- 6 weeks ago
Category
🎥
Short filmTranscript
00:00MUSIC
00:04MUSIC
00:16Nige, tell me what you're bothering doing under there.
00:18No-one's gonna see it.
00:20Inviting a vintage motor, Ian.
00:22It's all about the details.
00:24Yes, exactly.
00:26It's like me with my bits on the stool, you know?
00:28I polish them up, and in the end they look brand new.
00:30You don't want everything looking brand new.
00:32Do you?
00:34That's a very good point, Jim.
00:36You know what, I've never understood the attraction of an old banger.
00:38I mean, give me the latest model every time.
00:40That's what Cindy said, isn't it?
00:44Morning. Everything's ready at the car lock.
00:46No, are you really sure you want to sell this?
00:48I mean, it is a lovely mullet.
00:50Yeah.
00:52Flam of the engine. Smell of petrol.
00:54Nothing like it.
00:56Ah.
00:58I'd give anything to be able to drive off in her again, but...
01:02Well, my days on the open road are well behind me now.
01:06And the proceeds from this are gonna take me and my little missus off to India.
01:12Well, Jim, can I have a quick word?
01:18Brace yourselves.
01:20It's Walford's sexiest law-abiding citizen.
01:24He's getting his hag off today.
01:28Yeah, that's what we need. Another hooligan out on the street.
01:30Don't worry.
01:32Everyone in jail is a second charge.
01:34Nigel! Nigel, what are you doing? Give us a...
01:36Don't worry.
01:38You can buff it up.
01:42I'd be glad when the flaming thing's sold.
01:44But I can't trust Nigel not to go off, innit?
01:46I've had to hide the keys.
01:48And I have no idea where I've put the spare.
01:52Sorry. Sorry.
01:54Half of me going on.
01:56Oh, what's this?
01:58The hens are laying like Millio.
02:00So it's, er, by way of an apology, I...
02:02I still feel really bad about what Nigel said to Lily.
02:04Oh, she's forgotten it already.
02:06But thank you!
02:08And thank you for tutoring her.
02:10Especially when you've got all this going on.
02:12Is everything all right?
02:14Yeah, it's my younger brother, Cobbina.
02:16Kojo calls every Monday at 8am.
02:20Regular as clockwork, but...
02:22He hasn't heard from him for a week.
02:24And he can't reach him on the phone.
02:26Well, didn't you say you've gone away with Harry?
02:28I mean, maybe he's obviously not with Lancelot.
02:30Yeah, but I can't get in touch with Harry either.
02:32Anyways, Kojo and, er...
02:34He's always on time.
02:36Oh, it's much harder looking after adults than children.
02:38I mean, they make their own decisions.
02:40Like Stacey, in Brazil, living her life.
02:42No, you're right, Jean.
02:44Yeah, but the only problem is,
02:46unless I can actually speak to Kojo,
02:48how can I be sure he's safe?
02:50Can I ever lose?
02:52I'm a student at a game.
02:54Would never be ashamed to make mistakes.
02:56That's what made the great great great.
02:58Good job.
03:00We ain't going anywhere.
03:02We ain't going anywhere.
03:04Well, then.
03:06Come on.
03:08Thanks again.
03:10Thanks again.
03:24Hello?
03:26Come on?
03:28If you want to see you where to be.
03:31Oh, my God.
03:32If you want to see it, it's better.
03:36Good on this.
03:37I love this tune.
03:40You do.
03:45Lex, was there something wrong with the skincare I got you?
03:49Brought me out in hives.
03:55Do you want some ice for that, Bo?
03:56Oh, God.
03:56But you'll come around, all right?
03:58Yeah.
03:59Trust me.
03:59Yeah.
04:00Your job hunting today?
04:01Uh, let's see.
04:02When I was drunk, I sent an email to my ex-employer's entire client list asking them to invest in my new firm.
04:08So, no, nobody is going to touch me with a barge pole.
04:12Well, I will.
04:14Listen, you're a carter.
04:16If there's one thing I know about the carters, it's that they always come back bigger, better, and stronger than ever.
04:22Thanks.
04:22Thanks.
04:28Sweet taste of freedom.
04:30The sun on my face, the wind in my ankle hair.
04:34I might take Jazz out later.
