00:00I worked on the original Predator for Stan Winston back in the day. We begged him not to take the job because we only had eight weeks to make the monster. Thank God he didn't listen to us. The big technological change this time is that this is more actor driven. It's Demetrius providing the body and the practical Weta workshop suits that he's wearing and then Weta Digital is digitally taking his movements and turning it into a Predator face. And the artistry involved behind that is enormous.
00:28When Dan Jackenberg said to me, now with an animatronic face, can we get sadness mixed with regret, mixed with betrayal? And I was like, we'll give it a shot, sir. So that's how it ended up. And it really is beautiful.
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