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  • 7 weeks ago
Hours before taking the stage in front of 1500 fans at The Bellwether in Los Angeles for an exclusive performance, Twenty One Pilots joined Klein from KROQ.
Transcript
00:00And here we are for K-Rock. It's Kline of Kline Alley's show, but more importantly, we got Josh, we got Tyler, we got 21 pilots in the house for a K-Rock private show.
00:10And you can't tell this because of the room we're in right now, and I don't even know if you guys have looked out the window yet, but I noticed about six miles away from the venue, the line has begun.
00:18The venue only holds 1,500 people, so there's clearly the biggest line I've seen this early. You're not even going on stage for another four hours.
00:25Wow. Does that ever get old for you guys? Or even like your crew was like, this is incredible.
00:30Yeah, I mean, I'm worried about them. Are you hungry? Are you thirsty? Like, what do you need? Did you sleep? Yeah.
00:38Some of them have been here, I think, since yesterday. Some of them hoping to get in. This is the kind of effect you guys have on your fans.
00:43And I always thought I was a 21 pilots fan dating back to 2012, 13, let's call it.
00:48And then I realized after giving away these tickets for this show, I'm nowhere near a 21 pilots fan.
00:54Yeah, you're not even cool. I'm a green belt. And I've talked to like double black belts and brown belts. It's kind of wild.
01:01You've got a lot of work to do.
01:02Yeah, I felt like I've never felt worse. And I was like, I've been to maybe 20 shows. I've bought merch. I've taught you guys a handful of times.
01:08Only 20? Come on. Those are rookie numbers.
01:11And there's people that know like the food allergy is a blurry face. I'm like, how do you know his food allergies? That's crazy.
01:16But it's kind of incredible. And when you started the process, because now you get to almost look back,
01:21now that Breach is out and the story has kind of come to an end, did the story go exactly as planned?
01:27Were there changes along the way that now that you look back, you go, that was the right move?
01:32That's a good question. I do think that we are very proud of how long the story has been around.
01:38And like, even when we start with blurry face, I remember specifically when we were recording
01:42stressed out, the producer we were working with, Mike Elizondo, who we become really close with.
01:47When I started singing, my name's blurry face and I care what you think.
01:51I remember it was like that classic, like he's in the control room, he presses the talk, but he's like,
01:55um, what does that mean? And I was like, listen, it's going to be the name of the record.
02:00It's a character. He's kind of the antagonist of the whole thing. So, and you know, to his credit,
02:05he was like, all right. And I think that the idea was like, well, you know, it's never going to be
02:09like a hit because no one knows what you're talking about. Um, but it was cool that we stuck
02:15with it. And even cooler that enough people cared to find out what we were talking about,
02:22what the story was about. And, um, but it would also kind of be like, we should say that our fans
02:28have also kind of affected the trajectory of the story in a sense as well. So as much as we had the
02:35idea of where we were heading and an idea of how it was going to end the way we got there,
02:39um, we really kind of like pushed off of them as well, um, as things kind of happened. So we give
02:46them credit too. Is there ever been a discussion about, and I know you guys have directed music
02:51videos and, uh, you've been in the theater before, but has there been a discussion about making a TV
02:55show out of the story? Yeah. I mean, we've been, we've been offered a few times, but we just can't,
03:01we just can't agree on who should play us. Right. Smart. And so, uh, Washington. Yeah,
03:07sure. And, uh, you're tough. And then when Farley passed, it was just like, what's the point?
03:14What's the point of even doing this now? I get it for, for, for the Clancy character. So no, we,
03:19I think it's always, you know, uh, it's cool to think about no real plans, but, um, I think it just
03:27goes to show that when you put some time and energy into the backstory, um, it gives, it gives
03:33people more context for the music if they, if they want to, we've always made sure that we didn't
03:38write records that required people to understand that, that's that narrative and that story in order
03:44to just to enjoy the music. Um, but I know for me, I, I just love telling stories. I think it's a
03:49whole art form in itself. Um, and, uh, yeah, it's another way to just express creativity.
03:57You think it's more important to be looked at either by current standards or looking back in
04:02the future that you guys were great musicians, a great band or, or good storytellers?
04:07Uh, good friends. There you go. I wasn't a choice. We're not, we're actually not great musicians.
04:14Yeah. I don't think we just got to learn a few chords and then look where you could end up.
04:17Yeah. I think, I think if you have creativity, then that might get you further. If you don't
04:24have, if you're not a great musician, there's a level of, um, kind of blind confidence that you
04:30need to, to just like, here's a song. It was at one point, nothing. And now it's something.
04:34And, uh, but at the same time, it's not just this individual confidence. You have to find a
04:39collaborator, someone that you trust. And in this case, you know, we found each other and the
04:46confidence came from, well, at least we think it's good or at least we think it's cool. Um,
04:52so you have to adopt that confidence to, to release anything. Uh, but it's nice to have
04:58a collaborator that's kind of like with you going, Hey, if, if this doesn't work, we were going down
05:04together, together. Right. Let's fail together. I just, it's funny cause you have obviously some
05:07big stadium shows coming up while you're here in LA, but tonight it's this, it's a small venue
05:11intimate K rock private show, which we can't thank you for enough for doing this for the fans.
