- 2 days ago
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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59More hot water, sir?
00:02:08Excuse me?
00:02:10For your herbal tea, would you like more hot water, sir?
00:02:14No, that won't be necessary. I'm checking out soon.
00:02:29Yeah.
00:02:30Would you like something else?
00:02:31Yeah.
00:02:32OK, yeah.
00:04:36Surrender to the moment.
00:05:06No, I'm not up to this.
00:05:13You're not a stranger?
00:05:14No, no, no.
00:05:15With anyone.
00:05:17My past, no.
00:05:18My past isn't gone, no.
00:05:20And it's not here either.
00:05:22It's why I can't...
00:05:27I can't what?
00:05:35Live anymore?
00:05:36No, no, no, no, no.
00:06:06So, how are you doing?
00:06:12Fine, fine, you.
00:06:15Good.
00:06:16Hi.
00:06:17Hi.
00:06:19Hi.
00:06:23And what's your name?
00:06:24My name?
00:06:25Am I getting too personal?
00:06:30What happened here?
00:06:34What happened there?
00:06:37I exchanged scar stories before we exchanged names?
00:06:43I was just one of those childhood things.
00:06:49I don't really remember how it happened.
00:06:51It's such a big scar.
00:06:52It's such a big scar.
00:06:52It must have been very traumatic.
00:06:55If it was, I'd remember it.
00:06:57Hi, Adam.
00:07:02Here is my hillside.
00:07:03This is my hillside.
00:07:04Hi, Adam.
00:07:05Where are you late?
00:07:06What?
00:07:07Here I am!
00:07:08Is this where you live?
00:07:11This is where I look.
00:07:11this is where i started from this this is where i live
00:07:21that's good
00:07:41look what happened between us was was just was just what you know just for the moment
00:08:08just one of those things between strangers
00:08:13just one of those things
00:08:17it's william my name
00:08:22it's william
00:08:25yeah dignity it's something you wouldn't understand what still are you a friend or something
00:08:35the family's not gonna see it the guy break huh show him some respect
00:08:42okay return my shot shuttle can shoot the picture you're cold-hearted bastard
00:08:47how does a guy with no hair get fish like this easy he's a gynecologist
00:08:54what the hell he had a good time
00:08:57he came he went
00:08:59it happens
00:09:01you think you got it first in the heart of the groin
00:09:03depends upon how much the killer hated him
00:09:06tell you one thing though
00:09:10definitely a woman
00:09:11how do you know it's a woman
00:09:13shot in the groin
00:09:16pretend to want it's a woman
00:09:18better watch this moonlight anything hector you're starting to lose your edge
00:09:22and i got to make some cash all right i got four mouths to feed at home
00:09:25i know this guy
00:09:31bedroom eyes
00:09:33yeah i know it from another case similar ammo
00:09:35got shot in the groin too
00:09:37this guy
00:09:42got a smile on his face
00:09:44shot right through the back through the heart
00:09:48just like an arrow
00:09:50guy never knew what hit him
00:09:53it was a fan kicking around the smell of death all over the place
00:09:58the case really gave me the creeps
00:10:03i wanted to shoot a bad
00:10:06what happened
00:10:07lieutenant put hampton on the case
00:10:11might as well have buried it
00:10:12my case now
00:10:16i'll tell you right now
00:10:20if it is the same shooter
00:10:21she's getting angrier
00:10:23cheer up pector
00:10:28you're gonna love homicide
00:10:30for a while
00:10:43thank you
00:11:17Come in, please.
00:11:18Sure.
00:11:20You came back early.
00:11:21You've read my mind.
00:11:22No, I changed my plans.
00:11:24Thank God.
00:11:25I'm sorry, but two days with your cat is all I could possibly tolerate.
00:11:29And had you been gone a month, I might have done something desperate or perhaps regrettable.
00:11:33I thought you liked cats.
00:11:34He is not a cat.
00:11:35He is a terrorist with claws.
00:11:36Brody disguised by four legs and a tail.
00:11:39Are you on drugs, Sue?
00:11:40Brody has fleas, William.
00:11:42He eats artificial plants.
00:11:43He attacks anything that moves, which means I can't walk in my own apartment.
00:11:46So I go to lie down and discover he's made my bed his litter box.
00:11:50Oh, I don't know what to say.
00:11:52I'm sorry.
00:11:54Look, I'll pay for any damage.
00:11:58Would you like to come for linguine and clams later?
00:12:01Well, thank you.
00:12:04I'm, you know, I'm kind of tired.
00:12:07Tired.
00:12:07Yeah.
00:12:08But I think, look, I think he's just venting at me.
00:12:12You know, his hostility because I left him.
00:12:18My layman's opinion.
00:12:20He's still Mrs. Kate.
00:12:24Bye, William.
00:12:25Bye.
00:12:26Bye.
00:12:26Time is not a healer.
00:12:53Time is a thief.
00:12:58Day by day, minute by minute, time just sucked the life from me until it was gone.
00:13:07But I was still there.
00:13:10I can't live a life without life.
00:13:15If I had the willpower, I'd kill myself.
00:13:22But I'm just a coward who doesn't deserve to live anymore.
00:13:27Do you feel you don't deserve to live anymore?
00:13:28I am a moral leper.
00:13:31A serpent in the Garden of Eden.
00:13:33Feel what?
00:13:35Like you're a serpent?
00:13:37I am a serpent.
00:13:39I don't feel anything.
00:13:43So why don't you just squish me and end it all before I bring catastrophe on everyone?
00:13:53All right, it's a little overdramatic, perhaps, but that's an example of what mood disorder?
00:14:02Depression.
