00:00KEMCHO INDIA, I AM PRATIK GANTHI, EVERY SHHER, EVERY ZUBAN, EVERY SEPHNA, EKMANCH, IDEA BAS,
00:11JALT ARAHA IS ZTEV OR Z5 BIRD.
00:16KEMCHO INDIA, KEMCHO INDIA, KEMCHO INSURED.
00:26Sir, our first day would know.
00:29Where is your start from your family?
00:32How has your start from this industry?
00:34Tell us about it.
00:37This is a very long story.
00:39My father is from Kassor,
00:44Because Kusur is in Pakistan, at that time there was one country, the first thing happened.
00:54So Kusur was born in Lahore, which is around 20-25 km from Lahore.
01:00They were born there and my grandfather was an engineer in English.
01:10So the reason for the railway was because of their postings, all the children went with us.
01:16So they went there, in Africa.
01:19Because there were some railway lines in there.
01:22So my father also went there.
01:24And Tanzania went there.
01:26And at the age of 20-21, I felt that I had to join the film industry.
01:32So they had a glass of water and went to the Hindustan.
01:38And they went to Mumbai in 1941.
01:42And here they had a big academy that was called Shanta Ram Ji.
01:49So they joined us and graduated from there.
01:52Then they became director.
01:54And the director, writer, they made many beautiful films.
01:59In which I will tell you, I will tell you,
02:03Like, Bahu, Baiti, Raine, Bacera, Aakhri Rath, Zindagi.
02:08These films were produced and directed them.
02:11So that was the book of our family.
02:13And then, my family started the film industry.
02:16It was a series of films industry.
02:17Then, my father, my cousin, my son, my son, my son,
02:22My name is Sudar Shandhir.
02:24He was a choreographer.
02:25He was a choreographer and a director.
02:26And he was a very popular director.
02:29So, I learned, I learned,
02:33That's what Manoj Kumar Ji, Nassir Hussain's films, many of them have been choreographed, and many of them have been very capable dancers.
02:43Then I came back.
02:46The industry in my industry, it was to understand that it had to happen. Because where my place was in the building, I tell you, it was a very old Parisian village.
03:05In which I had a few blocks. In one block was my house, and my house was the daughter of Dilip Kumar.
03:15So Dilip Umar sahab Friday, Sunday, Sunday
03:18And I can say that my child is Dilip Umar sahab
03:24In his family, he was the house of Ammanullah Khan
03:30Which was the father of Ammanullah Khan
03:32Those were Mughal-e-Azim's writer
03:35Three writers were Mughal-e-Azim's writer
03:38Wajahat Mirza, Akhtar Mirza and Ammanullah Khan
03:41Now because Ammanullah Khan was Mughal-e-Azim's writer
03:45So Aasif's writer came out of the time
03:47And by the reason, the people in Mumbai were actors
03:51All the time, the people who struggled to do
03:55Those were Dharamji, Shashi Kapoor, Manoj Kumar
03:58These all struggled to do that in the time
04:00Sajjeev Kumar and Mina Kumar's writer
04:04And our house was the house of Bimal Roy
04:07So you thought that in the same house
04:10I had a big dream
04:12And when I went to my house
04:14I had to go to Balratz Sani's
04:16And the guy who had to go to Kifiyazmi
04:18And the big writer Rajendra Singh Bedi
04:20I had to go to the film industry
04:22So I had to join the film industry
04:24So I had to join in 1970
04:26And I had to join a assistant
04:28That I will understand the first thing
04:30I will understand the cinema
04:32And what I can study
04:34So I joined to Narendra Bedi Ji
04:38Who was a very good director
04:40That was a very good director
04:42And I had to assist them
04:44And I had to assist them
04:46And I had to assist them
04:48And then I thought
04:50That I will be a director
04:52And one day
04:54My director
04:56I had to go to 21-22 years old
04:58And there was a big film
05:00I had to go to the film
05:02And look
05:03And look
05:04Luck
05:05Which means
05:06And the police
05:07I was looking at the destination
05:08So that Sariqa
05:08Was there in the car
05:10The studio was heading
05:11So they had to go to me
05:12I had to go to the house
05:14I had to go to the house
05:15They had to go to the house
05:16I had to go to the house
05:17And they had to go to the house
05:19And they said to me
05:20I went up and said, what are you doing now? I said, I'm going to direct a film.
