In this exclusive flashback edition, Lehren brings you a never-seen-before interview with Bollywood celebrity manager Bholaram Malviya, popularly known as Secretary Bhola Malviya. Once handling some of the most happening stars of the mid and late 2000s including Neha Dhupia, Tanushree Dutta, Arshad Warsi, Mohit Ahlawat and more, where he opens up about the realities of working behind the scenes. From accusing actresses of unpaid dues and broken contracts to sharing memories of managing Arshad Warsi for years, Bhola reveals his side of untold controversies. He further explains what being a secretary in the industry truly means and how the role works. Dive into this rare and candid conversation as Bhola Malviya spills the beans only on your favourite digital destination - Lehren!
#NehaDhupia #TanushreeDutta #ArshadWarsi #BholaramMalviya #BholaMalviya #BollywoodActresses #Bollywood #CelebrityManager #Secretary #NehaDhupiya #Lehren #Podcast
#NehaDhupia #TanushreeDutta #ArshadWarsi #BholaramMalviya #BholaMalviya #BollywoodActresses #Bollywood #CelebrityManager #Secretary #NehaDhupiya #Lehren #Podcast
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PeopleTranscript
00:00Nihah Dhupia was signing a picture of his death.
00:04When the death was released, I would tell the whole industry.
00:07I will tell the producer's name.
00:09He said, don't see this guy.
00:11He didn't see acting.
00:12After that, I asked him,
00:14did you appoint someone?
00:16He said, yes, I have appointed someone.
00:19You are so nice.
00:21I felt bad.
00:22I felt so nice, there is no benefit.
00:24Arsad Varshi never asked me,
00:26I asked him, where is the price?
00:28Who is the price?
00:30He asked him, how much money do you make money?
00:32My name is Bhola Ram Malviyah,
00:34but people know Bhola Malviyah.
00:38Where did you go from?
00:40I was properly MP Tarsis.
00:42I was completed at Sagar University.
00:46My business was a very good business.
00:50But I lost my job.
00:52I went to Bombay.
00:54After being a business man,
00:56how did the industry suffer from Bombay?
00:58The suffering was very bad.
01:00But it was very good.
01:01I enjoyed it.
01:02It was very difficult.
01:04I didn't have to do anything.
01:06I didn't have to do anything here.
01:08What did you think?
01:09Are you a hero?
01:10No, I didn't think I was a hero.
01:12I thought I would get a job.
01:14I will do a job.
01:15I will do a job.
01:16I will do a job in a company.
01:18I took it.
01:19But here,
01:20after 2-4 years,
01:22I had a job.
01:24Suddenly,
01:26my friend Grease was making a production.
01:28The time of time was making a film.
01:30It was a film that was finished.
01:32They told me,
01:34you have to make a production.
01:36They were my friends.
01:37They left me from industry.
01:38My first film was the production manager.
01:40My first film was the production manager.
01:42The
01:44A doctor's name.
01:46The name of the Kidney Racket.
01:48The Kidney Racket was put on the car.
01:50I was in the hospital.
01:52I was in the hospital.
01:54I was in the hospital.
01:56I was in the picture.
01:58I was in the hospital.
02:00I was in the hospital.
02:02So, how did you do the production manager?
02:04I was in the hospital.
02:06Then I thought
02:07that I was working with the production manager.
02:09Then I was in the hospital.
02:11I was working on the secretary's list.
02:13I had a choreographer called Raju Sundram.
02:16I was in the picture.
02:17I was in the hospital.
02:18I was in the hospital.
02:19I was in the hospital.
02:20Sunil Setti.
02:21Pooja Batra.
02:22And Sonali Bhandre.
02:24So,
02:25we were all in the hospital.
02:27So, I had a choreographer from Raja Sundram to the secretary ship, and then I thought that the secretary ship is better.
02:36After that, I had a lot of actors, but I didn't have a new job.
02:41But then, I was working with my brother.
02:44So, they told me that I had a job.
02:47So, that was my job.
02:49When did this establishment happen?
02:52When did this establishment happen to you?
03:04I can tell you that 5-6 years ago, when I saw Mahima Chaudhary's work.
