- hace 6 semanas
Reparto: Lina Morgan, Juan Luis Galiardo, Florinda Chico, Antonio Ozores, Alfredo Mayo, Manolo Codeso, Luis Barbero, Fabián Conde, Rosa Valenty, Aurora del Alba, Carmen Platero, Adrián Ortega, Barta Barri
Dirección: Rafael Romero Marchent
Sergio Melgar (Juan Luis Galiardo), un galán cinematográfico con su carrera en declive, se compromete a pasar veinticuatro horas con la ganadora de un concurso de una marca de cosméticos. El premio recae en Valentina Gordillo (Lina Morgan), una chica del pequeño pueblo de Algarrobo de Mijares, ferviente admiradora del actor.
Dirección: Rafael Romero Marchent
Sergio Melgar (Juan Luis Galiardo), un galán cinematográfico con su carrera en declive, se compromete a pasar veinticuatro horas con la ganadora de un concurso de una marca de cosméticos. El premio recae en Valentina Gordillo (Lina Morgan), una chica del pequeño pueblo de Algarrobo de Mijares, ferviente admiradora del actor.
Categoría
🎥
CortometrajesTranscripción
00:00:00Thank you!
00:00:30Thank you!
00:01:00Thank you!
00:01:30Valentina Gordillo, Cotobajo, Algarrobo de Mijares.
00:01:37Thanks, huh?
00:01:38You can verify this, Mr. Montario.
00:02:00Thank you!
00:02:30Tino!
00:02:36Tino!
00:02:39Oh, what a deaf aunt!
00:02:43Tino!
00:02:45Tino!
00:02:46That?
00:02:49A telegram for you!
00:02:52A what?
00:02:54Oh my goodness!
00:02:56A telegram!
00:02:57A telegram for you.
00:03:00That?
00:03:01He arrived half an hour ago.
00:03:03And what does it say? Because I suppose you've already read it, haven't you?
00:03:05But you just can't stop this thing.
00:03:07I'm broken!
00:03:09Hey, will you come to the dance with me on Sunday?
00:03:12Stop dancing and give me that!
00:03:23Oh, mother!
00:03:24Oh, mother, I might die!
00:03:29Yes! Yes, it's me!
00:03:32Oh, mother!
00:03:33I've won! I've won!
00:03:35Oh, what joy!
00:03:36Lina, what's wrong!
00:03:37I've won! I've won all by myself!
00:03:39Have you won what?
00:03:41I've won, I've won! I've won, papalillo! Oh, how lucky I am!
00:03:45Oh, how lucky I am! Mother, how lucky!
00:03:50Oh, how lucky!
00:03:51Hey, what are you doing?
00:03:52I'm coming, I'm coming!
00:03:54You stand like a goat, hey!
00:03:55How lucky I am!
00:03:56I've won, I've won!
00:03:58You've managed to kill me, by sheer luck!
00:04:00I won!
00:04:01A whole day with him... Oh my God, how lucky I am! How lucky!
00:04:06A whole day!
00:04:07All day long!
00:04:08Dina, my bike!
00:04:09My bike!
00:04:10My bike!
00:04:18He smashed her.
00:04:20And how am I going to deal the cards now without my bike?
00:04:24The mayor will give me a dressing down.
00:04:26And that worries you?
00:04:27Clear!
00:04:28With how envious people are of me, you'll see how they'll try to take my job.
00:04:34And it's all your fault!
00:04:39Where are you going?
00:04:40Tell Rita!
00:04:42Rita!
00:04:43Rita!
00:04:44I won!
00:04:49I'm going to Madrid, Rita!
00:04:51No!
00:04:52Rita!
00:04:53So many hours we've dreamed together about this moment!
00:04:57And it has finally arrived!
00:04:59You're crazy!
00:05:00Imagine talking to a mule!
00:05:02Some mules are smarter than some postmen!
00:05:04Don't tell me that, Tina!
00:05:06You don't know how I feel when you look at me!
00:05:09My head is spinning!
00:05:11And your head will spin if you don't take your hands off it!
00:05:17If it weren't for karate, you'd see!
00:05:21But what does this artist have that I don't?
00:05:23What's wrong with it?
00:05:24Hey?
00:05:25They weren't both made with the same pieces!
00:05:27Yeah!
00:05:28But they gave you the ones with a factory defect!
00:05:32On the other hand, he's amazing!
00:05:35So high!
00:05:36With that way of walking!
00:05:37But you saw it!
00:05:40So forward-thinking!
00:05:42Hitting the cigarette!
00:05:45And looking like that!
00:05:47With squinted eyes!
00:05:48And what eyes!
00:05:49And what eyelashes!
00:05:53When he closes them!
00:05:54When he closes them!
00:05:55It looks like a blind has fallen down!
00:05:58Oh my God!
00:06:00Look!
00:06:01Just thinking about it!
00:06:02My stomach is getting loose!
00:06:06Pineapple!
00:06:07When I approach you
00:06:09Doesn't anything loosen up?
00:06:11Yeah!
00:06:12My boot is getting loose because you're stepping on it, you wretch!
00:06:14Go on, take that water pump, I'm taking it to Madrid to get it fixed.
00:06:19I'll do whatever you tell me.
00:06:21When you give me orders, I start to tremble.
00:06:26Oh, how it trembled!
00:06:27Oh my, how I'm shaking!
00:06:28Dude, I'm not exaggerating.
00:06:29I'm not exaggerating! I'm getting an electric shock!
00:06:37And why do you think I have to take it to Madrid to get it fixed?
00:06:39I had a feeling that...
00:06:43Hey, listen!
00:06:44Leave it, it's too heavy.
00:06:51Tub
00:06:52To show you that I love you, I've brought you some flowers
00:06:56You're very rough but very delicate
00:06:58No, not delicate.
00:06:59I'm as strong as a mule
00:07:01Take
00:07:02But you're crazy if you...
00:07:05Achoo!
00:07:06The roses...
00:07:08Achoo!
00:07:09They give me allergies.
00:07:10I also feel allergic just from seeing them.
00:07:11Achoo!
00:07:12Look...
00:07:13Throw that away already.
00:07:14Achoo!
00:07:15Achoo!
00:07:18Achoo!
00:07:19Tina, I'm determined.
00:07:20I don't want you to go to Madrid
00:07:22And you're not leaving.
00:07:23OK
00:07:24Goodbye Pascualito
00:07:26Hey...
00:07:27If you leave, when you return
00:07:28Your grandmother is going to take you to the dance
00:07:29OK
00:07:30Goodbye Majo
00:07:31Hey, rich guy
00:07:32And why me?
00:07:33Hey?
00:07:35Don't drag me into this mess.
00:07:37And you be very careful in Madrid.
00:07:39It's a very dangerous city
00:07:41Grandmother...
00:07:42That you were there many years ago
00:07:43And things changed
00:07:44Your grandfather said
00:07:46Come on, let's spend a quiet week in Madrid
00:07:50It was '36 and it took us three years to get out of there
00:07:54Holy cow, what a mess!
00:07:59I've prepared some snacks for you for the trip
00:08:02Take
00:08:03Grandma, that's not the style anymore.
00:08:05Take it, it won't get in your way.
00:08:08Alright
00:08:09Goodbye Grandma, take good care of yourself
00:08:10Watch out for that Sergio.
00:08:12You know what the saying goes
00:08:14With the ones from the city you get a bed
00:08:16Bed here
00:08:17They just want to get into bed
00:08:18Yes, I know.
00:08:19Bye
00:08:20Bye
00:08:21Goodbye Pascualito
00:08:25Pascual pushed me, he's a real rascal.
00:08:46Comes back
00:08:47Bye
00:08:49Thank you!
00:09:19Take a deep breath, Tina, you're in Madrid.
00:09:49Are you here? Come on, answer quickly.
00:10:02Who, for crying out loud?
00:10:03Your master, my boss, Sergio Melgar and Fashionable Heartthrob.
00:10:05Yes, yes, it is.
00:10:06Give it to me.
00:10:06But what does it say?
00:10:07Where is it?
00:10:08That?
00:10:09There I see his trail.
00:10:12Oh, lumbago.
00:10:15This shoe is yours.
00:10:19This shirt too?
00:10:20Yeah.
00:10:20Take it away, take it away, take it away.
00:10:24This dress is not.
00:10:26Yes, the pants.
00:10:30No, this isn't yours, no.
00:10:31If Sergio uses this, it means he's been cheating on me for a long time.
00:10:33No, it's not his.
00:10:34So whose is it?
