సంతాన ప్రాప్తిరస్తు సినిమా హీరో, హీరోయిన్ తమ కొత్త చిత్ర విశేషాలను యాంకర్ శ్రావంతితో పంచుకున్నారు. సినిమా కథ, షూటింగ్ అనుభవాలు, తమ కెరీర్ జర్నీ, ప్రేక్షకుల అంచనాలు ఇలా ఎన్నో విషయాలపై వారు ఆసక్తికరంగా మాట్లాడారు. ఈ ఎక్స్క్లూజివ్ ఇంటర్వ్యూలో ఫన్, ఫ్యాక్ట్స్, ఎమోషన్స్ అన్నీ కలవు. తప్పక చూడండి!
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NewsTranscript
00:00Namaskaram Telugu Prekshikulaki
00:02Kottta Kadal anna, Kottta Concept lanna, Kottta Prima Kadal anna
00:06And Alane Kottta Actors anna
00:08Chalala Iishti Padduthu Untaaru
00:10So, Ipppudu Kudha Kottta Concept Ho
00:12Senior
00:14Chandani Chaudhari
00:16Santana Prapti Rastu
00:18We went to the team, Avikrantha Garu
00:20And Chandani Chaudhari Garu is here
00:22Thank you so
00:24Congratulations for getting good response
00:26And Alante Sensitive Topic
00:28And we missed entertainment
00:30And we missed the family drama
00:32And we missed the family drama
00:34And we missed the applause
00:36So, congratulations for that
00:38Thank you so much
00:40So, busy, busy, tired
00:42Still very hectic
00:44Very hectic
00:46So, there is a game in your mind
00:48This is a game in my mind
00:50This is a game in my mind
00:52This is a game in my mind
00:54This is a game in my mind
00:56So, we will discuss
00:58And we will discuss
00:59What did you say?
01:00Have you seen the hero?
01:01No, no
01:02You don't have time
01:03You don't have time
01:04No, you don't have time
01:05No, you don't have time
01:06No, you don't have time
01:07Relatable concept
01:08You don't have time
01:09I don't have time
01:10You don't have time
01:11Even if you don't have time
01:12I don't have time
01:13So, we have a problem
01:14So, we have an idea
01:15Little and more
01:16This is not a problem
01:17And different solutions
01:19There is, of course
01:20We can choose cinema
01:21And you can choose a great topic
01:22You can choose one great topic
01:23And how relatable are you to this?
01:26And how relatable are you to this?
01:28Problem is, I am not...
01:29No, no, normal.
01:30But actually, a softer life...
01:32You don't want to choose anything.
01:34No, definitely.
01:35100%.
01:36My friends and my friends are struggling with infertility.
01:41I don't want to talk about attention in the past.
01:46But in this script, I realized this is actually a burning issue.
01:51In India, almost 10 couples, they are suffering from this issue.
01:55So, when I came back, I was like...
01:58And I was like, I was like, I was like, average three years for each couple.
02:01I was like, start to do this, 3 out of 10.
02:06And for three years, I was like, it's just a lot actually.
02:11And I am, I am from a softer background.
02:14So, our software engineers discussed all together.
02:17Stressful life, sedentary life,
02:19a little bit, a little bit, a biryani, a coffee, a tea, a smoking,
02:24and weekend, I was like, I am very tired of the stress.
02:29So, the body is a toll.
02:31My software job was, I think, after 3-4 years, I was 10 kilos heavier.
02:36I am like, after photos, I am like, I am like, I am like, I am like, I am like.
02:40It's all because of the lifestyle.
02:42That's why we lose the changes, but not everyone has the privilege or the time.
02:46So, if you're a software engineer, if you're a software engineer,
02:51it's like, oh, I could connect myself to the story.
02:56And this is the story that I've told.
02:59A lot of people, if you don't know what you're thinking about,
03:03you don't have to worry about it, you don't have to worry about it.
03:08You don't have to worry about it, parents, extended family.
03:12But, in the main script, you're making a point.
03:17You're making a point.
03:18You're making a point.
03:20You're making a point, you're making a sugarcoat.
03:23You're making a good taste.
03:26You're making a good message, you're making a good burning issue.
03:29You're making a good entertainment.
03:31It's organic to the cinema.
03:33So, that's what I liked in the script.
03:35If you're making a good cinema, if you're making a good character,
03:38you're making a separate importance.
