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00:01:52Oh
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00:04:18Oh
00:04:19Good morning dad, good morning dad, good morning to you too.
00:04:49Hi, Dad. Good morning to you too.
00:04:52Hi, Dad. Good morning to you too. Eat, eat.
00:04:57Mr. President, gentlemen of the jury, my client could have committed a massacre, but he only killed his mother-in-law.
00:05:07That's why he's innocent, Mr. President. How's his voice?
00:05:11Beautiful dad.
00:05:13And now keep eating and I'll give you a piggyback ride.
00:05:19You have to earn it because I do it only for you, look.
00:05:23It's getting late for me, huh?
00:05:34Finish eating and come help get Dad dressed.
00:05:38After you.
00:05:39Eat first.
00:05:40Your dad thanks you.
00:05:58And to you too.
00:05:58Wash your ears.
00:06:01I'm washing the day before yesterday.
00:06:02I wash them at Christmas.
00:06:04And you too.
00:06:04All right.
00:06:05Always the ears.
00:06:06Hi dad.
00:06:06Right back at you.
00:06:07Yes.
00:06:08Right back at you.
00:06:08Hi dad.
00:06:09You go to kindergarten.
00:06:10And you come along.
00:06:11HI.
00:06:11One, two, three, four, five, six, seven, eight, nine, ten.
00:06:16Eleven.
00:06:18That's all right.
00:06:21Excuse me, my darling.
00:06:24And now be good.
00:06:25And don't make mommy angry.
00:06:28If not, we won't eat anymore.
00:06:29Remember that dad goes to work.
00:06:32He goes to defend those the law would like to hit.
00:06:35Even if they are innocent.
00:06:37Mr. President.
00:06:39Gentlemen of the court.
00:06:40The prince of the forum arrives.
00:06:44Goodbye, Scions.
00:06:45Make way for me.
00:06:46Be good, eh.
00:06:47Hi dad.
00:06:48Good work.
00:06:49Good work.
00:06:50Good work.
00:06:50HI.
00:07:07Unfortunately, you had to make an effort, Mr.
00:07:09But it is time to crush every kind of scoundrel under its political and moral weight.
00:07:13Come, Honourable Megrini.
00:07:14Room 32, I think.
00:07:15So there is no doubt about the conviction.
00:07:17Cases like this shouldn't even be discussed.
00:07:19But they do.
00:07:20The 25th corrende.
00:07:21Excuse me, Mr. Frettore.
00:07:23Since Michalizzi's trial is tomorrow, it cannot be postponed.
00:07:27I have to go to Palermo.
00:07:28Okay, postponed.
00:07:29Thank you.
00:07:30And he grants me the honor of having lunch with me.
00:07:32Thanks, I'll eat at home.
00:07:33An aperitif at the courthouse bar.
00:07:35I don't drink.
00:07:35And tell me, Mr. Frettore, do you like tarot cards?
00:07:38They are wonderful, I received a box of them this morning.
00:07:41For her I am...
00:07:42Lawyer, let me be clear.
00:07:43I am blessed.
00:07:45Let me be clear, I don't accept gifts from anyone, especially from you.
00:07:50No, but he sees tarot cards...
00:07:50And let it be clearly understood that Ingras' magistrate is incorruptible.
00:07:54No, but I wanted to tell her that...
00:07:55But since he won't let me speak...
00:07:57Mr. Magistrate, the tarot cards are for you.
00:07:58Yes, sir, please, but how dare you?
00:08:00Mr. Magistrate does not need tarot cards.
00:08:02But what does the praetor want to bribe?
00:08:04But...
00:08:04Please.
00:08:06Let me pass, please.
00:08:06Let him pass.
00:08:08But how dare he?
00:08:09He wants to ruin me.
00:08:09But she told me.
00:08:10Taking it back like that for nothing.
00:08:11Eh, I'll take them.
00:08:13There is my baby who goes to the chest.
00:08:14And there is the child who goes to the chest.
00:08:16Eh, the very friendly benenato.
00:08:17No, no, no, no, from Paternò.
00:08:19You have, you have, there too.
00:08:19Someone has the praetor.
00:08:20The least.
00:08:22You'll arrive, yes, I'll take care of it.
00:08:23I don't forget it.
00:08:24We were even missing the tarot cards.
00:08:26And meanwhile the liver goes to waste.
00:08:28The doctor says it's the fat's fault.
00:08:31But I know whose fault it is.
00:08:33Of the benenato lawyer.
00:08:35Sir, please take a seat here...
00:08:37Paola 23, not 32.
00:08:38We toured the entire building.
00:08:39Please.
00:08:41You're welcome, sir.
00:08:55Come in here, sit down.
00:08:59The prosecutor, please.
00:09:02The cause of the Honourable.
00:09:03Good morning.
00:09:05Please.
00:09:06Honorable Megrini,
00:09:07she files a complaint against Cavalieri and Gisto.
00:09:11Present.
00:09:13Against Cavalieri and Gisto for contempt.
00:09:16Exact.
00:09:17Exact.
00:09:17Exact.
00:09:18Exactly.
00:09:20Lawyer, wait your turn.
00:09:22Eh.
00:09:23So, Mr. President,
00:09:24First of all we are honored to have you here among us,
00:09:27comforted by the presence of such a small legal representation.
00:09:33So.
00:09:35But...
00:09:36But what is he doing?
00:09:37Law.
00:09:38He's used to giving rallies.
00:09:39Ah.
00:09:41The duty of every good democrat is to diligently contribute to the triumph of...
00:09:48justice.
00:09:49Right.
00:09:50Exact.
00:09:50Right.
00:09:51Just a horn.
00:09:52The honorable member tries to influence the court's judgment.
00:09:56Be good.
00:09:59Please let us know the facts.
00:10:01Here you are.
00:10:03So.
00:10:03I just saw you on the political stage, my love.
00:10:08My love.
00:10:10Mr. Infoglio.
00:10:11Wrong sheet.
00:10:15So.
00:10:17Mr. Magistrate, the facts are simple.
00:10:19During one of my speeches at the Cavour theatre,
00:10:22in the midst of my passionate and democratic oration,
00:10:25the defendant from the front row interrupted me with a vulgar for...
00:10:29Spurious.
00:10:31As?
00:10:31Spurious.
00:10:32Spurious.
00:10:33Exact.
00:10:34Exact.
00:10:34Exact.
00:10:36Well.
00:10:37And now let's hear what the defendant has to say.
00:10:40Defendant, stand up.
00:10:42Mr. Magistrate, my client has nothing to say.
00:10:46My client is innocent.
00:10:48A gratuitous and laughable statement.
00:10:49Laughable and gratuitous.
00:10:50Please.
00:10:52Attorney, I think this statement needs to be supported by tangible evidence.
00:10:57Exact.
00:10:58Exact.
00:10:59Exact.
00:10:59I therefore ask that a judicial experiment be carried out by reconstructing the facts.
00:11:06And I ask the honorable member if he wants to repeat the speech.
00:11:10Agree.
00:11:12Is that possible, sir?
00:11:13Of course not, Mr. Magistrate.
00:11:15In fact, I have the notes of the speech here.
00:11:20So.
00:11:22No, these are not them.
00:11:23These are not them, miss.
00:11:25Excuse me.
00:11:25Yes, of course.
00:11:26Excuse me.
00:11:28I'm picking up where I left off here, right?
00:11:30The practice of irreversible dynamism projected into the future of a more solid democratic area
00:11:38It does not mean emptiness or twenty-firstism.
00:11:40He's been saying the same things for twenty years and I still haven't memorized them.
00:11:43It means...
00:11:44Objection!
00:11:46This room lacks all the equipment necessary for simultaneous translation.
00:11:51And what does it mean?
00:11:52This means that an interpreter would be needed to understand what the honorable member is saying.
00:11:57Come on, Mr. Magistrate!
00:11:59Please, lawyer, please!
00:12:02Please!
00:12:02And I continue, Honourable Member.
00:12:04Here, the paper.
00:12:05There isn't.
00:12:06How is it not there?
00:12:07There is no paper.
00:12:08Ah, here's the paper.
00:12:10It does not mean empty adventurism, solid obscurantism,
00:12:14but rather work progress in tune with the evolution of popular moves.
00:12:19Therefore, we men of government, who are one with the working class,
00:12:25and it is here, and it is here that the vulgar interruption occurred.
00:12:29Mr. Magistrate!
00:12:29Exactly, exactly, exactly, exactly!
00:12:31Ah, but then we insist here!
00:12:33Lawyer, don't stop interrupting, dividing the process, breaking up the debate!
00:12:38But I do not divide, on the contrary, I break, so that this process awakens in a realistic unitary sense.
00:12:45and therefore I ask for a destructive supplement for the reconstruction of the facts.
00:12:49Right?
00:12:50Right!
00:12:50Right!
00:12:51Right!
00:12:51But that's not fair, but who are those people?
00:12:54These are my consultants, Mr. Magistrate, yes, I have consultants!
00:12:58Consultants?
00:13:00Illustrious and Honorable, would you mind if I asked you in the primary and abstract interest?
00:13:06of justice to repeat the last part of the speech?
00:13:08But the paper would be missing.
00:13:10Here you go.
00:13:11In a hat, no, sorry.
00:13:12Therefore, we men of government, who are one with the working class...
00:13:20That was the sound, you know?
00:13:26Chancellor, you are taking minutes.
00:13:28Yes, yes, all true.
00:13:28Where did it arrive?
00:13:30Here is the truth, Mr. Magistrate, the real truth!
00:13:33And you think it's a vulgar insult to the MP!
00:13:38Why?
00:13:39You think that's a compliment, huh?
00:13:40It's not a compliment, but it's not an insult to your lordship either!
00:13:44And I would like to prove it, if you repeat the last part of your speech to me!
00:13:47No, no, no, no!
00:13:48Lawyer!
00:13:48No, no, no!
00:13:50I want to be...
00:13:51I want to be democratic!
00:13:52Excuse me, I don't...
00:13:52I want to be democratic!
00:13:54Where?
00:13:55One moment, excuse me!
00:13:57Forgive me, okay?
00:13:58Therefore, we, men of government, who are one with the working class...
00:14:06Berenetto makes me laugh, he can do everything!
00:14:13The raspberry, everything...
00:14:15No!
00:14:18I just made a genuine, authentic mockery,
00:14:22Or, to be precise, a real pain in the ass, right?
00:14:26Right, right.
00:14:28Because the bernacchia has its own traditions that are an integral part of Italian customs and history.
00:14:34and has classical and very ancient origins and is therefore subject to precise rules.
00:14:43Like this one which is the classic crepitaculum partenopeum
00:14:47belonging to the official tradition of the classical Neapolitan school.
00:14:54But no less famous is the Sicilian bernacchia
00:14:57which draws on an even heroic tradition
00:15:01and which dates back to the times of the Sicilian Vespers
00:15:05and contributed decisively to the defeat of the French
00:15:08because our jackdaw has three tails.