03:10I saw a new job, a new job, a new job.
03:12After that, I saw a lot of actors.
03:17So, I had a job that I saw Mahima Chaudhary's work.
03:18How did you give them the first experience?
03:19How did you give them the first experience?
03:20How did you give them the first experience?
03:21I had a secretary of her secretary, so I approached her directly.
03:26So, I called myself and asked her.
03:28She was watching all of her.
03:29So, she asked me if she was looking for a job.
03:32I told her.
03:33She said, okay, I will tell you two days.
03:36She said, I will tell you two days.
03:37She came in the last days.
03:38It was the last day of the government.
03:40I remember the day of the government.
03:41So, she said, I will tell you Mahima Ji's work.
03:44We will tell her.
03:45We are doing this work.
03:49So, Mahima Ji, as in the personal secretary,
03:52I told her, How did you take their career?
03:54What difference was the difference?
03:55Mahima Ji's work was good.
03:57I had an important job to do for the secretary.
03:59But I didn't have a job behind that.
04:01In the meanwhile, when I was thinking of herself,
04:03I had nothing to see.
04:04When I come to the back of her,
04:05I had full work that my mother met all my family.
04:07Almost went there, I could have a picture final,
04:11I had a lot of work, but I had a lot of work and I had a lot of work.
04:21Do you have seen a sole promoter properly?
04:27I am Neha Dhupiya, Tannusri Dutta.
04:30What kind of graph did you promote them as a backbone of Neha?
04:34Neha Dhupiya was signed by Kaya Mat, Hari Bhavija Ji.
04:41When the first picture of Kaya Mat released, the whole industry,
04:45I will tell you about the producer's name,
04:47who said that you don't see this guy.
04:50He didn't come to the acting.
04:51I had a lot of effort for Neha Dhupiya.
04:54You've heard the name of Satyadev Dubey, which was from the theater.
04:57When I saw the picture, I told him to learn acting.
05:01I had a lot of effort for him to learn acting.
05:04I had a lot of effort for him to learn acting.
05:07I had a dance class.
05:09I had a lot of effort.
05:10When the first picture started,
05:12when Kaya Mat released,
05:14Deepak Shudasani said that he didn't come to action.
05:16He didn't come to the picture.
05:18I had a lot of request for him,
05:20sir, if you will come to the girl's career,
05:22please don't do that.
05:24I had a lot of pictures.
05:26I was the same producer.
05:28My career was out.
05:39Why?
05:40I don't know what actor had a good relationship, but suddenly I had a good picture, but when I was waiting for a good film, I didn't get a good picture, but when I was waiting for a good film, I didn't get a good picture, but when it was a proper release, it would automatically get a good film, and I wanted to do a good film in a few places, but it was a heroine that was quickly for my career, I don't know what will happen tomorrow, so he suddenly told me that I had a good picture,
06:08and I wanted to keep another one, and then I wanted to keep another one, and I wanted to keep another one, and then I wanted to keep another one.
06:14Like you told me that someone else wants to keep another one, like Mahima ji, but Neha ji, you were the first one, and someone else was the first one,
06:21so this is a proper backbone, when they promote it, take an example of Neha, because you have taken it on the graph, and suddenly their stardom at tantrums,
06:30or phantom's, then you can see that backbone, so what are the feelings and actions you think about?
06:37I didn't have any agreement with that, but I learned a lot of new things, that I learned a lot of the girls,
06:43that I will make an agreement, and I will make an agreement, and I will leave them, that I have to leave them,
06:46and I have to say that, I have to say that, and I have to say that, and I have to say that,
06:49and I have to say that, when people get one work, that people say that senior secretary,
06:52and the secretary are going to have it, and I will do it, and what do I do?
06:55And some heroes in these things, they tell me that they will do it, and that they will do it,
06:57and they will do it.
06:58But they know that, and as they will get the proper good thing, they must do it again,
07:02and they will do it so often, they will make an agreement, and then I thought,
07:05that I will be having an agreement for them.
07:06Then I put an agreement on the other, and I took the next one,
07:08I took the next two weeks to take the next to the mission.
07:10So the next two weeks, it already took place on the next year,
07:13since the next few months, I have to do it.
