Exclusive Chat with Hasan Khan | Buzz | Episode 20 | 1 November 2025 | ARY Digital
The contestants of The Ultimate Muqabla Season 4 join Hassan Choudary for an exclusive conversation before the big launch.
Insightful moments, interesting stories, and a glimpse into what awaits in the new season! 🌴
HOST: Hassan Choudary
GUEST: Hasan Khan
Watch more
➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFylgVoAU7UbUUxlAoti8SD
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
#Buzz #BuzzWithARY #HassanChoudary #BehindTheScenes #SaturdayVibes #arydigital
The contestants of The Ultimate Muqabla Season 4 join Hassan Choudary for an exclusive conversation before the big launch.
Insightful moments, interesting stories, and a glimpse into what awaits in the new season! 🌴
HOST: Hassan Choudary
GUEST: Hasan Khan
Watch more
➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFylgVoAU7UbUUxlAoti8SD
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
#Buzz #BuzzWithARY #HassanChoudary #BehindTheScenes #SaturdayVibes #arydigital
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FunTranscript
00:00hello assalamu alaykum khwateen och hضرات
00:10my name is hasan chaudhary and this is buzz
00:13buzz's episode with a new episode of you
00:17my life is two of the teasers
00:19what a drama is
00:20bilal abbas khan
00:21haniyah amir
00:22on screen
00:23this couple was waiting for everyone
00:26highly anticipated drama
00:28but this drama of teasers is also
00:31that one drama is going to be finished
00:35as much as they try to run away from this guy
00:37he will come to our lives
00:40hello uncle
00:42rob great uncle
00:47his track record is not good
00:49and whenever he feels that he feels good
00:51he does the world's worst
00:54hey
00:55hey
00:56if it's a little bit
00:57it's a little bit
00:58something else
00:59i want to know from him
01:00i want to know from him
01:01i want to know from him
01:02that's why i'm stressed
01:05come in
01:06thank you uncle
01:07thank you uncle
01:08thank you uncle
01:10you are big
01:11please go down
01:12and he is behind him
01:14he is behind him
01:16and he is behind him
01:17he is behind him
01:18thank you
01:20what is he is behind him
01:21we can't touch you
01:22i will go to your wife
01:27i am so beautiful
01:29he has a lot of changes
01:31he has had ним
01:32and he has a lot of positive changes
01:33I don't want to say that people are talking about me.
01:42I am not a man.
01:53The story is in the mood.
01:55The anticipation is on the rise.
01:57I'm waiting for the drama to end.
02:00I haven't seen the last episode.
02:02I don't know what the story is going to end.
02:04So I won't spoil it.
02:27I don't know what the story is going to end.
02:29When I am a man, I will be God.
02:32I am not a man.
02:34I am not a man.
02:36I am not a man.
02:37I am not a man.
02:39I am not a man.
02:40I am not a man.
02:42I am not a man.
02:44I am not a man.
02:46I am not a man.
02:48I am not a man.
02:49I am not a man.
02:53I am not a man.
02:55I will be happy to call the drama.
02:57By the way, I am not a man.
02:59I will...
03:00To tell you,
03:01As I am not a man.
03:02In my comments,
03:03You're not a man.
03:05You agree.
03:06You are not a man.
03:07You are not a man.
03:09You are not a man.
03:10And all you get mad.
03:11You say yeah,
03:12You do not have the Cup.
03:13You are always finished.
03:15that you have a lot of excitement.
03:17That's why we have a comment section.
03:19With Biriyani, I will do a little complaint again.
03:23We don't see Miran and Nisa's scenes.
03:25Why don't we see it?
03:27We don't see it.
03:29There was a little bit of a look.
03:31I don't want to see it.
03:33That's why my request is our writer, director,
03:37Biriyani's team.
03:39This phase is a small phase,
03:41which is Miran and Nisa's behind.
03:43We will go back to Miran and Nisa's side.
03:47We want to see that this drama is a happy ending.
03:51When Miran and Nisa will be married.
03:53They will get a romance.
03:55The question is,
03:57is that if it happened,
03:59what will happen with the girl?
