- 2 months ago
EastEnders 20th October 2025
Category
🎥
Short filmTranscript
00:00I just don't know what you're bothering doing under there. No-one's gonna see it.
00:19When writing a vintage motor, Ian, it's all about the details.
00:23Yes, exactly. It's like me with my bits on the stool, you know, I polish them up and in the end they look brand new.
00:29But it's an antique stool. You don't want everything looking brand new, do you?
00:34That's a very good point, Jim. You know what, I've never understood the attraction of an old banger.
00:39I mean, give me the latest model every time.
00:41That's what Cindy said, isn't it?
00:44Morning. Everything's ready at the car lot.
00:47No, are you really sure you want to sell this? I mean, it is a lovely mullet.
00:50Yeah. Flammer the engine. Smell the petrol. Nothing like it.
00:56I'd give anything to be able to drive off, you know, again.
01:01But, well, my days on the open road are well behind me now.
01:05And the proceeds from this are gonna take me and my little missus off to India.
01:11Well, Jim, can I have a quick word?
01:19Brace yourselves.
01:21It's Walford's sexiest law-abiding citizen.
01:26He's getting his tag off today.
01:28Yeah, that's what we need. Another hooligan out on the street.
01:30Great. Everyone in jail is a second charge.
01:33Nigel!
01:34Nigel, what are you doing? Give us a...
01:36Don't worry.
01:37You can bust it out.
01:42I'll be glad when the flaming thing's sold.
01:44But I can't trust Nigel not to go off in it.
01:47I've had to hide the keys.
01:48And I have no idea where I've put the spare.
01:52Sorry. Sorry.
01:53I'll put me going on.
01:55Oh, what's this?
01:56The hens are laying like Millio.
01:58So it's by way of an apology.
02:00I still feel really bad about what Nigel said to Lily.
02:03Oh, she's forgotten it already.
02:05But thank you.
02:07And thank you for tutoring her.
02:08Especially when you've got all this going.
02:10It's a pleasure.
02:11Bye.
02:14Is everything all right?
02:15Yeah, it's my younger brother.
02:18Kojo calls every Monday at 8am.
02:20Regular as clockwork.
02:21But he hasn't heard from him for a week.
02:23And he can't reach him on the phone.
02:25Well, didn't you say you've gone away with Harry?
02:27I mean, maybe he's obviously not with Lancelot.
02:29Yeah, but I can't get in touch with Harry either.
02:31Anyways, Kojo and...
02:33He's always on time.
02:35Oh, it's much harder looking after adults than children.
02:38I mean, they make their own decisions.
02:40Like Stacey.
02:41In Brazil.
02:42Living a life.
02:43No, you're right, Jean.
02:44Yeah.
02:45But the only problem is, unless I can actually speak to Kojo,
02:48how can I be sure he's safe?
02:51Well done in wandering.
02:52I'll never leave ya home.
02:54I'm away again.
02:55I'm away.
02:59Well done,zie.
03:01tres banditope
03:02So were you OK?
03:03Well done,KojoOOO.
03:07Yeah, yeah.
03:24This again.
03:27Come up.
03:33I love this tune. You do.
03:45Lex, was there something wrong with the skincare?
03:49Brought me out in hives.
03:54Do you want some ice for that, though?
03:56Oh, God.
03:57But should we come around, all right?
03:58Yeah.
03:59Trust me.
04:00Your job hunting today?
04:01Er, let's see.
04:02When I was drunk, I sent an email to my ex-employer's entire client list
04:06asking them to invest in my new firm.
04:08So, no.
04:10Nobody is going to touch me with a barge pole.
04:12Well, I will.
04:14Listen, you're a carter.
04:16If there's one thing I know about the carters,
04:18they always come back bigger, better and stronger than ever.
04:22Thanks.
04:23Thanks, sis.
04:24Thanks, sis.
04:25And she's not my girlfriend.
04:26It's a situation-ship.
04:27No.
04:28No.
04:29No.
04:30No.
04:31No.
04:32No.
04:33No.
04:34No.
04:35No.
04:36No.
04:37No.
04:38No, no.
04:40No.
04:41I don't know, Chris.
04:42撮 Ian's out later.
04:43Could you get me Pete's ID?
04:44Pretty Please?
04:45Oh, yeah, of course.
04:46I'm going to ask Peter if my underage brother, who
04:47literally just got his tag off, can borrow his ID so he can go get smashed with his girlfriend.
04:51It's a situation shit.
