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Later... with Jools Holland Season 67 Episode 3
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FunTranscript
00:00Welcome to the show and now with a brand new album and teacher presence, please welcome back wonderful
00:30Oh, and the road will run like a river Where the headlights are like a river, we'll run like a river
00:54I'll run back to you, I'll run like a river Through the parks and through the pavilions
01:04Through the countryside, like a human side Like a river tonight, we'll run, we'll run like a river
01:13There's something inside that craves the artificial life
01:20There's something inside that craves the blue and yellow lights
01:28I want a European stain within me
01:35I'm a European sourcing in bed
01:39Dancing with the Europeans
01:43I've got a European stain within me And a European sourcing in bed
01:53I want to be
01:55Dancing with the Europeans
01:58And the road will run like a river
02:04And we want to be struck
02:07And we want to belong To belong to the road and the rails
02:12To belong to the river
02:16Where the soldiers and the civilians Well, the flesh might die
02:22But our love will survive When you're by my side
02:26And the world's end Shall have known to me
02:31There's something inside that craves the simulated life
02:35There's something inside that likes to wipe the artificial life
02:41I want a European stain within me I want a European stain within me
02:51And a European suffering in bed Dancing with the Europeans
03:01I've got a European stain within me And a European suffering I want to be
03:11Dancing with the Europeans
03:12Dancing with the Europeans
03:14Dancing with the Europeans
03:16Dancing with the Europeans
03:20Dancing with the Europeans
03:22Dancing with the Europeans
03:28Dancing with the Europeans
03:32Dancing with the Europeans
03:36Dancing with the Europeans
03:44Your ghosts are my ghosts
04:06Thank you
04:13To our guests this week, from Dublin, we have Sprints
04:19I'll be chatting to Gary Kemp
04:23From Nashville, Luke Tomes
04:25From Mississippi, Annie and the Caldwells
04:29But now from London, it's Yasmin Lacey
04:33Lacey
04:45You're back in the deep end
04:48I know you've been singing
04:50Fetching your tongue side up
04:54I guess you better fall back
04:57It's that I won't scratch
04:59Little bitch I'm a shiny star
05:03Don't take it personal
05:05Just wasting my time
05:07For all of my girls' dark stacks
05:11If you're going two steps one and three steps back now
05:15You can be on your way
05:19And if you're going two steps one and three steps back now
05:25You can be on your own
05:29You know I'm a mystery
05:31I bet you're missing me
05:33You know I'm a mystery
05:35Time's up
05:37Time's up
05:39If you want me
05:41Ain't a joke
05:43Blow your house down
05:45I'm on smoke
05:47Never did I know that
05:49You will always hold back
05:50Never try to take my crown
05:52Living in a daydream
05:53Quick little baby
05:55If you're going two steps one and three steps back now
05:57If you're going two steps one and three steps back now
05:59You can be on your way
06:03And if you're going two steps one and three steps back now
06:05And if you're going two steps one and three steps back now
06:09You can be on your own
06:13You know I'm a mystery
06:17I bet you're missing me
06:19You know I'm a mystery
06:21Time's up in history
06:23You know I'm a mystery
06:25I bet you're missing me
06:27You know I'm a mystery
06:29Time's up in history
06:31You can stay
06:41Lovely with two steps from her album Teal Dreams
06:45Thank you Yasmin Lacey
06:51Now for a lovely piano side chat with the legendary Londoner
06:55Legendary Londoner Gary Kemp
06:57You've been working on this great new exhibition
07:01Which we'll talk about in a moment
07:03You've also got a Spandau Valley box set released
07:05But there's an exhibition that you have helped to curate or lend some things to
07:09Yeah
07:10In the Design Museum about the Blitz
07:12For the uninitiated
07:13Right
07:14Give us the aroma of the Blitz Club
07:16Well the Blitz Club was 1978 to the beginning of 1980
07:21And it was just off of Soho Covent Garden
07:25And it was only a Tuesday night
07:27Basically two guys, Steve Strange and Rusty Egan
07:30Who was playing drums in The Rich Kids before then
07:33Rusty was the DJ
07:35Did what was called Bowie Night
07:37And all of us freaks who were into Bowie in those days
07:41Went along
07:43But the music wasn't just Bowie
07:45It was everything Bowie had validated
07:47And it was electronica, it was craft work
07:49It was German bands like Gina X, Nina Hagen
07:53Obviously Iggy Pop
07:55And even a really early Human League record, Being Boiled
07:59Which was way ahead of the curve
08:00Nice electronica
08:01Electronica, people are dancing slowly
08:03They're not dancing to high BPMs
08:06But a lot of people who came out of that
08:09Went into the 80s
08:11And were successful in the arts in some way
08:13So it was like a sort of a little catalyst
08:15For lots of things that were going in
08:17But it was quite hard to get in
08:18But it wasn't about paying a lot to get in
08:20Isn't that why you had to be wearing the right thing to be allowed in?