04:01Everyone was asking.
04:05Niggat Baji, Mamo Jan,
04:07Nisa has also asked her.
04:09I asked her.
04:11I asked her.
04:13She has no problem with her.
04:15I can't tell her.
04:17She has no problem with her.
04:19I have no problem with her.
04:21I have no problem with her.
04:23I don't even want to go through the marital life of Nisa's.
04:27You feel like Rashed and Nisa's role is perfect.
04:31Do you know how did you get Rashed?
04:33I just want to tell her.
04:35I want to tell her.
04:37I want to tell her.
04:39I want to tell her.
04:41I want to tell her.
04:43I want to tell her.
04:45I want to tell her.
04:47What do you think?
04:49What should her character have to be conclusion?
04:51What should her life have to be a girl?
04:53What should she have to be?
04:55What should she have to be?
04:57Who should she have to be?
04:59This will be in the comments section.
05:01This week's ultimate match.
05:03You will enjoy it.
05:05We have had two ultimate match.
05:07What do you want to get to?
05:09What do you want to get to?
05:11Again, comment section.
05:13We will do that with you.
05:15But it is time to tell you.
05:17We will get to get a guest today.
05:19A drama that you will enjoy.
05:21It will be a lot of time.
05:23Of course.
05:24I am talking about child bars.
05:26Why are you laughing?
05:27You can see the results of our lives.
05:29What will your hand have to be?
05:31You will not pay.
05:32You will not pay.
05:33You will not pay.
05:34You will not pay.
05:35You will not pay.
05:36I am sitting here.
05:38I am not alone.
05:39You will not pay for your care.
05:41I am not even with you.
05:43I will not pay for your care.
05:46As long as you are gone.
05:48I will not pay your attention.
05:50We will never pay you.
05:51I will never forgive you.
05:53How are you?
05:55How are you doing?
05:57How are you doing?
05:59How are you doing?
06:01How are you doing?
06:03How are you doing?
06:05How are you doing?
06:07There are many ratings and views.
06:09So why don't we call Charles Waz's team
06:13one of us today.
06:15We call you a guest with them.
06:17And ask them what is this in Charles Waz?
06:19That the audience is so happy.
06:21Ladies and gentlemen.
06:23I am also Hasan.
06:25I am also Hasan.
06:27We will welcome Hasan.
06:29Hello Hasan.
06:31How are you doing?
06:33How are you doing?
06:35Please have a seat.
06:37The first time we have a guest on the first time.
06:39Yes.
06:41There wasn't any Hasan before us.
06:43How are you doing?
06:45Very good.
06:47How are you doing?
06:49How are you doing?
06:53Your drama is a big hit.
06:55Rating is a big hit.
06:57Rating is a big hit.
06:59Views are big.
07:01Today we have a rating of 11.
07:0311 is a big rating.
07:05Yes.
07:07In 2019 you have a debut.
07:09Yes.
07:10Yes.
07:11How are you watching your journey?
07:12You have 6 years.
07:13Yes.
07:14You are happy?
07:15Yes.
07:16Yes.
07:17Yes.
07:18Yes.
07:19Yes.
07:20Yes.
07:21Yes.
07:22Yes.
07:23Yes.
07:24Yes.
07:25Yes.
07:26Yes.
07:27There is much more than that.
07:28No.
07:29It's like you are so a bit like acting.
07:31We are not going to wait until some kind.
07:33But its time seems to hold your work, but it is time to learn to learn the job.
07:37Tell me a little bit about that.
07:39Are you always going to become an actor?
07:41No.
07:42No.
07:43I was playing cricket.
07:44Yes.
07:45I was playing in Karachi.
07:46I had played under 19, under 15, under 17.
07:48I played for 2017 and suddenly I came to the gym, Fahad Mustufa, and he called me Hero Hero Hero.
07:56He told me to come in acting, I started acting.
08:01Then I went to the National Academy of Performing Arts.
08:05I made a diploma from there for 3 years.
08:073 years?
08:083 years.
08:09Okay.
08:10I didn't have a full university type.
08:14You have to go to the attendance of 70%.
