties making their feelings known.
08:38Fans wondered if Taylor was connected to the investment fund,
08:41but she released a statement clarifying she wasn't part of this deal at all
08:45and still does not own the masters.
08:49Swift wrote her album Reputation as a defense mechanism
08:53that allowed her to cope with the fallout and public scrutiny.
08:58She secluded herself from press attention
09:00because she needed to protect her mental health
09:03and stop feeling obliged to explain herself.
09:06On the Reputation Stadium Tour,
09:14Swift was inspired by the love she received from fans
09:17to embrace positivity and vulnerability.
09:21Despite her tarnished reputation in the press,
09:23she realized her fans see her as a flesh-and-blood human being.
09:28To this end, she conceived her seventh studio album
09:32as a personal, vulnerable record
09:34that would connect her with her audience
09:36and showcase her strengths as a singer-songwriter.
09:46Swift wrote Lover as a reflection of her personal life,
09:50describing it as very confessional and autobiographical,
09:55yet also playful and whimsical.
09:58She also said the album was a
10:00love letter to love
10:02in all of its maddening, passionate, exciting,
10:05enchanting, horrific, tragic, wonderful glory.
10:09The track list consists of 18 songs,
10:27more than any of her other albums,
10:29depicting many sentiments stemming from love.
10:32The imagery of Reputation was dark and cold.
10:41Lovers' bright colors and themes contrasted this.
10:45However, a common misconception is that
10:48Reputation, lyrically, is all about revenge.
10:51Although some songs do touch on this,
10:54the majority of the album details falling in love with Joe,
10:57amidst all the personal tumult.
10:59Lover acts almost as a sister album,
11:06further detailing the relationship
11:08and the highs and lows of what she'd been going through.
11:11In the closing track, Daylight,
11:14Swift contemplates that love to her now is golden,
11:17rather than burning red,
11:19as she once believed,
11:21a reference to the title track of her 2012 studio album, Red.
11:25The song represents Swift's mature understanding of love,
11:32her personal life,
11:33and her public image.
11:39Although mainly positive,
11:41some critics felt as though Lover was a bit too much like an unnecessary course correction
11:46from Reputation,
11:47rather than a collection of themes Swift was really interested in pursuing.
11:52The album features some career highlights,
11:55Cruel Summer,
11:56Lover,
11:57Cornelia Street,
11:58and Daylight.
12:00However,
12:00fans often feel as though the album is too long,
12:03and includes some of Swift's worst work to date,
12:06including the lead single,
12:08Me.
12:08Because of Reputation's poor critical success,
12:14many believe Swift wanted to distance herself completely,
12:17and start new,
12:18with the pop sounds and bright colors.
12:21Both albums have now become fan favorites,
12:24and have received their flowers,
12:26but at the time,
12:27it seemed as though Taylor was at a crossroads with her career.
12:31Although she was still doing well commercially,
12:33she wasn't at the height she was at a couple years prior during her 1989 era.
12:40The ongoing Kanye feud and relentless tabloid scrutiny had taken a toll on Taylor.
12:48In April 2020,
12:51Taylor Swift was set to embark on Loverfest,
12:54her sixth concert tour in support of the album.
12:57However,
12:58the tour was canceled due to the COVID-19 pandemic.
13:03On July 23rd,
13:102020,
13:11nine captionless black-and-white images of Taylor,
13:14standing alone in the woods,
13:16were uploaded to Swift's Instagram account.
13:19She posted another message on all of her social media platforms,
13:23saying that her eighth studio album would be released at midnight.
13:27Swift stated,
13:28Most of the things I had planned this summer didn't end up happening,
13:32but there is something I hadn't planned on that did happen.
13:37And that thing is my eighth studio album,
13:40Folklore.
13:44The creation of the album was totally unexpected.
13:48Whilst Taylor was in quarantine,
13:50she watched numerous films,
13:52from L.A. Confidential,
13:54Jane Eyre,
13:55Rear Window,
13:55and Marriage Story.
13:58She also read more books than she ever had before,
14:01books that dealt with times past,
14:04a world that doesn't exist anymore,
14:06such as Rebecca by Daphne du Maurier.
14:09The fiction encouraged Swift to write songs that weren't strictly autobiographical,
14:15and instead experimented with alternative points of view.
14:18She allowed her imagination to run wild when she was alone during the period of lockdown,
14:24creating a series of thoughts and visuals that later became Folklore.
