- 3 months ago
Category
🎥
Short filmTranscript
00:00:00Oh, some wool dress.
00:00:14Hi.
00:00:16What are you doing?
00:00:17Math class, huh?
00:00:18Oh, there you go.
00:00:19Oh, your coat's terrific.
00:00:21The whole thing's terrific.
00:00:27God, have you ever seen so many dogs in one place?
00:00:29Uh, the trouble with you, Chad, is you're just spoiled.
00:00:32Yeah, I know.
00:00:38Morning.
00:00:42Now, that's ugly.
00:00:47I just got the weirdest idea.
00:00:49You know what?
00:00:50I wonder what she looks like under all those clothes.
00:00:55Who? Eldridge?
00:00:57Eldridge?
00:00:59Are you kidding?
00:01:01No.
00:01:03I'm not kidding.
00:01:05It's kind of like the idea just jumped into my head.
00:01:07I'm not kidding.
00:01:14basic literary triangle
00:01:37can anyone tell me why Fitzgerald's name
00:01:41is on the bottom
00:01:42Mr. Foster
00:01:44because Fitzgerald's liberated work of the 20s
00:01:47beginning with
00:01:48this side of paradise
00:01:50formed the base for the extended realism
00:01:53of both Hemingway and Faulkner
00:01:55quite correct
00:01:56I would like to amplify this aspect
00:01:59of the discussion but I see by
00:02:01the clock that our time is up
00:02:03your assignment due for tomorrow's class
00:02:07will be the final chapter
00:02:09of For Whom the Bell Tolls
00:02:11you are to summarize this chapter
00:02:13with special emphasis on the protagonist's
00:02:15time continuum thought processes
00:02:18relating to his father's death
00:02:20and his own impending death in Spain
00:02:22class is dismissed
00:02:24object claims
00:02:31in the same place
00:02:32in Museum of the Wild
00:02:32and in the same way
00:02:33of the whole world
00:02:34of the world
00:02:35in the same way
00:02:35that we are in the same way
00:02:35as you know
00:02:36and that we should say
00:02:37we have a new purpose
00:02:38of the first time
00:02:38Thank you, Chad.
00:03:01You're welcome.
00:03:03You sure carry a lot of books.
00:03:05Yes.
00:03:05Miss Eldridge, you go to the movies much?
00:03:10Sometimes, not often.
00:03:12No, I do.
00:03:14A lot.
00:03:15But then I tend to think in pictures.
00:03:18Oh.
00:03:19Yeah, you see, my hobby is photography.
00:03:22Well, that's very interesting.
00:03:23I thought that maybe we could...
00:03:24It's very nice talking with you, Chad, but I do have another class.
00:03:28Yeah.
00:03:29See you.
00:03:32You're really serious about that, aren't you?
00:03:34Well, if you've got any funny ideas, you better forget it.
00:03:37Don't go messing around with teachers.
00:03:40Oh, really?
00:03:41Gee, I didn't know that.
00:03:52Going out tonight?
00:03:53No, I have too much to do.
00:03:58You know, for the kind of money they pay, you put it in an awful lot of hours.
00:04:03That's true.
00:04:06Julie, Steve has a friend.
00:04:10He's a very nice guy.
00:04:13But you can't just stay home all the time.
00:04:15You've got to go out sometimes.
00:04:16I'm all right, Anne.
00:04:20Don't worry about me.
00:04:23The problem with you is, you don't give yourself half a chance.
00:04:28If you'd work at it just a little, you'd really be attractive.
00:04:35Anne, have a nice time tonight.
00:04:38Anne, have a nice time tonight.
00:04:42Okay.
00:04:46Good night.
00:04:47Night.
00:04:48Night.
00:04:48Night.
00:04:48Night.
00:04:48Night.
00:04:48Night.
00:04:48Night.
00:04:48Night.
00:04:48Night.
00:04:49Night.
00:04:49Night.
00:04:50Night.
00:04:50Night.
00:04:51Night.
00:04:51Night.
00:04:52Night.
00:04:52Night.
00:04:53Night.
00:04:54Night.
00:04:55Night.
00:04:56Night.
00:04:57Night.
00:04:58Night.
00:04:59Night.
00:05:00Night.
00:05:01Night.
00:05:02Night.
00:05:03Night.
00:05:04Night.
00:05:05Night.
