- 2 days ago
Category
🎥
Short filmTranscript
00:00:00One fine day my love did write Before the passing of her light
00:00:14A book for me, a wondrous sight The words they were a true delight
00:00:24Told a tale that came to be Of an island on the sea
00:00:39Where she said she'd wait for me Underneath a spreading tree
00:00:53By the water near the shore There she'd take my hand in hers
00:01:02And we would read her honeyed words And close to grow with each page turned
00:01:16But love can be a fleeting friend And so our story came to end
00:01:27Blackened clouds they did pretend And so we found ourselves condemned
00:01:37And so our story came to end
00:01:59Be ready
00:02:00Yeah
00:02:12Hi
00:02:13Hi
00:02:14And what's your name?
00:02:15Can you please make it out to you?
00:02:18It's so sad
00:02:20It's like everyone can see it but...
00:02:23Don't we missed in May?
00:02:26Hi, Annabel? Can you hear me?
00:02:43Just, where the hell are you?
00:02:45I'm in the middle of bloody nowhere I'm on my way to teach a new course
00:02:51Christ, don't give anyone my detail I'm still getting emails from that last nutty
00:02:55Is that my way?
00:02:56They're all psychopaths And none of them can write to save their lives
00:02:59I've only had something
00:03:00Anyway, I've had Derek Payne on the phone He wants to confirm that you're ready for next week's deadline
00:03:06What?
00:03:13I just...
00:03:17I just can't seem to find...
00:03:18Christ, the AuPair, I've gotta go If he cancels the contracts
00:03:23don't talk to blame
00:03:26what is it with your lot and books
00:03:37my lot
00:03:39I'm sure we're all the same
00:03:43son
00:03:44what's somebody say have you
00:03:47what the hell
00:03:56look what happens
00:04:17don't break me you were watching the bloody road
00:04:26I'm afraid we don't want to
00:04:55we shall have to begin
00:04:56okay right everyone let's start
00:04:58Steve's not here
00:05:00can't wait for him either
00:05:01right
00:05:03are you okay
00:05:06sorry
00:05:06I just don't like being away from the kids that's all
00:05:09well don't worry you're amongst friends
00:05:12WG
00:05:13thank you Atleast
00:05:14and thank you all for coming to Kilton Island
00:05:18as you already will have seen
00:05:27the island itself presents a uniquely inspiring location
00:05:31you however will be marooned here
00:05:35by the tide that surrounds the island
00:05:37but for a few hours each day
00:05:39it is hoped that this
00:05:42and other conditions here
00:05:45will create an atmosphere of fertile isolation
00:05:49to wit
00:05:50one
00:05:51you will have no internet access
00:05:55two
00:05:56we receive no mobile service
00:06:00three
00:06:02there is a telephone line in the office
00:06:05but I insist it is only used in cases of emergency
00:06:08however there is a telephone by the rear stairs
00:06:12I encourage you to use this opportunity
00:06:15to look inside
00:06:17and find the truth
00:06:19that's ridiculous
00:06:22I must be off
00:06:28wishing you all a good night
00:06:30let me get the door to you
00:06:31well thank you
00:06:33that was WG
00:06:42what a character
00:06:44it's one word for her
00:06:46well okay let's focus just a bit longer
00:06:48I'm guessing it feels pretty weird
00:06:50to be trapped on an island
00:06:52about to bear your souls to complete strangers
00:06:54I'm breaking it
00:06:55I have to say I'm a bit scared too
00:06:58it's entirely natural
00:07:01this week's all about grappling with
00:07:03powerful unexpected emotions
00:07:05right let's get to know each other
00:07:08we've got five minutes to interview another member of the group
00:07:11before introducing them to the rest of us
00:07:14this is Joe
00:07:34she's from Manchester
00:07:36but we won't hold that against her
00:07:38this is Daisy
00:07:41she spends most of her time travelling
00:07:44getting ideas for her blog
00:07:46and for her jewellery books
00:07:48this is Trine
00:07:52who's from Sweden
00:07:54which is somewhere I've never been to
00:07:56but it sounds totally amazing
00:07:57and I would really love to go
00:07:59this is Rosie
00:08:04she admits she hasn't any experience
00:08:07but she hopes she can be the next JK Ravelin
00:08:10this is Nigel
00:08:15Nigel used to be in the army
00:08:17and served in the Falklands
00:08:18before a career in a crew
00:08:20the boot won't open
00:08:32this is Phil
00:08:39Phil calls himself a modernist
00:08:43I've no idea what that is
00:08:46but he seems like a clever chap
00:08:48what did you say?
00:09:03what did you say?
00:09:11you think you're better than folk
00:09:12just because you're reading books
00:09:14hey
00:09:15everything alright?
