مسلسل اتصل بمدير أعمالي حلقة 28 جزء 1 مترجم بالعربية

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شاهد مسلسل اتصل بمدير أعمالي حلقة 28 جزء 1 مترجم بالعربية - anime على Dailymotion

Transcript

00:00:00MUSIC

00:00:30MUSIC

00:01:00MUSIC

00:01:30MUSIC

00:02:00So, it's okay to go into someone else's room.

00:02:04Don't mess with his files

00:02:07Taking confidential documents and sharing them with others

00:02:11Such a thing cannot happen

00:02:13Of course not, can such a thing happen in Peride? No way.

00:02:15Look at the situation where he brought down the plane tree

00:02:17We weren't in a very meaningful situation anyway.

00:02:19We are in a really difficult situation now.

00:02:21So, will you continue to work with Gül?

00:02:26So I don't know

00:02:27If I send it right now

00:02:30Serkan Ağa will also wake up to the issue

00:02:32He will understand who did it

00:02:34On the other hand, Gül is very regretful and sad.

00:02:37So what can I say, we didn't deal with lawsuits in court or anything.

00:02:41Very interesting

00:02:45What's interesting?

00:02:50I mean, in the past, you would have put it in front of your door.

00:02:54He doesn't even look at your tears

00:02:57Is it different? What happened?

00:02:59Oh dear

00:03:00He is a little nervous and uneasy about it.

00:03:03Yes, yes, yes, it got a little tense.

00:03:05He must have had a similar incident with Dicle, so that came to his mind.

00:03:08Yes, it happened

00:03:09Sorry, okay, I'll get it together now.

00:03:12Month

00:03:14Sir Aydin

00:03:17Ms. Peris, we are at the police station in Barış right now.

00:03:20What? Why?

00:03:22They got into a fight with Omer again

00:03:23I won't tell you over the phone, we are at the police station now, I will send you the location.

00:03:27They're going to take a statement or something.

00:03:29Did you call Hatice?

00:03:31Hatice is not there, I don't know who she is

00:03:32What about our agency's lawyers handling criminal cases?

00:03:36Okay, okay, hang up, I'm calling.

00:03:38My rose, okay, don't cry anymore, look, come on, it's over.

00:03:43What would happen if Mr. Serkan saw you like this?

00:03:46I did it for the good of Mr. Kıraç.

00:03:49I thought it would work

00:03:52I know you wouldn't do anything malicious anyway.

00:03:55I wish you hadn't interfered

00:03:57I wish I was excited about that file

00:04:01Okay Ece, okay, okay, come on, don't think about these things anymore, okay.

00:04:04It's not working, okay?

00:04:05Ok, we're packing up.

00:04:07Stop

00:04:08What the hell?

00:04:13What now?

00:04:16Guys, I have to go now.

00:04:18Barış was at the police station

00:04:20Something happened with Omer again

00:04:24Ugh

00:04:25Didn't you say you talked?

00:04:27Well, shouldn't I talk? Of course I did.

00:04:29I've talked to him a thousand times but this kid doesn't listen.

00:04:32Was it near the Tigris?

00:04:34I don't know

00:04:35Skills

00:04:42It hasn't been released to the press yet, but it was sent from the common pool.

00:04:46He says it could end up on social media at any time.

00:04:47I downloaded it, come and see it here.

00:04:50My god

00:04:52My god

00:04:53Friends, please don't make it bigger.

00:04:55There is no relationship, we are just trying to get to know each other.

00:04:59Whose too?

00:04:59Who's this?

00:05:00We know that peace is with the spirit

00:05:01What does this say?

00:05:02Then don't believe everything you hear.

00:05:04So you know too

00:05:07A lot of lies can come out

00:05:09Gee

00:05:10Did the fight in Feth have anything to do with the diceran, Omer Bey?

00:05:13Moreover, the photos that were tested in the press were very sincere.

00:05:15Kissing photos

00:05:16Well, things are finished now.

00:05:18So it doesn't concern me

00:05:20We are all adults now

00:05:22These do not concern us

00:05:24I'm gonna kill this guy

00:05:26Kıraç, please let's not mess with you tonight.

00:05:28Hungry

00:05:29Feris, what's going on, my dear?

00:05:31That's why I say he's nervous.

00:05:34My nerves are bad, my nerves are bad

00:05:36I'd better wash my face a little.

00:05:38Ok baby come come baby

00:05:41I'll take care of it, okay

00:05:42Ok baby

00:05:43Ok, me too

00:05:43Come on, dear!

00:05:44Come

00:05:45Come

00:05:48Come

00:05:49Feris

00:05:50Look, I didn't say anything inside.

00:05:52You're going home right away

00:05:53That's not possible.

00:05:55No, my dear Feris, such a thing can happen.

00:05:56We will go to Barış

00:05:57We will go to the police station

00:05:58We will be with him

00:05:59If there is any development, I will keep you informed.

00:06:01Ok, you go home

00:06:02Okay, okay, I'll rest.

00:06:04Just like you are resting, come on

00:06:05Ok

00:06:06You're okay, right?

00:06:07Mr. Çinir

00:06:08He

00:06:08Mr. Çinir

00:06:09Ece, you too

00:06:11Someone sent it

00:06:12He sent it all away.

00:06:13Guys, I'm going to grab my coat and catch up.

00:06:23Ok, come on

00:06:24Ok ok

00:06:25My Emre, I'm passing your father

00:06:26Ok, my nerves are ok.

00:06:26Ok

00:06:27Ok

00:06:35Come on

00:06:39It doesn't work, neither Aydin nor Barış can work, no one can be reached, I'm going crazy.

00:06:47Something definitely happened to you

00:06:49Something definitely happened to you

00:06:51Ugh

00:06:52I didn't tell you I would come.

00:06:54He said it, but how many hours have passed since he said this? He didn't say it now.

00:06:58Hey

00:07:00What happened

00:07:01What happened

00:07:01You need to see this on your knees

00:07:02What happened

00:07:03Look at me

00:07:14Peace

00:07:15You will hold yourself back

00:07:16You won't say a word to Omer.

00:07:18Did you hear me?

00:07:18Well, this guy will talk like this.

00:07:20So I'll keep quiet too

00:07:21Really

00:07:21Okay then

00:07:22I should be quiet

00:07:23Speak up, where are we?

00:07:24For God's sake, what are we doing right now?

00:07:26The man is giving a statement inside

00:07:27He complains about you

00:07:28This is not a dog anyway

00:07:30Look, this is going to end badly.

00:07:32I'm telling you brother

00:07:34Ok

00:07:34Here we were having fun with our friends

00:07:39Then this guy came

00:07:41He punched me from behind

00:07:43So I've already filed a complaint against Barış Havastan.

00:07:47He attacked and beat Ömer Bey on the set

00:07:50We also have witnesses

00:07:51There's more than just assault here

00:07:53You just said that you hung me down from the terrace

00:07:55TRUE

00:07:56TRUE

00:07:57So this guy

00:07:58He literally tried to kill me

00:08:01Everyone is a witness to this

00:08:02This is officially

00:08:03Attempted murder

00:08:04Huh

00:08:05But didn't I tell you?

00:08:19I told you not to contact Omer.

00:08:21I know neither you are right

00:08:23If you need help, let's calm down.

00:08:25Let's first understand what's going on.

00:08:27Wait a minute, huh?

00:08:29Isn't Ms. Feris there?

00:08:30No, he was too nervous and did not come.

00:08:32He went home

00:08:32I'll tell him later

00:08:34Those who say you can talk anyway

00:08:35First, what happened and what ended?

00:08:37Let's understand and learn it.

00:08:38Ok

00:08:38Come on

00:08:39Brother, why did you inform the people at the agency?

00:08:47Dude, don't talk nonsense, I'll let you know, of course.

00:08:50Will you be left alone?

00:08:50What's up bro?

00:08:53Where is the good Ms. Feris?

00:08:54No, Feris is a little uncomfortable.

00:08:56I'll explain it later

00:08:58So what exactly happened?

00:08:59Look Cinar, am I okay with this guy now?

00:09:01Brother, let me explain, you just calm down, okay?

00:09:03Brother, let me tell you this.

00:09:05Ok

00:09:05Come

00:09:05I just saw the videos

00:09:09I went to meet Omer for you.

00:09:11There is nothing else

00:09:11Everything he really says is a lie

00:09:13I know

00:09:14I am something like this

00:09:15My Omer

00:09:15I just talked to him so that he would withdraw his complaint.

00:09:18I didn't anticipate that things would come to this.

00:09:21Okay darling, it's not your fault anyway.

00:09:23This is completely between Omer and me, okay?

00:09:25Well, that's fine.

00:09:25Nothing happens to Omer

00:09:27It's even better for him

00:09:29Maduro is being talked about

00:09:31Can't you see what's happening to you?

00:09:34We also spoke with Mr. Ömer's lawyer

00:09:35If they do not exercise their right to sue

00:09:37Those who will use

00:09:38Thanks for killing too

00:09:39A lawsuit will also be filed against him.

00:09:41There is a case filed before.

00:09:43Sonaklar are also available

00:09:44It is true

00:09:45Let him file a lawsuit and see.

00:09:46I'm very curious

00:09:47What will happen when this kid files a lawsuit?

00:09:49Let's sign your statement, Peace

00:09:51There's nothing else that requires us to stay here right now.

00:09:52Ok

00:09:53Let's sign

00:09:54I will sue this

00:09:56Let's see what happens then.

00:09:57Where do I sign?

00:09:59Read it first

00:10:00Can the world take it?

00:10:08Mr. Omer

00:10:09Oh sir, don't say that.

00:10:10Why do you say sir?

00:10:11My Peace, let's listen first.

00:10:13So, since he is a complainant, the statement minutes will be sent to the prosecutor.

00:10:16I will let you know after the minutes reach the prosecutor.

00:10:19The date of the case will be notified to us anyway.

00:10:22Then a court process will begin.

00:10:23So we can't escape this case, right?

00:10:25Unfortunately

00:10:26So after the trial starts, the judge will decide according to the content of the case.

00:10:29It will decide whether Mr. Barış will be released with or without detention.

00:10:32But I don't think there will be a spread of prisoners here.

00:10:35Of course, Mr. Barış should not have any contact with Mr. Ömer from now on.

00:10:38So, aggressive behavior, pushing the issue, and statements are definitely not allowed.

00:10:42So it shouldn't be, Mr. Barış

00:10:44Shall I talk to Barış?

00:10:46No, my love.

00:10:48No, you won't do something like that because it's not right.

