- 3 months ago
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and realizing that he's infatuated with the sci-fi film's...
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00:00:00You
00:00:30You
00:01:00Okay, this is my bathwater.
00:01:28There it is, going down the drain.
00:01:31My soap.
00:01:33My passport with no occupation on it, but I'm a film editor.
00:01:37Oh, that's my Niagara 3.
00:01:39Actually, it's not my Niagara 3.
00:01:41I'm borrowing it from work.
00:01:43And I'm borrowing all this film, too, because I'm shooting everything.
00:01:47Oh, this is a little fern that Marlene and I bought when we first moved in together.
00:01:51Wow, it's grown. It's just been a few months.
00:01:55I bought these shoes for her and they do not fit her and she still wears them.
00:02:01This is my strong French coffee.
00:02:04And this is really stupid.
00:02:07Or is it? I don't know.
00:02:09Alright, start again.
00:02:10Paris, September 1st, 1969.
00:02:13Time is 9.30.
00:02:15These are pieces of me.
00:02:18Me in pieces.
00:02:19I'm just, I'm trying to find what's real, what's honest.
00:02:22The total opposite of the film I'm editing, which is a sci-fi picture about a secret agent codenamed Dragonfly.
00:02:28Bonjour. Wake up. Wake up.
00:02:33Rise and shine, Dragonfly.
00:02:35It is time for you to wake up.
00:02:38It is a beautiful day today.
00:02:41You have many secret missions to accomplish today.
00:02:55It's so early.
00:02:57It is 2 in the eternal Dragonfly.
00:03:03Oh, can I sleep?
00:03:05I never get to sleep.
00:03:08Would you like to hear your horoscope?
00:03:10It's good today.
00:03:12Mystery will be revealed when the moon makes its orbit.
00:03:16I love a mystery.
00:03:18Fly!
00:03:19Fly!
00:03:23Dragonfly.
00:03:25Take you out from undercover.
00:03:30Could you be my lover?
00:03:33Together we can fly.
00:03:37Together we can fly.
00:03:39Fly!
00:03:48It's cut.
00:03:49It's cut.
00:03:50The water is freezing.
00:03:51Oh!
00:03:52That's amazing.
00:03:53Great.
00:03:55We are making cinema together.
00:03:58We are making revolution.
00:04:00Did I ever tell you that I was the one who discovered her?
00:04:03Liberate!
00:04:04Liberate!
00:04:05Liberate!
00:04:06Liberate!
00:04:07Liberate!
00:04:08Liberate!
00:04:09Liberate!
00:04:10Liberate!
00:04:11Liberate!
00:04:12I'm a photographer.
00:04:13I'm a journalist.
00:04:14I'm a realtor.
00:04:15I'm a realtor.
00:04:16I don't understand.
00:04:17I don't understand.
00:04:18You're wonderful.
00:04:19Yes, yes, yes, yes.
00:04:20Like that.
00:04:21Yes.
00:04:22Oh, I'm pretty good.
00:04:41I feel w atravรฉs of this one.
00:04:43Whoo!
00:04:44But I...
00:04:45could you go?
00:04:47I love you, I love you.
00:04:48You are late.
00:04:49Listen to me.
00:04:50People are enjoying your life.
00:04:51Oh, they are missing a lot.
00:04:53But I.'
00:04:54Well, as of my first-course,
00:04:55I don't just find the next school year today.
00:04:57How do I see that kind of dad has a bus mogฤ and I do?
00:04:59Fede.
00:05:01Hyo!
00:05:03The city and a Toronto church,
00:05:04the rest.
00:05:07This entire town is๊ฐus.
00:05:08This is Marlene sleeping.
00:05:32She's mad at me today.
00:05:34I asked her if she passed her driving test.
00:05:36Don't you think I would have told you if I had passed?
00:05:40Leave me alone.
00:05:41Yesterday she was happy.
00:05:57Everything is important.
00:05:59It's all in the details they say.
00:06:01This is the beginning of a new cinema.
00:06:04It's so delicious.
00:06:06It's personal but not pretentious.
00:06:08It was beautiful.
00:06:09Definitive.
00:06:10It's such an emotion to see a film like that.
00:06:12Daring?
00:06:13Mature?
00:06:14Why are you embarrassed?
00:06:15Which vitamin do you prefer?
00:06:16Let him speak for heaven's sake.
00:06:17Gentlemen, we can find out more about a man by his dreams.
00:06:20I guess I've always been a bit of a daydreamer.
00:06:23Always interested in film.
00:06:25A lot of my thoughts, my little notions of things and feelings are like little scenes in my head.
00:06:31I guess I want to show people what I think about.
00:06:33What I think is touching or sad or funny.
00:06:36I didn't realize you were filming.
00:06:38It sounded like you were talking to yourself.
00:06:41Just because you film every possible thing in your life doesn't mean you'll understand yourself any better.
00:06:48I'll tell you everything you need to know.
00:06:50Go ahead, turn it on.
00:06:52All right, go ahead, tell me.
00:06:59You're a warm person, but closed off emotionally.
00:07:05You're self-absorbed and live in a fantasy world.
00:07:09Oh, come on.
00:07:10Oh, let me talk, it's true.
00:07:13You've come to Paris to find your life, but here it is in front of you and you won't admit it.
00:07:19You film all the details of things around you as if that could bring some understanding.
00:07:24I just want to capture what's real and honest.
00:07:27And what if it's boring?
00:07:29Did you ever think about that?
00:07:33It may not be interesting for others to watch.
00:07:40Oh, you're mad at me now, aren't you?
00:07:43Come on, let me fix your hair.
00:07:46No, I'm just thinking about work.
00:07:48We've been cutting the ending scene for two weeks now and the director has no idea how to end the picture.
00:07:53And he won't admit it.
00:07:54Kiss me.
00:07:58What are you thinking about?
00:08:18She stands there looking at him.
00:08:34She leans closer and says...
00:08:37I love you.
00:08:38I love you.
00:08:39And we have, you know, the ending.
00:08:41It all comes together.
00:08:42Oh, no, no.
00:08:43This short is not finished yet, you know.
00:08:45So they emerge from the tunnel.