00:09:17yeah
00:09:18and it's private
00:09:20come on mate
00:09:24leave it out
00:09:25sure whatever it is
00:09:27it doesn't really matter
00:09:28at the end of the day
00:09:28does it?
00:09:43come on
00:09:43I'm really looking forward to it now
00:09:50I'd like to know
00:09:52what commitment we're making
00:09:53to artistic quality
00:09:55I will encourage you
00:09:56to take yourself seriously
00:09:58as writers
00:09:58exactly
00:10:00I didn't come here
00:10:01to indulge
00:10:02bad writing
00:10:03Henry writes
00:10:04thrillers
00:10:05what are we going to learn
00:10:05from Pichet?
00:10:07that's Adley pretension
00:10:08says the guy
00:10:10who writes slashing
00:10:10okay that's
00:10:14that's enough
00:10:14we're all entitled
00:10:15to our own opinions
00:10:16but we have to respect
00:10:17one another
00:10:18okay
00:10:19that will do
00:10:20see you tomorrow
00:10:21at 9.30
00:10:22and our other sister
00:10:24may hopefully
00:10:25have turned up by then
00:10:26oh thanks
00:10:38don't worry
00:10:39I'm Steve
00:10:41oh
00:10:42you doing the course then?
00:10:44uh sort of
00:10:45I'm Zandra
00:10:45Zandra
00:10:46oh Zandra
00:10:48fuck
00:10:49yeah
00:10:49I get it
00:10:50shouldn't you be with the others?
00:10:52what the meet and greet?
00:10:54nah
00:10:54I don't fancy it
00:10:56anyway
00:10:57as long as you're alright
00:10:59most of you used to turn up
00:11:06Christ
00:11:07you almost scared the life out of me
00:11:14probably
00:11:27I don't?
00:11:28yeah
00:11:29I don't know
00:11:30yeah
00:11:32you're damn cute
00:11:33yeah
00:11:34no
00:11:35yeah
00:11:37yeah
00:11:38oh
00:11:38I don't know.
00:12:08Sorry, I didn't mean to disturb you.
00:12:24Oh, it's all right.
00:12:28You got me.
00:12:30I'm Joe.
00:12:33Sandra.
00:12:35Please, don't let me interrupt.
00:12:37Oh, no, you're all right.
00:12:38It'd be a bit weird reading it with you there.
00:12:41I like it, though.
00:12:43It's just, it's so sad.
00:12:46How do you mean?
00:12:47I mean, I've only just started it, but take the main character.
00:12:50It's like everyone can see it but her.
00:12:53See what?
00:12:55She's going to let herself off a dose if I want me when it's too late.
00:13:01I never thought of it like that.
00:13:03Oh, I'm not saying it's obvious.
00:13:04I mean, she's interesting because she can't see what's right under her notes.
00:13:09What about you?
00:13:11What do you write?
00:13:12Nothing.
00:13:14Well, one thing.
00:13:17My friend read it and made me apply for a place.
00:13:19It almost sounds like you came here by accident today.
00:13:24Well, I'm surprised I got a flight so far and so late.
00:13:27Still, I'm glad I'm here.
00:13:33Well, goodnight then.
00:13:39Goodnight.
00:13:39Friends.
00:14:03Deswegen.
00:14:05Bye.
00:14:06Bye.
00:14:08Bye.
00:14:08Bye.
00:14:09Let's go.
00:14:39Let's go.
00:15:09Hello?
00:15:23Let's go.
00:15:53Are you all right?
00:16:03Oh, fuck.
00:16:05How are we going to get there?
00:16:09Come on, let's go to Spain.
00:16:11I thought it brought you.
00:16:13I got up just before seven to write.
00:16:35Henry was already out.
00:16:37Figured he'd gone for a walk.
00:16:39Well, his bag's still here and most of his clothes, so he can't have left.
00:16:45Okay, let's go about to Alistair.
00:16:51Alistair, we have to look for him.
00:16:53No, we don't.
00:16:55You know what it's like at these things.
00:16:56People get weird.
00:16:57It goes with the territory.
00:16:59The lad's probably gone for a whiskey or...
00:17:03Either way, he'll be back by dinner time.
00:17:05Alistair, we're looking for him.
00:17:07You think something's happened to him?
00:17:17What, Prince Harry?
00:17:19Probably took one look at us not and threw in a towel.
00:17:23Can't say I blame you.
00:17:27You want a sweet?
00:17:37Yeah, go on.
00:17:46Yes, that's right.
00:17:48Well, of course, I understand.
00:17:50Thank you for your time, officer.
00:17:52I'm afraid they cannot commit to any action for three days.
00:17:58Three days?
00:18:00He could have drowned.
00:18:02He could simply have strolled over the causeway before the dawn tide.
00:18:06Without his jacket?
00:18:08Jacket's incidental.
00:18:13It's simply a case of first-night nerves.