00:05:06Night.
00:05:07Night.
00:06:38Thank you, everybody. It's all in French with English subtitles. It's a real classic. How about going to see it with me? For reasons of cultural expansion.
00:06:46Thank you, Chad.
00:07:16You look like you could use a drink.
00:07:42Yes, I guess I could. It's ridiculous, but these kind of things always upset me.
00:07:49Do you want popcorn, too?
00:07:50Oh, no, I couldn't eat anything, but a drink will be fine, Chad. Thank you.
00:07:54All right.
00:07:55What'll it be?
00:08:06Two large root beers.
00:08:07Easy on the ice.
00:08:09Two large root beers. Easy on the ice.
00:08:11How much is there?
00:08:12Dollar.
00:08:19There you go. Thank you.
00:08:21Thanks, sir.
00:08:22Go to another ice.
00:08:25Mm-hm.
00:08:26Mm-hm.
00:08:30I want you to go.
00:08:32I want you to go.
00:09:03Here's your drink.
00:09:19Tastes bitter.
00:09:22Yeah, mine too.
00:09:23I guess they're not putting enough syrup in them.
00:09:32What's the matter? Don't you like the movie, Jack?
00:09:38I like the movie.
00:09:40It's just that I like you better.
00:09:42What's wrong?
00:09:58I don't know.
00:10:04Do you want to get out and get some air?
00:10:05I don't know.
00:10:35can i do something for you yeah i need a room for the night me and my wife
00:10:53the name's harker mr and mrs jonathan harker you got any baggage yeah i got baggage
00:10:59and fifteen dollars in advance all right
00:11:07okay fill out the card
00:11:12thank you yeah
00:11:29so
00:11:39it's late
00:12:08we're home
00:12:10boy you must have really been tired
00:12:16how could i
00:12:19did i really fall asleep
00:12:22i'm sorry
00:12:26i mean this has never happened to me before
00:12:30i'm just sorry that i took you to such a boring picture
00:12:34well i
00:12:38i warned you at least
00:12:41i told you i wouldn't be a very exciting date forget it
00:12:45i decided to let you sleep i figured with all the work you do you needed the rest
00:12:51still i'm afraid i've spoiled your evening
00:12:56no
00:12:57i had a fine time
00:12:59well i'm really sorry
00:13:09hey
00:13:10i thought we agreed to forget about that
00:13:12yes we did
00:13:14i had a very good time thank you
00:13:17can i call you tomorrow
00:13:20i don't think so
00:13:22i don't think so chad
00:13:23why not
00:13:24because it was foolish of us to go out tonight
00:13:27i could lose my job and you could be expelled
00:13:30no board of trustees tells me who to see or who not to see
00:13:32i do what i want
00:13:34now chad
00:13:36no i really must be firm about this
00:13:39we can't go out again
00:13:41we'll see
00:13:46good night julie
00:13:50good night julie
00:14:00hello
00:14:28it's me chad
00:14:29it's me chad
00:14:33chad it's not even eight o'clock
00:14:36i want to see you
00:14:40i told you last night that i don't think we should
00:14:43listen you get dressed
00:14:44because i'm coming over there right now
00:14:46you and i are taking a little drive together
00:14:49absolutely not
00:14:52now what's the matter with you
00:14:54i don't find this at all amusing
00:14:57it's not meant to be
00:14:59it's not meant to be
00:15:00it's not meant to be
00:15:06it's not meant to be
00:15:16it's not meant to be
00:15:19it's not meant to be
00:15:22Are you ready to tell me why you're behaving this way?
00:15:45What didn't I tell you?
00:15:46My hobby's photography.
00:15:53You drugged me last night, didn't you?
00:16:03How could you do something this sick?
00:16:06Well, I think they came out rather well, don't you?
00:16:11Oh, and you can keep these.
00:16:14Because, you see, I have the negatives.
00:16:22I'll call a police check.
00:16:24Oh, you won't.
00:16:25First of all, you have no proof that I drugged you.
00:16:28I'll deny it and offer these photos as proof.
00:16:32Tell them you seduced me.
00:16:34But you've got a thing for your students.
00:16:42Now, I'm sure you don't want the police or anyone else to see these.
00:16:47All right, Chad.
00:17:00What do you want from me?
00:17:01The realism of Faulkner, Steinbeck, Hemingway, and even Hammett opened the doors to a new kind of literary expression, indigenous to the new American frontier experience.