00:08:47And the sun rises and we see she's joined the revolution.
00:08:52And so, it ends with a simple declaration of love, you know.
00:08:58It ends with a beginning.
00:08:59Yes, a circle.
00:09:00A circle.
00:09:01A circle.
00:09:02A sort of circle.
00:09:03I find it's great.
00:09:04Is that already an ending?
00:09:05Yeah.
00:09:06You don't have an ending!
00:09:07We make an action movie, we know action.
00:09:08It doesn't make any sense.
00:09:09I haven't shot the end yet, you know.
00:09:10I've seen it.
00:09:11I haven't shot the end yet, you know.
00:09:13It ends with a beginning.
00:09:15Yes.
00:09:16A circle.
00:09:17A circle.
00:09:18A circle.
00:09:19A sort of circle.
00:09:21I find it's great.
00:09:23Is that already an ending?
00:09:26Yeah.
00:09:27You don't have an ending!
00:09:30We make an action movie with no action!
00:09:32It doesn't make any sense!
00:09:34any sense? No, I haven't shot the end yet, you know. My vision is to subvert the audience's
00:09:41expectations. I want the end not with a bang, but with a whimper. No picture of mine ever
00:09:51ended with a whimper. We need a bang. The picture is non-watchable. If you're thinking
00:09:56of changing one frame of my revolution... You're not the picture! Each moment I spend
00:10:01with you, I'm losing money. Fabrizio shut down this production. What did you say?
00:10:05You're not the picture! Fabrizio, I don't want to see you ever again! Go! Go away! You're
00:10:11afraid of this thing! You're not director! You're fascist! You go away! He's the young
00:10:17actress! She's got to his head! Finalmente!
00:10:23Bullshit! I've seen this happen many times before. A director fought for the leading lady
00:10:29and his judge has got to the toilet! Fabrizio, I've fired everybody in one with this mess!
00:10:36I've made 63 pictures and this is the worst. See if you can bring in Felix DeMarco.
00:10:47The young director, call him now.
00:10:50One, two, three, four!
00:10:55Break on me! One, two, three!
00:10:59Break out! Break out! Something's not right here!
00:11:11Felix DeMarco. Now, if I'm being totally honest, which is the point of this film, just hearing
00:11:17his name fills me with envy. And I don't even know why I care so much. They can do whatever
00:11:23they want. I have this film. I have my film. So much has happened since yesterday. I lost
00:11:30my job. I need to find somewhere else to get a camera. No more borrowing film. Okay.
00:11:35I need to conserve stuff. I need to stay on track. Everything's changing, becoming clearer. I feel
00:11:44like it might be all over with Marlene.
00:11:46I need some time to figure things out. All right. Maybe we should just live apart for a little
00:11:58while. No, no. It's me. It's all me. She'll slip into bed without a word, without even a hello.
00:12:04Maybe a scowl. And I'm going to stop her this time. I'm going to call her.
00:12:11I missed him.
00:12:15Do you miss me?
00:12:17Yes.
00:12:19How was your day?
00:12:25How was your day?
00:12:25I don't get it. Let's kiss.
00:12:33Hello.
00:12:34Hey, people.
00:12:38Really?
00:12:39What, right now?
00:12:41Okay, okay, okay.
00:12:47They fired everybody this morning, and now they just hired me back, and I have to go now and meet
00:12:53the new director. You're going now?
00:12:59Tell them you can't.
00:13:01I'm sorry.
00:13:01Paul, call them and tell them you'll go tomorrow.
00:13:05There's nothing I can do.
00:13:07I just get back, you fucking ass!
00:13:10Where are you leaving me right now?
00:13:14I'll make a nice hat for you.
00:13:16I have to go.
00:13:23I'm sorry, I'm going to cut.
00:13:33Let's go again.
00:13:34Hola, people sweet.
00:13:36Can we get some more blood?
00:13:39Thanks for coming so quickly.
00:13:42I'm glad you're still working on the picture.
00:13:44You know there's a young director of his tobacco?
00:13:49Yeah, I haven't met him before.
00:13:51He's an ass.
00:13:54Maybe another.
00:13:54It feels very scary, and action!
00:13:57A certain number of urchins must be given up to Satan.
00:14:01I now give you to my master, his highness of darkness, where you will slumber forever in the tomb of satanic blood.
00:14:10And cut!
00:14:12Print that one.
00:14:12It was perfect, everyone.
00:14:13Let's go to lunch.
00:14:14Come on, baby.
00:14:16You are getting better and better every day.
00:14:20Enzo!
00:14:24Follow me.
00:14:27What this picture needs, Felix, is you.
00:14:30It needs youth, and also a better ending.
00:14:36Felix, this is Paul.
00:14:37He's the editor.
00:14:39I know this guy.
00:14:40How you doing?
00:14:41You did sound on the Speedway picture, right?
00:14:43I pulled cable for you.
00:14:45I was awful at it, though.
00:14:47Enzo, so Paul's also done the second unit on the picture.
00:14:51The second unit?
00:14:52It's fantastic.
00:14:52Go ahead and tell Felix the plot of the picture.
00:14:56I want to tell you myself, but I'm lousy with English.
00:15:00Go on.
00:15:01So it's a science fiction film.
00:15:03It's a good little idea, Felix.
00:15:06You'll make it great.
00:15:07Use the footage we have, huh?
00:15:09Cut here, cut there.
00:15:10And some action, some more of the girl.
00:15:12Very sexy and...
00:15:14I like it sexy, Enzo.
00:15:15Okay, Paul.
00:15:16Keep telling the story.
00:15:18So it's set in the future, and...
00:15:19The year is 2001, and we have one hell of a setup.
00:15:24Real sexy stuff.
00:15:27Go ahead, Paul.
00:15:28Go ahead.
00:15:29Go, go.
00:15:30Okay, there's a group of revolutionaries, and they're hiding out on a moon base.
00:15:35And there's only one answer.
00:15:42Gentlemen, I want to thank you for attending this emergency security session.
00:15:46This visual report will illustrate our problem.
00:15:52Recent intelligence reports indicate that a band of youthful revolutionaries have set up a secret base in the far out region of the dark side of the moon.