00:18:17I'm sure you've seen similar before.
00:18:20But what do we tell the others?
00:18:23You simply tell them the gentleman has left.
00:18:26That's all they need to know.
00:18:28Your colleague included.
00:18:30I encourage you not to scare the horses.
00:18:33Not least when they've paid so much to be stapled.
00:18:37If our guests should leave under a cloud,
00:18:41I would be obliged to refund their fees.
00:18:43This would make it impossible to pay your own.
00:18:49WG has called the police.
00:18:51They've said that there's no reason to be alone.
00:18:53But where's he gone?
00:18:54We don't know, but I'm sure he will have reappeared by lunchtime.
00:18:58Why don't we move on?
00:19:00We're going to jump straight in with an exercise based on plot.
00:19:04We want you to write about your character as they reach a pivotal moment in their journey through life
00:19:10and confront the world around them.
00:19:12Tell the truth of that moment.
00:19:13If you're open to the possibilities, you might be surprised by what comes out.
00:19:17You have twenty minutes.
00:19:47I'm going to remember this story.
00:19:48Okay if you could stop writing.
00:19:54Steve.
00:19:56Why don't you start?
00:20:01Right.
00:20:03Okay.
00:20:04The Arsenal boy comes at him,
00:20:07so Danny smacks him and puts him down.
00:20:10The quiz machine is smashed and the glass crunches under Danny's feet
00:20:13machine is smashed and the glass crunches under Danny's feet as he leans in and
00:20:17whispers, you do not, but he hits. Danny stands up as the pub kicks off, you do, Danny
00:20:25screams, then the pub door opens like a western in-chair walks. They look at each
00:20:31other knowing they both want each other and a month later they're married.
00:20:37Okay, uh, Alistair, what did you think? I thought it was visceral, but we also have to ask if
00:20:46the work alienates the audience too much. Um, what about you, Rosie?
00:20:52Um, okay.
00:20:58As the sun shone, Tegan, Tia and Tyler Turtle were excited. Mommy was taking them to the zoo.
00:21:06Tyler Turtle asked if they had turtles at the zoo. Yes, Mommy replied, so we better make
00:21:14sure we don't get mixed up and trapped there. That's all I think. Is that all right?
00:21:21Um, let's open it up to the group. Uh, anyone got something to say or...
00:21:28Zee, what about you? Okay. I'm, uh, not sure it's as pivotal a moment as it could have been.
00:21:40Perhaps if it focused on the moment one of the, uh, little turtles actually came to harm.
00:21:48That would be awful. Terrible. Um, moving on to Daisy. Um, Daisy, what have you got for us?
00:21:57Mapping.
00:21:59Voluptuous ferns caressed her as she pushed into the jungle. As animal mating cries pulsed, she remembered
00:22:06Oliver's cruel rejection which had inspired her to go on this adventure. Sensual rhythms met her ears.
00:22:13she spied a clearing in the distance
00:22:15where natives swelled in a mad orgy of dark face.
00:22:20Yes, very emotive, and there are a few expositional lines,
00:22:24but sensual power really carried it.
00:22:29Trina.
00:22:31I did not write.
00:22:33Um, okay.
00:22:34Um, Phil?
00:22:37You're up.
00:22:43This piece is called Oeuvre.
00:22:46Aristotle, who lived before the gun,
00:22:50plays Becket at chess in the midday sun.
00:22:54The furious Greek stormed on with his queen.
00:22:57MacGuffin, red herring, stopped being obscene.
00:23:01It's then that Samuel grabs Chekhov's gun.
00:23:05Bang, he says, and the Greek is done.
00:23:08Um, a very challenging passage film.
00:23:13You what?
00:23:14I didn't understand a word of that.
00:23:17Well, I thought it was impressive, high-stakes writing.
00:23:19Yeah, well done.
00:23:22Um, okay, Nigel, you're up.
00:23:24Yeah.
00:23:25Right.
00:23:25This is an extract from my series of novels about the Korean War.
00:23:35Now, they emerged from the smoke.
00:23:39A line of KPA infantrymen.
00:23:43Spencer had already issued the order to fix bayonets.
00:23:48His men now counter-charged
00:23:51and butchered their yellow enemy at close quarters with bloodied steel.
00:24:01Let's hear from the group.
00:24:04I didn't understand who was who.
00:24:08I thought it was very violent.
00:24:10Very violent.
00:24:12But did you like it?
00:24:14Okay, uh, I guess it's time for lunch.
00:24:21Jo, we'll start with you next time.
00:24:23Thanks again.
00:24:24Have a great lunch.
00:24:24What do you mean?
00:24:47I can't come and stay.
00:24:49I am their brother.
00:24:50I've told you I've put all that in the past.
00:24:56This afternoon we are digging deep into our carriage.
