Project Runway Season 21 Episode 9

Dramvibe

Project Runway Season 21 Episode 9  #drama We provide you with the best and latest movies. Follow us to watch good movies for free.  #movies #movie #film #films #cinema #indiefilm #filmlover #cinephile #moviebuff #moviereviews #películas #película #film #películas #cine #cineindie

Transcript

00:00Previously on Project Runway...

00:02Top 5.

00:04You'll be making a look for women and men who struggle with eczema.

00:08It should be comfortable on their skin, and it needs to produce a jaw-dropping reveal.

00:13This is gonna be bananas.

00:16Everybody here has won a challenge.

00:18I haven't won. I've been this close, and I'm like, this is my challenge.

00:22I don't know about the silver.

00:23It's a bit effeminate. I really like the design.

00:26Antonio and Vijay, you made our two favorite looks on the runway.

00:32Antonio, congratulations. You're the winner. You had our favorite look this week.

00:37I finally win!

00:40I think you being in the top is ludicrous.

00:43You didn't even have a reveal at all. What the f***?

00:46Polania, Jesus, both of your looks failed as a reveal.

00:49And even worse, you failed your client.

00:53You're both out.

00:56Whoa. Whoa, whoa, whoa, whoa, whoa, whoa, whoa.

00:59What the f***?

01:03A stake for the winner is $200,000, a spread in Elle magazine,

01:08and a life-changing mentorship with the CFDA.

01:12This is Project Runway.

01:14I told me!

01:14Tonight, you're both out.

01:28I'm in shock.

01:29Me and Jesus, we're the two that got two wins.

01:33This is out of control.

01:34I'm literally in lots of words.

01:39I've performed so well in this competition.

01:42I think I also delivered something nice on the runway, and I had a reveal.

01:46So I'm so confused as of why Vijay is not sitting in my spot right now.

01:51I'm sorry.

01:52But that is until someone convinced us otherwise.

02:07What?

02:09The f***?

02:09Hello.

02:11I think you're both really talented and worked really hard.

02:15I know you did, right?

02:17I convinced the judges that you both should stay.

02:24Oh, baby.

02:28Oh, I'm not going home.

02:32Oh, yes!

02:35If it wasn't for Christian, you both would be getting my ofidas in today.

02:40I don't think we should get rid of either of them.

02:42Really?

02:43They both won challenges.

02:44They're both talented.

02:45And then only three to the finale.

02:47I think it's a great idea.

02:48No, you can't pick me up.

02:52I'm not going to pick you up.

02:54This is so fun.

02:55Thank you.

02:55I'm so excited that my dream is still alive,

02:58and I have never been more motivated to make it the finale than I am right now.

03:03Good luck.

03:03Thank you so much.

03:04Good luck.

03:06This is great.

03:09They just went home?

03:10Oh, my God.

03:13I don't know.

03:15Bitch, I'm also in.

03:20No, but went home.

03:21No, but went home.

03:22No, but went home.

03:23No, but went home.

03:24Christian said that he wants to see both of us in because we've made great work.

03:30So, we're both safe.

03:32Are you kidding me?

03:33I want Jesus to go home.

03:35Christian, what are you doing?

03:38Shut up.

03:39The bitch is back, and I'm not going home.

03:43It's on.

03:44Get out.

03:44My way.

03:49Tots, toss, mama.

03:51Wow.

03:51Hello, designers.

03:54Hi, Heidi.

03:56The final five.

03:58I feel like I've said that before.

04:01Deja Vu.

04:02It's top five.

04:03We're all still here.

04:04I'm coming up a win.

04:05Wow.

04:07Let me take a deep breath.

04:11This feeling is good.

04:12I am more confident as a solo designer than I've ever been,

04:15and the finish line is really, really, really close.

04:19There's five of you, but unfortunately, only three of you will make it to the big finale.

04:26This is the most important challenge of this competition.

04:30This is the challenge before the finale, and knowing the two of us are going home,

04:35I can't mess this up.

04:37I just can't.

04:39Because this challenge determines who is going to the finale,

04:42we had to do something very, very special.

04:45Take a look.

04:47Roll the clip!

04:49Oh, hi, Heidi.

04:50Oh, girl!

04:52And hello, designers.

04:54It's Oz's most popular witches.

04:55Whoa.

04:56Ah!

04:57Cynthia!

04:58Ariana!

04:58We hear this season of Project Runway has more twists and turns than the yellow brick road.

05:03And we're certain the experience has changed you for good.

05:06We wish we could be there in person, but you are in amazing and talented hands.

05:10We're pleased to welcome to the runway the most swankified man in Oz.

05:13Oscar-winning costume designer of Wicked.

05:15And the upcoming Wicked for Good, Paul Tazewell.

05:18Good luck, designers.

05:19Wow.

05:20Ah!

05:21Wow.

05:22Wow.

05:23Woo!

05:23Are you crying?

05:25Designers?

05:26Wow.

05:26It is such an honor to have you in here.

05:29Oh, thank you.

05:29It's so great to be here.

05:30Oh, thank you.

05:31Thank you.

05:32Paul Tazewell is the first African-American man to win an Oscar for Best Costume Design.

05:40On top of, like, all his other accolades, because he's been really running these costume design Broadway streets since the 90s.

05:46So, you know, just in the presence of an icon, no big deal.

05:49You will be creating an avant-garde look based on the themes of the upcoming movie Wicked.

05:56Wicked for Good.

05:58To help inspire you, you are getting a sneak peek.

06:02Stop.

06:03Stop.

06:04Because I knew you.

06:07You're the only friend I ever had.

06:10Because I knew you.

06:13But there's no going back.

06:15Because I knew you.

06:19They're coming for you.

06:20Think of what we can do together.

06:28For you.

06:34Wow.

06:37I can relate to this so much because Antonio and I have such a strong brotherhood.