08:22Well Steve Strange, who stood on the door
08:24Kind of curated it really
08:26It was his curation inside
08:28And it was a lot of art school students
08:30Fashion students from St Martins
08:32A lot of ex-Soulboys
08:34Bowie fans like myself
08:35People who'd been through punk
08:37But were a bit too young for it
08:39People like Boy George
08:41You know, young mid-jew before Ultravox
08:43And so, yeah, you had to dress up
08:45People were kind of
08:46But it was a dressing up box
08:47It wasn't buying any expensive clothes
08:49It was kids would make their own clothes
08:51I got my mum to make me a pair of trousers
08:53That I thought was suitable
08:54Thank goodness for mums
08:55And didn't Bowie turn up one evening?
08:57He did turn up one evening
08:59And, of course, it was a Bowie night
09:01But by then it was something more than that
09:03The word had gone on the street
09:04About the Blitz being a very exciting place
09:06To go on a Tuesday
09:07And there were cameras around
09:09And he arrived
09:11And a lot of people just all went with him upstairs
09:14Very excited
09:15And I remember being downstairs with some of my band
09:18And Boy George, in fact, saying
09:20We're not going up there, are we?
09:22He's yesterday's man
09:23He's coming to nick our ideas
09:25He's coming to nick our ideas
09:26He's coming to nick our ideas
09:27And he did
09:28He chose people to be in his Ashes to Ashes video
09:30Presumably, it's much easier to get into the exhibition
09:34Than it is to the club itself
09:36Well, it's great
09:37They've got a kind of Steve Strange on the door, as it were
09:39Oh, great
09:40What is a cardboard cutout?
09:41It's a kind of thing like that
09:42As a picture
09:43But, yeah
09:44You're saying no, you can't come in
09:45It curates everything that created that place
09:48Whether it's Bowie or, you know, films like Cabaret
09:52Or obsessions with Weimar Republic
09:55And all the things that we were inspired by post-punk
09:59To that moment, in that club
10:01And there's a kind of copy of the club inside it
10:03How great
10:04I know, and then everything that led out after that
10:06And does it feel like being in the club when you're in that copy?
10:09I can't even remember being in the club
10:11I don't think it was so long ago
10:12Well, I was going to ask about that
10:13Because you've also got a box set of Spandau Ballet
10:16First two albums
10:17First two albums, yeah
10:18And we've got some archive
10:19And I think it goes from 78 to 82
10:21Yeah
10:22And we've got some archive from right in the middle of that
10:24I mean, can you remember anything from 1980?