00:25:26We want you to investigate the conflicts and the fears that rage in all of us.
00:25:35And so in life we bury these feelings?
00:25:39Yeah.
00:25:40What happens if your character confesses the guilt or the desire that they waste so much time trying to hide?
00:25:48Okay.
00:25:49You've got 20 minutes.
00:25:50Trina, what about you?
00:26:00I did not write.
00:26:03Is anything the matter?
00:26:05It'd be nice to hear something from you.
00:26:07I will write when I have words.
00:26:10I'm learning and I'm grateful.
00:26:12Okay.
00:26:14Jo, on to you.
00:26:19Beth, it's me.
00:26:21Listen, I'm in the shit, so I'm leaving this message to tell you the truth.
00:26:26Which is a Nick stuff.
00:26:28Always have done.
00:26:30I've been having counselling for years.
00:26:31That's where I go when I say I've got a dance group.
00:26:36Except I've never been to a dance group.
00:26:39I'm a klepto.
00:26:41I steal everything I can.
00:26:44It was me who nicked your earrings when we were camping.
00:26:47And it was me who nicked your bracelet last week.
00:26:50And the rest.
00:26:52Sorry.
00:26:53Now, I've done something stupid and I've got to disappear, but please call me if you still
00:26:58want to talk.
00:27:01Shit, I just realised you won't even get this message because I nicked your phone.
00:27:08It's mischievous and there's mystery, but perhaps it's too flippant.
00:27:14What's beneath the humour?
00:27:16That's the bit I'm interested in.
00:27:20Okay.
00:27:21Steve.
00:27:23On to you.
00:27:33It's been hard.
00:27:35I haven't always been the best of them.
00:27:38Always fucking you off and going out drinking with the lads.
00:27:42I'm sorry for calling you a cripple.
00:27:45Leaving you on your own all the time.
00:27:47I wish I'd never met you.
00:27:49And I wish I'd never married you.
00:27:51I'm not against vernacular, but you can take it too far.
00:27:55But isn't that why we're here?
00:27:57Yeah, sure, but I mean, the whole point about writing is that some sort of alchemy takes place.
00:28:04What does that mean?
00:28:05I'm not listening to you anyway.
00:28:07Well, you actually didn't flock enough books to play for your next fucking skin off.
00:28:10Steve, that's not fair.
00:28:12That's it for this afternoon.
00:28:15Steve, I want a word.
00:28:17I want a word.
00:28:47Well, I'm sorry.
00:28:49I want a word.
00:28:58I want a word.
00:29:06I want a word.
00:29:07I want a word.
00:30:11So, your writing?
00:30:17I finished your book.
00:30:20Oh.
00:30:22Right.
00:30:23And?
00:30:25I don't get it.
00:30:27What? The ending?
00:30:28You're so clean.
00:30:34Everything seemed to be building towards something, some kind of statement, but it was like you were too afraid to come out and say it.
00:30:40I found your dad's book.
00:30:51Sorry, once in a bigger world.
00:30:53The book of pride.
00:30:54I don't mean to sound rude, but this book's boring.
00:30:58I read a few chapters, it's like listening to someone who knows it all and never lets you get a word in.
00:31:03And there's you.
00:31:05Writing these worthy books with your dad looking over your shoulder.
00:31:09Hardly.
00:31:12He's never even read my word.
00:31:17It's all so serious.
00:31:20It's all proper.
00:31:21And then we were thinking of a trip to the pub before the tide comes in.
00:31:37And then we areblind.
00:31:53Okay.
00:31:55Okay?
00:31:56Okay.
00:31:58Okay.
00:31:59Okay.
00:31:59I can't hear you.
00:32:00Okay.
00:32:00Okay.
00:32:02Okay.
00:32:02Hey.
00:32:03Okay.
00:32:03So, what's your story?
00:32:06I'll see you in there. I've just got to make a...
00:32:15I'm cool.
00:32:21Ah, good evening, sir.
00:32:22What'll it be?
00:32:23Right. What's everybody having?
00:32:25My shop.
00:32:26Where do you think Prince Harry got to?
00:32:28Emory.
00:32:29A bit strange. He just ran off later.
00:32:32Phil said he left some of his stuff in their room.
00:32:36How do we know that something hasn't happened to him?
00:32:39Nigel's right. He could have drowned.
00:32:41Or he could be stranded somewhere.
00:32:43The police have been pulled.
00:32:45They will know the correct procedure.
00:32:53You don't remember me, dear.
00:32:57You wrote a report on a manuscript of mine.
00:33:05I do?
00:33:06Yeah.
00:33:08Years ago.
00:33:09It was called On Margate Sand.
00:33:11You said my work revelled in arid intellectualism.
00:33:17I'm sorry, um...
00:33:19I've never tried to be...
00:33:22helpful.
00:33:23Well, it was very painful in the end.