00:10:50Look, my dear Kıraç

00:10:53You want to talk

00:10:56Egon's actor is not Barış Havaz

00:10:58You want to talk to Barış Havaz, the darling of the series

00:11:01If you ask me, you should leave this job to Çınar.

00:11:04Cinar will handle it anyway

00:11:06Ha ha couldn't handle it

00:11:07Did he ask for our help?

00:11:10Then we will gladly come together to help.

00:11:12But right now I don't find the mix right.

00:11:15I want to make a last minute reminder

00:11:31You need to find a solution for compensation immediately

00:11:33We have one day, if it is not paid by Friday, interest will start to accrue.

00:11:38Didn't you hear what the lawyer said?

00:11:44You heard of peace, right?

00:11:45I heard it, I heard it

00:11:47Look, you will not pursue this incident, you will definitely not talk about it.

00:11:50I understand you did this for me, but please don't do things like this again.

00:11:54Think about yourself a little, think about us

00:11:56I'm by your side, I'll never leave you

00:11:59I will always be with you

00:12:01Let's not solve it

00:12:03Shush

00:12:04The magazine is coming

00:12:07The news has just arrived, the magazine is coming

00:12:09We need to go urgently, Barış

00:12:10Come on, come on, okay

00:12:11Come on, let's go

00:12:13Ms. Lawyer, you go with us.

00:12:14Okay, okay

00:12:15Let's go right now

00:12:16I went to Omer to help you.

00:12:27I told you before

00:12:28I wanted to talk to him to get him to withdraw his complaint, maybe he would.

00:12:33I don't know

00:12:34I never thought it would happen like this

00:12:37It really didn't even cross my mind.

00:12:39He definitely called the tabloids to the door

00:12:43I don't know

00:12:43He told me to go out the back door

00:12:46He left through the front door

00:12:48I never doubted it

00:12:50I completely believed what you said

00:12:51I thought he said that because he was thinking of my well-being.

00:12:55If I had known it would be like this, I wouldn't have gone and talked to him.

00:12:59I definitely wouldn't date

00:13:01It won't continue like this, will it?

00:13:09We won't let this upset or make our people unhappy, will we, Barış?

00:13:17We won't let them drag us down like this.

00:13:20We won't give it, my love.

00:13:25We won't give it

00:13:28Did you see Beren shared a video?

00:13:34No, let me see what he shared?

00:13:40Barış is never like that

00:13:42He never treated me badly when we were together.

00:13:45When he hurt me he did nothing

00:13:47I can't believe right now that what happened tonight is real.

00:13:52So I'm so sad right now

00:13:54Because Barış doesn't do that, Barış doesn't do that.

00:13:57I know Barış

00:13:59There must be something else that pushed him here.

00:14:02I am with Barış no matter what.

00:14:06Why are you talking now?

00:14:08What is the need for such a thing?

00:14:10Ok never mind

00:14:11He didn't say anything bad anyway.

00:14:13So, you got support?

00:14:15Think so

00:14:15Oh how much we needed that support now.

00:14:19I'm sorry but I can't make Beren look any prettier right now.

00:14:22I wouldn't be surprised if he's the one behind this photo issue.

00:14:25You might say he said curiosity

00:14:28I'm getting on Affik

00:14:33Good evening, Mr. Barış.

00:14:41Something bad happened to you

00:14:43Would you like to make a statement regarding this incident?

00:14:45Mr. Barış, will this last fight be taken to court?

00:14:48Mr. Barış, I wonder how the incident happened?

00:14:51Mr. Barış

00:14:51Mr. Barış, can you please make a statement?

00:14:53Mr. Barış

00:14:54Where are you, son?

00:14:59Wait wait, I'm losing my mind, where are you?

00:15:01Mom, okay, calm down and do something.

00:15:03I can't calm down

00:15:04You're hanging men from bars, I can't calm down

00:15:07Look at the situation we found ourselves in because of a girl

00:15:09Isn't it Ms. Beren?

00:15:18Good evening, Ms. Beren, welcome.

00:15:19Have a good evening, I guess.

00:15:21What do you think about the events that took place in the bar?

00:15:23In your statement, you said that you were with Barış Bey.

00:15:25Do you approve of what Mr. Barış did?

00:15:27So what do you think about these latest events?

00:15:30Friends, I just came here today to support Barış.

00:15:33I don't want to say anything else.

00:15:34Good evening to you

00:15:35We thank you, good evening.

00:15:37Mom, look, don't comment on things you don't know about, okay?

00:15:39You don't know Dicle

00:15:41And you don't know what you've done for me

00:15:43Well, tell me so we can know then.

00:15:45She met another man that I saw.

00:15:47Then it got caught and became everyone's talk

00:15:50This is what's happening

00:15:51My mom went to talk to the man for me

00:15:53Is it ok?

00:15:54So he spoke for me

00:15:55Look, you don't know, you're just talking.

00:15:57You are commenting

00:15:58Gee

00:15:59Good evening

00:16:04Peace

00:16:05I was so worried about you, are you okay?

00:16:09I'm fine, Beren.

00:16:10You're okay, right?

00:16:12I'm fine Beren, I'm fine

00:16:13Why did you come?

00:16:14Oh no, he didn't mean it like that at all.

00:16:16No, I wanted to say something like that and I said it.

00:16:18Why did you come, Beren?

00:16:19I came here thinking maybe I could help with something.

00:16:22Look, your friend wanted to help.

00:16:24Come on, sit down, it's late.

00:16:25My dear Beren, don't worry about me, okay?

00:16:27You don't need to talk to me

00:16:28You don't need to talk about me

00:16:30You don't need to talk to the tabloids.

00:16:32Just stay away from me

00:16:33Nothing else needed

00:16:34Did I do something to upset you, Barış?

00:16:36No, you didn't do anything.

00:16:37I just want you to stay away from me

00:16:39I don't want anything else from you

00:16:40This much

00:16:41Ok ok

00:16:43I'm so sorry

00:16:44I say good evening

00:16:46Wait, dear, let me take you there.

00:16:48No, no, I didn't do anything.

00:16:50His nerves are so bad

00:16:51We all manage

00:16:52Ok, I won't be there later.

00:16:54Rises

00:16:55Mom, I don't want you to talk to Beren in any way again.

00:17:03This is my first and last warning to you.

00:17:04Friends are coming

00:17:11It's coming out, it's coming out

00:17:13Ms. Beren

00:17:15Hello again, is there a problem?

00:17:17Your meeting was short

00:17:18What did Ms. Beren talk about inside?

00:17:20Is it possible for us to learn something?

00:17:22Ms. Beren, can you make a statement?

00:17:24Ms. Beren

00:17:24I wonder why you are taking it?

00:17:25Ms. Beren, why are you taking it?

00:17:26Is everything okay Dicle? Are you okay?

00:17:41Ms. Feris, I'm trying to be good.

00:17:43Look, I talked to our lawyer.

00:17:45We're waiting for now

00:17:47I called you for something else, Ms. Feris.

00:17:49Now you have arranged a few meetings for Peace

00:17:52There was a magazine shoot and an interview in between.

00:17:56All canceled

00:17:58I know, I know

00:17:59I wonder

00:18:01If we request a meeting again

00:18:04So do their opinions change?

00:18:06I also thought it might be good for improving Barış's morale.

00:18:10So you have all the details and they are in your Dicle email.

00:18:14So you can call and talk

00:18:16You can request a meeting again.

00:18:19But I will be of great use to you.

00:18:21So, should I talk to you? I don't understand.

00:18:23Yes you can do it I trust you

00:18:26But don't push too hard

00:18:28I'm the place where you should stand

00:18:30Çınar is calling, I have to hang up.

00:18:32Come on bye bye

00:18:33Sir, my dear Çınar

00:18:36Feris, where are you?

00:18:37I'm nearby I'm nearby

00:18:38I'll be with you in five minutes, okay?

00:18:40I'm coming, my love

00:18:41My son

00:19:00You take Barış out today

00:19:05Go somewhere, brother and sister, talk and share your troubles.

00:19:08Okay maybe we can go tonight

00:19:09But I don't know if he will come

00:19:10May he come

00:19:12Am I going to do this too?

00:19:13Sir

00:19:40Hello

00:19:42Barış is not available right now, my daughter.

00:19:45There is no problem, right?

00:19:49I don't know

00:19:50You say

00:19:51Could you please tell me what I'm looking for?

00:19:56Of course, of course

00:19:57Mom, what are you doing, for goodness sake?

00:20:08Don't sway

00:20:09We will keep your daughter away in peace, tell her that

00:20:13Don't get involved in this, Arda.

00:20:14I swear, look!

00:20:15If you interfere, you will be the one who will be upset, okay I'm telling you.

00:20:18We'll see

00:20:20Peace is sleeping

00:20:32Peace is sleeping

00:20:32I'll tell you what you're looking for

00:20:33Oh, good morning

00:20:44Good morning

00:20:45Have you seen Beren?

00:20:48She cries as she leaves Barış's house.

00:20:50What if

00:20:50Come and see

00:20:51Look

00:20:53There is nothing when you enter the house

00:20:55I came to support my friend or something.

00:20:57He says as he leaves

00:20:58He cried that we were just superior to him.

00:20:59What happened inside?

00:21:01I'll get together

00:21:02Do you want me to call Beren by her mouth?

00:21:03Never mind

00:21:04I talk to Barış

00:21:06Don't even bother with Beren now.

00:21:08What happened, brother?

00:21:09What happened to my Instagram messages again?

00:21:32Yes

00:21:33Okay, dear, don't read these anymore.

00:21:35What happens when you don't read, Emrah?

00:21:37These do not disappear in such a void

00:21:39Okay, these are the works of empty people.

00:21:40Unhappy people's work

00:21:42Their private lives are problematic

00:21:43Their own lives are problematic

00:21:44Everything is problematic

00:21:45That's why they write hateful messages like this.

00:21:47They don't know you

00:21:48They don't know who you are

00:21:49They don't know about your relationship

00:21:50They don't know peace

00:21:51They don't know anything

00:21:52They write like that

00:21:53If you don't see, if you don't hear, if you don't take a chance

00:21:55It also disappears in the void

00:21:56It disappears everywhere

00:21:57Is it ok?

00:21:58No need to worry

00:21:59What did Ms. Feris say to you?

00:22:03You tell me that

00:22:04Oh, I talked to Ms. Feris

00:22:05You talk, he told me

00:22:07I'll try my luck, Emrah.

00:22:09Don't say okay

00:22:11No one can interfere with you today anyway.

00:22:13Don't worry

00:22:13Why?

00:22:15What happened while you were gone?

00:22:16If only you knew

00:22:16What happened?

