- 2 days ago
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00:00:30This is also very good.
00:00:34Oh, I can't.
00:00:37I can't dance.
00:00:38No.
00:00:40Oh, should I?
00:00:41Ok.
00:00:46Who's this?
00:00:48Sila?
00:00:48I think.
00:00:56Do you remember?
00:00:58Didn't you recognize?
00:00:59Nukhet Duru.
00:01:00We can most easily say that God hears someone and makes them go through something bad.
00:01:04Well then, look.
00:01:06You will definitely bleed this.
00:01:10Stop mother of pearl.
00:01:13I stopped.
00:01:16What are you doing?
00:01:17Is there any imitation left?
00:01:19They don't even do these in high schools anymore.
00:01:21Singer imitations and such are stuck in the 90s.
00:01:24Please be a little realistic.
00:01:25Ok, try me Nukhet once more.
00:01:27Attempt.
00:01:28Attempt.
00:01:28No imitation.
00:01:29Forget the imitation.
00:01:30You said you wrote about my mothers.
00:01:32Tell me a little about yourself.
00:01:33My life is not funny at all.
00:01:35No no.
00:01:36There's bound to be something funny.
00:01:37Isn't it?
00:01:38There are good and bad things.
00:01:39So there is.
00:01:40You can talk about relationships.
00:01:43From the disasters you experience in your private life.
00:01:45You didn't have anything like that.
00:01:47Do you remember a time when you gained and lost weight?
00:01:49I was floating around like a parachute.
00:01:50How did you get that back part?
00:01:52Bingly, bingly.
00:01:52What a strange thing it was.
00:01:54It's not me.
00:01:55It wasn't you either.
00:01:56Have you become vegan?
00:01:58Do you want to be?
00:01:59They accept veganism.
00:02:01I mean, so many materials come out of there.
00:02:03You write epics.
00:02:04I wish you were vegan.
00:02:05If it were someone else, not you.
00:02:07Or contact him.
00:02:09I don't know, just be yourself.
00:02:11What if it were something real?
00:02:12Let it be real.
00:02:14I can't do it.
00:02:15From where?
00:02:16I mean, it's such a shame to make fun of yourself.
00:02:20What's so funny about being caught in a magazine without makeup?
00:02:25I have something.
00:02:26There is Aleyna Tilki.
00:02:27Look, let me eat that too.
00:02:28Should I do that?
00:02:28Forget it, my dear.
00:02:29No, don't do it.
00:02:30Forget the imitation.
00:02:31Don't imitate.
00:02:32Delete it from your mind.
00:02:35Let's end it here today if you want.
00:02:37From where?
00:02:37We've just begun.
00:02:39We started off very well.
00:02:40We started off very well.
00:02:42We started like lions.
00:02:44We're warming up, aren't we?
00:02:45We are getting warm.
00:02:46We're doing very well.
00:02:47So you are already determined.
00:02:49Look, you know what you want.
00:02:50You're moving too fast.
00:02:52If you think about it a little more, you will find great things.
00:02:55Uh huh, something happens.
00:02:58You are so sweet.
00:02:59Thank you.
00:03:02Now there is something.
00:03:03Parachute.
00:03:06Relationships.
00:03:07Huh.
00:03:07Weight gain and loss.
00:03:09Yes.
00:03:09Vegan.
00:03:10Vegan.
00:03:10Vegan.
00:03:11Let me take notes.
00:03:12Is it ok?
00:03:12I'll make a call too.
00:03:14Ok.
00:03:14Ok.
00:03:22Honor, we are coming right away.
00:03:23Ok.
00:03:23Angel.
00:03:29You win.
00:03:31My dear Melek, but I told you.
00:03:33I mean, I tried to tell you how dire the situation was.
00:03:35I don't know, I thought he was exaggerating too.
00:03:37So, as you can see.
00:03:39Ok.
00:03:40You are right.
00:03:40Did it happen?
00:03:41You win.
00:03:42I apologize.
00:03:43You are right.
00:03:43No dear.
00:03:44I am sorry.
00:03:44It's not important.
00:03:45There is no way he'll be on stage tomorrow night.
00:03:47Sedef's.
00:03:48So, as soon as it comes out, people get up and leave.
00:03:50What a shame for people after all this.
00:03:52But I definitely agree with you.
00:03:54So how do you plan to tell this to Sedef?
00:03:56He's a sweet guy, okay?
00:03:57I mean, I liked it.
00:03:58On the one hand, he is not such a repulsive type.
00:03:59That's why I'll say it without offending or hurting anyone.
00:04:02I will talk sweetly.
00:04:03I'm sorry but I'm going to say you suck, my love.
00:04:07If you don't want to cause mass suicides, I'll say stop this.
00:04:10But all this time in a cynical tone.
00:04:12I will explain it without offending or hurting him.
00:04:13Okay, but Melek, if you want, I can take over.
00:04:17Let me tell you, what do you say to Sedef?
00:04:18Are you sure?
00:04:19Of course, of course.
00:04:20It would be better if I tell you.
00:04:21Let me tell you.
00:04:21Ok then.
00:04:22Ok.
00:04:23Then I'm leaving.
00:04:24Thanks a lot.
00:04:24See you later.
00:04:25Ok.
00:04:25We thank you.
00:04:26See you later.
00:04:27Come on, bye bye.
00:04:28Shall we come, Mr. Çınar?
00:04:29What should we do?
00:04:29Come on, what are we going to do?
00:04:30Come.
00:04:30Come on.
00:04:33My dear Sedef.
00:04:39We just talked to Melek, and while we were talking, she received an urgent phone call.
00:04:43The program has changed.