07:15After a few years, I had to say that I didn't sign the agreement.
07:19After 2-3 months, I told him that I didn't sign the agreement.
07:22I decided that I didn't do the work without the agreement.
07:27When I signed the agreement, I didn't sign the car.
07:31I had to send my car to my driver for it.
07:35It was a lot of hard work.
07:36First, I signed the chocolate for him.
07:39I saw Sunil Sethi, Arsad in the picture, I saw Arsad's work.
07:43Then, Vivek Agnottri Ji, I requested him to sign the picture for him.
07:49It was a big break for him.
07:50I heard that I had a very worst experience with Tanushri Ji.
07:54Yes, I can say that I was an artist.
07:57I had a lot of effort for him.
07:59I thought that he was a very good girl, a nice girl.
08:01I had a lot of effort for him.
08:03Just like that he had a good 2-3 pictures, I signed the picture for him.
08:08After that, I signed the picture for Subhas Ghahi Ji.
08:13After that, I had a picture with Hari Bhavijai.
08:16It was a picture with Jahid Khan.
08:18It was a picture with a South.
08:19It was a picture with Balakrishna.
08:21I signed the picture with him.
08:22I signed the 4-5 films.
08:23But suddenly, what happened?
08:25That it was a little late meeting.
08:29But I had a commitment.
08:31When I had a date with a producer,
08:33I had to honor him.
08:34But suddenly, what happened?
08:36Outdoor, I had a shooting.
08:37I had a picture with him.
08:39I had a picture with him.
08:41He said, suddenly, I have to go to three days.
08:44He said, don't go to Goa, don't go.
08:46Don't go to Goa, don't go.
08:48Then I had to talk to him.
08:49I had to talk to him.
08:50He told him three days to go to Goa.
08:52But the problem is where he was.
08:53I had to tell you.
08:54Thirty-first, I had a seat in Calcutta.
08:56Thirty-first, my mother and father was there.
08:59Thirty-first, I had a seat in the morning flight.
09:02There was a delay, and the flight was in the night,
09:04and the flight was in the night.
09:06And the flight was in the night.
09:07And in Calcutta, the bus was in the night.
09:09So me, I had to go there.
09:11I had to go there,
09:13and I had to go.
09:15But the wrong way was that you had been there.
09:16And then, I had to go there,
09:19and said, I have to tell you.
09:21I have to tell you,
09:22man, actor's problems coming.
09:23And then suddenly, I told you,
09:24he told me, suddenly,
09:25I have to go there when I was.
09:26Then I was told him.
09:27Then, I had to take care of my house for my house.
09:29And then, I was told him.
09:31tes ke baad puchha , katanusuri ya apne kisi ko appointed kia , has nne bade pyaar sa javaab diya ki haa bula ji ,
09:36minne kisi ko appointed kia , you are so nice , yee bo ,
09:39so mujhe baura laga , iate na nice bi rake koye fayda nahi ,
09:43to minne bula ki aapne mera contract sainn kiya ,
09:46haa ho to koji bat nne , ho to hoote rata hai ,
09:49to minne fir uuske uupar action liya ,
09:52action liya ,
09:54myera usike bhoot jagda bhi hua ta , to be frank ,
09:57He said, no, my commitment is going to have to complete your commitment.
10:02Then he was also crying for Sunil Shetty, Arsad Varshi.
10:07Then he said, Arsad Ji said, let's leave it, let's leave it.
10:12Then Arsad Ji said, I said, let's go to the writing.
10:16Okay, one more thing is, Thadush Shree, he is a self-made,
10:22he doesn't have any support, but he was a self-made.
10:25But he was a self-made, and then my contract was signed.
10:29If he said, yes, he was a machine, he would have made me.
10:32But if there was a self-made film,
10:35then he said, one year till he grew up,
10:37then he worked for a job.
10:40One year till.
10:41Sir, how many people have worked with the secretary?
10:47The secretary has worked with 12 actors.
10:52He said, Aasid Vidharthi, Mahima Chaudhary, Naya Dupiah, Tannusri Dattah.
10:58He said, Abbas, he was a self-made hero.
