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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30This is Tokyo, Japan, as it looked from my hotel window.
00:01:43A city of six and one quarter million.
00:01:46The last outpost of democracy in the Far East.
00:01:49To watch the people going about their business here on the Ginza, it was hard to realize
00:01:56that a war was raging in Korea, only 600 short air miles away.
00:02:01But even here, death was on the march.
00:02:05And it was headed straight for me.
00:02:08The End
00:02:09The End
00:02:10Hello, Mr. Matsudo.
00:02:40Hello, Jim.
00:02:41He hasn't shown up yet, huh?
00:02:42Not yet.
00:02:43I don't understand why he wanted all three of us to meet him.
00:02:46That is a question only he can answer.
00:02:48Well, we haven't long to wait. He said to be here by 12.
00:02:51There's less than a minute to go.
00:03:10What was behind that suitcase with its death-dealing contents?
00:03:16For me, it started two weeks ago at Tokyo's Haneda Airport.
00:03:35As we say in Army Intelligence, I was reporting on a spot job.
00:03:40So far, the commies in Japan had given us little trouble.
00:03:44The G-2 had just uncovered information they were getting ready to bust things wide open.
00:03:49And what they could do to our supply lines to the Korean front had headquarters plenty worried.
00:03:55Our boys were going through enough hell, even with everything we could send them.
00:03:59And there were too many coming back this way already.
00:04:02Or not coming back at all.
00:04:08They're for a friend.
00:04:23So?
00:04:28Seven and a half.
00:04:30Eight.
00:04:32Eight and a half.
00:04:34Nine.
00:04:37Your friend has many size feet.
00:04:40You know how changeable women are.
00:04:42Your name, please.
00:04:47Jim Carter.
00:04:49We're writer for the National Weekly Indicator.
00:04:55Also?
00:04:56You come with me, Mr. Carter.
00:04:58To anybody watching, it looked like I was in a jam, which was just what we wanted.
00:05:04for this spot job when Colonel Groves handed me a picture of a communist rally.
00:05:09The leader of the group, Taro Mitsudo, had been my roommate back in college.
00:05:14It was quite a surprise because his father was one of Japan's most prominent cabinet ministers.
00:05:20According to Sergeant Yamamoto of CIC, Taro hung out in a commie rat's nest down by the
00:05:26Shimbashi Canal, and the plan was for me to bump into him accidentally, renew our old
00:05:32friendship and try to learn who was the number one comrade in Japan, if I could do that.
00:05:38We'd bust things wide open before they did, if.
00:05:51Inasmuch as I was posing as a correspondent, reservations had been made for me here,
00:05:56and while I was talking to Colonel Groves, my luggage had been sent ahead.
00:06:32Oh, my God.
00:07:02Oh, my God.
00:07:32Oh, my God.
00:07:34You're the one who was dreaming.
00:07:36I'm Steffi Novak.
00:07:37I'm Jim Carter.
00:07:38I know.
00:07:39I saw your name on the register.
00:07:40I've been waiting for you.
00:07:41Somebody should have told me.
00:07:42I didn't realize these rooms were so well-furnished.
00:07:44Oh, you're American, always making jokes.
00:07:48We do that to cover confusion.
00:07:50You'll pardon my curiosity, but don't you find it a bit risky taking naps in strange rooms?
00:07:56Risky?
00:07:57What could happen to me?
00:07:58Somebody might steal your shoes.
00:08:00Well, if somebody wants my shoes, I will give them to them.
00:08:04Now, shall we talk business?
00:08:13What kind of business?
00:08:14You write for the National Weekly Indicator, no?
00:08:17Yes.
00:08:18But how did you find out?
00:08:19There are some letters in your suitcase.
00:08:21Oh, of course.
00:08:22How stupid of me.
00:08:23You are here to make the survey, no?
00:08:25Go ahead.
00:08:26I have no secrets.
00:08:27Well, in Japan, you are what you say, the babes in the woods.
00:08:31And Steffi can be very useful.
00:08:33So we shall make the survey together.
00:08:35Sounds chummy.
00:08:36You will wish to meet many people, go to many places.
00:08:40Steffi can arrange it.