00:04:44He needs to go to Mardin urgently.
00:04:46From where?
00:04:47Ms. Sedef, there was a show of this Chamber of Tradesmen and Craftsmen Association.
00:04:50He went there.
00:04:52But this is not a professional attitude at all.
00:04:54I mean, I think so too.
00:04:55I said the same thing, but he had to go.
00:04:58Good luck.
00:04:59I don't think he was a very good teacher anyway.
00:05:01That's why, of course, this show was also cancelled, Sedef.
00:05:06Well, naturally, because he is not an angel.
00:05:09Well, what should we do?
00:05:10But let's keep working.
00:05:13Let's continue taking notes.
00:05:14You find new jokes and new jokes, my dear Sedef.
00:05:16You go for it.
00:05:17You'll work harder there, Ms. Sedef.
00:05:19That's how you find the tricks of comedy.
00:05:21Of course, we will help you as much as we can.
00:05:24And we still have time.
00:05:26Ok.
00:05:27If you say so, we will do so.
00:05:30But I will not give up on this.
00:05:32No dear, don't give up.
00:05:33Why would you give up?
00:05:33We trust you.
00:05:35We trust, right, Emre?
00:05:35Of course, of course, Mr. Çinber.
00:05:37Wait, I wrote those things.
00:05:39Write whatever comes to your mind.
00:05:40Exactly.
00:05:40You got those notes.
00:05:41Mr. Kıraç, I brought the draft contract.
00:05:49Leave it like that, thanks later.
00:05:51Let it stay at the top right there.
00:05:52Isn't it a beautiful book, Mr. Kıraç?
00:05:54I got it last night.
00:05:56I'm reading and I can't stop.
00:05:58It is not possible.
00:05:59It will be even more exciting if Hasan pulls it.
00:06:01Well, of course he will, Mr. Kıraç.
00:06:03After all, you represent Hasan Bey.
00:06:06We have a meeting in the evening.
00:06:08I heard that Dicle's meeting went well, but...
00:06:11...you thought it would be of little use compared to your experience.
00:06:17Can you bring the appointment forward? Ask me.
00:06:19I'll ask, but I don't think so, Mr. Kıraç.
00:06:22Ms. Cahide is currently in the animal shelter.
00:06:25Really?
00:06:26Where did you learn?
00:06:26Dicle said.
00:06:28Do you know what he was doing?
00:06:30He reserved certain days of the week for animal shelters.
00:06:34For example, even the profits from this book...
00:06:36...he donates some of it to animal shelters.
00:06:39I said what a good person he is.
00:06:41Her heart is as beautiful as her book.
00:06:45Very good.
00:06:47Yes.
00:06:52I have been to other shelters before.
00:06:55I was trying to help as much as I could.
00:06:58I wish everyone was as sensitive as you.
00:07:00Thank you.
00:07:01Thank you.
00:07:02See you girls.
00:07:08Thank you.
00:07:10Come on, son.
00:07:11Hello.
00:07:12Hello.
00:07:12Hello.
00:07:13Let me introduce you to Mr. Yusuf and Ms. Cahide, one of our new donors.
00:07:17Am I like that?
00:07:18Pleased to meet you.
00:07:19Me too, me too.
00:07:20We actually want to enter into a new structure here.
00:07:23For such dogs, larger play areas, swimming pools...
00:07:26...we also have an idea for a hostel like this.
00:07:28We were just talking about the same thing a moment ago.
00:07:31I guess you come here often.
00:07:33I mean, I'm trying to come across as a fan of my memory or something.
00:07:36I'll go feed the hangars.
00:07:37Would you like to help me?
00:07:39Of course I would love to.
00:07:42See you girls.
00:07:55Plane.
00:07:56Come on, Sedef.
00:07:57I have great news for you.
00:07:59Are you ready?
00:08:00I am ready.
00:08:01I'm guessing.
00:08:01On second thought, you accept the movie, right?
00:08:03No.
00:08:05I'm taking the stage tonight.
00:08:07How?
00:08:08I have a close friend like that.
00:08:10He's been doing stand-up for years.
00:08:12They have a group, I'll go out with them.
00:08:13How?
00:08:14Isn't it very exciting?
00:08:15Very excited.
00:08:16Of course, how exciting.
00:08:17But you still do your stand-up.
00:08:19Do it as a hobby, but let's get this movie straight first.
00:08:22No, no.
00:08:23I don't want it.
00:08:24I won't be a governess or anything.
00:08:26My line is clear now.
00:08:27I will do stand-up.
00:08:28I don't want anything else anyway.
00:08:30Look, you're coming tonight.
00:08:31I don't want any excuses.
00:08:32At eight o'clock.
00:08:33Is it ok?
00:08:33Ok, I'll come.
00:08:36Don't stay in makeup.
00:08:38I will not stay.
00:08:38I am very excited.
00:08:39How nice.
00:08:48One of us.
00:08:49My darling.
00:08:51Are you okay?
00:08:52I'm fine, I'm fine.
00:08:53I'm fine, I'm fine.
00:08:57Are you afraid?
00:09:00I am scared.
00:09:00Why should I be afraid?
00:09:02Do you know that sometimes people come here to overcome their fears?
00:09:05So it's like a kind of therapy.
00:09:07So they try to relax by facing their fears.
00:09:10But you know what really works?
00:09:12I grew up on a farm.
00:09:14Dogs, cats, cows.
00:09:16I mean, I'm used to it.
00:09:17Really?
00:09:18Do you know how unlucky you are?
00:09:20In fact, a friend of mine at work has a dog.
00:09:22He is with us every day.
00:09:24A bit of a dangerous species.