00:14:03Major depression, maybe with some histrionic features thrown in.
00:14:07Now, the factors that predispose someone to depression are?
00:14:12Ms. Spear.
00:14:13The two primary factors are genetics and age.
00:14:17Risk increasing dramatically with midlife and with major losses, of course.
00:14:22It is important to note the distinction between major depression and grief.
00:14:27Grief resulting from?
00:14:31Death.
00:14:33I have a loved one.
00:14:37Okay, next week, mania.
00:14:39Get out of here.
00:14:40Okay.
00:14:40It's a definite repeater.
00:15:03We got a match on the slugs.
00:15:05They're all 38 caliber and hollow points.
00:15:08I know.
00:15:10But look, do you have one single eyewitness?
00:15:14How am I supposed to solve this case if you're going to tie my hands?
00:15:16Look, do you have anyone that saw anything that remotely resembled a hooker going in or out of the penthouse?
00:15:23No, and you know we don't.
00:15:24Then why are you telling me it's a hooker?
00:15:26Look, I'm telling you.
00:15:28We've been down that road before, and it's a dead end.
00:15:30Let me tell you about dead ends.
00:15:32You put an imbecile on the case that wouldn't know a streetwalker from a jaywalker.
00:15:35That's your dead end.
00:15:36Look, Vice never heard.
00:15:37What the hell with Vice?
00:15:39What the hell did they know suddenly?
00:15:42Maybe she was new in town.
00:15:44Well, maybe she'd be old in town now.
00:15:46Call and see if they heard anything.
00:15:47I know that they haven't heard anything.
00:15:50But I know she's here.
00:15:51And I know that she's going to kill again.
00:15:54And I'm going to find her.
00:15:59Then I'm going to quit smoking.
00:16:01Maybe go to Miami, get myself a suntan.
00:16:04You know, start eating gummy bears, drinking Mai Tais.
00:16:07Allie Broussard?
00:16:23I, uh, I didn't think you'd be there this early.
00:16:26I'm an early riser.
00:16:28Who is this?
00:16:29It's William.
00:16:33William Topper from, uh, the train.
00:16:37I'm sorry, I take so many trains.
00:16:39Could you be a bit more specific?
00:16:43We made love.
00:16:44Hi, how are you?
00:16:54I'm supposed to meet a woman named Allie here.
00:16:57Oh, I'm sorry.
00:16:58Yeah, thanks.
00:16:59Oh, I'm sorry.
00:17:29Are you trying to tempt me again?
00:17:34Could you be?
00:17:36No, I have acrophobia.
00:17:39Why on a train, then?
00:17:41Over a bridge, no less.
00:17:43That's counterphobic behavior.
00:17:46Maybe that's why I'm standing here right now.
00:17:48I mean, who wants to die a coward?
00:17:50Would you make a reservation?
00:18:10Or two.
00:18:13Cancel it.
00:18:14Desiiner, huh?
00:18:40Yes.
00:18:44You do what?
00:18:45Owns or offices?
00:18:55I do interiors.
00:19:00All of them.
00:19:00And on your first date, you always bring a man to work.
00:19:09I like him.
00:19:10Yeah.
00:19:15Actually, he doesn't ask too many questions.
00:19:18On the second date, I bring him home to his house.
00:19:27Yeah.
00:19:30I bet I'm the third.
00:19:33Yeah.
00:19:35I'll make it happen.
00:19:37Yeah.
00:19:39I bring him home.
00:19:40And on the fourth, don't you ever bring him to your home?
00:19:54We are home.
00:19:58But he rarely makes it to the fourth date.
00:20:01Yeah.
00:20:01Yeah.
00:20:10Yeah.
00:20:30Yeah.
00:20:32Yeah.
00:20:32Yeah.
00:20:36Yeah.
00:20:36Yeah.
00:20:36So what are you going to teach me, Professor?
00:20:44What is it you want to learn?
00:20:49Do you still want to talk?
00:20:55Hey, Susie.
00:20:57You know anybody by the name of Bedroom Eyes or what?
00:21:02Have you seen Bedroom Eyes?
00:21:03No, no, I haven't.
00:21:05You know you're a cutie.
00:21:06No, I haven't.
00:21:13How's it going, Wendy?
00:21:14Okay.
00:21:18Come on, we're going to talk this for a while.
00:21:21Let's see if there's a lot of power.
00:21:23All right.
00:21:24Okay.
00:21:26Do you know him?
00:21:29No.
00:21:30Do you know anyone who might know him?
00:21:32No.
00:21:32Don't be that way.
00:21:44Maybe, uh, maybe Francesca might know.
00:21:50Yeah, Francesca.
00:21:51Yeah.
00:21:54You know you're a really pretty lady.
00:21:57Stay up the streets.
00:22:05Hello?
00:22:06You're in.
00:22:07How are you, darling?
00:22:10I'm fine.
00:22:11Good.
00:22:12Listen, I apologize for calling you at home, but I was afraid if I phoned your service, we might not connect.
00:22:19Now, who is this?
00:22:22Always discreet.
00:22:23Harold Graham.
00:22:25I'm at the Duclair.
00:22:26426.
00:22:27Sweets were all taken this time, but, uh, the view is adequate.
00:22:31And I'll be here.
00:22:33Just me.
00:22:34See you at 45?
00:22:35I think you have the wrong number.
00:22:38Bedroom eyes?
00:22:48Hello?
00:22:51That's what I adore about you.
00:22:53Those games you play.
00:22:55They keep me young.
00:22:57In those eyes.
00:22:58Those bedroom eyes.
00:23:01Well, you know what they do to me.
00:23:16She's got this aura about her.