00:10:35Because this doesn't suit you at all.
00:10:38Well.
00:10:39So, who is she with?
00:10:40I need to see you urgently, come on over.
00:10:41Wait a minute, wait a minute!
00:10:43If I told him that to get in there he'd have to go over my dead body,
00:10:46Would it stop?
00:10:47No.
00:10:47Okay, then come in.
00:10:50Why complicate things?
00:10:53Sergio, Sergio, wake up, you fool.
00:10:55Casilda, pull the sheet.
00:10:56No way.
00:10:57I am a decent woman.
00:10:58And everyone knows what's underneath.
00:11:00The man is capable of anything, but I don't think there's a tiger.
00:11:02Well, what the heck is going on?
00:11:04At least he's alive.
00:11:06Come on, wake up, hurry up!
00:11:08He must be showered, shaved, and dressed within one hour.
00:11:10and with a bouquet of flowers in her hand.
00:11:12Casilda, prepare a liter of coffee.
00:11:13Come on, come on, let's go!
00:11:14Come on, let's go!
00:11:16Hey, did you get me the movie with Lelouch?
00:11:19You don't have a movie to put in your mouth.
00:11:20Belmondo gave it to him, of course.
00:11:22It must be because of a recommendation.
00:11:24Do you want your coffee decaf or regular?
00:11:26With caffeine, salt, and pepper.
00:11:28And call me the intern and the masseur.
00:11:30But what do you want at this hour, huh?
00:11:32Reiza's managers haven't stopped calling all morning.
00:11:35They threaten to report you, to take you to court.
00:11:37You should have gone to greet the hick who won the contest.
00:11:40You owe me a percentage of your last two movies.
00:11:42He doesn't want to hire you or even have your information.
00:11:43You are full of traps.
00:11:44And I even think you've gotten shorter lately.
00:11:47You're a puppet, do you hear that?
00:11:48An unconscious person.
00:11:50A rag, without strength, without will, without having what it takes.
00:11:54Not so much, not so much.
00:11:57It's nine ten and the bus will have already arrived.
00:12:01Leave me alone, man, I'm very sleepy.
00:12:03This will help you wake up.
00:12:05I'll give you an overdose, four at least.
00:12:07Hey, who's this funny guy?
00:12:11Batiza, but it's not Monica.
00:12:14Oh, well it's true, it's not Monica.
00:12:17Of course I'm not Monica.
00:12:19No, you don't need to, daughter.
00:12:21This will make you want to jump around.
00:12:24The boy is my secretary and my representative.
00:12:31Yeah.
00:12:32The young lady whose name is...
00:12:35Hey, what's your name?
00:12:36Diana.
00:12:37Ah, Diana.
00:12:39Diana.
00:12:41Does she want to be Miss Europe and an actress?
00:12:44No, I might get the Miss Europe title.
00:12:47But...
00:12:48Hey?
00:12:49But, but...
00:12:49Sergio!
00:12:50Sergio, what's wrong?
00:12:51Wake up!
00:12:52Wake up, Sergio!
00:12:53Hey, didn't you say he was going to start jumping around?
00:12:59Of course, I've made a mistake.
00:13:00I read stimulants instead of tranquilizers.
00:13:03Since I couldn't find pepper, I added mustard and a well-squeezed Celta cider.
00:13:06Okay?
00:13:07Okay, even if he dies, we have to get him back on his feet.
00:13:10Oh, but this hooker is new.
00:13:13Listen.
00:13:14Be quiet!
00:13:15Sergio, drink it in one gulp.
00:13:24What a wretch!
00:13:25Poor young master.
00:13:26No, no, how unfortunate I am.
00:13:27It's the suit for signing contracts.
00:13:29Clear.
00:13:30I went a bit overboard with the Celt thing.
00:13:31Shh!
00:13:32I put the suitcase on top.
00:14:00Wait, I'll do it.
00:14:02Grave!
00:14:03Quite, quita.
00:14:04I'll do it.
00:14:12Take me to Sergio Melgar's house.
00:14:14And who is that gentleman?
00:14:15But how?
00:14:17Don't you know who Sergio Melgar is?
00:14:18No idea.
00:14:20Well, Sergio Melgar is the most handsome man in Spain.
00:14:22It's just that men, even if they're handsome, don't appeal to me...
00:14:28Well, you tell me.
00:14:32Avenida del Generalísimo 49.
00:14:34Okay.
00:14:39Well, I like it so much that I asked a doctor's office for its address and they gave it to me.
00:14:44Okay, so I wrote to him asking him to send me a signed photo.
00:14:48He's handsome, isn't he?
00:14:49Hey, take me the shortest way, okay?
00:14:52No more going around in circles.
00:14:54I already know how they do things here.
00:14:55My grandmother has told me many things, and I...
00:14:57No way!
00:14:59You country folk know everything.
00:15:02That's outrageous!
00:15:03The hot one, right?
00:15:05Good, good, good.
00:15:05Okay, okay.
00:15:06But man, make it nice and cold, I'm getting roasted.
00:15:08Don't you dare put it on me!
00:15:09My poor thing!
00:15:10I've got the wrong handlebar!
00:15:11Here comes the cold one!
00:15:12Here comes the cold one!
00:15:14Oh, don't take it!
00:15:15Well, man, it's cold, it's very cold.
00:15:16They're taking away two pairs of glasses with teeth.
00:15:18Well, if this doesn't wake him up, then we're left with nothing but vitriol.
00:15:22How cheap!
00:15:23And I sing to myself.
00:15:24The door is already killing me!
00:15:26Go open it.
00:15:28But not even gas gets in here.
00:15:29Hey?
00:15:29There.
00:15:33I don't know if he's clearing his head, but I am, you know?
00:15:36Look, it might not seem like it, but the water's already better, isn't it?
00:15:39She's hotter.
00:15:40Here's what we offer.
00:15:40That's a really good one, you too, that's really good, huh?
00:15:43Hirala.
00:15:44He's dead, isn't he?
00:15:45Well, he had a heart attack, of course.
00:15:47Whom?
00:15:48That retard Sergio Melgar.
00:15:50Only in this way can we explain why he stood us up with the press, radio and television
00:15:54to welcome the chubby one.
00:15:55Well...
00:15:56It is not.
00:15:57He came out to meet with you, yes.
00:15:58But he hasn't appeared.
00:15:59The traffic.
00:16:00You already know what traffic is like.
00:16:01Well, let's go.
00:16:02No no.
00:16:03We'd better wait here.
00:16:04Since we cannot find each other, he will return.
00:16:06But so much good stuff here, folks.
00:16:07We've come looking for your boss's informality.
00:16:09Well, at this moment it is...
00:16:10Who knows, I was just telling him that.
00:16:12He went out to meet them.
00:16:14That's what I'm saying, it's out there somewhere.
00:16:16Okay, go find him and come back.
00:16:18For example, to Aranjuez.
00:16:19Let's see.
00:16:19Hey, what happened to you?
00:16:20I take a shower in it, on purpose.
00:16:22Dress?
00:16:23Yes, dress, dress, yes.
00:16:24It's the healthiest thing to do, yes.
00:16:25Also, the tailor made the shirt a little too big for me.
00:16:27Let's see if I can shrink it.
00:16:28I do it a lot with clothes.
00:16:29Well, I won't bother you anymore.
00:16:31Come on, get out.
00:16:31Whistle, whistle, whistle.
00:16:32Come on, let's go.
00:16:32No, no, no.
00:16:33We can't leave.
00:16:34We are waiting for the reporters and some of our employees.
00:16:37It makes me feel better.
00:16:38Here they are.
00:16:42It's a joke.
00:16:44I already have that one.
00:16:45We could meet them somewhere else.
00:16:47In Gijón, for example.
00:16:48That?
00:16:48Excuse me, where should I leave the flowers?
00:16:49In search of water and riverbanks.
00:16:50Come on, let's go.
00:16:51This is the Divo's house.
00:16:55I wouldn't live here even if they gave me a million pesetas.
00:16:57How are they going to give you a million with the way you look?
00:16:59Tell me, what's the current voltage?
00:17:00220 or 520?
00:17:02You plug it in.
00:17:02And if Madrid collapses, is that the other one?
00:17:04Both.
00:17:04Fine, thanks.
00:17:06Hey, this is getting really nice, huh?
00:17:09Hey, what's up?
00:17:10I am the intern.
00:17:11But who called her a trainee?
00:17:13Nobody is a practicing Buddhist.
00:17:15Yeah.
00:17:15Come in, come in.
00:17:16That?