00:17:26Here was a raw, muscled prose, which completely transformed the period and formed a direct bridge, linking us all the way from...
00:17:45From the aesthetic realism of a Dreiser, to the rather disheveled, class is dismissed.
00:18:09Class is dismissed.
00:18:15Class is dismissed.
00:18:45Class is dismissed.
00:18:46Do you know what time it is?
00:18:47Ah, turn your turn.
00:18:48Charlie...
00:18:50Will you please tell me what's going on?
00:18:55Nothing.
00:18:56I didn't stay up all night to get that kind of an answer.
00:19:00I'm worried about you.
00:19:04It's been like this for a month now.
00:19:06I know, but...
00:19:08Julie, this isn't like you.
00:19:11Please tell me what's happening.
00:19:13I really can't talk about it, Anne.
00:19:15Go to bed.
00:19:45Hey, I want that on.
00:20:05I want it off.
00:20:08Since when does what you want count?
00:20:11Since now.
00:20:12Tonight.
00:20:13This second.
00:20:15It's all over, Chad.
00:20:17It's over.
00:20:19Nothing is over until I say it is.
00:20:23I don't think so.
00:20:25You see, I'm bored.
00:20:27And when I'm bored, the game is over.
00:20:33Bored?
00:20:35Mm-hmm.
00:20:37Not terrified, not shocked.
00:20:40Just plain bored.
00:20:41Whose idea did you think this whole thing was?
00:20:47What are you talking about?
00:20:49What I am talking about, Chad, is that you are a singularly unimaginative young man.
00:20:56Did you really think that that dull little mind of yours could possibly have conceived any of the rather dramatic experiences we've shared?
00:21:08Do you remember the day you watched me walk up the steps?
00:21:17Since that moment, your mind has not been your own.
00:21:21Why do you think you suddenly had the overwhelming desire to see what I looked like under all those clothes?
00:21:31Don't feel bad.
00:21:37I always get bored after a while.
00:21:44Although, there was one boy in Denver who did keep me amused for almost nine weeks.
00:21:51But then he was wonderfully creative.
00:21:55First you'll experience dizziness, then mild paralysis, and then total cardiac arrest.
00:22:18You've drugged me.
00:22:20You've drugged me.
00:22:22No, dear.
00:22:23I've killed you.
00:22:26No!
00:22:48I told you about those chemicals, Chad.
00:22:56How dangerous they could be.
00:22:57He was one of your best students, wasn't he?
00:23:20Yes, he was a wonderfully bright and spirited boy.
00:23:39You know, I warned him about those chemicals, how dangerous they could be.
00:23:47Are you sure you're okay?
00:23:52Surely I can skip work and stay here with you.
00:23:57No, you go on.
00:23:59I'll be fine.
00:24:03Are you sure?
00:24:06Yes, Anne.
00:24:17How dare you.
00:24:18I know.
00:24:19I know.
00:24:21I know.
00:24:36I know.
00:24:41I know.
00:24:41Miss Eldridge?
00:25:08Yes.
00:25:10I'm Arthur Moore.
00:25:11I saw your notice on the board.
00:25:14And you need help.
00:25:15Yeah.
00:25:16I, uh, my lick grades are lousy.
00:25:19Do you have time for me, Miss Eldridge?
00:25:21Of course I do, Arthur.
00:25:23In fact, if you like, we can start right now.
00:25:25Oh, that'd be great.
00:25:26I like that a lot.
00:25:27Good.
00:25:35I think we're going to be friends, Arthur.
00:25:37Very good, friends.
00:25:42I'll see you next time.