00:09:26It's a tough breed, but we love it, of course.
00:09:29What do you do, Mr. Yusuf?
00:09:32I am not your advisor.
00:09:34So free.
00:09:35You?
00:09:36I am a writer.
00:09:38Soap opera?
00:09:39No novel.
00:09:40I have a novel called City of Ravens.
00:09:42Cahide Pinar.
00:09:44I never knew.
00:09:46Now once again it's nice to meet you.
00:09:48I read your book.
00:09:50Really?
00:09:51Yes, yes.
00:09:52I loved it, I loved it.
00:09:54It should definitely be made into a movie.
00:09:56Hopefully.
00:09:57I mean, I hope so.
00:09:58So there are actually a few offers.
00:10:00I met with a director today.
00:10:02It will be the first movie.
00:10:04Are you going to entrust your novel to someone with no experience?
00:10:07Well, I don't actually look at it that way.
00:10:10So, he has achieved many successes so far.
00:10:15There are directors who have made many films.
00:10:17I mean, Hasan Yerli, for example.
00:10:18Of course I will meet him too, but I think I am lucky.
00:10:22So, you don't care about my ideas...
00:10:24...I'm thinking of working with people who will do their job according to their own mindset.
00:10:27I support you very much.
00:10:29Of course, we hear that adaptations generally do not please the writers.
00:10:33But actually there is a way to do this.
00:10:36I know this from my clients.
00:10:38I've had the opportunity to work with a couple of writers in the past.
00:10:42If you have control...
00:10:45...that is, if you have a say in everything...
00:10:48How is it going to be?
00:10:50I think you should include it as an addendum in your contract.
00:10:53So, you don't have to work with an inexperienced director.
00:10:57If you want, you can shoot your own film.
00:11:00I mean, I don't know.
00:11:01I don't know.
00:11:02Hello Ms. Cahide.
00:11:20I called you several times but could not reach you.
00:11:23I would appreciate it if you could get back to me as soon as you see my message.
00:11:26Thanks.
00:11:27Ms. Feris.
00:11:37Hello Ms. Feris.
00:11:38I called Ms. Cahide, but she never answers my calls.
00:11:42He disappeared in an instant.
00:11:43I don't know why.
00:11:44How did this happen? Tell me.
00:11:46I don't know at all.
00:11:47Everything was fine.
00:11:48The meeting also went very well.
00:11:50Okay, I know too, I already talked to Elif.
00:11:52Everything was fine.
00:11:53He was so excited.
00:11:54Yes, I know, but as I said, he suddenly disappeared.
00:11:58I call but he doesn't answer my phone.
00:12:00I send messages and he doesn't reply.
00:12:02Kıraç definitely did something.
00:12:04But Mr. Kıraç's meeting was in the evening, Ms. Feris.
00:12:07Oh my Ricle, we are talking about Kıraç.
00:12:09When it comes to business, Kıraç can do anything.
00:12:12You didn't say anything to Kıraç about our tactics, did you?
00:12:15No no no I definitely didn't say that.
00:12:18He even called me over.
00:12:19We talked.
00:12:20We said, "May the best one win."
00:12:21We closed the topic.
00:12:22What?
00:12:23So, because I was a girl, I didn't want him to take it easy.
00:12:27He had the same idea as me anyway.
00:12:28No, Kıraç definitely did something.
00:12:30He did something to confuse Cahide.
00:12:34Look, now you are calling Cahide again.
00:12:36You call and try to talk again.
00:12:39We don't know what Kıraç did.
00:12:40We don't know how it got into Cahide's mind.
00:12:43Okay, okay, Ms. Feris, then I will call you as soon as I find out.
00:12:47Okay, okay.
00:12:47Did Cahide say okay?
00:12:54Not yet, but he won't be working with Elif.
00:12:56How is that certain?
00:12:57How did that happen?
00:12:59That's my place too.
00:13:00Trade secret.
00:13:01No, no, tell me.
00:13:02How did you do it?
00:13:04Welcome, Mr. Hasan.
00:13:06I'm sorry.
00:13:08Mr. Kıraç, I brought the contract to the table.
00:13:10Now will you look at what I should do?
00:13:11Okay, I'll look into the location of the place.
00:13:14Ok.
00:13:15Tell me brother, how did you manage to do it?
00:13:17Well, Cahide was going to the animal shelter.
00:13:19She was helping with food there.
00:13:21He was donating to dogs or something.
00:13:23When I heard this, I jumped and went there.
00:13:26We started talking as if I was not involved in any of this.
00:13:30After that, the topic came to the novel.
00:13:32I thought, "Will you hand over such a novel to such an inexperienced director?"
00:13:37I processed and processed and filled it.
00:13:39You are incredible.
00:13:39You are incredible, I was really scared of you.
00:13:43Really.
00:13:45So you didn't go as a manager.
00:13:48Very good.
00:13:55Emra.
00:13:57What happened?
00:13:58I did a very bad thing.
00:14:00I did a terrible thing, but I did it unintentionally.
00:14:03What happened, what did you do again?
00:14:04Emra, I had no bad intentions, you know?
00:14:06Never ever.
00:14:07We were talking with Dicle about Cahide Pınar's novel.
00:14:13Then Dicle said, Ms. Cahide said, she goes to shelters regularly, we looked at her photos.
00:14:19Then I told this to Mr. Kıraç.
00:14:23But I didn't say it with bad intentions, don't do that.
00:14:25I didn't say it with bad intentions.
00:14:26I said I was at work making appointments.
00:14:28I said before the meeting that he would be at the shelter.
00:14:31You, Mr. Kıraç, go there.
00:14:33He didn't introduce himself.