08:16Teachers, Ziya Mudddin, Rahat Kazmi, Talat Hussain, Khalid Ahmed.
08:21I made a lot of fun.
08:23Okay, but Hassan, tell me a little bit.
08:26I'm sure that there will be a lot of young people who want to become an actor.
08:32They also ask us what to do.
08:34This is a very unpredictable journey.
08:37Especially if you don't have any connection.
08:40I don't know if you don't have any connection as such.
08:44So, people don't understand where to go.
08:49Another thing, if you have decided that you will take training, you will not go.
08:54There is an answer that I don't know if you will get a job or not.
08:59When you will get a job.
09:01There is a lot of thought that financially we have to do.
09:06There is a 9 to 5 job.
09:08There is another 9 to 5 job.
09:10There is another security.
09:11At the end of the month, you will get a salary.
09:14So, all these all of your thoughts are not in your mind.
09:17If you have come, how do you manage it?
09:19Look, these thoughts are not in your mind.
09:21It's a big question in your mind.
09:22It is a big question, because it was a shock.
09:23But this was a big question, you will hear from me who will be talking.
09:26It is a big question.
09:27I don't know.
09:29If you hear from me, it's a big question.
09:35But you will see that talent, the spark comes to your work.
09:37That's what you will find in your task.
09:38People will find yourself.
09:39I think that it is my talent.
09:40Yes, that's all for me when I started.
09:42I was looking forward to it. Obviously, my training has been polished a lot.
09:46What was the motivation for me to do this?
09:50I was like motivation because I was weak at the start.
09:54I didn't have any sense about acting. I didn't know all the things.
09:59So I decided that I was going to go first.
10:02I got admission, so I left 6 months later.
10:05What was the reason for that?
10:07It was very tough.
10:08We had a class on Thursday.
10:13So we gave a monologue. Shakespeare or Ahmed Faiz.
10:17If you take the whole week on Thursday,
10:21he will remember the next Thursday.
10:24In fact, my father said that if I do so much in CSS,
10:28then he will do it.
10:31But when you left 6 months later, why did you go back?
10:34Then I realized that in the 6 months, I learned a lot.
10:39If I do so much for 3 years, then there will be a lot of difference.
10:43So, Ziya and the rest of the faculty, they accepted it?
10:47Yes, I asked Ziya.
10:49I said, now I'm ready to go.
10:51And then the second time I didn't quit.
10:53No, no, no.
10:54Then I completed my degree.
10:57In 2019, when your debut was done, correct me if I am wrong,
10:59your co-star was Dure Fishan.
11:01Yes, yes, yes, yes.
11:03In 2019, it was different from this kind of drama.
11:05Yes, absolutely.
11:07So, how did you see that experience?
11:09You will see Dure Fishan's work?
11:10Yes, maşallah.
11:11They are doing a lot of work, maşallah.
11:13Yes, I had a lot of experience with Dure Fishan's work.
11:15She was a good actress.
11:17It was fun with them.
11:18You didn't have the first drama.
11:20Maybe in my opinion, it will be the second one.
11:23It was the first one, but my character was very negative.
11:26In my opinion, I was also a method actor in the off-camera character.
11:31No, I was still in the beginning.
11:33After training, I felt like it was like,
11:34but now I have to understand that method acting here.
11:37Especially in television, I can't do it.
11:39Because in a scene, you have to be angry at someone,
11:42but in the next scene, you have to do romance.
11:44Yes, exactly.
11:44So, if you go to the method,
11:46then you need to leave your zone for 4-5 hours.
11:51Yes, exactly.
11:53So, we try to do the best performance.
11:57I will tell you a story.
11:59Our class fellow,
12:01he had a lot of food,
12:04and he didn't eat anything from many days.
12:05He had to perform a lot.
12:06So, he didn't eat anything from three days.
12:08He went to the performance,
12:09then there was an audience,
12:10and there was no sound.
12:12It was a whole play dead.
12:13So, he called me,
12:14and said, sir, I didn't eat food.
12:16So, he told me,
12:17I will call someone outside the road,
12:19and that will do it.