00:15:12I knew it.
00:15:14And now I'll give you a demonstration.
00:15:17These are the three tails.
00:15:25But come on, lawyer, come on.
00:15:27All right.
00:15:28But this is a classroom, not the Bernacchia Academy.
00:15:30All right, Mr. President, but I have to demonstrate it.
00:15:34If they want to hear it, there's also the Florentine bernacchia.
00:15:36And we don't want to hear it.
00:15:37Oh yes, no.
00:15:38And allow me.
00:15:39No.
00:15:39Yes, please.
00:15:43Silence.
00:15:45Enough.
00:15:45Gentlemen, I believe we have reached the point of conclusion.
00:15:53So far you have heard genuine bernacchie, classic bernacchie, traditional bernacchie, heroic bernacchie.
00:16:01While the honorable member was given a slap in the face, a simple thing, as our technical consultants will demonstrate.
00:16:12Please.
00:16:14Notice the difference.
00:16:16Now it's going too far.
00:16:17How can I describe my client's faint sound as a bernacchia?
00:16:21There is not even the intention of the bernacchia.
00:16:23It's a sigh.
00:16:24Mr. Pretori.
00:16:25And do we want to praise a man for a sigh?
00:16:28What?
00:16:28Did it hurt?
00:16:29But it's a sigh.
00:16:30You hear her, ma'am, help.
00:16:32Gentlemen, help.
00:16:33You pick me up.
00:16:35But I know.
00:16:35If the court has any doubts, we simply have to repeat the entire demonstration.
00:16:43To...
00:16:43He said he's done.
00:16:45Lift me up.
00:16:46Stand me up.
00:16:47In the name of the Italian people, pursuant to Articles 600 and 601 of the Criminal Code.
00:16:57We, the praetors in Rome, acquit the defendant of the charge of contempt because the act will not constitute...
00:17:03Honorable, the provocateur has been acquitted.
00:17:06As?
00:17:06Him.
00:17:07The dirty one, yes.
00:17:08He was acquitted, yes.
00:17:09And how?
00:17:09Was he acquitted?
00:17:10He is acquitted.
00:17:12Thank you, thank you, lawyer.
00:17:13You were very good.
00:17:14But it saved me.
00:17:15The bernacchia is twisted.
00:17:16And the hearing is adjourned.
00:17:17You too are going to die, Mr. Magistrate.
00:17:19There are exits.
00:17:19Did they acquit him?
00:17:20Yes.
00:17:21Mr. Magistrate, let's go.
00:17:23Let's go.
00:17:25Let's go.
00:17:26Come on, lawyers.
00:17:28Mr. Magistrate, I will appeal in hat.
00:17:31In my hat, in mine.
00:17:32It's a no-appeal.
00:17:33We will appeal.
00:17:34On appeal.
00:17:35We will appeal.
00:17:37On appeal.
00:17:37Can I offer you something?
00:17:39Thanks, I ordered today.
00:17:41I have noticed, if I may, a certain coldness towards my esteemed client.
00:17:46Cold ones that you wanted to mitigate by sending me a Sicilian cassata with ribbons and frills.
00:17:52But what is he saying?
00:17:53I wanted to say that the kind gift sent to my house last night was returned to sender.
00:17:57But I don't know what he's talking about.
00:18:00Didn't you send a cassata?
00:18:02No.
00:18:03Neither me nor my colleagues.
00:18:04Good morning.
00:18:05Good morning.
00:18:05Who could it have been?
00:18:12The benenato lawyer.
00:18:19Baking soda please.
00:18:21Excuse me, do you know the lawyer Benenato?
00:18:24Can you tell me if he's here?
00:18:25Certain.
00:18:25And that gentleman is sitting over there?
00:18:26Oh, thanks.
00:18:27Ah, finally.
00:18:28We're looking for it everywhere.
00:18:30And you, the benenato lawyer?
00:18:31They told us that only she...
00:18:32No, no, no, I'm Galoppino.
00:18:33We don't want...
00:18:34He is the lawyer.
00:18:34Is there a lawyer?
00:18:35It's me.
00:18:35He absolutely must help us.
00:18:37Calm down, calm down, I'm all right.
00:18:39They drink coffee.
00:18:41Tell me, tell me.
00:18:42Actually, no, it's better if I say it.
00:18:44Let's see if I guess right.
00:18:45So, is it breaking the Merlin law?
00:18:47But no, what does he say?
00:18:49Huh?
00:18:50Alfredo Barbariello and Gino Pagnani.
00:18:52Yes?
00:18:52The duo Alfredo and Gino.
00:18:54Oh?
00:18:54Or public scene.
00:18:55Ah, I see, are you Gino or Alfredo?
00:18:57But no, I'm Alfredo's wife.
00:18:59She is Alfredo's wife.
00:19:00Here it is.
00:19:02Elena, where is the lawyer?
00:19:03There he is.
00:19:03Ah, it's her.
00:19:04Excuse me, Gino Pagnani.
00:19:06Yes, but she comes here on the morning of the trial, excuse me.
00:19:08But lawyer, we're from Battipaglia.
00:19:10We finished the show at midnight.
00:19:13Is she an artist too?
00:19:14Of course, I'm the company's showgirl.
00:19:16Capri.
00:19:17Lawyer, what do you say?
00:19:18They will condemn them.
00:19:19But don't worry, they're in my hands.
00:19:22I'm so distressed.
00:19:23Why?
00:19:23Do whatever it takes to make this story end well.
00:19:26Anything?
00:19:29Well, yes.
00:19:30Ah, and then if you'll allow me, I'll step away with the lady for a moment.
00:19:35And what do I do?
00:19:37Take notes.
00:19:38Yes, but notes on what?
00:19:39As for the general nature of the crime, I'll take care of the specifics.
00:19:42What do you say, is there a risk of conviction?
00:19:44Lawyer, they will acquit us.
00:19:45Yes, yes.
00:19:45What do you think?
00:19:47But who are you?
00:19:47I'm the one taking notes, right?
00:19:49Notes on what?
00:19:49But since I don't know, she wants to know.
00:19:51Calm down, calm down.
00:19:52If the company stops, we are all ruined.
00:19:55Wait.
00:19:55The process.
00:20:13You see, this is nothing.
00:20:15I have remained an artist at heart.
00:20:17My father really wanted me to study law.
00:20:19She should see how I do impressions.
00:20:21Yes, but you see, the process.
00:20:22Tell me, don't worry about the process.
00:20:25Did you know Totò?
00:20:26Eh, no, unfortunately.
00:20:27The great comedian.
00:20:28Well yes.
00:20:29I do an imitation of him.
00:20:30Almost perfect.
00:20:32She has to understand.
00:20:33If we lose the scriptures, we're out of the loop.
00:20:35I heard you.
00:20:37Madam, how are you?
00:20:38We are men or foremen.
00:20:43Mr. President, what do you think?
00:20:48My teacher is a genius, he can do everything.
00:20:50Yes, it will be a phenomenon, but we are in the theater here.
00:20:52Lawyer, we are here for the cause.
00:20:54Well done, well done.
00:20:55But you see, lawyer, the process.
00:20:57It's better to think about that, right?
00:20:58Which process?
00:20:58Oh, yes, but we have the situation under control, don't worry.
00:21:03You see, besides impersonations, I can also dance.
00:21:06Tap dancing.
00:21:07Look.
00:21:12Lawyer, listen to me.
00:21:15But look, trouble boy.
00:21:17You understand that if they count on it, I won't miss the Bisceglie debut.
00:21:20Boy, Elena, where is she?
00:21:22It's there, dear ones.
00:21:22Thanks, trouble.
00:21:23Ah, there?
00:21:25Elena.
00:21:26Ah, Alfredo.
00:21:27Stay calm, please, stay calm, do you understand?
00:21:31Who is?
00:21:31Hey, Alfredo, this is our pension lawyer.
00:21:33This is my lawyer.
00:21:35Pleasure.
00:21:36Pleasure.
00:21:50And this is my lawyer.
00:21:55Alfredo!
00:21:56Go get the bitter, quickly.
00:22:00Very quietly.
00:22:02Ah, there, you have it on that table.
00:22:05As.
00:22:06Go to three.
00:22:07And this is my lawyer.
00:22:11And go around, boy.
00:22:16Here, calm down, okay?
00:22:20Tell me exactly how things went.
00:22:22Well, that's how things went
00:22:26Hey, what am I saying?
00:22:38But what do you want?
00:22:48Dear Marshal
00:22:50Is it allowed?
00:22:52Please, please, have a seat, Marshal.
00:22:55I'm not a marshal
00:22:56Show me your documents. Are they in order?
00:23:00Yes, everything is fine.
00:23:01Ellen, take a seat at the marshal
00:23:02Thank you, thank you, I'm fine on my feet
00:23:05Show the script approved by the censors
00:23:07Here it is, this is the script
00:23:09Stamped front and back
00:23:11Oh, let's be clear, shall we?
00:23:13Don't say a word that isn't written in the script
00:23:15Otherwise I'll slap you in the ass
00:23:17Who's on stage? We're ready, huh? Who's on stage?
00:23:19What are you saying, Marshal?
00:23:22We comply scrupulously
00:23:23And you do well
00:23:24You're doing well
00:23:25And here with double meanings and various obscenities
00:23:28We can't go on
00:23:29Oh, right.
00:23:30It must end, it's time to put a stop to certain indecencies.
00:23:33Anyway, I'll keep the script.
00:23:35And I'll check word for word
00:23:37And hey, how are you?
00:23:39Please
00:23:40Don't pretend you don't understand
00:23:42You're not bringing the little triangle and flowers here, are you?
00:23:45Well, actually...
00:23:47I understand
00:23:48Show me the costume you wear on stage.
00:23:51Here it is
00:23:57But when ever?
00:23:59This is really a nightmare
00:24:01Hallucinating
00:24:02Oh, and I say
00:24:03Oscello will be her
00:24:04Madam, let us be careful of vilification
00:24:07Excuse me, the second one on the left is French
00:24:29No, it's from Vollonica
00:24:30But
00:24:37Alfredo, you have to save me
00:24:42I had dinner at your house last night.
00:24:44And so I told my wife
00:24:45But do you remember everything?
00:24:46It's very simple
00:24:47Lasagna
00:24:47Lasagna
00:24:48The rolls
00:24:49With a side of peas
00:24:50The wine, the green
00:24:51Yes
00:24:51And then your wife prepared us a nice red cogommero
00:24:54And we ate it
00:24:55Did he understand everything?
00:24:56No
00:24:56Eh, we're cold
00:24:57Don't worry
00:24:58Listen to me
00:24:59Darling, do you see?
00:25:01Alfredo came to visit us
00:25:03Yes
00:25:03By the way, what did you eat last night?
00:25:06While we have
00:25:08We ate
00:25:09Oh yes, we ate
00:25:10Of course not.