00:14:34He didn't introduce it.
00:14:36But it also entered the woman's mind.
00:14:39So you blew up Dicle's business.
00:14:41Yes.
00:14:41Well done Gul, well done.
00:14:43What am I going to do?
00:14:44I don't know what you're going to do?
00:14:46You will pray that Dicle does not find out, what will you do now?
00:14:48What will you do?
00:14:51I'm so nervous.
00:14:53Wait, okay, if we don't cry, we will find a solution, okay.
00:14:55Ms. Cahide does not answer my calls.
00:15:04Because there is nothing to tell you anymore.
00:15:08From where?
00:15:08It seemed like he had made up his mind that he would work with Feris Hanım's director.
00:15:11At that very moment, I stepped in and managed to convince Cahide.
00:15:19We talked, Dicle.
00:15:20We would both do our best.
00:15:23You are right.
00:15:23But I want to know how this happened.
00:15:28Alright.
00:15:32I went to the shelter to talk.
00:15:35Really?
00:15:36It's like I'm never involved in these things.
00:15:38We chatted a bit.
00:15:40The topic came to the novel.
00:15:41From there to film.
00:15:42I explained to him, in a somewhat superficial way, how he could do what he wanted.
00:15:49I don't understand
00:15:50Novelists are extremely sensitive about what they write.
00:15:54They don't want even a single line to be changed.
00:15:57They think the director will spoil everything.
00:15:59I told him that if he worked with a director of his own choosing and even shot the film himself, there would be no problem.
00:16:06I recommended that he add an additional clause to the contract.
00:16:08Now he thinks he has total control.
00:16:12That's why he will agree to Hasan shooting the film.
00:16:14So you deceived the woman.
00:16:17We don't call this cheating.
00:16:20Wait a minute now.
00:16:20You told the woman that she would get what she wanted.
00:16:23But it won't actually happen.
00:16:24Am I misunderstanding?
00:16:24It's not just a statement after signing the contract anyway.
00:16:27Everything changes along the way.
00:16:31That's how it is.
00:16:33Tigris.
00:16:34You'll get used to it.
00:16:36I don't think so.
00:16:37What happened to the Tigris?
00:16:58Nothing.
00:17:00Did you meet with Mr. Kırağaç?
00:17:02Yes.
00:17:03Here, I will tell you something.
00:17:05What happened?
00:17:07I am very sorry.
00:17:11Why?
00:17:13I told Mr. Kırağaç about the shelter.
00:17:17Why did you do this, Gul?
00:17:19Do you know I had no bad intentions, Dicle?
00:17:22He was talking about appointment times.
00:17:25I said, at that hour, I said, Ms. Cahide, I said, she was at the shelter.
00:17:29But I didn't say it for informational purposes.
00:17:31Actually, I had to mention the meeting in order to organize it.
00:17:37But I didn't say this with bad intentions.
00:17:39It happened while I was trying to summarize the situation, that is, to explain the situation.
00:17:42He went with Mr. Kırağaç.
00:17:44Okay, Gul's.
00:17:46Thank.
00:17:47What can I say, thank you.
00:17:49I'm so sorry, Dicle.
00:17:50Do you really love me?
00:18:00Do you really love me, man?
00:18:02I stood against my family for you.
00:18:04For you...
00:18:05What are you doing with Şenam, mom?
00:18:07I made the cake now.
00:18:09The pastry is ready.
00:18:11I also took walnuts and cookies out of the oven.
00:18:13Everything will be okay.
00:18:14Who will eat all that stuff?
00:18:15I hope someone finds food for me.
00:18:17Don't worry.
00:18:19Do you really believe what you said to that girl?
00:18:21Actually, what have you been doing since morning?
00:18:23You keep repeating the same image over and over again.
00:18:26I'm looking.
00:18:27What are you looking at?
00:18:29I'm looking at the scenes, mom.
00:18:30How did you stand, how did you look?
00:18:32Have I conveyed the emotion enough?
00:18:34If you ask me, you conveyed those feelings so perfectly.
00:18:38The look, the stance.
00:18:39The same power believes.
00:18:40Brother, does water look like a lamb to a crow?
00:18:47Look here.
00:18:48For example, I'm staring blankly here.
00:18:49I don't know where I'm looking.
00:18:50Apparently I'm drunk.
00:18:52The weather is cold too.
00:18:53Are you obsessed with this now?
00:18:55I'll look back at old footage and beat myself up.
00:19:02I know you said not to call but I thought you'd like to know.
00:19:05I hope you are well.
00:19:06Ömer has started a live broadcast right now.
00:19:08Take a look if you want.
00:19:10First of all, I have to say this.
00:19:35It wouldn't be right to say anything about the case now.
00:19:37Because there is a process there that has now been brought to court.
00:19:42I'm looking at the comments.
00:19:47Am I back in my fairy tale?
00:19:50Yes.
00:19:52I'm back.
00:19:53Will it be continuous?
00:19:54We will look at it now.
00:19:56We'll see.
00:19:57He was asked how the events started.
00:19:59Well, I have it, too.
00:20:03Dude, I'm going to make you eat those words.
00:20:06I will make you eat these words.
00:20:08I will eventually.
00:20:09What kind of a man are you?
00:20:10What kind of a man are you?
00:20:12I would swing you from there, son.
00:20:14What more do you want?
00:20:17Dude, haven't you had enough of the beating?
00:20:18You couldn't get enough of the beating.
00:20:19I'm with this guy.
00:20:20I'll settle scores with this guy.
00:20:21Peace is enough.
00:20:22Give me your phone.
00:20:22No, I won't.
00:20:23Why are you taking my phone?