03:41If you're making a good selection,
03:44you don't have to worry about it automatically.
03:47What do you think about it?
03:48It's not starting at all.
03:51It's generally normal to start.
03:56It's been a good thing.
04:01It's been a good thing.
04:02It's been a good thing.
04:03It's been a good thing.
04:04We have to get a good role in this slogan,
04:10we have to get on board with the VENT,
04:15we have to get on board with this slogan,
04:19we have to get a new one,
04:21we have to get a new one,
04:22we have to get a new one,
04:24and we have to get the frequency of work.
04:28So at this point of time,
04:30I saw that 95% of scripts that come my way are female and weightage characters.
04:38There are a lot of time in this point and a lot of trust is built.
04:45But now there is a maximum of scripts, thankfully.
04:49Do you know that you are happy to continue in the future?
04:53No, I am happy.
04:55I am very happy to be in a commercial angle.
04:59But because of that, I am comfortable with the flow,
05:06I am very happy with it.
05:10In the first film, if you are doing one film,
05:14I have a great experience.
05:17Because you are doing one film too.
05:20I have a great experience.
05:22So, what is the difference between you?
05:26So, the main thing is that,
05:28if you have a break,
05:29we are doing a film.
05:30We are going to be a producer,
05:31we are going to be a director,
05:33we are going to be a director,
05:34we are going to be doing these calls.
05:35So, it was very stressful.
05:36That's why,
05:37you have to choose what you want to be.
05:39Are you into direction and writing?
05:41Or do you want to become an actor?
05:43Or do you want to stay a producer?
05:44Obviously, it is not a producer.
05:45So, I felt that acting is where I want to be.
05:49So, after that,
05:50because we have deficiencies,
05:52we have a lot of weaknesses,
05:53we have a lot of changes.
05:54Then, we have improved.
05:56Then, we have a theater group,
05:58we have a train,
06:00all over India,
06:01we have stage shows,
06:02we have 6-9 months,
06:03we have time to get it.
06:04So, I am comfortable with that.
06:06So, in our country,
06:08we start to go back,
06:09we are going to start to go back and try to go back,
06:11and see how we are going to start.
06:12So, we're going to be a little bit about the things...
06:14I'm not sure what we are going to be doing,
06:16I'm not sure what we are going to be a commercial hero,
06:17so I think we are going to be a little bit of a hero.
06:19So, I am getting into that path,
06:21we are going to be a new template move.
06:23So, I need to be a new template move.
06:25I am not sure how the work out is going to be done.
06:27So, after that,
06:28the Telugu audience has a great experience as well.
06:31Exactly.
06:32They have seen various kinds of the experience.
06:33In the Tamil and the Tamil,
06:34I don't know.
06:35It's not a Korean, French.
06:37Exactly.
06:38So they're trying to look at a good content,
06:41and they're trying to look at the same content,
06:43so it's the same thing.
06:44They're trying to look at the template,
06:45and they're trying to repackage it,
06:46and they're trying to look at it.
06:47So that's why they're trying to look at it.
06:48They're trying to look at it.
06:49Okay, you can look at a relatable subject,
06:51but it has to be a novel subject.
06:53And it has to have a social impact.
06:55My audience is related to the character,
06:57or has a little bit of a line,
06:59it has to have a social impact.
07:01And it's a great thing.
07:02It's a great thing.
07:03It's great.
07:04I'm going to read the process,
07:05and I'm going to read the script.
07:07I'm going to read it first time.
07:09This is a really good story.
07:11This is a good story.
07:13But it's a great entertainment.
07:15It's a beautiful script.
07:16It's a great character.
07:17I agree to this.
07:19I'm going to relate to the children's.
07:22Because they have a movie about the topic of the cinema
07:25which is on November 14th.
07:28I don't know.
07:29I don't know if you're into it.
07:32You can't do it.
07:33It's a great day.
07:34I'm going to say,
07:35there are three dates.
07:37Then it's like 14 children's.
07:39They're going to do it.
07:40But we're not going to do it.
07:41They're going to be like,
07:42OTT, distributors,
07:43but they're not going to do it.
07:44So the producers told me,
07:46I want to ask that they're going to do it.
07:48Somehow,
07:49they're going to do it.
07:50So we're all happy.
07:52So coincidentally,
07:54accidental.
07:55Because of that, it's not as much as possible.
07:58They also play a lot of cinema.