00:25:10We ate the things
00:25:12And how
00:25:13That one makes me laugh
00:25:17We ate the batons
00:25:18The batons
00:25:19The batons
00:25:20Ninth
00:25:20Under the table
00:25:22Yes, under the table
00:25:23Under the table
00:25:23We ate
00:25:24The sagne
00:25:26The sagne
00:25:26They were good
00:25:27The sagne
00:25:28And secondly?
00:25:29Ah, secondly
00:25:31Second
00:25:32Second
00:25:33In short
00:25:33For second course
00:25:34Here we are
00:25:36We bandaged our little finger
00:25:37That we had done it badly
00:25:38It's got something to do with it
00:25:39The little finger that makes us
00:25:39In vaults
00:25:41Yes, in little vaults
00:25:43With side dish
00:25:44Yes, as a side dish
00:25:46There was the outline
00:25:47As there was no outline
00:25:48There was, yes, yes
00:25:49And what was the side dish?
00:25:50Ah, balls
00:25:52Balls
00:25:53Balls, yes
00:25:54Side
00:25:55Outline of balls
00:25:55Pitelli
00:25:57Pitelli
00:25:57And then?
00:25:59Oh, then
00:26:00The surprise his wife gave us
00:26:02My wife
00:26:03My wife
00:26:04Your wife
00:26:05My wife
00:26:06My wife
00:26:08So do you know her too?
00:26:14Eh, curtain
00:26:15Curtain
00:26:16Eh, but what's going on?
00:26:18But why did it happen?
00:26:19Well then, Mr. Magistrate
00:26:21He made us close the curtain again
00:26:22And then the next day they called us to the police station
00:26:24And they notified us of the complaint
00:26:27Now I would like to clarify, Mr. Magistrate.
00:26:29All right, sit down
00:26:30Mr. Magistrate
00:26:33Indecency exists
00:26:34I therefore request that the defendants
00:26:36They are sentenced to six months in prison
00:26:39But they are innocent
00:26:40But it's an injustice
00:26:41But it's an insult
00:26:42Freedom of speech
00:26:43Silence
00:26:43But they are two fathers of families
00:26:45I'll be brief
00:26:46I'll be brief
00:26:48I will give you some examples of the songs
00:26:50Of the Forrettis
00:26:51Lawyer, let's skip over it.
00:26:53And leave Oedipus alone
00:26:54Also because if I may
00:26:56It seems to me that his clients
00:26:57They are part of a genre of entertainment
00:26:59Lighter
00:27:00Eh, okay
00:27:01Okay, okay.
00:27:02Let's stay in this genre
00:27:03Wrongly called light
00:27:06There are some examples
00:27:08Illustrious
00:27:09Even classics
00:27:11Of some moves
00:27:12That accompany the words
00:27:14Yes, hold it tight
00:27:16The artist who feels the text
00:27:18But first what is he saying?
00:27:19He's crazy
00:27:19He's sending us to jail
00:27:20This unfortunate
00:27:22We were also missing the singing now
00:27:25No
00:27:26I know her
00:27:27Yes, at the prenture
00:27:27As a judicial experiment
00:27:29She suggests it to him
00:27:31Chancellor
00:27:31As a technical assessment
00:27:33No, no, no
00:27:36The text please
00:27:38The text
00:27:38I sold 300 buildings
00:27:42I sold 300 buildings
00:27:44I sold 300 carriages
00:27:46I sold 300 carriages
00:27:48But I'll go crazy
00:27:49But I'll go crazy
00:27:50So, Mr. Predore
00:27:52In her opinion
00:27:53The Madman
00:27:54The face was here
00:27:55It was here
00:27:57And she was forced to stop
00:27:59Because of the table
00:28:00If not, it would have continued
00:28:02I explained myself
00:28:03Here's why
00:28:04These gentlemen
00:28:05Who do theater
00:28:07To make people laugh
00:28:09They do ours
00:28:10And I could give more
00:28:11In demonstrations
00:28:12With other songs
00:28:14There is no need
00:28:15But, he speaks well
00:28:16Crecio
00:28:17Have you heard?
00:28:20Chancellor
00:28:21A beautiful Spanish song
00:28:23Grenade
00:28:24You can also give her the introduction.
00:28:26It's tall
00:28:33No
00:28:34Please conclude
00:28:36And I conclude by saying
00:28:38That the move
00:28:39It has always been part of
00:28:41Theatrical performances
00:28:43Reaching the maximum splendor
00:28:45In the invention
00:28:47Of a great actress
00:28:49Call Maria Campi
00:28:51Said in art
00:28:52Nini
00:28:53Tirabuschò
00:28:55And if the court allows me
00:28:57I take off my toga
00:28:58And I'm going to execute
00:29:00The move
00:29:01Please
00:29:02Eye
00:29:04I'm not Nini
00:29:06But
00:29:07Prrrrr
00:29:09Prrr
00:29:10Prrr
00:29:11Prrr
00:29:13Prrr
00:29:14Silence in the classroom
00:29:22I was explaining myself
00:29:24And it doesn't make me die
00:29:26Ficco
00:29:26And the real one
00:29:29The sentence
00:29:33Yes
00:29:34Come on
00:29:35In the name of the Italian people
00:29:39Having regard to Articles 31 and 32
00:29:41Of the penal code
00:29:42Barbariello and Pagnani are acquitted.
00:29:44From the charge of outrage against decency
00:29:46Because the fact does not constitute
00:29:48Rai
00:29:48The hearing is adjourned
00:29:52Lawyer or benenato
00:29:55Who is?
00:29:56Only me
00:29:57What's up?
00:29:58Come here for a moment
00:30:00But I really
00:30:01Come on
00:30:03Come on
00:30:03Mr
00:30:05Praetor
00:30:06I
00:30:06I don't know
00:30:07What's up?
00:30:08Say
00:30:09I'm at your orders
00:30:10Francesco Benenato
00:30:12Yes
00:30:12Having noted that during the course of the trial
00:30:15Yes
00:30:16She had an offensive attitude
00:30:18With regards to the court
00:30:20I'll try her quickly.
00:30:22Mr. President
00:30:23But she wants to joke
00:30:24This is no joke
00:30:25But I
00:30:26What am I accused of?
00:30:28What about?
00:30:28Chancellor
00:30:29Lawyer Benenato
00:30:30I'm sorry to say this
00:30:31But this time things are serious.
00:30:32She exaggerated
00:30:34But in what sense?
00:30:34In every sense, lawyer
00:30:36Why did she do it?
00:30:36Trrr
00:30:37Trrr
00:30:38Trrr
00:30:38Trrr
00:30:39Three
00:30:39Instead his specture
00:30:40It was my ring
00:30:42I wanted to demonstrate
00:30:43The court
00:30:44That the gesture
00:30:45That the gesture is the complement
00:30:45Subject of the words
00:30:47But what words?
00:30:47Words
00:30:48This is contempt of justice
00:30:50But she thinks I want
00:30:51I will vilify you
00:30:53Your Honor
00:30:54A man of the judiciary
00:30:56Even the judiciary giant
00:30:58A character sign
00:31:00What what what what what but it's just madness to think that
00:31:03Madness
00:31:04Yes madness
00:31:05She says madness
00:31:06Madness
00:31:06And he admits it.
00:31:07And he admits it.
00:31:08Give me the pass to the permaccio
00:31:09But no but no but no but the madness
00:31:10I wanted to tell her that listen, but which boss?
00:31:12I am the benenato lawyer
00:31:14Charge
00:31:15But what charge?
00:31:16She deletes
00:31:17Delete everything
00:31:17But what are you canceling?
00:31:19He writes
00:31:19Mr. Fractor
00:31:20That there is a misunderstanding
00:31:21But what a misunderstanding rather
00:31:22She will be a defense attorney
00:31:23Come on, courage, lawyer
00:31:25I'll defend myself
00:31:26She goes from her place
00:31:27If he doesn't want to be charged
00:31:29For the second time
00:31:29She takes off her toga
00:31:31And go to the counter
00:31:32I'm going I'm going
00:31:33I'm going to the counter
00:31:33Benenato at the counter
00:31:35Of the defendants
00:31:36May the court allow me
00:31:38The lawyer, please
00:31:39My replacement
00:31:40He will defend me
00:31:41Who is that gentleman?
00:31:43Please
00:31:43And the lawyer, please
00:31:45Yes he graduated with me
00:31:47Oh you're welcome
00:31:48Please
00:31:49Excuse me, what's your name?
00:31:51Please tell me your name.
00:31:52What's your name, sorry?
00:31:54The name
00:31:54Please Alfredo
00:31:56How nice
00:31:58Please Alfredo
00:31:59Chancellor but you
00:32:00They all make her laugh
00:32:01Why are you making strange jokes?
00:32:02Let's proceed
00:32:03So what?
00:32:05What can I say, lawyer?
00:32:07A ring
00:32:08Defend me
00:32:09What is all that stuff?
00:32:11Just a few notes
00:32:13To begin the process
00:32:14The word defense
00:32:17Mr. Frettore
00:32:19Lord of the court
00:32:21I'll be brief
00:32:22That's better
00:32:23Attack
00:32:23In a short period of time
00:32:25I'll do it again
00:32:26The history of jurisprudence
00:32:29International
00:32:29From the first case
00:32:31Of vilification
00:32:32Cain killed Abel
00:32:34Mr. Frettore
00:32:35But if I hadn't killed him
00:32:37Mr. Frettore
00:32:37What would have happened
00:32:39What would have happened
00:32:41If Cain
00:32:42Had he not vilified Abel
00:32:44Abraham
00:32:44Not Lincoln
00:32:45Because we would already be ahead
00:32:46In times
00:32:47Abraham
00:32:48He killed D'Agnello
00:32:49And the first blood flowed
00:32:52In the history of humanity
00:32:53And blood calls to blood
00:32:55Mr. Frettore
00:32:56And she knows it.
00:32:56She knows it
00:32:57The court deemed itself
00:32:59We won
00:32:59The court deemed itself
00:33:01We won
00:33:01Compliments
00:33:03Compliments
00:33:03Relentless as a protested bill
00:33:10Benenato continues to torture my liver
00:33:13Canceling all the benefits of diet and medicines
00:33:16Ligatti
00:33:18Bolts
00:33:19Lawyer
00:33:20Be my audience
00:33:20Thank you
00:33:21The goat
00:33:22Cob
00:33:23Altanasio
00:33:24And cocylope
00:33:24We have dead work today
00:33:25Four processes
00:33:26What is the first one?
00:33:27The first is the shooting of seven veins
00:33:28Eight funnels
00:33:29Ah yesterday what's here
00:33:32Defends Benenato
00:33:35Today he defends the lawyer Geleto of Palermo
00:33:37Oh Benenato is not there
00:33:38That's better
00:33:39Finally
00:33:40Silence
00:33:43Silence
00:33:43What is this stuff here?