14:34Folklore was supposed to be released in early 2021,
14:37but it ended up being done earlier and released without a second thought in July 2020.
14:45She approached the album's creation without subjecting herself to any rules,
14:50and explained that she used to put all these parameters on herself,
14:55like,
14:55how will this song sound in a stadium?
14:58How will this song sound on the radio?
15:01If you take away all the parameters,
15:03what do you make?
15:04And I guess the answer is Folklore.
15:12Swift told Billboard,
15:15it started with imagery,
15:17visuals that popped into my mind,
15:19and piqued my curiosity.
15:21Stars drawn around scars,
15:24a cardigan that still bears the scent of loss,
15:2820 years later.
15:30Battleships sinking into the ocean,
15:32down,
15:33down,
15:33down,
15:34down.
15:35The tree swing in the woods of my childhood,
15:39hushed tones of,
15:40let's run away,
15:41and never doing it.
15:43The sun-drenched month of August,
15:45sipped away like a bottle of wine,
15:48a mirrored disco ball hovering above a dance floor,
15:52a whiskey bottle,
15:54beckoning,
15:55hands held through plastic,
15:56a single thread that,
15:59for better or worse,
16:00ties you to your fate.
16:06Pretty soon,
16:06these images in my head grew faces or names,
16:09and became characters.
16:11I found myself not only writing my own stories,
16:15but also writing about,
16:16or from the perspective of people I've never met,
16:19people I've known,
16:21or those I wish I hadn't.
16:22For folklore,
16:27Swift's lyrics veered towards escapism and romanticism.
16:31She enlisted two producers to achieve her desired sound,
16:35her longtime collaborator,
16:37Jack Antonoff,
16:38with whom she'd previously collaborated on the albums 1989,
16:43Reputation,
16:43and Lover,
16:44and Aaron Dessner,
16:47guitarist for the American indie rock band,
16:49The National.
16:52Due to COVID-19 concerns,
16:54Swift, Antonoff, and Dressner
16:56quarantined remotely,
16:58separate from each other,
16:59creating folklore by continually exchanging digital files
17:02of instrumentals and vocals.
17:05The album ensued from a DIY process,
17:08mixed and engineered by personnel scattered across the U.S.
17:12folklore was written and recorded in secrecy.
17:17Swift, her boyfriend, family, management team,
17:20Antonoff, and Dessner
17:21were aware of the album's creation.
17:24She did not disclose the news
17:26or play the album to her friends
17:27like she did with her previous works.
17:29Near the end of folklore's recording process,
17:36Dessner reached out to his regular collaborators,
17:39including the national bandmates,
17:41to provide instrumentation remotely.
17:50Folklore asserts something
17:52that has been true from the very start of Swift's career.
17:55Her biggest strength is her storytelling,
17:58but this time her sound departed
18:00from pop maximalism and synth-driven
18:03to an alternative indie folk sound.
18:09The stories told in folklore
18:11include a ghost
18:12that discovers its murderer at its funeral,
18:15a young girl with a traumatized friend,
18:19an elderly widow shunned by her community,
18:22recovering alcoholics,
18:23and a love triangle
18:25between the fictional characters
18:26Betty, James,
18:28and an unnamed woman,
18:30as depicted in the tracks
18:31Cardigan, Betty, and August,
18:35with each of the three songs
18:36written from each of the characters' perspective
18:38at different points in their lives.
18:44DIY techniques were used
18:46to produce the album art,
18:48packaging,
18:48and lyric videos for folklore.
18:50Due to COVID-19 issues,
18:53Swift worked without a technical crew
18:55on the visuals
18:56with photographer Beth Garibrandt.
18:59The photo shoot marked a change
19:00from Swift's older shoots,
19:02where she would have
19:03100 people on set,
19:05commanding alongside other people
19:07in a very committee fashion.
19:10She styled herself,
19:11including hair, makeup, and wardrobe,
19:14and prescribed Garibrandt
19:15a specific mood board.
19:17The black and white grayscale filter
19:21on the photos
19:22gives them their distinguishing look.
19:28Swift departs from the
19:30technicolor carnival
19:31of its predecessor,
19:33Lover,
19:34and adopts a rustic,
19:36nature-focused,
19:37cottagecore aesthetic
19:38for folklore
19:39that reflects its lyrical ideas
19:41of escapism.