12:20It's the difference between the actors,
12:21and that will come to the music for ten minutes,
12:23and I will show myself,
12:24and I will give you a big actor.
12:26I will give you a great actor for yourself.
12:28God, you are very grateful to him.
12:31He is a master and a master.
12:32What a great thing.
12:34The acting is that?
12:35Yes, it is.
12:36You are the one who do not want the actors.
12:39Yes.
12:40In many places,
12:41you have to cheat.
12:42If you are hitting someone,
12:44you are doing something.
12:45If you are going to the method,
12:47and the method of acting,
12:48then there will also be a mistake.
12:50about 10 things. How do you have a chat about it?
12:53I have a chat about it. It was basically a big bank offer.
12:58That was the first time you called a hero hero.
13:01Well, I had a lot of support.
13:03You can also add a little bit about it because you didn't have a big bank with your debut.
13:08I say to you that you have a hero hero, but suddenly I have seen it.
13:13But there was a guidance on them, and when it was needed, I had a message to them.
13:18So this is Big Bang's first drama?
13:21No, the first drama.
13:23It was which year?
13:24I think it was in 2021.
13:28That's right, you had 19 years ago.
13:30It was 2 years ago.
13:31It was 21 years ago and it was 25 years ago.
13:34What did I say?
13:37No, I didn't say anything.
13:39Why did I say that?
13:40If you have a neighbor and you have a phone with you,
13:43then you have a guide.
13:44What kind of advice you like?
13:45Yes, it was also my responsibility.
13:46I was in the theatre and I was occupied.
13:48Then I was busy.
13:51So how did this happen?
13:53There was a call from production house.
13:55There was a script.
13:56I said, you can send me a book.
13:58So when I read it, it was totally different from the drama.
14:02Really?
14:03Yes, you know.
14:05It was totally different.
14:08It was totally different.
14:09There was only a lot of men's story.
14:13It was very famous.
14:15Well, the family,
14:17I was waiting to see the people,
14:18and the family.
14:20So I saw a couple of people.
14:22Oh, my dear friends,
14:23yes, that's my wife,
14:24this is my wife.
14:25I saw a character.
14:26His name is a brother,
14:27and my mother.
14:29Um, and my wife at that same time,
14:30I was young.
14:31I was young.
14:32Okay, I was young.
14:33And my husband,
14:34I was young.
14:35And my wife at that same time,
14:36I was young.
14:37So I started to meet my husband,
14:38so he has a big deal with this girl and he has a big deal with this girl.
14:43If you have studied it, you don't think it would be like that.
14:45The main role of Suniya is the main role of the whole screen time.
14:50That's not the case?
14:51No, no, no.
14:52They are three brothers.
14:54No, no, no.
14:55There is no difference.
14:56No, no, no.
14:57The character was different for me.
14:59Because I have made a little bit immature.
15:03He is totally mature.
15:05He is completely dependent on his whole house.
15:07I am concerned about his husband and his husband,
15:10then his husband's husband and his husband.
15:12So, he is a divine purpose.
15:14My husband is the purpose of his husband.
15:17My husband wants to go a very, very good way.
15:20My husband has said it well.
15:24What you see in this video is good.
15:28What did you think about the audience connected?
15:34First of all, I want to give credit to the director, because the cast is not a single track or solo track, so all of them will be taken to the track, Rao Ayaz, who is the director of the drama.
15:52Rao Shizad.
15:54Yes, yes, yes, yes, yes, yes, yes.
15:56He has taken the character to the beginning, and all of them will be told that he is a character, and then he will be taken, and then he will be taken.
16:02So, everyone will take the credit to each other, and they will be very credit.
16:05Khwartz, the time is coming to you.
16:08We are still here to meet you.
16:09We will be back here, then we will be back with the giftugu.
16:12We will be back with him.
16:13Welcome back Khwartz, Khwartz.
16:15We are now with him.
16:17We are now with him.
16:19We will be back with him.
16:20You have 7 days a week, so you have to ask yourself a question, do you enjoy this as a pressure or enjoy it?
