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00:00Who was Freddie Mercury?
00:10If you want a real answer to this question,
00:12Bohemian Rhapsody may not be the best place to look.
00:15Fact checkers have a lot of bones to pick with the Queen biopic,
00:18yet this hasn't stood in the way of it becoming
00:20a record-smashing audience favorite and awards season darling.
00:24So how much does accuracy matter here?
00:27Typical biopics, and biopics in general, aren't documentaries,
00:30they're fiction, and they pretty much have to take creative liberties
00:34to fashion two-hour dramatic arcs out of years of material.
00:37Yet with every alteration of fact into fiction,
00:40the filmmaker imposes their subjective narrative onto the history.
00:44They send a message.
00:46So even more interesting than the question of what's true or false here
00:49is why the movie changed what it did.
00:57I'm going to be what I was born to be,
01:00a performer who gives the people what they want.
01:06Bohemian Rhapsody understands very well what audiences really care about.
01:10It's the music.
01:12So the smartest thing it does is make this all about the soundtrack.
01:19You might even say the film is one long music video.
01:24Look at how this opening scene is shot and edited.
01:27The fast cutting between extreme close-ups and cutaways is a style we recognize
01:31from so many examples of the genre.
01:34In most films, the soundtrack is there to supplement the scenes.
01:37Here, it's the other way around.
01:39The film serves the soundtrack.
01:42This as a music video might come up with a simple story
01:44to add a little entertainment in between shots of singing and dancing.
01:48But I thought the old lady dropped him into the ocean in the air.
01:51Well, baby, I went down and got it for you.
01:54Structurally, too, the biopic builds its story around the songs we know and love.
01:58And the whole film builds to the Live Aid concert.
02:13The movie also makes a point of Queen's interactivity.
02:16I want to give the audience a song that they can perform, right?
02:21Let them be part of the band.
02:26By making the songs the centerpiece,
02:28this movie cleverly replicates that talent for making the audience part of the music.
02:33In its final scene, this basically becomes a concert film.
02:37And it's telling that the producers of Bohemian Rhapsody
02:39even released a sing-along version of the film in theaters.
02:42Enjoying sing-along screenings.
02:45So the fact that Bohemian Rhapsody has done as well as it has
02:47basically proves that Queen was so good,
02:50all this movie really had to do to give audiences a wonderful experience
02:59was not get in the way of the music.
03:06Between the hit songs and flashy set pieces,
03:09there's the small matter of having a life story to tell.
03:12How do you squeeze all of that into two hours,
03:14fill gaps where hard evidence is scant,
03:16and deal with the fact that life simply won't tell itself
03:19in the most dramatic way possible?
03:20By being open-minded about the facts, of course.
03:23Many of Bohemian Rhapsody's factual edits work to fit Mercury's life
03:27into a standard rock star biopic formula.
03:30An unknown with big faith in his talent rises from obscurity,
03:33gets caught up in a sex-drugs-and-rock-and-roll lifestyle,
03:36drowns in his own ego until he learns humility
03:38and reunites with loved ones,
03:40and gives a climactic performance that shows how much he's grown.
03:43To fit this paint-by-numbers narrative,
03:45as some critics have called it,
03:47Bohemian Rhapsody plays a lot with chronology
03:49and heavily compresses the band's timeline.
03:52So in the movie,
03:53Freddie happens on the band he follows
03:54freshly without a lead singer.
03:56He aces the audition and gets the job on the spot.
04:03In reality, Mercury had known the lead singer from college
04:06and was already sharing a flat with his soon-to-be bandmates.
04:09This more succinct version of events is fabricated
04:12to introduce Freddie's character.
04:13I'll consider your offer.
04:16Even if others dismiss him as a weirdo,
04:18this is a young person who knows he's destined for greatness.
04:21I was born with four additional incisors.
04:24More space in my mouth means more range.
04:26Oh, and apparently Mercury really did say that about his teeth.
04:30The second fact-related strategy used here is invention.
04:34In Bohemian Rhapsody, we meet the EMI executive Ray Foster,
04:37who's dismissive of Freddie's magnum opus.
04:40There's no way now the station will play a six-minute quasi-operatic dirt
04:44comprised of nonsense words.
04:47And who also didn't really exist.
04:49Apparently, he's roughly based on Roy Featherstone,
04:52but the fictional character here, played by Mike Myers,
04:54in a fun nod to Wayne's world.
04:56Well, that's the kind of song teenagers can crank up the volume in their car
05:00and bang their heads to.
05:01Bohemian Rhapsody will never be that song.
05:08personifies an entire industry that so often fails to understand
05:12the importance of pushing the envelope.
05:13But the most glaring invention in the film is the split-up of the band
05:21brought on by Freddie's decision to go solo.
05:23I've signed a deal with CBS Records.