00:20:24Look at the phone, I'm already very angry.
00:20:26Give me my phone.
00:20:28No, I won't.
00:20:28I can't let you watch such nonsense.
00:20:30No.
00:20:30Why don't you give me my phone?
00:20:32Calm down, okay.
00:20:33This is my hand, my hand, my hand.
00:20:34Be you.
00:20:35Look at this.
00:20:35This is my hand, my hand, my hand.
00:20:36Why can't I process this trace?
00:20:39I can't read subtitles.
00:20:40Welcome, son.
00:20:45What's going on with peace, son?
00:20:48Why did you come, brother?
00:20:50Huh.
00:20:51Why did you come?
00:20:52Peace is calm.
00:20:53Well, we talked at the aunt's.
00:20:55We said we would visit.
00:20:56Right now?
00:20:57Well done, brother.
00:20:58Congratulations to me.
00:21:00Otherwise, you wouldn't have had the opportunity to love in this situation.
00:21:02Congratulations.
00:21:03Just in your sadness.
00:21:04You didn't have any other opportunity anyway.
00:21:14Peace.
00:21:15To where?
00:21:16Leave me alone.
00:21:17Dicle, look, I'm very angry, okay?
00:21:22I don't want to break your heart.
00:21:23What happened? Tell me what happened.
00:21:25I won't tell you, I don't want to tell you what happened anymore, okay?
00:21:28I don't want to talk.
00:21:30I don't want to hear your motivational speeches anymore.
00:21:33I don't want to listen to my brother's advice.
00:21:35I don't want to deal with my mother's nonsense anymore.
00:21:38Is it ok?
00:21:38I'm tired.
00:21:39Dicle, I'm tired of it now.
00:21:41Why don't you understand my name?
00:21:42You too, you too, leave me alone, you too.
00:21:45Please don't go.
00:21:47Peace.
00:21:48Peace, don't go.
00:21:53How shameless you are!
00:21:55I'm kicking you out the door, you're trying to get in through the chimney.
00:21:57Bravo, don't come after my son anymore.
00:22:00Ms. Ayla, I want to help Barış.
00:22:02Why don't you understand this?
00:22:04This can't go on like this.
00:22:05He doesn't realize what he's doing.
00:22:06What's it to you, girl?
00:22:07What's it to you?
00:22:08Who are you?
00:22:09Who are you holding accountable for, one of the girls he has been with for three days?
00:22:15Go away, don't come back.
00:22:17Don't call or ask, leave us alone.
00:22:19Elional...
00:22:21...
00:22:29...
00:22:32...
00:22:34...
00:22:40...
00:35:10M.K.
00:36:10M.K.
00:36:40M.K.
00:37:10M.K.
00:37:40M.K.
00:38:10M.K.
00:38:40M.K.
00:39:10M.K.
00:39:40M.K.
00:40:10M.K.
00:40:40M.K.
00:40:42M.K.
00:40:44M.K.
00:40:48M.K.
00:41:12M.K.
00:41:14M.K.
00:41:16M.K.
00:41:18M.K.
00:41:20M.K.
00:41:24M.K.
00:41:26M.K.
00:41:28M.K.
00:41:30M.K.
00:41:32M.K.
00:41:34M.K.
00:41:36M.K.
00:41:38M.K.
00:41:40M.K.
00:41:42M.K.
00:41:44M.K.
00:41:46M.K.
00:41:48M.K.
00:41:50M.K.
00:41:52M.K.
00:41:54M.K.
00:41:56One of the young men is filming.
00:41:58I have the best news I've received lately.
00:42:01We haven't signed yet.
00:42:03So in principle we are okay.
00:42:04I guess there won't be any problem, right?
00:42:05There will be no problem.
00:42:06Of course it won't work, dear.
00:42:08You handed him everything he wanted on a silver platter.
00:42:10He'd have to be crazy to say no.
00:42:13Well, why did they make this offer then?
00:42:15As I said, to convince you.
00:42:19Now, when you move on to the scenario phase, when you realize this situation, it will be too late for everything.
00:42:23They will definitely put a clause in the contract that you don't pay attention to.
00:42:27And when you get on set, the director won't even ask for your opinion.
00:42:31He will do whatever he wants.
00:42:33And you will not be able to claim any rights.
00:42:36My audience, my audience, my audience.
00:42:37The man I met is neither a miner nor a director.
00:42:40Someone I met here.
00:42:41They had counselors.
00:42:43He even said you can shoot the movie yourself.
00:42:45I know.
00:42:46That's why the person you're talking to here came here.
00:42:50He came because he was investigating you.
00:42:51And most importantly, he is not the person you think he is.
00:42:55He is one of the managers of the ego agency.
00:42:58How can that be?
00:42:59But this is immoral.
00:43:01This is rude.
00:43:02I know, that's why I wanted to tell you these.
00:43:06Ms. Cahide, we are looking forward to working with you.
00:43:09This is the project that Elif Hoca has been wanting to shoot for months.
00:43:12But it doesn't work that way.
00:43:13This situation cannot be achieved by such lies, such deception, and by doing things behind people's backs.
00:43:18At least I can't do that.
00:43:20If I do, I will lose my self-respect.
00:43:25So please reconsider.
00:43:27Do you want to take part in such a project?
00:43:33Friends, I don't like talking like this in the middle of the street.
00:43:36Ms. Sedef, I wanted to ask you one last thing.
00:43:38You were going to act in the movie Çağınırman.
00:43:40What happened?
00:43:41Unfortunately, I cannot play because of my manager's incompetence and misdirection.
00:43:47Ok.
00:43:47I'll explain again later.
00:43:49Thank.
00:43:50Have a nice day.