00:33:44That we are at the market
00:33:46This is a court
00:33:47Worse stuff
00:33:48Oh
00:33:48Please
00:33:50Romolo Ligatti known as Claudio Villa
00:33:53Remo Catenacci known as Gagà
00:33:55Augusto Patacca known as the professor
00:33:58Luigi Salluzzi known as Dead Man's Cheese
00:34:00There is no fryer
00:34:01Coccia
00:34:02That?
00:34:02Coccia is the one who does it
00:34:03The head, in short
00:34:04Death's head
00:34:05Death's head
00:34:06That you could write death's head
00:34:07Oh those that
00:34:08Death's head saying
00:34:09Defendants walk free
00:34:10You are accused together with Calogero the goat
00:34:13Salvatore Pannocchia
00:34:15Athanasius Concept
00:34:16And Carmelo Cocilopo
00:34:18Of having originated in the locality of Settevene
00:34:22To a shooting at dawn on March 14th
00:34:26But there weren't supposed to be eight of them.
00:34:30There are eight of them
00:34:31And who is that other one?
00:34:33And the defense
00:34:34The benenato lawyer
00:34:37But weren't they supposed to be protected by ice cream?
00:34:39Excuse me, Mr. Magistrate, but the lawyer is frozen.
00:34:41He couldn't arrive this morning
00:34:43Cause it melted on the road
00:34:46So therefore
00:34:49And who is Romulo Ligatti?
00:34:51It's me, Mr. Magistrate.
00:34:52Why do they call it Claudio Villa?
00:34:55For the voice
00:34:55In what sense?
00:34:56Trastevere House
00:34:58My mother's house
00:35:01My death my death
00:35:03My most
00:35:05The song opens
00:35:07She sings
00:35:07We are not interested here
00:35:08And rather tell me what she did
00:35:11In that box in Trastevere
00:35:12I nothing
00:35:13I wasn't even in Trastevere.
00:35:14But what is there in Trastevere?
00:35:16No, Mr. Magistrate.
00:35:16That's a song
00:35:17About Cesti Claudio Villa
00:35:18What if you my mom
00:35:19Chancellor
00:35:20Let's not start singing again
00:35:21All right
00:35:22Say
00:35:22So
00:35:24Do they know?
00:35:26We're all standing there like this
00:35:28Then he asks me
00:35:29He says but you
00:35:30I
00:35:31He doesn't say
00:35:33When you arrive, blond bubo
00:35:35To me
00:35:36He says but you
00:35:37Oh no
00:35:38At that time
00:35:38The laughter, Mr. Magistrate
00:35:40That we were made
00:35:41He says but what son
00:35:42What language do you speak?
00:35:44It's a slightly rustic Roman dialect
00:35:45Blended as if it were
00:35:47Continue
00:35:48Because he at a certain point
00:35:49I say to you
00:35:50To me
00:35:51But I'll make figures out of you
00:35:53To me
00:35:53What an idiot?
00:35:55No, I'll give you two eyes
00:35:56But I don't understand it
00:35:57He's a simbago type
00:35:58What are you blocking?
00:35:59But what does it mean?
00:36:00She seems to tell me something
00:36:01How that
00:36:01If he understands me
00:36:03Translate then
00:36:04No
00:36:04According to him
00:36:05It has everything a
00:36:06Please, please
00:36:07Season me
00:36:07And then it happened there
00:36:09That that one like that
00:36:10That other one instead
00:36:11I do not
00:36:12Then he says
00:36:13What did I want to do?
00:36:14Ah ah
00:36:15There is not always
00:36:15And it gets lost
00:36:16Did he write everything?
00:36:18All
00:36:18All
00:36:19See, Mr. Magistrate
00:36:20My client
00:36:20He would like to tell the whole truth
00:36:22But unfortunately
00:36:22Poor thing
00:36:23He suffers from total
00:36:25Amnesia
00:36:26Amnesia
00:36:26Amnesia
00:36:27Amnesia
00:36:28Amnesia
00:36:29He has a poor memory
00:36:40It's unsteady
00:36:41But what kind of unsteady?
00:36:42Look, I can even stand on one leg.
00:36:43But what kind of memory deficit?
00:36:45Mr. Magistrate
00:36:45Ligatti
00:36:46I am his lawyer
00:36:48For me
00:36:48And then let's be
00:36:51And let me talk
00:36:52After
00:36:53But how come Mr.
00:36:54He sits down
00:36:56He sits down
00:36:57Please
00:36:57Padovani Enrico
00:36:59It was Camillo
00:37:00Profession?
00:37:02Cabinetmaker
00:37:02Turner
00:37:03Carpenter
00:37:04Knife grinder
00:37:05Cook and shoemaker
00:37:06Ninth
00:37:07The current profession
00:37:08Commands
00:37:09What is he doing now?
00:37:10Cabinetmaker
00:37:11Turner
00:37:12Carpenter
00:37:13Knife grinder
00:37:13Cook and shoemaker
00:37:15And between one job and another
00:37:16She found the time
00:37:17To witness the criminal act
00:37:19What are we going to discuss?
00:37:20Commands
00:37:21Tell us the facts
00:37:23Oh yes sir
00:37:24Cabinetmaker
00:37:25Turner
00:37:25Knife grinder
00:37:26Cook and shoemaker
00:37:27Look, we understand.
00:37:28What is it?
00:37:29What did she see?
00:37:31Ah that morning
00:37:31I was going home
00:37:33At five in the morning
00:37:34It is appreciated
00:37:35Yes sir
00:37:35It's five o'clock
00:37:36Oh no
00:37:36I was going home
00:37:38And I crossed the park
00:37:39Because if you spare me
00:37:40Ten minutes from the road
00:37:41At a certain point
00:37:43I heard about skis
00:37:44That I would be screaming
00:37:45And Gera
00:37:45Those gentlemen
00:37:46They notice me
00:37:47I ask for an expert opinion
00:37:49Legal optician
00:37:50To see
00:37:51And establish
00:37:51Visual abilities
00:37:53About the test
00:37:54Padovani
00:37:54Right
00:37:55Absolutely right.
00:37:56Opposition
00:37:58Unrejected
00:37:59Continue
00:38:00At a certain point
00:38:01I heard gunshots
00:38:02Gocia is terribly scary
00:38:04And I ran away
00:38:05But I warned
00:38:07The police
00:38:07Mr. Padovani
00:38:08And tell me
00:38:10She heard it done
00:38:11The names
00:38:12Of the contenders
00:38:13Hey
00:38:13If he called us
00:38:14With certain
00:38:15Black
00:38:15I ask for an expert opinion
00:38:17Ottorino
00:38:18Laryngology
00:38:19To ascertain
00:38:20The possibilities
00:38:21Auditory
00:38:22Identifiers
00:38:23About the test
00:38:24Padovani
00:38:24Opposition
00:38:26Unrejected
00:38:27But this
00:38:28Say the names
00:38:30But if that gentleman
00:38:31It doesn't allow me
00:38:32Don't pay attention
00:38:32To that gentleman
00:38:33You speak
00:38:33Please contact
00:38:35To the magistrate
00:38:35Romulus
00:38:37Ligates
00:38:37And Calogero
00:38:39The goat
00:38:39Silence
00:38:40Silence
00:38:41Shut up
00:38:41That's okay
00:38:43Come in
00:38:43Thank you
00:38:44And compromise
00:38:45With you
00:38:45We did the math later
00:38:46But who sent you there?
00:38:48But I will destroy you
00:38:49I want to wish myself
00:38:52That the defense
00:38:52Have nothing to say
00:38:53Certain
00:38:55I have something to tell you
00:38:55And many things
00:38:57So that
00:38:58Let the truth emerge
00:38:59Naked puff pastry
00:39:00As an Italian taxpayer
00:39:02And as he said
00:39:03Scipio
00:39:04Also called
00:39:05The African
00:39:06Better an egg today
00:39:07That the testimony
00:39:09Of a Paduan
00:39:10Bravo
00:39:10The Paduans
00:39:11Silence
00:39:13That is always there
00:39:16With the tricks
00:39:17Why
00:39:19Benenato
00:39:20He chose this profession
00:39:21Why
00:39:22And now
00:39:23If the court
00:39:24Allow me to do so
00:39:24I would like to cross-examine
00:39:26The text
00:39:27Enrico Padovan
00:39:28Multi-professional
00:39:29Proceed
00:39:31Thank you
00:39:31To the two of us
00:39:33Mr. Padovan
00:39:35Where was it located?
00:39:36At dawn on March 14th
00:39:38Of the current year
00:39:40It was coming away from me
00:39:41From the tavern
00:39:41In the neighborhood
00:39:43The story of the three old men
00:39:44Number one
00:39:45Number one tavern
00:39:49Pintedale
00:39:50Silence
00:39:53We can
00:39:54Pintedale
00:39:55Proceed
00:39:59What had he gone there to do?
00:40:00At the tavern
00:40:01Since I'm also a botaro
00:40:03I need to accommodate one
00:40:05Scondrona
00:40:05Of a barrel
00:40:06That spread it
00:40:06From all sides
00:40:07Where to have
00:40:08The barrel was emptied
00:40:09Here if
00:40:11Gentlemen, silence is consent.
00:40:14I don't know if I explained myself.
00:40:16From what he said, I am convinced that the witness at dawn
00:40:20he was nothing but in a state of intoxication.
00:40:23Get drunk!
00:40:24That is, in my opinion, he was drunk.
00:40:26And he was always drunk.
00:40:28And I'll prove it to you.
00:40:29Alpine!
00:40:30Commands?
00:40:31Alpine!
00:40:33Cabinetmaker, turner, handyman, trap maker and carpenter.
00:40:36Alpine!
00:40:37Of the Third Regiment, Mr. C?
00:40:39Do you like wine?
00:40:40Do I like wine?
00:40:41And then let's sing.
00:40:42Alpine!
00:40:42I'm an Alpine soldier!
00:40:45I'm an Alpine soldier!
00:40:47But are we impassive?
00:40:49He was drunk!
00:40:54And so the test, being drunk, did nothing but create a big misunderstanding
00:40:59seeing a wild brawl in the fumes of alcohol,
00:41:03what was instead a duel between noble gentlemen
00:41:06according to the classic rules of chivalry.
00:41:10Let's get to the point.
00:41:11Let's come here.
00:41:13Gentlemen!
00:41:14Didn't Romeo and Juliet fight a duel over Juliet Capelletti?
00:41:21Capuletti!
00:41:22Capuletti, Capelletti, Tortellini!
00:41:25Well, something happened.
00:41:27Didn't Prince Denmark fight Hamlet in a duel?
00:41:31And what about the four musketeers who fought with the cardinal's guards without offense?
00:41:36for the Latiran pacts?
00:41:39Huh?
00:41:40Well done!