00:16:03Their leader is a man who is known as Mr. E.
00:16:06His many followers regard him as a great poet, orator, inventor, and expert in martial arts.
00:16:14He appears to be leading his group in training exercises, which we believe are linked to a plan to attack Earth, to spread his dangerous anarchistic philosophy.
00:16:26Not since our troubles began way back in May 1968 have we seen such a cause for concern.
00:16:35Most distressing are the reports that he has developed the top secret weapon, which we feel we must capture to preserve our way of life.
00:16:42Gentlemen, we're left with only one option.
00:16:47To use agent codenamed Dragonfly.
00:16:49But she's so expensive, and so difficult.
00:16:53I know she's exasperating, but we need her.
00:16:57Now, I've arranged a teleconference.
00:17:00Please, Agent Dragonfly, we had an appointment.
00:17:03I need my sleep.
00:17:04We need to get down to business.
00:17:06Okay.
00:17:08What is it?
00:17:08Your mission is to infiltrate the community by whatever means available.
00:17:14Find Mr. E and take possession of his weapon.
00:17:24He's pretty cute, isn't he?
00:17:25Please, are you prepared to accept this mission?
00:17:29I'll take the mission.
00:17:31But you know how much I cost.
00:17:33Of course.
00:17:37We're relying on what we want to play.
00:17:41The future of the world is in your hands.
00:17:43So, are you prepared to take this mission?
00:18:02Well, if you can meet my price.
00:18:03No, it sounds like fun.
00:18:06I love science fiction, and I could probably make this amazing.
00:18:09I just, I want to tighten it up, reshoot some things, fix the ending,
00:18:12because you guys don't seem to really have that.
00:18:14And, I mean, I could start once the vampire picture wraps.
00:18:19Perfect.
00:18:20While Felix shoots, we continue with the trailer and the looping.
00:18:24Felix, give the editor your thoughts on the trailer.
00:18:26Um, you stick to Felix like glue.
00:18:30He has his ideas, his visions.
00:18:31Yeah, write it.
00:18:33Yes, we have to go.
00:18:34You have another projection.
00:18:39Just hit me.
00:18:40I know how the trailer needs to be.
00:18:52Oh, are you going back to set?
00:18:57I'll let you know if I get any other great ideas.
00:19:01Okay, okay, we're back.
00:19:03Okay, I want two cameras.
00:19:04I know it sounds risky, but we're going to do two.
00:19:26Okay, now we'll go.
00:19:30We'll go.
00:19:35See you next time.
00:19:38Bye!
00:19:47Bye!
00:19:48Bye!
00:19:49Bye!
00:19:51Bye!
00:19:52Bye!
00:19:53Bye!
00:19:54Bye!
00:19:54Bye!
00:19:55Bye!
00:19:55Bye!
00:19:55Bye!
00:19:56so we finally meet very nice to meet you so the director's still on his way okay
00:20:18I'm just gonna get you set up for the meantime sorry about my voice my
00:20:22apartment's flooding I'm getting a cold baby phones maybe this is a romance animacy
00:20:28okay I was just secret agent code name
00:20:34oh that's a tea would you like to oh that's a tea
00:20:40oh Paul things are missing okay go ahead and get the session going okay come on
00:20:45yes yes people come on
00:20:47so we finally meet I like what I see I have mission
00:21:17which I intend to accomplish I love you I love you I love you I'm so in love
00:21:28with you do you love me I'm in love with you I love you
00:21:39changing roles sorry
00:21:49you have an eyelash right here if you're blonde you can make a wish
00:21:56I wish cats could talk
00:22:04you're not supposed to tell me that's not gonna come true
00:22:09I'm sure it'll come true
00:22:12my cat's pregnant I wish I could talk to her
00:22:16I love you I love you I love you I'm in love with you
00:22:24the last one was can I get to do something
00:22:26sure
00:22:27you must be the director how exactly you want me to do this with a lot of
00:22:36authority or maybe more playful hmm okay who is dragonfly she's a super sexy
00:22:45secret agents birds that's a top secret dragonfly is coming how do you like it good good okay you
00:22:53hear me one two three one two three you hear me or dazzling you hear me it's
00:22:57okay dazzling is terrific dragonfly is terrific everything are good it's great
00:23:03great thank you okay thanks that's right just trying you hear me one two three
00:23:09out that way dazzling who is dragonfly
00:23:14oh
00:23:16hi valentine felix demarco the director how are you sorry i'm late i'm just
00:23:33actually we already finished oh great well you want to go get a bite to eat sure do you have any
00:23:41francs yeah i'm like fresh out
00:23:54do we have to do this now that's the thing i have to do it even if i don't want
00:23:59to have to it's the only way to be honest real you see my light meter
00:24:06you didn't tell me your father was coming for christmas
00:24:12oh i'm sorry i forgot to tell you he's on a lecture tour just be passing through the airport for an hour or two
00:24:18ask me to meet him then you never tell me anything
00:24:29what was the girl the actress like
00:24:32uh... she's a nice girl she's nice
00:24:36and?
00:24:38am i in frame?
00:24:49today is december 20th 1969 and i have to stay focused complete honesty
00:24:55do you love me?
00:24:57you know how i feel about you?
00:24:59you just want me to sit in for my camera
00:25:02why can't you just say it?
00:25:04i saw your ripped pants
00:25:08i trip over your camera
00:25:10i love you of course
00:25:13i just i wanna run out of film
00:25:16what are you looking for?
00:25:20what do you mean?
00:25:22what is your biggest wish?
00:25:29that cats could talk
00:25:33something that girl said isn't it?
00:25:36aw what are you talking about? you're being silly
00:25:38i thought you had to be totally honest in this film
00:25:41i am
00:25:43you're being ridiculous
00:25:46who said that? that actress?
00:25:48you just wanna sleep with her!
00:25:50what is your problem?
00:25:52what is your problem?
00:25:53what is your problem?
00:25:54i can't believe you i just don't understand
00:25:56we need to talk
00:26:05hey paul
00:26:06are you ready ma'am?
00:26:07we're going to the fire
00:26:14let me drive
00:26:15oh did you pass your training test finally?
00:26:18oh did you pass your training test finally?