00:33:31The criticism makes one a better writer.
00:33:33Yeah.
00:33:35Yes, it does.
00:33:41Please excuse me.
00:33:53Hello?
00:33:54Excuse me.
00:33:55What happened?
00:33:56He brought you some nanas.
00:33:57Will you get out of the way?
00:33:58No.
00:33:59No.
00:34:00No.
00:34:01No.
00:34:02No.
00:34:03No.
00:34:04No.
00:34:05No.
00:34:06No.
00:34:07No.
00:34:08No.
00:34:09No.
00:34:10No.
00:34:11No.
00:34:12No.
00:34:13No.
00:34:14No.
00:34:15No.
00:34:16No.
00:34:17No.
00:34:18No.
00:34:19No.
00:34:20No.
00:34:21No.
00:34:22No.
00:34:23No.
00:34:24No.
00:34:25No.
00:34:26No.
00:34:27No.
00:34:28No.
00:34:29No.
00:34:30No.
00:34:31No.
00:34:32No.
00:34:33No.
00:34:34No.
00:34:35No.
00:34:36No.
00:34:37No.
00:34:38No.
00:34:39No.
00:34:40No.
00:34:41No.
00:34:42No.
00:34:43No.
00:34:44No.
00:34:45No.
00:34:46No.
00:34:47No.
00:34:48No.
00:34:49So, Nigel, you were in the Falklands?
00:34:52That's right. Three, Baron.
00:34:54Did you do any fighting?
00:34:56I did my duty.
00:34:58San Carlos, Longdon, Stanley.
00:35:02The whole shooting match.
00:35:04Spade, Lloyd.
00:35:06Oh, we were talking about Henry.
00:35:09And...
00:35:12I mean, don't you think we should do something?
00:35:15I mean, it's gone dark and he's still not back.
00:35:18Look, if he's not back by tomorrow morning,
00:35:20I'll call the police, make them do something.
00:35:23Time to drink up!
00:35:30It's all New Island night.
00:35:32Not much further now.
00:35:34Night, Kathleen.
00:35:37Come on.
00:35:39Mikey's young.
00:35:44You all right?
00:35:46I don't know.
00:35:47Turned out.
00:35:51Still, we all still.
00:36:02Well, sorry about Elio.
00:36:05It's not fair.
00:36:07It's okay.
00:36:09You weren't being malicious.
00:36:13I'm just telling you what to do.
00:36:15It's not right.
00:36:17Stay safe.
00:36:23I don't have any means.
00:36:24I'll have to stopantu.
00:36:25I need someocks.
00:36:26I love you.
00:36:27You may be sair.
00:36:28Let me do it.
00:36:29I can't wait.
00:36:30I don't know.
00:36:31There you go.
00:36:32I'm not beingoriented.
00:36:34I say I can't dependence on it.
00:36:35I'm eh-
00:37:06What was that?
00:37:11There's something in here.
00:37:14Who's there?
00:37:15Who's there?
00:37:21Who's there?
00:37:27Who's there?
00:37:29Who's there?
00:37:31Who's there?
00:37:34Who's there?
00:40:19Henry!
00:40:21Henry!
00:40:35Henry!
00:40:41Henry!
00:40:43Henry!
00:40:47Henry!
00:40:49Henry!
00:40:55Henry!
00:40:57Henry!
00:40:59Henry!
00:41:01Henry!
00:41:09Henry!
00:41:11Henry!
00:41:13Henry!
00:41:15Henry!
00:41:17Henry!
00:41:19Henry!
00:41:27Henry!
00:41:29Henry!
00:41:31Henry!
00:41:33Henry!
00:42:35It's like you're turtles.
00:42:38Yeah, that's right.
00:42:40And I'm the turtles after them.
00:43:05Yeah.
00:43:06Yeah.
00:43:07Yeah.
00:43:08Yeah.
00:43:09Yeah.
00:43:10Yeah.
00:43:11Yeah.
00:43:12Yeah.
00:43:13Yeah.
00:43:14Yeah.
00:43:15Yeah.
00:43:16Yeah.
00:43:17Yeah.
00:43:18Yeah.
00:43:19Yeah.
00:43:20Yeah.
00:43:21Yeah.
00:43:22Yeah.
00:43:23Yeah.
00:43:24Yeah.
00:43:25Yeah.
00:43:26Yeah.
00:43:27Yeah.
00:43:28Yeah.
00:43:29Yeah.
00:43:30Yeah.
00:43:31Yeah.
00:43:32Yeah.
00:43:33Yeah.
00:43:34Yeah.
00:43:35Yeah.
00:43:36Yeah.
00:43:37Yeah.
00:43:38Yeah.
00:43:39Yeah.
00:43:40Yeah.
00:43:41Yeah.
00:43:42Yeah.
00:43:43Yeah.