00:41:41Now then I would like to know from this court
00:41:43if the aforementioned Romeo, the four musketeers and all the others
00:41:46they never lost before the praetor
00:41:49on the basis of what rule and is it the right that these gentlemen sit in this chamber!
00:41:53Bravo!
00:41:53This is what I want to hear from the court!
00:41:55Bravo!
00:41:55Bravo!
00:41:56I'm done!
00:41:58Silence!
00:42:01And why yes...
00:42:01So we want to know why we meet here!
00:42:04Yes, yes, but your conclusions are not clear, Mr. Lawyer.
00:42:09But what conclusion, Mr. Magistrate?
00:42:12Huh?
00:42:13Are you talking about cheese when we're still at the appetizer?
00:42:16Hey, excuse me, do we want to reconstruct the facts?
00:42:20After what I will say, I am convinced that these most noble gentlemen
00:42:23they will leave this room symbolically wrapped in the tricolour
00:42:27which today flies from the Alps to Sicily.
00:42:30It all started at the she-wolf bar.
00:42:34Gathering of artists, writers, people who are part of culture
00:42:40and who have nothing to envy of Michelangelo, Raphael, Leonardo da Vinci.
00:42:46It was already then that he turned to desire, to quote the poet.
00:42:50And like doves called by desire, even the most refined intellectuals
00:42:56were beginning to appear.
00:42:58In that place, culture was at home.
00:43:02There were illustrious artists.
00:43:05By midday, a whole bus had packed up, 12 wallets and 7 watches.
00:43:09There was no shortage of engravers of great fame.
00:43:12Romolei, look here, what do you think of this engraving?
00:43:15Oh my goodness!
00:43:17The Bank of Italy is taking your side, but what's the deal with it?
00:43:20Eminent men of bed met there.
00:43:23And they had to by now, I'll have to be a cuckold.
00:43:25Either small connections or we ruin his wife.
00:43:27Romolei, if you don't want us to expose the forest of horns on his head, you have to...
00:43:32Ligatta and the others discussed the most famous literary works.
00:43:36Medello told me that he saw Fiorentina passing through Ponte Gai Bardi.
00:43:40Oh no, huh?
00:43:40You can't even see cigarettes there, that's our area.
00:43:43Bubba and his girlfriend entered the nuscia.
00:43:45And we annexed it.
00:43:46Annexed?
00:43:46Yes.
00:43:47Oh, listen to this attached.
00:43:48What are you, you connect it here, you connect it there.
00:43:52That's ours.
00:43:53Tonnarello has decided that that is our area.
00:43:56Understood?
00:43:57I make Tonnarello with pepper and butter.
00:44:00Salt and pepper.
00:44:01But I do it the way I do.
00:44:03But what are you doing with yourself?
00:44:04You are right.
00:44:04And what do you think you're at university?
00:44:06Beloved.
00:44:07I contest, I contest you, I contest everyone.
00:44:10But you don't argue.
00:44:10But I'm breaking your peace.
00:44:11But I'll do it for you with pepper.
00:44:18The discussion was conducted at a high tone, softened by the interventions of the most refined of the intellectuals present.
00:44:27Mr. Magistrate, as long as the authoritative figure of the bartender's host, that is, the insider,
00:44:35with respect that inspired to bring the discussion to a topic more suited to the personality of the participants,
00:44:43with particular regard to their future artistic activities.
00:44:47By the way, for the hard work in the garden of the finzi contini, or the finzini counts,
00:45:01we pass through the garden, we agree, it's the Parisian, it's clear, it's understood.
00:45:08And the idea is mine, there as they have me, right?
00:45:10Right.
00:45:11From the Finzini accounts, we enter through the sewers.
00:45:14From the sewers?
00:45:14From the sewers.
00:45:15With the refefe system.
00:45:16No, and look, you're wrong, it's because I'll be in the sewers tomorrow.
00:45:19But I work in the light alone, you understand?
00:45:21He slipped on pre-conquered themes.
00:45:24Yes.
00:45:24And you're very upset.
00:45:26Did he portray me?
00:45:27Yes.
00:45:28And me, songs, you who come to Vittorio, what has brought us again?
00:45:30All?
00:45:31All?
00:45:31I learned everything.
00:45:32But don't be funny, but do you know that I'm friends with the Chinese?
00:45:35But how is his Chinese?
00:45:36But the Chinese man was in San Quentin.
00:45:38But what is Saint Quentin, Saint Vincent and Saint John?
00:45:40But how is it? But how is it?
00:45:43The discussion was rekindled with great use of stylistic preciosity
00:45:47which at times brought it to an almost decadent tone and give a sono.
00:45:51It was precisely a difference of opinion about a certain beauty fraccavolo
00:45:55which led cats to use terms that the goat,
00:45:59in his extreme sensitivity, he considered it offensive.
00:46:02So much so that he chivalrously challenges him.
00:46:05And so the duel took place, as in the traditions of chivalry,
00:46:10in a secluded place, in Ullanda.
00:46:12But their innate nobility of spirit did not allow blood to be shed.
00:46:23The ritual shots were fired into the air.
00:46:26We understand, you got worse!
00:46:27The honour was saved and to conclude, Mr. Magistrate,
00:46:41if in a duel there are no deaths or injuries,
00:46:45Those responsible will be punished with a fine ranging from 20,000 to 300,000 lire.
00:46:52And since everything was resolved without any deaths or injuries,
00:46:56I could also ask for a discount on the fine.
00:47:00But since art is involved, as they say, learn the art and put it aside.
00:47:04So at this point I ask for the free solution, without me.
00:47:07However, his interpretation contrasts sharply
00:47:10as the eyewitness claims.
00:47:13Contrast? That's what we'll see, Your Honor.
00:47:16Mr. Fadovan, come.
00:47:18Look at them!
00:47:29All right, Mr. Fadovan, do you recognize them?
00:47:33To tell the truth, it seems that the Imbrian was there and I don't recognize anyone.
00:47:38Mr. Lawyer is right.
00:47:39These faces are completely new to me.
00:47:42That's okay.
00:47:43But I'm reporting it.
00:47:44Did you see that...
00:47:45It is a rare human being.
00:47:46Mr. Fadovan, I am a cabinetmaker, turner, and wicked artist.
00:47:48I cook the cauldron, these are their questions.
00:47:52Now I am...
00:47:52Silence!
00:47:55Silence!
00:47:57Pleasant!
00:47:57Excuse me.
00:47:58The defense is done.
00:47:59Not the sentence.
00:48:00Yes.
00:48:01Yes.
00:48:04Get up!
00:48:05In the name of the Italian people, pursuant to Articles 690 and 691 of the Criminal Code, the defendants are sentenced to a fine of 30,000 lire per capita.
00:48:19Thank you.
00:48:19The hearing is adjourned.
00:48:22Thank you.
00:48:22See you soon, see you soon, see you soon.
00:48:25To her too.
00:48:26Show up often.
00:48:27Goodbye, goodbye, goodbye.
00:48:30Congratulations!
00:48:30See you tonight.
00:48:33When are you leaving?
00:48:34Where?
00:48:34Or the fourth mile.
00:48:35I'm fine with that, at mile four.
00:48:37And there you stay.
00:48:38You can see it.
00:48:39You'll see.
00:48:40The doctor found my condition worse.
00:48:43It's the alcohol's fault, he says.
00:48:46It's clear he doesn't know the side well.
00:48:48So, according to the prosecution, my client is a sadist, a nymphomaniac, in other words, a sex maniac.
00:48:57But give me a break.
00:48:58Don't make me laugh.
00:48:59Huh?
00:49:01But does it seem to you that an old man, white, with ancient hair, as the great Dante said,
00:49:08But do you think that an old man, on the verge of senile senility, could be accused of attempted rape?
00:49:16Yes, to the magistrate, if the facts are like this that this old man at his age does certain things, let's take heart.
00:49:22Chancellor, I can point out to you that my grandfather got married at the age of 74.
00:49:27So young.
00:49:28And a year later he served as best man for his father who in turn remarried at the ripe old age of 94.
00:49:34All precocious at his house.
00:49:36We are a good breed.
00:49:39So, Mr. Lawyer, the so-called Sissenyl assatiria has been scientifically proven.
00:49:47As I was saying to the chancellor a moment ago, there are men who marry even at an advanced age.
00:49:51I agree, Mr. Magistrate.
00:49:54And as they say in my country, advanced marriage, cuckolded, certified.
00:49:59And why do you laugh?
00:50:00It makes me laugh so hard.
00:50:01And instead he must not laugh.
00:50:03However, if the court allows me, I will produce for them a testimony from an old acquaintance of mine,
00:50:12Mrs. Bussolatti Anna, known in art as the Ferrarese.
00:50:18Chancellor, robe.
00:50:21Ah, do you know her?
00:50:22Who?
00:50:22And you, the one from Ferrara?
00:50:23Toga, you put on the toga.
00:50:25Oh, sorry.
00:50:25Forward, forward.
00:50:29The head is Bussolatti.
00:50:31Head forward.
00:50:40Raise your right hand and say the oath.
00:50:41Day of telling the truth, the whole truth is investigated the truth.
00:50:44I swear.
00:50:45Miss Bussolatti, you who live in the same building as the accused,
00:50:49has it ever been the object of particular attention?
00:50:52Oh no, of course not.
00:50:54If everyone was like that one, the entire economic sector I represent would be in crisis by now.
00:50:58But do you know him?
00:51:00Have you seen him anytime?
00:51:02I see it, yes and no.
00:51:05Be more precise.
00:51:06But yes, well, you don't notice it, he's a quiet guy.
00:51:10That's okay, it can go.
00:51:12Thank you.
00:51:14And how could I still produce this head...
00:51:18The svanze that the ventimiglia...
00:51:20What are you talking about?
00:51:21And nothing, he was telling me it's over, it's over.
00:51:26Go.
00:51:27I apologize to the court.
00:51:29And as I was saying, as my head I can still produce ten, twenty,
00:51:34thirty, forty, fifty, sixty, seventy.
00:51:37Lawyer, lawyer, we are not in public for...
00:51:41We are not in a public square.
00:51:43And excuse me.
00:51:45What are you writing, Chancellor?
00:51:47Nothing, I was doodling.
00:51:51Anna Bussolatti, Via Garibaldi.
00:51:57Miss Ingrid Larsen, could you briefly tell us what happened that morning?
00:52:01That day was truly a magnificent day.
00:52:06And I was all happy to go for a walk along the Appian Way with my camera.
00:52:12Because I have to explain, I have a big photography hobby, a very big hobby.
00:52:17I see everything, shoot everything, show everything.
00:52:20Yes, because I do show my photography, great shows, especially panoramas.
00:52:26And nearby was an old ruin.
00:52:28Suddenly, a ruin woke up like so many others.
00:52:33I did nothing and he said nothing, Mr. Magistrate.
00:52:37But the old ruin has become like a mandrill.
00:52:41And I ran away with all my legs.
00:52:44But he went crazy running like a ray and screaming like a madman and coming, coming.