00:26:30maybe you can drive on my home
00:26:32oh milk
00:26:59hฤhฤhฤhฤhฤhฤhฤhฤhฤhฤhฤhฤhฤhฤhBlueorn0
00:27:02From the Alexandra to the whiskey
00:27:06And I will be dead for a long time
00:27:09Because the others will be dead
00:27:32I got a call from the hospital, Felix was in a car accident
00:27:51Smashed up his alpha
00:27:54The doctor said he was okay
00:27:57Just broke his leg
00:27:59He's getting out of the dragonfly picture
00:28:01I'm taking a break
00:28:03Really?
00:28:04Yeah
00:28:08I want to recommend you to Enzo
00:28:11Me?
00:28:12I think you should finish the film
00:28:15I know you can do a good job
00:28:17But you're a talented kid
00:28:19You've helped the picture a lot
00:28:21I've seen that
00:28:22The second unit shot so you've got
00:28:28Oh, look at the camera
00:28:30Oh, film
00:28:31Oh, camera, salut
00:28:32The footage of the cosmic rakes
00:28:38That's what's your idea
00:28:40It's a good idea
00:28:46We're talking tomorrow
00:28:47It's the sonic boom of the Concorde
00:28:48It's the sonic boom of the Concorde
00:28:49It's so fucking amazing
00:28:50You're living in the future, man
00:28:51You're living in the future, man
00:28:52What are you saying?
00:28:53It's the sonic boom of the Concorde
00:28:54It's the sonic boom of the Concorde
00:28:55It's the sonic boom of the Concorde
00:28:56It's the sonic boom of the Concorde
00:28:57It's so fucking amazing
00:28:58You're living in the future, man
00:28:59What are you saying?
00:29:00It's the sonic boom of the Concorde
00:29:01It's the sonic boom of the Concorde
00:29:02What are you saying?
00:29:03It's the sonic boom of the Concorde
00:29:04It's the sonic boom of the Concorde
00:29:05It's the sonic boom of the Concorde
00:29:06It's the sonic boom of the Concorde
00:29:07It's the sonic boom of the Concorde
00:29:08Excuse me one second
00:29:09Hey, got some big news
00:29:10Wait, can't you see I'm taking to someone right now?
00:29:13Give me two minutes
00:29:15Excuse me
00:29:16What are you saying?
00:29:17So it's called Theatre Revolution
00:29:19It's gonna be a movement, voice and poetry workshop
00:29:22I'm sure you would love this place
00:29:24Yeah? Did you hear about poor Felix?
00:29:26I heard, I heard he's okay
00:29:27He's so talented
00:29:29Working with him is so much fun
00:29:31I remember once when we finished early
00:29:34And he took us all to the go-kart track
00:29:36Hey, babe!
00:29:40Hey, babe!
00:29:42Hello
00:29:43Say anything, say anything
00:29:45Say anything, say anything
00:29:47Wow
00:29:48It's a giant good fella
00:29:50It's a giant good fella
00:29:51And nobody can deny
00:29:53Oh, hi!
00:29:55Thank you, thank you, thank you
00:29:57So kind
00:29:58Ladies and gentlemen
00:30:00Uh, I'd like to make an announcement
00:30:03I'm sure you probably heard about
00:30:05The mad events of this evening
00:30:07But we're okay, right?
00:30:08Yeah
00:30:09Um
00:30:10But there's one more thing that happened
00:30:18I asked Brigitte to marry me
00:30:20And she said
00:30:21Yes!
00:30:22Yes!
00:30:23And so
00:30:24I can't wait a moment further
00:30:26And we're setting sail tonight
00:30:28Hey!
00:30:29Woo!
00:30:30Well, don't, don't, don't stand around staring at us
00:30:40Let's dance!
00:30:41Let's dance!
00:30:58Dad. Dad. Paul.
00:31:00Hey. You all right?
00:31:02Yeah. Well, I misplaced my glasses on the plane.
00:31:05I misplaced you, but thank you very much.
00:31:07Thank you. Let me hold your hands.
00:31:11I took a sleeping pill and I ate all the ice cream.
00:31:25Oh, it's good to see you.
00:31:28Just good to see you at Christmas, even though it's briefly.
00:31:31Wait a second. I brought you something.
00:31:38Thanks, Dad.
00:31:41I had a dream the other night, and I thought of you.
00:31:45Well, you were in it.
00:31:49I was watching these hideous films of Vietnam on the television.
00:31:53And I had this deep, desultory dream where I met a son that I didn't know I had.
00:32:05And he looked like you.
00:32:07Well, you were there, too.
00:32:09Two brothers.
00:32:11And then I realized that he was a soldier in the war.
00:32:16And when I woke up, I had these feelings of worry and of loss.
00:32:22And I wondered, this is curious.
00:32:24Could I have had a child by another woman and never known about it?
00:32:29Isn't that a curious thought?
00:32:34And I think about it sometimes, and what if I met a boy and he looked like you?
00:32:43Maybe it's really my son.
00:32:47You know, sometimes I'll be driving down the street, and I'll see someone who looks familiar, like it could be my brother.
00:32:57You know?
00:32:59So maybe it's true, Dan.
00:33:03It is possible, Paul.
00:33:06I wasn't always faithful to your mother.
00:33:13When I was your age, all I could think about was women.
00:33:17It was like a disease or a curse.
00:33:21I think I know what you mean, Dan.
00:33:29Kids are nice.
00:33:42When do you think you're gonna have some of your own?
00:33:46I don't know, Dad.
00:33:50Have you thought about coming back home?
00:33:53Your mother wanted me to ask you.
00:33:54I don't know.
00:33:57Excuse me.
00:33:58We found your glasses.
00:33:59Oh!
00:34:00Oh, thank you.
00:34:01Oh, thank you very much.
00:34:02Thank you very much.
00:34:03Wow.
00:34:12Oh, I think it's time to go.
00:34:17I'm very glad for you, Paul.
00:34:19I know you're gonna do well in this new job of yours.
00:34:21What is it?
00:34:23It's a science fiction film about a futuristic spy named Dragonfly.
00:34:29Oh, well, that's interesting.