06:43And Glenda and Elphaba have such a strong sisterhood.

06:46So, like, wow, this is such a beautiful challenge for Antonio and I.

06:50Wicked focuses on the power of friendship, marginalization of people that are different, and also self-empowerment.

06:59So it's on you, hopefully, to take that inspiration and create it in your own way and reimagine the idea of Oz.

07:07And what if I told you, you might have not only one day, but, you know, two days!

07:17Oh, my God.

07:18Finally!

07:19Girl, I'm about to cry.

07:21A lot of emotions.

07:22I got saved.

07:23Paul Taswell.

07:24Wicked.

07:25Avant-garde.

07:26Damn it.

07:27Paul and Christian will meet you guys in the workroom, where there will be some other surprises.

07:32So enjoy.

07:33Good luck to all of you.

07:35To show.

07:37Look at it.

07:38Go.

07:39Yeah.

07:40Oh, my God!

07:42Hi, designers.

07:44So fragile, so expensive, so designer.

07:47Is this for Rio?

07:50So, not only did you get a special look at the film, you also get this fabulous special look at the costumes from the film,

07:56which is incredible.

07:57And you're going to get to talk directly with the man who made it all come to life.

08:01What you see before you is Elphaba and Glinda.

08:05For Elphaba, I leaned into all that was organic.

08:09I was influenced by mycelia, bark, the underside of mushrooms.

08:15Speechless.

08:15With Glinda, it's all that is artificial, all that is sparkly and beautiful.

08:20I then wanted to really establish that idea of the iridescent bubble, swirls, and those things that are whimsical.

08:29And pink and green define what the world of Wicked is.

08:32Think about this idea, taking the inspiration of Wicked for good, but still avant-garde.

08:37And whatever that means to you and your brand and your work, still needs to be fashion.

08:41It's still a runway.

08:42Push it.

08:43Really hard.

08:44You guys go sketch and we'll come around.

08:49This is my challenge.

08:52I'm good at avant-garde.

08:54Good luck to the designers.

08:55Good luck.

08:56Hi, I'm Glinda.

08:58Obviously.

08:59I'm thinking about doing a head-to-toe pink beaded bodysuit with gloves and do a beautiful cape of our gants out.

09:08Amazing.

09:09Well, make sure that you're also thinking about avant-garde, like something you've never seen before.

09:12Because, like, a pink bodysuit is fabulous, but, like, Jennifer Lopez will literally wear that every single night.

09:17And a flower cape, Valentino's made for, like, 20 years.

09:21So push it more.

09:23I'm not worried at all.

09:24I hope my win last week can carry me through this challenge and into the finale.

09:29My biggest competition is my brother, and I feel like I finally catch up to him.

09:34The judges really are going to see what Antonio Estrada is capable of.

09:38I wanted to tap more into the nature side, so I thought about a beautiful tree.

09:42Nature has no linear lines, so.

09:44Absolutely.

09:45But remember, you know, you still want that fashion moment.

09:48I'm trying to use the design style that I discovered for myself, sophisticated streetwear, and push it to avant-garde.

09:57The pressure is turned up to 5,000, and I really, really, really want to make it to the finale, so I'm determined to deliver.

10:06Wicked For Good is a movie about friendship being torn apart, and I kind of want to create a fabric that's kind of, like, peeling off or being torn apart.

10:17I really want it to be crazy, but in a good way.

10:20I mean, what I'm seeing is really exciting.

10:22Huge fan of texture.

10:23Also, like, your work is, you know, very quiet sometimes.

10:26I think this has to be the fantasy.

10:28Yes.

10:29Right?

10:29I really agree with Christian.

10:31My work, it's very quiet because I think that there is beauty in simplicity, but avant-garde should not be quiet.

10:41I love to play with restraint.

10:43A lot of Elphaba's journey, she's restraining herself because of her skin.

10:49Growing up, I was a little queer kid, and I didn't know really how to express myself.

10:54And so, when I saw Wicked, it did help me, like, feel comfortable on my own skin, and, yeah, it really means a lot to me.

11:00Oh, I'm obsessed.

11:02And so I want to play with this beautiful crystal overlay off the shoulders, just it flowing down into just beautiful fabric.

11:12You did do the first challenge where you had a glove through your giant wind cape, and that standing still might not be enough.

11:21This needs to be incredible, which you, above all people, can do.

11:30Avant-garde is my bread and butter.

11:31I think that I could do a hybrid of what I've done before, but these decisions are the ones that are going to push me into the finale, so I've got to make the right decisions.

11:39It's a lot of pressure.

11:40I have a really strong connection with Elphaba.

11:45I want to create this really amazing avant-garde coat dress with really huge hips.

11:53I don't know if avant-garde is in Jesus' wheelhouse, because he makes a lot of beautiful dresses, but a beautiful dress is not avant-garde.

12:02Then I want to mold the collar into around the neck and into a hat.

12:07I mean, the silhouette of the dress is something that we've seen before.

12:10It's literally exactly the same.

12:13I don't know what he's thinking.

12:14This challenge might be Jesus' downfall.

12:18I got this.

12:23And we're back.

12:24This is probably the most important chop of the season.

12:26Five of you left.

12:27Two of you go home on this challenge.

12:29Fabric is so important.

12:3030 minutes, $1,000 a shot.

12:33I love money, and I love spending other people's money.

12:36Ready, go.

12:37On your broomsticks.

12:44I have been eyeing this crystal fabric, and I find this beautiful green satin.

12:51My original plan was in silver because of Glinda's shoes, but that crystal fabric is more of a green tone.

12:58So, like, green is just a natural choice.

13:01BJ, all this red is for you.

13:04A lot of your budgets go into this one fabric.

13:06Setting myself apart from other designers is a strategy that I've used for the entire competition,

13:12because you need to have a unique point of view.

13:15All going to be red.

13:17Yes.

13:17The whole thing.