16:35The fact is that you have 7 days ARY Digital, like a channel on Pakistan,
16:45You are always looking at it. You are always looking at it at 7am. You are always looking at it at 7am and you are looking at it as a pressure.
16:53You are looking at it as a pressure. I mean, you know, my performance, my skill, this is a big scrutiny that I want to perform.
17:00You are enjoying it. Look at it, you are looking at it. My drama is always looking at it.
17:06No, we are enjoying it. And honestly, I don't think that this week has been one or two days.
17:12But there is no difference. No, I don't think that it is a difference.
17:17No, I don't think that it is 7 days or 2 days. There are many people who are surprised that it will be 7 days.
17:24You can see, when people go to it, it will be 8pm.
17:29But it will be at least 2 episodes.
17:31Yes, it will be 7.
17:33I think that if you look at this point of view, it will be more related.
17:40It will be more eyeballs.
17:43more people will connect with you.
17:45If you look at the day of the day.
17:47We are watching, we are watching, for example, a reality show.
17:50But there is a habit that becomes a habit.
17:53You know that you must know, a episode of a day,
17:55and if you know that you are aware of a series or a drama that you must have a habit,
17:59then you will say that you have a habit of the drama.
18:02Why do you want to watch?
18:03What do you want to watch? What do you want to watch?
18:05So this is a good thing.
18:07This is a good thing.
18:09When it comes to 7 days,
18:11there are chances that you will lose grip.
18:15Because you can't connect the audience to 80-85 days unless you have an extraordinary content.
18:22So this is the pressure.
18:25As a performer, you have to do acting like this.
18:28And if you have to drag,
18:30but as an actor, you have to do a challenge that you have to hook the audience.
18:34We don't think about it.
18:36If we think that it will come to 7,
18:39or it will come to daily,
18:41then what will we perform?
18:43One day, seven days,
18:45seven days, eight days.
18:47So this is an actor's work.
18:49In the cast, you are talented,
18:52you are talented,
18:53and you are talented.
18:55Shabir Jahn is your father's role.
18:57Then you are Hamaad,
18:59Ahmed.
19:00How do you feel all about it?
19:01Shabir Jahn is your wife's role.
19:02Yes.
19:03How did you feel all about it?
19:04Yes, very good experience.
19:05Shabir Jahn is your veteran.
19:06Shabir Jahn is your veteran.
19:07No doubt,
19:08we will have about 50 days,
19:1160 days in the shoot.
19:12Okay.
19:13So I will try to learn how much I can learn from them.
19:16Because they are an institute.
19:17Yes, exactly.
19:18They are also sitting there,
19:19while they are performing,
19:22talking about their style,
19:24their dialogue and their style.
19:26So,
19:27I will tell you something,
19:28Talas,
19:29Talas,
19:30has studied Napa for three years.
19:32Okay.
19:33So Talas,
19:34that means maybe they were talking to you.
19:35They are talking to you about this.
19:36As well as we are talking too.
19:37That they are saying.
19:39They are talking about what we are saying.
19:40How difficult to learn from them.
19:41They have experience on them.
19:42Yes, exactly.
19:43So then,
19:44that is,
19:45they are Shabir Jahn.
19:46They are Shabir Jahn.
19:48Shabir Jahn.
19:49This is the institute.
19:50I would like to ask you,
19:51how might we connect with you?
19:52How do the audience connect with you?
19:54We relate with you.
19:56Chalbazi, Aiza's Chalbazi.
20:01Before starting, I had to relate to that family is so much of a family.
20:05I know that my brother, as I have told you, I have to know for a second.
20:08My brother is asking me to ask my brother to his brother.
20:11He is asking me to ask him to his father.
20:15It was like a chemistry of brothers.
20:16After that, when the second episode of a divorce, the first time of the end starts,
20:20the father starts to come and start his family.
20:23that I will be able to live in my house. If I will be married, then I will be able to live in my love.
20:28How do you feel that when our drama shows a negative character,
20:33such as Isa's character,
20:38we will be able to say negative.
20:41So the audience is much more related to this.
20:44What is the cause of this? I also try to understand this.
20:47You should be able to guide yourself.
20:50What is the cause of this?
20:51This is a human psyche.