00:22:21Good morning

00:22:22Good morning

00:22:23I'll have coffee

00:22:26Is there anyone who wants it?

00:22:27No, I have it too.

00:22:28There are those who want it

00:22:28But Bekir brother brewed it again

00:22:30More fresh coffee

00:22:31Come on

00:22:32Ok coffee

00:22:33My dear Gülen, do you want something, dear?

00:22:36No thanks

00:22:36Ok

00:22:37So we're sitting like this now, right?

00:22:48Yes

00:22:49Hatice will keep us informed of developments.

00:22:52There is Barış and Ömer everywhere

00:22:54Or anywhere

00:22:55My dear Feris

00:22:56Okay, but look, you made yourself miserable.

00:22:58Don't sleep like this, okay?

00:22:59I'm fine

00:23:00How are you doing, Feris?

00:23:02So you go to bed with Peace and wake up with Peace.

00:23:03Your face looked like mine

00:23:04I know, okay?

00:23:05That's why

00:23:07When Dicle wanted to help me

00:23:09So I gave permission

00:23:10So he wanted to do something about Barış.

00:23:12So I said okay

00:23:13Well, you surprised me.

00:23:15My life is yours right now

00:23:17Honey, you shouldn't be under any stress right now.

00:23:19Because you need to think about our baby

00:23:22Mother

00:23:24Of course our baby

00:23:27That's why we leave Peace aside.

00:23:30But my dear Periçe

00:23:32Look, we are not forgetting.

00:23:33My one and only

00:23:34We leave it aside

00:23:35We are primarily focusing on the Gökçe issue.

00:23:39Then we turn back and worry about whatever else we have.

00:23:42How's it going?

00:23:47Did you find a solution?

00:23:48We are talking

00:23:49Talk, talk, of course.

00:23:51Talk, share your troubles

00:23:53I wish you good luck

00:23:55Oh, what you're looking at doesn't work.

00:23:57Separate from the ego

00:23:58You establish a new agency for you

00:24:01Come on

00:24:02Good luck

00:24:07Thanks

00:24:09Oh my God!

00:24:15So what then?

00:24:20So when Mr. Serkan came in,

00:24:22Everyone is panicking

00:24:23Did you hear?

00:24:25I didn't hear it but

00:24:26I will say something Emrah

00:24:27He really did it

00:24:28He did it with his tongue

00:24:30He already said it himself

00:24:31Oh, he said it

00:24:32He said

00:24:33I'm going to say something but

00:24:34Bekir Abi and Jübde have no idea

00:24:35Don't let Mr. Serkan know about it, okay?

00:24:37Ok ok I won't tell anyone

00:24:39Don't worry

00:24:40Mr. Kıraç went to

00:24:41Sede is gone

00:24:42We'll talk when he comes.

00:24:44We talked a bit but couldn't find anything.

00:24:46If you find anything, let me know.

00:24:48Ok

00:24:48If something happens to me, I'll tell you.

00:24:50I don't understand, is there no other place left with this huge agency?

00:24:53Why do you come here so often?

00:24:55Oh my God, whispering in corners like this.

00:24:58What?

00:24:59No, we are not whispering at all, Bekir brother.

00:25:01This Kahtalı Miçı had a project and we were talking about it.

00:25:05Allah

00:25:05What happened?

00:25:06What happened?

00:25:06I saw him in İboşov last week

00:25:09I really like him, right?

00:25:10A truly excellent artist

00:25:12If God allows, I will see it all too.

00:25:15While I say that too

00:25:16First Ibrahim Bey, then Kahtali Bey

00:25:20These things are in order

00:25:21May God grant you a long life.

00:25:23Brother Bekir

00:25:24Ince was surprised, what did he do, what do I know?

00:25:26Does he love?

00:25:27He loves

00:25:27She loved Mr. Ibrahim

00:25:29Good luck

00:25:31Thank you, Emrah, thank you, thank you.

00:25:33What if

00:25:37I think it would be best if we talked about this issue when Kıraç arrives.

00:25:42Well, I think so

00:25:44You know I should get Kıraç right now, really.

00:25:48Hello Kıraç, we were just talking about you Kıraç.

00:25:52I was going to come early, but I had to come to the set of Şenaygürlerin, I can't postpone it.

00:25:57My dear, you should take care of your player first and then we can get together anyway.

00:26:03Okay, let me know if there is any development.

00:26:06Okay, okay, we'll let you know, bye bye.

00:26:33What are you doing here?

00:26:39My Leyla, leave school to me, I can't let you ruin your life.

00:26:42What did I tell you?

00:26:44Don't mess with me, don't come at me

00:26:46I didn't listen

00:26:47Are you trying to teach me about life?

00:26:50Look

00:26:50Look, this is life.

00:26:52Don't come from your elite neighborhood and try to teach me about life.

00:26:55You don't know anything, idiot.

00:26:58We cut

00:27:06Costume

00:27:08Bravo

00:27:09You were very good

00:27:10But this last line, the last word, was not in the script.

00:27:15The feeling of the scene is exactly the same

00:27:18Let's not get hung up on one word, my dear Şena.

00:27:19That saying went very well there and stuck there very well.

00:27:22Great, can you come in for a second?

00:27:24Welcome, teacher.

00:27:25It's a good day, this is very good, bravo.

00:27:27I mean, how rude I spoke.

00:27:29My dear Şena, you were very good as always.

00:27:32Don't do it, for God's sake, Kıraç.

00:27:33A terrible scenario

00:27:36Why did you love it so much?

00:27:38You said it was the best script you've read in a long time.

00:27:40Yes, it was like that until I got on set.

00:27:42Everyone adds and subtracts something as they wish.

00:27:45The director revises the scenes every five minutes

00:27:49He interferes with the lines

00:27:51We look at each other for a long time

00:27:53For minutes

00:27:54What am I looking at?

00:27:55Why am I looking?

00:27:56I don't know anything anymore

00:27:58What's up Kirac?

00:28:00Welcome

00:28:01Thanks Funda, we found it nice, good luck

00:28:03Is everything okay?

00:28:04We are very super, very good.

00:28:06We only have one little problem

00:28:08Let's try to play a little more naturally

00:28:12Is that possible, my dear Şena?

00:28:13So I know exactly what you memorized, but more fluidly.

00:28:15More comfortable

00:28:17More natural

00:28:18Without pretending

00:28:18Otherwise everything is great

00:28:20I am very pleased

00:28:21I'm very pleased too

00:28:26I am so glad

00:28:27I can't explain

00:28:28He looked into our eyes and said

00:28:35I don't know, are you aware of this?

00:28:37He said, "If that doesn't work, you can establish an agency."

00:28:39He told us that

00:28:39I don't think so, Feris

00:28:41I think it was a classic Serkan Tahtacı poll.

00:28:44So he shook

00:28:44There is nothing else

00:28:45He just said "hit"

00:28:47He didn't look at Feride or anything.

00:28:48I say he told us

00:28:49What if he knew something like that?

00:28:51I think Serkan will come and tell us Feris

00:28:53So I know about something like that.

00:28:54Why didn't you tell me?

00:28:55Why would he say something like that?

00:28:57Because Feris says to keep us here

00:28:59I don't know, just when I got over Feride.

00:29:02Now of

00:29:03I wonder if you are a

00:29:05Should Feris talk to Serkan?

00:29:08I

00:29:08So Feris, now you've made me feel bad too.

00:29:10I don't know, if I call and talk about something like that.

00:29:12What am I supposed to say now when my life is coming to a halt?

00:29:15How long has he been trying to talk to me?

00:29:18I say no too

00:29:19So how do I bring this up?

00:29:21You bring it

00:29:21You bring it, Monster

00:29:22Has there ever been anything you wanted but couldn't do?

00:29:24You can do it

00:29:25Okay, okay.

00:29:27Ok

00:29:28What time will we go to this doctor?

00:29:29What's five or five and a half?

00:29:31Oh Cinar, I will postpone it until tomorrow.

00:29:33Now it's clear that things are going to get messy today.

00:29:35So I can't squeeze that in either.

00:29:37I'll make an appointment tomorrow at the same time.

00:29:40Unless you have a meeting or something.

00:29:42No, no.

00:29:43I mean, I've already wasted the whole week because of this Gökçe.

00:29:45That's why I'm allowed

00:29:46We can go whenever you want.

00:29:48Give me saber

00:29:48Okay, okay.

00:29:49Come on, kiss me if you want anything

00:29:50My Beran

00:29:57What is this story from yesterday?

00:29:59Come and have your coffee now.

00:30:00Thank you

00:30:00Oh man

00:30:01I'm feeling down, what should I do?

00:30:05I couldn't help myself

00:30:06I can't stand seeing Barış like this.

00:30:09You will endure, my Beran.

00:30:10Okay, hold yourself back.

00:30:11I don't want to see things like this in the magazine again.

00:30:13Ok

00:30:15Look

00:30:16Don't go to Barış's house these days, okay?

00:30:19The men are already waiting there

00:30:21There is no point in knowingly being a wishbone

00:30:22Please, I beg you.

00:30:24Okay, Serkan.

00:30:25Ok

00:30:26I have to go now, we'll talk later.

00:30:29Ms. Beran

00:30:33Our three scenes will flow block by block

00:30:3532, 35 and 40

00:30:37These

00:30:37What if

00:30:38Don't talk nonsense, these are too long.

00:30:40Tell Mehmet Han it won't happen.

00:30:42We can't pull this off like this

00:30:43Ok

00:30:44I'll tell you

00:30:44Our husk was missing

00:30:48Thanks

00:30:56Thanks

00:30:57My dear Şenel, is there a problem?

00:31:09Problem

00:31:09This

00:31:10Complete

00:31:11The situation I'm in

00:31:13Everything

00:31:13Don't do it, my Şenel.

00:31:16So we are in one of the best projects of the season

00:31:18I can do it Kıraç

00:31:19Whose idea was it that had me starring in this movie?

00:31:22To you

00:31:23I also think they will bring me a really talented player.

00:31:27Who is this girl for God's sake?

00:31:30He acted in 3-5 lame short films.

00:31:31My untalented daughter is one

00:31:33Let's not say he is talentless.

00:31:35So the best way out

00:31:36Look, she received the female actress award this year.

00:31:37Don't do it, for God's sake, Kıraç.

00:31:39Who knows how he got that award?

00:31:41Can't put two words together

00:31:43Can't cry

00:31:43Can't laugh

00:31:44Can't speak

00:31:45You too

00:31:47Bring justice already

00:31:48Can't act

00:31:49But excuse me

00:31:51There is no director who wants us to act in front of us anyway.