00:52:49Yes, then I had the meeting with the policeman and everything ended well.
00:52:53It seems to me that you have no doubts about this.
00:52:55Does the defense have anything to add?
00:52:57The defense invokes the recurring circumstance of the very serious provocation suffered by the old ruin.
00:53:03And now I'll have the young lady leaf through it, please.
00:53:06Lawyer, don't remove the boiled part.
00:53:08Do they want to touch it, gentlemen?
00:53:09I'll touch it.
00:53:10And the chancellor, please try to conclude.
00:53:13Here I understand that the young lady declared that that day was a beautiful day.
00:53:17And so she wasn't dressed like that.
00:53:20So what was she dressed like?
00:53:21As.
00:53:26She was dressed like this.
00:53:32Now let's pretend I'm a camera
00:53:36and she will repeat everything she did that morning.
00:53:39But she's not a camera.
00:53:41I just wanted to give an example.
00:53:44Okay, I'm not a camera.
00:53:46But she has to repeat all the gestures she made that morning
00:53:50in front of the sleeping ruin.
00:53:53Let's recap.
00:53:54She arrived on the Appian Way where the old man was sitting quietly.
00:53:58Proceed.
00:53:59I got out of the car.
00:54:05I took my big photographic angle.
00:54:08Put inside film.
00:54:09So it started to take off.
00:54:14It's not good toasting.
00:54:15Maybe I'm looking at my device and thinking.
00:54:18And so I take lots of photos.
00:54:25This is important, huh?
00:54:27Yes, yes.
00:54:31Shots, shots, shots.
00:54:32Snap, snap, miss.
00:54:33Lots of photos, possibly facing the door with their backs to us.
00:54:36Do as the chancellor says.
00:54:38Shots, shots, shots.
00:54:58Don't skimp on film, shoot.
00:54:59And pause the shot.
00:55:01Snap.
00:55:02Let's make it snap.
00:55:03But that's okay, lawyer.
00:55:04Shall we not take more pictures of her?
00:55:07No.
00:55:08Well, I turn to the lord
00:55:10asking how one can be unjustly condemned
00:55:12such a young lady.
00:55:15It's absurd.
00:55:16You can't.
00:55:17Because you can see, she's a good lady.
00:55:20Raped, almost, I dare say,
00:55:22from this dirty old man erotic
00:55:24who dares to report the young lady
00:55:27but I only say crazy things.
00:55:28Attorney, are you the defense or the prosecution?
00:55:31As?
00:55:31I mean, are you the defense or the prosecution?
00:55:33The defense, the defense of Santa's brother.
00:55:38So defend him?
00:55:39Yes, right away.
00:55:41Here, during the Epiphany period
00:55:43he couldn't follow Santa Claus,
00:55:45that is, the older brother.
00:55:48What a sympathetic nonsense.
00:55:50Santa Claus.
00:55:51Lawyer, please,
00:55:52she talks to me about Christmas, New Year's Eve, Epiphany.
00:55:55Will I say Befana?
00:55:56Well, I'll tell myself the sentence.
00:55:57Quiet, it's a classroom.
00:56:06Stand up.
00:56:09In the name of the Italian people,
00:56:11having regard to Article 701,
00:56:13the defendant Giuseppe Garantini is acquitted
00:56:16because the old does not constitute a crime
00:56:18and because the act does not constitute a crime.
00:56:21The hearing is...
00:56:22You're welcome, miss.
00:56:25Cover up, miss,
00:56:27otherwise he'll catch cold.
00:56:29Go ahead, lawyer,
00:56:30and thanks for your cooperation.
00:56:31Come with me, come with me.
00:56:33She wants me to offer her a double chumel,
00:56:35a tea, a milk, a whisky.
00:56:38What is he writing?
00:56:39He's writing the address
00:56:40of Miss Ingrid Larsen, eh?
00:56:48I noticed that...
00:56:50He put the address inside the tea.
00:56:56It seemed like a bad day,
00:56:58but you must never despair.
00:57:00The ways of providence are infinite.
00:57:03I saw all his matches.
00:57:04Really?
00:57:05Certain.
00:57:06I am nobody.
00:57:07Matilda...
00:57:07Shut up, you idiot.
00:57:09And you too, lawyer,
00:57:10it makes us look like fools.
00:57:11This process is bullshit, you know?
00:57:15Ah, are you Mr. Sauro?
00:57:16Yes, yes, I am.
00:57:17I am the champion's wife.
00:57:19Excuse me, ma'am, but I didn't mean to...
00:57:20What the hell, excuse me?
00:57:21She did very well.
00:57:22Give me your hand.
00:57:23So he learns to be a fool
00:57:24with generic ones.
00:57:27Sit down.
00:57:30And drink, you have to talk.
00:57:32The hearing is open.
00:57:35Ghirardi case with Drosaur.
00:57:39Get up.
00:57:40Are you Mr. Sauro?
00:57:43Yes, Mr. Praetorian.
00:57:44His name?
00:57:46Dino.
00:57:47Dinosaur?
00:57:48Dinosaur, yes.
00:57:49Dinosaur.
00:57:51It makes me die to say.
00:57:52Dinosaur is as small as a soprano.
00:57:57I don't see his defense attorney.
00:57:59I don't have it, Mr. Pretorio.
00:58:01Don't worry, we'll appoint one for you.
00:58:04I'll go and look for you, if I find one without one.
00:58:05In the meantime, we can get started.
00:58:07Excuse me.
00:58:08Mr. Ghirardi, would you like to tell us what happened on the morning of the 7th?
00:58:13Well, that day we were shooting a movie.
00:58:16So, who was he?
00:58:20Still.
00:58:24Step.
00:58:27Step.
00:58:30I see.
00:58:31Three axes.
00:58:35Four aces.
00:58:37I suspect he's cheating.
00:58:38Nobody ever told me I was a cheat.
00:58:39And I repeat it to you.
00:58:40I'll rubber it back to you.
00:58:43But then the party begins.
00:58:45But the boy was right.
00:58:51Say, what are you laughing for, why are you laughing?
00:58:57Dish.
00:58:58Served.
00:59:01Come, come.
00:59:25Come, come.
00:59:26You come.
00:59:26Come, come.
00:59:27You come.
00:59:31Stop it! Here comes Black Jack!
01:00:01They had been so keen for me to paint the piano, so that I wouldn't hurt them, but I had really knocked them all out.
01:00:18I had won with my usual style and I had won easily, as always KO in the first round.
01:00:25Will you understand? I'm a champion. A professional, a true champion, Mr. Magistrate.
01:00:31Ex. Ex for an injustice, Mr. Magistrate.
01:00:35Well, let's leave it.
01:00:41Stop!
01:00:51Now let's change the lights and give me the details.
01:00:53Let's remove the cart.
01:00:57Excuse me, Mr. Champion.
01:00:59Yes? What is it?
01:01:00Look, you don't know me, I'm a big fan of yours.
01:01:03If he wants the autograph, because dear, he had it read.
01:01:05No, I mean yes, also...
01:01:07I saw all his matches on television.
01:01:11Listen...
01:01:11Consuelo!
01:01:12Listen, I have an interesting proposal.
01:01:15You come!
01:01:16She doesn't know the encyclopedia of flowers and plants and animals.
01:01:20Published by the Fallegnami brothers.
01:01:22Look at these illustrations.
01:01:24What colors.
01:01:24But how boring, let's go.
01:01:25What volumes.
01:01:26Seven colors.
01:01:28Without increase in the cover price.
01:01:30Well, what does he do?
01:01:31What is he doing, he's going away.
01:01:33But what, do I have to ask your permission?
01:01:35Well, at least for politeness, right?
01:01:37But do you know who you're talking to?
01:01:39You're a curmudgeon and you're also a coolhead.
01:01:42Stop everyone.
01:01:43Five, six, seven, eight, nine, out.
01:01:48I'm leaning towards it.
01:01:49Oh no!
01:01:51He tells me.
01:01:52No, she has nothing to do with it.
01:01:53Then I can go.
01:01:55Oh yes, but where is it going?
01:01:56In America.
01:01:58There, yes...
01:02:00But sit down.
01:02:01He shouldn't have done this to me.
01:02:03What did I do, you open it, huh?
01:02:04I open my mouth.
01:02:05Ah.
01:02:07Vermouth.
01:02:07It's a little drop.
01:02:08He went to the bar to have a nice drink.
01:02:09The first lawyer he saw brought him here to me.
01:02:12And who is good?
01:02:13Oh no.
01:02:13But that's nice.
01:02:14Show honor, the trial is already over.
01:02:16I ask for my client to be granted a solution so that he did not commit the crime.
01:02:2020 thousand lira.
01:02:20Well, actually I don't have a penny.
01:02:22I will present to the court evidence that my client is innocent.
01:02:26And what did you think?
01:02:28What is it about?
01:02:29Eh, I knocked out the champion.
01:02:31That one there?
01:02:32And what are you interested in?
01:02:34I sell encyclopedias.
01:02:35And does he have one for kids?
01:02:36Certain.
01:02:36Consider yourself acquitted.
01:02:38I will say that my client is not at fault and I will prove it to the court.
01:02:43So, my client, Mr....
01:02:47Dino Sauro.
01:02:49Ah, Mr. Mino Tauro.
01:02:51Oh no, first he said his name was Dino.
01:02:53I am reporting her for forgery.
01:02:55But as a lawyer, another complaint gets in the way.
01:02:57Come on, she made a false statement.
01:03:00Excuse me, Mr. Magistrate, it was a pencil.
01:03:04So my client is that...
01:03:05The pencil.
01:03:06Thank you.
01:03:07And what is it for?
01:03:08I don't know, she asked.
01:03:09But no, a pencil.
01:03:11He brought a pencil.
01:03:12Go away.
01:03:13It's believable.
01:03:14Please, lawyer.
01:03:16Tell me, Mr. Magistrate.
01:03:17But please, but not to her.
01:03:19Please.
01:03:20I don't understand anything anymore.
01:03:21It's late.
01:03:23Resume, but don't go on too long.
01:03:25Of course, of course, Mr. Magistrate.
01:03:28In fact, I would like to ask the court if it will allow me to question the injured party.
01:03:36What are you looking at?
01:03:37Nothing, I wanted to take a look at the file.
01:03:39But he doesn't know everything already.
01:03:40Oh yeah, yeah, but you know, a little refresher.
01:03:43Go.
01:03:44Well, I don't need it.
01:03:46So, Mr. Ghirardi, how much do you weigh?
01:03:52186.
01:03:53Huh?
01:03:55186.
01:03:56186, but...
01:03:58Free.
01:04:00Free.
01:04:01Free.
01:04:01She also sells encyclopedias.
01:04:04No.
01:04:04And who is he?
01:04:05Oh, hey, who is it?
01:04:06And the height?
01:04:08Six.
01:04:09Six.
01:04:11I am.