00:08:42She knows everything.
00:08:43She knows how to get nylons anyway.
00:08:46That smells like Russian.
00:08:53That building is where the Russian staff members live.
00:08:56Right next door, huh?
00:08:59He is very angry because there was a fly in his boat.
00:09:15Capitalists fly, no doubt.
00:09:18So you speak Russian?
00:09:21Uh-huh.
00:09:22And French, Spanish, Chinese, and Japanese.
00:09:25And I write shorthand and operate a typewriter.
00:09:27You're quite a talented young lady.
00:09:29That's what Steffi has been telling you.
00:09:31How come you don't get yourself a good job instead of working the tourist trade?
00:09:36Those who are citizens of some country get the first choice at what you call the good jobs.
00:09:43And I have no country anymore.
00:09:46But Steffi is not complaining.
00:09:49She would rather work for many people than just one.
00:09:52And Americans pay more money.
00:09:54When do we start?
00:09:56I haven't said I'd hire you yet.
00:10:01But you will.
00:10:03Yeah, I guess you're right.
00:10:06The first thing you can do is show me some nightlife.
00:10:09Steffi's specialty is nightlife.
00:10:10Okay.
00:10:11Leave your phone number and address.
00:10:13You will find one of my cards in each of your pockets.
00:10:15You don't overlook a bet, do you?
00:10:20Bets which are overlooked do not pay off.
00:10:23I'll remember that.
00:10:24Thanks for dropping in.
00:10:26Oh, it was a pleasure.
00:10:27Thanks for putting my stuff away.
00:10:28Oh, that is a service for which I will not charge you.
00:10:35Goodbye.
00:10:37I'm making this look like a sightseeing tour.
00:11:06But you know the place I want to see.
00:11:36What are you stopping for, Joe?
00:11:40I was sure it was green.
00:11:41I thought it was green.
00:11:43I thought it was green.
00:11:45I thought you were getting the wrong way.
00:11:47You know the bed on the bed.
00:11:49But I was sitting there,
00:11:50and we were going to hang out.
00:11:52All the cells are on the bed.
00:11:54I was sleeping with my fingers.
00:11:57I thought it was brown.
00:11:58I thought it was brown.
00:11:59But there was no surprise to me.
00:12:03And I thought it was green.
00:12:05I'll show you. You come with me.
00:12:11This good place to see. Both rat hole in Tokyo.
00:12:15Oh, so? I look, huh?
00:12:17Oh, Jim.
00:12:18We can't disappoint, Joe. Come on, then we'll call it a night.
00:12:21You'll be sure and wait now.
00:12:23Oh, I will. You'll get Victor Seville. You're not there yet.
00:12:35Oh, my god, my god, my god!
00:12:55Peace.
00:12:58Oh, my god, my god, wow, God.
00:13:01Come on, go, oh, my god.
00:13:02Two scotch and sodas.
00:13:28You can get that at the bar down the street.
00:13:38Oh, that's all right. It doesn't make any difference.
00:13:40Give us whatever you've got.
00:13:42The bar down the street is much better.
00:13:44Trying to get rid of us, huh?
00:13:46Okay, we'll go after one drink.
00:13:58This place is off-limits to occupation personnel, sir.
00:14:12Yes, I know. I saw the sign outside.
00:14:14May I see your identification, please, sir?
00:14:16Okay, Mr. Carter, but if you'll take a tip from me, you'll get out of this joint.
00:14:26It smells for more reasons than one.
00:14:28Thanks.
00:14:35He's right, Jimmy. Let's go.
00:14:37Let's go.
00:14:38In a minute.
00:14:42Let's have some more of that singing.
00:14:43Do you know this one?
00:14:45As tech men, we will ever sing in fair or stormy weather.
00:14:50No matter what the years may bring, we'll always stand together.
00:14:54College friends remain to life, sharing joys and sorrows, too.
00:14:59Helping hands in peace or strife, such is the pledge of old Tech U.
00:15:03Rock! Rock! Tech! Tech! Rock! Rock!
00:15:08Tower!
00:15:22Tower!
00:15:23Tower!
00:15:25You will go, please.
00:15:27I want to see that man who went in here. I know him.