10:27Do you know, this was the thing I'm the most proud of, I think
10:30Being part of that wave of a new youth movement that was happening
10:36And coming out of Soho
10:38Being the house band of the Blitz, which we became
10:41And the 80s were about to start and everything was going to be colour
10:44And magazines like The Face were going to be colour
10:47And I think that moment in time for me
10:49And the kind of gigs we played as well
10:51We never played regular venues
10:52We'd create events on battleships or, you know, in cinemas
10:56And that to me is a much more
10:59Is a greater thing to be proud of than the big hits we had later on
11:03Well, we've got a little clip here
11:05Let's have a little look at To Cut A Long Story Short
11:07From 1980 on top of the pot
11:08Yes
11:09To cut a long story short
11:11I lost my mind
11:13We all love that
11:15Really great for us
11:16We all love that
11:17Really great footage
11:18And you're right, it's a moment in musical history
11:21You know, it's like kind of suddenly things have become
11:24Yeah
11:25There's another whole cult thing happening
11:26We all love that
11:28Really great footage
11:30And you're right, it's a moment in musical history
11:32You know, it's like kind of suddenly things have become
11:36There's another whole cult thing happening
11:37We were trying not to use anybody from
11:38Who had already experience, you know, successful people
11:55So we were using graphic artists from within the club
11:57And lighting guys from within the club
11:59And obviously the clothes as well
12:02as well in fact we did take someone from within the club to help with the gear
12:06that day going into Top of the Pops who when they saw that it meant heavy work
12:10just refused and stayed in the bus and is it right that now Spandau Ballet have
12:16found a great new audience through streaming and through the internet and
12:20through social media and everything yeah I mean not just us but a lot of old
12:24bands you know I think my son who's 16 is finding old stuff all the time you
12:30know hey dad have you heard of Steely Dan you know so I think it's it's all out
12:35there in the streaming world and obviously in social media and you're not
12:38just hoping to be discovered in a crate and it was one of the reasons we named
12:42this box set everything is now because that kind of feels how music is right
12:47now just the whole part I mean look at what's happened to Creedence Clearwater
12:51Revival they're now one of the biggest bands in America and they haven't played
12:54together since 1971 that's the key don't do anything you go
12:58huge so now when I go to the museum I'll listen to your box set on my
13:04headphones and hopefully I'll be I'll be wearing the right thing so they're
13:07gonna let me in remind us where we can see it so it's at the Design Museum which
13:11is near Ken High Street in Ken High Street and it goes on till March right next year
13:16so I'm looking forward to going to have a look and all the memories come
13:19flooding back thanks imagine you in there thank you very much for joining us
13:22Gary Kemp
13:27thanks a family band who recorded their album at their local church in
13:33Mississippi please welcome Annie and the Caldwell's
13:38thank you
13:44I'm gonna need you to put your hands together like this
13:47here we go
13:49you drop
13:50you drop
13:52you drop
13:54you drop
13:58you drop
14:02you drop
14:07A bomb on me
14:09You dropped a bomb on me
14:13You dropped a bomb on me
14:17Santa, you tried to drop a bomb on me
14:23Our living world of sin
14:27150 mil, 150 dollar
14:31A preacher came and told me
14:35God will forgive you
14:37All your sin
14:39I gave the bridge of my hand
14:41Go out my heart
14:43That's what I found out
14:45Yeah, Santa
14:47You dropped a bomb on me
14:49You tried to
14:51You dropped a bomb on me
14:53Santa, you tried to
14:55You dropped a bomb on me
14:57Santa, you tried to
14:59Drop a bomb on me
15:01Oh, I mean
15:03I made it
15:05I made it
15:07I made it
15:09I made it
15:11Through the storm and rain
15:13I made it
15:15I had to pain
15:17I had to cry sometimes
15:19I made it
15:21You made it
15:23You made it
15:25You made it
15:27You made it
15:28You made it
15:29You made it
15:30You made it
15:31You made it
15:32You made it
15:33You made it
15:34You made it
15:35You made it
15:36You made it
15:37You made it
15:38You made it
15:39You made it
15:40You made it
15:41You made it
15:42You made it
15:43You made it
15:44You made it
15:45You made it
15:46You made it
15:47You made it
15:48You made it
15:49You made it
15:50You made it
15:51Run on, my old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old old was old old old old
16:21Yo made it
16:23Donnie, yo made it
16:27I met your feet up
16:30I met your feet up
16:43Oh, oh You took me, took me
16:50Oh Oh Oh, oh oh Oh, oh
17:00I made it, I made it, I made it, I made it, I made it
17:08Yeah You made it You made it
17:12You made it so you made.