00:25:44THE END
00:26:14THE FUNERAL IS OVER
00:26:25AND I AM ALONE IN THE HOUSE
00:26:28Therese is out cavorting with one of her men
00:26:32on this night when father is barely cold in his casket
00:26:36I ran some old family films to remind myself of when it began
00:26:42even then at 12 she was already using her wiles on him
00:26:47poor mother so weak so innocent
00:26:52never suspecting the depth of evil in Therese
00:26:56my spoiled sister
00:26:59her sweet little face never fooled me for an instant
00:27:03I knew the darkness behind it
00:27:06I knew the fermenting ugliness in her soul
00:27:09Mr. Anmar
00:27:22yes
00:27:22please come in
00:27:24I know what you're thinking
00:27:31you're wondering how sisters can look so unalike
00:27:35I have never found it necessary to affect the ways of Therese
00:27:40please sit down
00:27:43is she here
00:27:46oh no
00:27:47she's gone to a party
00:27:50a party
00:27:51this afternoon at the funeral she seems so
00:27:56distraught
00:27:57my sister is an unusual girl
00:28:00Mr. Anmar
00:28:01I doubt that you truly understand her
00:28:05which is why I've called you here
00:28:09what do you mean
00:28:12I want you to look at something
00:28:19here's Therese
00:28:22and father
00:28:23she was 15 then
00:28:28I want you to notice the way she's pressing herself against him
00:28:32I don't understand
00:28:37why are you telling me this
00:28:42my sister is evil
00:28:44Mr. Anmar
00:28:45I think you should know that
00:28:48even as a child she was vicious
00:28:56and cunning
00:28:58but father worshipped her
00:29:01and she him
00:29:03when she was 16
00:29:07she seduced him
00:29:08now look
00:29:09I don't know what you're trying to do
00:29:11but I don't want to hear any more of this
00:29:13it was not long after that
00:29:17that mother died
00:29:19the doctor said
00:29:21it was an accident
00:29:22that
00:29:25she had taken an overdose of sleeping pills
00:29:28but it was no accident
00:29:32Mr. Anmar
00:29:33it was Therese
00:29:36she had put those extra pills in her milk
00:29:40if
00:29:42this is true
00:29:44how could you live in the same house while they
00:29:48well you see
00:29:49I had no place else to go
00:29:51I had no money
00:29:54and no way to earn any
00:29:57no escape
00:30:01so
00:30:04I kept to myself
00:30:08as much as possible
00:30:11to try to avoid Therese
00:30:15to ignore
00:30:18what was happening in this house
00:30:22you don't believe me do you
00:30:27Miss Lorimer
00:30:32I don't know what to say
00:30:36these books show what she is
00:30:39these books show what she is
00:30:39demonology
00:30:42pornography
00:30:44satanism
00:30:45voodoo
00:30:46witchcraft
00:30:47these books aren't just relics
00:30:49Mr. Anmar
00:30:50she uses them to capture the souls of others
00:30:53by her own admission
00:30:57satan guides her
00:30:58you don't really expect me to believe this do you
00:31:02but you must believe me
00:31:03Mr. Anmar
00:31:05you see
00:31:07Therese's soul is damned
00:31:11and I cannot help her
00:31:15but I can help you
00:31:21Miss Lorimer
00:31:24I'm afraid
00:31:26you're the one that really needs help
00:31:28how naive you are
00:31:36do you really think she cares for you
00:31:38she lies to you
00:31:39she laughs at you
00:31:40sorry but I really must be going now
00:31:42I know all about that night at Morley
00:31:47and what happened there
00:31:48she told you about that
00:31:58yes
00:31:59she told me everything
00:32:02gloated
00:32:04bragged about how she was able to corrupt you
00:32:08my sister enjoys inflicting pain
00:32:14Mr. Anmar
00:32:15and apparently she somehow
00:32:19persuaded you
00:32:21to share
00:32:22that perversion
00:32:24now do you believe me
00:32:30you are saved
00:32:35Mr. Anmar
00:32:38I have freed you from evil
00:32:41this afternoon
00:32:45while I was out shopping
00:32:46Therese violated my room
00:32:48in an insane act of revenge
00:32:50and upon my return
00:32:52raged at me
00:32:52using foul and obscene language
00:32:55cursing me for having dared
00:32:56to reveal the truth
00:32:57to Mr. Anmar
00:32:58her behavior
00:33:00was truly bestial
00:33:01she's becoming more violent
00:33:04by the day
00:33:05it's as if father's death
00:33:08has released the demons
00:33:09within her
00:33:10had not actually fear
00:33:12for my life
00:33:13hello
00:33:24Dr. Ramsey
00:33:25it's Millie
00:33:26it's about Therese
00:33:29she's much worse
00:33:30now I thought we'd settle that matter
00:33:33you were going to see about Therese
00:33:35but you can't imagine
00:33:37the things she's been saying about me
00:33:39about us
00:33:40us?