00:23:22Okay, so she's going to notice a problem.
00:23:25Maybe.
00:23:26Who doesn't, you know?
00:23:28It's probably just a little intimacy problem.
00:23:34I bet she's a dream.
00:23:38She's better than a dream.
00:23:41Better than any dream I ever had.
00:23:46I am not going to fall in love with her.
00:23:51Ooh, homicide.
00:23:53I am impressed.
00:23:55I just love a good murder mystery.
00:23:58Good.
00:23:59I love being entertaining.
00:24:01Oh, you are.
00:24:02I'm sure.
00:24:03You don't mind if I smoke, do you?
00:24:05Oh, please.
00:24:05Make yourself at home.
00:24:07So maybe you could help us solve a little mystery, then.
00:24:10I would do anything for my country, detective.
00:24:13Just consider me your civil servant.
00:24:15Good.
00:24:15So where can we find bedroom eyes?
00:24:21She your killer?
00:24:22Why do you know her?
00:24:26No.
00:24:28No, but I've heard of her.
00:24:29And I'd love to have her.
00:24:31I tell you what, detective.
00:24:32You find her, and I will give you and your partner a night with a harem on the house.
00:24:37It's very generous of you, ma'am.
00:24:40Yes, I know.
00:24:41So why don't you tell me which one of your clientele told you about bedroom eyes?
00:24:45Now, that is a problem.
00:24:48Because I just don't remember who.
00:24:50Well, we'd like to see your list.
00:24:52Ooh, que lindo.
00:24:54Did he just cross the border of Babe in the Woods?
00:24:56¿Está je va tú?
00:24:57You know that we could subpoena your list.
00:25:03You subpoena my list, and there won't be anyone left to run this city.
00:25:07And it's already such a nightmare.
00:25:09Your choice, detective.
00:25:11Besides, you won't find a judge who'll take the risk.
00:25:15Well, that might be true.
00:25:17And I guess we look like a couple of honest jerks to you.
00:25:20But I know one thing, lady.
00:25:22What goes around comes around.
00:25:25See you around.
00:25:27Come on, babe.
00:25:31See you around, babe.
00:25:45Oh, hi, Sue.
00:25:46Hi.
00:25:47Where are you going?
00:25:48I was just out for a walk.
00:25:49I thought I'd stop by and say hello.
00:25:50Oh, my.
00:25:51Are those for me?
00:25:52Yes, matter of fact, they are.
00:25:54No, they're not.
00:25:54No, they are.
00:25:55Look, look at the car.
00:25:57You're a lifesaver.
00:26:00With gratitude, William.
00:26:03P.S.
00:26:04My body is yours tonight.
00:26:07What?
00:26:08Gotcha.
00:26:09Oh.
00:26:10How's Proy?
00:26:11Proy's great.
00:26:12And you know, he misses you.
00:26:12Good to have a drink.
00:26:13Oh, boy.
00:26:14Bye.
00:26:15Bye.
00:26:30Bye.
00:26:32Bye.
00:26:32Bye.
00:26:34Bye.
00:26:34Bye.
00:26:36Bye.
00:26:39Bye.
00:26:39Bye.
00:26:41William, I'm sorry.
00:26:54I am so sorry.
00:26:55No, I canceled the reservation.
00:26:56I got tied up with a client.
00:26:58Yeah, you could have called me.
00:27:00There was no way I would have noticed.
00:27:01You could have called me at the restaurant.
00:27:03Look, honestly, I just lost track of time.
00:27:05I'm really sorry.
00:27:06But, uh, come on, the night's so young.
00:27:11There's plenty we can do.
00:27:12You want to go to the movies?
00:27:14I haven't seen a movie in ages.
00:27:16I wanted to have dinner with you, you know, with a couple of candles.
00:27:20Oh, forget about the candles.
00:27:21I just, I wanted to get to know you.
00:27:23Well, you can get to know me at the movies.
00:27:26You can learn a lot about a person at the movies.
00:27:30Are they the talking type?
00:27:33Are they the popcorn type?
00:27:36Does she put her head on the shoulder?
00:27:40Or her hand on the thigh?
00:27:44You'd go for the thigh.
00:27:45No popcorn, no talk.
00:27:48I might surprise you.
00:27:50I'm not as...
00:27:51As what?
00:27:54As predictable as you might expect.
00:27:56You're predictable?
00:27:58Do you know the only predictable thing about you is your unpredictability?
00:28:02And I suppose you don't care to know anything about me either, do you?
00:28:05Not really.
00:28:11What the hell am I doing here?
00:28:13What am I doing here?
00:28:16William.
00:28:21What are you going to tell me?
00:28:22That you had a wife, 2.2 children, and an Irish setter?
00:28:28Or that's what you want, or that's what you have already and you don't really want it?
00:28:32That's just the past.
00:28:35I don't mean to sound cold, but it's old news.
00:28:38What is it with you, Allie?
00:28:40What is it about the past that scares you so much?
00:28:43Look, I like being with you.
00:28:51And if you feel, in order to be with me now, today, you have to tell me about yesterday, well, then tell me.
00:28:59Tell me what you have to tell me.
00:29:01Let's forget it.
00:29:18William.
00:29:21Tell me.
00:29:22My wife and I were on our way to D.C.
00:29:33And our train crashed.
00:29:35That's where I got the scar.
00:29:39And she died.
00:29:40And I loved her.
00:29:47And I'm lonely.
00:29:49But it has been three years.
00:29:54And I don't miss her.
00:30:06Now,
00:30:06now, what kind of movies do you like?
00:30:10French films always turn me on.
00:30:28I noticed.
00:30:31The woman turned you on.