00:15:29Many people look like many other people.
00:15:31You have made a mistake.
00:15:33Oh, no, I haven't. I know that.
00:15:49On second thought, maybe you're right.
00:15:50Must have been a couple of other guys.
00:16:01You have made a mistake.
00:16:02Come on, let's go.
00:16:03Come on, let's go.
00:16:04Come on, let's go.
00:16:06Come on, let's go.
00:16:07Come on, let's go.
00:16:09You boys waiting for us?
00:16:30Just wanted to make sure we didn't lose the tax pay, sir.
00:16:32Thanks.
00:16:39If you wish a drink, just help yourself.
00:17:03Thanks.
00:17:04Hey, you may just slip me a cold towel, what should I do with it?
00:17:29It is a Japanese custom to wipe your fucks who have been out.
00:17:33Very refreshing.
00:17:34Oh.
00:17:37Nice custom.
00:17:40Nice maid, too.
00:17:48Well, another custom?
00:17:50In Japan, comfort comes first.
00:17:53Haven't got a spare come on, have you?
00:17:54I was just thinking, Jimmy.
00:17:59You said you thought that man in a bar was somebody you knew.
00:18:02I'm sure he was.
00:18:03Maybe if you tell Steffi more about him, she can find out for you.
00:18:08No, thanks.
00:18:09It's not that important.
00:18:10You were so excited.
00:18:11I thought it was very important.
00:18:12Wouldn't you be excited if you thought you saw an old friend in a foreign country?
00:18:17Maybe.
00:18:21Pretty girl.
00:18:21Who is she?
00:18:22My sister, Christine.
00:18:24Now, this picture doesn't do her justice.
00:18:25She's very beautiful.
00:18:28She's in North Korea, huh?
00:18:31How did you know?
00:18:33The photographer's name and address is right on the back.
00:18:38You are very observant.
00:18:40Yes, she's in North Korea.
00:18:42But she will be with me soon.
00:18:44Yeah?
00:18:45How's she going to get out?
00:18:46Please, Jimmy, you have kept Steffi up very late and she's getting sleepy.
00:19:05Maybe another pair of nylons would wake you up.
00:19:07Oh, these are still like new and I can only wear one pair at a time.
00:19:12Good night, Jimmy.
00:19:20So long.
00:19:21What do you know about Steffi Novak, Joe?
00:19:37Steffi Novak?
00:19:38Oh, very smart girl.
00:19:40I get the feeling she's a little too smart.
00:19:42Any police record?
00:19:44No, no police record.
00:19:45Suspect how black market, but never catch her.
00:19:48Well, there's a picture of a girl on the living room table.
00:19:51Photographer's address is in the folder.
00:19:53Get a snapshot of it and give it to Colonel Groves.
00:19:55Hi there, Joe.
00:20:21How's the smoke about this morning?
00:20:23Brandy or smoke, but gold rick this spooly.
00:20:28That's some contraption.
00:20:31You want a taxi?
00:20:33No, thanks.
00:20:33That pole burner is too hard on clean shirts.
00:20:35I'll take a bicycle rickshaw.
00:20:49What?
00:20:49Mother?
00:20:53Mother?
00:21:00Mother?
00:21:01Mother?
00:21:03Mother?
00:21:05Father?
00:21:14Jim!
00:21:43Jim Carter!
00:21:45Mr. Mitsudo!
00:21:50Mr. Mitsudo!
00:21:52Oh, Jim, come. We will talk in the open.
00:21:56Even the world of the Diet Building might have ears.
00:22:00Have you talked to my son yet?
00:22:03No, I saw him, but apparently he wanted no part of me.
00:22:06That shows how he has changed.
00:22:08But I can understand it, for I watched that change take place.
00:22:15Not only towards you, but towards me and everything else that was once important to him.
00:22:25You see, Taro was trained to be a kamikaze pilot.
00:22:31Day after day, hour after hour, he sat in a classroom studying just one subject.
00:22:38How to die. Not how to die in the manner expected of a soldier, but how to commit suicide.
00:22:45Do not die in the airframe in the airframe.
00:22:47Yes.
00:22:48Go ahead.