13:18Yes.

13:18Very powerful.

13:19It's a risk to use red, because I know that this is not the usual colors that you can associate with a movie, but no risk, no reward.

13:29Can I see your sketch, BJ?

13:30No.

13:30I don't know yet what I'm making.

13:33Well, I just want to see what you sketched.

13:35I don't know yet what I'm making.

13:36You don't have to show him.

13:37I like that she doesn't show anybody.

13:39No.

13:39Like, you can't get it at her.

13:41She's trying to win.

13:42I like it.

13:43All right, designers, one minute left.

13:45Ah, anxiety.

13:47What color are you using?

13:49Green.

13:50Oh, my God.

13:51You and Ethan are both using green.

13:53So, it's a battle between who has the best green look.

13:57Bitch, I'm not worried.

13:59He was not supposed to do green.

14:01He was supposed to do silver.

14:02I'm his biggest threat.

14:03Can you see what's inside of that?

14:08Bitch, you never want to show me your sketch.

14:10You want to see my fabric?

14:12BJ is a silent killer.

14:13I'll see it later.

14:14She never wants to show anybody her sketch.

14:16When you show me your sketch, I'll show you my fabric.

14:19I'm not showing you my sketch.

14:20Game is on, BJ.

14:26Let's make some magic happen.

14:33You guys really bought expensive fabrics.

14:36How much is it a yard?

14:38This is $750 a yard.

14:40Wow.

14:41Jesus said you copied his color.

14:46Get it straight, bitch.

14:47I don't want you to, like, start tea.

14:49But I never said that he was copying me.

14:51Don't put words in my mouth.

14:52You just accused me of saying that he copied me,

14:55and I didn't say that.

14:56Let me just clear the air.

14:57I want to clear it because you're starting tea.

14:59I'm just, like, asking why both of you are using green.

15:02You're initially going for silver.

15:05No, the original plan was that Ethan was going to use silver.

15:08I was going to do the green,

15:09and Antonio was going to do pink.

15:10Pink.

15:11Okay.

15:11Because we're hoping that we're on the top three.

15:13Period.

15:15Whoa.

15:16Damn.

15:17What?

15:17Bitch.

15:19But I never said that he was copying me.

15:22Don't put words in my mouth.

15:23He said that you change it to green.

15:25Actually, my original thought was green.

15:28But then I thought, oh, what if I switch it to silver for the shoes?

15:32I'm not copying nobody.

15:33I'm just doing the correct branding.

15:35No one here owns green.

15:37She's got to go home.

15:40I know it's like when I'm, this is like the moment that I'm like,

15:43bitch, it's on.

15:45Jesus is fuming.

15:46I can already feel his heat coming down from his pores.

15:49I have my popcorn ready.

15:52Y'all are spicy.

15:53This is just getting me more fuel to send you home.

15:58Jesus can go from zero to 200%.

16:02And I am the opposite.

16:04I'm not taking it in a very personal level.

16:06But I think Jesus cannot do that.

16:09So there's going to be chaos and war.

16:12Let's see which bitch goes home.

16:13It's like, I'm done with it.

16:15I don't want that.

16:16She really is a shit starter.

16:18She's a shit starter.

16:19Uh-huh.

16:20I don't hear shit.

16:21I don't know shit.

16:21Nope, it's very serious.

16:23And I don't like it.

16:25You don't with the Gemini.

16:26Oh my God.

16:29I've gotten nowhere with my garment.

16:31I don't have time for this, y'all.

16:35I'm going to change mine into a gown.

16:37The fabric is too beautiful not to do a gown.

16:41I have a question with both of you.

16:43Like, this is like a random question.

16:46Uh-oh.

16:46For example, just let's say, of course,

16:49ideally, both of you want to be in the finale.

16:51But let's say there's only one.

16:53Have you guys talked about who do you think

16:56deserve it more?

16:59This is just like an honest.

17:00I think Antonia started in the bottom

17:02and then you started in the top.

17:04And then during the entire competition,

17:07it's kind of like he's on the top,

17:09on the top, on the top, and then like...

17:10Rich.

17:11What are you talking about?

17:13Honey, I'm just going up.

17:14I'm not saying you're going down.

17:15No, listen to me.

17:16I'm just going up.

17:19Security!

17:21Security!

17:22We need security on set.

17:25You never know.

17:26Like, last challenge,

17:27it was just sharp to me that

17:28I was in the bottom.

17:29You should have gone home, period.

17:34I mean, I like my look.

17:36When I ask a question,

17:37I'm just trying to know you

17:38and to get to know you.

17:40But I get in trouble sometimes

17:42because I'm always very honest.

17:44And sometimes I lose friends.

17:46Because of that,

17:47it might come across offensive.

17:49You missed the challenge, honey.

17:51Why did I miss it?

17:52Because there was no reveal.

17:53There was a reveal?

17:54The Christmas sweater?

17:55I'd rather wear a Christmas sweater

17:58rather than dancing with the stars

18:01that looks like a magician.

18:02My coat was stronger

18:03than all your three pieces

18:05if you really want to go there.

18:07Wow.

18:09My God, this week

18:10is to tenir a son.

18:13You're a fighting bitch.

18:15Oh, my God.

18:16Starting trouble.

18:17She's not going to with me.

18:19This is very loud.

18:25I'm not really trying

18:27to create drama.

18:31She looks at me.

18:32I'm like,

18:33bye.

18:36More comment.

18:38Jesus and I fight a lot.

18:40But for me,

18:41it's coming from competition.

18:44You put two competitive people

18:47in one group.

18:48So what would you expect?

18:49You know,

18:50we're not going to hug each other.

18:51We're going to stop each other

18:52because we want to win

18:53and it's normal.

18:54She said,

18:55I'm going to start to do star drama.

18:57I'm like, yeah, but you did.

18:58She is drama.

18:59You don't have a DNA, honey.