17:17Say yeah, yeah.
17:20Let me hear you say yeah, yeah.
17:24Let me hear you say yeah, yeah, yeah.
17:29Say yeah, yeah, yeah, yeah.
17:32Oh, I made.
17:34I made.
17:37Hey.
17:38I made.
17:40Hey, I made.
17:41I bring your feet up, I bring your feet up on the floor
17:53I bring your feet up on the floor
17:55I want y'all to say this
17:56Oh-oh-oh-oh
18:00Oh-oh-oh
18:03Oh-oh-oh, oh-oh, oh-oh, oh-oh, oh-oh, oh-oh
18:18Put your hands together
18:21Everybody clap your hands
18:29Yeah
18:33Thank you
18:43Thank you, Annie in the Caldwells
18:53I'm delighted to say that we have a country superstar in this room with us tonight
18:57And we welcome now Luke Combs at the piano. Great to have you here. Luke Combs
19:01Great to have you here.
19:05So, I mean, you've got billions of streams, billboard number one, billions of awards, and country music seems to be bigger than ever. And here in the UK as well. Why do you think that is now?
19:17Gosh, man, I don't know. Your guess is as good as mine on that. I'm just glad that it is. You know, this is, I think, my sixth time over here and excited to be back.
19:26And for the first time in its hundred year history, the Grand Ole Opry has come to London. And for the people that don't know what it is, tell us about what the Grand Ole Opry is.
19:35Grand Ole Opry is basically, you know, the biggest institution in country music. It's the longest running radio program in the United States.
19:44And basically started out as a radio show where country artists, you know, roots artists, Appalachian artists would come and play their music over the radio.
19:53Became kind of a mainstay, you know, around that time in the 20s. And still running to this day. Now it's a big show that happens a couple nights a week in Nashville.
20:04And it's just, it's a beautiful thing. Yeah. And it's great to bring it around the world now. Yeah. Introduce people to it. Yeah. First time.
20:10It connects with people. It's very human, isn't it? Yes, it is. It is. I mean, it has a host. And like the show, like when you're there, if you're there in person, like it is actually a live radio broadcast that's going on.
20:20Obviously, there's a large crowd in attendance. And it sells out, you know, a couple years in advance. And nobody even knows who's going to be playing that particular night.
20:29You just want to go and have the experience of being there at the Opry. So it's a special place for us and excited to bring it over here.
20:35And where does music start for you? I mean, who were you listening to when you were kind of first kind of got into music?
20:40I mean, everything. It started out, so I grew up in North Carolina and I moved to Nashville when I was 24.
20:49I taught myself guitar at 21 years old. I'm 35 now. It's crazy. It started with me. Vince Gill was probably my favorite singer at the time.
20:58At the time when I was when I was young, I just always sang. It's just something I always did.
21:03So I don't like want to sing or I just sang all the time.
21:07What sort of things did you say? Like sing songs for your mum?
21:10Yeah, it was like my mom and my aunts and stuff would come over and I was like on the, you know, on the deck or the porch or whatever.
21:16And they would all be like, sing us a song, Lukey, you know. And so I would just sing them whatever they wanted to hear, you know, anything that I'd heard on the radio.
21:23And they seemed to love that. And then I found I found, you know, choir when I was in probably in middle school.
21:30I enjoyed that. So I was singing every day, you know, from from the time I was in, you know, sixth grade up until the time I was in college.
21:38And yeah, man, I just picked the guitar up and figured it out.