00:22:49Ending in airframe.
00:22:50Yes.
00:22:51Come here.
00:22:52Get up the airframe.
00:22:53Go ahead.
00:22:54Go ahead.
00:22:55Go ahead, Tom.
00:22:57Go ahead.
00:22:58Yes.
00:22:59Go ahead, Tom.
00:23:01Go ahead, Tom.
00:23:03In planes loaded with high explosives, they were trained to hold themselves into a bell with only one thought in mind to reach their objective.
00:23:15That their own lives would be fostered was unimportant, for they were taught that self-destruction was the only real glory.
00:23:23Hey, I got it!
00:23:24I got it!
00:23:25I got it!
00:23:25I got it!
00:23:26I got it!
00:23:26I got it!
00:23:26I got it!
00:23:27Hey, I got it!
00:23:28Hey, I got it!
00:23:30Hey, I got it!
00:23:31I got it!
00:23:32You're going to be my way!
00:23:34You're going to be my way!
00:23:36You're going to be my way!
00:23:38You're going to be my way!
00:23:45Okay, I got it!
00:23:48You're going to be my way!
00:23:57It was a fantastic training about deadly sorrow.
00:24:01Nothing was overlooked which would play on the emotion and obtain the desired result.
00:24:31I was going to be my way!
00:24:38And the weather now is to be my way.
00:24:45โฆ
00:24:50โฆ
00:24:52โฆ
00:24:53โฆ
00:24:53โฆ
00:24:54โฆ
00:24:57When an ordinary student graduates, he is given a diploma.
00:25:03When a kamikaze student graduates, he is given funeral rites, which enshrined him as a Japanese god.
00:25:10Fingernail clippings and locks of hair were placed in the envelopes as symbolic remains of the living dead.
00:25:18And they drank a portion of sacred wine to give them immortality.
00:25:22After that, they were ready for their first mission and their last.
00:25:27Our first mission was to take a look at the task of the burial, which is a very good one.
00:25:34But Taro found it unnecessary to complete the rites. Japan had surrendered.
00:25:55Taro never came home after that day, and I had no idea where he was until I saw his picture in the paper.
00:26:21I have told you this, so you will not judge him too severely, Jim.
00:26:27Yes, I know.
00:26:36Is it hot?
00:26:37I could sure go for one of those cold towels you made dishes, huh?
00:26:40You'll find one on that tray.
00:26:42Well, that's what I call service.
00:26:44How are you coming with the dictation?
00:26:51It is almost finished.
00:26:53I didn't think I gave you so much.
00:26:56Steffi has added a few touches of her own, so your magazine will think that we are working very hard.
00:27:02If you get a race, Steffi will divide it with you.
00:27:05And what if I get fired?
00:27:07Then Steffi will get a new boss.
00:27:09Nothing could be fairer than that.
00:27:11Oh, there is a telegram for you on a dresser.
00:27:14Yeah?
00:27:15What does it say?
00:27:16It is sealed and I didn't open it.
00:27:18Couldn't you see through the envelope?
00:27:20No.
00:27:21The paper is too thick.
00:27:41When did this come?
00:27:57About half an hour ago.
00:28:02You are going out again so soon?
00:28:04Yeah, for a little while.
00:28:05Do you want Steffi to go with you?
00:28:07No, I can handle this myself.
00:28:09Oh, and Jimmy!
00:28:15What was that for?
00:28:16Steffi needs a new pair of nylons.
00:28:22And she cannot find where you have hidden them.
00:28:24Haven't you heard?
00:28:25Heard what?
00:28:26The price of nylons has gone up.
00:28:28Well, you must see.
00:28:29The price of nylons has gone up.
00:28:30The price of nylons has gone up.
00:28:31By the way, the price is still a new pair of nylons is gone.
00:28:33They just have a mobile phone.
00:28:34Now, if he can't go up.
00:28:35The price of nylons is up.
00:28:37I see when he comes down.
00:28:38He's getting a new pair of nylons has gone up.
00:28:39And he has to go up.
00:28:40It's really beautiful.
00:28:41The price of nylons has gone up.
00:28:42I mean, there is also a new pair of nylons.