01:04:12Six feet.
01:04:13Six feet.
01:04:14But who is a dinosaur?
01:04:15Lawyer, I am the dinosaur.
01:04:17No, she is Mr. Minotaur, so there is a homonymy.
01:04:21Yes, well, do we want to come to a conclusion?
01:04:24Yeah, okay.
01:04:25And how many meetings do you have?
01:04:2775 matches, 59 won.
01:04:31Of which 27 were knockouts.
01:04:348 all.
01:04:35And 8 losers.
01:04:36Ah.
01:04:36Ah.
01:04:37But why...
01:04:40I'm overwhelmed now.
01:04:43But why did they always catch me in the act of sponge-sponging?
01:04:46But it's very...
01:04:47And between me?
01:04:48I would have asked for myself.
01:04:50And you always win.
01:04:52And you always win.
01:04:53And the wins.
01:04:58What do they do?
01:04:59I do not know.
01:05:00Silence.
01:05:01Silence.
01:05:03Silence.
01:05:04Silence.
01:05:07It's how you do it, I read.
01:05:09Long live me.
01:05:10But what makes me say, lawyer?
01:05:12Are we kidding?
01:05:14Continue with the drum.
01:05:15And what about that speech?
01:05:16I thought we were in a procession.
01:05:20I ask the court to question the defendant.
01:05:23Ask someone who weighs a lot.
01:05:24Mr. Brontosaurus.
01:05:27Dinosaur, lawyer.
01:05:28Dinosaur, how much does she weigh?
01:05:3049 kg, lawyer.
01:05:3149 kg.
01:05:33And I tell myself one thing, how many meetings?
01:05:36Absolutely no one.
01:05:37No meeting, Mr. Fretore.
01:05:41How tall is he?
01:05:421.52.
01:05:431.52.
01:05:45Now I say, gentlemen,
01:05:47how is it possible that such a thin guy,
01:05:50so frail,
01:05:52could a colossus have landed?
01:05:54A world champion,
01:05:56of the weights that he knows,
01:05:57except, except,
01:05:59that the boxer was not on drugs.
01:06:01Circus, I can't make conditions,
01:06:03he could have fallen to the ground.
01:06:06Lawyer, try to moderate your behavior.
01:06:09She talks, talks, talks,
01:06:11and give us this evidence that we must have in hand.
01:06:14And I will give you the proof,
01:06:15rather, he, the accused, will give it to them,
01:06:17and I'll prove it to you.
01:06:18Mr. Grillo Sauro, are you kidding?
01:06:21Dinosaur.
01:06:22Mr. Dinosaur,
01:06:24All she has to do is punch me.
01:06:28And he has to give me a good beating,
01:06:29here, on the chin,
01:06:30as he did with the champion.
01:06:32What if I hurt her?
01:06:32I tell myself.
01:06:35And nothing happened,
01:06:36as you have seen,
01:06:37my dear sirs,
01:06:38Why...
01:06:39can this one pee on me?
01:06:44Are you making it all up for me?
01:06:47Let's grunt the lawyer.
01:06:49Let's grunt the lawyer.
01:06:50Lawyer, little else.
01:06:51I have dreamed of this dinner many times.
01:06:52Gently, delicately.
01:06:54It will finally be achieved.
01:06:56It seems to come.
01:06:56I take back everything I said.
01:07:00About what?
01:07:00And all in all he did well.
01:07:01to bring the well-wisher lawyer here.
01:07:03A nice stroke of luck.
01:07:04Well done, honestly.
01:07:05And this time I'm offering him the vermouth.
01:07:07Thank you, please pray.
01:07:08And I'll tell you more,
01:07:09I drink them too.
01:07:10And then he corroborates them.
01:07:11Congratulations, Mr. Kangaroo.
01:07:13You are acquitted.
01:07:14Go back to Australia.
01:07:15I had decided to do that inspection
01:07:17for one very good reason.
01:07:20Stay a whole day
01:07:22without seeing the implacable enemy of my liver.
01:07:26It seemed like a dream to me.
01:07:28Mr. Magistrate,
01:07:29but it's not like I'm going to do this inspection now
01:07:31in this castle
01:07:31can a brick fall on our chest?
01:07:34Chancellor, I have accepted this inspection.
01:07:36to get rid of the well-meaning lawyer.
01:07:37As they say, a brick is better today...
01:07:39A Sunday hen, no.
01:07:40Mr. Magistrate,
01:07:41Mr. Magistrate, excuse me for the reparation.
01:07:43And what does she do?
01:07:44I'm the replacement.
01:07:45Whose?
01:07:45From Lawyer Tirapiedi.
01:07:47And where is he?
01:07:48He died this morning, they...
01:07:49Well, she's killing me.
01:07:51Chancellor, shut up.
01:07:53Ah, here it is, ma'am.
01:07:55Good morning.
01:07:56Come on, good morning.
01:07:58Please, Mr. Magistrate, please.
01:08:00Over here.
01:08:02Up, up, up, up.
01:08:05Please.
01:08:08You can go.
01:08:09No, here it is.
01:08:11No, here it is.
01:08:12Excuse me.
01:08:12What a view, it looks like Piceglie
01:08:42Mr. Magistrate, believe me, it's the truth.
01:08:55I can't resist staying in that castle anymore.
01:08:59I already put down a large deposit to buy it
01:09:02But I don't intend to pay another cent
01:09:05That house, I have the impression that from one day to the next
01:09:09Yes, may it become my tomb
01:09:13But what are you saying, madam?
01:09:14The owner of the castle, which I have the honor to defend
01:09:17He assured me that if any pebbles
01:09:19It may have detached from the cornices
01:09:22This is due exclusively to the gracious intervention of some little birds
01:09:26That have a building on the roof
01:09:28And this one you really can't find, perenato
01:09:30The little birds
01:09:31More than just stones, the castle is falling to pieces
01:09:35And then scary things happen
01:09:38I don't understand
01:09:40But no, ma'am, don't worry.
01:09:42You'll see that everything will work out
01:09:43Is that true, Mr. Magistrate?
01:09:45Lawyer, if you allow me, I will draw the conclusions myself.
01:09:48Eh, well, yes
01:09:50Certain
01:09:52That's right, ma'am, don't worry.
01:10:06Gentlemen, after all this
01:10:23I would like to thank the lady for this wonderful dinner
01:10:26And since the magistrate has already established
01:10:29That the conditions of the castle are
01:10:31Lawyer, if you allow me, I'll draw the conclusions.
01:10:34And you are not allowed to anticipate them.
01:10:36Excuse me
01:10:36And anyway, ma'am, thank you for the lovely evening.
01:10:39Please
01:10:42Please, Mr. Magistrate
01:10:44Thank you
01:10:47They come to us
01:10:49To you
01:10:53Congratulations on the wine
01:10:58The cancer patient appreciated it very much.
01:10:59Well, I'm going to Azgaria in April
01:11:01I'm going, yes April
01:11:02Excuse me, madam.
01:11:04Madam, it was a pleasure.
01:11:09Chancellor, what's going on?
01:11:12And here it doesn't open, it's all a block
01:11:13Excuse me
01:11:14Sorry, the door is locked, gentlemen.
01:11:17Well, we'll go out another door
01:11:19Well yes
01:11:20I'm still sorry
01:11:21There is no other door
01:11:24They are all walled up
01:11:25Well, okay, but we'll climb down from the windows.
01:11:28But the windows, who can do them?
01:11:30Oh no, even the windows are all barred
01:11:32We'll call a locksmith and have the grates cut down
01:11:35The telephone line is not working
01:11:39But how does it not work?
01:11:41Sorry, but how do we get out then?
01:11:43You will have to spend the night here
01:11:45But anyway
01:11:45Rebelling is useless
01:11:47This castle is cursed
01:11:50Come to sleep
01:11:51But but...
01:11:52I told you scary things happen here
01:11:54But but, but, but, damn it
01:11:56What happens?
01:11:59You don't tremble like that
01:12:00They're just ghosts
01:12:02Let's go
01:12:03Come with me
01:12:05Mr. Fredore, I don't give up on this castle.
01:12:07Lawyer
01:12:07But I'm afraid of ghosts
01:12:09Gentlemen
01:12:10Ah, what
01:12:11Then all you have to do is accept that you are...
01:12:14Yes, but I...
01:12:15Please, be careful
01:12:16Gentlemen, if I understand correctly
01:12:18We are forced to stay overnight in this castle
01:12:21Hand
01:12:21Well, I actually have a...
01:12:23Silence!
01:12:24And I can't stay
01:12:25I have my commitments
01:12:26Silence, please
01:12:27Try to be short
01:12:29Yes, but...
01:12:30Go there, my goodness
01:12:32Let's try to be close
01:12:34The many are close
01:12:35We are close
01:12:37Let's keep calm, sir.
01:12:41And then?
01:12:43Ah, but what...
01:12:44What's up?
01:12:46Nothing
01:12:46It's Count Macula's bar
01:12:48Former owner of the castle
01:12:50Died a hundred years ago
01:12:51Oh, nothing
01:12:51It's Count Macula's bar
01:12:53Yes, but how come it's here?
01:12:55They are building and completing his mausoleum
01:12:57And for now they've fixed it here
01:13:00Eh, sorry, there are still bones
01:13:02No, no, no, no
01:13:03It is precisely preserved
01:13:05Huh?
01:13:06Do you want to take a look at it?
01:13:07Chancellor, open this bar
01:13:09I take your word for it
01:13:10Me too
01:13:11Me too
01:13:11Open
01:13:12I have to?
01:13:13Lawyer, please.
01:13:14But I can also die
01:13:15I could
01:13:16I don't look
01:13:18Palma, gentlemen
01:13:22It's just a well-preserved corpse
01:13:24Cover, cover
01:13:26And cover it
01:13:28Can you take a refreshment?
01:13:29Yes, I don't know if you can do it
01:13:30Do you wish to continue, sir?
01:13:32Yes
01:13:32Please, I might die
01:13:36Ninth
01:13:37This is his room
01:13:39Pretty
01:13:39He won't leave me, he won't leave me
01:13:40The other gentlemen
01:13:41What are you doing, you cold dear?
01:13:42Eh, what are you doing?
01:13:44Good night, sir.
01:13:45How about goodnight?
01:13:47Good night
01:13:47Good night
01:13:47She's here, let's sleep together
01:13:50Please, I'll be back
01:13:51Yes, please.
01:13:51A bed for three
01:13:52Oh my goodness
01:14:06Where is the switch?
01:14:10Where is the light?
01:14:11It will be cut
01:14:12But
01:14:13Here everything is cut
01:14:15Here is the center
01:14:18That idiot of a lawyer
01:14:34He wants to talk nonsense
01:14:35She, countess
01:15:05Yes, Praetor Deingras
01:15:07How does he know my name?
01:15:09We know everything
01:15:10And we are happy to meet you.
01:15:13Is the pleasure really all mine?