21:41And what was it that drew you to country music, do you think?
21:44That was just the first thing that was my really my first experiences with music.
21:48You know, when I was when I was younger, riding around the car with my mom, she was always listening to country.
21:52And that was just the a lot of my first memories of music were listening to country music.
21:57So it's kind of the music that I grew up on. I got away from it for a long time when I was in high school and at the beginning of college.
22:03And I found my way back to it around the time I was probably 19 years old.
22:08Is it right? I was told that you were working in a bar as a bouncer. Yeah.
22:12And you said, can you give us a gig? And they said, well, no, we don't. We don't. We don't think so.
22:15Yeah. So you then worked over the road.
22:17Yeah. So I was work. Yeah, I was I was working at a at a bar as a bouncer in college.
22:21And they never had any music in there. I had just started playing guitar. I've been singing forever.
22:26But I asked my boss if I could play a show. And he was like, well, no, we don't have shows because there's apartments.
22:31There was apartments upstairs above the bar. There were seven apartments.
22:35I actually lived in one of those apartments. And I told him, I was like, hey, if you let me do a show, nobody's going to call the landlord because everyone's going to be down here at the show because we all know each other, you know.
22:45And he said no. So I went across the street. My first show ever had 200 folks come from, you know, people that I knew from college and stuff.
22:53And I came back to work the next day. I was like, hey, man, I brought 200 people across the street. I could bring them over here if you want. And he changed his tune pretty quick.
23:01Exactly. Never mind about the people in the flats. Come on in. Yeah. So that worked out. Yeah.
23:06That's great. Now you're going to be performing for us in a moment. What are you going to sing for us?
23:09I'm going to do a little acoustic song called Days Like These, a song I wrote a few years ago at the house.
23:14And I just had, we just had our first son, me and my wife. And it was just kind of, we had one of those like beautiful days that, you know, don't come around often enough.
23:24And that's what this little tune's about. So I'm excited to play it for you. How great to celebrate one great day in a song.
23:30Yeah. What a great thing to do. Yeah. I know somebody that has, puts things in little signs in their garden.
23:35If they had a nice sunset to remember it. Just, oh yeah. But to commemorate it with a song. Yeah. What a great thing.
23:39I'm going to enjoy the song all the more. I think we all are. Yeah, it'll be fun. Yeah. Thank you very much for joining us.
23:43Absolutely. Luke Combs. Thank you. Yes, sir.
23:45A great fellow.
23:51Look forward to hearing that. Now, the concept of needing to write songs or create art as a means of survival, not just as a means of expression, is the trust of this song by this next excellent band.
24:03Please welcome, Sprints.
24:06Please welcome, Sprints.
24:07Please welcome, Sprints.
24:08Please welcome, Sprints.
24:09Please welcome, Sprints.
24:10Please welcome, Sprints.
24:11Please welcome, Sprints.
24:12Please welcome, Sprints.
24:13Please welcome, Sprints.
24:14Please welcome, Sprints.
24:15Please welcome, Sprints.
24:16Please welcome, Sprints.
24:17Please welcome, Sprints.
24:18Please welcome, Sprints.
24:19Please welcome, Sprints.
24:20Please welcome, Sprints.
24:21Please welcome, Sprints.
24:22Please welcome, Sprints.
24:23Please welcome, Sprints.
24:24Please welcome, Sprints.
24:25Please welcome, Sprints.
24:27Please welcome, Sprints.
24:28Please welcome, Sprints.
24:29Please welcome, Sprints.
24:30Please welcome, Sprints.
24:31Please welcome, Sprints.
24:32Please welcome, Sprints.
24:33And Melanie is the curse of cancer, the cyanide for the soul.
24:41I tip the tightrope delicately around ego, don't let either side take hold.
24:47When is it to have the artistic credibility?
24:50Well, am I not just a man?
24:53I seek to take aim and commentate, speak so therefore I understand.