00:43:45Yeah.
00:43:49Yeah.
00:43:50mucho más.
00:43:51Do you know how many times you read that book then, Phil?
00:44:21I've lost camp.
00:44:25I think I'd like it.
00:44:28I don't think so.
00:44:30Do you know? Is it a bag?
00:44:36It's about a princely outsider who violently disdains bourgeois societal norms.
00:44:44I'm very good. I think I'm out. Give it a minute.
00:44:51I'm gonna go and do some lighting.
00:44:56I'm gonna go and do some lighting.
00:45:03I'm gonna go and do some lighting.
00:45:08I'm gonna go and do some lighting.
00:45:12I'm gonna go and do some lighting.
00:45:22I'm gonna go and do some lighting.
00:45:26I'm gonna go and do some lighting.
00:45:31I'm gonna go and do some lighting.
00:45:43I'm gonna go and do some lighting.
00:45:49I'm gonna go and do some lighting.
00:45:53I don't know.
00:46:23I don't know.
00:46:53I'll tell you later.
00:46:54I promise.
00:46:55I'll tell you later.
00:46:57I promise.
00:46:59After the workshop.
00:47:03What are you doing, Phil's room?
00:47:10What?
00:47:11I'll tell you later, I promise. After the workshop.
00:47:18Talk to you later.
00:47:25Okay, people, this is our final session before Guy Glover arrives to talk about publishing.
00:47:50In the meantime, we're going to do some more writing.
00:47:53Last time we wrote about our characters confessing to hidden feelings.
00:47:58Now we want you to show your characters acting on them.
00:48:11She suddenly felt exposed, insecure, unsure.
00:48:16And he said to me he cuts and subtle.
00:48:20Why are you still alive?
00:48:23And there is a feeling like a child who's gone to the back,
00:48:25who was obsessed with their loss and had loss of time.
00:48:30It's also lost in time because I am shy of heaven.
00:48:37So you're an hour and I will find you.
00:48:41You're dead, cold, catch, hatching, calm down.
00:48:49Okay, and lastly, Steve.
00:49:00I drive like it's a dream, thoughts flying this way and that.
00:49:14Guilt, loathing relief, each turning, taking me close to that chair.
00:49:18The wheels on it like a sick joke because it ain't moving us nowhere.
00:49:23I think of a mum being dead, a dad being dead, a sister being a bitch.
00:49:29As for me, I think of the room I just left.
00:49:31A teenage hooker looking at the ceiling while I drilled it.
00:49:36Just looking, waiting for it to be over when there's me.
00:49:39All that hate out of me into her.
00:49:42Shuffling into my jeans and walking out.
00:49:44I'm hopeless hoping I won't be back.
00:49:48I'm hopeless knowing that I will.
00:49:51I thought it was very morning.
00:49:58Me too.
00:49:59What about you?
00:50:04What do you think?
00:50:05I thought it was a very skillfully invented slice of guilt.
00:50:09What do you mean invented?
00:50:16Yeah, you hurt.
00:50:19You look down on me because I'm rough.
00:50:24You don't play the truth.
00:50:28Well, there he is.
00:50:29Oh, I try.
00:50:30Sandra.
00:50:31Z, you look stressed.
00:50:35It's okay.
00:50:36I just had the workshop from hell, that's all.
00:50:41Shall we go in?
00:51:02So, what are you looking for?
00:51:24Honesty.
00:51:26It doesn't matter if you write vampire erotica,
00:51:29or chick lit, or schizoid nihilism.
00:51:32Do it honestly, and we have a chance.
00:51:36Okay, who else has a question?
00:51:38Yeah.
00:51:39Is it true publishers are less brave than they used to be?
00:51:42What do you mean by brave?
00:51:44That you value money over art.
00:51:47You're being naive.
00:51:49Some books make money, some don't.
00:51:51It doesn't matter.
00:51:51I can balance one against the other.
00:51:54Okay.
00:51:55Let's continue this discussion after dinner.
00:51:59Yes.
00:52:09Daisy, wait a second.
00:52:12I, um, I loved your story.
00:52:16I think that I, um, have something to read.
00:52:20If you come to my cabinet,
00:52:22it's just, I've got this one up there.
00:52:24Okay.
00:52:24It really provides me.
00:52:25Okay.
00:52:29I know you're there, Michael.
00:52:33They were stood next to the phone,
00:52:35deciding whether to pick you up.
00:52:37But it don't matter.
00:52:38because you can't ignore me anymore
00:52:40because I'm coming back to you in.
00:52:42I'm coming back to get my kids,
00:52:44and you will never see them again.
00:52:46I need a taxi from Kilton Island immediately.
00:52:56I don't care about that.
00:52:59Let's keep you ready.
00:53:00Now.
00:53:05It's my arms.
00:53:07Who cares?