05:27Which didn't happen at all.
05:29Mercury wasn't even the first member of Queen to do a solo record.
05:33That was Roger Taylor, who in the movie utters this line,
05:36Brian May also went solo before Freddie.
05:41I won't compromise my vision any longer.
05:43Compromise?
05:44Are you joking?
05:45What's truly odd about this invention is that it's the central conflict
05:49of the whole plot.
05:50And we have to wonder, wasn't there any real major conflict
05:54the movie could have investigated to try to understand
05:56a deeper truth about Freddie Mercury?
05:58As David Ehrlich wrote for IndieWire,
06:00the truth was surely far more interesting.
06:06Bohemian Rhapsody summarizes Freddie Mercury the myth.
06:12Flamboyant frontman, musical pioneer, queer icon, sex symbol, AIDS victim,
06:17and, of course, owner of that world-shaking voice.
06:23This movie's success tells us that Bohemian Rhapsody understands
06:26the expectations we bring to a biopic.
06:29Audiences come in with an idea of who Mercury was.
06:32And to a certain extent, they want to see that known story
06:35reflected back at them.
06:37So this leads us to another way this film, like any biopic,
06:40alters the facts through omission.
06:43Freddie's life before Queen is only briefly recapped in dialogue.
06:46We were chased out with just the clothes on our back.
06:49The film nods at Freddie's discomfort with his otherness.
06:52So now the family name's not good enough for you.
06:55But it doesn't really go into why he feels this way.
06:59Now looking back, only four words.
07:01Apart from a couple generalized examples of racial slurs.
07:04Hey, you missed one, Paki!
07:06Who's the Paki?
07:07For me, Freddie will always be this frightened little Paki boy.
07:11Meanwhile, Freddie's death from AIDS-related illness
07:13is a known part of his legacy.
07:15I've got it.
07:16So the movie makes sure to fit this part of Mercury's story in,
07:19even though its chosen 15-year time period doesn't coincide
07:23with Freddie's AIDS diagnosis and death.
07:28The result substitutes a generalized fictional experience
07:31for a real, specific one.
07:39What is Bohemian Rhapsody using its changes to say about Freddie and the band?
07:43One big point the movie is making is that Queen is more than just Freddie Mercury.
07:48I'm not the leader of Queen.
07:49I'm only the lead singer.
07:50Freddie's character arc is structured around this revelation.
07:54You need us, Freddie.
07:55It's clearly true that Queen was more than Mercury.
07:59All four musicians are in the Songwriting Hall of Fame.
08:01The problem is that, in order to facilitate this revelation,
08:05the movie dreams up a plot that shows Freddie drunk on ego
08:08and driven by greed, but there's no evidence of Mercury acting this badly.
08:13This biopic needed the approval of living band members,
08:16May and Taylor, to secure the music rights.
08:18As Kevin Fallon of the Daily Beast writes,
08:20the way it alters the history at Freddie's expense, quote,
08:23suggests the entire project was born out of a resentment
08:26from the surviving members of Queen.
08:28We keep being told through a lot of dialogue
08:30that Freddie is behaving terribly.
08:32What's going on?
08:33You'd know if you're on time.
08:36I'm here, aren't I?
08:37Are you?
08:38But apart from the fact that he's a bit late to rehearsal,
08:40we're hard pressed to understand why everyone feels
08:43that Freddie is acting like such a monster.
08:45Sometimes you're a total prick.
08:47By the end, he's forced to apologize and humble himself before the band.
08:51Could you give us a moment, please, Fred?
08:54Why'd you do that?
08:56I just felt like it.
08:58As Fallon writes,
08:59Bohemian Rhapsody smells like cinematic retribution,
09:02in which Mercury is posthumously punished,
09:04with his sexuality reduced to a partying vice.
09:06Come on, your guests are waiting.
09:07We all want a little Mercury in their cup.
09:11It's hard not to think that Mercury would have wanted a wilder,
09:14more boundary-pushing film.
09:16This is, in fact, what Sacha Baron Cohen,
09:18who was originally attached to Star, had in mind.
09:20Stephen Frears told Vulture Cohen's vision was,
09:23"...outrageous in terms of his homosexuality,
09:26and outrageous in terms of endless naked scenes,"
09:28which sounds very much in the spirit of Freddie Mercury himself.
09:31Overall, the movie's changes to Mercury's life represent a missed opportunity
09:36to tell a more truthful or provocative story.
09:38All the same, when we exit the theater,
09:40this movie leaves us wanting to listen to more Queen.
09:43Bohemian Rhapsody knows that audiences love nothing more
09:46than a great rock concert.
09:48And we're not there to learn new lyrics,
09:50we just want to sing along to the music.
09:52Anywhere the wind flows...
09:57Hi guys, Susanna and Debra here.
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10:27Right here.
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