19:01All your looks

19:01look from different designers.

19:03Vigia has always seen us

19:05as frenemies,

19:06but she's pushed me

19:07way too far.

19:09I don't know

19:09if it's her strategy

19:10to make it to the top

19:11because I truly

19:13have no idea

19:14why she's still

19:15in this competition.

19:17You really want me

19:17to go there.

19:18Ready, set, go.

19:20Hi, everybody.

19:21Christian.

19:22There's not that much done.

19:24I was going to do

19:28a jumpsuit.

19:28I kind of had a nightmare

19:29that J-Lo sent me home,

19:31so I changed my mind.

19:33I'm not doing a cave.

19:34It's almost like a shawl,

19:35but I want to make it big

19:36and I want to make

19:37my own flowers.

19:38It has to be huge.

19:40Focus on this

19:40wow moment piece.

19:42You need a flower cocoon.

19:44Flower cocoon bubble.

19:46Let me write that down.

19:48How do you spell cocoon?

19:48Cocoon.

19:49I don't know.

19:51C-A-C-O-O-N?

19:58This is one of

20:00Alphaba's friends

20:00from the forest.

20:01Tree creature.

20:03Yes.

20:03This is really cool.

20:05It was really hard

20:05to find texture

20:06and the right color

20:07of trees and moss.

20:08I don't think

20:09you should go

20:10too costume-esque,

20:13like a tree.

20:15What's going to make

20:16you stand out?

20:17Knowing that I could

20:18have gone home

20:19in the last challenge

20:20is shaking my confidence.

20:22I'm worried about my look

20:23not standing out

20:25in the room full of glitter,

20:28sparkle, and 3D definition.

20:31I'm concerned.

20:33Who is she?

20:34Lady Godiva.

20:36So you're sticking

20:36with your plan,

20:37like you're not going

20:38to see the body at all.

20:39Yeah.

20:39Like you're covering

20:40her up in green.

20:41Even if it was just

20:42a small amount

20:43into a V or something.

20:46You know, I could

20:46plunge this down

20:48and really get it

20:49close to the body.

20:50I think so.

20:51I don't want them

20:52to be like,

20:53this just isn't enough.

20:54Throughout this competition,

20:55I have had to tone it down

20:57because, you know,

20:59my sentiments for fashion

21:00is really loud and bananas.

21:02But this challenge

21:03is my opportunity

21:05to really turn

21:06what I'm good at

21:07up to 100.

21:08This is that one challenge

21:10you could push it

21:10even just a little bit more.

21:12Okay.

21:13I don't want it

21:15to kind of look like

21:16what I did for

21:17Unconventional,

21:18you know, the gown.

21:18I want to make her

21:19a little more sexy.

21:20I think you can do all this.

21:22I've just met me.

21:23I know, but it's a lot of work.

21:25I can handle it.

21:27I need to send her home.

21:27You really,

21:28I guess,

21:29what did you just say?

21:30BJ just killed the vibe

21:31not too long ago.

21:33She,

21:34she's one of those.

21:36I am sad

21:36because there's a lot

21:37of assumptions

21:38that I am steering the pot.

21:40One of the things

21:40that I learned

21:41in this competition

21:42is that

21:42you've got to be

21:43very careful

21:44because people just

21:45really create

21:46drama out of nothing.

21:48BJ, the room

21:49is very frazzled

21:50about you today.

21:51I know.

21:52I don't know why.

21:54It just feels so weird

21:55because they,

21:56they thought that I should,

21:57that I should got

21:58eliminated last challenge.

22:01I don't know.

22:03Alphaba is a person

22:04that kind of like

22:05being rejected

22:06for who she is.

22:07And, you know,

22:08it's like,

22:08yeah,

22:09it's like,

22:10you know,

22:10it's like,

22:11I felt rejection

22:11so many times

22:12and it's not that easy.

22:14It's kind of like,

22:14I kind of relate

22:15to that character

22:16as a trans woman

22:17being rejected,

22:19being said no

22:20a lot of times

22:21about her.

22:22It's like,

22:24no matter how hard it is.

22:27Understood.

22:27Yeah.

22:28Trust me,

22:28I was an out

22:29little gay boy

22:30when I was on this.

22:31Yeah.

22:31In 2008.

22:32Yeah.

22:33It was rough.

22:34It wasn't fun.

22:35Yeah.

22:35But you're here

22:36and there's so many

22:36allies in the world

22:37and people are going

22:38to be so inspired by you.

22:40There are things about me

22:41that people don't understand.

22:44As an immigrant woman,

22:45as a trans woman,

22:47and as a fierce competitor,

22:49but those are the things

22:50that I like about me.

22:52I see my uniqueness

22:53as a special power

22:55and I want to channel

22:56all of that

22:57into this design.

22:58You get to create

23:00and show people

23:01what you can do.

23:02Yeah.

23:03So be proud of yourself.

23:04You get to be proud of yourself.

23:09Smittles, baby!

23:13Here we are.

23:14Here we are.

23:15A little trepidatious

23:17about them being like,

23:20it's too similar

23:21to the first one.

23:23But it's a totally

23:24different headpiece.

23:26Totally different.

23:27Yeah.

23:28There's not a lot

23:28of time to pivot

23:29and pivoting last week

23:32hurt a lot,

23:33but I'm hoping

23:35that I kill it.

23:36One stumble

23:36could let me fall

23:37out of this competition.

23:39Oh no!

23:40I think I could be in trouble.

23:41When the beat drops

23:45Hands up, hands up

23:47When the beat drops

23:48Hello, designers!

23:50Hi!

23:51Hello!

23:52Wow, what an honor.

23:54Hey, it's far!

23:55Oh my God,

23:56an Oscar winner.

23:57I have never had

23:59an opportunity

23:59to have my work

24:00critiqued

24:01by an Oscar winner.

24:03How are you?

24:04It's a pleasure.