04:38Could you get me Pete's ID, pretty please?
04:40Oh, yeah, of course.
04:41I'm going to ask Peter if my underage brother, who literally just got his tag off, can borrow his ID so he can go get smashed with his girlfriend.
04:48Thanks, sis.
04:49And she's not my girlfriend.
04:51It's a situation, shit.
04:53I don't want to know.
04:53I don't want to know.
05:01Sit.
05:03Yep.
05:04It's from Dad.
05:06He got Louie a voucher and all.
05:08Well, never sent me a Christmas or birthday present since my voice broke, so, yeah.
05:15Job on, Grandad.
05:18We can talk about it.
05:20At least Louie and Jimmy have the best uncle in the world.
05:21Don't need one decent male role model.
05:25What about Peter?
05:27Who?
05:28The himbo.
05:39What's happened?
05:40I just spoke to Mr Morden.
05:42He said he'd go back to school tomorrow.
05:43That's good news, isn't it?
05:44You can put all that Joel stuff behind you, Neil.
05:47I should see what they're saying online about me.
05:49Mum, please, I can't go back.
05:50Tommy, it's going to be hard.
05:52But come on, you're as tough as Gene's sausage surprise, aren't you?
05:55Oh, don't wish Gene's cooking on him.
05:57Things are bad enough.
05:59I took a delivery in, but they need one of you two to sign it.
06:01No, I'll do it.
06:04What are you playing, T?
06:05Wrestling game.
06:07I bet I can beat you.
06:08All right, then, you're on.
06:14The private investigator messaged she needs the rest of the deposit, but Sharon's on a holiday.
06:19Vicky's with us, so best leave it till they get back, yeah?
06:22Well, if you could lend me the money, then...
06:23Sorry I'm late!
06:25Oh!
06:26It's all right, Gene.
06:27Morning, Kat.
06:28Morning, Tommy.
06:30Oh!
06:31I saw Ian earlier.
06:32Did you know that he's taken in Ross?
06:35Clapsed on the street, apparently.
06:36Drunk as a skunk.
06:37I mean, Ross, that is, not Ian.
06:38Probably feeling guilty.
06:40Tommy!
06:41Tommy!
06:42It's a gob as wide as a Dartford Tunnel.
06:46Takes one to know one.
06:49And...
06:50Yeah, I am going to have to take a little bit off the agreed price.
06:53Just what with the damage from earlier.
06:57It was an accident.
06:58I know, I'm sorry.
07:05Do you have the spare key as well?
07:08Uh, I can't remember the beaten.
07:11Oh.
07:12Do you need any help with that?
07:20I can't read, thank you.
07:26And I wasn't...
07:28Gina.
07:32Hmm?
07:33Co-Joe missed his call with Coburn on this morning.
07:36Well, that ain't like it.
07:38No.
07:38So I'm just going to go down the flat.
07:40Yeah, but you ain't there, Dad.
07:41Well, I've got to check anyway.
07:44Okay.
07:44What's tonight?
07:45I've been meaning to catch you, you know?
07:47Yeah.
07:49Yeah, um...
07:50I spoke to Harry last night.
07:51Him and Co-Joe are having a dope time in Cardiff, you know?
07:54Really?
07:54Yeah, yeah, yeah, yeah, yeah, but, um, Co-Joe's phone broke, um, so, you know, the man can only
08:00text or something, but, um, don't worry, Harry's going to take a shot, get it fixed, but he
08:05said sorry that he missed a call with, um, Cobb...
08:08Cobbinar.
08:09Cobbinar.
08:10Yeah, yeah, yeah, yeah, that's the man, yeah, but don't worry, he's going to call back when
08:14he gets that fixed.
08:14Can you call Harry?
08:17Because you've coached Harry, you can put him on, can't you?
08:19Uh, Harry's, um, he's airing me, so.
08:23Yeah, maybe, maybe you could call him.
08:26Okay.
08:27Yeah.
08:28Thing is, I'm pretty sure they did go out last night with a couple girls, you know, Co-Joe
08:44wasn't really feeling it, not as bad, but, you know, Harry probably got carried away.
08:48Yeah, I had a bit of a mad one, still.
08:50I'll lay out, I'll catch you later.