20:53The negativity is more attractive.
20:56People see what is happening in our house.
20:59They relate to this.
21:01They are the ones who are in our house.
21:04Maybe this is the cause of this.
21:05People like this content.
21:09I have seen that there are positive characters in our drama.
21:13But for some reason, this is also international content.
21:17I have seen that in Phoenix's Joker,
21:20that you have to glamorize him.
21:23This is a negative character.
21:25This is a discussion.
21:26Usually, the audience is a negative character.
21:29There is a negative character.
21:31There is an answer or an element.
21:33It gets more hooked.
21:34If he has performed,
21:36he is performed.
21:38If he has performed,
21:39there is a negative character.
21:41There is a lot of margin in his life.
21:43Now, the audience is watching this show.
21:46The audience is watching this show.
21:48They will ask you to ask questions.
21:50What is the drama going on in the future?
21:53I don't want to spoil it.
21:55But what do you expect the audience from the audience?
21:57If you have seen this story,
21:59people have seen this story.
22:01So, there will be a twist and turn.
22:03What do you think?
22:04If you give a little hint to the audience,
22:06they will see more interest.
22:07I just want to say that,
22:09the conflict of the moment is small.
22:11Oh!
22:12The conflict of the moment is small.
22:13The conflict of the moment is small.
22:14The conflict of the moment is small.
22:16Generally, let me tell you,
22:17that in our industry,
22:20there are a lot of actors
22:22who ask this question
22:24that there is a lot of lobbying,
22:26there is less,
22:27there are opportunities,
22:28there are opportunities,
22:29there are opportunities,
22:30there are opportunities,
22:31there are opportunities for the characters,
22:32or not.
22:33What is the scenario?
22:34Look, the lobby is in every field.
22:36If anyone wants to come to this field,
22:38then it will be extraordinary.
22:40You will have to be extraordinary.
22:42If you are extraordinary,
22:44then you will not stop the talent.
22:46And you will have to achieve extraordinary level.
22:48What do you do?
22:49You will have to work on your craft,
22:51and you will have to work on yourself.
22:52As long as you can grow,
22:54you will have to be an improvement on daily basis.
22:56Acting wise.
22:57Just like you have to take training from Napa.
22:59You will have to take training from Napa.
23:00But training is basically a very small thing.
23:03You have to learn how to do this work.
23:05You have to learn how to do this work.
23:07Now, you will go to the ocean and swim,
23:11and then you will know that.
23:13and you will have to learn how to do it.
23:15So, you will have to learn how to do it.
23:16And I remember that our last class was with Ziya.
23:18So, I asked them to ask them,
23:20that they are our last class.
23:22And they said that they are still at age.
23:24And I regret that my last performance.
23:26And I regret that.
23:27That I had so bad performance.
23:30So, you have to learn all the lives of your acting.
23:33And you have to learn how to do it.
23:34You are constantly learning how to do it.
23:35What are you doing to learn how to do it?
23:39I am watching your performance.
23:41I am watching my senior performance.
23:42I am watching you today.
23:44My former dramas,
23:45Keshkoul etc..
23:46Very good.
23:47I am watching them.
23:48Then I am watching Numan Brothers.
23:50I am watching my drama and my performance.
23:52I am watching my performance when I am watching my performance.
23:54Self-analysis is a great to know.
23:55Yes.
23:56that dialogue or scene that you can't feel like this.
24:00The scene that you have done, you can't feel like this.
24:04So critically, you can give them?
24:07Yes.
24:08Yes.
24:09Yes.
24:10Yes.
24:11Yes.
24:12Yes.
24:13Yes.
24:14Yes.
24:15Yes.
24:16Yes.
24:17Yes.
24:18Yes.
24:19Yes.
24:20Yes.
24:21Yes.
24:22Yes.
24:23Yes.
24:24Yes.
24:25For acting, this is a trade-цо.
24:29Let me tell you, again, you don't want to regret that either.
24:32This is the same official scene.
24:36Yes.
24:37You are watching this film.
24:39How do you feel?
24:40Numan ос, too.
24:42What's the scene?