24:58Take heart, take heart, discord, discard.
25:02How do you feel a tortured heart?
25:04Take heart, take heart, discord, discard.
25:07We have love and we have art.
25:10Take heart, take heart, discord, discard.
25:13How do you feel a tortured heart?
25:16Take heart, take heart, discord, discard.
25:19We have love and we have art.
25:22Count the dead leaves on the trees.
25:25I count the seconds between my breaths.
25:28All's fair in love and war
25:31But what if I've nothing more than war left
25:34Take my Saturday
25:35Take my Saturday night
25:39Call me Pius, call this holy matrimony
25:43Call this anything you want from me
25:46Daycar, daycar, just here to start
25:48How do you feel the torture of
25:51Daycar, daycar, just here to start
25:54We have love and we have art
25:57Daycar, daycar, just here to start
26:00How do you feel the torture of
26:03Daycar, daycar, just here to start
26:06We have love and we have art
26:09And disillusioned, hate, anxiety
26:15And pleasure, pain and ecstasy
26:19Tell me, Lord, how can I be better than I was born to be
26:24And disillusioned, hate, anxiety
26:27And pleasure, pain and ecstasy
26:31Tell me, Lord, how can I be better than I was born to be
26:37And disillusioned, hate, anxiety
26:40And pleasure, pain and ecstasy
26:44And pleasure, pain and ecstasy
26:45Tell me, Lord, how can I be better than I was born to be
26:50And disillusioned, hate, anxiety
26:53And pleasure, pain and ecstasy
26:56And tell me, Lord, how can I be better than I was born to be
27:03Identity is the curse of culture
27:19And ignorance becomes the death of us
27:21And privilege without acknowledgement is better
27:25Where the world is better than I was born to be
27:46Days like these
27:49Worth more than gold
27:53But they can't be bold and they can't be so
27:59It's on days like
28:04Sunshine's bright
28:06Feel like it's all
28:10Gonna be all right
28:13When the sky is blue
28:17In the grass is green
28:20How much
28:24Can it be
28:27If I got you
28:30You got me
28:34We got
28:37Everything we need
28:40Even if it grew on trees
28:46Money came by days like this
28:49They don't come around
28:54As much as they ought to
28:58Do
29:00So come on
29:02When they do
29:05Those days like this
29:09They don't get forgot
29:12They don't get forgot
29:12If you think you're through
29:16They're all we got
29:19When the sky is blue
29:22When the sky is blue
29:24And the grass is green
29:26And the grass is green
29:28How much better
29:30Can it be
29:32If I got you
29:33If I got you
29:35And you got me
29:38We got you
29:39If I got you
29:51And you got me
29:51And you got me
29:52He came by days like this
29:56When the sky is blue
30:12And the grass is green
30:15How much better can it be
30:21If I got you, you got me
30:27We got everything we need
30:34Even if it grew on trees
30:40Hell, I'd probably miss the leaf
30:43Money came by days like this
30:49No money came by days like this
30:55Excellent
31:04Thank you
31:06The wonderful Luke Combs
31:08And don't forget you can watch Luke
31:14And all of the other artists
31:16Great country stars on the special Grand Ole Opry show on BBC iPlayer
31:20Come to that, you can watch a lot of these shows on BBC iPlayer if you go up there
31:24So it's all there to enjoy
31:26And now also to enjoy and welcome at the piano for chat is the wonderful Miss Annie Caldwell
31:31God bless you
31:34Lovely to see you
31:35You too
31:36Thank you so much for coming on the show
31:38Thank you
31:39And you've got your family, it's your band
31:42Yes sir
31:43Which is, yeah, which is, it gives it a great sound
31:45Thank you
31:46Blood harmonies and everything, it sounds lovely
31:48Thank you
31:49But where does music start for you Miss Annie?
31:51What's the first music you heard, do you think?