00:43:52Come on, dear.
00:43:53My fairy uncle.
00:43:57My fairy uncle.
00:43:58I gave you space.
00:43:59I saw.
00:44:03Now, my uncle Peride.
00:44:04You were right.
00:44:07Beren did it.
00:44:08Oh, I knew it.
00:44:13I knew, but I was thinking maybe he didn't do it.
00:44:19Oh, it's unbelievable.
00:44:21I made an audio recording just in case.
00:44:25Yes.
00:44:25Maybe you want to tell Mr. Kıraş.
00:44:27I thought he might choose not to believe you.
00:44:31I made a voice recording.
00:44:32You did very well.
00:44:34So, can you send me that voice recording?
00:44:36I want to listen.
00:44:37Of course.
00:44:38Of course, my uncle Peride.
00:44:39I'm going to my room now.
00:44:42I'm sending you the voice recording right away, Uncle Peride.
00:44:45Ok.
00:44:46Teacher, look at me.
00:44:47But Emrah and Dicle won't hear it.
00:44:50Never.
00:44:54No one will hear.
00:45:04Very good.
00:45:06There is no way to speed up the light, Ms. Matiç.
00:45:08Can't we get any results from IP addresses or phone numbers?
00:45:11So I applied but we have to wait a few days.
00:45:13What if it gets out?
00:45:15What if all the details of our private lives were revealed?
00:45:19What do we do then?
00:45:20Mr. Terkan, they wouldn't dare do this.
00:45:22If they were going to do it, they would have done it already.
00:45:24You still oppose my opinion.
00:45:27What if I made a proposal so they wouldn't publish it?
00:45:29No, don't go and meet.
00:45:30Don't even communicate.
00:45:31So even if you pay, there is no guarantee.
00:45:33So let's wait a bit.
00:45:34Alright.
00:45:35Ok thank you.
00:45:36We'll take it out.
00:45:37Ms. Sedef, I wanted to ask you something later.
00:45:49You would play with the logic of calling.
00:45:51What happened?
00:45:51Unfortunately, I cannot play because of my manager's incompetence and misdirection.
00:45:58Ok.
00:45:59I'll explain again later.
00:46:00Thank you.
00:46:01Thank you.
00:46:01You have now reached the person you are looking for.
00:46:17Please.
00:46:27Hello Ego Agency, welcome.
00:46:31Yes, yes, ma'am.
00:46:32He is one of the managers of Ego Agency.
00:46:34I am also his assistant.
00:46:35Here, what was there?
00:46:37Hello.
00:46:37Hello.
00:46:47Sir, my mother.
00:46:51Mom, I don't know, I'm at work right now, how do I know what time I'll leave?
00:46:56What happened again?
00:46:58So?
00:47:03Hello.
00:47:04Here you go.
00:47:05Is the Tigris here?
00:47:06Unfortunately, it's not here, but if you have a note, I'll forward it to him.
00:47:09Burak Yeltencioğlu.
00:47:10I'll let you know immediately.
00:47:12Ok.
00:47:13If you wanted.
00:47:15So where was Dicle outside?
00:47:17That's right.
00:47:18I understand
00:47:18Would you come?
00:47:19Can you stop for a second?
00:47:21No, leave it Cemre, I told you not to come without telling, remember Ali?
00:47:24I was just going to ask if you watched the show.
00:47:26I asked everyone if I was working at Dicle Ertan.
00:47:29Emrah, is there a problem?
00:47:30No, Mr. Serkan, there is no problem, there is no problem.
00:47:33Emrah?
00:47:34Isn't your name Dicle?
00:47:36No, my name is not Dicle, you must be confusing me, my name is not Dicle.
00:47:39Didn't you tell me you were working at Ego?
00:47:42Didn't you introduce yourself to Dicle Ertan?
00:47:44You said you were my manager?
00:47:45Well, wait a second, wait a second.
00:47:46Sir, I am Serkan Tahtaci.
00:47:47I own ego.
00:47:48Let me be a comedian.
00:47:49Pleased to meet you.
00:47:50Gentleman of the jury, would you take it then?
00:47:52I'll see you later.
00:47:53Repent immediately.
00:47:54I didn't understand anything, how does this work?
00:47:57Here you go.
00:47:57Here you go, Shayna.
00:47:58Serkan, don't say anything, we'll talk to you later.
00:48:04My dear Emrah, how did this happen?
00:48:06But Bekir brother, you are ruined this time.
00:48:14Plane.
00:48:15Can you give me an equation about mother-of-pearl?
00:48:17Immediately.
00:48:18I can't believe it, Serkan.
00:48:20I really didn't understand that a monster had emerged from the thousand-year-old Mother of Pearl that I knew.
00:48:25I can't believe it.
00:48:25He blamed you and said it was my manager's fault.
00:48:27And that's the biggest lie.
00:48:29So I said from the beginning that this was a terrible idea.
00:48:32I did fifty somersaults to get him to give up.
00:48:34He didn't listen to me at all.
00:48:35He finally came on stage yesterday.
00:48:36It was a disgrace.
00:48:37Oh, so you couldn't change your mind.
00:48:39What should I do, Serkan? Grab him by the collar and take him off the stage?
00:48:41What should I do?
00:48:43I can't believe it, Cinar.
00:48:44Look, we missed a huge opportunity again.
00:48:46Look, Şule just sent me a nasty email.
00:48:50Sedef Ardik is not ours either.
00:48:51What do you think about this?
00:48:52Come on, tell me.
00:48:53What do you think about this?
00:48:55He is considering leaving the agency.
00:48:57What will he think?
00:49:17Come quickly, come come.