19:42She opens the music video
19:46for Cardigan
19:47by settling down
19:48at an old piano
19:49in a quaint cabin
19:51in the woods.
19:51But I knew you
19:57Dancing in your Levi's
20:00Drunk under a streetlight
20:01I knew you
20:04Hand under my sweatshirt
20:07Baby kiss it better
20:08I
20:09And when I felt like I was
20:12An old cardigan
20:14Under someone's bed
20:16You put me on
20:18And said I was your favorite
20:21The album was instantly hailed
20:25as Swift's magnum opus,
20:27met with widespread critical acclaim
20:29from critics and fans alike.
20:32Folklore shows Swift
20:33at her most vulnerable.
20:35The emotional weight
20:36and introspective songwriting
20:39made it her most sophisticated
20:40and subdued body of work.
20:43She uses the eccentric debutante
20:49Rebecca Harkness
20:51who married into
20:52the standard oil dynasty
20:53and once lived in Swift's
20:55Rhode Island house
20:56in her story
20:57in The Last Great American Dynasty
21:00to celebrate women
21:01who have a marvelous time
21:04ruining everything.
21:08You're able to visualize
21:09the song's events in your head
21:11like a tale
21:12because it is rich
21:13with historical information
21:15and Americana imagery.
21:18But it also makes
21:19a powerful statement
21:20about how society
21:21views outspoken women.
21:25At the conclusion,
21:27Swift skillfully creates
21:29a distinction
21:29between Harkness
21:30and herself.
21:39The album has been contextualized
21:41as the quintessential lockdown album
21:43and felt like the perfect accompaniment
21:46for the weird loneliness of 2020.
21:49It is hailed as the first great pandemic art.
21:54Folklore and its songs
21:55received five Grammy Award nominations
21:57at the 63rd ceremony,
21:59winning the album of the year.
22:01Swift became the first woman in history
22:03to win album of the year thrice,
22:05and the fourth artist overall,
22:07tied with Frank Sinatra,
22:09Stevie Wonder,
22:10and Paul Simon.
22:20On December 10th, 2020,
22:23Swift once again surprised her fans
22:25with the announcement
22:26of her ninth studio album
22:28and folklore's sister record,
22:30Evermore.
22:30She described Evermore
22:32as an offshoot
22:33of the folklorian woods.
22:37Swift and Dessner
22:38continued to collaborate virtually.
22:41After the release of folklore,
22:43he would give her
22:43instrumental recordings
22:45to which she would add vocals.
22:49She stated the rave reception
22:51of folklore
22:51encouraged her to experiment further
22:54with its musical style.
22:56Evermore was dubbed
22:57a weird avalanche
22:59effecting from folklore
23:00by Dessner.
23:04Evermore's creation
23:05was a more experimental process
23:07than its predecessor was,
23:09during which the duo
23:10did not subject themselves
23:11to any limitations.
23:18Much like folklore,
23:20on December 10th, 2020,
23:22three days prior
23:23to her 31st birthday,
23:25Swift posted nine photos
23:26on Instagram,
23:28which together formed
23:29an image depicting
23:30the singer's back
23:31with her hair in a braid
23:32and facing a forest.
23:36Swift wrote,
23:37You've all been so caring,
23:39supportive,
23:39and thoughtful
23:40on my birthdays,
23:41and so this time
23:42I thought I would
23:43give you something.
23:44I also know
23:45this holiday season
23:46will be a lonely one
23:47for most of us,
23:48and if there are
23:49any of you out there
23:50who turn to music
23:51to cope with missing loved ones
23:53the way I do,
23:54this is for you.
23:56Prior to the Willow Music
23:59video premiere,
24:00Swift said she likens
24:01Evermore to fall and winter,
24:04in contrast to its predecessors
24:05spring and summer.
24:07The more that you say,
24:10the less I know,
24:11wherever you stray,
24:12I follow.
24:14I'm begging for you
24:15to take my hand,
24:17make my plans,
24:18that's my man.
24:19You know that my train
24:21could take you home,
24:22anywhere else is hollow.
24:25I'm begging for you
24:26to take my hand,
24:28make my plans,
24:29that's my man.
24:30The more that you say,
24:32the less I know,
24:33wherever you stray,
24:34I fall hollow,
24:36begging for you
24:37to take my hand,
24:39make my plans,
24:40that's my man.
24:41Evermore is a personal album
24:43that has a strong foundation
24:45in character studies,
24:47narrative myth-making,
24:48and complex first-person storytelling
24:50from third-person views.