00:33:42she's jealous of our relationship
00:33:43she twists it into something lewd
00:33:45and something sordid
00:33:46look Millie
00:33:47I have a hospital call
00:33:50to make in your area tomorrow
00:33:51I'll drop by
00:33:52and we'll talk about this
00:33:53thank you doctor
00:33:54I'll drop by
00:33:57and we'll talk about it
00:33:58again
00:34:00I'll drop by
00:34:01I'll drop by
00:34:02Hiya, Doc.
00:34:30Come on in.
00:34:31I've been expecting you.
00:34:51You want a drink?
00:34:53No, thanks.
00:34:55No.
00:34:56Of course not.
00:34:59I suppose you're here on your usual mission.
00:35:03I know all about what dear little Millicent told you on the phone.
00:35:08I was listening on the extension in my room, you see.
00:35:12I see.
00:35:14So, I guess it's just a wasted visit, Doctor.
00:35:27Because I know Millicent won't talk about me when I'm in the house.
00:35:33And here, I am.
00:35:39Did you destroy her room?
00:35:40Yes, I destroyed her room.
00:35:43Why shouldn't I?
00:35:45She deserved it.
00:35:46I mean, where does that little twit get off thinking she's got the right to stick her nose into my affairs?
00:35:53Don't worry, Doc.
00:35:59I'm sure she's got it all straightened up by now.
00:36:03In her proper little housekeeper's manner.
00:36:07You know?
00:36:08Therese, this hatred has got to stop.
00:36:13You'll destroy yourself.
00:36:14Oh, I don't think so, Doc.
00:36:16Besides, it's really all Millicent has.
00:36:22Her hatred of me is the only passion in her lonely, pathetic little existence.
00:36:33You know, you're really a very handsome man, Doctor.
00:36:45If you just loosen up a little.
00:36:50Oh, did that bother you?
00:36:57Do I make you nervous, Doctor?
00:37:01I don't think we need carried this any further.
00:37:08What's the matter, Doc?
00:37:11You still a virgin?
00:37:13Or, uh, is it that you just don't like girls?
00:37:21I'll call again soon.
00:37:23We don't need you anymore, Ramsay.
00:37:25Ramsay, just get the hell out of our lives!
00:37:28Don't phone us and don't call on us!
00:37:30Or leave!
00:37:32And I'll never come back here!
00:37:34I'll never come back here!
00:37:35Come back here.
00:37:42What happened?
00:37:43He's going off.
00:37:44I'm actually not planning to get clearly with that testimony.
00:37:48I happy to get that.
00:37:49he won't be back
00:38:01but i wouldn't answer her nor would i allow her to enter
00:38:15i remained locked in my room silent while she raged and swore at me
00:38:22finally she staggered back into her own room and fell into a drunken sleep
00:38:27how i loathe her i can no longer bear to live in this house
00:38:33and watch evil prevail something must be done
00:38:37yes
00:38:40therese must die
00:38:43tracy what's wrong what's the matter
00:39:11my doll is broken
00:39:13oh let me look at it
00:39:18oh my
00:39:19how did this happen dear
00:39:21your sister broke it
00:39:23therese
00:39:24therese did this but why why did she do it
00:39:27i was just playing with my dolly when all of a sudden your sister came running out of the house and yelled at me
00:39:34she said i was making too much noise
00:39:36then she grabbed my dolly and threw it on the ground and broke its head
00:39:41i hate her
00:39:43i hate her
00:39:44poor thing
00:39:45next time i'm in town
00:39:48i'm gonna buy you a brand new dolly
00:39:51you will
00:39:52you will
00:39:53that make you feel better
00:39:54thank you miss millicent
00:39:58when i returned to the house i was still thinking of tracy's broken doll
00:40:05and it was then that the solution suddenly became quite clear
00:40:08at last i had found the ideal way
00:40:11how ironic i would use therese's own books to destroy her
00:40:16i began to collect the necessary items
00:40:20pairings from teresa's long painted nails strands from her lovely blonde hair
00:40:30the rhinestone buttons from her most lewdly seductive dress
00:40:35and then at last i had all that was required
00:40:40therese's life held literally within my hands
00:40:45hello
00:40:58hello dr ramsey it's millie
00:41:00i've been trying to reach you since yesterday
00:41:02millie i'm terribly worried we must talk
00:41:04i appreciate your concern doctor but i no longer feel there is any need to talk
00:41:10you see things are different now
00:41:13i found a way to deal with therese
00:41:16i insist that we talk
00:41:18that is all i have to say to you dr ramsey
00:41:20your advice is no longer required
00:41:24goodbye
00:41:26you
00:41:29you
00:41:37you
00:41:39you
00:41:43you
00:41:54you
00:41:56you
00:41:58you
00:42:00you
00:42:02you
00:42:19you
00:42:21you
00:42:23you
00:42:40you
00:42:42you
00:42:44you
00:43:01you
00:43:03you
00:43:05you
00:43:07you
00:43:09you
00:43:30you
00:43:32you
00:43:34you
00:43:51you
00:43:53you
00:43:55you
00:43:57you
00:44:18you
00:44:20you
00:44:22you
00:44:31you
00:44:45Just a moment
00:45:03before you take her away.
