00:00The rooms you want to be in that you're not.
00:01Well, baby, I'm in all the rooms I need to be in.
00:03Not the ones I'm in, honey.
00:04Okay, well, then why does no one in any other rooms know you, sweetheart?
00:07You couldn't even get in the rooms I'm in.
00:10Do I want to be in those rooms?
00:11I don't know.
00:12The people in my rooms don't know who you are.
00:13Well, the people in my rooms don't know who you are.
00:16That was amazing that Angela versus Sandra...
00:18And you break into the rooms.
00:19That's right, yes.
00:20With the Emmys and the Oscars.
00:21That's what Angela's hearing.
00:23I'm in the rooms where they're winning Oscars and Emmys,
00:25so you might want to get in those rooms.
00:26You're breaking into those rooms because you don't have focus in those rooms.
00:29I heard about you.
00:30Yes, that's what Angela's hearing because, oh my God,
00:33Phaedra versus Angela really is giving me, like, classic Atlanta housewives
00:38or classic housewives overall.
00:39They are just two.
00:41They're so good at going back and forth.
00:43It really felt so right.
00:44Their back and forth was amazing.
00:46You could even see Shamia was like, where do I go?
00:48It was just so delicious.
00:49Yeah, it was really good.
00:51And then it was also nice later on in the episode,
00:54Angela was talking about the death of her mother
00:56and Phaedra was able to offer, I think, sincere condolences for that situation.
01:00So I really just love their conflict resolution dynamic.
01:04Let's take a look.
01:05So, let's go.
01:05Let's go.
01:06Let's go.
01:06Let's go.
01:07Let's go.
01:07Let's go.
01:08Let's go.
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