00:00Discover Orchid Tower by Lakshmi Housing, Premium Officers and Showrooms Police, just two minutes from Borevli Station. Call us today.
00:30It's a fantasy subject.
00:38Yes.
00:39You have to shoot with the sump.
00:41Yes.
00:42There were 100 sump.
00:43In the morning, someone's going to go there, someone's going there.
00:45There was no sump.
00:48It was not easy shooting.
00:51It was difficult shooting.
00:53It was a fire.
00:55It was a big naga cobra.
00:59But the experience of Chandra Kantha,
01:05I am very fortunate to say that I had a role to make it.
01:10It was so much.
01:12It was so much.
01:13It felt like I had 300 films after doing it.
01:16It felt so much.
01:20I fought with sheep.
01:22I fought with sheep.
01:23I fought with sheep.
01:24I fought with sheep.
01:26Emotional scenes.
01:28I found it.
01:29It was drama.
01:30Now what I found that the emotions were.
01:31The emotions were all out of the world.
01:33It was all out of the world.
01:34It was all out of the world.
01:35It was all out of the world.
01:36It was all up.
01:37It was a very successful series.
01:40It was very big.
01:41It was one time I think that the experience of Maha Bharat
01:45At one time I think
01:46Wohh Maha Bhattar ko bhi beat karke nikil gaya tha
01:48In gros
01:50Baqhi yug
01:53Yug was
01:54Sabse
01:56Mujhe lagtas
01:57Usse bady star cast
01:58Shayid TV pe ai hain
01:59Usmei Hema Malini ji thi
02:01Shawaz Khan tha
02:02May tha
02:03And we heroes
02:05Thay dunam
02:05And
02:07Aaj bhi ager mein Kashmir jata ho
02:09To loog mujhe Ali Khan ke nama se jantan
02:11To
02:12Piyar se bulatay ho abhi bhi
02:14To fantastic
02:16Yeh sare serials
02:17Jho zamane mein bunen
02:18Yeh landmark
02:20Baut bade bade landmark
02:21To aapne usse
02:22Kuch eek aise actor
02:24Jhin ke saath kama kiya
02:25Or baad me
02:25Ose shikhar par pahunch gaya
02:26Jis mei bachan sahab
02:28Irfan Khan ke saath
02:29Aapne ushe
02:29Irfan chandrakantha
02:31Meere piche kada rata
02:32Agar aap chandrakantha
02:33Dekhen to
02:33Aat-hate din
02:34Irfan ko dialogue
02:36Nih miltay thay
02:36To wohh piche se
02:38Mere ko aise
02:38Haat laga ke
02:39Bulta
02:40Pankaj bhai
02:40Aat-hate din
02:41Ho gaya
02:41Kuch bola nahi hai
02:42Kuchh zara
02:43Kuchh warta laf
02:44Ho jaya
02:44To moi
02:45Kya kerta tha
02:45Mere joh dialogue
02:46Hota tha
02:46Ushi ka
02:47Sawal java
02:48Uske saath
02:49Ker leta tha
02:49Ki suno
02:50Baai
02:51Aisa hai
02:51Aisa hai
02:51Kya
02:52Kya
02:52Kya
02:52Kya
02:52Kya
02:53Kya
02:53Kya
02:53Kya
02:54Kya
02:54Kya
02:54Kya
02:54Kya
02:54Kya
02:54Kya
02:55Kya
02:55Kya
02:55Kya
02:55Kya
02:55Kya
02:56Kya
02:56Kya
02:56Kya
02:56Kya
02:57Kya
02:57Kya
02:57Kya
02:58Kya
02:58Kya
02:59Kya
02:59Kya
02:59Kya
03:00Shadrakantha
03:01Kya
03:02Kya
03:02Kya
03:03Kya
03:04Kya
03:04Kya
03:06Kya
03:08Kya
03:09Kya
03:10Kya
03:24which is not being popular or not being established,
03:29or where you think that there is no writing, or it is not being created.
03:35But I will give you an example, 1940-1980,
03:42in this period, Ravindrana Tagore, General Kariyappa, Vishantaraam,
03:55Ramanujan Mathematician,
03:59that was the time of brilliance, that was the time of Satyajit Reh,
04:05he was a great director, a great writer, a great actor, a great actor,
04:09who has a brilliant door,
04:14this door, which is now going,
04:17I feel that this door is mediocre,
04:21there is no brilliance,
04:24they are being created in the film,
04:27the serials, the OTT,
04:30but the brilliant thing you have to say,
04:34this is not that it is not being created,
04:36but the ratio is very low.
04:40Now this door will come, then the brilliance will come,
04:43because it is like this,
04:44above and below,
04:45above and below.
04:46Now the door will come,
04:47and then some children will come,
04:48who will be very brilliant,
04:49because in our industry,
04:51experience and age has no meaning,
04:54what is your individual brilliance?
04:56The children will come,
04:58and I am sure that they will be brilliant.
05:01And now and finally,
05:02let me hear you.
05:06To be continued,
05:07to be with you.
Comments