01:15:16No, it's all mine
01:15:18Because I like her very much
01:15:21And it will all be mine
01:15:23Excuse me, in what sense?
01:15:24Let yourself be bitten
01:15:26Biting on the neck
01:15:28Couldn't it have been avoided?
01:15:30No, it's too late now
01:15:33Praetor Deingras
01:15:34No, no, no
01:15:35The neck no
01:15:37The neck
01:15:38You couldn't avoid the pleasure the pleasure
01:15:40You couldn't avoid the pleasure the pleasure
01:15:42The neck
01:15:44It's a pleasure to be pleased
01:15:46It's a pleasure to be pleased
01:15:48It's a pleasure
01:15:54Oh
01:15:58Oh
01:16:01Help, oh my!
01:16:31You idiot, can't you see it's us?
01:16:46Us? Are we vampires? Actually, I'm a vampire.
01:17:01Mr. Magistrate, Mr. Magistrate, Mr. Magistrate, Mr. Magistrate, Mr. Magistrate, Mr. Magistrate, but why are you dressed up for Carnival?
01:17:27But what is he doing dressed like that?
01:17:31I am a real vampire.
01:17:32But don't make me laugh, if I take off the top hat and don't make the top hat, vampires don't exist.
01:17:37Instead they exist.
01:17:39Make yourself known.
01:17:41But then it's true, my goodness!
01:17:43Give me your neck.
01:17:44The neck no.
01:17:45Give me your neck.
01:17:46No, no, they are suffering.
01:17:48Give me your neck, it will drain of your blood.
01:17:50Let's not joke, not the neck.
01:17:52If anything, a drop, a suck, a drag.
01:17:55I can't give it.
01:17:57No, not the neck, not the neck.
01:17:59No, let's assume.
01:18:01Give me his blood.
01:18:02No, I'm anemic.
01:18:04I'm anemic.
01:18:05I'm anemic.
01:18:07No.
01:18:07I couldn't manage to suck my own neck.
01:18:10At least one sip, one sip.
01:18:12Valedetto vampire.
01:18:15And me.
01:18:15We who are here.
01:18:16That I called him praetor.
01:18:19I'm leaving.
01:18:20This damned dead woman.
01:18:24You have to drink.
01:18:25You are mine now.
01:18:27But which one is his?
01:18:28I belong to my family.
01:18:30No, no, no.
01:18:32To you, vampire.
01:18:34You come.
01:18:34You come.
01:18:35It suits you.
01:18:37Yes.
01:18:39Return to the darkness, vampire.
01:18:42What is she doing in my room?
01:18:44Look at the cross.
01:18:45The cross I make with my fingers.
01:18:47He looks.
01:18:49I defeat you.
01:18:49I defeat you.
01:18:50Has he gone crazy?
01:18:50I demand an explanation.
01:18:52But then, Mr. Magistrate, come to your senses.
01:18:54I'm sorry if I hurt you.
01:18:56Good.
01:18:57Now I remember.
01:18:58She was the one who hit me.
01:18:59Yes.
01:19:00But excuse me.
01:19:01Was I a vampire?
01:19:01Yes.
01:19:02Damn.
01:19:03He wanted to suck my neck.
01:19:04Don't worry.
01:19:05It's not like you suck me anymore.
01:19:06Let me tell you.
01:19:07You're ticklish.
01:19:08How was I as a vampire?
01:19:09Well, pretty gross.
01:19:11Like Frankenstein?
01:19:12More disgusting.
01:19:13I'm starting to deduce that something is wrong with this house.
01:19:16Oh yes, I've seen a lot.
01:19:17I follow myself.
01:19:18Let's go.
01:19:19Eh, cream.
01:19:21Mr. Magistrate, what are you doing?
01:19:24I'm leaving.
01:19:26I can't take it anymore.
01:19:31Poor thing.
01:19:33Give the fault.
01:19:35Come on, no.
01:19:37What's up?
01:19:38There is?
01:19:38Mr. Magistrate.
01:19:44Mr. Magistrate.
01:19:46The bar.
01:19:47Chancellor.
01:19:47I was walking.
01:19:48Chancellor.
01:19:49Chancellor.
01:19:50Chancellor.
01:19:56Look how round it is.
01:20:00Oh mama.
01:20:02Hanged.
01:20:03Oh mama.
01:20:04Five little Indians
01:20:07they were lying on the beds.
01:20:10Now there are four of them, poor things.
01:20:12Now there are four.
01:20:31Five little Indians.
01:20:34You risk it.
01:20:34There is?
01:20:35There is?
01:20:35There is?
01:20:36There is?
01:20:36There is?
01:20:37There is?
01:20:37There is?
01:20:37In the Aldine.
01:20:38But please explain better.
01:20:40Come, drink.
01:20:41Drink, I drink. I drink too.
01:20:44Here, and eat something here too. It'll do you good.
01:20:55Mr. Fredore, Mr. Fredore.
01:21:00Out.
01:21:02Oh, Madame Duchess, some strange things are happening here.
01:21:06I have to notify the police.
01:21:08Yes, heads rolling, you get the idea.
01:21:10Here, but it's not a complicated dagger, it doesn't hurt her.
01:21:17Yes, only when...
01:21:18Mr. Fredore!
01:21:23Maybe she's with me.
01:21:25Who is?
01:21:40place.
01:21:44But Andrea!
01:21:46Ahahahahahahahahahahahahahahahahahahahahahahahahahah.
01:21:53Ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah
01:22:23Mr. Protor, they're killing us all here.
01:22:28But all of us, there are only two of us left
01:22:29Listen, I need to make a confession to you.
01:22:33We don't have time for now, after
01:22:35There is no after, there is no after
01:22:38In the afterlife it is difficult to meet
01:22:40I have never been a lawyer
01:22:43I never got a degree
01:22:4518 years out of course, do you understand?
01:22:48I suspected it
01:22:49Yes, and now I'm getting arrested
01:22:50I get arrested, I do his job
01:22:52Put the handcuffs on me
01:22:53Tia, calm down and try to call instead
01:22:56Yes, I try.
01:22:58Let's hope they respond
01:22:59I'm trying you
01:23:00Yes, yes
01:23:02Hello? Hello?
01:23:05Who? Romulus and Remus
01:23:07Who? But she's talking to the wolf here
01:23:09Spagiarmi, sorry
01:23:10I'm excited
01:23:12There are two of you left
01:23:18I want to point out that one of you two
01:23:22He will come out of this castle alive
01:23:25Only if he kills the other
01:23:27Otherwise you will both hurt each other
01:23:31Did you hear?
01:23:37One of us is too many
01:23:39Yes, one of us is tripe
01:23:40It's too much
01:23:41Don't pay attention to it
01:23:43Ghosts are spirits who sometimes like to play pranks.
01:23:48Then they don't do it
01:23:50Because they think they are invulnerable
01:23:53And since I...
01:23:54Mr. Magistrate
01:23:55It seems like the end
01:23:56Say your last prayer
01:23:58Load
01:23:59To the two of us
01:24:04Load
01:24:05And the broken one
01:24:08But I don't give up on them
01:24:10No
01:24:11I surrender them
01:24:13He didn't expect it
01:24:22Hand-to-hand combat
01:24:22Yes, this time it's the end for him
01:24:26We'll see
01:24:27He won't make it
01:24:28One moment
01:24:31I see you are tired
01:24:32Indeed
01:24:33If you allow me
01:24:35I'll drink some water
01:24:36Oh, thank you
01:24:36Please
01:24:37But then
01:24:41He doesn't want to give up
01:24:42No
01:24:43And then it's the end for her.
01:24:44Here it is
01:24:45I open my mouth
01:24:47A banana for her
01:24:49Yes
01:24:50But what is a fruit?
01:24:58But what is he doing?
01:24:59But what is he doing?
01:24:59Every time he wakes up
01:25:00He wants to strangle the churches
01:25:01But what is he doing?
01:25:02But then it was a dream
01:25:04A bad dream
01:25:05But what happened?
01:25:07And what do I know?
01:25:07She was sleeping
01:25:08And you suddenly
01:25:09He was choking me
01:25:10Excuse me, lawyer.
01:25:11And I'm sorry
01:25:12On purpose
01:25:13Where did you graduate?
01:25:15Where I graduated
01:25:17Of course I graduated
01:25:19Yes, but where?
01:25:21He said lady
01:25:22He's doing better
01:25:23Better, thanks
01:25:25So what?
01:25:26Yes, of course
01:25:28Allow me
01:25:29I do
01:25:31Go
01:25:32I have to go in person
01:25:33Thank you
01:25:34Yes
01:25:49But what does he do?
01:25:51This lawyer?
01:25:51Isn't he coming?
01:25:52No
01:25:53I don't think we'll ever see him again
01:25:54Lawyer Francesco Belenato
01:25:56Go ahead
01:25:56And in fact
01:26:01In fracture
01:26:02We never saw him again
01:26:03Needless to say
01:26:04That I am healed
01:26:05In a short time
01:26:06Not even pasta with sardines
01:26:08He couldn't take it anymore
01:26:08With my liver
01:26:09After a few months
01:26:12I got promoted
01:26:12And transferred
01:26:13At the Milan court
01:26:14Ingras Case
01:26:19But how?
01:26:23Don't you recognize me?
01:26:24Truly?
01:26:24I'm a little bit old
01:26:26Vicciuzzo?
01:26:27Vicciuzzo
01:26:29My friend
01:26:30My old man
01:26:32Fine and you?
01:26:33Sorry if I didn't recognize you right away.
01:26:35But with a mustache
01:26:36The beard and the glasses
01:26:38And you didn't have it before?
01:26:39And of course
01:26:39He was in bad shape
01:26:40Oh yeah
01:26:41We were children
01:26:42And Pataniello
01:26:43What happened to Pataniello?
01:26:45Friend Pataniello
01:26:45It's up to the monumental
01:26:46I'm glad to hear it
01:26:47It has become brain
01:26:48He became dead
01:26:50The monumental is a ciborium
01:26:52I am sorry
01:26:53And you feel
01:26:54The prosecutor
01:26:55What type is he?
01:26:56As?
01:26:56He is a fellow countryman of ours
01:26:58A wonderful man
01:27:00Let me introduce you
01:27:00Lawyer
01:27:01He arrived with the person
01:27:02Yes, I'm coming right away
01:27:03Excuse me for a moment
01:27:04You know, I don't have to go
01:27:05In the meantime, you do one thing
01:27:06Introduce yourself
01:27:07Alone?
01:27:07Yes, yes
01:27:08He will be very happy to receive you
01:27:10Go
01:27:10Go, go
01:27:11I'll reach you right away
01:27:13It is allowed
01:27:18And Mr. Attorney
01:27:20I'm the new substitute
01:27:22Thank you all
01:27:23Thank you all
01:27:36Yes, thank you all
01:27:37Thank you all
01:27:38Thank you all
01:27:52Thank you all