00:34:31Your grandmother used to call Dragonflies the devil's darning needles.
00:34:35She told me that they'd come in the night and stitch up your mouth if you use profanity or otherwise volume.
00:34:40Oh, this isn't exactly about that.
00:34:42Well, maybe you can use it somehow.
00:34:44Thanks, Dad.
00:34:45You never know when some little overheard story or image can find a place in your work.
00:34:58Okay.
00:34:59Okay.
00:35:00Okay.
00:35:01Okay, see ya.
00:35:02See ya.
00:35:03How was it seeing your father?
00:35:07It was nice.
00:35:08Oh, he told me about this strange dream that he had.
00:35:12I'm going out to get some milk.
00:35:33I'm about to get some milk.
00:35:34I thought it was too soft.
00:35:36Oh, there you go.
00:35:38You're asking.
00:35:40What is it.
00:35:41You said that?
00:35:42Okay.
00:35:43I'm totally impressed.
00:35:44How am I?
00:35:45I hope to get some milk.
00:35:47You're going to get some milk.
00:35:50You're going to get some milk.
00:35:52I'm going to get some milk.
00:35:54You're going to get some milk.
00:35:56You're going to get some milk.
00:35:58It's not good.
00:35:59Action!
00:36:16Okay, give me some screaming, girls.
00:36:19Louder.
00:36:23Okay, now give me some moaning.
00:36:26You did good work on that trailer.
00:36:31Thank you, sir.
00:36:33Fabry here says you know the space picture better than anyone else, and thinks you should
00:36:38take over.
00:36:40Usually knows what he's talking about.
00:36:43So, you make some short film, things like that?
00:36:51Okay, come here.
00:36:57Now, there are two kinds of movies.
00:37:01Those with an ending, and those that don't have an ending.
00:37:03This movie needs an ending.
00:37:05I've made some 50 pictures, and this is my advice.
00:37:10The ending is the most important part of the movie.
00:37:13The part that people remember when they leave the theater, but everybody works on it last
00:37:19when they are exhausted.
00:37:20So, listen to me, and figure out how to end this picture with an exciting twist.
00:37:27And that we can do it in two days.
00:37:29Yes, that you can shoot in two days, yes, sir.
00:37:31Signor Di Martino, the machine is ready.
00:37:33Let's go.
00:37:34I'll be in Rome for the holidays, and Fabrizio will get you out there, and you can show me
00:37:39what you're thinking.
00:37:40Franceschi!
00:37:41No, what are you?
00:37:42Eh...
00:37:43Astonish me.
00:37:44Eh?
00:37:45Ciao.
00:37:46I have a cocktail.
00:38:14I have a cocktail.
00:38:19Your cocktail is red dragonfly.
00:38:27I have a cocktail.
00:38:42Attention all comrades, we will soon be ready to leave our lunar domes, to descend and bring change to Earth.
00:38:59We need to be free, to make love all day.
00:39:06Every day, must be free.
00:39:12So, we've finally met.
00:39:22I like what I see.
00:39:24I've been expecting you.
00:39:26Hope you're not disappointed.
00:39:28I knew it was only a matter of time before they sent in agent codenamed Dragonfly.
00:39:33You've got quite a reputation.
00:39:36Really? Tell me about it.
00:39:38Work with the revolution, Dragonfly. Join us.
00:39:41I have a mission, which I intend to accomplish.
00:39:45And this Orleans andๅฎ.
00:39:52To be continued...
00:40:22Fabulous.
00:40:52Preparing boosters.
00:41:0610, 9, 8, 7, 6, 7, 8, 9, 10.
00:41:16There's too many loose ends here.
00:41:34This gun!
00:41:36What is so special about this gun?
00:41:38Hey, we got a Christmas gift.
00:41:41Have a look.
00:41:42It's a present from the guy who's done in the screening room.
00:41:45What a temper.
00:41:46Andre was so mad that day.
00:41:52A mysterious dark figure at the end.
00:41:55Who should that be?
00:41:56Paul, relax.
00:41:57It's just a movie.
00:41:58I can't find the real salmon here.
00:42:00What is this?
00:42:11Oh, Madonna.
00:42:154, 3, 07.
00:42:21It will take me days to put it back together.
00:42:23A message?
00:42:24It's written in the code from the movie.
00:42:26Oh, yeah, yeah, yeah.
00:42:273, 07.
00:42:28Coded message received.
00:42:30Checking code book.
00:42:32The, the, the, the, the, the, the filers, beware, the filers, beware, exclamation point.
00:42:41Who sent it?
00:42:43Andre.
00:42:45Andre.
00:42:46Oh, God.
00:42:47Andre.
00:42:48It has to be him.
00:42:50He has the key to the door.
00:42:52Oh, this is the bad news.
00:42:54Damn, I knew it.
00:42:55He's crazy.
00:42:56And you know what?
00:42:57I'm sure, I'm sure he cut the bricks on Felix's car.
00:43:00Oh, Jesus.
00:43:01You know.
00:43:02I'm calling the locksmith.
00:43:03You know what?
00:43:04You better watch out, Paul.
00:43:06Oh, damn.
00:43:07He's crazy.
00:43:08I knew it.
00:43:09How'd you get the film in a million pieces?
00:43:10I want to see your soul, connection.
00:43:12I love you.
00:43:13Not to take your time.
00:43:14Not so fast.
00:43:15I love you.
00:43:16Like that.
00:43:17Yes.
00:43:18Saying I'm in love.
00:43:19I love you.
00:43:20I love you.
00:43:21Like that.
00:43:22Yes.
00:43:23Saying I'm in love.
00:43:24I'm in love.
00:43:25You know what?
00:43:26You know what?
00:43:27You know what?
00:43:28You know what?
00:43:29You better watch out, Paul.
00:43:31I'm in love.
00:43:32You know what?
00:43:33You better watch out, Paul.
00:43:34Yes.
00:43:35Saying I'm in love with you.
00:43:36I'm in love with you.
00:43:37One more time.
00:43:38Shut down.
00:44:04You better watch out, Paul.
00:44:06You better watch out of your kssa.
00:44:07Thanks, Michelle.
00:44:08Thanks, Michelle, girl.