05:15And obviously for K rock, but this is a no phone show. They took my phone and shattered it when I
05:19arrived. Do you guys play differently? That do you feel there's a sense of freedom when you know
05:24that every single person is going to be completely focused on you? Or is this the opportunity for you
05:29to work out head five standup set or something? Cause there's no phone. Yeah, exactly. We're just
05:33working on our, our quick, quick five. Um, I don't, I mean, this is kind of our, I think when the
05:41idea of a no phone thing came about, we always thought, uh, we don't want to, we don't want
05:48to make people do like we, we were always not, we don't want to make people do that. We think
05:52that they should, you know, make their decision on how they want to enjoy their concert as the
05:57idea has. I think people have, we've in no way been pioneers of that. In fact, this might
06:02be like one of our first shows that we do this in. Um, but it does, I think that you realize
06:10how a room changes when everyone is kind of really living in that moment. And, um, you
06:17know, if Josh, maybe I'll, you know, pants, Josh mid show and no one will ever know.
06:22It will just live in people's memories. That's great. Yeah. It's like, no one will believe
06:25them. They'll draw it from memory. You have to get a, uh, well, there's court, a sketch
06:30artist drawing what happens here at the show. So people will actually believe it. Yeah.
06:34There's a stenographer in the back of the room to write down everything. You guys always
06:37think about it. Uh, any while in LA before you, uh, head for the private show to the big
06:42shows, any, any downtime plans, restaurants you must hit while you're here. Josh has got
06:47a place out here and he was like, Hey, do you want to hang out during the off day? And
06:51it was like, Whoa, we haven't really had an off day at near someone's house in a while.
06:56So I don't know, maybe we'll hang out. Swimming.
06:59You know, I will say to just, uh, going back to what you were saying earlier, this whole
07:07lead up to this show is like, uh, and I was thinking about this the other day, it's like
07:10this tiny show, private, intimate, it's like still 1500 people. It's not tiny. And I was
07:16thinking, you know, like it doesn't feel like it was that long ago that we were like planning
07:20for like 30 people. It kind of was at this point. It's been, it's been quite a while,
07:25but I think in our minds, we still look at it like 1500 people is a lot of people still.
07:30So it is, it's, it is kind of wild to think about this underplay, this like small show
07:35that's still like 20 year olds, Tyler and Josh would be like, that'd be amazing to play
07:42that venue. So not to, not to take away from, uh, the amount of people that are here tonight.
07:48Cause it is, it's still cool. The amount of desperation that we heard from fans, uh, that
07:54said that with this, they need, this was everything to them and they needed this to be complete. I
07:59mean, I could show you thousands of messages. We received crazy stories. Some probably made up
08:05some tugged at the heartstrings. People that want to get the amount of people want to get proposed
08:09tonight. Astronomical. I think there may be 97 proposals happening during the show tonight,
08:13which no one will know cause there's no phones to capture it. But, um, so you guys have had an
08:18effect and I've watched it happen. And the cool thing as a guy that, you know, I like to believe
08:23I was in early on you, but I think that a lot of your fans feel that way, which is maybe why they
08:26feel like such ownership kind of of the band. But it's really interesting to watch the passion
08:31that has only grown over the years. You guys have done a great job at not selling out. Uh,
08:36don't see any products available. Uh, you guys are endorsing, uh, you know, uh, you know,
08:41target or bed, bath and beyond.
08:43That really is like such a, you would think that we're not in these situations where you're often
08:48where someone is talking to us about kind of like their perspective of our career. Like you are
08:53now, we actually kind of stick to ourselves and it's really cool for you to hear that because there
08:59has been a lot of deliberate conversation about like, okay, what do we, like when we say yes to
09:05things or we collaborate or we feature, or we, you know, do a, you know, an advertisement or whatever
09:11it may be, we're bringing our fans with us and they, and we're saying yes for them as well.
09:17And so we've always been hesitant to kind of force that them into a collaboration with us. And I know
09:24it's a little cheesy that, you know, bands are always saying things like, you know, we're all
09:29family and our fans are, you know, we even say every night, like we're 21 pilots and so are you.
09:34And, you know, uh, I actually got that from Jack White, even though his was a little different.
09:39He says he's 21 pilots.
09:41No, no.
09:41That's crazy.
09:42No, he's, his is a little different. What'd he say? He is, um, you've been great and I've
09:46been Jack White or something like that. So I'm like, I got to find something. Mine's not as,
09:50not as, uh, not as cool as his, but, but anyway, it does feel like, you know, that sense of ownership
09:56is, um, something that takes several years to, to, to protect.
10:01Yeah. Well, thank you on behalf of every K-Rock listener, everyone at the station for doing
10:06this, for the many years of amazing songs, stories you've given us. Um, and, and to be
10:11completely honest, as a guy that gets to talk to a lot of, you know, artists, I've, I've always
10:16excited. There's a lot of great musicians, terrible interviews, interviews, and you guys
10:21have always been fun, funny, and we appreciate that as well.
10:24Let's do some more stuff.
10:25And I, uh, now let's do that type five on stage side.
10:29Actually, I do have a notes, a note in my phone of like, if I were, come on, pull it out.
10:34Do one. Let me do one of your notes. What is, what is, if you were going to do stand up,
10:39you have like a concept. I have, I literally have a note. This is stand up. You're about
10:42to knock 30 seconds off your, your type five. Hold on. Yeah. Don't blow the, don't blow the
10:47finale. Oh, man. Oh man. I got to work on the time. You know, it's all about the time.
10:54Of course, but let me, what's the concept? This is good. Let's go. Um, my, my wife said
11:01to me one time, uh, I'd have to, I'd have to put it together. Right. But she said, you
11:07know, I think we would have a better relationship if you didn't know English. So I don't know.
11:11I was going to riff on that one. So there's a little piece, you know, that's great. Some wife
11:16jokes. Hey, very relatable. People get it. Uh, yeah. Well, listen, 21 pilots here at the, uh,
11:22the bellwether. It's a, uh, a small, intimate 1500 person show with a line that is crossing
11:27the freeway right now to get in here. Thank you guys for everything. We really appreciate it.
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