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03:17Để not boost, bình luận Handele,
03:20đó đã сделать phận,
03:22but figured đã vâng.
03:25This piece additional $2,500
03:26và $3,500.
03:28Oh, my God!
03:31You're going to be so thrilled.
03:33We have you on camera
03:35saying you would split the price with him.
03:37I told him I would.
03:47My uncle had a storage room and he moved out east and he was looking to just get rid of
04:00everything in there and so my brother and I decided to take it and instead of you know
04:06getting a few bucks for the whole lot we would go through it and see what was in there and
04:10we've run across quite a few things and we ran across a box with some dowels in it and
04:15as far as what I know about them I'm about to learn I guess okay I chose two dolls out of the lot
04:22just so we could compare the two both of these dolls were made at about the same time early 20th
04:29century about 1900 to 1910 the doll in white was made by a company called Armand Marseille and it
04:37sounds like a French name but he's a German manufacturer probably the most prolific doll
04:44manufacturer in Germany of the time they made these what we call dolly face dolls and they have
04:51sleep eyes and open mouth with teeth showing and those were all the bells and whistles that people
04:58wanted this is a great example it's got all of its original clothes original wig thousands and
05:05thousands and thousands of this type of doll were made in Germany okay about the same time one of the
05:11companies called Kammer and Reinhardt wanted to make some character dolls something that was a little
05:18different than the dolly face doll so they started making this type of doll and you'll notice it has painted
05:26eyes it has a mouth with painted teeth people still wanted to buy the doll with the sleep eyes and the
05:33open mouth the dolls like the doll in black did not sell therefore it made that doll extremely rare
05:40okay the artist that designed this doll worked for Kammer and Reinhardt he had a little tiff with that
05:48company he moved to the Simon Halbig company in Germany and made this series of dolls this particular
05:56doll doesn't really have a name but it's referred to by the number it's a Simon and Halbig 151 or 151 the doll in
06:06white made by Armand Marseille is a number 390 they're both style numbers for the particular doll okay
06:13the doll in white on today's market retail would sell for about 450 to 550 dollars wow the doll in black
06:26is going to sell retail from between 10 and 12 thousand dollars whoa they did a series they called
06:34the 100 series and there are other dolls in that series that are worth even more than this but you've
06:41got a spectacular doll great thank you this was in the family and they were among the affluential
06:50new england families on my great grandmother's side they're from the steel manufacturing and mining
06:56and on my great grandfather's side a great great uncle developed the steam engine wow that's great stuff
07:03the chain is all made out of platinum wire with natural pearls
07:09natural meaning man did not help them pearls that you see every day usually culture wow i didn't
07:15realize they were pearls and then it's accented with these little rose diamond panels it's a beautiful
07:21exquisite chain from the eduardian period around 1910 1915 a chain like that could have been used to hang
07:27reading glasses so it could be used for other things it drops down to a beautiful rose cut diamond
07:33bale and then we have this beautiful piece of enamel here a lot of people look at this and they think
07:39it's glass what it is in fact is carved rock crystal most likely this would have been carved in edar
07:46oberstein germany then we move in and there's a little bezel of rose diamonds and then we come to the
07:53enamel this is french enamel and what's really neat is when we flip it over
07:59is it's a ladies pendant watch yes these two pearls this one here and this one over here are
08:09natural pearls this one is also the stem to set and to wind the watch i wondered about that but i
08:16haven't had the courage to mess with it you didn't try it yet i haven't tried it they repeat the
08:21classical enamel theme and the rose diamonds but you can see just so tastefully placed a little watch
08:28right at the bottom and the watch inside is made in switzerland if you had to go buy this in a retail
08:33environment i'm very confident in saying this would probably be priced around 25 000. wow wow that's
08:40amazing
08:48it's the first accurate account of serpents or snakes in india and it's written by this fellow
09:01patrick russell who is a scottish naturalist and surgeon in india it's such a beautifully produced
09:06book it's gone from being a scientific reference work to being a work of art i would estimate this
09:12at auction between three thousand to five thousand dollars really yeah and i would expect it to do
09:17very very well really i've inherited it from my great grandmother it is a lenihopala oa from hawaii
09:28it is a symbol of rank and royalty it's made of braided human hair and whale bone these hawaiian hooks
09:35were generally made out of a sperm whale tooth now the sperm whales would just be washed up and that