00:30:34Should I stop?
00:30:37No.
00:30:40No.
00:30:40No.
00:30:48You know,
00:30:50I said I was afraid, Michelle.
00:30:52It's true, I'm afraid.
00:30:54Because I would like you to love.
00:30:56What are you doing?
00:31:03I used to do this a lot when I was a kid.
00:31:07You can come in if you want.
00:31:08You see?
00:31:09You see?
00:31:14Yeah.
00:31:16It's like our own miniature world.
00:31:18All safe and cozy.
00:31:20What are we safe from?
00:31:25You overanalyze everything.
00:31:27I know.
00:31:29So,
00:31:29what was your childhood like?
00:31:32Nothing much.
00:31:33boring
00:31:36certainly nothing worth talking about
00:31:58give me a break
00:31:59are you 426 a finger painter
00:32:01damn graffiti
00:32:04sorry mrs gray
00:32:27go ahead
00:32:28are all graham
00:32:39male caucasian age 56
00:32:42multiple gunshot wounds
00:32:44three to be precise
00:32:45all 38 caliber hollow points
00:32:48sound familiar
00:32:49all fire to the groin
00:32:51at least we know that our killer can count
00:32:55she's numbering her victims with bullets
00:32:57throwing out the entire female population under the age of one and a half
00:33:02why don't you quit busting my onions john and help me with the subpoena
00:33:07told you to forget it
00:33:08besides there's no one on that list that's going to admit to being a client
00:33:13i got an absence of a tooth
00:33:15you got any more pearls of wisdom
00:33:18you can follow me to the dentist
00:33:20no thanks john
00:33:22i think i'll leave you to enjoy your own pain
00:33:24i hate the dentist
00:33:26i hope he needs a root canal
00:33:29okay so you said you're going to take me to someplace special
00:33:35i am
00:33:35all right
00:33:36what
00:33:36isn't a special occasion
00:33:37your birthday
00:33:38no
00:33:39no it's not your birthday is it
00:33:41why didn't you tell me
00:33:42because i hate birthdays they're ridiculous
00:33:44get in the car
00:33:46it's a really nice place man
00:34:09yeah lifestyles that are rich and famous
00:34:11so how long you've been in homicide
00:34:12eleven years
00:34:13what he ran a book
00:34:15and actually i've been the curator for the last five years
00:34:19that's great
00:34:20so you say that you and your husband didn't have an argument that night
00:34:24no
00:34:25do you have any idea why he might have checked into a hotel ten miles away from your home
00:34:30yes
00:34:31he often did that when he had an important meeting scheduled
00:34:35morning meeting
00:34:37my husband
00:34:39hated rush hour draft
00:34:41that's very interesting
00:34:42but this was the first time
00:34:45that he ever stayed in this particular hotel
00:34:47is that right
00:34:47he liked variety
00:34:49i hate asking you this mrs crayon
00:34:53i find it very embarrassing
00:34:55but i need to ask you
00:34:57well
00:34:57let me save you the embarrassment then
00:35:00if you were insinuating that my husband was having an affair
00:35:04the answer is no
00:35:06it's a beautiful layout isn't it
00:35:10i love arts
00:35:12my husband had no need to have an affair
00:35:18he had me
00:35:19and when he wanted something more
00:35:21he had a prostitute
00:35:22a prostitute?
00:35:24on occasion
00:35:26please
00:35:27it's not for public consumption
00:35:28well mrs crayon
00:35:30maybe we could go somewhere more private and talk like your office
00:35:32this has nothing to do
00:35:34with his death
00:35:36there's no need
00:35:37to go anywhere else
00:35:39it's over with her
00:35:41by her you mean there was only one?
00:35:45yes just one
00:35:45bedroom eyes
00:35:47but we haven't seen
00:35:48i mean he stopped seeing
00:35:50we?
00:35:51we haven't seen?
00:36:15two women in the same room
00:36:38he has his wife
00:36:41just sit there and watch
00:36:43what kind of bastard would do that to his wife?
00:36:53damn
00:36:54look
00:37:07i know that this is tough on you mrs crayon
00:37:10and we could forget about the whole thing if you'd only try to remember
00:37:14where your husband found her
00:37:15i told you
00:37:17he made all the arrangements
00:37:18i didn't ask questions
00:37:20i just showed up to please him
00:37:21please him
00:37:23well tell me what would happen
00:37:25if you hadn't wanted to please him
00:37:28i'm not a feminist detective
00:37:30just a wife
00:37:32with old-fashioned values
00:37:33and what about the call girl?
00:37:39did your husband always pay her by cash?
00:37:42our sex life was private
00:37:43he didn't want it on record
00:37:45i want you to take a good look at this picture mrs crayon
00:37:51i want you to tell me what's wrong with it
00:37:55this is murder
00:37:56you don't want to charge the wrong person
00:37:58it's fine
00:38:01fine
00:38:03if it's not right mrs crayon
00:38:07we can just take it from the top all over again
00:38:09let's do it paddocks
00:38:11how about the eyes mrs crayon
00:38:13are the eyes fine?
00:38:15are they perfect?
00:38:19these are so great
00:38:20you look like a kid in these
00:38:21no i don't
00:38:22whoa
00:38:23you're gonna take me home partner
00:38:32why's that mrs?
00:38:34have to change
00:38:35we're going dancing
00:38:53do you like this place?
00:39:02do you come here often?
00:39:03no it's my first time
00:39:04what?
00:39:05i thought it was my first time
00:39:07but i've heard about it
00:39:08i can't hear you
00:39:10never put it
00:39:11hey
00:39:14how you doing?