24:05So this is...

24:07This is it.

24:08Definitely avant-garde

24:10and it would be great

24:11to understand direction

24:13so that it doesn't

24:15feel random.

24:16Okay, I'll do that.

24:17It needs to be

24:18intentional.

24:19Yeah.

24:20My worry is that

24:21are they gonna get it?

24:22Are they gonna see Wicked?

24:24The face of your model

24:25is open

24:26and how does it relate

24:27to the green skin?

24:30I think it could be

24:31kind of cool

24:31if all of her face

24:32was covered too.

24:33Well, that's what

24:34I was wondering as well

24:35and I think that it would

24:36also push the avant-garde.

24:37It's a good idea.

24:38Yeah, I'm excited

24:39to see that.

24:40Thank you.

24:41Antonio.

24:42Hello, your majesty.

24:47Thank you.

24:48Tell me about your design.

24:49So, originally

24:50when we spoke

24:51I wanted to do

24:52a cat suit.

24:53I remember Chris was like,

24:54oh, J-Lo's done that.

24:55I'm like, you know what?

24:56Right, right, right.

24:56I'm trying to do

24:56the most beautiful

24:58evening kind of

24:59ever made.

25:00And I'm adding

25:02the green heart

25:02because it's a special

25:04place for my alfaba

25:05which is my twin brother.

25:08Okay.

25:09We've seen many

25:11evening dresses.

25:12How is this

25:13an avant-garde

25:14statement?

25:15Because

25:16this poppy flower

25:17that's on the floor

25:18it's gonna be

25:19her flower cocoon.

25:21Kind of like wings?

25:25Pushing your silhouette

25:26is the direction

25:27that I would suggest.

25:28Really make it

25:30something we've

25:30never seen before.

25:31I mean, that was

25:32fueling almost

25:33all of my decisions

25:34when I was

25:34designing Wicked.

25:35So, how can you

25:36take us to

25:37that next level?

25:38This is my

25:39interpretation

25:39of her hat.

25:41Right?

25:42So, I want the point

25:43to be dramatic

25:43like avant-garde.

25:45And I wanted

25:46to do a 3D heart

25:48because, you know,

25:48my brother's doing green

25:49and I mixed

25:50the pink in it.

25:51The twins, obviously,

25:53are helping each other

25:55but they're not

25:56helping each other

25:57editing the look.

26:00If I'm Jesus,

26:01I will tell Antonio

26:02right now

26:03to get rid of

26:04that ugly flower.

26:07It represents

26:08the love that she

26:09will forever in her life

26:10have for Glenda.

26:12Wonderful.

26:12It touches my heart.

26:14There may be

26:15strengths in what

26:16you have already

26:17that if you focus

26:18on that

26:18and make that

26:18really beautiful

26:19then you really

26:20won't lead to

26:21anything else.

26:22Where I'm at

26:22in my process

26:23is getting the

26:24moss effect

26:25full throttle going.

26:27What I see

26:28currently are

26:29silhouettes

26:30that in and

26:31themselves

26:32are interesting.

26:33It's how do you

26:34keep all of it

26:35talking to each other.

26:37Talking to each other.

26:39Mmm.

26:40I like Bolaunias

26:41but it doesn't

26:41read avant-garde.

26:43It reads street wear.

26:45There's a lot at stake

26:46because two people

26:47are going to go

26:48so girl go big.

26:50Push yourself

26:51beyond your comfort zone.

26:52That's what

26:52avant-garde is all about.

26:54Everybody

26:54I'm hugely impressed.

26:57So win or lose

26:58let's rejoice-ify.

27:00Yeah!

27:02Bye.

27:03Oh I hope it works.

27:04Tomorrow

27:05two of you

27:06go home

27:07and get to watch

27:08me in the finale.

27:09Hey!

27:16Guys, this is it.

27:22I woke up

27:23feeling like

27:23a wicked bitch.

27:26Ah!

27:27What are you looking?

27:28It ain't much

27:29so much better.

27:30I like this more.

27:32Hi everybody!

27:33Hi person!

27:34You have an hour

27:35and a half left.

27:36That's it?

27:36Oh my god.

27:37Uh-huh.

27:38It's a moment.

27:40What if you cut it off

27:40just like leave this

27:42but cut this off

27:43so it can

27:44It can bellow.

27:44This is making it heavy.

27:47Wow!

27:47She's very

27:48Victoria's Secret Angel.

27:50Uh-huh.

27:50All right models

27:51to hair and makeup.

27:53Let's go!

27:55Ah!

27:56Perfect.

27:57Gorgeous.

27:58The lighter shade

27:58so her eyes could pop

27:59maybe like from the corner out.

28:01Nude lip

28:02and lashes.

28:04You should fix

28:05the inside of this garment

28:07because that's gonna

28:08get you home.

28:09Click your heels

28:09but I don't think

28:10you want to go there.

28:11How much time

28:12do we have left?

28:12Ten minutes.

28:13Oh!

28:16This is it.

28:17Only three out of five

28:19are going to the finale.

28:20I want it.

28:21That's it.

28:22Time to head

28:23to the runway.

28:24That's it baby.

28:27Yeah!

28:28Hello!

28:29Hi!

28:31Welcome to the runway.

28:32The final five!

28:33Yes!

28:34As you know

28:35in fashion

28:35one day you're in

28:36and the next day

28:37you're out.

28:38But tonight

28:38two unfortunately

28:40will be out.

28:42For this challenge

28:43you had to create

28:44an avant-garde look

28:45based on the themes

28:46from the new film

28:47Wicked For Good.

28:49And please tell me

28:50what was it like

28:50having Paul's input

28:51and looking at your designs?

28:53Oh my god.

28:54It was extremely magical.

28:56He's also right over there.

28:58Hi Paul!

28:59You're here.

29:00Thank you.