00:17:16I'll go with you.
00:17:18Listen, I am...
00:17:19Yes, a beast by profession, yes.
00:17:21Well, as if you were at home.
00:17:26You can be absolutely certain, boss.
00:17:27Cal Melgar is capable of having run off with the first girl he came across.
00:17:31Don't hesitate.
00:17:31It wouldn't surprise me.
00:17:32He is an utterly boorish person.
00:17:34Atrocious, atrocious.
00:17:35Yeah.
00:17:35Excuse me, do you know where the kitchen is?
00:17:37The kitchen?
00:17:37Yeah.
00:17:37How should I know where the kitchen is?
00:17:38I don't know where it is.
00:17:39Nothing at all.
00:17:39Don't get angry.
00:17:41Go well.
00:17:41How are you doing?
00:17:51Very good.
00:17:52Yes, I mean the sick person.
00:17:54Ah, him.
00:17:55He has a lower heart rate than a dying old man.
00:17:58Go on, go touch up your makeup in the bathroom, you're too good to be here.
00:18:01Go on, go on.
00:18:02Come on.
00:18:03Ah, ah.
00:18:06Well, we have to bring him back to life.
00:18:08Okay, so what would happen if we gave him an injection of bleach?
00:18:11No, don't tell me.
00:18:13That his white blood cells would turn very white.
00:18:15And maybe a good massage, giving it to him hard.
00:18:18I'm going to squeeze it like a twill bag.
00:18:20That.
00:18:21It seems to release all the bad things it carries inside.
00:18:23Well, there are.
00:18:24It seems to me that this poor guy has little to give away.
00:18:26Look, where is it going?
00:18:26Where is he going?
00:18:27To the bathroom, to wash up.
00:18:29No, no, it's not necessary.
00:18:30He's not scrupulous, no.
00:18:32He needs to put it into orbit quickly.
00:18:35Do whatever you want, but it has to be able to stand up on its own.
00:18:37I'll be right back.
00:18:41But anyway, where's the kitchen?
00:18:43You haven't found it yet.
00:18:44She's looking for it, she ....
00:18:49Make yourself at home.
00:18:50Listen, if we don't have Sergio Melgar and that slab here in five minutes,
00:18:54We will sue them to get our million pesetas back immediately.
00:19:02Couldn't it be some small letters at thirty, sixty, and one thousand two hundred days?
00:19:06Spot.
00:19:08But it has to be in cash.
00:19:11Spot.
00:19:14Well, they've been left without champagne.
00:19:15How are you doing?
00:19:23With what I've done, I should already be out jogging.
00:19:26Could it be that he's dead?
00:19:27Honestly, I didn't think I was capable of so much in one night.
00:19:30Well, believe it, you are.
00:19:32Oh no, honey, you're so hot and you're distracting them.
00:19:33Al, ala, come on, let's get you touched up again.
00:19:36I'll give you five minutes for that pile of rubble to become a human being.
00:19:41Casilda, Casilda.
00:19:43No one should enter here.
00:19:44I'm going to bring that palette.
00:19:46And where will he find her?
00:19:47I'm not going to waste my time looking for her.
00:19:50Nobody knows what that chubby girl looks like.
00:19:51So I'll give ten thousand pesetas to the first palette I find.
00:19:55By the way, do you happen to have ten thousand pesetas lying around? I don't have any loose change here.
00:19:58Do you want them on real estate or on postage stamps?
00:20:01So, of course, she doesn't have them.
00:20:02But do you think that if I had ten thousand pesetas in greenbacks, I would be here?
00:20:05No, of course not, neither you nor anyone else.
00:20:07Well, I'll see what I do.
00:20:13Not even fifteen hundred, which I already had in my...
00:20:14Nothing.
00:20:16The closure is coming.
00:20:19Everything's sorted, huh?
00:20:20I solved the problem with three phone taps.
00:20:23Wait.
00:20:25What's going on in there?
00:20:28Calocha.
00:20:30Sergio's poodle has gone rabid
00:20:32And they are all trying to convince her not to come in here to bite the visitors.
00:20:36Yes, yes.
00:20:37No, it's fine, sir.
00:20:38I'm coming now.
00:20:42I find that rabid dog thing very strange.
00:20:46I'm not going in, just in case.
00:20:48That's one hundred and eighty pesetas.
00:21:03One moment.
00:21:04Wait.
00:21:04Wait.
00:21:04Here's this hen and she's already giving me chicks.
00:21:14What did you say?
00:21:15The change, the return.
00:21:16You people from the capital don't understand anything, do you?
00:21:19This is what three hundred, four hundred, five hundred, and one thousand do.
00:21:22Now we're four pesetas short.
00:21:23Okay, fine, give them to me.
00:21:27Here they are.
00:21:29Thank you.
00:21:31And delighted to have met him.
00:21:33And if you ever go to Algarrobo de Mijares,
00:21:35I am there for whatever you need.
00:21:37Thank you.
00:21:37I hope I never have to go there.
00:21:39Tell me, what are you going to see in him?
00:21:58Are you finally going to see him?
00:22:01Peaceful.
00:22:03Peaceful.
00:22:04And don't let your bribe slip.
00:22:06Otherwise...
00:22:07Hello!
00:22:07Excuse me!
00:22:07Hey, listen, have you lost your donkey, or what?
00:22:10Wait!
00:22:13I've already hooked up.
00:22:14Are you interested in earning ten thousand pesetas?
00:22:17So what should be done?
00:22:19Nothing, very easy.
00:22:20To pretend to be a country girl who has just arrived.
00:22:22That's a piece of cake for me.
00:22:25Listen to me carefully.
00:22:26Your name is Valentina Gordillo.
00:22:27He won a competition and comes from Algarrobo de Mijares.
00:22:30Atiza.
00:22:31And how do you know that?
00:22:33Don't forget to look like an idiot, okay?
00:22:35Stupid.
00:22:36Because Valentina Gordillo must be that type.
00:22:38Would something like that work for him?
00:22:41Perfect.
00:22:42As if it were her.
00:22:45What's wrong with him?
00:22:47Lower back pain.
00:22:48Yes, there are a lot of lazy people here.
00:22:50Well, now they'll give you a bouquet of flowers and some photographs next to Sergio Melgar.
00:22:55Do you know him?
00:22:56If I know him, I hear his name and I start trembling, look at the trembling!
00:23:00Okay, so what's your name?
00:23:02Valentina Gordillo at your service.
00:23:03Great, you haven't forgotten the name I gave you.
00:23:05No, but I mean yours, the real one, come on.
00:23:07I've already told you, Valentina Gordillo.
00:23:09But everyone calls me Tina.
00:23:14Are you the real Valentina Gordillo?
00:23:20There's another one.
00:23:22This happens in movies and nobody believes it.
00:23:27Mother, I was so eager to get on one of these contraptions.
00:23:31Come on, come on, we're in a big hurry.
00:23:33Come on, come on, come on.
00:23:35Excuse me, will you let me press the little button?
00:23:37Press wherever you want.
00:23:38Come on, hurry up.
00:23:38Oh, leave me alone, leave me alone.
00:23:51Come on, come on, come on.
00:23:52How does it go down?
00:23:53Come on, come on, we're in a hurry.
00:23:56Listen up, guys, he's here, eh, sir?
00:23:58Then, please, then.
00:23:59Then make room for them, please, please make room.
00:24:03Wait, man, wait, man, please.
00:24:05But please, the young lady is very tired and is going to take a shower.
00:24:08He will attend to them later.
00:24:10This isn't a fully clothed shower, that's for sure.
00:24:13Sure?
00:24:14It's me.
00:24:14And well, it's her.
00:24:15I've found it.
00:24:16It's Valentina Gordillo, the real one, the legitimate one.
00:24:18So what?
00:24:18It won't do him any good, because he's not reacting.
00:24:21Oh, mother.
00:24:22Oh, and Saint Jude Thaddeus.
00:24:25Seven years waiting for this moment.
00:24:27Oh, Saint Jude.
00:24:29But how bad does it look?
00:24:32I hardly know him.
00:24:34But what have they done to the poor little thing?
00:24:36No, if he doesn't need anything done to him.
00:24:37He is perfectly capable of destroying himself on his own.
00:24:40But if he is dying like in the prisoner of the castle.
00:24:44And all because of women, right?
00:24:46Clear.
00:24:47How is he so handsome?
00:24:49If it has ears that droop like a boar's.
00:24:52Hey, beautiful, explain that to me.
00:24:53What is a boar?
00:24:55Well, you see, a berraco is a pig that mounts sows.