08:01They play a lot of acting, and they play a lot.
08:06So, everything is on board.
08:08So, you have to do a collaboration.
08:10Is it your choice? Is it producers or director's choice?
08:13So, producer's choice and director's choice.
08:15That's why Telgambay and Kavali actually.
08:19So, I also noticed that in my last movie,
08:21they were like Bombay, Punjabi.
08:23So, that's why Telgambay was open.
08:25So, he came to me and he came to me and he came to me.
08:28And then, Telgambay, he came to me and he came to me and he came to me.
08:33The first Telgambay, the first name is Shandani Chaudhary.
08:36I am so grateful for that.
08:38So, director, he was very insistent.
08:40He said, I wanted Telgugal.
08:42So, obviously, he came to me and he came to me.
08:43But, if we don't know, we can talk about the script.
08:46So, I think Khaleesi's script.
08:51But, one thing I liked in my first time,
08:54I just wanted to tell you about my story.
08:58I wanted to tell you about the story.
09:00So, they agreed.
09:01But, the only thing I liked in my first time,
09:03I wanted to tell you about the script.
09:05So, I wanted to tell you about it every 4th Friday.
09:07There is a pressure on the waitress to tell you about it.
09:11I tell you about it every time, a little time, a little time.
09:13So, they want to move on.
09:15Yes, yes.
09:15So, he asked my uncle to tell you about it.
09:17I told you about the shoot they wanted to start Tundarga.
09:20So, they don't care about it.
09:26So if I take this time, I'm supposed to...
09:29Basically your first thing is that it's a point to point where there are going to be a piece of paper,
09:36you know, OK I'm going to do this on my role.
09:38Yeah, normally we don't have anything about cinema in the movie.
09:40The second cinema is all going to go on.
09:43Because we must not consider that big cinema in a lot of times,
09:48it's always important to know which we have in mind.
09:52So, when I was in Kangar, I was in Kangar, and I had a lot of doubts.
10:00Okay?
10:01Where is the question mark?
10:04So, when I was concerned, I was very concerned that I was a director, or I was very confident.
10:10I was wondering, why is it happening? Maybe I was in Kevin, or did I miss something?
10:14The question mark is, before I get on board, I have to talk very clearly.
10:19So, I had to implement that in my career, personal life, and personal life.
10:31So, I had to implement that in one week's time. Sorry, I didn't.
10:34I didn't say that.
10:36I didn't say that.
10:37Two weeks.
10:38I think that I was a lot of people don't know.
10:42I think recently, there was another choice after her.
10:46So, they started talking to that other choice, also.
10:49I don't know.
10:50I don't know.
10:51I don't know.
10:52Okay.
10:53So, I was very interested in that.
10:55And, almost as advanced as well, it took so long.
10:58Okay.
10:59Do you have an impression on Kangar, and you have an impression on Kangar, and you have an impression on Kangar.
11:03Good question.
11:04You have an impression on Kangar.
11:05I don't know.
11:06I don't know.
11:07First, honestly, I did a lot of colour photos in lockdown time.
11:11And, after that, I did a lot of work.
11:14Then, I did a lot of work.
11:15I did a lot of work.
11:16I did a lot of work in the theatre and everything.
11:19So, obviously, I liked her.
11:22So, she is a very senior to me in many ways.
11:29So, she is definitely very senior to me in many ways.
11:30So...
11:31There is no question.
11:32Impression.
11:33Impression.
11:34Impression.
11:35Impression.
11:36Not as an actor.
11:37So, she has to be very senior.
11:40Sorry, I know.
11:41You can do whatever you want in life, but Elina, she has a way to get a attitude.
11:47Like, you know, if she is home today and she has a bit, or she has a bit, whatever you are looking at.
11:52But, from the first meeting, she was very cordial, she has a lot of work.
11:57So, she is just a lot of work.
11:58Anyways, I just think that she has to beстро as a little.
12:01But after that, we did a couple of workshops, and I started speaking with her.
12:05Then I realized she is very down-to-earth, very open and very energetic and there is a lot of energy around to the end basically.
12:17Then after that, throughout the movie we became good friends and so now I know what she is and I think she knows what I am.
12:25Nice. So when the trailer is released, you will be able to separate each other. So if you have 10 compliments, you can call the industry, you can call the industry, you can call the gang.
12:39My friends, my director friends, actor friends, everyone who chose, I chose the director and I chose the trailer.