00:44:09Heyisses, Michelle, girl.
00:44:10CQ!
00:44:11CQ!
00:44:12CQ!
00:44:13CQ!
00:44:14CQ!
00:44:15Need assistance.
00:44:18Need assistance.
00:44:19Need assistance.
00:44:20Ship's been damaged.
00:44:229?
00:44:2410?
00:44:271?
00:44:31Settings, 1 MRQ.
00:44:332?
00:45:04Hey, you got my message. Come in. It must be freezing now. I've tried everything to fix this, but I can't figure out how it goes back together. Let me take a look.
00:45:34You look cool.
00:45:51I'm all right now.
00:45:56We'll be out here in no time. What are you doing on the moon?
00:46:03I don't know. I think I'm lost.
00:46:08Dragonfly? What happens in the end?
00:46:17I don't know. But don't worry. We're going to find out soon.
00:46:38Dragonfly?
00:46:54Oh, my God.
00:47:24Hey. What happened? Are you okay? Is someone here?
00:47:49I'm just dead.
00:47:50I'm losing all my patience with you. You talk to your camera at night and days, but you
00:48:10never talk to me. Why don't you say anything to me?
00:48:18What? What should I say? I don't know what to say.
00:48:25I'm sorry you're sad.
00:48:34Hey. Come here. Come here.
00:48:43I don't know what I'm doing. I don't know if I have any ideas. They want something that
00:49:07I'm not sure I can give them. Maybe I should just go to Rome and tell them. I don't know
00:49:14what to do with your idiotic story. It's not even my film.
00:49:21I don't know what to do with you, but I don't care about this stupid film. I care about us
00:49:34like we used to be. Come here. Come here. Now go. Go to Rome. Do what you like. But just
00:49:43remember that you bring everything upon yourself. That came for you.
00:49:52He spent all your money on the camera.
00:50:20and a camera.
00:50:50La, la, la.
00:50:53La, la, la.
00:50:58La, la, la.
00:51:03La, la, la.
00:51:06I'm so sorry.
00:51:08Ah, you are here.
00:51:26These are good, don't you think?
00:51:29It's very nice, yeah.
00:51:30Not too bad.
00:51:31Sit down.
00:51:33Good, good, good, good.
00:51:35Okay.
00:51:36So.
00:51:38Do you have a great ending for me?
00:51:42Well, I recut most of the picture, trying to make it shorter and clearer.
00:51:46And one of my ideas is to take Mr. E's gun and make it a little more special.
00:51:51So it can temporarily freeze people.
00:51:55Freeze people.
00:51:56Sounds good.
00:51:57And that's how they plan to take over.
00:51:58Yeah.
00:52:01And what about the ending?
00:52:06The alley.
00:52:07Dragonfly is running, chasing after the guy.
00:52:11What happens?
00:52:13Well, I have a few ideas.
00:52:17That's the problem.
00:52:18Have you got too many ideas?
00:52:20We just need one good one.
00:52:22Look, Sam.
00:52:25This is my 37th picture.
00:52:28I've worked with some of the best in the business.
00:52:31And I've learned a few little tricks.
00:52:33One of them is to always try to make the audience wonder what's going to happen.
00:52:40And then, at the end, you tell them.
00:52:42But, you surprise them a little.
00:52:45Easy.
00:52:47Look, it's a New Year's Eve.
00:52:50You are going to the party.
00:52:51Come with us.
00:52:52Let's have fun.
00:52:54Oh, my little monster.
00:52:56Giulietta, come on.
00:52:58Come with us.
00:53:00Eh, sรฌ.
00:53:01Eh, sรฌ.
00:53:01Lo so.
00:53:02Lo so che mi desideri.
00:53:03Paul, go ahead to the party.
00:53:05Have a good time.
00:53:07Giovanni, vai.
00:53:08Fai un giro.
00:53:09Fai un giro.
00:53:39Claudio.
00:53:42Claudio.
00:53:43Claudio.
00:53:51Andiamo tutti insieme alla grotta.
00:54:02There you are.
00:54:17There you are.
00:54:21I've just been looking everywhere for you.
00:54:23Listen, I know you've been working on that ending, which is exciting, because it got me thinking.
00:54:27This ending has to be fabulous.
00:54:29Now, I imagine a new scene.
00:54:31I'm parachuting down to her.
00:54:33Where did you go?
00:54:34You just left me standing there.
00:54:36Excuse me.
00:54:37I'm talking to my director.
00:54:38It's almost midnight.
00:54:3910, 9, 8, 7, 6, 5,
00:55:09Chiara, Chiara, Chiara, salta su Chiara.
00:55:17Tieni, Chiara.
00:55:18You can drive.
00:55:19You, whoo.
00:55:23I'm a suzies.
00:55:24I'm a ennui.
00:55:25I'm a tracos.
00:55:26I'm a tracos.
00:55:26I'm a tracos.
00:55:27I'm a tracos.
00:55:27I'm not a lot of money.
00:55:28I'm not a lot of money.
00:55:29I'm not a lot of money.
00:55:29I'm a man of march.
00:55:31It's the children's home.
00:55:35I'm a tracos.
00:56:06I'm a tracos.
00:56:25I think I'm just going to walk.
00:56:26What are you doing here?
00:56:52How are you English?
00:56:54What are you doing here?
00:56:56I don't know. What are you doing here?
00:56:59My friend is waiting for a boy.
00:57:01He's in the army.
00:57:03They haven't seen each other for one year.
00:57:05And he wrote there and said he would run away from the army
00:57:08and meet her here tonight.
00:57:261970. It's a whole new decade.
00:57:39But it still feels the same to me.
00:57:43So, let's hear it.
00:57:46So Dragonfly is running through the tunnel.
00:57:51She comes to the figure hidden in the shadows.
00:57:54And the figure emerges.
00:57:57And the figure...
00:57:59And the figure...
00:58:00And the figure...
00:58:09What are they?
00:58:11What are they?
00:58:12What are they?
00:58:13What are they?
00:58:14What are they?
00:58:15What are they?
00:58:16What are they?
00:58:18I don't know.
00:58:20I'm like...
00:58:22I don't know.
00:58:24What are they?