08:55Gina.
08:56Sorry, uh, sorry that I upset her.
08:59Come on, come on, come on, come on with me!
09:01What, it's about?
09:03Listen, go after her, eh?
09:06She needs you.
09:07I'm sure Co-Joe will call.
09:09Yeah.
09:10But if you don't, I'll come looking.
09:13Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on.
09:20I saw Julie earlier.
09:21She told me you'd sold the car.
09:22Yeah.
09:23Morris Minor, same as Mrs. C had.
09:24It wasn't a Ferrari.
09:25You can barely do 50 miles an hour going downhill, but it was mine.
09:26It's hard to give up the things you love.
09:27Didn't even get to do a last drive in her.
09:28Gosh.
09:29Do you think it would help to focus on what is coming up next, your big trip?
09:33Dad says, cars and houses, leave them as you'd want to find them.
09:34So...
09:35I was cleaning her.
09:36You know, I'm not going to do 50 miles an hour going downhill, but it was mine.
09:42It's hard to give up the things you love.
09:43Didn't even get to do a last drive in her.
09:45Gosh.
09:46Do you think it would help to focus on what is coming up next, your big trip?
09:54Dad says cars and houses, leave them as you'd want to find them.
10:03So I was cleaning her this morning.
10:06I was even scrubbing underneath, you know, the front with a white brush,
10:12and I got that mixed up with a buffing pad and scratched the paintbrush.
10:17They all make mistakes, Nigel.
10:19It's not a mistake, though, is it?
10:21It's me losing my marbles.
10:28Julie has her heart set on going to India.
10:32Look.
10:34One thing I have observed with Julie is that she loves you.
10:40You are her priority.
10:43You don't know what you're talking about.
10:44Well, yeah, I don't know, do I?
10:46Darling, please solve the debate.
10:47Help.
10:47It's either Voluptuous Violet or Raging Red.
10:51Curtains for my boutique hotel.
10:54Oh.
10:55Well, I've always seen you as more of a Raging Reddy lad.
10:58Told you.
11:00Oh, is that your Phantom Texter, then?
11:02Who?
11:04Timothy.
11:05We were in the Musical Theatre Appreciation Society at Yugi.
11:09Of course you were.
11:10Don't see it's your jazz hands.
11:11You two done.
11:12He was a massive fan of Phantom of the Opera.
11:16He went to see it 50 times.
11:18In costume.
11:19Mm-hmm.
11:20I know.
11:20Anyway, he's now an accountant or something, and his firm is one of my boss's clients, and
11:25he's got my email, and he's interested in investing.
11:28And he wants to meet up tonight.
11:30Oh, that's amazing.
11:31What time are you meeting him?
11:33Well, I don't know.
11:33I don't want to encourage him.
11:34What have you got to lose?
11:36I mean, if he does try and whisk you off to Opera de Paris, I will see him off.
11:41I'm not called Raging Red for nothing.
11:43No, Julian phoned and said he can't come in because his kid's got a temperature, right?
11:49So it means I've got a closer checkmate now.
11:51I said to him, right, because I'm a reasonable boss, right, just bring the kid in with you,
11:54okay?
11:55Stick her in the corner, give her some crayons, carton of juice, fine.
11:58Ah, that's beautiful, isn't it?
12:00You're all hot here, don't you?
12:01Yeah, I know what I mean.
12:05Well, listen, I'm very grateful to both of you.
12:07I mean, put the roof over me head, break my little wood.
12:10No, mate.
12:11We've all been there, son.
12:12And easy.
12:13I'll appreciate you.
12:15And I promise to be out of your ear before Kathy comes home.
12:17Well, that might be a while, because she has decided to stay up north for a bit so she can
12:20spend some time with Ben.
12:21Well, don't worry about me, Mum.
12:23Stay as long as you need, all right?
12:25Same again?
12:25And it's on me.
12:27No, no, no.
12:27These ones were on me, fellas.
12:29You know that saying.
12:30Never judge another man until you've walked a mile in his shoes, because...
12:33You're a mile away and you've still got your shoes.
12:35That's the one!
12:38Yeah, um, Tommy, is he all right?
12:42Yeah, he's good.
12:43He's good, mate.
12:43You know, he's a tough kid.