00:24:57Do you understand?
00:24:58It suits him, it suits Sergio.
00:24:59As soon as he sees one, boom!
00:25:01His ears perk up, and who knows how long that guy can stand it.
00:25:04They say Sergio too, huh?
00:25:06You can assure me of that.
00:25:07What a hustle and bustle!
00:25:08Now, when his ears start to fold down, that's a bad sign.
00:25:12That means he can't even manage with his tail anymore.
00:25:14Well, Sergio Melgar can't even manage to lift his eyelashes anymore.
00:25:16Well, if this doesn't get him going, then we're all going to a funeral tomorrow.
00:25:18No, let me do it.
00:25:20What are you going to do?
00:25:21Help me turn it over.
00:25:23Here you go.
00:25:24Yes, here you go.
00:25:28If there were any bristles left to cover, however droopy they were in the ears,
00:25:31This servant has always managed to get the boar to stand them up again.
00:25:35Look, I'll have to hire her.
00:25:37He rubbed his back like that, really hard, against the grain.
00:25:43Then he worked him thoroughly, and when the boar moaned, you see?
00:25:47If it doesn't fail.
00:25:49Just the same.
00:25:50Now all that's left is a sharp blow to the tailbone.
00:25:52Very loud.
00:25:59But what's going on?
00:26:01This girl would make a fortune, and her skill is priceless.
00:26:05Sergio, you idiot.
00:26:07We're in dire straits because of you.
00:26:08The house is full of journalists.
00:26:10This can be your best advertising or your passport to ruin.
00:26:13You'll find out!
00:26:15Don't cough, let me see a little bit of it.
00:26:18And the pier.
00:26:20But anyway, who is this?
00:26:22The one with the Reiza cosmetics, the one with the contest, don't you remember?
00:26:25She was the one who won.
00:26:27You have to spend a whole day with her.
00:26:29I?
00:26:30Clear.
00:26:30And for only one million?
00:26:33Ever since I hit him with the avenging sword.
00:26:38On guard!
00:26:40Defend yourself, villain!
00:26:41Take!
00:26:47Oh, you mangy dog!
00:26:51Mother.
00:26:54You have been the man of my life.
00:26:57The funny thing about her movie is that I must have sucked while eating an ice pop with my eyes this wide open.
00:27:02I know it by heart.
00:27:05Really?
00:27:05What a nice girl, huh?
00:27:10Emilio.
00:27:12I still count.
00:27:13And now I'm here.
00:27:15Beside him.
00:27:17Thank you, Saint Jude Thaddeus.
00:27:22Can I touch it?
00:27:24Okay, okay.
00:27:24A little spark.
00:27:25But only a little, it's not for many touches.
00:27:27Sergio, imagine that...
00:27:29Come on.
00:27:29The dock.
00:27:44My spring is loosening.
00:27:45The dock.
00:27:45The dock.
00:27:59Well, gentlemen.
00:28:10Thanks to Reiza cosmetics and through the A Day with Sergio contest.
00:28:15A humble Spanish girl.
00:28:17A simple country girl.
00:28:20Sincere.
00:28:21Honest.
00:28:22Prototype of the virtues of our race.
00:28:25Jaws!
00:28:25A prototype of the virtues of our race, he will have fulfilled all his dreams.
00:28:32Jaws!
00:28:33Because for 24 hours, just like a modern-day Cinderella...
00:28:40Jaws!
00:28:42Valentina Gordillo, winner of our contest...
00:28:46Jaws!
00:28:48Valentina Gordillo, winner of our...
00:28:51Jaws!
00:28:52Winner of our contest...
00:28:53It's the filthy perfume of...
00:28:54Jaws!
00:28:55Jaws!
00:28:56Of these flowers that...
00:28:57You will see all your dreams fulfilled...
00:28:59Jaws!
00:29:00Jesus told them that Valentina Gordillo would see all her dreams fulfilled...
00:29:05All of their...
00:29:07Jaws!
00:29:07Jaws!
00:29:08Jaws!
00:29:08Jaws!
00:29:11You will see them all realized...
00:29:14Jaws!
00:29:16You will see all your dreams come true.
00:29:19Jaws!
00:29:20Jaws!
00:29:22Jaws!
00:29:23Jesus, well, Jesus to everyone, come on...
00:29:25He has asked us...
00:29:27...stay in a five-star hotel...
00:29:29...like this, like this...
00:29:30Please come in...
00:29:39Do you like the room?
00:29:52Very nice, very nice.
00:29:54Do you want to go to the bedroom?
00:29:55Come in, come in, come in!
00:29:59No, no, come in!
00:30:00No, no, please!
00:30:00Come on, man!
00:30:01We'll walk with you!
00:30:02Thank you so much!
00:30:02Come in, come in!
00:30:03Have a relaxing vibrator in your bed.
00:30:21And he has it!
00:30:22Hey, this thing isn't moving!
00:30:29One moment!
00:30:30Once she has been luxuriously installed, she will be placed in the hands of a team of experts who will transform her from top to bottom, turning her into a princess worthy of her prince charming.
00:30:45Oh, the Hurdles!
00:30:50I've ripped out all the livers, girl!
00:30:53You guys are beasts here, huh!
00:30:55And all to make one look beautiful!
00:30:56They will take care of your complexion, damaged by the relentless sun of our fields.
00:31:12They will use the best creams, the best beauty products, which are naturally of our manufacture.
00:31:19They will style her hair and transform Valentina Gordillo Campesina into a stylish woman of sophisticated charm.
00:31:29The Hurdica!
00:31:31If Pascualito saw me, I wouldn't get away alive.
00:31:34Then we'll take her to a great fashion designer to give her a complete wardrobe.
00:31:39From the most delicate underwear, imported from Paris, to exclusive designs.
00:31:44Morning suits, sportswear, cocktail suits, evening suits.
00:31:55Oh, a bibel! A real bibel!
00:32:00Sublime, exquisite. She looks breathtaking in that dress.
00:32:07Shocking!
00:32:09We need to see how many there are in their profession, huh?
00:32:11In my village there was only one and they threw him into Pedrás.
00:32:14Sergio, let's not kid ourselves.
00:32:17Your last two films haven't been successful.
00:32:20My production company is going to lose money with them.
00:32:23But hey, is it my fault?
00:32:26Rich young man pretends to be poor to win over poor girl who turns out to be a millionaire.
00:32:31And with these issues we intend to open markets, right?
00:32:35That's true. How many times have we seen that topic already?
00:32:38In the script I wrote, he was amnesiac.
00:32:40And she was a prostitute and a drug addict.
00:32:42But after the fifth version...
00:32:44Of course. He's absolutely right.
00:32:46What I'm trying to tell you is that you need a relaunch.
00:32:50Sergio is very popular.
00:32:51Although that wouldn't hurt.
00:32:53And now with the whole thing about root cosmetics...
00:32:55That's what I wanted to get to.
00:32:56We need a scandal.
00:32:58A bombshell.
00:32:59Something that will thrill the audience.
00:33:01A scandal?
00:33:03It's closer than you think.
00:33:06I've directed eleven films and my gut tells me...
00:33:10...that this small-town girl is our big opportunity.
00:33:12Did you hear that, Sergio?
00:33:14Yes, of course I heard it, yes.
00:33:16Hey, what kind of scandal would be good for us?
00:33:18Let's see, you as director and screenwriter...
00:33:20What idea do you have?
00:33:22The peasant woman and the actor eventually get married.
00:33:25Ah!
00:33:26The peasant woman is corrupted by contact with civilization.
00:33:29And the actor commits suicide.
00:33:31Anyone can serve.
00:33:33The main thing is that you make that peasant girl fall in love with you.
00:33:35The rest will be as real as life itself.
00:33:37And with that we'll make a movie.
00:33:39I think it's a great idea.
00:33:41Yes of course.
00:33:43Worthy of the underground.
00:33:44He could be a bullfighter and she a cabaret singer.
00:33:48Don't start with your intellectual aspirations.
00:33:51You imitate her by writing whatever the production company needs.
00:33:54As usual.
00:33:54One moment.
00:33:55One moment.
00:33:57And what am I?
00:33:58A simple object?
00:34:00A being without a soul and without feelings.
00:34:02How have you come to know yourself so well?
00:34:04Well, Sergio, what I think is that...
00:34:05And you remain silent.
00:34:06That's what I pay you 20% of what I earn for, okay?
00:34:08In theory, of course, because I haven't seen a penny.
00:34:11For me, winning that girl's heart would be child's play.