11:01Abbas, now he has four actors.
11:04Tulip Jossi, Arsad Varshi, Mohit Alaavut, Javid Jafri, Favind Awas.
11:10When you were working with them, why would you continue to work with them?
11:18Yes, I was like, I was like, I was like, I was like, I was like a self-made hero.
11:28foreign
11:58I asked my 10% commission to give it back to my 10%
12:02So he said, I'll give it today, tomorrow, and tomorrow
12:05He gave it out for 6 months and years
12:08So you make your life
12:11How do you do that?
12:14It feels bad
12:16Then I said, I'll give it to him
12:21I'll give it to him
12:23Then I'll give it to him
12:25I'll give it to him
12:27Then I'll give it to him
12:29What do you write about agreement?
12:32That's all that commitment
12:36I'll give it to him
12:37You'll give it to him
12:39I'll give it to him
12:41Every single thing
12:42My percentage is so many
12:43You can't give it to me
12:46If you try to tell me
12:48I'll give it to him
12:50I'll go here
12:52I'll go to my father
12:53Or tell me
12:54I would say suddenly this date will be possible.
12:56All of this is a good thing.
12:58But suddenly, I would say that I would say that I would say something.
13:01And suddenly, I would say that I would say that date will be possible.
13:04Secretary of the day to day.
13:06Secretary of the day to day is a actor.
13:08A actor has a good film.
13:11He has a good guidance for you.
13:13You don't have a role.
13:15Your actor does not listen to your role.
13:17That actor is a role.
13:19The actor who is a role.
13:21I would like to ask myself,
13:23I would like to ask myself,
13:25how do you feel?
13:27Then you have to ask the subject,
13:29then the banner,
13:31the director,
13:33the producer,
13:35the new actor,
13:37who did he assist?
13:39All things I need to do,
13:41the picture is released or not.
13:43How do we talk about the money?
13:45We talk about the money,
13:47the price of actor,
13:49the price of actor.
13:51How do you decide in the market?
13:53The secretary.
13:55The secretary,
13:57the actor's price confirms
13:59that after this picture,
14:01it should be enough.
14:03As an actor,
14:05the price goes.
14:07In the market,
14:09the actor knows who he is going to go.
14:11So, the price goes.
14:13But how many?
14:15Ten percent.
14:17I have to leave.
14:19I have to leave.
14:21And I have to leave.
14:23And I have to leave.
14:25I have to leave.
14:27I have to leave.
14:29If you have to leave,
14:31the secretary,
14:33the secretary and the artist,
14:35you can think about it.
14:37I think that if you understand a brother or sister,
14:41but it's a very close relationship.
14:43The secretary knows what is doing and the actor knows.
14:46But the person who is doing the work is not going to interfere.
14:50He says that he says that I'm going here for 5 days.
14:53So let's go.
14:54Don't ask him personal questions.
14:56Some people attack the problem.
15:00So no question about the actor.
15:02Do you have any examples of personal relationships?
15:08I have heard about it.
15:09Prakash Jaju, Priyanka Chopra,
15:11I have heard about it that he would interfere with the person.
15:15Don't do the phone here.
15:17I had read it.
15:18I had read it on paper.
15:20So no one person would interfere with the actor.
15:24Do you have any kind of rivalries?
15:30No.
15:31It's always funny.
15:32Rivalry has a lot of work in the secretary.
15:34When the actor is playing,
15:36the actor thinks that he is playing.
15:38They will do friends.
15:40They will do friends.
15:41They will do friends.
15:42But they will stay there.
15:44I have seen it.
15:45There are some people who I know.
15:47I will give you a real example.
15:49Jatin Rajguru.
15:50I will say the name.
15:51When I saw a new job,
15:53Jatin Rajguru saw me production.
15:55It was a good relationship.
15:56It was my family.
15:58It was my family.
15:59Suddenly,
16:00I knew it was my family.
16:01I knew it was my family.
16:02But I never told him that.
16:03It was my family.
16:04A lot.
16:05I asked him,
16:07I wanted to ask.
16:08I want to ask.
16:09It's my family,
16:10I want to ask.
16:11I want to ask.