12:44He's a good kid.
12:45He's about as tough as Candy Floss.
12:47He's terrified of walking into them school gates.
12:50Because he has to face the consequences of what Joel did.
12:54While you drink yourself into oblivion.
12:55Ross, take no notice, mate.
13:01Just in a certain way of my nurse's thinking.
13:02Dad, mate, listen.
13:04Listen, all you did was try and do right by your son.
13:07Yeah, which was the same any of us would do.
13:09There's no need for you to, you know, like hideaway.
13:15Get them drinks.
13:15It says in here they used over a thousand elephants to build the Taj Mahal.
13:40It's amazing, isn't it?
13:41How do you go, Lauren?
13:45Yeah, sold the car.
13:50Okay, right, I'll check the account, make sure the money's got it.
13:53I've already started looking at flights.
13:57I can't go.
13:58Where's Kojo?
14:11You're going to ask him yourself.
14:14There's lanky excuse for a brother who's been sniffing around.
14:18Getting too close.
14:20So.
14:23You're going to call Kojo.
14:25Have a little chat.
14:26Then you're going to tell him to call Kojo and tell him that he's all right.
14:32Why would I do that?
14:34For some reason, you're the only one you trust.
14:38Tell you what.
14:40Play nice and I'll give you some of these.
14:46What have you got?
14:46We've got, uh, sandwiches.
14:50We've got crisps.
14:52Chocolate.
14:52And I know you ain't eating all weekend, so I bet you must be starving, right?
14:57Food first.
14:59If George walks in here, it's all over.
15:02He know that.
15:04So food.
15:05Then I'll make the call.
15:08Play nice.
15:09It's the magic word.
15:25It's the magic word, bro.
15:26Come on.
15:28Please.
15:32Thanks.
15:32Routine.
15:38Familiarity.
15:39It's meant to keep me in a straight line.
15:41But, uh, I can't even rely on that anymore.
15:46Yeah, but I ain't got to be with you.
15:49I mean, we've done all right with Phil being away, haven't we?
15:52Been like old times.
15:54No, it's not like old times.
15:57When we went on holidays, it was fun.
16:00An adventure.
16:01And we can still have an adventure.
16:05I can't even carry you over the threshold of the hotel room like I always used to.
16:10Well, maybe I could carry you over the threshold instead.
16:12You taking the mick?
16:14Of course I'm not, Nigel.
16:15Don't touch me.
16:18Nigel, what?
16:18You treat me like a child.
16:20You don't respect me.
16:23I'm a grown man.
16:26Nigel, I don't...
16:27I don't treat you like a child.
16:31I don't treat you like a child.
16:48Girl trouble?
16:49Boy trouble?
16:50Well, he's gone, so there's no trouble, thanks.
16:53Why?
16:53Where's he at?
16:56Wales.
16:57A couple of airheads, apparently.
17:00Oh, waste man.
17:01Yeah, forget him.
17:06You think I'd kind of be used to people vanishing on me by now, wouldn't you?
17:09Oh, yeah.
17:10You said something about your mum disappearing before, right?
17:13The greatest vanishing act of all time she is.
17:16Cindy.
17:18Rose, whatever she's calling herself.
17:19Hang on, she's got two names.
17:25Yeah, you don't even know the half of it, babe.
17:32Okay.
17:35Spill.
17:45Let's go.
18:05Let's go.
18:35Tommy, when you get this message, can you call us back, mate?
18:43Honestly, we don't mind you going out. We just want to know that you're safe, yeah?
18:46And, er, I love you.
18:50Do you want me to go and look for him?
18:51No, no, we've got to trust him. He's a good kid.
18:55He's got to deal with this his own way.
18:56It's sex, mate, won't we?
18:58It's all right, thank you.
18:59We need to talk about the P.I.
19:01Yeah.
19:02Oh, yeah, of course.
19:05Oh, there's nothing but trouble in that direction.
19:14I wasn't...
19:15She destroys families.
19:17That's why Stacey's not here.
19:19Jean, Stacey made a choice.
19:22She's a grown-up.
19:23Cut the cord.
19:24You forced my daughter out of her home.
19:26I miss her, but that's what happens when you love a child.
19:29Not that you would know anything about that.