00:34:13A pastime, a matter of five minutes.
00:34:15But I don't like it.
00:34:16I don't like it and I won't do it.
00:34:19It would be playing.
00:34:20Suicidal.
00:34:21I may have made many mistakes.
00:34:23But I'm not a scoundrel.
00:34:25Of course you are, darling.
00:34:27Monica.
00:34:27Okay, okay.
00:34:28Let's leave it at that.
00:34:30I understand you and I admire you.
00:34:32But it would be useless for me to try to convince you, wouldn't it?
00:34:36Try it.
00:34:36Allow me.
00:34:46Well, look at that.
00:34:47You've convinced me.
00:34:48Excuse me, but I have an appointment with the tailor.
00:34:51Yes, yes, I'll go with you.
00:34:53One is incorruptible up to a certain number.
00:34:56And don't worry.
00:34:57That's done.
00:34:58Emilio, do you know Sergio's party schedule with that paluda?
00:35:07Yes, yes, everything.
00:35:09Sergio, I have to tell you that I spent the night with our producer.
00:35:15I admit that I am an ambitious woman and I don't like to wait.
00:35:20He has promised me that I will go far.
00:35:21For now, you've reached her bed.
00:35:25It's a good jump.
00:35:27He's an old man.
00:35:28If you and I made this movie together, we could have a great time.
00:35:37Yes, surely.
00:35:39This girl was a goatherd.
00:35:47It's a good jump.
00:36:17Mariano, please inform the young lady.
00:36:37Hey!
00:36:38Don Sergio!
00:36:43Hello.
00:36:45But it's you, Valentina.
00:36:47The same.
00:36:49We need to add some acorns to this thing, huh?
00:36:51It gives me...
00:36:53I'm ashamed.
00:36:55Go up.
00:36:57Oh!
00:36:58How short this is!
00:37:01Because I'm used to my tractor.
00:37:09Sorry.
00:37:09It's twelve o'clock.
00:37:12Right now it begins...
00:37:13Oh, oh, oh, oh, oh, oh, oh, oh, what does it give me, oh, mother, oh, mother, what does it give me.
00:37:21But what does it give you?
00:37:22You're so handsome, Don Sergio.
00:37:23You're so handsome, Don Sergio.
00:37:27Call me Sergio, just Sergio.
00:37:31Took.
00:37:33Oh, but...
00:37:35You're getting a little bald, aren't you?
00:37:36I'm not going bald, man.
00:37:39Don't get angry.
00:37:40And don't worry, with or without hair, you're still great, I'm telling you.
00:37:45Yes, that's right.
00:37:47Hey, don't you find me a little ridiculous with all this?
00:37:50No, Valentina, no.
00:37:52Tina, call me Tina.
00:37:54Well, as I was saying, Tina, it's twelve o'clock.
00:37:57From this moment on, our twenty-four hours begin.
00:38:01Oh, twenty-four hours straight with you.
00:38:04Oh my god, when I tell Rita she won't believe it.
00:38:08Who is Rita?
00:38:09My favorite mule, it just needs to talk.
00:38:12And you tell your secrets to a mule?
00:38:14Well, it's just that I'm very lonely.
00:38:16My grandmother already has enough with the TV.
00:38:18And while I clean the stable, I address Rita formally.
00:38:21From you?
00:38:23No, not from me, from you.
00:38:25No, woman, I'm saying you should speak to me informally, use the informal "tú" with me.
00:38:28I'm just embarrassed.
00:38:32I prefer to address you formally.
00:38:41I need to stop at the bank for a moment.
00:38:43Wait for me here.
00:38:49Do you mind if I come with you?
00:38:51Okay, let's go.
00:38:58What are you going to do?
00:39:15What are you going to do?
00:39:16I?
00:39:17I'm nothing, I came here with you.
00:39:19No, woman, don't use the informal "tú" with me, don't speak to me formally, okay?
00:39:23Oh ok.
00:39:24I'm going to deposit this check.
00:39:27And to make some money.
00:39:37In the outlaws, you, I mean you, also went into a bank.
00:39:41And you would start writing like you are now.
00:39:45Suddenly you'd pull out a gun.
00:39:48And then you would turn around screaming.
00:39:50This is a robbery, hands up, everyone on the ground.
00:39:53Come on, didn't you hear me? Get down on the ground.
00:39:55Anyone who moves, I'll riddle with bullets.
00:40:00The horde is going.
00:40:01And how easy it is.
00:40:07You can be thankful that you are a very well-known man.
00:40:09That saves them from a very serious accusation.
00:40:12The bank manager is not pressing charges against you.
00:40:15Thank you very much, Inspector.
00:40:17Thank you, Don Federico.
00:40:18It doesn't matter.
00:40:18But if it was all a joke, I...
00:40:20And you keep quiet, huh?
00:40:20Don't worry.
00:40:21As for you, what kind of protection have you provided us?
00:40:25A simple woman.
00:40:27A weak and defenseless girl knocks him out.
00:40:29Don't you find it humiliating?
00:40:30I've done what I could.
00:40:31Hey, listen!
00:40:32I don't scold you that much, man.
00:40:34You're three times bigger, but the same thing would have happened to you.
00:40:36I don't think he could have done the same to me.
00:40:38No?
00:40:38But what have you set out to do?
00:40:45Let's spend the whole day in jail, huh?
00:40:46I'll be with you anywhere.
00:40:49But you almost killed that poor man.
00:40:52He was a braggart.
00:40:53I didn't do badly, did I?
00:40:55And that's despite having only taken karate lessons by correspondence.
00:40:58And why do you want to know karate?
00:41:00Like in 008 vs. Kung Fu, where you fell in love with a fighter, well, just in case...
00:41:07You'd be willing to do anything for me, huh?
00:41:13Yeah.
00:41:14Anything.
00:41:15Ask me for anything.
00:41:16But hey, are you crazy?
00:41:27Please, gentlemen, forgive me, but it wasn't my fault.
00:41:30It's just that when I came here...
00:41:31Have you seen it?
00:41:33From now on, do nothing.
00:41:35Nothing at all.
00:41:35I'll take care of everything.
00:41:40Are you separated?
00:41:41No.
00:41:42But yes, this is really fun, don't you see?
00:41:45No, no, no, no, no, no.
00:41:46That's it, no, no, no, no, no, no.
00:41:46That's it, no, no, no, no, no, no, no, no.
00:41:48There you are, drink.
00:41:49Be careful what you say.
00:41:59Do you know what's really good for baldness?
00:42:02I'm not going bald.
00:42:03How do you want me to tell you, huh?
00:42:05Okay, okay, don't get like that.
00:42:09But some cold drinks with fresh cow dung are bad for a saint.
00:42:15Did you say scrubs?
00:42:18Yeah.
00:42:20Ah.
00:42:23Where do we go now?
00:42:25Let's eat.
00:42:26To a very elegant place.
00:42:34Much obliged.
00:42:36Would you be so kind, miss?
00:42:41I also have to sign.
00:42:43Please, I beg you.
00:42:58This doesn't look right.
00:42:59Give it to me, give it to me.
00:43:00Take it.
00:43:01This one doesn't look good either.
00:43:13Don't you have another one?
00:43:14Pedro, look at her, look at her.
00:43:18Please, miss.
00:43:20Thank you.
00:43:20Thank you.
00:43:20A lovely signature, miss.
00:43:49Allow me to toast your presence in this establishment, which honors us and fills us with joy.
00:43:56Do you know how the young men in my town toast when they have something to celebrate?
00:43:59Yeah.
00:44:00It's very easy.
00:44:01Churriquirriquí, churriquirrica.
00:44:03Open your throat and spit it out already.
00:44:08For you, sir.
00:44:09Thank you so much.
00:44:10My grandmother.
00:44:20What's the final word on this?
00:44:21Water.
00:44:24No, miss, no.
00:44:25That's not water, that's a Martini.
00:44:28Remove.
00:44:31Tina, for God's sake.
00:44:32It doesn't matter.
00:44:36He is unwell.
00:44:37Thank you, I'm feeling better now.
00:44:39Thank you.
00:44:41Excuse me, miss.
00:44:42Yes, yes, of course.
00:44:45I was already wondering why they were toasting with water and olives here.
00:44:48Thank you.
00:44:58The hurdy-gurdy.
00:45:01Have you noticed the prices?
00:45:03No, neither are you.
00:45:05It's in bad taste.
00:45:06Ask for whatever you want, that's all.
00:45:08I don't understand a thing.
00:45:10Everything is messy.