00:53:09It's, uh,
00:53:09they're all talentless idiots.
00:53:13That's not fair.
00:53:18I had a chance to see you.
00:53:22Guy,
00:53:22that can't ever happen again.
00:53:25Why not?
00:53:26Guy.
00:53:29Joe.
00:53:29Joe, wait!
00:53:30Up.
00:53:32Up.
00:53:53Up.
00:53:54Up.
00:53:58Um.
00:54:00Emry
00:54:11Emry
00:54:17Emry
00:54:20Emry
00:54:23No?
00:54:37Edrey?
00:54:40Yeah?
00:54:44Edrey?
00:54:46Edrey?
00:54:52Edrey?
00:54:59Edrey?
00:55:16Edrey?
00:55:22Edrey?
00:55:28Edrey?
00:55:30Edrey?
00:55:32I don't know.
00:56:02So Andre, is that you?
00:56:15Can I help?
00:56:33Joe! Joe wait, please!
00:56:49Christ, Guy that was-
00:57:02This guy! This guy! No! No! No!
00:57:27Oh! This guy!
00:57:32Workshop room. Somewhere. He's been killed.
00:57:37What's all the noise about?
00:57:40She says Guy's been killed.
00:57:42We were-
00:57:43Fuck.
00:57:44I left him. When I came back, he was just lying there.
00:57:49We need to check this. We're going out there.
00:57:53How did we know it wasn't you?
00:57:55What?
00:57:56What are you saying? Fuck! I saw what's on your camera!
00:57:59What are you going on about?
00:58:01You went to my private things.
00:58:03Henry had been missing for days. I looked around their room.
00:58:05You thought I killed Henry?
00:58:07I'm sick. He's got pictures of car accidents on his camera.
00:58:12Dead bodies!
00:58:14Bodies!
00:58:15Is this true?
00:58:16I don't have to-
00:58:17Is this true?
00:58:18I don't have to answer your-
00:58:19I don't have to answer your-
00:58:26We've got to find you.
00:58:27Well, and the office-
00:58:28Alistair and Daisy-
00:58:29Lies are-
00:58:30No, no, no, no. I'm not going fucking anywhere.
00:58:32You can stay here and die, you little-
00:58:34Stupid ape!
00:58:35Stop it!
00:58:36Stop it!
00:58:37Stop it!
00:58:38Stop it!
00:58:39Are you too finished?
00:58:40No!
00:58:41We need to-
00:58:42Make contact with the police.
00:58:43And get off the island.
00:58:45I'm not going anywhere. The time's not that proud.
00:58:48Please.
00:58:51'm not going anywhere.
00:58:52I'm having to burn at all times.
00:58:54No, I'm not going anywhere.
00:58:55No, no, no, no.
00:58:56No, no, no.
00:58:58No, no, no, no!
00:59:00No, no, no, no, no, no.
00:59:01No, no, no, no, no, no.
00:59:03No, no, no, no, no.
00:59:04I can't wait to-
00:59:05Come on, let's call the police.
00:59:35Come on, let's call the police.
01:00:05Come on, let's call the police.
01:00:35Come on, let's call the police.
01:01:05Oh, damn.
01:01:12God, he can.
01:01:18Christ, fuck.
01:01:20Just get the fucking light out.
01:01:21What's going on, the lights are working.
01:01:24I thought you were good.
01:01:25Someone's killed Guy, Nigel.
01:01:28Are you joking?
01:01:29No, we're not.
01:01:31What's going on?
01:01:35That's true.
01:01:36And now Phil's missing.
01:01:56So you found his body in the workshop room?
01:01:58Yes, I have to.
01:02:01He came to speak to you.
01:02:03I cannot stay here.
01:02:27John, wait!
01:02:31John!
01:02:33John!
01:02:40John!
01:02:41Oh, my God.
01:03:11Oh, my God.
01:03:41Oh, my God.
01:04:11Oh, my God.
01:04:41Oh, my God.
01:05:11Oh, my God.
01:05:41Oh, my God.
01:06:11Oh, my God.
01:06:41Oh, my God.
01:07:11Oh, my God.
01:07:41Oh, my God.
01:08:11Oh, my God.
01:08:13Oh, my God.
01:08:15Oh, my God.
01:08:17The smoke from your charred corpses will raise me up to higher things.
01:08:24Oh, my God.
01:08:31Oh, my God.
01:08:33Oh, my God.
01:08:35Oh, my God.
01:08:45Oh, my God.
01:08:46Oh, my God.
01:09:05Oh, my God.
01:09:06Oh, my God.
01:09:16Oh, my God.
01:09:17Oh, my God.
01:09:29Oh, my God.
01:09:31Oh, my God.
01:09:32Oh, my God.
01:09:33Oh, my God.
01:09:34Oh, my God.