00:28:43Thank you very much.
00:29:13This is from Tokyo Station.
00:29:15This is from Tokyo Station.
00:29:432็ช็ทใซ้ป่ปใๅ
ฅใใพใใ
00:29:472็ช็ทใซ้ป่ปใๅ
ฅใใพใใ
00:29:51ใใฉใซๆงใๅพใซไธใใฃใฆใๅพ
ใกใใ ใใใ
00:30:13ใใฎ้ป่ปใฏใ้ๅใปๆฑใๅณถใป่คๆฒขใป็ฑๆตทๆน้ข่กใใงใใใใพใใ
00:30:39ใ่ฆ่ดใใใใจใใใใใพใใใ
00:30:43ใใฎ้ป่ปใฏ็งใฎ่ปใงใใ
00:31:09ใใฎ้ป่ปใฏใ้ๅใปๆฑใๅณถใป่คๆฒขใใใฎ็ฝฐใงใใ
00:31:19ใ่ฆ่ดใใใใจใใใใใพใใใ
00:31:23Go to the big shrine in ten minutes!
00:31:53Go to the big shrine in ten minutes!
00:32:22Hold it up!
00:32:49Turbo!
00:32:52Oh
00:33:22Oh
00:33:26Oh
00:33:30Oh
00:33:52I believe you realize, Mr. Carter, that it would be most unlikely for you to attempt to cry for help.
00:34:00So you will speak softly, please.
00:34:02You win by two points.
00:34:04Where did you go today, Mr. Carter?
00:34:07I took you in that shin to get an Oshima.
00:34:10Why?
00:34:11Wanted to see what it was all about.
00:34:13You lie!
00:34:14If you know I'm lying, you must know the truth.
00:34:23We won't hear it from you, Mr. Carter.
00:34:26I went to see a fellow who ran a cross at the bar the other night.
00:34:30I used to go to college with him.
00:34:32He sent me a note to meet him at the festival.
00:34:35Why?
00:34:36So he could tell me to stay away from him, in case I had any idea of looking him up.
00:34:40Fortunately for you, Mr. Carter, your words have been truthful.
00:34:45If you are wise, you will stay away from him, as he requested.
00:34:50Please accept my apologies for this intrusion.
00:34:53I feel safe!
00:35:10How do you feel, Timmy?
00:35:21At least I can still feel that something.
00:35:26Where did you come from?
00:35:28The desk clerk said you were in, but you didn't answer the phone, so I came to see why.
00:35:32I arrived just after Jeffrey found you.
00:35:34Jeffrey?
00:35:35Sure thing, old boy.
00:35:36Heard you moaning, roused my curiosity, so I got the room clerk to let me in.
00:35:41There you were, stressed on the floor, with that chair on top of you,
00:35:44and a couple of bumps on your beam.
00:35:46You should switch on the lights before you go painting around the room, old boy.
00:35:49Broke my toe once, doing the same thing.
00:35:51Taught me a lesson.
00:35:52Well, nothing more I can do, so I'll toddle along.
00:35:55Steffi will look after you.
00:35:56Competent female, Steffi.
00:35:58Sure.
00:35:58And by the looks of things, they got into my room from that building next door.
00:36:22Did you see anything about them you would recognize again?
00:36:25No, sir.
00:36:25With that flashlight in my face, I was as blind as a bat.
00:36:28What impression did you get from your talk with Taro?
00:36:31He was colder than a tax assessor.
00:36:33There was just one time when I got a spark,
00:36:35and that's when I mentioned a girl he was going to marry before he went haywire.
00:36:38Yes, Mr. Matsudo brought in some pictures of her this morning.
00:36:41We're making a check on her.
00:36:43What do you know about a man named Oyama,
00:36:45who runs an import and export company?
00:36:47Oyama?
00:36:48He's a big businessman.
00:36:50Made a lot of money during the war, and is still doing all right.
00:36:53Well, Steffi Novak has made arrangements for me to meet him in connection with my survey.
00:36:57He's giving a party to Tommy, and I've been invited.
00:37:00It may be legitimate.
00:37:02Then, on the other hand,
00:37:03I'll get in touch with you when I return.