00:45:12How is the family physician?
00:45:14I knew her quite well.
00:45:18Her name was Therese Millicent Lorrimore.
00:45:36The most advanced case of dual personality I have ever seen.
00:45:44How do you feel?
00:45:46I know what you think.
00:45:47I have never seen that.
00:45:49I know I have never seen that.
00:45:52How did you feel?
00:46:53See you kills.
00:47:01Boy, are you ugly.
00:47:05That face.
00:47:10Even your mother wouldn't love you.
00:47:12it's very sharp
00:47:25I just gonna love it
00:47:42well, better get it over with
00:48:04hi mom
00:48:05I couldn't call earlier, I just got home
00:48:09mother, mother, it's about tonight
00:48:15I know we always spend Friday night together
00:48:17but I thought
00:48:18no, I feel alright, it's not that
00:48:21mother, I'm not sick
00:48:25mother, there's a man
00:48:32his name is Arthur Breslow
00:48:33he's a teacher at City College
00:48:35it's his birthday
00:48:36and
00:48:38well, I sort of promised him
00:48:42that we spend the night
00:48:43the evening together
00:48:45mother, it has nothing to do
00:48:52with preferring
00:48:53when do I break my word to you
00:48:58what do you mean
00:49:00when, you give me a when
00:49:02when do I break my promises
00:49:03well, of course
00:49:07I love you
00:49:08yes, I do
00:49:11yes, I do, dear
00:49:12mother
00:49:23mother, I'm not being cruel
00:49:28it's just
00:49:31it's his birthday
00:49:33that's all
00:49:33I see you two or three nights a week
00:49:38mother, please stop treating me like a child
00:49:46I'm grown up
00:49:47I'm not yelling
00:49:48because I like it here
00:49:51it's only a sublease
00:49:52they'll be back in six months
00:49:54I like having it
00:49:57for my own
00:49:59I like
00:49:59I like being alone
00:50:01I didn't mean it that way
00:50:04I'm sorry
00:50:05about a month
00:50:14I
00:50:17I meant to tell you before
00:50:20um
00:50:22he's a very nice man
00:50:25he's kind and gentle
00:50:27you'd like him
00:50:28it didn't happen that way
00:50:33I
00:50:33I met him after I rented the apartment
00:50:37mother, you should see what I'm getting for his birthday
00:50:49it's a genuine Zuni fetish doll
00:50:51I found it in a curio shop on 3rd Avenue
00:50:54Arthur teaches anthropology
00:50:58that's why I got it for him
00:50:59it's a Zuni hunting fetish
00:51:02it's really interesting
00:51:04there's supposed to be some Zuni hunter's spirit inside of it
00:51:08and um
00:51:09there's a golden chain wrapped around it
00:51:12to keep the spirit from making the doll come to life
00:51:14come to life
00:51:17it says
00:51:19should the
00:51:21chain be removed
00:51:23spirit and doll become one living
00:51:25well
00:51:26that's what it says
00:51:27on the scroll
00:51:30the scroll
00:51:32it
00:51:33it
00:51:33it comes with a doll
00:51:34inside the box
00:51:35you should see his face mom
00:51:37mom
00:51:41mom
00:51:42why is it always like this
00:51:52I will not get a headache
00:52:03I
00:52:10am going to take a bath
00:52:12and
00:52:14then I'm going to meet my fellow
00:52:17and we're going to have a lovely time
00:52:21lovely time
00:52:25mom
00:52:32mom
00:52:35mom
00:52:36mom
00:52:37mom
00:52:45mom
00:52:47mom
00:52:48mom
00:53:23Hello, Arthur. Hi.