00:39:17fine
00:39:17long time no see
00:39:19we'll have something different
00:39:23long island iced tea
00:39:24i thought you said you want something different
00:39:26isn't it?
00:39:28it's what you always order
00:39:29oh you must have me confused with someone else
00:39:31right
00:39:32two long island iced teas coming right up
00:39:35and i declare i'm gonna lie
00:39:41well the guy knew you from somewhere
00:39:58maybe he did
00:39:59maybe he saw me somewhere
00:40:02or passed me on the street
00:40:03or something
00:40:03but it wasn't from here
00:40:05i think your drink is stirred
00:40:14i don't do that
00:40:22well not in public
00:40:24a woman did me so wrong y'all
00:40:45i said i'd never love again
00:40:50the way she treated me people don't you know
00:40:58then you came into my life
00:41:10you made me love ratio so bright
00:41:16i know love is a losing game
00:41:22it's hard to win
00:41:26here i go
00:41:32no
00:41:47i know
00:41:48i just can't take the home
00:41:52no no no
00:41:54no no
00:41:57Oh, my baby's gone.
00:42:24Hi.
00:42:26Hello.
00:42:26I thought you were doing a kiss.
00:42:29Excuse me.
00:42:30When that monkey's time is up, give me a call.
00:42:35On the second half, I'll call you.
00:42:40Thanks for all the help, Mrs. Graham.
00:43:02Detective, I don't think you understand.
00:43:06He was everything I had.
00:43:08Let me ask you something, Hector.
00:43:23What would your wife do if you forced her to watch you getting out with a whore over and over again?
00:43:29She'd kill me, man.
00:43:30And then she'd kill the girl.
00:43:32Excuse me, sir.
00:43:33What if she was really smart?
00:43:36You think maybe she would try to frame the whore?
00:43:39Oh, man.
00:43:40You don't think that she...
00:43:41Man, I don't know what I think.
00:43:43All I know is there's something fishy about this problem, okay?
00:43:45I think she's lying.
00:43:47Man, what if...
00:43:49What better lies is the one turning the tricks, okay?
00:43:52And Mrs. Graham is the shooter.
00:43:54On all of her?
00:43:55Well, I would have looked if her husband was the only victim.
00:43:57Whoa, whoa, whoa, man.
00:43:58I don't know, man.
00:43:59She doesn't look the type, though.
00:44:01Well, that's exactly what she'd want you to think if she was guilty.
00:44:03Let's get to work.
00:44:09Grab a cup of coffee.
00:44:11Yeah, sure.
00:44:12Let's grab a lots of dinner after I wouldn't catch the sunset.
00:44:18Did you touch your wife the way you touch me?
00:44:21How do I touch you?
00:44:25Is this the way I got with her?
00:44:27Maybe that's because you didn't know it was going to be the last time.
00:44:54That's what kills you, isn't it?
00:45:04Why is he staring at me like that?
00:45:09I don't know.
00:45:12I think he knows something about you that I don't.
00:45:24Allie?
00:45:32Allie?
00:45:38Allie?
00:45:39Allie?
00:45:54What's the matter?
00:46:00You know that I have 400 freshmen eagerly waiting for me to shed some light on their fledgling experience.
00:46:08How can I do that if I can't figure out the woman I love?
00:46:15That's what's been bothering me.
00:46:28Am I?
00:46:29When I fall in love with you?
00:46:31No.
00:46:32When I fall in love, when I feel that happening, that's when I end things.
00:46:48That's when I leave.
00:46:53I always do.
00:46:58So the good news is that I'm falling in love with you, but the bad news is I...
00:47:08I...
00:47:14It's okay.
00:47:15It's okay.
00:47:22I never got depressed before when somebody told me they loved me.
00:47:28I don't want to leave you.
00:47:32You don't.
00:47:33I just don't want to hurt you.
00:47:44Oh.
00:47:47Well, you said you want me to leave first, is that it?
00:47:51You're the first person that I've ever told this to.
00:47:55I'm with the others that I just leave.
00:47:58Oh, I'm so glad you told me.
00:48:00And that makes me feel so much better, because you love me, I should hit the road, huh?
00:48:05That's not what I said.
00:48:10That's what you meant, though, isn't it, Ellie?
00:48:13Because if I leave you, then you don't have to feel guilty.
00:48:18And aren't those the feelings that you're just...
00:48:19Don't lecture me about feelings, William.
00:48:24Because that's about as deep as you go with them.
00:48:26What is that supposed to mean?
00:48:31It means that you teach them, but you don't feel them.
00:48:37Then how can you hurt me?
00:48:42I probably can't.
00:48:43Because your emotions are buried under so much concrete,
00:48:50you can't even grieve over the death of your own wife.
00:48:55And until you do, honestly, I don't know how you could love anyone.
00:49:02Besides, you don't even know me.
00:49:05I mean, really, really, no way.
00:49:16I guess you have some freshmen waiting.
00:49:17I guess you have some freshmen waiting.
00:49:17Hi, I was just...
00:49:43I was just a new lady in your life, William.
00:49:48Yeah, that's a good question.
00:49:51She looked like one to me.
00:49:53See you later, Sue.
00:49:55Okay.
00:50:13See you later.
00:50:43Hey.
00:51:13Hey.
00:51:14Hey.
00:51:16Hey.
00:51:16Hey.
00:51:17Hey.
00:51:17Hey.
00:51:19Hey.
00:51:20Hey.
00:51:22Hey.
00:51:23Hey.
00:51:25Hey.
00:51:25Hey.
00:51:27Hey.
00:51:28Hey.
00:51:30Hey.
00:51:34Hey.
00:51:36Hey.
00:51:38Hey.