00:45:12Excuse me, miss.
00:45:13That?
00:45:14This has already been asked.
00:45:18To start, I suggest to the young lady our Rochelle oysters.
00:45:22Hey, oysters are those things with clams, but big ones.
00:45:27Please, Tina.
00:45:29Let's say yes.
00:45:31And do you really think we're going to pay half a green hen for every big clam?
00:45:34Not a chance, right Sergio?
00:45:41Some oysters and then two sole meunière.
00:45:44The usual wine, sir?
00:45:49Of course.
00:45:52May I?
00:45:59I've messed up again, haven't I?
00:46:02No.
00:46:03No, don't worry, but don't insist.
00:46:09What's happening?
00:46:10The dock.
00:46:12Which dock?
00:46:14I'm telling you straight up.
00:46:18Which one is you?
00:46:19The fancy one.
00:46:20I prefer the fancy ones.
00:46:22Well, as soon as you get affectionate,
00:46:25I peek at you.
00:46:33Can't you control yourself?
00:46:34Yes, as something, yes.
00:46:38Excuse me.
00:46:39No.
00:46:54What are you doing?
00:46:55What flavor?
00:46:55Tub.
00:46:57Tub.
00:46:57Tub.
00:46:58Please, Tina.
00:47:02Water.
00:47:04Get up, are you hurt?
00:47:05Above.
00:47:14You are very ugly.
00:47:19Have you hurt yourself, Don Sergio?
00:47:21No, no, take care of the waiter.
00:47:24Very ugly, all the ugly ones.
00:47:26And sorry, it's not important.
00:47:27Yay!
00:47:33Pablo.
00:47:33Very ugly, all the ugly ones.
00:47:35Let's see if you can stop her.
00:47:40I don't see it as easy.
00:47:45Here it goes.
00:47:47Fire!
00:47:49Don't worry, don't worry, come up here and nothing will happen to me.
00:47:54Water, bad water.
00:47:55No, miss.
00:47:57No, nobody gives it to me.
00:48:00Water!
00:48:03Water!
00:48:04Wow, that's fire!
00:48:05Water now, just the fire!
00:48:08And it's only three o'clock.
00:48:15Let me drive, I'm very good at it.
00:48:17This is a piece of cake.
00:48:19We're going to crash, Tina!
00:48:22Leave it, Tina.
00:48:23The steering wheel, please!
00:48:25Turn it down!
00:48:27Hahaha!
00:48:28Ha ha ha!
00:48:28Ha ha ha!
00:48:28Ha ha ha!
00:48:29Ha ha ha!
00:48:31Let me see your bald head.
00:48:32I'm not going bald!
00:48:33Hahaha!
00:48:34Hahaha!
00:48:35Oh, you monster son!
00:48:37Come on, get out!
00:48:38Cergio!
00:48:39Where are you going!
00:48:39Get off!
00:48:39Where are you going!
00:48:40Oh!
00:48:41Aaah!
00:48:48We really wanted to see you doing your hair.
00:48:50Yes, let's go!
00:48:51Hello!
00:48:52Sorry, Emilio, sorry.
00:48:54Emilio is also the ugly one.
00:48:56Hahaha!
00:48:58You're going to kill!
00:48:59Oh, look, I'm going to kill myself!
00:49:00Thank you.
00:49:01Oh, Emilio!
00:49:03The 504, please.
00:49:05Yes, yes.
00:49:06Hey, everyone's ugly.
00:49:07Whatever you want.
00:49:08You have that one too.
00:49:10Ha ha ha!
00:49:10Excuse me, sir.
00:49:11She's crazy, sir.
00:49:11Sorry, she's dizzy.
00:49:13Sorry, there you have it...
00:49:14Hahaha!
00:49:18But as far as I'm concerned...
00:49:19I don't know you're handsome!
00:49:21Look!
00:49:21There are nothing more tiring than...
00:49:25That's right, I'm tired too.
00:49:27Listen, we come from the opera.
00:49:29That's really something.
00:49:31A moment where I come first.
00:49:34Come on, old people, come on.
00:49:37Hello, hello, a jachibaché.
00:49:39Ha ha ha!
00:49:40Ha ha ha!
00:49:42Ha ha ha!
00:49:42Ha ha ha!
00:49:42Ha ha ha!
00:49:42Ha ha ha!
00:49:42Ha ha ha!
00:49:42Ha ha ha!
00:49:42Hahaha!
00:49:44Ha ha ha!
00:49:46Ha, ha, ha, ha, ha, ha!
00:49:50Ha ha ha!
00:49:51Ha, ha, ha, ha, ha, ha!
00:49:53Ha, ha, ha, ha, ha, ha!
00:49:54Ha, ha, ha, ha, ha, ha!
00:49:55Ha, ha, ha, ha, ha, ha!
00:49:56Ha, ha, ha, ha, ha, ha!
00:49:58Ha, ha, ha, ha, ha, ha, ha!
00:50:00Excuse me, excuse me, sir.
00:50:02Sorry.
00:50:03What can I give you, what can I...
00:50:05This is horrible.
00:50:06Come on, let's go inside.
00:50:08Come on.
00:50:10But hey, you can't be a normal woman.
00:50:15This is all you needed, to get drunk.
00:50:20It's that you have to go around sowing catastrophe wherever you go.
00:50:23You constantly make a fool of me.
00:50:27You're a nightmare.
00:50:28And you know what?
00:50:32You've managed to make me...
00:50:36Sergio Melgar is absolutely terrified next to you!
00:50:38Do you hear it?
00:50:39Don't talk to me like that, Don Sergio.
00:50:42Don Sergio, Don Sergio.
00:50:43I feel very sorry for you.
00:50:45But well, it's just that...
00:50:48Are you going to continue addressing me formally?
00:50:51He looks so angry.
00:50:53I have a lot of respect for you.
00:50:55Look, not growing a joy within me.
00:51:04And a desire for revelry.
00:51:07And a "no" because I really want to dance.
00:51:11Do you want to dance with me?
00:51:13Oh, what a pleasure and a laugh!
00:51:19Do you want to dance with me?
00:51:23Then!
00:51:24Then!
00:51:25Then!
00:51:26Before that, the little girl and I have to do something else.
00:51:33Oh no!
00:51:34No!
00:51:35Don't take advantage of me!
00:51:37Right now, I can say yes to everyone!
00:51:43No!
00:51:44It can't be done!
00:51:45No!
00:51:47Things can't be ordered the way you're ordering them!
00:51:52With those leaves!
00:51:54Yes, leaves!
00:51:59Yes, leaves!
00:52:00Yes, leaves!
00:52:01Amazing eyes!
00:52:02What a walk!
00:52:03I said leaves!
00:52:04Amazing eyes!
00:52:05I said leaves!
00:52:06Something's wrong!
00:52:07Oh, what joy!
00:52:09Big black eyes!
00:52:10You won't find out!
00:52:11Like a monkey!
00:52:14Amazing eyes!
00:52:15I'm telling you!
00:52:16Important leaflets!
00:52:17Ha ha ha!
00:52:18Ha ha ha!
00:52:19Eye!
00:52:20Huge leaves!
00:52:38Say it!
00:52:39Tell me!
00:52:40Ah!
00:52:41Hi, Sergio!
00:52:42How's everything going?
00:52:43Good.
00:52:44Well, if I wanted to.
00:52:47But this story is starting to annoy me.
00:52:49Because?
00:52:51Hey, aren't you losing your magnetism with women?
00:52:54It's not that.
00:52:55But no other means could be found.
00:52:58I am a professional actor!
00:53:00Ha ha ha!
00:53:02That's one of the funniest things I've ever heard.
00:53:06Listen, stupid, what are you going to be, an actor?
00:53:09You're one of those things that fat women like.
00:53:12and to sentimental girls.
00:53:14Leave me alone, I'm very busy.
00:53:20That's the state of cinema.
00:53:21Don't mess around, Sergio, by saying he's an actor.
00:53:23And what am I?
00:53:24Stop!
00:53:25You, my daughter.
00:53:26With that couple of drinks.
00:53:28Whatever you want.
00:53:30Whatever you want.
00:53:38Oh!
00:53:39My head hurts so much.
00:53:44Have I done a lot of stupid things?
00:53:45All.
00:53:50Well, I'm sorry.
00:53:54I will never forget this day.
00:53:57But I don't think you do either.
00:53:59No.
00:54:00You can be completely safe.
00:54:01If you prefer, I'll pack my things and go back to my village.
00:54:09No, woman, no.
00:54:11Why are you going to the village?