09:41was a pretty rare occurrence so anything wonderful like that would only go to the royalty and they
09:46were small and sometimes even out of wood and stone in the beginning they became more common with
09:52the advent of the europeans especially with trading and we started to see walrus tusks and sperm whale
09:59teeth coming from the whalers and this one is a walrus tusk the braided hair necklace is a little
10:06worse for wear but they're very delicate and you've done the wonderful thing by putting it in a frame
10:11it really is an icon of pacific art i'd be comfortable putting an insurance value of about twenty thousand
10:17dollars on it next one
10:32i got this in 1982 or 1983. i had just purchased a home and a friend of mine had gone to england
10:42to visit henry moore's studio he said i'd like to give you a house gift and i said geez that's a
10:48little extravagant isn't it he said well i only paid 300 bucks each for them so feel free to pick
10:54whichever one you want and this is the one i picked and i've had it in my home ever since the fun part is
11:00is that it came right out of henry moore's studio right out of his studio yes now henry moore is rather
11:07an important artist he was noted in england for having brought modernism to great britain he made
11:16monumental sculptures huge ones that are today out in front of many museums this is solid bronze it is
11:24hand cast and the important part of this is that henry moore he did not do the foundry part of the
11:32making of it but he did the hand finishing of it i see and so his hand actually touched this
11:38much so he did the the what is that a patina he did the whole patina and the finishing of it
11:44it's just a small little piece 6.3 inches i think we measured and this is called half figure round head
11:53and i think when you came in i told you round head half figure i don't know in fact i don't know which
11:59is the front or the back i kind of think this is the front because usually the artist will sign them
12:05on the back i see no this is mark moore and then it has the noak foundry mark and it says it's number
12:14nine of nine this is probably going to be worth 15 to 20 000. what yep it's worth about 15 to 20. you
12:23got to be kidding and at auction it could do a little more than double that you never know
12:30it's a wonderful piece now what do you think of that i thought first of all i love the piece
12:35secondly i thought it was maybe worth eight nine hundred dollars i mean it is absolutely correct
12:44it's got all the right markings on it that's really you are very lucky to have a henry moore that's real
12:50in your home well it's going to stay in my home good i'm really surprised at the value though that
12:56really really well my great grandfather was friends with george luks they grew up in pottsville
13:11pennsylvania and george luks actually gave it to my great grandfather and it's been passed from my
13:16grandmother to my father and then to myself your grandmother was she from the east or did she move
13:20out here yeah she was from pennsylvania and she actually went through a little bit of a rough
13:24time and lost everything and this was one of the one thing she held on to well george luks it was
13:29quite a character george really liked carousing around quite a bit and he was born in williamsport
13:36pennsylvania which is in coal country luks goes on to philadelphia to study at the pennsylvania academy
13:42and of course he goes to europe like a lot of the other artists did at the time and then he
13:47comes back to philadelphia and works for a newspaper as an illustrator he even goes for a while to cuba for
13:54the spanish-american war and is a war artist over there coming back to philadelphia he meets a group of
14:00other artists and they were all newspaper illustrators but they also were painters and they were very
14:07rebellious against the prettiness of american impressionism so what they ended up doing was to
14:13create their own group they were called the eight because there were eight of them and they were
14:17also nicknamed the ashcan school because they like to paint the back alleys of the city and people
14:24hanging wash and the plight or the day-to-day routine of of everyday americans luks's forte for the most
14:31part was portraiture and he painted street urchins and beggar women rag pickers and basically working
14:38class people and he didn't do as many scenes as some of the other artists in the group this is a
14:43watercolor heightened with a little bit of gouache and gouache is sort of the more opaque pigment that
14:49you see here and most of these were done in the 1920s or so we see probably half as many luks's that
14:57are fake as are real and so there are ways in which we try to authenticate the works by luks there is no
15:04real expert on the artist so usually we're left to our own devices but in terms of the watercolors he
15:10normally signs in a very bold red i have seen watercolors on occasion with little black wimpy
15:16signatures and they're not they're not by him the bold density of the watercolor and the brushwork very
15:24characteristic and of course in your case it's ironclad provenance because it came directly from the