00:51:39Hey.
00:51:39Hey.
00:51:40Hey.
00:51:42Hey.
00:51:44Hey.
00:51:45Hey.
00:51:47Hey.
00:51:47Hey.
00:51:49Hey.
00:51:51Hey.
00:51:53Hey.
00:51:54Hey.
00:51:55Hey.
00:51:56Hey.
00:51:57Hey.
00:51:59Hey.
00:52:01Hey.
00:52:05Hey.
00:52:06Hey.
00:52:07Hey.
00:52:09I knew you'd understand in an hour fine I'll be there waiting for you yes he was
00:52:19wasn't he yes he was
00:52:39stolen homicide
00:52:43hi Audrey who found out the maid they heard the shot she was there by the time they got here
00:52:56it's a suicide sir get these guys out of here do you mind stopping that's right please
00:53:06better take a look at this Rookie opened it found it in the table outside
00:53:18dear detective Stoller
00:53:28tonight I was going to take her life
00:53:34and then my own
00:53:37at first I didn't tell her that I knew she'd killed him
00:53:42but then something snapped
00:53:45kill
00:53:46my god she said I didn't kill your husband
00:53:49she started to cry
00:53:52at that moment she seemed like a child to me
00:53:56and I wondered if her eyes were the last my husband saw
00:54:01so I let her leave
00:54:05I'll never know
00:54:09but maybe you can find the truth detective
00:54:13I believe in you
00:54:16this is Harold Graham
00:54:18thank you
00:54:31thank you
00:54:36I'm getting really tired of waiting man
00:54:43why don't we just go grab her
00:54:45take her in
00:54:46because Hector my darling
00:54:47all we got right now is circumstantial evidence
00:54:50I don't want to go anywhere
00:54:58I've got to be a boyfriend
00:55:06I think I know why you leave man
00:55:09why
00:55:10because you're afraid they're going to leave you
00:55:13I won't
00:55:15I won't
00:55:16it's a boyfriend
00:55:18I'm sure
00:55:18keep an eye on her
00:55:25I'm going to go check her down
00:55:27what's going on
00:55:44I'm Detective Stola
00:55:45we've got a little problem in the neighborhood
00:55:47can I talk to you for a few minutes
00:55:48yeah sure
00:55:50pull over there please
00:55:51can I see your license please
00:56:03yeah yeah sure
00:56:05what do you do for a living Mr. Talbot
00:56:12I'm a professor
00:56:13professor what
00:56:15psychology
00:56:16that must be really interesting
00:56:18with which university
00:56:19what is this regarding
00:56:21Bedroom Eyes
00:56:23come again
00:56:25how long have you known her
00:56:26known who
00:56:27Bedroom Eyes
00:56:29what is that some kind of a person
00:56:30yeah it's the person you were just kissing
00:56:32Allie
00:56:34yeah
00:56:35how'd you get hooked up
00:56:36was it business or strictly pleasure
00:56:39now look hold on here
00:56:40hold on for what
00:56:41look you're gonna have to slow down here a minute
00:56:42because I'm just getting a little bit lost
00:56:44want me to rephrase it
00:56:45was she your call girl
00:56:46or did you meet her off duty
00:56:47is this some kind of a joke
00:56:50no sir
00:56:51there ain't nothing funny about homicide
00:56:53that's right pal murder
00:56:57did you know she was involved in murder
00:57:00I can verify what I'm telling you pal
00:57:03believe me
00:57:03anything at all that might be justifying
00:57:06while she's gone
00:57:06no pig
00:57:08no pig
00:57:08she killed her victims after sex
00:57:10let me ask you something
00:57:12is she using any excuses to you
00:57:13multiple murders
00:57:14we're talking about
00:57:15victims
00:57:16sex
00:57:17that's from your girlfriend
00:57:18Ben lies
00:57:20you could be next
00:57:22who is it
00:57:49uh
00:57:52yeah I'd like to make an appointment
00:57:55with Ben lies
00:57:58damn
00:58:02we'll make it well
00:58:04please
00:58:04hey
00:58:18how long you've been asleep
00:58:20just a minute man
00:58:34what time is it
00:58:34oh man
00:58:35her lights are off
00:58:36you better believe she ain't asleep
00:58:38what are you doing
00:58:39none of your business
00:58:40go back to sleep
00:58:41oh man
00:58:42oh
00:59:11Hi. This is your answering service. You have an appointment tonight with Mr. John Dolan at 10 o'clock at the Kelton Hotel. Thanks. Bye.
00:59:41May I turn your sheets back?
00:59:47Uh, no. No.
01:00:11Oh. John Dolan? Oh, honey. This is gonna be a pleasure. You kidding me.
01:00:31So you wanna let me in, or, uh, are you in the doorways? Or, uh, maybe you just like to look.
01:00:41It's okay, honey, because I am into everything.
01:00:48Come on in.
01:00:49I'm there, Cleo.
01:00:52John.
01:00:58Wow, this place is great.
01:01:01Oh, yeah, we can definitely have some fun here. This is gonna be...
01:01:05And what is all this, huh? What is going on?
01:01:09Where are you from, John?
01:01:11How about giving us something to drink?
01:01:16And I'll tell you what's going on.
01:01:19It's anything you want, baby.
01:01:22Anything you want.
01:01:24That's what I'm here for.
01:01:26And we're gonna have a really good time, and there's a lot of different ways that we could have it.
01:01:34You know, we can, uh, we can play it straight if you like, or, uh, maybe a little half and half, if that's what you're into.
01:01:43Well, I don't know. I don't know. I don't know. Maybe there's some, uh, particular fantasy that I'd like to work out.