12:47However, there are many, many, many things.
12:55In fact, I have to tell you about this point and I have to tell you that there are a lot of non-wage jokes.
13:03Exactly.
13:04But there are many films in the cinema and I am actually very glad that there are a lot of bi-paddha.
13:12Because if you are able to film or film or film, you are able to do it.
13:17You are able to do it in my point of view.
13:20If you are able to do it, you are able to do it in my point of view.
13:24So I am so happy for you.
13:28I feel like this will be another feather in your list.
13:33And especially my biggest concern was how my family is going to take this film.
13:40Because of the point involved.
13:43Exactly.
13:44So family, especially the elders of the family, they are very good and positive responses.
13:50They are very happy and they are very happy.
13:55So I am very happy.
13:58So I am very happy with the trailer first to choose to choose to choose to choose to choose to choose.
14:03So I am very happy with the interview.
14:05Yes, I was promoting the trailer.
14:06If you have to release the trailer, you will not release the trailer.
14:08If you are going to release it, you will not be able to do it.
14:10So I am very happy.
14:11I am very happy with the trailer.
14:12I am so glad that I am going to do it.
14:17So I am very happy about it.
14:18Nice.
14:19So it is a very happy moment.
14:29I am very happy that you should choose to choose to choose a second film when you are confident and when you are very confident.
14:30So definitely when you are in the end of the film, you will need to decide to consider your trust.
14:31So you will definitely decide what the best part is.
14:33So your main point is that the story is that the only thing you do to carry the whole thing from the beginning to the end in the frame.
14:40So there are just so many emotions and so many variations.
14:44First time, you have a happy-go-lucky, like a now-face.
14:48Then you get stressed out.
14:50You get stressed out.
14:52Then you get emotional.
14:54You get emotional.
14:56You get emotional.
14:58You get emotional, you get emotional.
15:00You get emotional.
15:02You get emotional.
15:04You get emotional.
15:06You get emotional, you get emotional.
15:08You get emotional.
15:10There are very fine details.
15:12How did you get emotional?
15:14Shady?
15:16Stress feelings?
15:18Aird?
15:20Aird?
15:22Good or weird?
15:24So I was a little tense.
15:26I can't tell you what the situation is like.
15:28But I had confidence in the work.
15:30But, who I have to really appreciate here is my director, Sanjeev Reddy.
15:34From day one, he pampered me like a baby, like,
15:38and first thing I wanted to do is look at the movie,
15:41and after the narration, and I agreed to do the movie, he said,
15:46gain 5 kilos and come back.
15:48That's why I wanted to look at the park, I wanted to look at that kind of moralish frame,
15:54handsome boy, I want you to be a softer boy,
15:58because I want to look at that next door,
16:01I want to be a dead man, I want to be a dead man,
16:05after a month, five weeks,
16:07I want to look at the glasses,
16:11glasses, glasses, glasses,
16:13glasses, glasses, glasses, glasses,
16:19so when you first photo shoot is just me,
16:23What is that?
16:25What is that?
16:26It's a lot of different things.
16:28But after that, I started a workshop.
16:30So, after that, I did one or two days workshop.
16:36So, the day I was on the set,
16:39I was able to do it literally in Vikrant.
16:42So, that credit I had to get to Sanjee Redgaard.
16:45And casting, there are all the top most comedians.
16:50And now, there are all the trends.
16:52So, how fun on the sets?
16:54I don't know.
16:56Do you know combination, collaboration?
16:59It was outright fun.
17:01I saw a software office.
17:02I was in my office with Abhinav, Jeevan.
17:04Or, if I had a target of being the main target,
17:08I was able to do it again.
17:11At least, Abhinav and Jeevan,
17:13they are veterans, like that.
17:15I don't know if I was there anymore.
17:19It's hard to stop yourself.
17:27After that, that was the toughest for me.
17:31When I was in the show, I was in the show.
17:34I was shooting three days, four days.
17:37So, he was talking to me and talking to me,
17:41and then I was talking to him and I was just like, oh, he will joke.
17:43So, it was very hard.
17:47But, in general, Benil Kisharah, he's like a brother too man. He's so close.
17:52Here I know how to expect him. I always talk to him and he is asking me to ask him.
17:57And Tarun and me, we bonded a lot over this movie.
18:00Even if he comes to some kind of Tarun and I respect him a lot.