15:31artist to your family so that's really exciting luks actually died in new york in 1933 as a result of a
15:39barroom brawl he was actually found in a doorstep uh dead one night luks is one of the most desirable
15:47artists if this were sold in a gallery let's say in new york city it would probably sell in the range of
15:54seventy five thousand dollars oh my gosh okay my dad always said be careful with it now i know why wow
16:14my father bought them he collected royal worcester and then when my mother passed on
16:24this was one of my picks from her collection because they were on the night table by her bed if
16:30she had them on her night table they meant a lot to her and they must have been good they're made of
16:36porcelain and even though they are rather overtly japanese in their style they're english made they
16:42were made by royal worcester and royal worcester is an old established english porcelain company royal
16:50worcester is currently in the process of going out of business after over 250 years of continuous
16:57operation so it's quite sad when these were made by royal worcester they were at a high point in their
17:04history in terms of success commercially and also in terms of quality of manufacture there's really no
17:11one else that it's likely to be except for royal worcester but we can confirm that by turning over
17:18one of them and you'll see there's a little printed mark on the bottom it's kind of a round old mark
17:24and underneath the round is a number seven three and that's the date 1873 right in the middle of the
17:33reign of queen victoria one of the fashions in 1873 not just in england but also in this country
17:40was what we call japonism and japonism is a french word to describe the western interpretation of
17:47japanese art and design and the art of japan was somewhat unknown to most westerners it wasn't
17:56until just a few years earlier in the late 1860s that the first exhibitions of japanese art
18:02and artistry had been held in london and paris the shape of them is a traditional asian form we call
18:10a moon flask shape but the front panels are decorated to simulate carved and stained ivory which is a
18:18japanese technique and the main ground of the vases is this speckled gilt finish over a deep blue ground
18:27that stimulates japanese lacquer both vases have this fabulous flying crane device on the back this
18:35has all been done in porcelain they've got great condition i love the form of them i love the scale
18:41of them they're just the right sort of size to sit on and decorate a mantelpiece i talked with a couple
18:48of my colleagues and we felt that the auction estimate would be at least ten thousand dollars and maybe as
18:55as much as fourteen or fifteen thousand dollars okay thank you that means a lot to me
19:16i was at an auction in missouri in the early 70s they had the hall tree and i thought i would
19:25like it my husband was standing in the back row and i could hear him say who in the world would bid on
19:34that one and it was me one of the things i love about this hall tree is the fact that the back is open
19:45most of the time they have a big mirror on them in america the hall tree was introduced a little bit
19:52later than it was in england did you know that this was english no most people would look at something
19:59like this and assume that it would be later in the 19th century like the 1870s or the 1880s but this is
20:08actually before 1850. oh it is yes probably 1830s or 40s and the reason that i knew that was the overall
20:18design the quality of the carving yeah if you look at those toes yes and those feet you know
20:26right off the bat that those are hand carved the whole leg is hand carved as well as these little
20:33foliate decorations right above the knees you have these great places to put your umbrella when you
20:40come in so it doesn't drip on the floor the marble top which is i i would assume probably original
20:47it's got a little bit of wear on it yeah it's original and you've got a drawer here yes that
20:52you can put your uh put your gloves in and one of the characteristics of this that made it english
20:59besides the overall look was the fact that the secondary wood is very thin compared to what we did
21:05in america right and also it's mahogany and in america we would have used a much softer wood
21:13for the secondary wood the primary wood on this is walnut it's got a few places where it's been
21:19repaired yes over the move we've moved it several times well you know what that doesn't matter it's
21:27more important that it's the original hooks well if i was this old i'd be having dings and things like
21:35like this also what did you pay for it when you got it at the auction about 350 in my opinion a good
21:43insurance value for this would be five thousand dollars okay that sounds good and if you were put
21:49it in an auction you'd want to estimate it two to three thousand but i think it could take off up
21:54there towards that insurance value so get it insured for about five yeah okay that sounds good
22:13well it's what we call a salesman sample and what and obviously it's a plow and it's a really complex