00:31:54Okay, if you want, I can arrange a meeting.

00:31:58You and I can talk about this.

00:32:00Let's not talk

00:32:01Was this movie supposed to be a turning point for me?

00:32:05I said Berlin

00:32:06I said Aftunay

00:32:07I said Kaan

00:32:08I said he will get an award

00:32:09Let me tell you what reward we will receive

00:32:12Crying monkey

00:32:13Well, I still stand behind that statement.

00:32:17But if you want, I can talk.

00:32:20I'll talk to you about this too

00:32:21I also talk to Harika

00:32:23Do whatever you want

00:32:25But I'll tell you this much

00:32:27Let this continue like this for a little longer.

00:32:29I'm not in this business

00:32:31Be informed

00:32:3175

00:32:42Hello

00:32:49I'm looking for the name Feris Dikmen

00:32:52I was going to talk about our actor Barış Havas.

00:32:54I think you had a meeting

00:32:57And you postponed this meeting

00:32:59Of course we follow the magazine news

00:33:03Ok

00:33:04I will forward it

00:33:06Thanks

00:33:07What do you mean no?

00:33:08Goodbye

00:33:09What are you going to do to Bicil? Are you going to call them all one by one?

00:33:14I don't know, Emrah

00:33:15Maybe someone will accept it

00:33:16I don't know

00:33:17My consciousness, what are you doing?

00:33:22I was going to ask but I can't ask since then.

00:33:23I'm trying to make Mr. Kırağaç's life easier.

00:33:26Who knows what kind of assistant will come after I'm gone?

00:33:29I make it up, I rip it off, I edit it

00:33:32I'm handling it

00:33:34Hello

00:33:41Hello, good day

00:33:44I'm calling you with Ego Agency

00:33:47I'm running on two hours of sleep

00:33:49Don't expect any creative ideas from me today

00:33:51Let me tell you from the beginning

00:33:52I think so too, I think so too

00:33:54As if I could find something

00:33:56I say let's go and have a meeting.

00:34:00What will happen again, the same things, the same things

00:34:02Have you thought of anything at least, Feris?

00:34:06My life is between morning sickness and afternoon sickness

00:34:09I try to think of something

00:34:10If anything happens to me, I will let you know.

00:34:12Feris, doesn't nausea only occur in the morning?

00:34:15Supposedly

00:34:15If it were up to me, I would suffer from nausea all day long.

00:34:18Because it doesn't pass

00:34:19It doesn't pass

00:34:20Yes

00:34:23You are called ginger tea

00:34:28Now where did this come from?

00:34:29Ms. Peride said

00:34:30I told you

00:34:32Thank you, my dear, thank you.

00:34:36Bon appetit again, my dear Peride.

00:34:37Thank you

00:34:38My life

00:34:40Well, I heard that this is good for the bottom.

00:34:43Ginger tea

00:34:44So that they don't understand and don't think about anything

00:34:46And I told us all at once

00:34:48Well, that's it

00:34:53Isn't it?

00:34:54Taste a

00:34:54It has a nice taste

00:34:56Yes, it is very delicious.

00:34:58Then the three of us will drink this every morning.

00:35:01Is the moon that bad?

00:35:05Much

00:35:06What happened?

00:35:08I understand

00:35:09No, no problem.

00:35:11Have a nice day

00:35:12Goodbye

00:35:13What happened? Is this not available either?

00:35:16No

00:35:16Dressed

00:35:20What happened?

00:35:22Take a look at this scenario

00:35:24Let me see

00:35:26Look, do you know what this is like?

00:35:28A young man who lost his father at a young age

00:35:31Trying to hold on to life with his brother and mother

00:35:34I think it could be very suitable for peace.

00:35:37Thank you, bride.

00:35:38Take a read

00:35:39Ok

00:35:40Thank you

00:35:46Gazelle

00:35:48You are a smart and talented girl.

00:35:50Is this the life you want?

00:35:52Back to school

00:35:53You need to complete your education

00:35:55I don't have time to talk about these things.

00:35:58There is no such line in the script.

00:36:02I know

00:36:04I added it

00:36:05Then let's all add and remove things as we please.

00:36:09Let's put it aside in the scenario

00:36:10Are you tiring me?

00:36:13Well, look

00:36:14Great

00:36:15Look

00:36:16I have no personal problem with you

00:36:19We work here

00:36:20We are doing business

00:36:21I work too

00:36:23But not with you

00:36:24So they should have actually asked me

00:36:27While making the squad

00:36:29I don't know if you're aware of this but

00:36:34My life story

00:36:36I will say two or three beautiful sentences

00:36:39The sand is already in the pocket

00:36:40She loves everything I say

00:36:42Then you will be the one to force it

00:36:45Don't say I didn't tell you

00:36:46Great hello

00:37:13Kirac I

00:37:14Kirac Ozal

00:37:14From Ego Agency

00:37:15Thank you, I have a manager.

00:37:18I know, I know

00:37:20You work with Tunç

00:37:21He is a friend of mine whom I love very much.

00:37:24Is this useless information any good for me right now?

00:37:27Why do I occupy my memory with such information in vain?

00:37:30When the time comes you will realize that it is not unnecessary.

00:37:34I want to talk to you about Senay

00:37:38You know how great a chance it is for you to have Şenay in this movie.

00:37:44I hope

00:37:44Uh huh

00:37:46Definitely

00:37:47And of course, old

00:37:48So let's not forget that too.

00:37:50I wouldn't use the adjective "old" for Şenay.

00:37:54I'm using it, sorry

00:37:56I mean, maybe if my mom was playing it, it would be possible.

00:37:59But of course, my mother looks younger than Şenay.

00:38:03The problem is not the age difference or, as you say, the fact that he is old.

00:38:09I don't see a problem

00:38:11So there is no problem from my point of view.

00:38:14Of course, I don't know if it's for him.

00:38:16Do you know this cardboard magazine?

00:38:26Of course

00:38:26Isn't it a good magazine, I'm told?

00:38:30Why do you ask, right?

00:38:31They wanted me for the cover shoot.

00:38:34Very good

00:38:35Let's get back to the topic of Senay.

00:38:38Superb

00:38:39To love

00:38:41Around Aysa

00:38:43Preservative

00:38:45I will tell you, I will tell you

00:38:47What are you doing, honey?

00:39:06I have just got up

00:39:08What happened?

00:39:10Is there any new news about me?

00:39:12No, no, no.

00:39:13So there is no such tabloid situation.

00:39:16Ha

00:39:16There is something about Beren

00:39:19I think he came to you yesterday

00:39:21And she was crying when she left.

00:39:23Was she crying?

00:39:26Are you kidding me?

00:39:27So you had a fight?

00:39:28I don't fully understand this

00:39:29No, no

00:39:30I told him not to talk

00:39:31I told you not to make a statement here and there.

00:39:33I didn't say anything else

00:39:35So there's nothing to cry about.

00:39:36Good if you say so

00:39:38It really is, my love.

00:39:40My mother and brother were also with us.

00:39:42We were not alone

00:39:43No, okay, I didn't tell you anything anyway.

00:39:45No problem

00:39:45I didn't call for him anyway.

00:39:47I was going to say something else

00:39:48You said it when I asked

00:39:50Now

00:39:50I have a new job in hand

00:39:53I just received it

00:39:55I don't know if it's right for you yet though.

00:39:58I just started reading this

00:39:59But it's going very well for now.

00:40:00I think you're saying these things just to get things sorted out.

00:40:03No, it's not relevant.

00:40:05It's definitely not like that.

00:40:06I keep reading this

00:40:08If I like it, I will send it to Ms. Feris immediately.

00:40:10After that I will send it to you

00:40:11My love, I don't think there's any need to force it.

00:40:13I don't think anyone wants to work with us right now.

00:40:16But we don't fall like that, Barış

00:40:18We already fell

00:40:21No, then we're leaving right away.

00:40:24We are shaking

00:40:24We are coming to our senses

00:40:26I learned this from you

00:40:28Not giving up no matter what

00:40:30Not to be so angry

00:40:32I learned to always smile from you

00:40:35When did I say these?

00:40:38I mean, I don't remember ever saying things like that.

00:40:40So you might not have said it in those words one by one.

00:40:43But I felt it

00:40:46Every time you hug me

00:40:48Every time you look into the observation

00:40:51When you say I love you

00:40:53You may not realize it, but some things don't need to be said in words.

00:40:59So what am I saying now?

00:41:04Let me see

00:41:05I'm sleepy so I'm closing it

00:41:10Ok dear, I'm going downstairs now.

00:41:13I'll call you back later, okay?

00:41:15Ok, I'm here.

00:41:18Be informed

00:41:18So if you're not on the couch I'm in the kitchen

00:41:21If you're not in the kitchen, I'm in the garden.

00:41:23I don't think I'll leave the universe.

00:41:24I'm here to let you know.

00:41:26Ok my love

00:41:27Look, send me a message sometimes, okay?

00:41:30I wonder about you later

00:41:32Also go to Instagram

00:41:34Take a look at my profile

00:41:36Why?

00:41:37Ok, I'm hanging up, see you then.

00:41:39I kissed

00:41:40Mr

00:41:41The photo you took is more beautiful, my love.

00:42:05I think we should not tire ourselves in vain.

00:42:22Because there is no way to solve this problem

00:42:23I'm thinking about Cinar for a minute.

00:42:25I swear I think so too

00:42:27I think I can't get out of this.

00:42:29Good luck

00:42:31I guess there is no progress, huh?

00:42:34Is there anything you want to tell me?

00:42:45Who did this?

00:42:47Do you want to tell me?

00:42:48Well you know

00:43:01I'll be outside now

00:43:04But if anyone still wants to say it

00:43:06Then come to the man

00:43:08Ok?

00:43:10Barren

00:43:10Are you a reader?

00:43:13Again, last night's topic

00:43:21No, it's barren

00:43:22I left that matter to you.

00:43:23I was going to talk to you about the giver

00:43:25He went to Barış's house last night

00:43:27He caught it in the magazine

00:43:29He cried or something

00:43:30I have no idea

00:43:35None

00:43:36Nothing tells me anything

00:43:38I just learned too

00:43:39I came to you as soon as I learned.

00:43:41Imagine you want to talk as his father

00:43:43I'm doing my best as his manager, but

00:43:46To some extent

00:43:47Your speech will be more effective

00:43:49Thank

00:43:51You informed me

00:43:52Good luck

00:43:54Yes

00:44:03Where were we?

00:44:05Yes, yes, I'm leaving soon.

00:44:06Did you pass?