01:09:46Oh, my God.
01:09:47Oh, my God.
01:09:48Oh, my God.
01:09:49Oh, my God.
01:09:51All right.
01:09:53What about you?
01:09:57Not yet.
01:10:05My time will come.
01:10:09And when it bursts,
01:10:13I will distract you.
01:10:17You burst.
01:10:19Dream.
01:10:23She comes on a writing call,
01:10:27but does no writing.
01:10:29You coward.
01:10:31Oh.
01:10:53You're okay.
01:10:55You're okay.
01:10:57You're okay.
01:10:59You're okay.
01:11:05You're okay.
01:11:07You're okay.
01:11:21Sir, why are you here?
01:11:41He's in court.
01:11:51I'm sorry.
01:12:06You want to know?
01:12:08Okay. I will tell you.
01:12:12My daughter died two months ago.
01:12:17She was in her own accident.
01:12:23Her car caught fire.
01:12:27She brought to death.
01:12:30I thought there might be a way for writing to heal me.
01:12:37Maybe I'd hurt the girl I'd protected and loved, reduced to death.
01:12:49There's nothing you can do to me. I'm dead already.
01:13:03And anything you do is as harmless as rain.
01:13:08I see.
01:13:38It's a strange, scary amount of things.
01:13:40Oh, dear.
01:13:59Come in there, he is on the floor by you too.
01:14:02I don't know.
01:14:32Get out of here now!
01:15:02Oh, my God.
01:15:32Oh, my God.
01:15:34Judge.
01:15:36Judge.
01:15:38Judge.
01:15:40Judge.
01:15:56Judge.
01:15:58Judge.
01:16:00Which one?
01:16:08Just keep going!
01:16:30What?
01:16:40What?
01:16:42What?
01:16:44Steve, no!
01:16:46Come on!
01:16:48No!
01:17:00Oh!
01:17:02Oh!
01:17:04Oh!
01:17:06Oh!
01:17:08Oh!
01:17:10Come on, you spaz!
01:17:12Ah!
01:17:14No!
01:17:20No!
01:17:22No!
01:17:24No!
01:17:26No!
01:17:28Oh!
01:17:32No!
01:17:34Don't help me!
01:17:37Ah!
01:17:38No!
01:17:39I can do it.
01:17:40I can do it.
01:17:42We're killing...
01:17:45Ugh!
01:17:46I can set up the sl느량.
01:17:48On the ground all the way.
01:17:50Is it dead?
01:17:51Yes!
01:17:52Good morning!
01:17:56Oh, my God.
01:18:26Oh, my God.
01:18:40No, I can't.
01:18:43I can't.
01:18:44I can't.
01:18:45I can't.
01:18:46I can't.
01:18:47I can't.
01:18:57Come on.
01:18:58I can't.
01:18:59I can't.
01:19:00Oh, my God.
01:19:01Oh, my God.
01:19:02Oh, my God.
01:19:03That's right!
01:19:26Poor talentless imbecile with a god complex kills defense this girl.
01:19:32How many, Nigel? How many has it been? How many third-rate novels? How many rejection letters? How many wasted hours?
01:19:43You're convinced you're a genius, just like every other poor son who thinks they've got a book in them.
01:19:49But the truth is, you're a failure on the page, and you're so stupid you can't even see it!
01:19:55As he crushed her hip pipe in his thumbs, she realized the trap had been set from the very beginning.
01:20:05She was nothing warm and weak. A worm dying on a hook!
01:20:13A worm dying on a hook!
01:20:23A worm dying on a hook!
01:20:25A worm dying on a hook!
01:20:31A worm dying on a hook!
01:20:43A worm dying on a hook!
01:20:49A worm dying on a hook!
01:21:03A worm dying on a hook!
01:21:07I don't know.
01:21:37I don't know.
01:22:07No!
01:22:34Yes, um...
01:22:36Sorry, what did you say your name was?
01:22:51One fine dame, I loved it right
01:22:55Before the passing of her light
01:22:58A book for me, a wondrous sight
01:23:01The words, they were a true delight
01:23:04It told a tale that came to be
01:23:08Of an island on the sea
01:23:11Where she said she'd wait for me
01:23:14Underneath the spreading tree
01:23:18By the water near the shore
01:23:22There she'd take my hand in hers
01:23:25And we would read her honeyed words
01:23:28And closer grow with each page turned
01:23:32That love can be a fleeting friend
01:23:35And so our story came to end
01:23:38The blackened clouds they did portend
01:23:42And so we found ourselves condemned
01:23:45We cut the shoe to fit the birds
01:23:49The blood did flow down through the brook
01:23:52The waters, my true love they took
01:23:55And all I have now is the book
01:23:59Oh my God
01:24:01See you later
01:24:02No one in her
01:24:03Okay
01:24:04You want to be
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