22:19plow and a really very very fine model what can be done here is you're changing the pitch depending
22:27on the terrain if he's working on a hillside or whatever i think at auction i would estimate this
22:33in the eight to ten thousand dollar range wow that's that's a lot more than i thought
22:44this is a photo of your grandfather working in his shop and he was a platinum jeweler
22:49yes he was now tell us about this great piece my grandfather made this platinum glove for my
22:55grandmother right after they got married where's the other one well you know i don't know uh my mother
23:01this is all i found that my mother had when i was a young child she showed it to me and she only had
23:07one at the time so i'm thinking in the 1920s maybe they wore two maybe they wore one we had a michael jackson
23:14then maybe i don't know i just want to let you know that i oofal this is not a glove it's not a glove
23:24not a glove what is that it's a purse it's a purse and it's damaged up here where the string where it
23:32drawstring and it goes like that my goodness and they would put a colored handkerchief on the inside
23:38and change the color all the time wow very interesting now i'm going to sadly tell you the
23:43other thing oh no it's not platinum oh no it is cut steel cut steel it's made in germany
23:53it could have been done in austria but in that area right 1920s the flappers wore this
24:00down here for a purse this is all woven and the women do this so your grandfather never made it my
24:06goodness now what the condition is cut steel today is very nice and it does sell it's worth about 350
24:13dollars fantastic if this was platinum right we're talking ten to fifteen thousand dollars wow
24:29our grandpa made experimental prototype parachutes at wright patterson air force base for about 33 years
24:35and in the process of that he got to meet the people who made the spacesuits so he made some
24:41hot mats out of scraps of material from the early spacesuits now what about these uh parachutes he made
24:47experimental parachutes this is a parachute made to bring down a rocket and this is from the mercury
24:52missions this is the prototype that they learned it wouldn't work and they had to completely redesign
24:58the parachutes for bringing down space capsules but they tested these in the wind tunnels and you've got
25:03the design right with these before making a big one this one you'll notice there's no openings in
25:08this if you're going to land a parachute on mars you have to capture as much of the atmosphere as
25:12possible so there's no openings in that that's the one that was made to land on mars these parachutes
25:18they just don't come up you just don't tend to see them so at auction per parachute looking about
25:24two thousand five hundred to three thousand dollars per parachute per parachute as far as the pot
25:29handles go maybe thirty forty dollars for the scent yeah that's what i figured
25:46it came from my grandmother's estate in colorado springs it was passed down to my father it was about
25:53the only thing that he got from her estate i've had it approximately eight years since my father
25:59passed away i looked up charles craig i believe he was born in ohio 1846 somewhere around there he
26:06traveled to the west and was a 50-year resident of colorado springs where he painted indian tribes and
26:14my grandmother probably bought it directly from him craig was indeed from ohio when he was a very young man
26:21less than 20. he actually traveled west and spent about four years living with various indian tribes
26:28sketching and learning about their culture he was very very very fascinated by them and he was something
26:32of an adventurer to do that he apparently decided he needed more formal artistic training because he
26:38returned east and he studied at several of the more well-known academies but did ultimately go back
26:44to the west he was in new mexico for a time he spent most of his career in colorado springs and he's
26:53very typical of one particular branch of the american painting school of the southwest because he was
27:00quite interested in ethnographic accuracy i'd like to find out if we know who this indian chief is the
27:07other thing is there's a few white spots on there are those damaged to the canvas or is it paint
27:13spackle from my mother well truthfully i was going to ask you if you knew what those were because
27:18they are a little distracting i'm not absolutely sure what that is my advice to you because it's
27:24such a beautiful painting and it's otherwise in excellent condition would be to consult with a
27:29painting conservator and just ask them to look at those and figure out what's going on i'm pretty
27:34confident they can be eliminated easily as far as the identity of this fellow is concerned i had a really
27:41interesting consultation with two of my colleagues craig is most closely identified with the youths of
27:47southwestern colorado where he spent a lot of time so i thought logical to think you'd start there
27:54apparently not my colleagues tell me that this war bonnet is typical of the plains tribes and probably the
28:02sioux further that the paint he's wearing on his face is not identifiable paint but what we would call