29:01Thank you so much Paul

29:02for all the guidance

29:03that you've given

29:03the designers.

29:05Absolutely.

29:05My pleasure.

29:06Let's meet the judges.

29:08CFDA award winning

29:09stylist

29:09and image architect

29:11La Roche.

29:12Yes La!

29:13Hello!

29:14Editor of Elle magazine

29:15Nina Garcia.

29:16Woo!

29:18And my friend

29:19supermodel

29:20actress, producer,

29:22fashion diva

29:23and wicked fan

29:24Tyra Banks.

29:25Woo!

29:26Woo!

29:27Woo!

29:28Woo!

29:28Vee Banks herself.

29:31Miss Ty Tyra Banks.

29:33Let's start the show.

29:42I love my love.

29:44She was morphing

29:45into the dress

29:46and the dress

29:47is morphing

29:47into the hat.

29:48It's gorge.

29:49Stunning.

29:51My vision

29:51has come to life

29:53to perfection.

29:54Such an iconic moment.

29:56Uva gorge.

29:57I've accomplished

30:06everything I wanted

30:07to accomplish

30:08for this look.

30:10She looks

30:10so, so elegant

30:12and so avant-garde.

30:15It's making me feel

30:17so proud of myself.

30:18When your eyes are

30:20You can walk to me,

30:21talk to me.

30:22I'm happy

30:23seeing this green

30:24goddess walk

30:25down the runway.

30:26My look

30:27does not have sparkle.

30:29It does not have

30:30that much volume.

30:31But it's me.

30:32Definitely me.

30:33And I'm obsessed.

30:34I am hopeful

30:35that it's still enough

30:36to get me to the finale.

30:38Oh, you're messing

30:41with trouble.

30:42Seeing my look

30:44walk on the runway,

30:45I feel the spiral detail

30:47is so beautiful

30:49and the movement,

30:51it's so powerful.

30:52I mean,

30:53the color

30:53is so dramatic.

30:55and I'm really,

30:56really happy

30:57with the outcome

30:58of the dress.

30:59I'm not regular.

31:07This is all so magical

31:08to be able to see

31:09my look just fly

31:11down the runway.

31:12It's sparkling

31:13under the light.

31:14The lines are gorgeous.

31:15It looks expensive.

31:17It looks unique.

31:18It looks so avant-garde.

31:21And I think that

31:22I did myself

31:22so proud today.

31:24It looks so good.

31:27Yeah.

31:31This is going to be

31:31so hard today.

31:33Oh, my gosh.

31:34Designers,

31:35please step onto

31:36the runway.

31:39We've scored your designs

31:41and we want to talk

31:41to all of you.

31:42Jesus,

31:43we're going to start

31:43with you and your model.

31:46I really wanted

31:47to just create

31:47something very powerful.

31:49I wanted to do a heart

31:51to incorporate

31:52the paint

31:53of Antonio's fabric

31:55because, to me,

31:56it represents

31:57the love that Elphaba

31:58has for Glinda,

31:59but for me,

32:01it's the love

32:02that I have

32:02for my twin brother.

32:03Avant-garde

32:04means being innovative,

32:06being experimental,

32:08and that all

32:11came through.

32:13It really is

32:14pushing the boundaries.

32:16Thank you.

32:17Well done.

32:19Oh, Jesus.

32:21It's okay to be emotional.

32:23I think it's really,

32:24really, really beautiful.

32:26Now,

32:27the shoes came out

32:28really draggy to me.

32:29But you know what?

32:30This is a runway look.

32:32This is the avant-garde moment

32:34when you can be outrageous.

32:36Gonna hit Nina first.

32:37She's gonna photograph it.

32:39No, it's gonna hit me first

32:40because I'm gonna get it

32:40right off the red carpet.

32:41Oh, no, we're gonna get it.

32:43Oh, no, no, no, no, no.

32:43Yes, baby, we get it first.

32:45No, I get it first, man.

32:47It depends on your celebrity.

32:48Sorry.

32:48And we know who my celebrity is.

32:50All right.

32:51Nina came back feisty tonight.

32:53Yes, ma'am.

32:53I know.

32:54That's what you say

32:54every time I come here.

32:56Whatever.

32:57Jesus.

32:58Kyra.

32:58I don't see two days.

33:00I see two months.

33:01Yes.

33:02I did love the look.

33:03It came out

33:03and I was like,

33:04wow, the sparkles,

33:06how you place them all.

33:07I don't know.

33:08It just gives it

33:08this kind of texture

33:10in a way.

33:11It's divine.

33:12Thank you so much.

33:13Thank you.

33:14Okay, Antonio,

33:15let's get your model out.

33:17I knew that I was gonna do

33:18a pink dress

33:19inspired by Glinda.

33:21Mm-hmm.

33:21And what really came to my mind

33:23is the poppy flower

33:25in the movie.

33:25I love the dress.

33:26I think the dress is beautiful.

33:28Does it read to me

33:29immediately wicked?

33:31No.

33:32I'm seeing a little bit

33:33more Vegas.

33:34The construction

33:35on the actual dress

33:36is really beautiful.

33:37Let's talk about the back

33:38because that's what

33:39I'm most troubled with.

33:41That's a disaster

33:42and it is not

33:44defying gravity.

33:46It's bad.

33:47Tell the truth.

33:48Shame the devil.

33:49It's, it's, it's, it's, it's a,

33:51it's like a bad piñata.

33:53I know that deep inside,

33:55you know this is

33:56catastrophic.

34:01Antonio.

34:01I know that deep inside,

34:03you know this is

34:04catastrophic.

34:07The back of the dress

34:08looks really unfinished.

34:10I see all your seam works.

34:11It is a bit messy

34:12from the back,

34:13but I do love the volume.

34:15This brought me back,

34:16I feel like,

34:17to the beginning.

34:18So even though

34:19I was rising to the top,

34:21I feel like I'm back

34:21to square one,

34:22so I'm shutting down.