24:53It further explores
24:55the fantastical universe
24:56that Swift created with folklore
24:58by using fact and imagination.
25:01The escapist themes
25:05of both albums are similar,
25:07but Evermore is bolder,
25:09unrestrained,
25:10frivolous,
25:11and impressionistic,
25:13digging deeply
25:14into Swift's concepts
25:15of adult love and grief,
25:17in contrast to folklore's
25:19more introspective
25:20and sentimental nature.
25:22It was at this point
25:28in Swift's career
25:29that she was regarded
25:30as the songwriter
25:31of her generation.
25:33These two albums
25:34were career-redefining
25:35and threw emphasis
25:36on Swift's work ethic,
25:38helping critics recognize
25:39her musicianship,
25:41now viewing her
25:42as a dedicated singer,
25:44moving away from her
25:44pop star image
25:45in the mid-2010s.
25:47Being a Taylor Swift fan
25:55is hard work,
25:56and she doesn't make it easy.
25:58Ever since the beginning
25:59of her music career,
26:00the singer has constantly
26:02left Easter eggs
26:03within her work
26:04to leave fans guessing.
26:06Whether it be hidden messages
26:07in lyric booklets
26:09or teasing albums
26:10months in advance,
26:12Swift has been the queen
26:13of teasing fans
26:14since day one.
26:17It's sort of a tradition
26:18that we started
26:19a very long time ago,
26:21Swift said to Jimmy Fallon
26:22about the origins
26:23of her Easter eggs.
26:24I think the first time
26:25that I started dropping
26:26sort of cryptic clues
26:28in my music
26:28was when I was 14 or 15,
26:31putting together
26:32my first album.
26:35While Swift stopped
26:37this tradition
26:37during the reputation era,
26:39she had a habit
26:40of hiding messages
26:41in her old work.
26:43Specifically,
26:43she would hide
26:44liner notes
26:45in the lyrics
26:45of each of her songs
26:47in her CD booklets.
26:49From fearless to red,
26:50all of her lyrics
26:51were lowercase
26:52and the message
26:53could be deciphered
26:54through the capitalized letters.
26:57For 1989,
26:58she did the opposite.
27:01During these eras,
27:03Swift's dating life
27:04was often much more publicized
27:06than it is now.
27:07The singer even used her music
27:09to address her romances,
27:11from hidden messages
27:12to pointed lyrics.
27:17Some of her references
27:18were more obvious,
27:20as the liner message for
27:21should have said no,
27:23just said the name Sam
27:24repeatedly,
27:26addressing a former boyfriend
27:27who allegedly cheated on her.
27:29Others were more subtle,
27:31like the liner note
27:32for last kiss
27:34being forever and always,
27:37a reference to a song title
27:38from her former album
27:39that is said to be about
27:41Joe Jonas.
27:44As the Reputation album
27:45kicked into full gear,
27:47the music video
27:48for her lead single,
27:49Look What You Made Me Do,
27:51was full of Easter eggs.
27:53Since she wasn't doing
27:54interviews during this era,
27:56Swift said it was her way
27:57of communicating
27:57and staying connected
27:59to her fans.
28:00Literally the whole video
28:02is just an Easter egg,
28:04she said to Entertainment Weekly.
28:06There are thousands of Easter eggs.
28:08There are some that people
28:09still haven't found.
28:11It will be decades
28:12before people find them all.
28:17One of Swift's biggest Easter eggs
28:19came in the form
28:20of an Instagram post
28:22in April of 2020,
28:24when she shared a photo
28:25of herself with a caption,
28:27Not a lot going on
28:28at the moment.
28:29Given that this was
28:30during the height
28:31of the pandemic,
28:32fans did not consider
28:33this an Easter egg
28:34at the time.
28:35Of course,
28:36once the singer revealed
28:37she was releasing
28:38her eighth studio album,
28:40Folklore,
28:41all became clear.
28:48As Folklore's release
28:49had fans scrambling
28:50to figure out
28:51all her Easter eggs,
28:53one major one
28:54was William Bowery,
28:56who was created
28:57on two Folklore tracks,
28:58and is later credited
29:00on three forevermore.
29:02Swifties were quick
29:03to figure out
29:04that William Bowery
29:05was a pen name
29:06for Swift's boyfriend,
29:07Joe Alwyn.