04:53I don't want to know.
05:01Sit.
05:03Yep.
05:04It's from Dad.
05:06He got Louie a voucher and all.
05:08Well, never sent me a Christmas or birthday present
05:12since my voice broke, so, yeah.
05:15Job on, Grandad.
05:18We can talk about it.
05:20At least Louie and Jimmy have the best uncle in the world.
05:22They need one decent male role model.
05:25What about Peter?
05:27Who?
05:28The himbo.
05:40What's happened?
05:41I just spoke to Mr Maldon.
05:42He said he didn't go back to school tomorrow.
05:44That's good news, isn't it?
05:45You can put all that jail stuff behind you now.
05:47You should see what they're saying online about me.
05:49Mum, please.
05:50I can't go back.
05:51Tommy, it's gonna be hard.
05:52But come on, you're as tough as Gene's sausage surprise, ain't ya?
05:55Oh, don't miss Gene's cooking on him.
05:57Things are bad enough.
05:58I took a delivery in, but they need one of you two to sign it.
06:01Tommy.
06:02No, don't do it.
06:04What are you playing, T?
06:05Wrestling game.
06:07I bet I can beat ya.
06:08I bet I can beat ya.
06:10Alright then, you're on.
06:13The private investigator messaged she needs the rest of the deposit.
06:18But Sharon's on a holiday.
06:20Vicky's with us, so best leave it till they get back, yeah?
06:22Well, if you could lend me the money then.
06:24Sorry I'm late.
06:25Oh.
06:26It's alright, Gene?
06:27Morning, Kat.
06:28Morning, Tommy.
06:29Oh, I saw Ian earlier.
06:32Did you know that he's taken in Ross?
06:35Clapsed on the street, apparently.
06:36Drunk as a skunk.
06:37I mean, Ross that is, not Ian.
06:38Probably feeling guilty.
06:39Tommy.
06:40Tommy.
06:41Tommy.
06:42It's a gob as wide as a Dunford tunnel.
06:45Takes one to know one.
06:50Yeah, I am gonna have to take a little bit off the agreed price.
06:53Just what with the damage from earlier.
06:56It was an accident.
06:58I know, I'm sorry.
07:00Sorry.
07:05Do you have the spare key as well?
07:08Uh, I can't remember the beat.
07:11Oh.
07:19Do you need any help with those?
07:21I can't read, thank you.
07:27And I wasn't...
07:31Gina.
07:34Cojo missed his call with Coburner this morning.
07:37Well, that ain't like him.
07:38No.
07:39So I was just gonna go down the flat.
07:40Yeah, but he ain't there, Dad.
07:42Well...
07:43I can check anyway.
07:44Okay.
07:45Mr. Knight.
07:46I've been meaning to catch you, you know?
07:47Yeah.
07:49Yeah, um...
07:50I spoke to Harry last night.
07:51Him and Cojo having a dope time in Cardiff, you know?
07:54Really?
07:55Yeah, yeah, yeah.
07:56But, um, Cojo's phone broke.
07:58Um, so...
08:00No, the man can only text us at him, but...
08:02Um, don't worry.
08:03Harry's gonna take a shot.
08:04Get it fixed.
08:05But he said sorry that he missed the call with, um, Cob...
08:08Coburner.
08:09Coburner.
08:10Yeah, yeah, yeah.
08:11Yeah, that's the man.
08:12Yeah, but don't worry.
08:13He's gonna call back when he gets that fixed.
08:15Mm-hmm.
08:16Can you call Harry?
08:17Because you've Cojo, you put him on, can't you?
08:19Uh, Harry's, um...
08:21He's airing me, so...
08:23Maybe...
08:24Maybe you could call him.
08:26Yeah.
08:27Yeah.
08:28Thing is, I'm pretty sure they did go out last night with a couple girls.
08:31You know, Cojo wasn't really feeling it, not as bad, but...
08:34He and Harry probably got carried away.
08:35Yeah, I had a bit of a mad one, still.
08:36I'll lay out, I'll catch you later.
08:37Gina.
08:38Sorry, uh, sorry that I upset her.
08:41Put it spit up.
08:42I'm sorry that I upset her.
08:43Put it spit up.
08:44No, I'll do it.
08:45I'll do it.
08:46I'm sorry.
08:47Oh, I'm sorry.
08:48I'm sorry.
08:49I'm sorry.
08:50I'm sorry.
08:51I'm sorry.
08:52Come out.
08:53Come out, man.
08:55Come out, man.