05:26He said, I want you to become a hero in front of me.
05:29I'm going to make a film called Titli, which is my double role.
05:33And Raja Babber is a new guy from Delhi.
05:36He's a hero, you become a hero.
05:39I said, I'm not trained as an actor.
05:45I'm trained as a director, writer.
05:48I said, I'm not able to do this.
05:50I gave you a check and gave me a hero.
05:53I took the money to my home.
05:56And the film started.
05:58I thought it was easy to do.
06:0217-18 days after working on the producer and director,
06:07the director was an unban.
06:09The director was 14 years ago.
06:11The director was an unban, the picture was an unban.
06:14But at that time, I've got a series of six seven films though.
06:21When it's done, the film was finished.
06:24Two films were developed.
06:25One was the one.
06:26One was the one, I remember.
06:27One was the one.
06:28One was the one that was the one that was the one.
06:30One was the one that was the one that was the one.
06:33When the film was done, I didn't get the job. So, I became a director of a hero, who was a very difficult job for me.
06:43Then I decided that I will not do acting, whatever I will do, I will do it.
06:49So, I started concentrating and as an assistant, I started doing a lot of work.
06:55So, this was a camera, I used to do servicing, I used to do dubbing for English films, Hindi from English.
07:04Then I was a very big editor of our generation, I used to learn editing, how to edit the film.
07:13So, this was all the work I did.
07:15So, when you started working on the film, you had a film called Sukha and then Poonha.
07:21So, I was a producer and director of the film, I was a producer and producer.
07:28So, I was a producer and producer producer.
07:30I was a producer manager and controller.
07:33I was a producer manager and controller, I was a producer manager.
07:35So, there was a role that came out, there was a actor that came out, they said,
07:38I did it, I said, okay, I did it.
07:41Anant Naag was a hero, I was a two languages.
07:44It was called Karnad and Hindi.
07:47And the head of the problem, it was called Karnad and Hindi byłemd.
07:53I mean that inskent舞 Its name was the same video.
07:57It was the same title that came into the family and the village of kiedyisés and di krieg made it.
08:00I was the�ins Initiative that I saw you called.
08:01So, I knew that for the boy was a film called Karnad, Josh Karnada main師 and Tomas Chakrov SALON
08:02So, that's your film, Myra Sohaag?
08:04Myra Sohaag, I've produced myself.
08:07After my father's death, in 1985, I've made a film.
08:11There was a film called Rathiy Agni Hothari, Deepti Navel, Swarup Sampath.
08:16The film was good, I've produced myself.
08:20But that's what I've said,
08:23in this industry, the most important thing that I've said,
08:32is luck.
08:36The success, the fate, the destiny, the run,
08:42this is very important.
08:44It's all the work.
08:46It's not that many children have very good work.
08:49But you need to write the film at the right time,
08:54at the right moment, at the right release.
08:56So, this has happened to me.
08:58So, there's no problem.
09:02There's no problem.
09:04So, I've taken another path.
09:06It's probably the reason that you've also learned editing.
09:10I've learned everything.
09:12I've learned everything.
09:14I've learned everything.
09:16I've learned everything.
09:18I'm starting the past.
09:19I've learned everything.
09:20As for the generation,
09:21I've changed our mindsets,
09:23I've learned this,
09:24now I've learned everything.
09:26And I'm going to go to the set,
09:29or get a youngster from me,
09:31or whatever the other is,
09:32I've learned everything.
09:33And I've learned everything.
09:35What it's just like,
09:36is what I want to do.
09:37What has the beginning of the day,
09:38the end.
09:39So, tell me,
09:41you would like to ask a son or a baby, which budget is because you are all in your family.
09:46Yes, and then the line is going to go. They say that the boy is the boy who does the boy.
09:51So our job is the same. So my son is coming in films.
09:56He's coming from a long time. He's busy, he's doing good work.
10:03He was very busy. He did a lot of work. He did a lot of series on television.
10:14He did a successful series. Now a son is in his house.
10:21He's a little busy with the child. I think that when he's stable, he'll start acting.
10:27Because that's his first love. And the son is doing work.
10:31He's a big one. It's good.
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