29:09As his great-grandfather's name
29:10was William Alwyn,
29:12and the Bowery Hotel
29:13was where Swift and Alwyn
29:15first hung out in 2016.
29:18Swift confirms
29:19William Bowery's identity
29:21in her Disney Plus film,
29:22teasing that
29:23William Bowery is Joe,
29:25as we know.
29:28on February 11th, 2021,
29:35she announced
29:35on Good Morning America
29:37that the re-recording
29:38of Fearless,
29:39to which she added
29:40the subtitle,
29:41Taylor's version,
29:42was the first in the series
29:43of her re-recorded albums.
29:48She released
29:49an anagram-filled video
29:51from The Vault,
29:52which referred to
29:53all of her unreleased songs
29:55from the album.
29:56The Vault Door
29:57is about to be
29:58as unhinged
29:59as you think I am
30:00after you watch this video,
30:02she said on social media.
30:05Level expert.
30:06Happy decoding!
30:09Fans managed to
30:11decode the titles
30:12of the six new Vault tracks
30:13and the name
30:14of one of her collaborators,
30:16Keith Urban,
30:17who is featured on a song.
30:19The Vault tracks
30:20Swift wrote
30:21when she was
30:21in her teenage years
30:22and intended to include in,
30:25but ultimately left out of,
30:27the original Fearless release.
30:29Swift said
30:30by including
30:31these unreleased tracks,
30:33which she absolutely adored,
30:35but were held back
30:37for different reasons,
30:38the re-recorded album
30:39proved that
30:40the artist
30:41is the only one
30:42who really knows
30:43that body of work.
30:44The same arrangements
30:50and lyrics
30:51are used as they were
30:52on the original recordings,
30:54which prompted
30:55numerous critics
30:56to note that
30:56a casual listener
30:57might not know
30:58any differences,
31:00but underlined
31:00that the production
31:01includes more defined instruments,
31:04a crisper mix,
31:05and greater quality.
31:08Journalists described Fearless,
31:10Taylor's version,
31:11as a key event
31:12in raising awareness
31:13for artists' rights
31:14in the music industry.
31:16They considered
31:16the Taylor's version branding
31:18an effective strategy
31:20in mobilizing Swift's fans
31:22to consume
31:22the re-recorded album
31:24over the original.
31:26The album debuted
31:28at number one
31:29on the Billboard 200 chart,
31:31a return to the number one spot
31:3313 years
31:34after the original release
31:36in 2008.
31:43On June 18, 2021,
31:58Swift revealed
31:59that Red,
32:00Taylor's version,
32:01would be released
32:01on November 19, 2021
32:03and would contain
32:05all 30 songs
32:06that were meant
32:07to be on the 2012 version.
32:09She also teased
32:11the original
32:1110-minute-long version
32:13of the fan-favorite track
32:14All Too Well,
32:16which had been highly requested
32:17by fans
32:18as part of the track listing.
32:22On August 5,
32:24Swift posted a cryptic video
32:26across her social media
32:27teasing a word puzzle
32:29for the fans to solve.
32:31It spelled out
32:32Chris Stapleton,
32:33Phoebe Bridgers,
32:35Babe,
32:36Better Man,
32:37and All Too Well
32:3810-minute version.
32:44Swift revealed a teaser
32:46for All Too Well,
32:48the short film.
32:50The teaser
32:51showed a vintage car
32:53driving past a road
32:54bounded by
32:55autumnal woods,
32:56and it was written
32:58and directed by Swift,
32:59starring herself,
33:00Sadie Sink,
33:01and Dylan O'Brien.
33:04This song has always
33:05been hailed as
33:06Swift's magnum opus
33:08by critics and fans.
33:10The song details
33:11the story of her breakup
33:12with actor
33:13Jake Gyllenhaal.
33:17Before All Too Well
33:18was cut down
33:19to a 10-minute version
33:20and then more
33:21to a final
33:225-minute and 28-second version,
33:25American songwriter
33:26Liz Rose,
33:27with whom Swift wrote the song,
33:29believed it was
33:30probably a 20-minute song.
33:34Memories
33:34are the building blocks
33:35of All Too Well.
33:37The song relies
33:38on specifics
33:39of the rise and fall
33:40of a romantic relationship
33:42drawn from memory.
33:45Apart from mentioning
33:47more expository details,
33:49All Too Well,
33:5010-minute version,
33:51provides greater context
33:53than the 5-minute version.