18:04In a way, he's one of my idols.
18:06He's done independent filmmaking.
18:08He's sold on Vinicam Gita and a short film film.
18:11At that time I used to follow Tarun.
18:13So, Tarun is the 2nd movie.
18:14So that's why Madhra Sridhargaar is working on the show.
18:17So we are collaborating with Tanatone.
18:20So I felt so happy and madharun.
18:22And Abhinav, I always liked him from Veenagra and KMD too.
18:24So when I was filming Mughuru, I felt so actually happy.
18:28And they added so much strength to the movie actually.
18:31If this movie was just about me and Chanani and each other one or two characters,
18:37Borgotas.
18:37Borgotas had actually.
18:39So now we will add all the flavors, so it became so like a manhichi biryani and the manhini flavors added.
18:46So it's yummy.
18:47It's okay, but don't forget to check your hair style.
18:52Vignan Kumar.
18:54That's why you don't forget to check your hair style.
18:56Vignan Kumar.
18:57Vignan Kumar.
18:59Hello.
19:00Address your name.
19:01My name is Vignan Kumar.
19:04Vignan Kumar.
19:05He is actually my manager in IT company.
19:09So Ayanu gave him English rather.
19:11So all he knows is just to keep me as a friend.
19:13I have seen him as a friend.
19:15That is Sanjeev's idea.
19:16He has a look at that.
19:17Yeah.
19:18Regularly, basically, in the cinema, he is the maximum guy.
19:22This is the first movie where he actually wore a Vignan Kumar.
19:24He is Vignan Kumar.
19:25Vignan Kumar is his name and his name is Vignan Kumar.
19:28He is the first movie where he is a man with a monologue.
19:32He is the best movie to be a man.
19:33He is the best movie to be a man with a man with a man with a man with a man with a man with a man with a man.
19:40It was so much fun.
19:42You are almost chasing the heroes, but they are starting to be star-lifed.
19:48That's a good one.
19:49That's a good one.
19:51That's a good one.
19:53That's a good one.
19:54That's a good one.
19:55So, how do you feel?
19:57You are lucky.
19:59So, how do you feel?
20:01No.
20:02No.
20:03No.
20:04No.
20:05No.
20:06No.
20:07No.
20:08No.
20:09No.
20:10Yes.
20:11There is a morning interview, right?
20:12There is a morning interview.
20:13There is a morning interview, Mr. I also can say that.
20:14You can tell what it is.
20:15You can tell everyone about it.
20:16That it is going to be like.
20:18Then, you can tell me about it.
20:20Yeah, probably choose me.
20:22You can tell me everything.
20:24No.
20:25No.
20:26You know, the words that you got me like.
20:28You are lucky.
20:30I am lucky.
20:31We are lucky.
20:32Yeah.
20:33Mr. I am lucky.
20:34He is really lucky.
20:35He is a star star star.
20:37I am already a star star.
20:39So I think for that we need to find another term, we have to coin another term, maybe she's a lucky charm or something.
20:46In this cinema, it's a great song and hit to the cinema, hopefully at some point.
20:55Nice.
20:56There are many titles in the title, so if you want to choose the content,
21:02do you want to discuss this title or only the director's choice?
21:06The title was pure director and producer's choice, and the producer and director from the beginning,
21:12I think many of them have to name a lot, like Spark, but it's easy to find it, very catchy.
21:21So the title has to go inside the crowds, basically, the brains are registered.
21:26And if you want to see Vahana Prathras, Danapraatras, Santana Prathras, they go automatically, basically automatically.
21:31that and the movie is also about the same like it's Santana Samashvallu so it was very apt
21:37and Sanjeev Garu first me ke story chappera leh dhante ing ke var kaina chappi me var kuchin da
21:43no Sanjeev he has been working on this kit for a long time and i think he narrated it to a lot of
21:48heroes uh pattila the names and discusses he told me
21:51this is the magic you said to him i think you know more than me
22:04sirish garghi is saying that to a little bit
22:08nice actually i think he told it to more than just sirish garghi i think i told it to
22:11idramuguri and i think the hero is almost over the last minute
22:17But somehow, I fell in love with this day and day one, I fell in love with this.
22:25Chaitanya is the character, the audience will definitely remember Chaitanya for a long time.
22:33That's why I'm going to portray it.
22:35Did you get the winner of the Spark?
22:38Six months in the theater, basically.