31:53First music start for my mother and my father
31:55My daddy was a singer
31:57And that's where our first music came from
31:59And what sort of things did he sing?
32:02He was gospel
32:02He was a gospel singer
32:04And he had a group of gospel singers
32:07And what was his name and what were they called?
32:10Gibby Brown
32:10We called them both
32:12And it's a remarkable story
32:15Because this really, I mean you've done albums before with other groups
32:17But with, it's your family group
32:18It's your first album together
32:21And David Byrne from Talking Heads is involved
32:23How does that work?
32:25Mr. David Byrne, I thank God for him
32:27Because he found me a few years ago
32:29And he told me that I'm going to be working with a man called Yale
32:33And ever since then, they've been carrying us on and on
32:37I thank God for that
32:39And where did you record the album?
32:41We recorded it in a little church
32:43Quarter Street from my house
32:44At the Mexico Center
32:45And we went in there and caught the album
32:49And the spirit was so high
32:50And it was just floating
32:52Until we just felt like
32:55Just giving God the praise
32:56Feel the joy and the spirit of it
32:58It all comes alive
32:59Right
32:59Yeah, yeah
33:00And that's the right part
33:01So tell us who have you got
33:02Who have you got in your
33:03Oh actually, and now I should say
33:05It's amazing because
33:05After this album you've been touring in Japan
33:08America, Brazil
33:08You're here now
33:10That's a great achievement
33:11After a long time
33:12It's a great example to people
33:14To keep going
33:15Yes, thank you so much
33:16In this album I have my two daughters
33:20Yes
33:20My daughter
33:21Deborah Caldwell
33:23Also my daughter and Jessica Caldwell
33:25I have my daughter Tony
33:28I have my son Abel Caldwell
33:30On the drum
33:32And my son Willie Caldwell Jr.
33:33On the bass
33:34And also my husband on the guitar
33:36Great
33:37There's a marvellous band over there
33:39Great sounding band
33:40Shall we invite the wonderful daughters over here?
33:42Yes
33:42Come over ladies, please
33:44More of the Caldwells
33:48Now I'm a
33:51You were talking about gospel music earlier
33:54And this song
33:55Married Don't You Weep
33:56When did you first hear this one?
33:58I heard this song on a porch
34:00Me and my girl was out there
34:02And they were momming the song
34:04Oh Married Don't You Weep
34:05And that's what I heard
34:07And so we started singing it
34:09And also the neighbours came around
34:11And that's how the song got started
34:13Yeah
34:13It's a great song
34:14From the golden age of it
34:15Yes
34:16Let's give it a go
34:16Shall we?
34:16Here we go
34:17Okay, all right
34:17Well, I'm singing Mary
34:26Oh Mary, don't you weep
34:28Tell Martha don't moan
34:30Mother, don't you moan
34:33Oh Mary
34:34Oh Mary, don't you weep
34:35Tell sister Martha don't moan
34:37Mother, don't you moan
34:40Pharaoh's army
34:41Pharaoh's army
34:43Pharaoh's army
35:13Drowning
35:14Drowning in the red sea
35:16Mary
35:18Oh Mary, don't you weep
35:19Oh Mary
35:21Oh Mary, don't you weep
35:23Girls, y'all don't moan
35:25Oh Mary, don't you weep
35:26Help me to call on Mary
35:28Oh Mary, don't you weep
35:30Oh Mary, Mary, ooh wee
35:35Oh Mary, don't you weep
35:37Oh Mary
35:39Oh Mary, don't you weep
35:41Girls, I want y'all
35:43Oh, Mary, don't you.
35:44Oh, Mary, one more time, girl.
35:46Oh, Mary, don't you.
35:51Mary, Mary, ooh-ee, ooh-ee, ooh-ee, ooh-ee.
36:03Tell my the don't moan, tell my the not to moan.
36:11Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
36:21APPLAUSE
36:28Thank you, ladies.
36:29Lovely.