08:56Come out.
08:57Come out, man.
08:58Come out, man.
08:59Come out.
09:00Come out with me.
09:01Put it spit up.
09:02up. Listen, go after her. She needs you. I'm sure we'll call you on the call. Yeah, but
09:11if you don't, I'll come looking. Thank you. I saw Julia earlier. She told me you'd swing
09:27the car. Yeah, Morris Minor, same as Mrs. C had. It wasn't a Ferrari. You can barely do
09:3550 miles an hour going downhill, but it was mine. It's hard to give up the things you
09:42love. Didn't even get to do a last drive in her. Gosh. Do you think it would help to focus
09:51on what is coming up next, your big trip?
09:57Dad says, cars and houses, leave them as you'd want to find them. So I was cleaning
10:05her this morning. I was even scrubbing underneath, you know, the front with a wire brush, and
10:12I got that mixed up with a buffing pad and scratched the paintbrush. They all make mistakes, Nigel.
10:19It's not a mistake, though, is it? It's me losing my marbles.
10:28Julie has her heart set up and going to India.
10:32Doug, one thing I have observed with Julie is that she loves you. You are her priority.
10:41You don't know what you're talking about. Well, yeah, I don't know. Do I? Darling, please
10:46salt the debate. Help. It's either Voluptuous Violet or Raging Red. Curtains for my boutique
10:54hotel. Oh. Well, I've always seen you as more of a Raging Reddy lad.
10:58Told you.
11:00Oh, is that your phantom texter, then?
11:02Who?
11:04Timothy. We were in the Musical Theatre Appreciation Society at UGIE.
11:09Of course you were. Don't teach you jazz hands.
11:11Hmm. You two done.
11:14He was a massive fan of Phantom of the Opera. He went to see it 50 times. In costume.
11:19Mm-hmm.
11:20I know. Anyway, he's now an accountant or something, and his firm is one of my boss's clients,
11:24and he's got my email, and he's interested in investing, and he wants to meet up tonight.
11:30That's amazing. What time are you meeting him?
11:32Well, I don't know. I don't want to encourage him, but I...
11:35What have you got to lose? I mean, if he does try and whisk you off to Opera de Paris,
11:39I will see him off. I'm not called Raging Red for nothing.
11:45No, Julian found and said he can't come in because his kid's got a temperature, right?
11:49So it means I've got a closer checkmate now. I said to him, right, because I'm a reasonable
11:52boss, right, just bring the kid in with you, okay? Stick her in the corner, give her some
11:56crayons, carton of juice, fine.
11:58Ah, that's beautiful, isn't it?
12:00You're all hot, you know.
12:01Well, listen, I'm very grateful to both of you. I mean, put the roof over me, Ed.
12:10Don't make me look good.
12:10Don't, mate. We've all been there, son. And easy.
12:13I'll appreciate you. And I promise to be out of your ear before Kathy comes home.
12:17Well, that might be a while, because she has decided to stay up north for a bit so she
12:20can spend some time with Ben.
12:22Don't worry about me, Mum. Stay as long as you need, all right?
12:25Same again?
12:25And, er, it's on me.
12:26No, no, no. These ones are on me, fellas. You know that saying. Never judge another man
12:31until you've walked a mile in his shoes, cos...
12:33You've still got a mile away, and you've still got your shoes.
12:35That's the one!
12:37Ha, don't.
12:39Yeah, erm, Tom, is he all right?
12:42Yeah, he's good. He's good, mate. You know, he's a tough kid.
12:44He's good.
12:45He's about as tough as candy, Floss. He's terrified of walking into them school gates.
12:50Cos he has to face the consequences of what Joel did. Where you drink yourself into oblivion.
12:58Ross, take no notice, mate.
13:00Which is the only same way everybody else is thinking.
13:02Dad, mate, listen. Listen, all you did was try and do right by your son.
13:06Yeah, which was the same any of us would do. There's no need for you to, you know, like hideaway.
13:15Get them drinks.
13:16Yeah.
13:35It says in here they used over a thousand elephants to build the Taj Mahal.
13:40It's amazing, innit?
13:41Yeah.
13:44How do you go, Lauren?
13:45Yeah, sold the car.
13:47Oh!
13:48Oh!
13:49Oh!
13:50Okay, right, I'll check the account, make sure the money's got it.
13:53I've already started looking at flights.
13:57I can't go.
13:58Where's Kojo?
13:59You're gonna ask him yourself.