28:10personal paint he's probably an idealized figure as opposed to a specific individual also in my
28:18experience and they've confirmed this for me too if you're dealing with a portrait of a very specific
28:23person they're often inscribed with the name on the back as far as the date that this painting might
28:29have been done it's difficult to say because he did have a 50-year career in colorado springs and his
28:35subject matter was consistent and he died i believe in 1930 or somewhere around there when he was quite
28:41an elderly fellow so i think he could have painted this any time from 1900 into the 20s certainly i think
28:49a very fair auction estimate on this painting would be between five thousand and seven thousand dollars
28:55that might be a little conservative but i think it's fair okay that's wonderful
29:12this boat has been in our family for quite a few years my great-grandfather worked for dent
29:19hardware in allentown pennsylvania okay i've been told made this boat and several other toys while
29:28working at dent hardware and he gave this to my grandfather well dent hardware actually started in
29:351894 there were a foundry and started in newark new jersey but shortly after that moved to fullerton
29:43pennsylvania which is right near allentown oh so the factory was actually in fullerton
29:49what time period would he have brought this home my mother recalls it coming into her home when she
29:54was a little girl in the 30s it's the battleship new york it reflected a real battleship from that time
30:01it's made of cast iron not to be a toy for the water it's actually a floor toy like a pull toy and you
30:09can see that by its sheer size it's a large piece of cast iron i mean this is a heavy boat if a child got
30:17creative and thought well let's put it in the water and see what happens it's going to sink right to
30:20the bottom so this is a great large oversized toy for a cast iron manufacturer now the typical new
30:29york battleship is painted and this toy obviously is not painted it's plated we call this copper flash
30:39now this is something that they did a lot on some of the other toys they made but you don't see it very
30:44often on the battleship there's so many pieces to it these masks remove all these guns which by the
30:51way are nickel plated cast iron they remove and also we have the anchors up there there's two of them
30:58and we're showing one that has a little damage to show action it had a off-center front wheel it doesn't
31:06work very well because it hasn't been cooperating with us but i'm going to push it and show you
31:10you'll watch the front end drop down and it simulates water yes a retail price would be in the
31:15area of four thousand to five thousand dollars really yeah oh that's exciting some of these boats
31:23have sold for more painted there's a possibility that if the right collectors really felt that this
31:28was superior in rarity and finish it might bring more but it's hard to say because i've never really
31:34seen a copper flash version sell to the market so i think it's a good conservative estimate i'm just
31:42thrilled
31:56my first tour in the navy i was ensign i went to my first command the building we were in they were
32:02renovating so they called us and said you have some trash here come get rid of it i sent my sailors
32:07over to throw the stuff away they saw this flag it says women on it i'm a woman so they brought it
32:14to me and i carted around for the rest of my 26 years in the navy i know women were in the navy in 1917
32:23there were 600 a year later there was 11 000 women and they did yeoman jobs which is clerical work clerks
32:31and accountants and things like that absolutely you mentioned in 1917 which is interesting because
32:37at the time the secretary of the navy saw the term yeoman and said it doesn't just mean man
32:42and they needed every able-bodied person they could correct so they brought the women in to do yeoman's
32:47work which a lot of folks don't know that women were there during the first world war that's right
32:51and this is a first world war period flag it's silk with hand-painted emblems on it okay the first naval
32:59district was a portsmouth new hampshire later later boston it started in portsmouth and the in 1903
33:05went to boston about mid-40s the great thing about this flag is that it shows the kind of patriotic
33:11nature that the women must have had at the time in order to really gear them up to be a part of the
33:15service in the center we have the u.s naval insignia which is still in use today on officers cap badges
33:22the eagle over the shield over the crossed anchors now i couldn't find out too much about the
33:27women's battalion either but we still know that that women were in service during the first world war
33:32and they did do a lot of yeoman's work it may have been done by the women themselves as something
33:37that they wanted to use to to inspire the rest of the women in the battalion and maybe they had it on
33:42base as an unofficial flag is it something that a museum a navy museum or women in the military museum
33:50might be interested in having if you think you're going to keep it it's worthy of conservation if you're