33:56Swift mentions
33:57the age difference
33:58between her and the subject
33:59several times
34:00and states how the subject
34:02used it as an excuse
34:03to terminate their relationship
34:05but continued to date
34:06women of her age.
34:08She recollects
34:09the build-up
34:10and intensity
34:11of falling in love
34:12and acknowledges
34:13her naivety.
34:15The track was met
34:16with universal critical acclaim,
34:18often hailed
34:19as the standout track
34:20on Redd
34:21and a career highlight
34:22for Swift.
34:24Publications have said
34:25the release of Redd,
34:26Taylor's version,
34:27All Too Well,
34:2910-minute version,
34:30the accompanying short film,
34:31and Swift's
34:32re-recording venture
34:33collectively is one
34:35of the biggest newsmakers
34:36in pop culture moments
34:38of all time.
34:39Back before we lost,
35:05the one real thing
35:06you've ever known
35:07it was rare
35:08I was there
35:09I remember it
35:11all too
35:13At the 2022 MTV Video Music Awards,
35:22Swift received five nominations
35:24for the short film,
35:25winning three of them.
35:27In her acceptance speech
35:28for the Video of the Year Award,
35:30she announced
35:31a brand new studio album,
35:33scheduled for release
35:34on October 21, 2022.
35:37Soon after,
35:38the phrase
35:39Meet Me at Midnight
35:40and a clock
35:41that was ticking down
35:42to midnight
35:43were added
35:44to Swift's official website.
35:46Some of Swift's tracks
35:47on Spotify
35:48had their song canvases
35:49changed to a picture
35:50of a clock.
35:57At midnight,
35:59Swift posted
36:00across her social media accounts
36:01that her 10th studio album
36:03would be titled Midnights.
36:05She described the album as
36:07the stories of 13 sleepless nights
36:10scattered throughout her life.
36:14Swift's official website crashed
36:16due to heavy traffic
36:17following the posts.
36:19According to Swift,
36:20the subject matter of Midnights
36:22was inspired by five major topics.
36:25Self-hatred,
36:26revenge fantasies,
36:27wondering what might have been,
36:29falling in love,
36:30and falling apart.
36:35When Swift's and Antonoff's partners
36:39Joe Alwyn
36:40and American actress
36:41Margaret Qualley,
36:43respectively,
36:44were filming in Panama
36:45for the 2022 romantic thriller movie
36:47Stars at Noon,
36:49they decided to team up
36:50to co-produce Midnights.
36:54Since 1989,
36:56Jack Antonoff
36:57has worked with Swift repeatedly.
36:59Swift and Antonoff
37:00collaborated in New York City
37:02while their co-stars shot.
37:04the duo wrote
37:0511 of the album's
37:0613 songs together.
37:08Of the remaining two,
37:10Swift wrote the track
37:11Vigilante Shit Alone
37:12and Sweet Nothing
37:14with Alwyn,
37:15who is credited with his pseudonym
37:17William Bowery.
37:21In contrast to folklore
37:23and Evermore's indie
37:24and alternative folk sound,
37:27Swift set out to make
37:28an experimental pop album,
37:30extending her alternative approach
37:32to synth-pop sounds.
37:34Midnights' distinctive sound
37:35has been described
37:36as maximalist minimalism,
37:39which incorporates soft melodies,
37:42emphasized beats,
37:43and vintage synthesizers.
37:46After experimenting
37:48with fictional plotlines
37:49and characters
37:50in folklore and Evermore,
37:53Swift makes a return
37:54to lyricism
37:55that is primarily
37:56autobiographical
37:57with his album.
37:59The New Yorker
38:00said Midnights
38:01is a collage
38:02of various emotions
38:03during
38:04the spontaneous,
38:06restless headspace
38:07of nighttime thought.
38:09With a distinctive
38:10confessional,
38:11but cryptic tone,
38:12the key topics
38:13include feminism,
38:15insecurity,
38:16anxiety,
38:17and self-criticism.
38:18The lead single,
38:23Antihero,
38:24examines her mental
38:25insecurities in depth,
38:27detailing the things
38:28she hates about herself
38:29and her struggle
38:30with not feeling
38:31like a person.
38:33Themes addressed
38:34include ghosting acquaintances,
38:37camouflaging narcissism
38:38as altruism,
38:40fears of relationships
38:41being transactional,
38:42and Swift's inability
38:44to co-mingle with people,
38:46normally due to
38:46her celebrity status.