22:41There is a stage show in Pune, Kanpur.
22:45The first script that you heard.
22:47No, I've heard so many scripts.
22:49I don't even know the count.
22:51Maybe in the morning or the evening.
22:53Did you get the script in that script?
22:55Yes, yes.
22:56If it's 100%, 100%.
22:57If it's 100%, it's striking.
23:02Yes.
23:03I'm going to talk about the first thing about Chaitanya.
23:06I was going to talk about that.
23:08I was going to narrate it by Sheik Dawood.
23:10I was going to talk about the screenwriter.
23:11I was going to talk about Sanjeev, but Sheik Dawood narrated it.
23:14And in the middle, I was laughing a lot.
23:16And in the end, when they were telling me this thing, I was actually kind of feeling sad about it.
23:20So at the end, I was like, I'm such a high.
23:23Oh, this is a bomb.
23:24This is all ending.
23:25So then I'm like, I'm sold.
23:27I'm going to talk about the mall.
23:28I'm going to talk about the mall.
23:29I'll sleep over it.
23:30I'll talk about it.
23:31So I said, I liked it so much.
23:33Let's hear it one more time.
23:34I'm going to talk about the manhsi.
23:35But I'm sold.
23:37So in two weeks, we talked about the manhsi.
23:40And I read the script.
23:41And I was like, I'm doing it.
23:42I'm doing it.
23:43And what do you think about the manhsi quality?
23:48I think mostly it's his positivity.
23:51He's a very positive person.
23:53He's a very cheerful person.
23:55He's very hardworking.
23:56He's very dedicated.
23:57He's very noticed over time.
23:59He's gone to a good job and she's too far.
24:02I've gone to a good job and I'm really good.
24:04He's a good job.
24:05I'm going to show you the cinema in and around the world.
24:07And I'm not going to talk about that as much.
24:08So that's that's an exaggeration.
24:12Why like this?
24:14What's important?
24:15Of course, we have to talk about it.
24:17What's important?
24:18What's important if we don't care about it?
24:19So let's talk about it.
24:21Shall we talk about it?
24:24Please, why?
24:25No, I'm not.
24:27I'm not sure.
24:29Chushava, Chushava, Chushava, gang up.
24:31Chushava, Chushava.
24:33It was just normal, teasing.
24:37I'm not sure, I'm not sure.
24:40Okay, what's your good quality and bad quality?
24:44Good quality, a lot of energetic and honest.
24:49I'm not sure, I'm not sure, I'm not sure.
24:53I'm not sure, we have a few people, but I'm not sure,
24:57I'm not sure, I'm not sure.
25:01Bad quality, bad quality, good quality.
25:04I'm not sure if you're a good person,
25:07I'm not sure if you're a good person,
25:09oh, I don't keep it, I'm not sure,
25:11It's the starting line.
25:13It's difficult to believe.
25:16What to believe?
25:17Why is it working?
25:19I'm using easy to overwhelm I say.
25:22So, I don't think I have to keep my,
25:26I don't want to overwhelm I disconnect from everything.
25:29So, Sandeep would tell me that
25:32I'm going to ask someone,
25:34and a few times I have to ask someone
25:37that's why I have to ask someone.
25:38What I want to ask you,
25:40how do you say something,
25:41then you say okay, I'm going to go,
25:42you are going to go.
25:43I'll go and tell you I'm going to go.
25:45I'm a very bad communicator and there's a lot of issues beyond that truth, it's very convenient.
26:02Okay, so sir, you can speak sweetly.
26:04No problem, why don't you tell me?
26:08Sometimes forgetfulness is also good and especially being in acting and all, when you go home you need to forget.
26:15Like you need to leave everything on, so maybe it works.
26:18We need to address this topic.
26:20How do you explain about the doctors and how they behave?
26:25How do you behave?
26:28How do you behave?
26:32I'm not a doctor, but I've talked a little bit about the problem.
26:39And actually, when you sign and announce a movie, someone sent a phone and sent a message.
26:47Actually, I'm not going to suffer, I'm not going to tell you.
26:50And now that you're doing a movie regarding this, we're so happy.
26:53So, I'm going to talk a little bit about how you behave at that time.
26:58I'm not going to talk a little bit about how you behave at that time.
27:01So, when I talk to the doctors about the issues of suffering, it was more helpful to me.
27:07Especially, when I talk to couples, I used to realize how big a situation, the gravity of the situation basically.