36:30Thank you so much.
36:32Thank you so much.
36:34Thank you, Miss Annie Caldwell and her family.
36:39And now, lovely, going back into a lovely space and time there,
36:45and now we welcome over here in this corner the wonderful Yasmin Lacey.
36:49APPLAUSE
36:52Everybody wants that first price.
37:05A cherry that sits on the top.
37:09Seems like God gave you that first price.
37:14Now I know you would have missed that shot.
37:17Lucky you, I came your way.
37:23And if you're nice, I'll let you say.
37:28Yeah.
37:29Ain't I good for you?
37:31Ain't I good for you?
37:33All that sweet, that salt, that taste that made your life better.
37:38Ain't I good for you?
37:42You know me, I'm all you need.
37:44I got you my pleasure.
37:46Ain't I good for you?
37:48Yes, you know I am.
37:54I'm your light, I'm your light, I'm your light.
38:02Before our time must have been dry.
38:04What was your life?
38:06Yeah, yeah, yeah.
38:08Now even your clothes ain't right.
38:11But you and me, your life didn't die damn right.
38:15Lucky you, I came your way.
38:20And if you're nice, I'll let you say.
38:26Yeah, yeah.
38:28Ain't I good for you?
38:30I'm the sweet, that salt, that taste in my life.
38:35Ain't I good for you?
38:39You know me, I'm all you need.
38:41I got you my pleasure.
38:43I can't make you cry, I won't take you cry.
38:49Ain't I good for you?
38:51Ain't I good for you?
38:53Ain't I good for you?
38:56Ain't I good, ain't I good for you?
38:58Ain't I good, ain't I good for you?
39:00Ain't I good, ain't I good for you?
39:02Ain't I good, ain't I good for you?
39:07Ain't I good, ain't I good for you?
39:10Ain't I good, ain't I good for you
39:20Ain't I good for you
39:23Oh, that sweet, that's all that taste that made your life better
39:27Ain't I good for you
39:31Am I good for you from her new album, Teal Dreams
39:41Thank you, Yasmin Lacey
39:44Thank you to all my wonderful guests this evening
39:47They have all been wonderful
39:48Let's finish with the superb suede
40:01Take it all nice and slow
40:13Like those endless hot summers
40:17Like nature in terms of dust
40:20We walk on polluted beaches
40:24Feeling our bodies disintegrating
40:28Yeah
40:37Ain't no matter who you are
40:41Ain't no matter what you say
40:44What you feel is your frustration
40:48Are like weapons in your head
40:52Baby
40:54Sail on the ride
40:57Your relationship's alive
41:01And the friction that makes you scream
41:04But you hold you look like a weapon in your head
41:10Come down and disintegrate with me
41:17We're cut down like the daisies, like the tall puppies
41:26Come down and disintegrate with me
41:33We're cut down like the daisies
41:39Take it all nice and slow
41:45Like those endless hot summers
41:48But you will never be blind and careless
41:52And your music will never be long and sweet and low
41:57But you hold you look like a weapon in your head
42:03You'd still be alone but you're not alone
42:07Watching from the outside
42:09Watching from the outside
42:10Deseration as an art
42:13Hesitation as an art
42:14Hesitation as an art
42:16Hesitation as an art
42:17And you hold you look like a weapon in your head
42:20And you hold them up like a weapon in your head
42:24Come down and disintegrate with me
42:31We're cut down like the daisies, like the tall puppies
42:39Come down and disintegrate with me
42:46We're cut down like the daisies, like the daisies
42:51Come down and disintegrate with me
43:00We're cut down like the daisies
43:10We're cut down like the daisies
43:11Come down and disintegrate with me
43:15We're cut down like the daisies
43:19We're free
43:24Oh-oh-oh, oh-oh, oh-oh, oh-oh, oh-oh
43:43Put your hands on your...
43:46Everybody clap your hands
43:54Yeah
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