38:48Upon the release
38:51of Midnights,
38:52Antihero
38:52earned over
38:5317.4 million plays
38:55in its first 24 hours
38:57on Spotify globally,
38:59becoming the biggest
38:59opening day
39:00for a song
39:01in the platform's history.
39:02I'm leaving
39:02cause you got tired
39:04of my scheming
39:05for the last time
39:07It's me
39:08I'm the problem
39:10It's me
39:11At tea
39:12time
39:14Everybody agrees
39:16I'll stand
39:18Directly at the sun
39:19But never in the mirror
39:21It must be exhausting
39:23Always rooting
39:24for the anti-hero
39:26Midnights is Swift's
39:32most commercially
39:33successful album
39:34to date
39:34It broke a string
39:36of sales
39:37streaming,
39:38digital,
39:38vinyl,
39:38and official chart
39:40records globally
39:41According to Universal Music Group,
39:48Midnights moved 3 million
39:51global album equivalent units
39:53in its first week
39:54and over 6 million
39:55in two months
39:56It broke all-time records
39:58on Spotify
39:59such as those
40:00for the most streamed album
40:01in a single day
40:02with 186 million streams
40:05in its opening day
40:06surpassing the previous record
40:08of 155 million streams
40:10by Drake's certified lover boy
40:12She scored the most historic week
40:16in the 64-year history
40:18of the Billboard Hot 100 Songs chart
40:20as she was the first artist
40:22to claim the survey's entire top 10
40:25in a single frame
40:26Various publications dubbed Swift
40:31as the paramount pop star
40:33of the 21st century
40:35wielding a commercial
40:36and cultural dominance
40:38surpassing those
40:39of her contemporaries
40:40Swift had now become unstoppable
40:45Her career has lasted
40:46longer than that of the Beatles
40:48and even broke the band's
40:50once deemed unbeatable records
40:52Critics lauded her ability
40:56to remain culturally relevant
40:57and successful
40:5818 years into her music career
41:01writing that
41:02The Rolling Stones
41:03Bob Dylan
41:04David Bowie
41:05and Bruce Springsteen
41:06were past their prime
41:08at that age
41:08During her promotion
41:12of midnights on talk shows
41:13such as
41:14The Tonight Show
41:15starring Jimmy Fallon
41:16and The Graham Norton Show
41:18in October 2022
41:19Swift hinted
41:21at an upcoming tour
41:22On November 1st
41:26she announced
41:27on Good Morning America
41:28and through her
41:29social media accounts
41:30her sixth concert tour
41:32The Eras Tour
41:33describing it as
41:34a journey
41:35through the musical eras
41:37of her career
41:37The initial U.S. dates
41:41were so popular
41:43that several politicians
41:44and government officials
41:46demanded the tour
41:47be brought to their country
41:48or city
41:49Everyone knew
41:53getting tickets
41:53for Taylor Swift's
41:54The Eras Tour
41:55was going to be a challenge
41:57but no one
41:58especially not Ticketmaster
42:00the platform responsible
42:02for distributing said tickets
42:03seemed remotely aware
42:05of just how messy
42:07the process would turn out to be
42:08The Verified Fan Program
42:12from Ticketmaster
42:13enables users
42:14to sign up in advance
42:15and have access
42:16to pre-sale tickets
42:17The highest registration
42:20in the site's history
42:21over 3.5 million individuals
42:25registered for the program
42:26in advance of Swift's tour
42:28and roughly 1.5 million
42:30were allowed access
42:31to the pre-sale
42:32However, according to Ticketmaster
42:36when the pre-sale began
42:38on November 15th, 2022
42:40bots and fans
42:41without invite codes
42:43crowded the site
42:44causing it to crash repeatedly
42:46and aggravating fans
42:48to the point of rage
42:49Fans complained
42:52of hours-long wait times
42:53that resulted
42:54in technical glitches
42:55as well as pre-sale phases
42:57that were rescheduled
42:58or cancelled
42:59On November 17th, 2022
43:07Ticketmaster announced
43:09that the general sale
43:10wouldn't open at all
43:11due to extraordinarily
43:13high demands
43:14on ticketing systems
43:15and insufficient remaining
43:17ticket inventory
43:18to meet that demand
43:19Tomorrow's public on-sale
43:21for Taylor Swift
43:22The Eras Tour
43:23has been cancelled
43:24The company tweeted
43:26Soon after tickets
43:31became available