34:26Um, I think the dress

34:28is beautiful

34:28and I actually

34:30like the flower.

34:33I want it.

34:34You can have it, Tyra.

34:35Thank you, Antonio.

34:36Hi, Vijay.

34:37Hi, Heidi.

34:38Let's bring out

34:39your model.

34:40Wicked for Good

34:41is about friendship

34:43being torn apart.

34:44So I bought red silk

34:46and I literally

34:46shredded it apart.

34:49And Paul mentioned

34:50that one of the

34:52most important

34:52design elements

34:53for Wicked

34:54is the spiral.

34:56The deconstruction

34:57of wrapping that boning

35:00and making it look shredded

35:02looks fantastic.

35:03The shoe is spectacular.

35:06Kind of took my breath away.

35:08There was a lot

35:09of creativity to it.

35:11I really loved it.

35:12I think it's beautiful.

35:13I think it's avant-garde.

35:14And then the shoe

35:15looks clunky.

35:16Does it read Wicked to me?

35:18No.

35:19The red totally

35:20threw me off.

35:20Had this been in green

35:22or black,

35:23you could have told

35:23the same story

35:24and it would have made

35:26more sense

35:26for the movie.

35:29But I do think

35:30that you did make

35:30something really interesting.

35:32I used to teach branding

35:33and there are certain things

35:34with branding

35:35that are non-negotiables

35:37and one of those

35:38and one of those

35:38is color.

35:39So for me,

35:40that's like a big miss,

35:41like a huge miss.

35:43Thank you, Vijay.

35:44Thank you.

35:44Thank you so much.

35:45Okay, Ethan,

35:46let's bring out your model.

35:48This could have easily

35:48been a $50,000

35:51couture dress

35:52and you ruined it

35:53with those underwear.

35:55That is one of my biggest

35:56pet peeves

35:57on the red carpet

35:58when it's the wrong

35:59underwear.

36:00But it's fab.

36:02I love the addition

36:03of the ostrich feathers.

36:05It also is Elphaba

36:06with the cape

36:07and the end

36:08of the first movie

36:09when Glenda threw

36:10that cloak around her

36:11and she flew off.

36:12I think you did

36:12an incredible job.

36:14It's gorge.

36:15I mean,

36:15you definitely took a risk

36:16by hiding her face

36:18because it could have been

36:19like they either hate it

36:20or love it.

36:20I happen to love it.

36:21You know,

36:22it's like,

36:23ah.

36:24What I like the most

36:25about your work

36:26is when you play

36:28with these opposites,

36:29right?

36:30So here is

36:31a sense of modesty

36:32but at the same time

36:34of sexiness.

36:35I was just blown away.

36:37I think it's very stunning.

36:38This is unique.

36:39This is special.

36:41Thank you, Ethan.

36:42Thank you all so much.

36:44You can leave the runway.

36:45Thank you, baby.

36:46Okay, Polonia,

36:47let's bring out

36:47your avant-garde look.

36:49Paul was explaining

36:51his inspiration.

36:52He went to nature

36:53to see all the textures

36:55and the colors

36:56and I was inspired deeply

36:57because I'm a plant person

36:58but since this is avant-garde,

37:01I had to go

37:01a little bit bigger.

37:02I'm so torn here.

37:04I love the gouches.

37:06However,

37:06I don't know

37:07about that tail.

37:08It's giving me

37:08a little crocodile tail

37:10and it's not even even.

37:12So there's a...

37:13Well, yeah,

37:13that speaks to nature

37:14and the unevenness

37:15in nature.

37:16It's supposed to be

37:17representative of moss.

37:17But does it give you

37:18a little crocodile,

37:19alligator tail?

37:20To me,

37:21personally,

37:21no, it doesn't.

37:22I love it.

37:23I think there's

37:23different levels

37:24of avant-garde.

37:26Right.

37:26There's avant-garde

37:27couture

37:28and there's avant-garde

37:30street fashion.

37:31I think it's

37:31absolutely stunning.

37:33My issue is

37:34everybody else

37:35took a chance

37:36and I think

37:37this was pretty safe.

37:38In your opinion,

37:39what you've seen so far?

37:40That's not helping you, babe.

37:43Really?

37:44You don't think

37:44this is you?

37:45I think this is you.

37:46I'm uncomfortable

37:46putting this on the rack.

37:47I love it,

37:47but this is,

37:48to me,

37:48this is like big.

37:50Well,

37:50you're going to have

37:51to be uncomfortable

37:51a lot in this business.

37:54That's the name

37:55of the game.

37:55Fashion is all

37:56about the new.

37:58It's safe.

38:00Delania,

38:00be quiet.

38:01I have never yelled

38:02at a girl like this before.

38:04I was rooted for you.

38:05We were all rooted for you.

38:07God.

38:08Is it really

38:08that serious?

38:09Oh, bitch, it is.

38:11That was iconic.

38:12Now,

38:13let me critique you seriously.

38:14I actually agree

38:15with Tyra.

38:16Rick Owens

38:16is considered

38:17to be one of

38:18the greatest avant-garde

38:19designers of our generation.

38:21And for me,

38:22this is what that feels like.

38:23I do think it's avant-garde,

38:25and I do think

38:25it's really beautiful.

38:26It's the thing

38:27of not being able

38:29to take the critiques

38:30that loses me

38:31with you every single time.

38:33Because if I didn't care,

38:34I wouldn't say anything.

38:35I always say, like,

38:37cuss us out in your head.

38:38Right.

38:39I'm sorry.

38:40I'm not trying

38:41to be disrespectful.

38:45If I didn't care,

38:46I wouldn't say anything.

38:47I always say, like,

38:48cuss us out in your head.

38:50Right.

38:52I'm sorry.

38:52I'm not trying

38:53to be disrespectful.

38:54That's okay.

38:55Thank you.

