00:00I think doing that massive Triple Little Light Fantastic number with all the lamplighters
00:09because I grew up watching those big spectacle showstopping numbers and so to then be a part
00:15of one was crazy. It was so cool. Fantastical, hopeful and joyful. Oh, I mean, listen, Mark,
00:24Shaman and Scott Woodman were the perfect songwriting team to write the score. Even
00:28the patter section you're referring to is a love letter to Burke's patter section in Jolly
00:34Holiday. And I was just, I was thrilled to be a part of it. I felt like every song was
00:38like a tailored suit. It was great. It was, it was fun. I mean, you know, I know that they'll
00:42be talking about it 50 years from now if Dick Van Dyke's accent is any indication. So I was
00:47up for the challenge. Hard work and being chained to my dialect coach, Sandra Butterworth, who
00:52was brilliant. Thank you. Yeah. You can't forget. You mustn't forget. And I think this film takes
00:57you to a time of innocence. We're used to a lot of drama and comedy, in fact, being played
01:05quite darkly these days. And this takes us back to a time of, because it kind of references
01:11the world of the original movie, of course. And in that way, it's, it reawakens a lot of
01:19the good childlike side of when you watch it, I think, you know, you're just, you're, you're
01:27just blown away with the innocence and beauty of it. And did you have fun to play a bad character?
01:33Yeah. It's always fun to play a bad character. I think when everybody's nice and people come
01:37in. Which one is your favorite scene? Um, well, I think the first scene that we come into,
01:43and because we, we rehearsed it for a long time because it had a few little special effects
01:47in it. And you know, there's stuff happens. I won't blow it. Yeah, yeah. Not spoiler. Yeah, yeah, yeah.
01:55Thank you.
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