43:32on Ticketmaster
43:33they went on sale
43:34all over resale sites
43:35selling from $200
43:37to over $22,000
43:39Even some of the few
43:41who did initially
43:42get to purchase tickets
43:44may have paid more
43:45than they expected
43:46because of a dynamic
43:47pricing model
43:48On November 18th, 2022
43:52Swift took to Instagram stories
43:54to address the controversy
43:55writing a long statement
43:57that read
43:58in part
43:58There are a multitude
44:00of reasons
44:01why people had such a hard time
44:03trying to get tickets
44:04and I'm trying to figure out
44:06how this situation
44:07can be improved
44:08moving forward
44:08On December 12th, 2022
44:16Ticketmaster began
44:18notifying select fans
44:20identified as fans
44:22who received a boost
44:23during the verified fan presale
44:25but did not purchase tickets
44:27of a second ticket buying opportunity
44:30to purchase a maximum
44:31of two tickets per user
44:33through tickets today
44:34Ticketmaster sold the first
44:36US leg's remaining
44:37170,000 tickets
44:39over four weeks
44:41However, amid all the drama
44:45the tour received rave reviews
44:47from music and entertainment critics
44:49who praised both
44:50the high-end spectacle
44:52and polished artistry
44:54of the tour
44:54People would come up to me
45:12and they'd be like
45:12you're gonna just like
45:13do a show
45:14with like all the albums in it
45:16and I was like
45:16yeah
45:17it's gonna be called
45:18The Arrows Tour
45:19The versatility of the show's music
45:25visuals
45:26and performance art
45:27was often a point of praise
45:29in its reviews
45:30Going through every era
45:32of her musical career
45:33creates a spectacle
45:34As Swift had released
45:37four new studio albums
45:39since her reputation tour
45:40in 2018
45:41she thought this would be
45:43a good way for fans
45:44to be able to hear
45:44all the different songs
45:46The Arrows Tour
45:49broke ticket sales records
45:51worldwide
45:52On the first day
45:53of the US pre-sale alone
45:55the tour sold
45:56over 2.4 million tickets
45:59the most sold by an artist
46:01in a single day
46:02and on August 31st, 2023
46:05Swift announced
46:06the concert film
46:07Taylor Swift
46:08The Arrows Tour
46:09directed by Sam Wrench
46:11The Arrows Tour
46:15had a tremendous effect
46:16on the entertainment world
46:17the music business
46:19and more
46:20It was said to be
46:21one of the most significant
46:2221st century
46:23cultural phenomena
46:25attracting attention
46:26comparable to
46:28Beatlemania
46:28in the 1960s
46:30The tour improved
46:32the local economies
46:33of its stops
46:34by boosting
46:34small businesses
46:35and tourism
46:36drew sizable crowds
46:38of fans
46:38outside stadiums
46:40dominated news
46:41cycles
46:42and social media
46:43prompted government
46:44and organization tributes
46:46and accelerated
46:47the public's consumption
46:48of her discography
46:50Critics often described
46:52the Arrows Tour
46:53as a monocultural event
46:55demonstrating Swift's
46:57impact on popular culture
46:58Swift is regarded
47:06as a trailblazer
47:07of the 21st century
47:09for her diverse music ability
47:11songwriting skill
47:12and business acumen
47:14all of which have served
47:16as an inspiration
47:17to musicians
47:17entrepreneurs
47:18and businessmen
47:20all over the world
47:21She started out
47:24with country music
47:25migrated into pop
47:26and experimented
47:28with alternative rock
47:29indie rock
47:30and electronic sounds
47:31erasing the lines
47:33between musical genres
47:34her unique mix
47:36of chart success
47:37critical praise
47:38and fervent fan devotion
47:40has been characterized
47:42by critics
47:42as a cultural quintessence
47:44allowing her to have
47:45an enormous effect
47:46on the music industry
47:47and beyond
47:48there really is
47:59no stopping
48:00Taylor Swift
48:01her career
48:02has had its highs
48:03and lows
48:03but she is now
48:05untouchable
48:06and unstoppable
48:07but she is so
48:11visible
48:12and a repayant
48:12must not be
48:14available
48:14so
48:15на
48:16asa
48:17and
48:17asa
48:18asa
48:18a
48:19还有
48:49...
49:19...
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