01:01:53And...
01:01:54And...
01:01:57For no extra charge.
01:02:01If you want me to run the show...
01:02:04I can do all the talking.
01:02:06You know, somebody told me all about you, and that's why I'm here, because I didn't believe this.
01:02:13I just want the truth.
01:02:20Well, okay.
01:02:22Johnny.
01:02:24There is...
01:02:26something to be said for...
01:02:28getting business out of the way first.
01:02:30I like a man who's direct.
01:02:36The truth is, Johnny...
01:02:40that it's $350 an hour.
01:02:44What are you doing to me, Allie?
01:02:46What the hell are you doing to me, huh?
01:02:49What?
01:02:54What?
01:02:56Oh, oh, wait a minute.
01:02:59Wait a minute.
01:02:59I get it.
01:03:02I get it.
01:03:04You know, Allie?
01:03:07Yeah.
01:03:08Oh.
01:03:10You know, Allie.
01:03:17Oh, I bet I know who you are.
01:03:20Who?
01:03:24You're William.
01:03:27Yeah.
01:03:27I'm William.
01:03:34Well, William, this is great.
01:03:36I've been wanting to meet you.
01:03:37You have?
01:03:39You've been wanting to meet me.
01:03:41Oh, yeah.
01:03:44Oh, yeah.
01:03:45And you know what?
01:03:49What?
01:03:51I'm not even going to charge you, William.
01:03:54William.
01:03:55William.
01:03:59His only friend of Allie's is a friend of mine.
01:04:04Maybe.
01:04:07William.
01:04:10William.
01:04:11William.
01:04:11I can give you what you need.
01:04:14I know what you need.
01:04:18I can give you what you need.
01:04:24I can give you what you need.
01:04:24I can give you what you need.
01:04:25She can't.
01:04:27You know she can't.
01:04:32William.
01:04:33I can give you the last time.
01:04:38The last time with your wife.
01:04:41So pretty.
01:04:42What was her name again?
01:04:45Kate.
01:04:47Yeah, Kate.
01:04:49Kate.
01:04:51I can be your Kate.
01:04:55Come on.
01:04:58Come on.
01:05:01Come on, baby.
01:05:05That's good, baby.
01:05:08Come on.
01:05:12Come on, baby.
01:05:17That's right.
01:05:20I'll be your Kate.
01:05:24Yeah.
01:05:26That's right.
01:05:42I like it.
01:06:05What are you waiting for?
01:06:29Just close your eyes, baby.
01:06:45Just close your eyes, baby. Close your eyes. I'm going to take you with me. You're going
01:07:05to come with me back to a place that's safe and free. So you can just let go, baby. Let
01:07:17go.
01:07:27Police, get your hands up. I said put your hands up. Don't move. Come on. Check out the bedroom.
01:07:32Right. What the hell's going on? Get against the wall. Get your hands and your face against
01:07:37the wall. Spread your legs. I said spread them. She's not between my legs, Detective. Shut
01:07:41your mouth and don't move. She's not here. I found this in the bedroom. Check out the
01:07:47hallway. See if anybody's seen her. You know, you're chasing your tail, stole her. Sit down.
01:07:55She was never even here. I don't know what your problem is, Professor. I don't think
01:08:04you've got an idea of what's going on. You listen to me. No, you listen to me. You keep
01:08:08away from your girlfriend or you're going to end up in the morgue like the rest of her
01:08:11boyfriends. Well, you forget about that. You got her wrong. The hell I do. She's been
01:08:15dropping bodies all over town, pal. It's not her. She's not the same person. I'm warning you,
01:08:22Professor. Stay away from the woman.
01:08:37Hello.
01:08:38William?
01:08:39Allie, I'm glad you called. Are you okay?
01:08:42Yes, can you meet me? I'm at the carousel.
01:08:45Yes. Yes, I can meet you there in 15 minutes. Hang on.
01:08:50William? Is something wrong?
01:08:52Listen to me. Whatever you do, don't go to your house. Do you understand me?
01:08:57Yes. I need to see you.
01:08:5915 minutes.
01:09:01Okay.
01:09:01Good. Bye.
01:09:14Allie?
01:09:15Allie?
01:09:22Are you all right?
01:09:48What are you doing here?
01:09:58Do you know what happened tonight?
01:10:01No.
01:10:10I was in a hotel room tonight.
01:10:11You knew?
01:10:12I smelled her perfume on you.
01:10:20I smelled her perfume on you.
01:10:20It's another woman, isn't it?
01:10:31Yes and no.
01:10:34I think there are two women, Allie.
01:10:37Each beautiful and special.
01:10:40Very special.
01:10:41What are you talking about, William?
01:10:42Is there another woman or isn't there?
01:10:44I don't know.
01:10:47Do you trust me?
01:10:54Yeah.
01:10:54When there spans of time, time you lose, big blackouts where there are no memories.
01:11:05I don't know what you're talking about.
01:11:18What about people, Allie?
01:11:20Are you ever approached by people who insist they know you, but you're sure you've never met them?
01:11:24Have they ever called you by another name?
01:11:25Don't analyze me, William.
01:11:26Well, you don't.
01:11:32You ever accused of lying, Allie?
01:11:34What about the past, Allie?
01:11:35Is it really a blank page?
01:11:39Were you ever abused, Allie?
01:11:41What about the past, Allie?
01:12:07Ay, canlı.
01:12:09Did you have fun with your wife tonight?
01:12:23Bedroom eyes.
01:12:26It's a beautiful name.
01:12:30My dad thought so, too.
01:12:33Dad?
01:12:36That's what he used to call me.
01:12:38Under the sea.
01:12:40Oh.