00:58:25How are they?
00:59:56I don't care about this person.
01:00:00Do you think you're clever?
01:00:02I just wanted to make something that would reflect who I am, who I was.
01:00:05It was a difficult and confusing time.
01:00:08What's the point?
01:00:09What am I supposed to do?
01:00:12And regarding that space project you're involved in, there's no snow on the moon.
01:00:16Wait!
01:00:16You should know that.
01:00:17What should I do?
01:00:18You need to connect things so that they make us feel something.
01:00:22What should I do?
01:00:34What should I do?
01:00:35What should I do?
01:01:39Oh, you surprised me I didn't see you there.
01:01:49You look beautiful.
01:01:50Thanks.
01:01:51Would you please let me know if I'm not doing something right?
01:01:58It's my first day, so...
01:02:00It'll be fine.
01:02:02Remind me about the scene in the story right before the one we're shooting.
01:02:05Well, you... I mean, Dragonfly just barely escaped with this special gun from the dark side of the moon.
01:02:11How does my spaceship get fixed?
01:02:15I came to the moon and fixed it for you.
01:02:21Then you land it safely in Paris.
01:02:23Landy. Successful.
01:02:34Please, notify the corporation that the mission's complete.
01:02:37Happy Matthew.
01:02:38Happy Matthew.
01:02:38Happy Matthew.
01:02:38Happy Matthew.
01:04:09He kills me?
01:04:13No, the gun doesn't work on you.
01:04:15Why not?
01:04:17Well, I'll explain later, but what happens is the gun actually has a special property.
01:04:21The gun freezes people.
01:04:30Interesting.
01:04:31So, what happens next?
01:04:41Incoming call on Cinecom.
01:04:45Yes?
01:04:46Do you have possession of the package?
01:04:49Please respond.
01:04:49Affirmative.
01:04:50No, it's okay.
01:04:51No, it's okay.
01:04:52No, it's okay.
01:04:53I'm fine.
01:04:54My foot doesn't work.
01:04:57Do you have possession of the package?
01:05:00No, it's okay.
01:05:01No, it's okay.
01:05:02I'm fine.
01:05:03My foot doesn't work.
01:05:03No, it's okay.
01:05:04I'm fine.
01:05:05All right.
01:05:06We'll go again.
01:05:06We'll go again.
01:05:07All right?
01:05:08Okay.
01:05:09Ah!
01:05:10I'm sorry.
01:05:11Bring her down.
01:05:12Sorry, I didn't realize what this is.
01:05:13No, it's okay.
01:05:14I'm fine.
01:05:15My foot is okay.
01:05:16All right, we'll go again.
01:05:17We'll go again, all right?
01:05:18Okay.
01:05:19That was our fault.
01:05:20Bring her up, please.
01:05:21Have your luck.
01:05:22We'll go down.
01:05:23You'll get me off.
01:05:39Oh oh oh oh oh, oh oh oh oh oh.
01:05:44AHHHHHHHHHH!
01:05:47Oh, my God.
01:06:17Oh, my God.
01:06:47Oh, my God.
01:07:17Oh, my God.
01:07:47Oh, my God.
01:08:17Oh, my God.
01:08:47Oh, my God.
01:09:17Oh, my God.
01:09:18Oh, my God.
01:09:19Oh, my God.
01:09:20Oh, my God.
01:09:21Oh, my God.
01:09:22Oh, my God.
01:09:23Oh, my God.
01:09:24Oh, my God.
01:09:25Oh, my God.
01:09:26Oh, my God.
01:09:28Oh, my God.
01:09:29Oh, my God.
01:09:30Oh, my God.
01:09:31Oh, my God.
01:09:32Oh, my God.
01:09:33Oh, my God.
01:09:34Oh, my God.
01:09:35Oh, my God.
01:09:36Oh, my God.
01:09:37Oh, my God.
01:09:38Oh, my God.
01:09:39Oh, my God.
01:09:40Oh, my God.
01:09:41Oh, my God.
01:09:42Oh, my God.
01:09:43Oh, my God.
01:09:44Oh, my God.
01:09:45Oh, my God.
01:09:46Oh, my God.
01:09:47Oh, my God.
01:09:48Oh, my God.
01:09:49Oh, my God.
01:09:50Oh, my God.
01:09:51I'm sorry, you know, it's a big opportunity for me and they thought the ending was...
01:09:56Do you want to know the real reason? They are afraid by the film.
01:10:01They're trying to keep the youth's rebellion suppressed.
01:10:05A film can change the course of the future, it can invent the future by making ideas concrete.
01:10:13That's why, when I heard you were changing the ending, I was forced to do this.
01:10:18I had an idea, I had a new idea for the ending, that maybe she...
01:10:23The corporation that sent her betrays her.
01:10:34The revolutionaries get their weapon back in the end.
01:10:38Okay, promise me that, Paul.
01:10:42Yeah.
01:10:46I promise.
01:10:48Good.
01:10:55I've been working on a personal film.
01:10:58A personal film?
01:11:00Means no compromise, right?
01:11:03Right.
01:11:04Well...
01:11:06See about you.
01:11:09I'm old.
01:11:10I can't go now and write my personal work.
01:11:17No.
01:11:19But I have something to write about.
01:11:28I have to ask.
01:11:30Did you make love to her?
01:11:36No.
01:11:40Did you cut the brakes on Felix's car?
01:11:43No.
01:11:44No.
01:11:45No.
01:11:50No.
01:11:51Remember, Paul.
01:11:53Always stand next to the camera.
01:11:56Your actor will feel you there.
01:11:58And we'll be playing just for you.
01:11:59And we'll be playing just for you.
01:12:11Oh!
01:12:13I can't believe it!
01:12:15Bravo!
01:12:16Did I catch him?
01:12:17Who was the son of a bitch who saw the film?
01:12:18Just some old guy.
01:12:19Well, it doesn't matter anyway.
01:12:20We brought it back.
01:12:22It's all going to work out.
01:12:24We'll be able to get the final footage tomorrow on the stage.
01:12:27You did good, Paul.
01:12:28Where is Valentine?
01:12:29Have you seen her?
01:12:30Is she okay?
01:12:31She was fine.