00:53:28Well, I, um...
00:53:32You know me too well, don't you?
00:53:36It is our one night on the town. You know, every Friday night, well...
00:53:41You know, I've told you before.
00:53:45I just don't want to hurt her feelings.
00:53:48My moving out was hard enough on her.
00:53:50Well, I know I had every right to move out. That's not the point.
00:54:01Yeah, I realize we'd plan to spend the evening together, but...
00:54:07Arthur...
00:54:08It's only one day. Couldn't we celebrate your birthday tomorrow night?
00:54:19I just don't want to hurt her feelings.
00:54:22She is my mother, after all.
00:54:25All right.
00:54:34Bye.
00:54:34Bye.
00:54:42Hooray for Friday night.
00:54:44Hooray for Friday night.
00:55:14Hooray for Friday night.
00:55:16Hooray for Friday night.
00:55:17Hooray for Friday night.
00:55:18Hooray for Friday night.
00:55:19Hooray for Friday night.
00:55:20Hooray for Friday night.
00:55:21Hooray for Friday night.
00:55:22Hooray for Friday night.
00:55:23Hooray for Friday night.
00:55:24Hooray for Friday night.
00:55:25Hooray for Friday night.
00:55:26Hooray for Friday night.
00:55:27Hooray for Friday night.
00:55:28Hooray for Friday night.
00:55:29Hooray for Friday night.
00:55:30Hooray for Friday night.
00:55:31Hooray for Friday night.
00:55:32Hooray for Friday night.
00:55:33Hooray for Friday night.
00:55:34Hooray for Friday night.
00:55:35Hooray for Friday night.
00:55:36Hooray for Friday night.
00:55:37Hooray for Friday night.
00:55:38Hooray for Friday night.
00:55:39What'd you do, fall off the table?
00:56:07Where'd you go?
00:56:09Oh, Lord, where are you?
00:56:28Well, I guess I found you.
00:56:34At least the tip of your spear.
00:56:35How do you got that far back?
00:56:39We're getting warm.
00:56:51Come out, come out, wherever you are.
00:56:54Is that you, little man?
00:57:06He's got to be there.
00:57:15What's going on?
00:57:25What do you think?
00:57:35Oh!
00:57:35Come on, Amelia.
00:58:05Come on.
00:58:35I don't get spooky on me, Amelia.
00:58:48Oh, yeah.
00:58:50Oh, yeah.
00:58:52Oh, yeah.
00:58:56Oh, yeah.
00:58:58Oh, yeah.
00:59:00Oh, yeah.
00:59:02Oh, yeah.
00:59:04Oh, yeah.
00:59:12Oh, yeah.
00:59:22Oh, yeah.
00:59:26Oh, yeah.
00:59:27Oh, yeah.
00:59:28Oh, yeah.
00:59:30Oh, yeah.
00:59:32Oh, yeah.
00:59:40Oh, yeah.
00:59:42probably just burnt out, that's all.
01:00:12Oh, God.
01:00:36Operator, operator, please get the police.
01:00:42I don't know where I'm located, just get the police.
01:00:49It's an emergency, there's a, there's a, just get me the police, please.
01:01:12No!
01:01:19No!
01:01:21No!
01:01:22No!
01:01:23No!
01:01:24No!
01:01:28No!
01:01:29No!
01:01:30No!
01:01:31No!
01:01:32No!
01:01:33No!
01:01:34No!
01:01:36No!
01:01:40No!
01:01:41No!
01:01:43No!
01:01:44No!
01:01:45No!
01:01:46This can't be happening.
01:01:54This can't be happening.
01:02:16This can't be happening.
01:02:46This can't be happening.
01:03:16This can't be happening.
01:03:46This can't be happening.
01:04:16This can't be happening.
01:04:46This can't be happening.
01:05:16This can't be happening.
01:05:46This can't be happening.
01:06:16This can't be happening.
01:06:46This can't be happening.
01:07:16This can't be happening.
01:07:46This can't be happening.
01:08:16This can't be happening.
01:08:46This can't be happening.
01:09:16This can't be happening.
01:09:46This can't be happening.
01:10:16This can't be happening.
01:10:46This can't be happening.
01:11:16This can't be happening.
01:11:46This can't be happening.
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