14:13This lanky excuse for your brother has been sniffing around, getting too close.
14:14His lanky excuse for your brother's been sniffing around,
14:17getting too close.
14:20So, you're gonna call Cojo,
14:24have a little chat,
14:26then you're gonna tell him to call George
14:29and tell him that he's all right.
14:31Why would I do that?
14:33For some reason, you're the only one you trust.
14:38Tell you what.
14:39Play nice, and I'll give you some of these.
14:44What you got? We got, uh...
14:48Sandwiches.
14:50We got crisps, chocolate.
14:53And I know you ain't eating all weekend,
14:54so I bet you must be starving, right?
14:57Food first.
14:59If George walks in here, it's all over.
15:02He know that.
15:04So, food, then I make the call.
15:08Play nice.
15:14It's the magic word.
15:20It's the magic word, bro. Come on.
15:26Please.
15:28Please.
15:37Routine.
15:38Familiarity.
15:39It's meant to keep me in a straight line,
15:41but...
15:43I can't even rely on that anymore.
15:45I'm gonna be with you.
15:48I mean, we've done all right with Phil being away, haven't we?
15:51Been like old times.
15:53No.
15:54It's not like old times.
15:56When we went on holidays, it was fun.
15:59An adventure.
16:00And we can still have an adventure.
16:02I can't even carry you over the threshold of the hotel room like I always used to.
16:09Well, maybe I could carry you over the threshold instead.
16:12You taking the mick?
16:13Of course I'm not, Nigel.
16:15Don't touch me.
16:17Nigel, what?
16:18You treat me like a child.
16:20You don't respect me.
16:22I'm a grown man.
16:24Nigel, what?
16:26Leave me alone.
16:27I don't treat you like a child.
16:48Girl trouble?
16:49Boy trouble?
16:50Well, he's gone, so there's no trouble.
16:52Thanks.
16:53Why? Where's he at?
16:55Wales.
16:57A couple of airheads, apparently.
17:00Oh, waste man.
17:01Yeah.
17:02Forget him.
17:06You think I'd kind of be used to people vanishing on me by now, wouldn't you?
17:09Oh, yeah.
17:10You said something about your mum disappearing before, right?
17:13The greatest vanishing act of all time she is.
17:16Cindy.
17:18Rose, whatever she's calling her son.
17:19Hang on.
17:20She's got two names.
17:21Yeah, you don't even know the half of it, babe.
17:32Okay.
17:35Spill.
17:36What's worse?
17:37I want you to go.
17:38I don't know.
17:39I'm just kidding.
17:40I don't know.
17:41I'm not sure.
17:42I don't know.
17:44I don't know.
17:45I'm just kidding.
17:46I don't know.
17:47I'm not concerned.
17:48I don't know.
17:49You have some sense of sự in the water.
17:51But this is amiyor.
17:53Let's go.
17:54There's a light.
17:56We might do this.
17:57You know.
17:58It's probably there.
17:59That's where you're going.
18:00Keep on the head, guys.
18:30Tommy, when you get this message, can you call us back mate? Honestly, we don't mind
18:44you going out, we just want to know that you're safe, yeah? And I love you. Do you want me
18:51to go and look for him? No, no, we've got to trust him. He's a good kid. He's got to
18:55deal with this his own way. It's sexual, aren't we? Sir, thank you. We need to talk about
19:00the P.I. Yeah. Oh, yeah, of course. Oh, there's nothing but trouble in that direction. I wasn't...
19:15She destroys families. That's why Stacey's not here. Jean, Stacey made a choice. She's a
19:22grown-up. Cut the cold. You forced my daughter out of her home. I miss her, but that's what
19:28happens when you love a child. Not that you would know anything about that. What's that
19:31supposed to mean? I think you know exactly what it means. You are asking for a slap! What,
19:35you two playing? Take it upstairs. Upstairs, please.
19:39I had no idea my boss was so interesting. Interesting or psycho, you could say. So where
19:55did she go after witness protection? All right, lovely ladies. Who died in here?
20:01Uh, we were just talking, so. What are we talking about? Uh, Gina's mum. She's actually
20:05really interesting. Mmm, parental trauma. Yawn, boring. You don't have to stay. I'll come
20:10find you after my shift. This is a gay bar, Jasmine. Not community outreach for the parental
20:16challenge. Yeah? But the line is placed up. Which in line? Now the secret to this...
20:23Oh! Wow.
20:53I ain't having this. We're family, all right? You've got to let this go, both of you.