01:12:44Your father.
01:12:48Your wife.
01:12:51He never did answer my question.
01:12:55You, you were good.
01:12:59That even now?
01:13:02More experienced, I suppose.
01:13:06Hmm.
01:13:06Dad did pay me to learn.
01:13:14Don't you feel sorry for me, Doc?
01:13:16What do you feel?
01:13:23Like doing it?
01:13:24I think that is how you feel.
01:13:27Oh.
01:13:28Why don't you tell me?
01:13:32I think what I feel scares you.
01:13:36What, that you're afraid?
01:13:38You're feeling pain?
01:13:39No.
01:13:40No.
01:13:41But I'm not.
01:13:44I mean, that could be dangerous, couldn't it, Doc?
01:13:47Yeah.
01:13:48I'm not a doctor.
01:13:51Oh.
01:13:51I'm not a doctor.
01:13:55My mistake.
01:14:02Smoke?
01:14:02no thanks I'll kill you what hurt anyone no I mean physically no god I wouldn't I
01:14:26would never I would never hurt anyone Allie William she saved your life I mean don't
01:14:32you trust us are there only the two of you to trust look let me explain something to you
01:14:41I know all about Allie she doesn't even know I exist I mean she knows something's wrong but
01:14:52take now for instance where the hell is she well we could we could ask her to come back
01:15:00mm-hmm it's too intense for her like my dad cut her with the fan guess who had to bleed is
01:15:10that how she got the scar on her side it was my scar she didn't stick around for
01:15:15her to heal that's when I showed up
01:15:20tell me what you're scared of
01:15:47me
01:15:51yeah
01:15:52there's bad things
01:16:02people think I'm doing them
01:16:07I'm tired
01:16:22I'm at the train station look Sue I just need you to look after for a little while I'll make it up to
01:16:48yeah don't worry about it you're the best
01:16:51take care all right
01:16:56soon thanks bye
01:16:58I gotta get you out of here
01:17:01he's at the train station
01:17:05thanks look lady you're not turning everything you're saving his life
01:17:10fuck you do it don't let anybody in
01:17:12and we know you didn't do it
01:17:24if you always leave the same way
01:17:30and the men don't know that you're gone
01:17:34you're gone maybe somebody's coming in behind you
01:17:37kill me
01:17:39boy
01:17:47I must have been tired I uh
01:17:51how long have I been asleep
01:17:55Allie
01:17:58I had the weirdest dream
01:18:00it was like I was awake in the dream
01:18:09I mean it doesn't make a lot of sense because it
01:18:14because it wasn't a dream
01:18:21no it was
01:18:22it was
01:18:24just it was bits and
01:18:25fragments I mean have you ever had one of those just
01:18:28that's your memory Allie
01:18:29imagery
01:18:30your memory coming back Allie that's your memory
01:18:35I remember there was there was somebody else I mean a voice
01:18:55it's a woman
01:18:58that's great
01:18:59it's a strange woman
01:19:00that's great
01:19:01a very strange woman
01:19:03that's great you're starting to hear
01:19:04no
01:19:15no I distinctly remember another person another voice
01:19:25no
01:19:31no
01:19:32Allie
01:19:33Allie
01:19:40Allie
01:19:40come on I'm sorry listen to me
01:19:42listen to me you don't want to see her
01:19:44Allie
01:19:47get away
01:19:56listen to me
01:20:05you have a condition
01:20:06but it can be cured it's
01:20:08it's called disassociation
01:20:10you heard of that right
01:20:12sometimes when terrible things happen you know the mind
01:20:15it splits off
01:20:16what are you saying to me will you are you saying I'm crazy
01:20:24no you're not you are not you're not crazy listen to me you were hurt you protected yourself the best way you could
01:20:31another person came in to help you deal with the pain that's the way it happens okay okay she's a friend it was too much for one child to handle alone listen to me
01:20:40shh
01:20:45SHELBY
01:20:46you're sales now don't have money
01:20:48you don't have money anymore
01:20:52alright
01:20:53Oh, my God.
01:21:02Allie, it's you.
01:21:09You lied to me.
01:21:11I believed you.
01:21:13And you lied to me.
01:21:18No.
01:21:20No.
01:21:23Oh, I never lied to you.
01:21:31I tried.
01:21:33I tried to make you leave me.
01:21:37Because I love you, William.
01:21:41And I...
01:21:42You couldn't leave.
01:21:46I couldn't leave.
01:21:48Who are you?
01:21:49Oh, do you know what it's like?
01:21:53Do you know what it's like to...
01:21:55To find yourself in bed with somebody touching you?
01:22:00Hurting you?
01:22:01And you don't even know who they are.
01:22:04You don't even know how you got there.
01:22:06Someone is putting me there.
01:22:14And it's not me.
01:22:17It's not me.
01:22:19And she's got to be caught.
01:22:23She's got to be punished.
01:22:25Where is she, Allie?
01:22:26Where's Bedroom Eyes?
01:22:27Those men...
01:22:29Those men who can fall and dominate.
01:22:33Suffocate.
01:22:35They hurt you and they won't stop.
01:22:39They...
01:22:40They...
01:22:41You can go, Allie.
01:22:44If that's what you want, you can go.
01:22:47They have to be stopped.
01:22:50But you won't stop them.
01:22:54I'm going to stand right here.
01:22:57And...
01:22:58I'm going to let you go.
01:23:04I'm going to let you go.
01:23:05I'm going to let you go.
01:23:35Oh, Allie.
01:23:38Oh.
01:23:41I love you.
01:23:44Allie.
01:23:46I love you.
01:23:47I love you.
01:24:05I love you.
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