16:12I have to ask.
16:13I will ask.
16:14What has shown in the Raja Guru what has shown in the Raja Guru?
16:19Sir, he has shown that he is a senior man.
16:21Vipasa Ji has seen his work before.
16:23Karishma Ji has seen his work.
16:25He is a senior man.
16:26So, Neha Dupia has thought that he is a senior man.
16:30He has seen so many actors in his work.
16:31So, he has seen something in his work.
16:33For success, there is a talent.
16:35There is a secretary, but there is a talent.
16:37If there is a talent,
16:39if there is a secretary,
16:40he will move the career better.
16:42If there is a talent,
16:43if there is no good guidance,
16:44then there will be no more days.
16:46I will give you another example.
16:49I am looking at the work of Arsadwaris.
16:51He was talented.
16:53First picture,
16:54you can see that he is a talented actor.
16:56Everyone knows that he is a talented actor.
16:58He is a talented actor.
17:00But suddenly,
17:01I don't know why his career went through.
17:05I asked Arsad Ji.
17:07I asked Arsad Ji.
17:08He said that he didn't know anything.
17:10What do I do?
17:11The actor is a talented actor.
17:12The actor is a talented actor,
17:13who has been a great actor.
17:15What character did you have done?
17:17Which character did you?
17:19Which character did you?
17:20Which character did you?
17:21This is how you can say it, but the secretary has a very big hand in a character.
17:28Which character do you have most of the work?
17:31Which character do you have most of the work?
17:35The actor has a good job, so he has a new job.
17:38When he was with me, he had a new job.
17:40He had a new job.
17:42When he had a new job, he had a new job.
17:44Then he had a new job.
17:46After that, he was a successful actor.
17:49He had a new job.
17:51He was a cool actor.
17:52He was a good actor.
17:54He was a good actor.
17:56He was a good actor.
17:58After that, he has a good actor for the whole performance.
18:00He has a great director for the whole lot of cinema.
18:02In addition to that, he is the same director for the whole world.
18:04He did not make an important actor.
18:06He wanted to make an important actor for a successful secretary.
18:10Only one successful actor must be a good actor?
18:12It is not a good actor.
18:15Why should a successful secretary of a successful actor be finished?
18:18Sir, for successful secretary, first of all, I need a good script, a good director, a good producer.
18:26And if my actor is not solo, I need to put two heroes, three heroes, who is the first hero, who is the second hero?
18:32All of that is necessary to see the set-up.
18:34Until you have not seen the good set-up, until the actor is not successful.
18:38I have a lot of producers come to me and say, I will give an example, I will give an example of a big producer.
18:48He will do it.
18:49But I will get 10,000,000 to 50,000,000 to 50,000,000,000.
18:52But a new director, producer, I will give a picture to 50,000,000,000.
18:55So I will give a picture, I will not release, no one will come to see,
18:59then the carrier will go there.
19:01So we need to see all these things.
19:04Your first star will be very close.
19:11Here you are personally close.
19:13Are you close to that?
19:19Why?
19:20balanced.
19:22One, you are the curvature, his nature is my Father.
19:27Ungrполучated director doesn't meet the actor,
19:30I don't need the representation.
19:32in fact, I don't know what it is.
19:35It's a real fact.
19:38It's a real fact.
19:39It's a real fact.
19:41I said,
19:43I never asked if I had to say,
19:44how much money can I pay?
19:46He asked him how much money can I pay?
19:49So, it's a real fact.
19:51The person always works honestly.
19:53I was wrong for the reason.
19:56I had always honest.
19:57But, people were cheating on me.
20:00What a mess?
20:01Yes, that's the right question.
20:08No doubt.
20:10Sir, tell me that when the time came,
20:13I had Nihah at that time when I was working.
20:16I was not a very big actor,
20:18so Nihah had thought that
20:20he was a big actor,
20:22so I will get a big job there.
20:24That means there is no friend here?
20:26No friend here.
20:28Sir, as you said, Javid Jafri is doing his work,
20:31so Javid Jafri is doing his work on television?
20:34No, he is doing a lot of films.
20:36The television is doing his work,
20:38but now he is doing all films.