27:15So, I'm not going to do that, but I didn't meet doctors as well.
27:20So, I'm not going to behave at that time.
27:23See, the modeling myself was very easy because I'm from a software background.
27:26So, I had that idea.
27:29In fact, if you can see a lot of movies in the movie, you can see a badge, a costume, etc.
27:34So, that was easy, but the infertility thing, obviously, I had to read about infertility.
27:42So, when I'm stressed, I react a lot.
27:45So, I'm not going to talk a little bit about the person's characterisation.
27:52Nice, nice.
27:53And what did you do with the research on the internet?
27:58On board, then…
28:00That is, sign chase, of course.
28:02Yeah, sign chase.
28:03Then, in the scenes, there are some signs back.
28:09Factuals are correct.
28:11So, when they are coming up, they are going to tell the director.
28:15Then, they came up with the slogan.
28:17I told them, they were slow.
28:19I told them, they have a lot of feedback.
28:22There are a lot of feedback.
28:24There are automatic questions.
28:25You know, they can take a lot of feedback.
28:27Yes.
28:28I also got to know that how after 30s, it becomes difficult for women to conceive.
28:39So, it doesn't have a burden, a responsibility.
28:42But through the current research, it is the men's sperm health that determines the fertilization
28:52of the egg and the formation of the embryo.
28:57Depending on the lifestyle of the man, the sperm health depends on it and the sperm health
29:04can also be altered by the genetics of the sperm.
29:06If I tell my parents about it, then there are traits of it.
29:14But you can actually alter the genetics by when a man actually takes care of themselves
29:22and all that.
29:23So, you can have better offsprings.
29:27You can change how your offsprings are.
29:30Just because there are health issues, we can change that in our future generation.
29:35So, you can change the points.
29:36You can change the points.
29:37So, after the first time, I got a release of it.
29:41I got a good response.
29:42So, you can change the music in the cinema.
29:44No, I felt happy.
29:45Actually, recently I met Hesham.
29:46He was telling me, I have known people, for them to get a blockbuster album, it's very hard.
29:57For you, your first movie was a blockbuster.
29:58For you, your second movie was a blockbuster.
30:00Your second movie was a song, sir.
30:01You can change the music.
30:02You can change the music.
30:03And actually, Hesham sang a song in this movie also.
30:06I think it didn't release.
30:07That's actually going to be another blockbuster song, for sure.
30:10So, in a way, I am blessed.
30:11In this movie, the album is always a chad buster.
30:14Sparkler 5 songs, I think out of 4 were YouTube trending.
30:17And the Int Lagoda, I think, as of now, two songs are doing very well.
30:20And the third song is also going to do well.
30:22So, in a way, in that way, I am very blessed.
30:24Nice.
30:25November 14th release, what are you going to do with the audience?
30:30What are you going to do with the audience?
30:31November 14th, Santana Praptras,
30:34a male infertility issue to deal with a good cinema.
30:40I think, in this sensitive point, there are vulgarity, mockery,
30:46there are many sensible, sensitive, and beautiful packages.
30:51I think, in this point of angle, there are many different entertainment.
30:58There are many different artists,
31:01there are many different music packages.
31:03There are many different artists,
31:05there are many different artists,
31:07who test their experience.
31:10There are many different ones,
31:12and there are many different references for most of these artists.
31:13You can find a very good time
31:17when you start having a interview.
31:22So, after that, we end up in November 14th,
31:24we end up in the daytime.
31:25And if you end up,
31:27we end up in the elevator.
31:29Because word of mouth is very important,
31:31as a fan of cinema,
31:32so we end up in the trailer.
31:34Let's look at the trailer.
31:36There's entertainment, there's emotion, there's a nice message.
31:40And we're also touching a very novel point.
31:42If you go to a theater at a time,
31:44you'll see it in a time.
31:46You'll see it in a moment.
31:48You'll see it in a moment.
31:50You'll see it in a moment.
31:52You'll see it in a moment.
31:54That's what I guarantee you.
31:56So, Randi, please watch the movie in theaters.
31:58You'll see it in a few reviews.
32:00You'll see it in the future.
32:02And please take your friends and family with you.
32:04Please encourage small movies.
32:06Please watch Santana Prathirastu.
32:08Thank you. Thank you so much.
32:10All the very best. Thank you.
32:12Santana Prathirastu.
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