01:12:32I think you enjoyed it as well.
01:12:34She just left in a rush.
01:12:35Yeah.
01:12:36Huh?
01:12:37She asked that you call her.
01:12:39She said it was important.
01:12:42Antonio!
01:12:43Come on, all right?
01:12:44Come on, come on.
01:12:50Hello?
01:12:51Hi, it's Paul.
01:12:53You've got to come here quickly.
01:12:55Oh, my God.
01:12:56Come here.
01:13:01Taxi!
01:13:17Hey.
01:13:20Come back.
01:13:26They're just poor.
01:13:44I like to document all the things of my life.
01:13:56Hey.
01:13:57RICARDO PINETTE
01:14:23RICARDO PINETTE
01:14:57I found you.
01:15:14It was cold.
01:15:15I found you.
01:15:25Come on, place.
01:15:26Thank you very much.
01:15:34All right.
01:15:35Okay.
01:15:38And, monteur.
01:15:40It's turning.
01:15:41Announce.
01:15:4261 on 3, first.
01:15:44Next.
01:16:03How?
01:16:05You're me.
01:16:11Quickly, we're in danger.
01:16:14Nice try, Dragonfly.
01:16:17Go!
01:16:18Go!
01:16:21No!
01:16:22Oh.
01:16:23It's some cool!
01:16:24It's me.
01:16:25No.
01:16:27I'm gone.
01:16:29You're right.
01:16:30Why?
01:16:31No.
01:16:32You're right.
01:16:33You're right.
01:16:34You're right.
01:16:35So much.
01:16:36Yeah.
01:16:37I thought it was just you!
01:16:38I'm so angry.
01:16:39You're right.
01:16:40I don't know.
01:17:10I don't know.
01:17:40I don't know.
01:17:42She could help you, but she couldn't.
01:17:44That's why I tried to help.
01:17:46I knew the revolution needed this weapon, so I took it to give to you.
01:17:49I did it to help you, to help the cause.
01:17:53I believe in this revolution, and I believe in you.
01:18:00We were in love.
01:18:02You know, we are identical in all respects.
01:18:07In all respects.
01:18:11In all respects.
01:18:27All I really did was I stitched together a bunch of things for my life.
01:18:57You know, just things that made an impression on me.
01:18:59Just put little pieces of myself out there, tried to organize it, take a look at it, make some connections, make some sense of things.
01:19:06I think that's all the time we have.
01:19:08Thanks a lot to Paul.
01:19:17Excuse me.
01:19:18Yes.
01:19:19I enjoyed what you had to say.
01:19:21Oh, thank you very much.
01:19:22By the way, do you know Felix DeMarco?
01:19:25Uh, yeah.
01:19:27Do you think you could pass the script on to him for me?
01:19:30Sure.
01:19:31Thanks.
01:19:36Close me, dog.
01:19:37I don't go for the truck.
01:19:38The camera kept running.
01:19:40So I kept it all in the film.
01:19:42If he's going through the camera, then it's all the same.
01:19:44It's worth four times a second.
01:19:46You feel like a good feeling of things around you as if that would bring you some understanding?
01:19:53I just want to capture what's real and honest.
01:19:55And what if it's boring?
01:19:57Maybe Marlene was right, but each one of these images brings up a feeling or a memory.
01:20:03I can smell Marlene when I see this shot of the soap.
01:20:06I found her driver's license, and I tried to reach her by calling her mother.
01:20:12And Marlene answered.
01:20:14Hello?
01:20:15Marlene?
01:20:17When she heard my voice, she hung up.
01:20:19I thought that my film was going to be about looking at all the pieces of myself, but Marlene, I got you in pieces, too.
01:20:30So this is the end.
01:20:40Or is it the start?
01:20:42Of what?
01:20:43What is it?
01:20:44่ไฝ่ฉ
01:20:44Or is it the start?
01:20:52Or is it the start?
01:20:53It is the start of the transition.
01:20:56Or is it the start?
01:20:57Or is it the start?
01:20:58Or is it the start?
01:21:00Or is it the start of mind?
01:21:01No, it's the start of mind.
01:21:06If I fell in love with you, babe
01:21:30I could find a way to love you
01:21:34It would be like sunshine only
01:21:37If only you could see
01:21:40If you fall in love with me, babe
01:21:45You make me feel so blue
01:21:48Should I wait until tomorrow
01:21:52To make you understand
01:22:04I could find a way to love you
01:22:16You make me feel so blue
01:22:19Should I wait until tomorrow
01:22:23To make your own destiny
01:22:26If you fall in love with me, babe
01:22:47You make me feel so blue
01:22:50Should I wait until tomorrow
01:22:53To make you understand
01:22:56Fresh as the drops
01:23:12Of the dew and me
01:23:15Shining like the lights
01:23:24In a summer's day
01:23:27I'm dreaming that you're gonna
01:23:35Take me far away
01:23:38I'm sailing on the sound
01:23:47Of every word you say
01:23:51Take me
01:23:58Take me higher
01:24:03It could be so easy
01:24:11To light the fire
01:24:15I'm sailing on the sound
01:24:16I'm sailing on the sound
01:24:17I'm sailing on the sound
01:24:18I'm sailing on the sound
01:24:20I'm sailing on the sound
01:24:21I'm sailing on the sound
01:24:22I'm sailing on the sound
01:24:23I'm sailing on the sound
01:24:24I'm sailing on the sound
01:24:25I'm sailing on the sound
01:24:26I'm sailing on the sound
01:24:27I'm sailing on the sound
01:24:28I'm sailing on the sound
01:24:29I'm sailing on the sound
01:24:30I'm sailing on the sound
01:24:31I'm sailing on the sound
01:24:32I'm sailing on the sound
01:24:33I'm sailing on the sound
01:24:34I'm sailing on the sound
01:24:35I'm sailing on the sound
01:24:36I'm sailing on the sound
01:24:37I'm sailing on the sound
01:24:38I'm sailing on the sound
01:24:39I'm sailing on the sound
01:24:40I'm sailing on the sound
01:24:41I'm sailing on the sound
01:24:42I'm sailing on the sound
01:24:43I'm sailing on the sound
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