00:44:10Ok ok

00:44:10I'll be there in ten minutes

00:44:11Let's rewind

00:44:13To the top

00:44:13Now Gökçe's

00:44:15The contract he signed came

00:44:17He has no right to act in two films at once.

00:44:18We are blamed for this, aren't we?

00:44:20Yes, but we already know this, Kıraç

00:44:22So what benefit will this bring us right now?

00:44:24Good question

00:44:25One second, one second

00:44:26Now she was Handan in a movie

00:44:27In the other one, the guide was Melda

00:44:30Okay, let's say

00:44:31There is not a single Gökçe

00:44:33There are two Gokce

00:44:36How?

00:44:38Here we have two Gökçe Bahadır

00:44:40So what do you mean?

00:44:43Like this

00:44:43Now Gökçe has acted in two films at once.

00:44:45We can't deny this, can we?

00:44:47But the breach of contract is for one night

00:44:50So for the night when the shooting of those two films intersected

00:44:53I also say that

00:44:55Turkish producer

00:44:56The maker of the storm

00:44:58The family is working with two Gökçe Bahadırs in the film.

00:45:02Are you okay?

00:45:05Why?

00:45:06There is probably not a single Gökçe Bahadır in Türkiye.

00:45:08You know, if I were the preacher, I would say it's not possible.

00:45:10Gokce Bahadir

00:45:13It is quite possible

00:45:14I'm looking right now

00:45:16I'm looking too

00:45:16So even if we find another Gökçe Bahadır

00:45:19What good will this do us?

00:45:20What will we say to the Japanese?

00:45:21We won't tell them anything

00:45:23Forget the Japanese

00:45:24We will walk by our people

00:45:26By Turkish producers

00:45:27We will talk to Mr. Orbay, right, Kıraç?

00:45:29Yes yes yes

00:45:30According to what is written here right now

00:45:3388,000 people in Türkiye use the name Gökçe

00:45:37I also looked at it as Gökçe Bahadır

00:45:39So of course we need the ones in Istanbul after all.

00:45:40I looked at them

00:45:41I need to talk to a friend to find them

00:45:44But we will find it, so don't worry.

00:45:46Beautiful beautiful

00:45:46So Mr. Orbay, here are the two Gökçe Bahadırs

00:45:49He suddenly signed a contract

00:45:50It already has a name in the shape of an arm.

00:45:53It says Gökçe Bahadır across from Handan

00:45:55Well, kids, don't tire yourself at all.

00:45:57Think about something else

00:45:59Also, why are we two different people with the same character?

00:46:03Only the actors show up for me too

00:46:04But I will investigate

00:46:05Something came to my mind

00:46:07But it might be ridiculous

00:46:10Like this

00:46:11Now the character of Handan

00:46:13We're talking about the night the scene where he was shot and killed was filmed.

00:46:17Handan character that night

00:46:18Chased by enemy soldiers

00:46:21While running quickly, he was caught by a soldier and

00:46:24Saying, "I will sacrifice my life for my country if necessary."

00:46:28He collapses where he is and is killed.

00:46:30We know that, let's get to the point.

00:46:32Yes

00:46:32After Handan character dies

00:46:35His soul leaves his body

00:46:40It could be

00:46:41Ghost

00:46:43Play the second Gokce ghost

00:46:44Yes

00:46:45Don't get so excited, kids.

00:46:50Let's say we got this done.

00:46:52How will we convince the Japanese?

00:46:55We will show the scene

00:46:56We will watch

00:46:58Which scene?

00:47:00There is no such scene

00:47:01None for now

00:47:02But it could happen at any time

00:47:03Now here it is

00:47:04We will write this scene

00:47:06We'll shoot later

00:47:07I don't know how we're going to do it, but

00:47:09We think

00:47:10Then we'll go

00:47:11We will talk to Mr. Orbay

00:47:12We will explain this situation

00:47:13Then maybe we'll have a chance

00:47:15I say

00:47:16Because no one watched this movie

00:47:17There's still a long way to go before it hits theaters.

00:47:19Neither withdrawn nor not withdrawn

00:47:21Only the Turkish film side knows

00:47:22So no one knows

00:47:24Maybe then we might have a chance

00:47:26Yes

00:47:26Beautiful

00:47:27I mean, I wonder if I've ever heard anything more ridiculous in my life.

00:47:31I guess I haven't heard of it.

00:47:32I apologize, Mr. Cinar.

00:47:34None

00:47:35Dicle don't apologize because I think this could happen

00:47:37This makes sense

00:47:38Yes

00:47:38It can

00:47:39In fact, I will call Gökçe immediately.

00:47:41No no don't call

00:47:42Call

00:47:42If this spreads, we will burn

00:47:44I'll sort it out and then you can call.

00:47:46Search Plane Tree search

00:47:47Ok, you are right, let's do it that way.

00:47:48So where do we start?

00:47:52Well, I have to solve Şenay's problem.

00:47:53That's why I've been at the agency for a while

00:47:55But I will do whatever is in my power.

00:47:57Let's find a second Gökçe Bahadır

00:47:59Ok

00:47:59I'll call too

00:48:01I'll call too

00:48:31Sir syllable

00:48:42How are you, Barış?

00:48:44Will you believe me if I say I'm fine?

00:48:46But for love, will we be like this from now on?

00:48:49Do you want something, syllable?

00:48:51If so, come directly to the stadium

00:48:52If he can handle it, there's no need for the forest.

00:48:53I was going to ask you to talk to me

00:48:55What if we did a mini interview like this?

00:48:57Tiny little one

00:48:58Ha?

00:48:59No

00:48:59I don't think you should say no right away.

00:49:01Maybe this could be an opportunity for you to make amends with Omer.

00:49:05Think about it, huh?

00:49:06No, I won't think about it.

00:49:07I'm closing

00:49:08Close Close Peace

00:49:13Soon, when all the cups are closed to your face, you will miss Ece a lot.

00:49:17Is he determined?

00:49:20Clear and precise

00:49:20But I still don't understand why you asked me to do something like that.

00:49:24I'm trying to relieve the pressure

00:49:26What does that have to do with it?

00:49:28Oh

00:49:28Barış is already Feris's player

00:49:31Let Feris ease the pressure, why don't you ease the pressure...

00:49:33Oh wait a minute

00:49:36You're trying to relieve the pressure on Feris

00:49:39What's going on, Mr. Tahtacı?

00:49:42Ha?

00:49:42These are unexpected moves from you?

00:49:44Why?

00:49:45Am I that bad a boss?

00:49:46I help my employees, it's that simple

00:49:48No, you're not a bad boss.

00:49:50But let's say you're a bad liar

00:49:52But I won't force you

00:49:54I won't ask what's going on between you and Feris.

00:49:56After all, I'll hear it soon

00:49:58You can't hear

00:50:00Oh, you're saying we're hiding so well.

00:50:03No, I say there is no such thing.

00:50:04Look, I'm aware

00:50:06Throwing it empty and keeping it full is part of your job, but

00:50:09You won't get anything out of this.

00:50:11You talk like that, making up such a bunch of nonsense.

00:50:14Look, I want to pursue you more now.

00:50:17But don't worry I won't fall

00:50:18I don't like to mess with handsome and intelligent men.

00:50:22Because I definitely need one of them one day, you know?

00:50:34What the hell?

00:50:35Schist

00:50:36I will say something

00:50:37I sent you an email, did you see it?

00:50:40I sent an email to our new email address.

00:50:41No, Emre, I couldn't find time.

00:50:43When should I check, were you in a meeting?

00:50:43Okay, you're right, but look, let me tell you something.

00:50:46Don't get me wrong

00:50:47I say this as someone who has more agency experience than you.

00:50:50In such cases, you should take on more work.

00:50:52Take on 70-80 jobs and distract yourself

00:50:54I already do that

00:50:55Anyway, I couldn't look, what did you send me an email?

00:50:57Look now

00:50:58We were going to investigate this new player, you too

00:51:00I have researched all the schools that offer acting training.

00:51:04Conservators, fine arts, I researched all of them

00:51:06You end up playing a game with everyone.

00:51:08What do you say, let's go watch their rehearsals?

00:51:10Ok

00:51:10Dicle, can you come for a second?

00:51:12Yes, I will come

00:51:13You know how important Dicle ego is to me

00:51:29Yes

00:51:30I can't let anyone betray me.

00:51:33What if even the assistant I've been working with for years did these things?

00:51:36He doesn't even want to guess what else could happen.

00:51:39But you know why you did it, right?

00:51:42So he did it just to help you, not because he had bad intentions.

00:51:45I know, I know, that's why

00:51:47For this reason?

00:51:49I'll talk to your smile in a minute.

00:51:51But if you hear something that will jeopardize your ego,

00:51:55Whatever happens

00:51:57So even if it seems so unimportant to you

00:51:59Please come and warn me and share with me, okay?

00:52:02Of course, of course I will tell you

00:52:03Tigris

00:52:05You are my daughter

00:52:08I don't trust anyone here but you.

00:52:11Okay, don't worry, if I hear anything I'll come to you immediately.

00:52:15I have to go to work right away. I have a lot of work to do today.

00:52:19Of course, of course

00:52:20Oh, okay.

00:52:21Look at this

00:52:22What happened?

00:52:33What happened, what happened, what did he say?

00:52:36I think he was suspicious

00:52:37You might have even heard that we actually work under the same name.

00:52:40What if Emrah heard?

00:52:41If he heard it, okay calm down.

00:52:42No need to worry

00:52:43One minute

00:52:44Tell me what he said.

00:52:45Well, he didn't say anything very clear.

00:52:47If there is anything that would endanger the agency

00:52:49He said you come to me first

00:52:50He didn't say anything else.

00:52:51Okay, okay, so he didn't learn.

00:52:53He's talking about his fame

00:52:54Don't worry, yes.

00:52:55We will continue from where we left off, don't worry about everything, okay.

00:52:58Ok

00:52:58Come on, you go ahead, I'm coming from behind.

00:53:00Go go go go come on

00:53:01Ok

00:53:01Cut left and right.

00:53:02Cut left and right.

00:53:03Cut left and right.

00:53:21Mr. Kıraç, after a while, I...

00:53:24Sit down, my dear, sit down.

00:53:31After a while I said, "For Alevi reasons"...

00:53:38I will give my resignation to Mr. Serkan.

00:53:42Later?

00:53:44Then I guess I'll just stay home for a while.

00:53:49I can't get a job right away.

00:53:51I would draw attention to this by saying it is for Alevi reasons.

00:53:55It was a sector that was talked about.

00:53:57It wouldn't be good for you either.