19:31What's that supposed to mean?
19:31I think you know exactly what it means.
19:33You are asking for a slap.
19:34What are you two playing?
19:36Take it upstairs.
19:38Upstairs, please.
19:48I had no idea my boss was so interesting.
19:51Interesting or psycho, you could say.
19:54So, where did she go after witness protection?
19:57All right, lovely ladies.
20:00Who died on here?
20:01Uh, we were just talking, so...
20:03What were you talking about?
20:04Uh, Gina's mum.
20:05She's actually really interesting.
20:06Mmm, parental trauma.
20:08You're boring.
20:09You don't have to stay.
20:10I'll come find you after my shift.
20:12This is a gay bar, Jasmine.
20:14Not community outreach for the parental challenge.
20:17Yeah?
20:18But saliva's paced up.
20:20What you learned?
20:20Now, the secret to this...
20:23Ooh!
20:25Wow.
20:26Wow.
20:50I ain't having this with family, all right?
21:03You've got to let this go, both of you, please.
21:05Just apologise.
21:06Girls, can I really...
21:07Can we knock this on the head, yeah?
21:09Cos Kat don't need this.
21:10We're supposed to be supporting Tommy
21:11and you two are each other like, I don't know what,
21:13Big Daddy and Giant A-Stacks.
21:15You're right.
21:17I'm sorry, Kat.
21:18I'm sorry.
21:22Well, I'm not sorry.
21:25Actually, I am.
21:27I'm sorry you ever came back.
21:30You know why you're so obsessed with Stacey?
21:32Cos you've got nothing else in your life.
21:37Zoe, Zoe, please, just...
21:39You wanna watch that one?
21:41Mark my words.
21:43One day she'll cross the wrong person.
21:45One of these days...
21:49Someone's gonna teach her a lesson.
22:04Get off the road!
22:05It's...
22:06It's flooded.
22:08I'm just gonna...
22:09My wife.
22:11My wife.
22:13My wife.
22:15She me.
22:16She me.
22:17Yes.
22:34Yep.
22:36I'm gonna put them on.
22:38Coaching.
22:38I don't know where I am Harry I'm scared no you're all right mate you're gonna be
22:57fine listen I need you to do something for me okay I'm basically important so
23:03you've got to listen carefully Kwame he's really worried about you so I need you to do
23:11something run run coach oh Kwame run give me the phone give me the phone
23:33mm-hmm no no no okay all right bear with me so what happened after France uh-huh what happened
23:46after France oh she she was coming back to Warford oh all right Oscar will you just stop it what just
23:54having a laugh what's wrong with you no what's wrong with you nothing what so you're being an
23:58idiot for no reason then yeah fine that's what you really think of me Oscar Oscar Oscar
24:13oh no he'll go over it what yeah yeah that's fine he's not even that deep I tell you what if it stays
24:21like this we just close up early have a girls night before oh come on I won't tell my mom if you don't
24:26yeah okay he's even got the same hair as Joe I'm sorry about what happened all right Joe was a loser is
24:39it true you hid him after he hurt Vicky I didn't know he hurt her and then when I found out I told the
24:43police yeah but you knew what he did to have Arnie and Amy you didn't stop him you just like oh right
24:48okay okay it's not worth it come on scratch Charlie
24:51everyone at school hates you maybe you shouldn't come back
24:59Nigel
25:20Nigel
25:20oh hi Freddie made a cape with the eggs that you gave us oh I thought you might like some oh it's a bit
25:37well done no you don't have to no no thank you sorry I'm I'm in a bit of a bad mood had a row with Zoe
25:50must be something in the air me and Nigel have just had a blow up he said I treat him like a child
25:57I was thinking about um what you said to George about adults making their own decisions and maybe
26:12Nigel's right maybe I've been treating him like a child anyway I thought I'd give him time to cool off
26:20you know give him space yeah space is good only the last time Nigel went off after a row he ended up in
26:30hospital yeah oh he's probably in the cafe right now wondering when he can come back and apologize
26:37one of you needs to make the first move
26:41ring him
26:46get him back home where he belongs
26:48what about the club at the container park
27:09huh the one with the fit bounces yet
27:12what are you talking about
27:39what are you talking about
27:46you
27:47you
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