38:56Sorry.

38:57I gave yours

38:58a high score.

38:59Thank you.

39:00I knew immediately

39:01that it was yours.

39:02I also did see Alphaba.

39:04She looks modern also.

39:06You know,

39:07this is now.

39:08Thank you, Belania.

39:09Thank you.

39:10There's five of you,

39:12but unfortunately,

39:12only three of you

39:14will make it

39:14to the big finale.

39:15Antonio,

39:17should you be

39:18in the finale?

39:19Please tell us

39:20what two designers

39:21do you think

39:22should come with you?

39:24Who do you think

39:25you should say?

39:25I would love to see

39:27my brother

39:28do a collection,

39:29and I would love

39:31to see Ethan

39:33do a collection.

39:34I've been so proud

39:35of what he's been doing

39:36in the competition.

39:37Belania,

39:38who would you take

39:39with you?

39:39God.

39:42I would go

39:44with the two twins.

39:45So you'll send BJ

39:47and Ethan home?

39:49Yeah,

39:49that's what I'm saying.

39:51No,

39:51that's coming

39:52from your heart.

39:52I think it's very brave.

39:55Ethan,

39:55what about you?

39:57This is tough.

40:01The twins.

40:04Throughout the whole

40:04competition,

40:05I have volleyed

40:06so many ideas

40:07and my work

40:08has grown

40:09so much.

40:10Like,

40:10they've been just

40:11watering the seeds

40:12the whole time.

40:13Aw,

40:14that's nice.

40:15Hey,

40:16Jesus.

40:17I would,

40:17of course,

40:18like to see

40:19my brother

40:19be in the finale

40:20with me

40:20because I am

40:21so proud

40:22of what he's done

40:23and what he's learned

40:24in this competition.

40:25And then,

40:26Ethan,

40:27I saw the growth

40:27in him

40:28through this competition.

40:29I would love

40:31for top four

40:32because I think

40:33Belania found

40:33who she truly is

40:34as a designer.

40:35I truly don't know

40:37if BJ really knows

40:38what her DNA

40:39is in the competition.

40:42The strategy is

40:44they don't want me

40:44to be in the top three

40:45because they know

40:46that if I'm in the top three,

40:48I have a strong chance

40:49of winning this.

40:51So who would you

40:52take with you?

40:53I will definitely

40:54take Ethan

40:55and Belania

40:56because I think

40:58that these two people

40:59are kind

41:00and I think

41:01that we need

41:02the money more

41:03than them.

41:05What makes you think that?

41:07It's hard to say

41:08yes to speak.

41:09That is so stupid.

41:11I like to work

41:12with people

41:12who are kind

41:13and humble.

41:14Are you saying

41:15that we're not kind

41:15and humble?

41:16Oh my God.

41:17You're the one

41:17that started all the drama

41:18in this competition, BJ.

41:20If you really want

41:21to go there

41:21because you are not

41:23the humble person.

41:24You were starting drama

41:25between everybody

41:26in this competition

41:27and you know that.

41:28So don't stand right here

41:30and look like

41:30you're the innocent girl.

41:32Period.

41:33Between you

41:34and your brother,

41:34who's the better designer?

41:35I'm not going

41:36to answer that long.

41:37Why not?

41:37I'm not going

41:38to answer that.

41:38You saw the hearts

41:39on the dresses.

41:40It's a competition.

41:41Please don't do that.

41:42I mean, he was always

41:42on top and I was

41:43on the bottom,

41:44so I'm proud of him.

41:45Right.

41:45So you think

41:45he's the better designer?

41:46Oh, I mean, yeah.

41:48If you want me to say,

41:49he's the better designer.

41:50Great, that's all

41:50I'm trying to get to.

41:51It's okay.

41:51He said it.

41:52I have different

41:52family values

41:53as maybe you should

41:55one day, too.

41:56It's fine.

41:57There can only be

41:57one winner

41:58at the end of the day.

41:59Yeah, the best winner

42:00should win.

42:00Yeah, but let's get there.

42:02We have a lot

42:03to talk about.

42:04You can leave the runway.

42:05Thank you.

42:05Thank you so much.

42:06Thank you.

42:07Wow.

42:10It got heated in here.

42:12That was really wrong

42:14for you to say that.

42:15Please don't.

42:16See, that's what I'm saying.

42:17Kind and humble, right?

42:19We are humble.

42:20Oh, my God.

42:22I don't even want

42:22to be in this room with them.

42:24They're attacking me.

42:25Be kind and humble

42:26because you're the one

42:27with the big mouth.

42:28Let's not talk.

42:28How about that?

42:29Get her out of the room

42:30if she's not comfortable.

42:31She's saying that

42:31we're not humble?

42:32How am I not humble?

42:33They're attacking me.

42:35Oh, dear God.

42:36I'm not doing this.

42:37I'm going to go.

42:38No.

42:39Nope.

42:39I'm not going to stand there

42:40and have them humiliate me.

42:42I didn't come here for that.

42:43No, mama.

42:44Girl, calm down.

42:45Nope.

42:45And stay.

42:46I made my decision.

42:48Girl, you could...

42:49They're not going to humiliate me,

42:51especially this bitch,

42:52and catch me if you can't touch me.

42:55Antonio, relaxate.

42:56I'm leaving.

42:58He is going to leave,

42:59and I know my brother,

43:00because he's not going to be up there

43:02and be humiliated, okay?

43:03And that was really wrong, BJ.

43:05And you know that.

43:07What the ?

43:08Law, you really went there.

43:10How dare you try to pull my brother

43:11and I against each other,

43:12and I'm not going back in.

43:13And BJ is being disrespectful.

43:17I'm not going to stand there

43:18with that bitch, BJ,

43:20saying that we're not humble

43:21and that we don't need the money.

43:22She doesn't know my financials.

43:24Who the is she?

43:25I'm going home.

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