00:53:58But I'm backing up everything right now, Mr. Kıraç.

00:54:02All the new projects, old projects, all the details about the actors...

00:54:06I arranged everything.

00:54:07And to the person who comes after me...

00:54:09I think it would be easier.

00:54:13My dear, how many years have we been working together?

00:54:156 years, 3 months, 11 days.

00:54:18I recorded it on the first day I started working, Mr. Kıraç.

00:54:21My computer.

00:54:22There is no redemption for what you did.

00:54:30Huge mistake.

00:54:33I'm still very angry with you.

00:54:35Yes.

00:54:36You are right, Mr. Kıraç.

00:54:38I'm really angry.

00:54:41I can't think of it.

00:54:42I still wonder how I did something like this, but...

00:54:44I can more or less understand why he did this.

00:54:53I didn't think it could cause harm.

00:54:57Let's even say you haven't done any thinking.

00:55:03You set out with such good intentions.

00:55:06Eventually, such an event could break out...

00:55:08...I did not foresee.

00:55:09Mr. Kirac.

00:55:11Whereas...

00:55:13...the first rule of our job...

00:55:15...having foresight.

00:55:16Yes, Mr. Kirac.

00:55:20So from now on...

00:55:22...nothing can be done without my knowledge.

00:55:24You will not act alone.

00:55:26That's what I say.

00:55:29Now let's get right to work.

00:55:33Tear up that resignation letter you wrote secretly before anyone sees it.

00:55:37How did you know, Mr. Kıraç?

00:55:41I said six years, three months, eleven days ago.

00:55:45Yes.

00:55:48I am now...

00:55:49...continue, I'm here.

00:55:51I am with you, I continue.

00:55:53Come on, laugh, come on, come on.

00:55:56Ok.

00:55:58Mr. Kıraç, I will bring you coffee then.

00:56:00There were new projects, let me leave them on your desk.

00:56:05I also had a little note for you about some of our players.

00:56:07I need to forward them.

00:56:09Ok.

00:56:09I'll go.

00:56:24Thank you.

00:56:25Daddy, I'm on the set right now.

00:56:55Shall we talk later?

00:56:57Are you ok?

00:56:57I was curious.

00:56:59I'm fine, I'm okay.

00:57:00Don't worry.

00:57:01If you saw the video, that's okay.

00:57:04I felt so sorry for those who had peace, that's all.

00:57:06Is it ok?

00:57:06Give me a call when you're done.

00:57:08Is it possible?

00:57:09Okay, I'll call.

00:57:12Good luck!

00:57:13Where are we?

00:57:14Where is the set?

00:57:15I'm here, Ms. Beren.

00:57:16Right on the side of the truck.

00:57:18Here you go.

00:57:19Okay, okay.

00:57:20You sent me a pot of coffee.

00:57:21Of course, of course.

00:57:22Are you going to tell us something?

00:57:37Or should we look into our magic sphere?

00:57:39What's that?

00:57:43I talked to Mr. Kıraç.

00:57:45He is still very angry.

00:57:47But he didn't want me to leave the agency.

00:57:49He asked me to stay.

00:57:51This is the best news I heard today.

00:57:53I swear, mine too.

00:57:54Very good.

00:57:55I'm so happy, so happy.

00:57:56I am very pleased.

00:57:57He could cry with happiness at that moment.

00:57:59Okay, I was very scared.

00:58:03Okay, I was very scared.

00:58:06Walk.

00:58:12Good morning.

00:58:13Good morning.

00:58:14Although it was noon.

00:58:18Don't let your tea get cold.

00:58:19Thank you, mom.

00:58:20Put that phone down and eat something first.

00:58:30I saw that you posted a photo too.

00:58:33Well?

00:58:35Didn't your manager tell you not to share anything?

00:58:37Oh, come on, mom.

00:58:40Don't be angry with me.

00:58:43I see you're angry.

00:58:44But please don't be angry.

00:58:45Whatever I did, whatever I wanted, was for your good.

00:58:51Have I ever held you accountable?

00:58:54Did you ask why you said it like that, why you spoke like that?

00:58:56I didn't say that.

00:58:57But this situation makes me very sad, son.

00:59:00We have come to this day with great difficulty.

00:59:06What do you mean, we?

00:59:07Your brother, you, me, the three of us.

00:59:09Before coming to Istanbul, it is different from after coming.

00:59:13Yes.

00:59:15There is a before my father and a after my father.

00:59:20Remember those times a little if you want, mom.

00:59:21Especially when my father was alive.

00:59:25Because I never forget.

00:59:32Enjoy your meal.

00:59:45Their relationship won't last long, friends.

00:59:49Let's disperse.

00:59:51They don't suit each other at all, not at all.

00:59:55I think we should start it alone in the evening.

00:59:57Teki should break up with Barış Dice.

00:59:59Maybe it will work.

01:00:00Oh my God, Mr. Celal, considering what you have been through lately, you are being patient again.

01:00:18Well done, what can I say?

01:00:19Hey friend, I'm focusing on other things.

01:00:21Everything is fine.

01:00:23There is no quarrel, no one is fighting or making a scene for no reason.

01:00:26So don't say that now.

01:00:29Last week, a big incident happened on the set of the expatriate.

01:00:31The episode actor threw a chair at the assistant director's head.

01:00:35Imagine, even I was shocked.

01:00:37What if the actor in the episode throws a chair, what if he doesn't throw a chair?

01:00:42My leading role is gone.

01:00:43I lost a ton of money.

01:00:45How the ratings will come is unknown.

01:00:47Do you know what I don't understand?

01:00:49He came himself, played himself, and sang himself.

01:00:52After that, look at this situation, photos and whatnot.

01:00:55Who came?

01:00:56Beren came up with the idea of doing an interview about this Valentine's Day.

01:01:01Then look at these events.

01:01:03Of course, he himself could not have known that this would happen.

01:01:06Those things are not very clear.

01:01:09Which jobs?

01:01:10Yes, some things, Mr. Celal, I mean, some things.

01:01:14We don't know what's underneath some things.

01:01:17I meant to say that some things we don't know may come up.

01:01:20I won't keep you.

01:01:22I have a lot of work to do today too.

01:01:23I'll get up, but then...

01:01:23But let's meet again and not drive a wedge between us, okay?

01:01:25Ok.

01:01:26Have a good day.

01:01:26Come on, goodbye.

01:01:28See you later.

01:01:34Knock knock.

01:01:36Hello brother, how are you?

01:01:38Thank you, dear Burak, come.

01:01:39Come, welcome.

01:01:41What's up brother?

01:01:42You would never call me so quickly.

01:01:44You said Levent Ülgen on the phone, that's how we stayed.

01:01:48Yes, yes.

01:01:52As you know, Levent hasn't been interviewing anyone for a long time.

01:01:56Don Juan premieres this Friday.

01:01:59If you want, I can put you two in touch.

01:02:01Well, we talked about this with you last week.

01:02:03You even said no.

01:02:05Yes, yes, something like that happened.

01:02:06But it's understood, brother.

01:02:09Tell me what you want in return?

01:02:12None.

01:02:14You are making a cover for a wonderful yacht.

01:02:17Wow.

01:02:20You take the wonder to the ego.

01:02:23Worthy.

01:02:24Will he work with you, brother?

01:02:25No no.

01:02:26There is already a Meneşeli.

01:02:27I would like to ask you to interview the Senaygurs.

01:02:31It is possible.

01:02:31And of course, the cover shoot.

01:02:34No no no no I can't change the cover at the last minute, you're leaving.

01:02:37Impossible.

01:02:39Come on, don't do it.

01:02:40Oops.

01:02:42Levent will be very upset too.

01:02:45Of course, Perihan will be very upset too.

01:02:48Wait a minute, wait a minute.

01:02:49When you say Perihan, do you mean Perihan Savaş?

01:02:52Whatever, dear.

01:02:55Since the cover is not changing.

01:02:57No need to talk.

01:02:58I also have some meetings and interviews.

01:03:00Aa, aa, aa.

01:03:01Brother Kıraç, can you sit down?

01:03:03Sit down and let's talk, brother.

01:03:05Sit down, sit down, sit down brother, let's talk.

01:03:07So why not?

01:03:10Let's see what we can do.

01:03:12It could be.

01:03:14Isn't it?

01:03:14Sir Ece.

01:03:22Guess what I learned again.

01:03:24Isn't there an interview that Barış and Beri gave on Valentine's Day in this magazine?

01:03:28It was Beri's idea.

01:03:30Well?

01:03:31Put the moon together in your mind, Serkan, but put it together already, please.

01:03:34Both of them came out and said that we don't have a girlfriend, there is no one in our lives that we value.

01:03:38Then the cracked photos came out.

01:03:41What happened next?

01:03:41Peace has become a liar.

01:03:43Ece, I will ask the same thing.

01:03:45Well?

01:03:46Ay yanni, this is most likely Beren's work, I'm telling you.

01:03:50Okay, I'm hanging up the phone too, I tell you.

01:03:53Hang up, Serkan, hang up.

01:03:55But please think about what I said, okay?

01:03:57Okay, okay, I'll think about it.

01:03:58Hello, good luck.

01:04:15Hello.

01:04:15We were going to meet with Gökçe Bahadır.

01:04:18I wonder if he is here?

01:04:19We were going to discuss something with him regarding your dog.

01:04:22Yes, luck.

01:04:23Okay?

01:04:28Here you go.

01:04:29But we looked at Ms. Gökçe.

01:04:32Ms. Gokce.

01:04:33Here you go.

01:04:34Have a nice day.

01:04:35Does Gökçe Bahadır live here?

01:04:37He lies down more.

01:04:39He hasn't been able to get up since he broke his leg.

01:04:41Hello, how can I help you?

01:04:46Mr. Gökçe.

01:04:48I was waiting for you as Ms. Gökçe.

01:04:51I am Gökçe Bahadır.

01:04:54Gökçe, will you come, my daughter?

01:04:59I am his friend from college.

01:05:00My name is Mehmet.

01:05:01Mehmet.

01:05:02Yes, Mehmet.

01:05:02From university.

01:05:03Yes.

01:05:07Hello.

01:05:10Hello.

01:05:11Hello.

01:05:24Oh, sorry.

01:05:25Sorry, sorry.

01:05:26Sorry, I'm so sorry.

01:05:27I was looking for Gökçe Bahadır.

01:05:29I wonder which floor he lives on?

01:05:30Did you see the article?

01:05:32Yes, you saw it.

01:05:33Here you go, it's me.

01:05:34How lucky I am.

01:05:37I am Feris.

01:05:38Feris Dikmen.