00:54:13The best part of the day is still to come.
00:54:16The night.
00:54:18All I do at night is sleep.
00:54:20Well, but tonight will be different.
00:54:25Hey, you know what?
00:54:27Just like that, with a clean face
00:54:30And those rat hairs, I like you more.
00:54:35Oh!
00:54:37Oh!
00:54:39Okay, okay.
00:54:46Whenever I hear love songs, I feel like crying.
00:54:48I suppose you have a boyfriend in your town, right?
00:54:52Me, a boyfriend?
00:54:53Come on.
00:54:55I have no shortage of suitors, you know?
00:54:57But if none of them make me tremble when I fly towards them,
00:54:59I don't even see sparkles with my eyes closed when I'm kissed,
00:55:01Who does he want them for?
00:55:03Hey, what's this about seeing sparkles with your eyes closed, huh?
00:55:06Little lights that turn on and off.
00:55:08Like fireworks.
00:55:10That's what the little orphan girl said in a radio serial I heard.
00:55:13Even my mule Rita was crying.
00:55:15I'm always learning new things with you.
00:55:18Come on, you suck-up.
00:55:20You're pulling my leg.
00:55:23The thing about the bun is definitely wrong.
00:55:26No.
00:55:28Shall we dance?
00:55:30I just don't dare do this.
00:55:33When I play in Spain, cañique is the only song I know.
00:55:36Don't worry.
00:55:38Just let me guide you.
00:55:39Well.
00:55:46Hey, have many men kissed you?
00:55:49It was impromptu, Pascualito, the postman.
00:55:53One day he threw me a trip that was something else,
00:55:54But I punched him so hard in the mouth that I knocked out three of his teeth.
00:55:58And last summer he sold me the tractor.
00:56:01In the end he asked me for a kiss.
00:56:03And since he had haggled so hard, well...
00:56:06I felt sorry for him and gave it to him.
00:56:08It wasn't bad, huh? It wasn't bad.
00:56:10But it's not a fluke.
00:56:11Me...
00:56:22I would like to kiss you too.
00:56:25Don't even tell me, it might give me a heart attack.
00:56:28Oh...
00:56:41Hey, you know you're not such a bad dancer, huh?
00:56:44Hey?
00:56:46Ah, but I'm dancing.
00:56:47I thought we were flying.
00:56:52Being in your arms is so wonderful...
00:56:55that I wouldn't mind dying tonight.
00:57:00Did I say something mean?
00:57:03No.
00:57:05Nothing.
00:57:08Nothing.
00:57:12Keep dancing.
00:57:16It looks like she's wearing two bars of soap on her feet.
00:57:24Okay, if you want we can sit down, okay?
00:57:27Yes, yes.
00:57:28Whatever you want.
00:57:41In the flame of revenge, he tried to set fire to his boss's daughter.
00:57:46But then you were the one who got tipsy, huh?
00:57:48Hahaha!
00:57:54Tell me.
00:57:55Yes.
00:57:59Of our 24 hours, almost 12 have already passed.
00:58:02If I were to propose that we spend the time we have left together in my apartment,
00:58:07What would you answer?
00:58:08When you say together, do you mean together, together?
00:58:19Yeah.
00:58:21But completely?
00:58:22How are you and Velasco going to live tonight?
00:58:24Yes, but for real.
00:58:28And then?
00:58:30When you embark on an adventure, you almost never know how it will end.
00:58:37But I'll tell you one thing.
00:58:39One sip is almost never enough for a thirsty man.
00:58:42Well, you see, off the top of my head, my first impulse would be...
00:58:52...take your hand and say, let's run and drink that jug in one go.
00:58:58But then I think that wouldn't be right.
00:59:02That when I go back to my town I won't be able to remember you without feeling ashamed.
00:59:07And since I know that all I'll have left of all this is your memory,
00:59:09I wouldn't want to get it dirty.
00:59:21Oh, mother!
00:59:23The dock, right?
00:59:25Yes, with your permission.
00:59:31There you have it.
00:59:39And you know, be careful.
00:59:49This is my good profile.
00:59:51Don't forget it.
01:00:01Hello.
01:00:03A great man.
01:00:04Tell me, how are you getting on with that rustic bike?
01:00:11And what are you doing over there?
01:00:13If you think that scheming Linda is going to take over my territory, you're wrong.
01:00:18She wins her battles in bed, but I'll win hers here.
01:00:22Don't doubt it, my love.
01:00:24What do you mean by that?
01:00:26If what we intend is to have advertising.
01:00:29We're going to have it.
01:00:30Look at that.
01:00:31Come, come with me.
01:00:32You'll see.
01:00:34Sergio, here are these miserable people who are bothering me.
01:00:36Hello, how are you?
01:00:37I told them I was with you and the poor things just go and laugh.
01:00:52I've brought them here so you can ridicule them and break all their bones, just like you know how.
01:00:56Well, I...
01:00:58Angelo, you're making yourself look very sorry.
01:01:00With you guys, they've got nothing to begin with, not even to begin with.
01:01:03Sergio, give the youth a demonstration.
01:01:09Well, guys, the truth is that it's a joke, as you've seen, right?
01:01:13That's how it started in black alcohol, you'll see.
01:01:15You'll see.
01:01:45Wait a minute, wait a minute, eh
01:02:15Saint Jude Thaddeus, they're killing him.
01:02:45My poor little thing
01:02:58Those brutes beat you senseless
01:03:03My poor thing, does it hurt a lot?
01:03:06I was convinced that you would start by losing, but that in the end you would win, as always happens in the movies.
01:03:12Leave me alone, I'm not a hero, and life isn't a movie
01:03:19Here the problems are real, the blows are real
01:03:23And you have to defend yourself alone; there are no traps, and everything that will happen until the end is not already written.
01:03:30Here they hurt you, you're alone, and you never know how your miserable life is going to end
01:03:36Come on man, don't get so worked up, it's just a few punches, he kicked me once...
01:03:40Listen Tina, my whole life has been a lie
01:03:44I got here by climbing however I could, without scruples.
01:03:49Now all that's left for me is the downhill climb; I'm not 33 years old, I'm 40.
01:03:56And you're right, I'm going bald.
01:03:59And my liver is splashing around in alcohol, it's disgusting.
01:04:02Well, don't tell me those things, you'll regret it later.
01:04:07I can't sleep at night, and I have to take pills.
01:04:11But I don't have the courage to drink the whole tube and be done with it.
01:04:15Jesus
01:04:16Don't say that
01:04:19A man as nice as you
01:04:21I'm so used to lying, I pretend all the time
01:04:25Do you understand?
01:04:26With the audience, with... with my friends and... that's it... it's already with you
01:04:37You have been the only decent person I have ever met in my life
01:04:44If you were at all clever, you'd run away and not stop until you got back to your village.
01:04:51It's a bit far away
01:04:53Never leave there again
01:04:57It's not worth it
01:04:59Now you're not pretending
01:05:02Now you say what you feel
01:05:06And what do you know?
01:05:09I could be reciting the story of my next movie to you.
01:05:11Never believe me, Tina
01:05:16Whatever I tell you
01:05:18Never believe me
01:05:21And forget that you've come to Madrid
01:05:22And that you have met me
01:05:24That will be impossible.
01:05:32Oh my god, I'm so incredibly lazy.
01:05:37Mr. Melgar
01:05:41Lorenzo Juan called him
01:05:43I would like to do a feature on you for the ABC Sunday supplement.
01:05:47I will call you again tomorrow at six in the evening
01:05:51Sergio, are you alone?
01:05:54Well, if you're alone, listen carefully to this message.
01:05:56Which is very important
01:05:58As things stand, you have no choice but to win over that country girl, no matter what.
01:06:02Do you think this is your only chance?
01:06:05You need a publicity stunt or you're definitely going down the drain
01:06:09A suicide attempt by that girl would be perfect
01:06:12Just one attempt, of course.
01:06:13But remember, you're risking your career.
01:06:15Look, you break hearts.
01:06:17I'll take care of the rest.
01:06:19I can admit her to a clinic for a few days.
01:06:22Or in a mental asylum
01:06:23Sergio, that would be the solution for both of us.
01:06:26Look, for all the letters you've signed in your life
01:06:29Don't hesitate
01:06:30And conquer her
01:06:31I'll call you tomorrow, okay?
01:06:33Bye
01:06:33Sergio, I was calling to wish you luck with the peasant woman
01:06:40Our producer is a bit of a rascal
01:06:43But you're right, darling.
01:06:45A scandal is always great publicity.