00:49:18What happened?
00:49:18It's over, everything came out there.
00:49:20What?
00:49:21Serkan found out which one or two of us were working with.
00:49:23How did he learn this?
00:49:24I went to the theater with Mr. Çınar the other day.
00:49:26There was an actor boy named Burak there.
00:49:28He came here and asked about me.
00:49:30That's what the Diciler people asked.
00:49:31When Mr. Serkan called me Emrah.
00:49:33What do we do now?
00:49:34Emrah, what are we going to do?
00:49:35I don't know now.
00:49:36Oh, he took his room.
00:49:37So what are they doing now?
00:49:38Are they talking?
00:49:39Mr. Serkan went to Mr. Çınar's room.
00:49:40He neither said nor explained.
00:49:41I don't know anything.
00:49:42Think of something, think of something.
00:49:43Ok.
00:49:44I'll think about it, wait a minute.
00:49:46I am thinking.
00:49:46I will say something.
00:49:49Come on, let's go to Mr. Çınar's room and take a look.
00:49:50Maybe they are not talking about us, let's listen.
00:49:53Okay, okay, come on.
00:49:54Let me get rid of these.
00:49:55But quietly, okay?
00:49:56Don't let me know.
00:49:58My dear Sedef.
00:50:00That's not all anymore, don't do Sedef.
00:50:02What?
00:50:02Didn't you come yourself?
00:50:04Didn't you tell me that Feris and I were establishing a new agency?
00:50:08Wait a minute, wait a minute.
00:50:11Is it true?
00:50:12My dear Sedef.
00:50:13What are you after?
00:50:15Sedef, you did the same thing yesterday.
00:50:16You accused me in front of Şule.
00:50:18Why are you doing these?
00:50:19Because it had to be that way, Cinar.
00:50:21So to save myself I had to blame you.
00:50:24Sorry.
00:50:25And at least now I admit that I lied.
00:50:29Forget about the magazine.
00:50:30But you still keep lying.
00:50:32Barren.
00:50:39What's going on, brother?
00:50:41What does Cahide say?
00:50:42What happened?
00:50:43Is there a problem?
00:50:44He called me.
00:50:45"I know what you're up to," he said.
00:50:47Kıraç gave up.
00:50:48He gave up working with me.
00:50:50Will he suggest it to the sea?
00:50:52No.
00:50:53He has completely given up.
00:50:53The movie wasn't being shot.
00:50:55It's not possible.
00:50:56There is a mistake.
00:50:59Ugh.
00:50:59I do not want to accept any more time here.
00:51:04Contract termination here.
00:51:06The rest doesn't interest me anyway.
00:51:08I wish you success in your new agency, Feris.
00:51:10You do something too.
00:51:16You can do something too, Cinar.
00:51:18I don't understand how you can do things behind my back.
00:51:21What am I supposed to trust in now? What am I supposed to believe in?
00:51:23Then you knowingly avoided Sedef.
00:51:25Serkan, that's exactly it.
00:51:27What exactly is Cinar?
00:51:28What exactly?
00:51:29I'm leaving.
00:51:35I didn't understand anything.
00:51:37You let him know what he says.
00:51:39Or don't give any news or anything.
00:51:41I won't know.
00:51:42I've never seen anything this ridiculous in my life.
00:51:44It really wasn't a fitting move to act as an ego agency.
00:51:47I will tell this nonsense to everyone.
00:51:49Ugh.
00:51:49Wait a minute, I'm curious.
00:51:55Who knows about this?
00:51:55So you will establish another agency.
00:51:57Does everyone know?
00:51:58Can you tell me these now?
00:52:00Serkan, don't yell at me.
00:52:01How can I not scream?
00:52:01How can I not scream?
00:52:02How do you draw me into this game?
00:52:04Then you haven't been able to think about anything since I arrived.
00:52:07You want to send me away from here.
00:52:08First you dealt with compensation.
00:52:09You see, it doesn't work.
00:52:11I asked who did it.
00:52:11You didn't say that either.
00:52:12You handled it yourself.
00:52:13So?
00:52:14You see, the man is not leaving.
00:52:15Then let's establish an agency.
00:52:17Is this it?
00:52:19I was going to meet with Mr. Kıraş.
00:52:23So?
00:52:24I'll let you know right away, Ms. Cahide.
00:52:25But it's not very available right now.
00:52:27Mr. Hasan is with him.
00:52:28For your information.
00:52:29Very good.
00:52:29I guess I came just in time.
00:52:31If you want to sit down, I will let him know.
00:52:33I will not sit.
00:52:34So?
00:52:35Mr. Kıraş and Ms. Cahide have arrived.
00:52:36For your information.
00:52:37So?
00:52:38Ok.
00:52:38Ok.
00:52:39I'll handle it.
00:52:41Cahide wants to meet with me.
00:52:43Oh, good.
00:52:44Let's talk.
00:52:45So?
00:52:45I will guide you now.
00:52:46But I didn't send a small e-mail.
00:52:48Can you show me his room?
00:52:49Ok.
00:52:49I have a very short job.
00:52:50I'll send you the room right away.
00:52:52Tea.
00:52:53There is very nice tea.
00:52:54So?
00:52:55He just became a state.
00:52:56If you want, well?
00:52:56Brother Bekir.
00:52:58I didn't tell you who I was.
00:53:00He doesn't even know I'm the manager.
00:53:02I didn't even say my name.
00:53:03I made up another name.
00:53:04He looked at his name.
00:53:05He must have found you on the internet or something.
00:53:06Did he just look up Kıraç Özal for no reason?
00:53:09Did you say you were the manager?
00:53:11No.
00:53:12Ugh.