01:05:39I am one of the managers of Ego Agency.

01:05:40And we represent the real Gökçe Bahadır.

01:05:45Sorry, when I say real, I mean fake in this case.

01:05:52Is that possible?

01:05:53Astagfurullah.

01:05:54No, I didn't mean it like that.

01:05:56I meant the actor one.

01:05:58Lady, what do you want from me?

01:06:00We would like to offer you a small role in a movie.

01:06:02Thanks, but I really have no interest in show business.

01:06:05Because I'm not an actor.

01:06:07Have a nice day.

01:06:11Hello Ms. Feris.

01:06:13We are with Emrah right now.

01:06:14The Gökçe we found was around two years old.

01:06:18What Gülen found was also a man.

01:06:19I think Gökçe, who was found by Sinar Bey, broke his leg.

01:06:22He is sleeping right now.

01:06:23So the only Gökçe we have left is the Gökçe you are talking to right now.

01:06:26Ms. Gökçe, Ms. Gökçe, Ms. Gökçe, wait a second.

01:06:30It is definitely not a situation that will affect the company.

01:06:33King, I know what situation you are in.

01:06:35I also know how to dig.

01:06:37If you say it works, I don't mind.

01:06:40But let it not be heard here and there.

01:06:42Of course, of course.

01:06:42No one will know except us.

01:06:44Of course, it's up to you to talk to the director.

01:06:46Don't include me there, sort it out between yourselves.

01:06:48You let me know.

01:06:50Okay, thank you very much again, Mr. Orbay.

01:06:53Thank you, see you.

01:06:56I talked to the producer, no problem.

01:07:03It's up to you to convince the director.

01:07:10Look, let me at least tell you what kind of film we want to make.

01:07:13Let me sit down and talk.

01:07:14I don't want to, but sir, thank you.

01:07:17We should have at least had a coffee.

01:07:19I really have no time.

01:07:20My bus is coming, I will catch up with the hospital.

01:07:22Oh, I hope it was nothing serious.

01:07:24No, I'm a nurse.

01:07:26Oh, how beautiful, how beautiful.

01:07:29We also want to tell the story of that thin line between life and death in the scene we will shoot.

01:07:35Very nice, I would like to help you as a healthcare professional.

01:07:38But I wish you success not only as an actor but also as an actor.

01:07:40Ms. Gökçe is so short that it will be over without a single scene, without anyone wondering what is going on.

01:07:46It will take you an hour or two at most.

01:07:48We will pick you up before the shoot and drop you off after the shoot.

01:07:51If you have any other requests, we will try to fulfill them.

01:07:55We'll shoot it this evening and it will be finished.

01:07:56I say, "Oh no, it's not possible tonight, I have a shift at the hospital."

01:07:59Ms. Gökçe, Ms. Gökçe, with Ms. Gökçe, with the actress.

01:08:04I just talked to you.

01:08:06And he really wants you to take part in this project, he really insisted.

01:08:11Madam, how does Gökçe Bahadır know me? I wonder if she knows me and is insisting on it?

01:08:15You're welcome, a little realistic lying, please.

01:08:18Excuse me, but is it possible for me to be here without Gökçe Bahadır knowing?

01:08:23Ms. Gökçe, please don't do it.

01:08:25Ms. Gökçe, what can we do to convince you?

01:08:29Isn't there a player you'd like to meet or get together with?

01:08:33So everyone has it.

01:08:35I have one, for example, Ryan Gosling.

01:08:38If I could meet Ryan Gosling, Adam Driver, John Hamm, Meryl Streep, John Malkovich.

01:08:46I am also a bit Turkish because I can introduce you to them.

01:08:50Nebahat Çeyre, Çağatay, Ulusoy, Çetin, Tekindor, Gülben, Ergen, Serdar Ortaç.

01:08:57Serdar Ortaç, okay, I will bring you together with Serdar Ortaç, I promise.

01:09:03Could you tell me a little about that movie?

01:09:04I don't know what exactly I can do, but please let's walk, I'm running late.

01:09:08Okay, couldn't we drink across from me?

01:09:13Hey, how are you, my love?

01:09:16I'm fine, dear, and you?

01:09:18I'm fine, thanks. How's our acting career going?

01:09:21Pretty good, so there are new projects as well.

01:09:24Wow, super cool.

01:09:26How are things going with the agency?

01:09:28Good morning my baby.

01:09:29Oh, good, good.

01:09:30Here comes my third and final question, are you ready?

01:09:33Is the fairy around too?

01:09:35No, stay outside.

01:09:37Oh my God, just when I needed it.

01:09:40Okay, okay, I'll come by again later, okay?

01:09:42Come on, bye bye, see you.

01:09:43Oh, why did this good thing come?

01:09:47I don't know, but it's obvious that he has a problem.

01:09:50Hey, Jülide, have you heard anything? What's going on these days?

01:09:53No, I didn't hear it, Bekir brother.

01:09:55So I haven't talked to anyone, I've been working since I arrived, what happened?

01:09:58How should I know?

01:09:59Ms. Feris gave up coffee and switched to herbal tea.

01:10:02Mr. Serkan is like a bomb, he is not approachable.

01:10:04Well, Mr. Çınar is nowhere to be found.

01:10:06Lady Peri also left in a hurry.

01:10:09Well, Mr. Kıraş comes and goes.

01:10:11I thought something would come out with the Baltic, but I didn't understand.

01:10:14Don't say "May God establish it".

01:10:15Don't let the agency eat you up.

01:10:17Good luck.

01:10:18Come on.

01:10:19Welcome, Ms. Senay.

01:10:21Hello Jülde.

01:10:22In the Kiras room?

01:10:23In his room, in his room.

01:10:24Good morning my baby.

01:10:24Really, Kıraş?

01:10:38Am I really going to do an interview with cardboard magazine?

01:10:42You know, they called me from the magazine.

01:10:45They talked to my manager.

01:10:47You are my manager, Kıraş.

01:10:48For God's sake, don't act like you don't know.

01:10:50Well, if I told you, you would say no, Senay.

01:10:52Of course I was going to say no.

01:10:54I don't even know if I will continue this project.

01:10:57What should I say to these guys?

01:10:59What should I say?

01:11:01Great project.

01:11:02It's going very well.

01:11:04I must say that I am very happy to have had scenes with such a good actor.

01:11:09Why not?

01:11:11Why would that be?

01:11:12Why would that be?

01:11:13Let me take a look, why should it happen to me?

01:11:15Şenay, come on, come and sit down.

01:11:17Come, come.

01:11:17Come on, my love.

01:11:18You are the bride.

01:11:20Let me get you some water.

01:11:24I'll take it, I'll take it.

01:11:28Thank you.

01:11:29Enjoy your meal.

01:11:33I thought about what we talked about.

01:11:36I also had the opportunity to talk to Arka.

01:11:39He is doing his best for the film.

01:11:42Okay, he's a little naive, but he has a lot to learn from you.

01:11:46I'm telling you, I'm a big fan of yours too.

01:11:48I don't believe you at all, Kıraç.

01:11:51None.

01:11:51It really is.

01:11:53But if you say you can't take the trouble, I understand you.

01:11:58Barren.

01:11:59I am the person who shot a film in Oslo at minus twenty-eight degrees.

01:12:03I am a person who worked for eight hours without even taking a sip of water in a tank filled to the brim.

01:12:09Am I not up to the challenge?

01:12:10Then you are afraid.

01:12:12You too...

01:12:12My dear Şenel, I saw how you worked with the great.

01:12:16I watched from the sidelines without showing it to you.

01:12:20It was incredible.

01:12:21There was both passion and sincerity.

01:12:24Even the way we yelled at each other was so real.

01:12:27So, I see you as the only obstacle to this film not being successful.

01:12:30Sorry.

01:12:32Okay, but I won't insist.

01:12:33If you don't want it, we can go talk and retreat.

01:12:38But if you want to continue, which I would love to.

01:12:43Then we can show everyone what we can do.

01:12:47Nobody cares about me, Kıraç.

01:12:49Everyone is in pursuit of greatness.

01:12:51Oh.

01:12:52That's why the cardboard magazine is chasing you.

01:12:55To be able to interview you.

01:12:58Do they want to interview you because they love awesomeness?

01:13:01Anyway, I won't say anything.

01:13:04The final word is yours.

01:13:08Okay, okay.

01:13:12I will do this interview.

01:13:21Hello.

01:13:22What did you do? Is there any progress?

01:13:24We have now found all the Gökçe Bahadırs in Istanbul, but three of them did not work.

01:13:29Ms. Feris said the last one was hopeful.

01:13:31Now he was speaking to persuade.

01:13:34So I talked to the producer.

01:13:36No problem there.

01:13:36Feride will also convince the director.

01:13:39Hopefully, if there is no problem there, only Gökçe, who Feris found, will be left behind.

01:13:44I'm sorry, Feride, but the idea of two different people playing the same role.

01:13:48I don't think it will work.

01:13:50There is no such thing.

01:13:52Don't cut it off by saying it can't be like that if you want.

01:13:55Okay, let's say we tried.

01:13:56So, as a director, taking such a risk, considering what people will say and think, is extremely risky for me.

01:14:04So at least we would have something to say, "This is it."

01:14:09How, I don't understand.

01:14:11There is a story.

01:14:13Your teacher is giving an exam and asks a single question.

01:14:17What is the risk?

01:14:20One of the children does not answer the question and writes on the paper:

01:14:24This is the risk.

01:14:26He gives the paper and takes it out.

01:14:27Look, Feride, I don't know this woman at all.

01:14:34He has never worked with us before.

01:14:36This is a woman I have never seen before in my life.

01:14:40I can't do it.

01:14:41I mean, I don't want to get involved in something like that.

01:14:44Very clear.

01:14:48Well, but what do you want?

01:14:57Well, I don't want to upset you, so I'll tell you then.

01:14:59We are in talks with Erdal Özyazcılar for Çağatay's film.

01:15:02For the role of the father.

01:15:04You forget about it.

01:15:06But if you want, I can meet with Şerif Erol.

01:15:08We had talked to Mr. Şerif before, but he had said no to us.

01:15:12Honey, I want to meet with the Sheriff.

01:15:15Ok.

01:15:16But I make no promises because, as you know, the Sheriff is a man of principles.

01:15:21Maybe he hasn't said anything since before.

01:15:23Well, then you talk to Mr. Şerif.

01:15:26Let me also ask you about Yılmaz Guruday.

01:15:28For another role.

01:15:29Can you talk to him too?

01:15:31Of course I can.

01:15:32You are great.

01:15:33Then we have an agreement.