33:55going to donate it the best thing to do is really let the institution decide how to handle the
34:01conservation because it's going to need to be cleaned you're going to need to address these
34:04issues where it's starting to split because the weight of the banner itself is pulling it apart
34:11so it depends on what you want to do but there's no doubt that interest in women in the service
34:17has grown over the years there'll be many institutions that would love to have this banner
34:21in this condition i would say it's around 1500 maybe 2500 okay fixed up would certainly enhance
34:27the value but that would be a costly undertaking so you really have to decide do i want to own it or
34:32do i want to give it to somebody who could display it
34:39this pot came from an estate um some very wealthy people back east and it ended up with my mother is
34:45and that's how it happened she she was married to one of the heirs of the estate and then he inherited
34:53the pot and it just sat in her house do you know about the potter maria martinez at san
34:58il defonso pueblo in new mexico the black pottery she is the famous potter in the american indian world
35:07maria martinez started making pots around the turn of the century 1900 1910
35:13and everybody thinks that all the pottery from san il defonso is black on black
35:20this is a san il defonso pot from the 19th century it kind of has a gray background sort of a grayish color
35:27and it has these incredible birds on it that go all the way around it and these abstract designs
35:35the color's real soft the slip on it's a little bit weak almost it's a very soft sort of look and
35:43color to it now we turned it over and in very weak letters here it says san il defonso and then
35:53there's a name underneath it montoya maria learned to make pots from lots of people this pot was made
36:02by florentino montoya one of her teachers montoya's wife's name was martina vigil and
36:11montoya started making pots at san il defonso probably about 1875 so this is probably because
36:19of the gray slip on the background one of the earlier san il defonso pots that anybody's seen
36:26that is identifiable the fact that it's signed is remarkable this is a pre maria pot that traces the
36:35whole tradition that went to her in the great art pots that she did in the 20th century now you had
36:42an appraisal it was done in the 80s and it was like a thousand two hundred and fifty dollars
36:49we've only seen one or two of these pots ever come up for sale they're extremely rare we've never seen
36:55a signed one come up for sale on a bad day in a nice gallery 25 000 wow for this pot wow it could go
37:06double that could go 40 or 50. it's a great thing it is a very great piece of art okay thank you thank
37:14you for telling me that that's just great news
37:29what you've brought us today is the teacher's edition of dick and jane we've got uh of course
37:36the gigantic star of the series along with his companion jane we don't want to forget
37:44the ever faithful dog spot these giant editions from the 1940s to the 60s routinely sell in the 500
37:52to 600 range well that's good because my mom has another one so that's cool thank you
37:59well i was looking about 40 years ago for some art to put up at our first apartment my wife and i
38:10were married and we decided we would like to get something original instead of a print okay and i
38:15happened upon these in a garrett shop in lakewood ohio okay and about what did you pay for each one
38:21well they were 50 cents a piece 50 cents a piece yes sir i think you did fine uh you have two 19th
38:26century etchings by well-listed artists and one 18th century etching the 18th century one is by an
38:31artist by the name of canaletto major 18th century italian painter did a small number of etchings rough
38:37value probably somewhere in the neighborhood is 750 a very nice piece for 50 cents yes samuel palmer
38:45early 19th century mid-19th century english painter and printmaker general values on his pieces is
38:52in a similar ballpark 750 to a thousand dollars and the last one is by seymour hayden the etching value
38:59is probably somewhere in the three to four hundred dollar range thank you very much
39:12it was given to me by my aunt who was 93 years old when she gave it to me and she had received it
39:21from her aunt when she was probably in her mid-20s in ohio what you have here is a really exciting
39:29piece of roseville pottery it's an experimental piece of roseville pottery and for people who collect
39:36roseville experimental is great roseville which was such a large company started out in roseville
39:44and then moved to zanesville ohio now when i picked this up i recognized the feel of it the clay body
39:53and the line of this blank they did most of their experimental works with which is called rosecraft
39:59vintage and it was introduced in 1925 but this decoration here is probably unique this glazed color
40:07is highly unusual and this whole bacchanal scene which is by the way pretty racy is not on any other
40:15pot of theirs and the reason they did not produce this piece it may have been too complicated okay too many