24:44represents the 11uge Bali ocean.
24:45He was wearing an overseas exchange.
24:48Yes.
24:49He is watching NumanCharlieOSH's performance.
24:51This goes to Technology.
24:53so, you can see that performance can be very difficult.
24:56But, that performance can be difficult to learn.
25:01Performance is a level that you can learn to learn.
25:04If you have a small gestures,
25:07if you have a skill,
25:10if you have a skill,
25:12then you will do it.
25:13That's also a level of difficulty.
25:16It's time.
25:17I've said that 6-7 years later,
25:19that's fine.
25:21So, it's an important task to learn.
25:23What you know, dream role?
25:25Dream role,
25:27my favourite drama is
25:29My ذات ذرہ بینیشان.
25:31Wow, wow, wow, wow.
25:33My choice is,
25:35I'd like to make a character character
25:37who starts a big age,
25:40then becomes younger and
25:43then becomes younger.
25:45So, the whole journey is
25:47in the theatre. In the theatre, I played in the 50s. I played in the 60s in the characters.
25:54Oh. Yes, yes, yes. You should do it in the theatre.
25:57In the theatre, it is a very obvious that you have training.
26:00Yes, yes, yes.
26:01You have to train your voice very much in the theatre,
26:04and then you have to do your body language.
26:07Because you have different different roles.
26:09In the theatre, there is also an instant reaction.
26:12I think that for an actor, it is a kind of a tonic.
26:16It is an instant reaction.
26:18Yes, it is instant reaction.
26:20In television, it is your case.
26:22Because if you have a drama in the 7 days,
26:24you can also get instant reaction.
26:26In theatre, when the performance is finished,
26:29it is the same thing.
26:30Instant.
26:31Yes, yes.
26:32It is the same thing.
26:33Yes, yes.
26:34You can also get comments.
26:35That is the same thing.
26:37No, I think it is a little bit.
26:39I have to tell you about the set.
26:41I have to tell you that I have comments.
26:43Oh, what is the result?
26:45Just the people's mindsets are different.
26:49And the person who is so sensible,
26:52that the person who understands the acting,
26:54they don't comment.
26:55Yes, you will know that if you have missed the video,
26:57then you will tell me.
26:59I don't think that because we are consuming so much content and all of our audience,
27:07so every person has a critic.
27:10So, who can you say that this comment is correct and this comment is wrong?
27:15How do we decide?
27:17Because at the end of the day, if you comment on that comment,
27:22if you comment on that comment,
27:29if you comment on that comment,
27:33it's true or wrong, but seriously, we have to take that comment?
27:37No.
27:38If the audience is commenting on that comment,
27:41I had a negative role in the previous drama,
27:43then I feel bad.
27:45This is your opinion?
27:47Yes, in this way,
27:48that's why I take this character,
27:50and why have someone taken this character,
27:52or why have someone taken it,
27:54and that doesn't look good right.
27:56Now look, if you comment on that comment,
27:57you write a comment on that comment,
27:58but it makes you related.
27:59And then you have a sense of that.
28:01If I have a sense of that.
28:02For example,
28:03like I say,
28:04Ziya, Talat Hussain,
28:05or Rahat Khazbi,
28:06I am student I am learning to they.
28:08So I have learned to hear from you,
28:09if I have started telling any other stuff in that comment,
28:11I also think your credibility has a lot of clarity around your work.
28:13Car lot of idea acting is better.
28:16and in life, generally, what are your hobbies? What are you doing? What are you doing? What are you doing? What are you doing? What are you doing?
28:22cricket? I have a question. I know many actors who have told me that we are cricket. If cricket didn't happen, then we are acting.
28:34So, what is cricket and acting?
28:36Look, as if you have heard of it, you can play cricket. And if you don't play cricket, then you can play acting.
28:44No, no, it's just a matter of people. I know many people.
28:48I know many people.
28:50Cricket is very difficult.
28:53Because you can see, there are so many people. There are 11 people who play.
28:56So, the luck factor is a lot involved.
28:58Acting in a lot of luck factor.
29:00There are so many channels. There are so many production houses.
29:03There are so many opportunities.