01:15:34And Arif Erkin.

01:15:43So you'll take all my players.

01:15:48Oh okay, I'll meet with my dear Arif too.

01:15:53You are wonderful, Peri.

01:15:54You too.

01:15:56Here you go.

01:15:57Good luck to both of us.

01:15:58Good luck to all of us.

01:16:00Come.

01:16:06Can I come?

01:16:08Feriz yes yes please.

01:16:14I will ask you a question.

01:16:17You can ask me anything you want, Feriz.

01:16:19I mean, I said it before.

01:16:20I want to answer all your questions.

01:16:22Not special.

01:16:26It's about work.

01:16:27Alright.

01:16:28Was the message you sent yesterday real?

01:16:32So we only have one day to resolve the compensation?

01:16:35Yes, it is real.

01:16:38Looks like we've got an idea.

01:16:40I hope it works.

01:16:42So, as I said.

01:16:43I'm not involved in this anymore.

01:16:44He completely left the solution to you.

01:16:47Though...

01:16:48...but I found a solution too.

01:16:50What kind of solution?

01:16:51Golf.

01:16:53Golf.

01:16:56Well...

01:16:57...I would love to tell you.

01:16:59Do you have time?

01:17:01We have one day.

01:17:03This means we need to act quickly.

01:17:06So he has no time.

01:17:08Thank you.

01:17:10You're welcome

01:17:16Serkan, are there people considering leaving the agency?

01:17:18As far as I know...

01:17:22...no.

01:17:23But the person who leaked this information...

01:17:25...need to cut off ties with the agency.

01:17:28Frankly, I wanted to trust you on this matter, but obviously you will not tell me that person.

01:17:32So, he is an important person to you.

01:17:35But...

01:17:36...if you...

01:17:37...if you tell me that person now...

01:17:40...I can make an exception.

01:17:43What do you say?

01:17:44I'll keep my mind too.

01:18:02I talked to Serkan.

01:18:03He doesn't know anything.

01:18:04See, you were worried for nothing.

01:18:07If you want to tell me who you are, come to me.

01:18:11Maybe he could make an exception.

01:18:13I guess he meant to say that I can give up firing him.

01:18:15I don't know.

01:18:16I wonder who Feris thinks did it?

01:18:17I am very curious.

01:18:18Why?

01:18:19I wonder what happened, my dear.

01:18:20Who does he suspect?

01:18:21I think it's definitely from Kıraş.

01:18:22Definite.

01:18:24Stop.

01:18:24Asli, okay, I need to open it.

01:18:26Ok darling.

01:18:28My dear Aslı.

01:18:30How are you?

01:18:31Not tomorrow, my love.

01:18:35No, I have an appointment at that time.

01:18:38Let's pull it forward a little.

01:18:40Let's change the clock.

01:18:41Feris Dikmen.

01:18:42Mine.

01:18:45Okay, honey.

01:18:46Okay, okay.

01:18:48Look, it's already visual.

01:18:50It won't make any difference.

01:18:52Yes, yes, it is quite suitable.

01:18:54Okay then, I'm waiting to hear from you.

01:18:57Thanks.

01:18:59Okay, see you.

01:19:00Bye bye.

01:19:11Yes, I think of you.

01:19:13I can't help it.

01:19:13Is it out of my hands?

01:19:25Is there a sample option again?

01:19:27Look, I'll eat it then.

01:19:28Is there anything?

01:19:29Is there anything?

01:19:32Is there a better option for me?

01:19:33Size específici.

01:19:34To us at great length.

01:19:36Because is there a choice for you?

01:19:37To much length.

01:19:37Is there anything?

01:19:37Thank you for watching.

01:20:07Let's do something. Let me tell you. I'll tell you.

01:20:12If you tell me everything one by one.

01:20:14Okay. I'll explain everything. One by one.

01:20:16Thank.

01:20:37This is the weirdest gift I've ever received, but thank you.

01:20:53Enjoy your meal.

01:20:54Would you like?

01:20:58I have quite a pack.

01:21:00I don't know.

01:21:03Good luck.

01:21:03God, it's cold.

01:21:19You are Khidr.

01:21:21Look amazing.

01:21:24Where did you find this costume?

01:21:25You look great, Julide.

01:21:27We also had it removed from the defect.

01:21:29I think it's beautiful, isn't it? It suits me very well.

01:21:31I love it.

01:21:32I wanted to take a chance.

01:21:33It turned out nice.

01:21:35You are amazing.

01:21:36Thanks.

01:21:37I'll go now and check the preparations.

01:21:39I'll be right back after that.

01:21:40Ok.

01:21:40He prefers me.

01:21:43I love it.

01:21:43What situation are we in?

01:21:45Technical preparations are complete.

01:21:47We only have two hours.

01:21:49Let us know.

01:21:49From now on I will go to the add.

01:21:50I can't stay too long.

01:21:51Let's not even think about that.

01:21:53What can happen in two hours?

01:21:55Yes, yes.

01:21:56Don't worry at all.

01:21:57It's over, it's over.

01:21:58It will end.

01:21:59Me too.

01:22:00Where is Gokce?

01:22:01The new room is last.

01:22:02Huh.

01:22:02There.

01:22:03We are ready.

01:22:04Huh.

01:22:04They came.

01:22:05Ah.

01:22:06You've done very well, too, Ms. Gökçe.

01:22:08What kind of goat are you?

01:22:09Very, very good.

01:22:10Yes.

01:22:10Let me check you out.

01:22:12Take good care of Emre.

01:22:16Berk, what is this?

01:22:17Why is Emre Berk's hair like that?

01:22:19Is there such a soldier?

01:22:21You're right, let me stop somewhere here, Emre.

01:22:22I'm sorry Fersan, I'll be right back.

01:22:23It gushes out from them, son.

01:22:25Let me cut your hair right here.

01:22:26Don't run away, but Emre is ridiculous.

01:22:27No, we can't use it, Berk.

01:22:29I'm sorry, but there is no such thing as a soldier.

01:22:31No.

01:22:31Ok.

01:22:31Come out, come out, come out.

01:22:32I don't want my eyes to see you.

01:22:33Ok.

01:22:34What is the situation? Are we ready?

01:22:35Ms. Gökçe, I can take you to the top of the stairs now.

01:22:38Okay there.

01:22:39Then the final preparations.

01:22:40Final preparations.

01:22:40Yes.

01:22:41I can take you to me.

01:22:41Definitely leave again.

01:22:42I am a child too.

01:22:43You get up there.

01:22:44The moon is very good, come and tell her this.

01:22:46Yes.

01:22:47Ok.

01:22:47Kıraç, where did you find the cameraman?

01:22:49DJ's classmate is a senior studying Cinema TV.

01:22:52I said I would give credit to Feyyaz in my graduation project.

01:22:54Wow, look at the luck of these people, man.

01:22:56We could barely get our classmates to play with us.

01:22:59Continue.

01:23:01Ready.

01:23:02I'm ready.

01:23:02Thank you, brother Huseyin.

01:23:12Okay, son, stop frowning now.

01:23:14Everything will be fine.

01:23:16How far have we gotten through this together? Are we not going to get through this?

01:23:19And look, my mother is also in our place now.

01:23:21The woman gets upset when she sees you like this.

01:23:23Just so you know.

01:23:24Why did we come here, brother?

01:23:25It doesn't distract you, son.

01:23:28It's been a while since we've sat down and discussed it with our brother.

01:23:30Are you feeling bad?

01:23:31We should have gone somewhere else.

01:23:33My son, is it possible to go anywhere else than Hüseyin's place?

01:23:35Never mind, they are waiting everywhere to film you.

01:23:38No one can find us here.

01:23:40Well, my father always came here.

01:23:41The man was sitting right there.

01:23:44My father wouldn't leave here, son.

01:23:46We come here every forty years.

01:23:49So what are we moving on to?

01:23:52I swear we definitely didn't drink to my father.

01:23:55Yes.

01:23:56Fly.

01:23:57Two.

01:23:58One.

01:24:00Put him to sleep.

01:24:05What is he doing?

01:24:06What the hell is he doing?

01:24:09We cut.

01:24:11We cut it, Ms. Gökçe.

01:24:12What are you doing?

01:24:13What is that?

01:24:14As a dreamer, do you have to put your hands forward?

01:24:19But didn't you just say, "Come, close your eyes as a ghost?"

01:24:22No no no he became like a zombie.

01:24:24Pardon?

01:24:25Ms. Gulin is absolutely right.

01:24:27Well, we're opening our eyes.

01:24:30We put our hands down.

01:24:32Yes.

01:24:33From the beginning.

01:24:34Ready.

01:24:36We can count it as ready, sir.

01:24:38Fly.

01:24:39Foot.

01:24:39We cut.

01:24:41We cut.

01:24:45We cut.

01:24:46Pardon.

01:24:47The phones of the three of them are ringing and I'm very curious about this.

01:24:49It's my phone ringing, sorry, but I really need to answer it.

01:24:53Because it could be from the hospital.

01:24:54I had changed my shift for my friend.

01:24:55It's important, so I apologize.

01:24:57Hello.

01:24:58I sent those files to radiology.

01:25:01Can we close it?

01:25:02I hung up.

01:25:03Let's get airplane mode.

01:25:06Concentration.

01:25:07Yes.

01:25:08Ready.

01:25:09Obey.

01:25:16We cut.

01:25:17Didn't you put anyone in charge of Dicle traffic?

01:25:20Why is this man passing by here at this hour?

01:25:22What happened because of me again?

01:25:23No, it didn't happen because of you.

01:25:25The scooter passed, nothing to do with it.

01:25:27Kıraç, I will not say anything to the boomers from now on.

01:25:29How long has it taken for this to happen?

01:25:31Let's change, huh?

01:25:32Come on.

01:25:34Ready.

01:25:35A game.

01:25:40I swear I'm going crazy now.

01:25:43My dear Emrah, what are you doing, my dear?

01:25:45My heart.

01:25:46What have we been doing all this time?

01:25:48Why did you feel the need to run?

01:25:49Did we do something like that and you ran now?

01:25:51When did we make these soldiers run until now and now you are running?

01:25:56Emrah, I will tell you.

01:25:59Game.

01:25:59Isn't this a dream?

01:26:10I think it's a dream.

01:26:12A nightmare even.

01:26:13Ghosts only exist in dreams.

01:26:16And in fairy tales.

01:26:18My dear.

01:26:19Oh, I really can't do it.

01:26:22Don't cut the recording, Tenel, don't cut the recording, I swear I will.

01:26:24Ms. Gökçe, please.

01:26:26Cut.

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