20:40They have 5-6 films,
20:42so you will see the total films in this year.
20:44You are saying that there is no friend in this city?
20:47No friend.
20:48He is a friend.
20:50He is a friend.
20:51He is a friend.
20:52He is a friend.
20:54He is a friend.
20:56He is a friend.
20:57He is a friend.
20:59He is a friend.
21:01You will hear the name of the film.
21:02He is a friend.
21:03He is a friend.
21:04He is a friend.
21:05He is a friend.
21:06you can't do that.
21:36One thing I see in my life is that I have a good actor who will stay in my life with me.
21:43I have confidence in that.
21:45Everything is wrong in business.
21:48But I need to understand and understand.
21:51If I say that I want to become a non-established new cover,
21:57then how much time do I have to do it?
22:01I need one year time for six months.
22:06I have a new talent.
22:09You can see that after six or seven months,
22:14I have a girl in Grasheim.
22:16I have the name of the girl.
22:18I have signed the Raja cover.
22:20I am learning dance, fight, action.
22:23I am doing a lot of things.
22:25I don't want to do it for six months.
22:28Just do this.
22:30I just want to direct a film.
22:33You can produce a film.
22:35You have to do so.
22:43I don't have to edit a film.
22:47I cannot direct a film, even if I want to start to Alien.
22:53you can produce, but the director doesn't.
22:59Mr. Black and Mr. White as a producer.
23:02After the film production,
23:05do you want to take your clients?
23:08No, the role of the actor is fit.
23:11My actor is fit.
23:14The role of the actor is fit.
23:16Do you all give a gift?
23:19Yes, they give a gift.
23:21Most of them many.
23:24When they go out, they definitely give a gift.
23:28Mr. Black and Mr. White've sent me two hundred and more.
23:34The second one is only two hundred and more,
23:37but I got to get a gift.
23:39Do you want to play?
23:40No, I want to play a gift with them is not true.
23:42I'm not sure what makes them choose.
23:44No, I don't have to drink any other.
23:46You don't know if you haven't,
23:48I don't know, I'm not a father.
23:53I'm not a father.
23:56I'm very good.
23:58I'm not a good person.
24:00I don't know.
24:02I don't know.
24:05I don't know.
24:08I don't know.
24:12I don't know.
24:23I don't know.
24:29and when the secretary is changed, then the career is wrong.
24:36That's the secretary of Madhuri's secretary.
24:38Yes, it's Riku Ji.
24:41Riku Ji started with Madhuri Ji, but it's now.
24:44What's the matter?
24:46No, it's not.
24:47He's doing a good job.
24:48He's doing a good job with an artist.
24:50That's why he's a successful secretary.
24:52Riku Ji is a great secretary.
24:54He's a very good guy.
24:56He's a producer.
24:58Now, to see, Madhuri Ji came,
25:02the result was a good guy,
25:03and the other artists left him.
25:06So, which film is a good thing to us?
25:09The film is a good one.
25:11Which film is the best film?
25:14The film is the best film who you've ever played,
25:15who you've ever played on the film,
25:17who you've ever played,
25:18who you've ever played,
25:19who you've ever played?
25:20Because I've played on the film,
25:22so you've played on the film.
25:24What a reason to say about the film?
25:27No, no, no.
25:29Music is good, so I have put it.
25:31Nothing is done.
25:33And do you want to go to song recordings?
25:35Sometimes.
25:37Not daily.
25:39Sometimes actors are going to sing songs,
25:41sometimes producers are going to record.
25:43But not daily.
25:45Okay, so you don't give your own good work?
25:47I have a message.
25:49Yes, I have a client.
25:51Your audience is not my client.
25:53I have a client,
25:55so with the good actors I am doing,
25:57I should have a good faith
25:59and I am doing honest with them.
26:01I have Arsad Varshi,
26:03Mohit Alavaz, Javesh Jafri, Paveen Davas.
26:07What do you want to do to them?
26:09Because I am always being a star,
26:11so I am always feeling good.
26:13I am always going to be a star,
26:15so I am always being a star.
26:17And I am always being a star.
26:19I am very happy.
26:21All the best to all.
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