01:06:48Hey, you know what?
01:06:52I'm a little jealous
01:06:54I hope you call me
01:06:55Goodbye, love
01:06:57Tub
01:07:10I'll accompany you to the hotel
01:07:11And why?
01:07:17Why are you in such a hurry?
01:07:19Well, I don't know.
01:07:19It's two in the morning
01:07:22And I think it's been a very tiring day for you.
01:07:25I won a contest to spend 24 hours with Sergio Melgar
01:07:30And now you want to let me go
01:07:32With only 8 hours left
01:07:34That's a scam.
01:07:40Does that sound good to you?
01:07:45Well, not me.
01:07:46What are you playing?
01:07:52Besides, if I were to leave
01:07:54It would ruin your reputation as a conqueror
01:07:56No?
01:07:59I don't know what you mean.
01:08:00Earlier, when you suggested we have an affair
01:08:03Were you faking it too?
01:08:06No
01:08:06In my town
01:08:08In the village
01:08:12They would laugh at me if I couldn't tell you about my day with Sergio
01:08:15It had been complete
01:08:16Complete
01:08:19Complete?
01:08:20What's the reason for this change?
01:08:23You see
01:08:27Go on
01:08:28We'd better leave
01:08:31Hey
01:08:32You in the movies as the lover
01:08:37You're the best!
01:08:39I suppose there won't be any tricks like in the fights.
01:08:44But, Tim
01:08:48What's the matter?
01:08:51Me?
01:08:59Nothing
01:08:59Damn
01:09:06But I'm going to have to do everything myself.
01:09:07Do you want to kiss me already?
01:09:10Oh, mother
01:09:21Oh, mother
01:09:24I don't know where I am anymore.
01:09:25Hey
01:09:26My
01:09:27What's the matter?
01:09:28No?
01:09:29What a beating!
01:09:30What do you think?
01:09:31What's the matter?
01:09:31What's the matter?
01:09:31Creesaide?
01:09:34What's the matter?
01:09:34What's the matter?
01:09:35Thanks for watching the video.
01:10:05Thanks for watching the video.
01:10:35Thanks for watching the video.
01:11:05Thanks for watching the video.
01:11:35Thanks for watching the video.
01:12:05Thank you.
01:12:37Thank you.
01:13:37Thank you.
01:13:39Okay, Sergio, here are the contracts.
01:13:40Nothing, everything is as we said.
01:13:43Does this sign?
01:13:43Yes, the other one.
01:13:44Sergio, do you want to sign?
01:13:49The photograph smiles.
01:13:54Come in, the door is open.
01:13:56But did you really think you could leave without saying goodbye?
01:14:06Well, the 24 hours were up yesterday.
01:14:13You are no longer obligated to anything.
01:14:15Hello, Sergio.
01:14:22Hello, Sergio.
01:14:24Hello.
01:14:26How are you feeling?
01:14:28But how could you do such a thing?
01:14:32And why?
01:14:33Well, you see, I just felt like it, since I had never committed suicide before, I thought I'd try it.
01:14:39Besides, I wanted to do you a favor.
01:14:41A favor?
01:14:42You don't think I really wanted to kill myself, do you?
01:14:45It was just a little joke.
01:14:46I heard you were in a bind and that it would be very important for you to organize a
01:14:50very fat.
01:14:51And things have gotten heated, haven't they?
01:14:53But what about the pills...?
01:14:56I took very few.
01:14:59I have excellent health and I knew they couldn't do much harm to me.
01:15:01So you can see that I can pretend too, just like you.
01:15:07And?
01:15:09Have you signed your contract yet?
01:15:12Yeah.
01:15:14So it worked?
01:15:17You deserve everything.
01:15:20Well, I haven't even had time to fix this contraption.
01:15:23Grandma will be angry with me.
01:15:31Hey, aren't you going to get sentimental now?
01:15:38Dina, you are the only noble and sincere person I have ever known in my life.
01:15:45I need you.
01:15:47Why would you need a country bumpkin like me?
01:15:50Twenty-four hours and that's enough.
01:15:51But more.
01:15:53What would you do with me?
01:15:55Me too?
01:15:58What would I do with a man like you forever?
01:16:02Do I mean nothing to you?
01:16:05Of course.
01:16:08But we shouldn't exaggerate either.
01:16:11You'll keep doing crazy things with your women and I...
01:16:15And I suppose that one day I will find a man too.
01:16:21Short.
01:16:23Sun-tanned.
01:16:26And with calluses on his hands.
01:16:28Dyne.
01:16:28You haven't seen the lightbulbs with me.
01:16:35A few.
01:16:38But not a complete fluke, either, okay?
01:16:40Don't go thinking that...
01:16:41You'll find it absurd.
01:16:48But I've discovered that I need you.
01:16:50I'm serious, Tina.
01:16:55You see.
01:16:56I have signed my contract
01:16:57and your suicide attempt
01:16:59has given me the necessary popularity
01:17:01to continue for a few more years in the trenches.
01:17:05Why would I deceive you?
01:17:09That's what I say.
01:17:10So that?
01:17:11I've already deceived myself before.
01:17:13Forget it.
01:17:17And stay with me.
01:17:21No.
01:17:23I live outdoors.
01:17:25I spend my days alone with my tractor and...
01:17:27And I'm happy like that.
01:17:31Daydreaming all the time.
01:17:33With what?
01:17:35Well...
01:17:35Well, I don't know.
01:17:38Maybe with a hot air balloon ride.
01:17:40Or with the Prince of England.
01:17:43He goes through the era.
01:17:45He asks me for water.
01:17:46I'll give it to you.
01:17:48He looks at me.
01:17:48He falls in love with me.
01:17:50And we got married.
01:17:53And I ended up becoming Queen of England
01:17:55and I return the Rock of Gibraltar.
01:18:02Isn't it wonderful to dream?
01:18:05Viva!
01:18:29Viva!
01:18:30I have a letter for you!
01:18:33What are you saying?
01:18:35I have a letter for you!
01:18:42Already.
01:18:43I was sure it would arrive.
01:18:48This is the beauty of being a postman.
01:18:52Bringing good news to the people you love.
01:18:55Yes!
01:18:56It's for me!
01:18:57Oh!
01:18:58Oh, mother!
01:18:58Oh, what joy, Pascualillo, that I'm leaving!
01:19:02I'm leaving again, Pascualillo!
01:19:04Tub!
01:19:05Tub!
01:19:05Tina, I received it as a gift through a popular subscription!
01:19:08Tub!
01:19:09Tub!
01:19:10Tub!
01:19:11Tub!
01:19:12Stop!
01:19:13Stop!
01:19:14Stop!
01:19:14Stop!
01:19:15Stop!
01:19:15Stop!
01:19:15Stop!
01:19:21Stop!
01:19:21Stop!
01:19:22My bicycle!
01:19:24She's turned it into puree!
01:19:26With this mentally deficient woman, I'm going to have to do the deliveries in a tank.
01:19:30My bicycle!
01:19:32Aah!
01:19:37Rita!
01:19:38Rita, Rita, the letter has arrived, it's here, look, look at it, I did it, I've won again
01:19:47Oh my goodness, what joy! I've won the contest! A week in Paris with Alain Delon!
01:19:52Oh my goodness, how lucky, I had a week with Campanas
01:19:57Bells? And why do you call him Bells?
01:20:02Because it's Alain Delon, Alain Delon, Alain Delon, Alain Delon
01:20:07I don't think it's bad; in the other contest you arrived at the house full of things that smelled really good.
01:20:13But with the current situation, you tell me what we do about all this.
01:20:17Don't worry, Grandma, don't worry
01:20:21In a year we're going to invite the whole town to this paper, but I...
01:20:28To Paris, comiñadal
01:20:37Thank you!
01:20:38Thank you!
01:20:39Thank you!
01:20:40Thank you!
01:20:41Thank you!
01:20:42Thank you!
01:20:43Thank you!
01:20:44Thank you!
01:20:45Thank you!
01:20:46Thank you!
01:20:47Thank you!
01:20:48Thank you!
01:20:49Thank you!
01:20:50Thank you!
01:20:51Thank you!
01:20:52Thank you!
01:20:53Thank you!
01:20:54Thank you!
01:20:55Thank you!
01:20:56Thank you!
01:20:57Thank you!
01:20:58Thank you!
01:20:59Thank you!
01:21:00Thank you!
01:21:01Thank you!
01:21:02Thank you!
01:21:03Thank you!
01:21:04Thank you!
Sé la primera persona en añadir un comentario