40:25colors who knows or perhaps the dancing naked ladies that may have been a problem for some okay this one
40:33being experimental is probably all hand carved which you don't see in regular roseville which is molded
40:39part of the fun thing of finding an experimental piece is when you see on the bottom instead of a
40:46signature you see all the glaze numbering they very carefully describe where specific glazes will go
40:55so this is fabulous oh there are fewer roseville collectors today than they used to be 20 years ago
41:01a very conservative amount at auction is 3 500 to 4 500. wow a good insurance value probably
41:13in the five to six thousand dollar range wonderful
41:16my mother gave me this in the mid-70s i had been living in africa and i came back and had no
41:28furniture she gave it to me as i was trying to furnish a house my sister tells me that she gave it to me
41:34because it says joe on there someone gave it to her in phoenix and i do not know who gave it to her
41:41once i was told that it was from pennsylvania i was also told that the jo and eo may be initials
41:50of a couple that was getting married and that it was a marriage exactly and obviously the date
41:55speaks for itself it's a chippendale chester county pennsylvania tall chest so chester county
42:01was about 25 miles from philadelphia right so the cabinet makers there were working in roughly a
42:07philadelphia style but doing their own thing there are distinctive things there chester county
42:12pennsylvania about this by 1797 there were anglo settlers from england there were welch settlers and
42:20there were german settlers so these pieces have a combination of all three of those immigrants work
42:27at the top we have this og molding and then jo and eo the brasses flanking are chippendale brasses
42:35they're original brasses we go down and the pair of drawers flanking this wonderful drawer this
42:40bottom drawer is massive here are these classic chester county feet with these big spurs here these
42:47wonderful large og feet and look at the surface on that the color of the wood the thing that i think
42:54is really neat about this that you know about i know is this drawer right right and originally this
42:59did not have a knob that was a decorative panel there's no marks around it from where
43:04people pulled it it looked like a decorative panel so you unlock this drawer you pull it out
43:10you slip inside push that hole and lo and behold you open it up and here's the spring lock right here
43:18that held that in that was the only way you get it open is open this drawer and go up so here we have
43:23a shallow drawer and this really neat hidden drawer now this poplar on that drawer is over 200 years old
43:32and it smells like it was cut yesterday you can smell that wood doesn't that smell like fresh cut
43:39wood the wood is walnut which is the a locally grown wood american black walnut and that is hollywood
43:46it's h-o-l-l-y it's a light wood and they use it because it contrasted with the walnut that was really
43:52popular in chester county which is known for inlaid furniture the black i think it could be an
43:58ebony this piece because of all the great things it has would be estimated conservatively at auction at
44:0520 000 to 30 000 on it i mean and and that's a conservative estimate because of all those things
44:12you could bring much more than that that's nice the photograph was taken around 1890 to 1900
44:32and it's of the jewelry store in nordmalling sweden and they moved from sweden to america yes they came
44:39in two waves did they remain in the jewelry industry or what absolutely all my uncles were watch makers
44:46and they worked in the repair shops in chicago illinois well why don't you go through and explain
44:52what you know about the watches then the first one over here on the gold chain necklace that belonged to
44:57my grandmother and it looks upside down but for the woman who wears it then she can lift it up and it's
45:04in a correct position so she can tell the time this pocket watch belonged to my uncle gustin and it's a
45:12very thin piece but it fit very easily into a pocket and didn't create too many lumps the other uh watch
45:20here belonged to my aunt eba and it's made of a some kind of a platinum material and it's very much a
45:29dress type watch it's not an everyday type of watch and have you done any research in terms of their
45:34their value or the makers etc well i was offered about a thousand dollars for that wrist watch at
45:42one time these others i have no idea what they're worth starting with the little ladies watch here
45:47it's swiss made it's in a 14 karat gold case now although it's hanging upside down like this it's
45:54actually being converted and it would have been made with a bow on one side and a clip on the other
45:59side made around the 1900 1910 era one of the very first types of wristwatch and now when wristwatches
46:06were first being made the manufacturers didn't want to change their their manufacturing techniques
46:10so they simply added this little clip on the reverse side and that way you could strap it to your wrist
46:18probably converted in the 1920s by the look of it it's not made by a known manufacturer