00:53:14How do we get out of this?
00:53:16We'll say we did it to convince.
00:53:18We will say that we did not want him to act prejudiced.
00:53:20What else can we say?
00:53:20Do you see, Mirom?
00:53:25He's still going to send me that recording.
00:53:28You couldn't even manage to score.
00:53:31I'll go and check myself, right, Mirom?
00:53:34Yes.
00:53:34So okay, let's say we thought of something like this, Sarkan.
00:53:38We had something like this in mind.
00:53:39We decided to leave Ego and start another agency.
00:53:41What are you asking for right now?
00:53:42What do you mean, what are you asking for, Cinar?
00:53:44What are you doing, kids?
00:53:47Please don't do it.
00:53:48Your voice is coming out.
00:53:50We became kebaz, we became disgraced.
00:53:51We are already disgraced, Feride.
00:53:53We are already disgraced.
00:53:55Look, let me tell you.
00:53:56Feris and Çınar were setting up an agency for themselves.
00:53:58Let Han tell you.
00:54:04Maybe they will give you a job too, talk.
00:54:08Really?
00:54:09Is this true?
00:54:10That's right, Feride.
00:54:12I'm sorry, I never wanted you to find out this way, but it's true.
00:54:15Because we will not be able to work any longer under these conditions.
00:54:17Every day shouting, screaming, fighting, making a fuss, scolding, what is this?
00:54:20Okay mom, okay, come on, don't be sad.
00:54:22I'm coming tonight, I kissed you.
00:54:24Come on, say hello to my aunt too, I hung up.
00:54:28Laugh, laugh, what's going on inside, what's causing all hell?
00:54:31I don't know, Bekir brother, I'm coming right away.
00:54:32How do you not know? Look at how you are here.
00:54:34Laugh, laugh girl, look, the apocalypse is coming, come come come.
00:54:41What happened, mommy?
00:54:42Take a good look.
00:54:48I have never seen people as dishonest and despicable as you in my life.
00:54:52Come on, look, I don't know what they told you.
00:54:54Don't you have any shame, huh?
00:54:56You followed me to the shelter.
00:54:58You introduced yourself as someone else.
00:55:00I wanted to do what was best for you.
00:55:02It would be a big mistake to work with an inexperienced director like Elif.
00:55:05That's why you tried to deceive me.
00:55:09You said things that would never come true.
00:55:11You gave bagatis.
00:55:12We wanted this, but you did it without thinking of me, by treating me as a stooge.
00:55:16If this is what you call management, I think you should think about it a little more.
00:55:19Because management is not like that.
00:55:22Being a manager is something completely different.
00:55:24What you are doing is theft of labor, lying, fraud, and deception.
00:55:29If Ms. Dicle didn't tell me, if she didn't talk to me, what if I were to sign that contract?
00:55:35Thank God there are such honest, self-aware, moral people working among you.
00:55:41She is also your daughter.
00:55:43I learned that too.
00:55:43Take some lessons.
00:55:46Take a lesson from humanity.
00:55:52You are a disgrace.
00:55:55Also, this offer came from me.
00:55:57So, I told Feris.
00:55:59I was the one who left Ego and started another agency, okay?
00:56:01So, don't go and say the same thing to Feris and make him angry for no reason now.
00:56:04He should stay away from anger and stress anyway.
00:56:06Don't I know that one should stay away from stress?
00:56:08Look, I'm asking you.
00:56:10Don't bring your feelings for Feris into this.
00:56:12Let it go Serkan, why should I confuse it?
00:56:13Your feelings are one thing, this relationship is another.
00:56:16What does that have to do with anything?
00:56:17So, what difference does it make if your agency leaves and works somewhere else?
00:56:24Here's what you did?
00:56:29I did the right thing.
00:56:31What you couldn't do.
00:56:33But I told you, I said I wouldn't be like you.
00:56:38What are you talking about right now?
00:56:41We lost Cahide Pınar.
00:56:42No, we didn't miss it.
00:56:44I just stopped him from making the mistake of his life.
00:56:48Because you never thought of anyone but yourself.
00:56:50You thought you could do whatever you wanted.
00:56:51No, I can deceive you, no, not even the soul will hear it.
00:56:54And I showed you that it won't happen like that.
00:56:55Beautiful.
00:57:00So we lost Cahide Pınar too.
00:57:03Bravo.
00:57:04Congratulations to everyone, really bravo.
00:57:07We can't achieve anything.
00:57:08Look around your head, how crowded we are, right?
00:57:10There are so many of us here, but we can't even do a single thing.
00:57:14Some players lose.
00:57:15Someone loses the screenwriter of the season's most important movie.
00:57:18Some people establish a new agency for themselves.
00:57:20Emrah says left and right, I am the manager, my name is Dicle.
00:57:25What kind of thing did I get into?
00:57:28What kind of game did I fall into?
00:57:29Mr. Serkan, I did the right thing for the film.
00:57:36I have no regrets.
00:57:38I can't understand.
00:57:39I really can't understand it.
00:57:41Do you mind these things?
00:57:42Look at the water state of the ego.
00:57:43Look at what the ego has become.
00:57:50Serkan.
00:57:51Look, I didn't do anything.
00:57:53I swear I didn't do anything.
00:57:54So I don't have a finger in this.
00:57:56What are you saying Ece, tell me what happened?
00:57:57They wrote about your relationship with Feris, but look, it didn't come from me.
00:58:00It didn't really come from me.
00:58:04They also wrote that Feris was pregnant.
00:58:07They wrote everything, everything, everything.
00:58:27Feris' pregnant thyme 4,000.
00:58:28Feris's pregnant surrounding
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