21:05Please. Just apologise. Girls, can we really, can we knock this on the
21:08head, yeah? Cos Cat don't need this. We're supposed to be supporting Tommy, and you two are each
21:12other like, I don't know what, Big Daddy and giant haystacks. You're right. I'm sorry, Cat.
21:18I'm sorry. Well, I'm not sorry. Actually, I am. Sorry you ever came back. You know why
21:30you're so obsessed with Stacey? Cos you've got nothing else in your life.
21:37Zoe, Zoe, please, just... You wanna watch that one? Mark my words. One day she'll cross
21:45the wrong person. One of these days, someone's gonna teach her a lesson.
21:52Get off the road! It's... It's... It's flooded. I'm just gonna...
22:11Yes.
22:17Yes.
22:35Yep. I'm gonna put him on you. Coach him.
22:40Coach. Harry. Is that you? You alright? I don't know where I am. Harry, I'm scared.
22:55Nah, you're alright, mate. You're gonna be fine. Listen, I need you to do something for
23:01me, okay? But it's really important, so you've got to listen carefully.
23:08Kwame, he's really worried about you. So, I need you to do something.
23:16Run. Run, Coach!
23:19Oh, Kwame, run! Give me the phone. Give me the phone.
23:23Yes.
23:34Yes.
23:36Yes, you've got a question.
23:39Mmm. Mmm. No. Okay, alright. Bear with.
23:42Yeah, so what happened after France?
23:45Huh? What happened after France?
23:47Oh, uh, she was coming back to Warford.
23:50Oh, all right.
23:52Oscar, will you just stop it?
23:53What?
23:54Just having a laugh.
23:55What's wrong with you?
23:55No, what's wrong with you?
23:57Nothing.
23:58What, so you're being an idiot for no reason then, yeah?
24:02Fine.
24:03That's what you really think of me.
24:06Oscar.
24:07Oscar.
24:08Oscar.
24:14Oh, no, he'll get over it.
24:15What?
24:15Yeah.
24:16Yeah, it's fine.
24:16It's more than I did.
24:18I tell you what, if it stays like this,
24:21should we just close up early?
24:23Have a girls' night?
24:24Four.
24:24Oh, come on.
24:25I won't tell my mum if you don't.
24:27Yeah?
24:28Okay.
24:29Yeah.
24:34He's even got the same hair as Joe.
24:36I'm sorry about what happened, all right?
24:38Joe was a loser.
24:39Is it true you hid him after he hurt Vicky?
24:40I didn't know.
24:41He hurt her.
24:42And then when I found out, I told the police.
24:44Yeah, but you knew what he did to Ivani and Amy.
24:46You didn't stop him.
24:47You're just like...
24:47Oh, right.
24:48Okay.
24:49It's not worth it.
24:49Come on.
24:50Scratch Charlie.
24:56Everyone at school hates you.
24:58Maybe you shouldn't come back.
24:59Nigel.
25:14Oh, hi.
25:30Freddie made a cape with the eggs that you gave us.
25:33Oh.
25:34I thought you might like some.
25:35Oh.
25:36Oh, it's a bit.
25:38It's a bit well done.
25:38Oh, you don't have to.
25:40Nope.
25:42Lovely, Jean.
25:45Sorry.
25:47I'm in a bit of a bad mood.
25:49Had a rout with Zoe.
25:50Hmm.
25:50Must put something in the air.
25:51Hmm.
25:52Me and Nigel have just had a blow-up.
25:55He said I'd treat him like a child.
25:58And he stormed off.
26:00You thought about phoning him?
26:02Hmm.
26:03I was thinking about, um, what you said to George, about adults making their own decisions.
26:11And maybe Nigel's right.
26:14Maybe I've been treating him like a child.
26:17Anyway, I thought I'd give him time to cool off, you know, give him some space.
26:23Yeah.
26:23Space is good.
26:26I mean, the last time Nigel went off after a row, he ended up in hospital.
26:32Oh, he's probably in the cafe right now, wondering when he can come back and apologise.
26:40One of you needs to make the first move.
26:45Ring him.
26:47Get him back home where he belongs.
26:48What about the club at the container park?
27:10The one with the fit bouncers, yeah?
27:12What are you talking about?
27:13Oh, it's obvious that he's back.
27:14Right.
27:15Who's up lady.
27:16Hey.
27:17Hey.
27:19Hey.
27:20Hey.
27:21Hey.
27:23Hey.
27:23Hey.
27:25Hey.
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