46:24and realistically today it's worth its gold value oh really it's around a hundred dollar watch really
46:29okay i'm surprised but okay the men's pocket watch again in 14 karat gold again swiss made in the 1920s
46:37very classic with this style of breguet numerals as they're called the chain also dating to the 1920s
46:44also in 14 karat gold it is much slimmer than you normally find again an unsigned very nice quality
46:52but but not by by any manufacturer of a known quality it's worth slightly more than its gold value
46:57you're probably looking at around 300 this is for auction purposes for the ladies wristwatch in the
47:03center it's late 1920s early 1930s very typical cocktail watch of the era retail by spalding and co in
47:10chicago and i'm pleased that you didn't sell it this i think is a classic case of if someone offers to
47:18buy you something always ask for a second opinion right never necessarily take the first one the
47:24reason being it's actually it's made by a very well-known swiss company called patrick philippe oh
47:29yes patrick philippe uh one of the most famous and also one of the highest quality uh swiss brands
47:34it's made in platinum with a platinum band and the case is also set with diamonds now that the case
47:40itself is not a signed paddock philippe but this was not that uncommon of the era they would supply
47:45movements to very high quality retail outlets such as sport and co and this is a realistic auction
47:52value it's worth five thousand dollars oh how nice so i'm very very pleased you didn't take the thousand
47:57dollar offer me too it was a present from my father i inherited from him when he passed away
48:18i always liked lionel feininger i had a book about him and i've seen pictures in museums of him and
48:25and i was thrilled when i inherited the painting i came to this country a long time ago for one year
48:34and my dad visited me and we went to the metropolitan museum of art and there was this
48:39picture of lionel feininger he did a lot of churches and i liked it and he bought a poster and framed it
48:46for me that was my first picture i ever owned and how did that poster compare to this work i like the poster
48:53better because it was a picture of the oil painting this is just a sketch i like it very much don't get me
49:02wrong well the picture is signed down here lower left as we can clearly see and it's also dated this
49:09translates to thursday the 10th day of february 1921 and the work is a watercolor the title on the back
49:19tell me in german it's a silber sterne which means silver stars in english so you can see here that
49:28the stars have been reduced to these kind of cross-like or x-like shapes in feinecker's style he would
49:35reduce his subjects to very simple shapes or planes and then combine them with this linear definition
49:44very interesting artist he was born in new york in 1871 to parents who were both musicians and they
49:52fully expected him to study music but he decided he wanted to study art and he went off and studied in
49:59paris and germany and in 1919 he was asked to teach at the bauhaus which is a very famous school of art
50:06craft design very influential in the modernist art world and then he had to come back to the states
50:12when the nazis took over germany this really is a wonderful work the colors are so i love the
50:18great i love the colors he manages to make his works a little bit of realism but a lot of fantasy
50:25and they're just very very appealing i think if this were offered in a retail gallery it might sell for
50:30as much as 75 000 you must be kidding no oh my god it's a lovely example oh my god i had no idea
50:42i said maybe five thousand eight thousand something like that thank you so much
51:01and now it's time for the road show feedback booth
51:04we took this painting that's been in the family for a really long time to the antiques road show today
51:09we thought we might be able to find out if we were finally going to be able to throw it in the
51:13garbage and it turns out it's worth 2500 bucks to 5 000. thank you antiques road show yeah i brought
51:20in this picture of uh gene cernan the last man on the moon and i was quite surprised they appraised it
51:26for like three thousand dollars and going up and this picture that i paid a dollar 54 is worth two
51:31to three hundred dollars and she'll definitely be dragging me more to garage sales all the time now and
51:36i got this from my grandmother it's the only thing i've had from my grandmother i thought it might be
51:41an antique they said it's from the 50s i'm from the 50s so that means neither one of us is an antique and
51:47i guess that's good news brought some of my bakelite and i got to meet a lot of the appraisers it was
51:54awesome so uh my husband at home they tell me that if i get hit by a bus tomorrow these should not go in
52:03in the alley thanks and our ex-husband's mother gave me this pin and our ex-husband gave me this
52:11antique hymnal to bring to so we came to the antiques road show together to get them appraised
52:17yay antiques road show thanks for watching see you next time on antiques road show
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