29:05Cricket and acting are a very opposing field.
29:07It's a sport.
29:08It's an agreement.
29:09We will say it.
29:10It's an agreement.
29:11Yes, yes, yes.
29:12People who play cricket, they are acting.
29:14However, both are totally different fields.
29:16In today's generation, you think that there are potential in this actor?
29:19There are so many.
29:21Bilal is.
29:22Bahaj is.
29:23Firoz is.
29:25These are all very good actors.
29:27In the girls?
29:28In the girls, Dura Fisha.
29:30Hane Aamir.
29:31They are very good actors.
29:32They are very good actors.
29:33They are very good actors.
29:34They are very good actors.
29:35Do you think that there is also a role in the director?
29:37If there is a skill with an actor,
29:39then the director can be more and more in a better way.
29:42Yes, absolutely.
29:43The director can be very easy.
29:44In addition to that,
29:46the actor is not able to perform,
29:48the actor is not able to perform,
29:49the actor is not able to perform two or three hours.
29:51If there is an actor,
29:53he is working on one take,
29:55and he is up to the mark.
29:56He is preparing for the scene from home.
29:58In the training,
30:00we were taught things in training.
30:01In the set,
30:02what is happening?
30:03You are reading the script.
30:04You are remembering the script.
30:06You need to know all these things.
30:08And then,
30:09the script,
30:10the motivations,
30:11why did you say this dialogue?
30:12What did you say?
30:13What did you say?
30:14Five W's?
30:15You will listen to the acting.
30:16Yes.
30:17Yes.
30:18Yes.
30:19What did you say?
30:20What did you do in the script?
30:21What did you do in the future plans?
30:22What did you do in the future plans?
30:23Chalbaz is a hit.
30:24You have a great role.
30:26Euro positive.
30:28What did you do now?
30:29The script is coming.
30:30The script is coming.
30:31Chalbaz's performance is coming.
30:32People are coming.
30:33Yes.
30:34Yes.
30:35Yes.
30:36Yes.
30:37Yes.
30:38Yes.
30:39Yes.
30:40Yes.
30:41Yes.
30:42Yes.
30:43Yes.
30:44Yes.
30:45Yes.
30:46And then,
30:47please come DisneyQuest
30:50okay.
30:50So you decide that the role,
30:51positive or negative?
30:53Patombres.
30:54Depends.
30:55Now I'm reading this script.
30:56Okay.
30:57I don't think so much enough.
30:58You don't think so many negative people?
30:59No.
31:01Very good.
31:01You're acting.
31:02Yes.
31:03Yes.
31:04血 our consciences.
31:06Piece the slots are gone.
31:086 tempo Girls Having Rя vediswana drama.
31:108 pm.
31:11I think that's how I feel.
31:13I think that's how I feel.
31:15I'm going to tell you that my mindset is training because of the training.
31:21It's a performance.
31:23I'm going to do 7am, 8am.
31:25If I'm or my teachers are going to do performance,
31:28I'm going to do 8am.
31:32I'm going to do 8am.
31:34I'm going to do 1 actor with whom I met.
31:37My focus is that I'm going to do acting.
31:40I don't have a difference.
31:41It's 7am, 9am.
31:42It's positive or negative.
31:44What are they saying?
31:45What are they saying?
31:46What are they saying?
31:47I'm just concerned about acting.
31:48It's a very good thing.
31:49It's a credit for our teachers.
31:51They have training for us.
31:53For 3 years, they are very difficult.
31:56I wish you all the best.
31:59It was good for you.
32:01Same here.
32:02I wish you the drama and I wish you continuously get a rating.
32:06Inshallah.
32:07And this will be great for you.
32:09And this will be great for you.
32:11And you will be great for your own purpose.
32:15Thank you very much.
32:17On that note,
32:18we can see you again.
32:19Inshallah,
32:20Inshallah,
32:21we will be again.
32:22We will be again.
32:23You will be again.
32:24You will be again.
32:25The peace of mind.
32:27Bye.
32:28Bye.
32:29Bye.
32:30Bye.
32:31Bye.
32:32Bye.
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