00:37:06Goodbye, sir.
00:37:07Goodbye, sir.
00:37:08Goodbye, sir.
00:37:09Goodbye, sir.
00:37:10Goodbye, sir.
00:37:11Goodbye, sir.
00:37:12Goodbye, sir.
00:37:13Goodbye, sir.
00:37:14Goodbye, sir.
00:37:15Goodbye, sir.
00:37:16Goodbye, sir.
00:37:17Goodbye, sir.
00:37:18Goodbye, sir.
00:37:19Goodbye, sir.
00:37:20Goodbye, sir.
00:37:21Goodbye, sir.
00:37:22Goodbye, sir.
00:37:23Goodbye, sir.
00:37:24Goodbye, sir.
00:37:25Goodbye, sir.
00:37:26Goodbye, sir.
00:37:27Goodbye, sir.
00:37:28Goodbye, sir.
00:37:29Goodbye, sir.
00:37:30Goodbye, sir.
00:37:31Goodbye, sir.
00:37:32Goodbye, sir.
00:37:33Goodbye, sir.
00:37:34Goodbye, sir.
00:37:35It's a nice-looking hotel. What's the name of it?
00:37:54Atami Onoya. It's the best in town.
00:37:57Atami is a celebrated place for its heartbreaks, also for honeymoons and romance.
00:38:04It's too bad I'm here on business.
00:38:06Your business doesn't start till dark.
00:38:17Excuse, please. My business starts right now.
00:38:34I am fortunate that we have such excellent entertainment tonight.
00:38:39Ichimaru is the number one geisha of Japan.
00:38:42Is that so?
00:38:43My business starts right now.
00:38:45My business starts right now.
00:38:50Oh, no.
00:38:51Oh, no.
00:38:52Oh, no.
00:38:53My business starts right now.
00:38:54Oh, no.
00:38:55Oh, no.
00:38:56It's very long, no.
00:38:57It's very long, no.
00:39:02Shadokushu, ya dikizha koujuu,
00:39:06Osuma mono Togantokyo-eki-i-ki-i-i-i-i-i-i-i-i-i-i-i-i.m.
00:39:16I'm sorry I'm late, Mr Oyama, lost my way, usually do when I'm sober.
00:39:39Ah, cut old chap, I never knew you were a friend of Mr Oyama's.
00:39:42Great host, never miss one of his parties if I can avoid it.
00:39:46I was wondering who that place was for.
00:39:48You met Mr. Joffrey at the Correspondence Club, no doubt.
00:39:51That's right. I also met Miss Novak there, too.
00:39:54Yes, I know. Pardon me.
00:39:57I just happened to remember something that I should have done at the office.
00:40:07I understand you have a finger in many things, Mr Oyama.
00:40:10Many things?
00:40:11A lot of different businesses.
00:40:13Oh, yes, I have a finger in many things.
00:40:17How do you feel about the political set up here?
00:40:19I never get much thought to politics.
00:40:22I always figured the big business and politics went together.
00:40:25You see, I'm an opportunist, Mr. Carter.
00:40:28Like the bamboo, I find it much more profitable to bend with the wind.
00:40:32You are wanted on the telephone, Mr. Carter.
00:40:40The Correspondence Club had it transferred here, as it is very important.
00:40:51Excuse me.
00:40:52This is Inspector Tabuchi of the Metropolitan Police.
00:41:12Yes.
00:41:13Something important has occurred.
00:41:16Your intelligence office requests that you report to them immediately.
00:41:21Hello? Hello?
00:41:52I saw you leave the party. Who called you?
00:41:55He said it was Inspector Debucci. Told me to report to my office right away.
00:41:58It's a trick to expose you. When you return to the party, be careful what you say.
00:42:03There will be poisoned food for the wrong answer.
00:42:07Not to eat would also prove fatal.
00:42:34you look troubled mr. Carter I trust nothing is wrong no I was just thinking
00:43:03I am relieved I thought perhaps your call might take you away before the party is over it would
00:43:08if it had been for me but they got the wrong man so you must try this meat it is delicious
00:43:18I don't believe I I'll try a little
00:43:33how about you no thank you you have some meat
00:43:45mmm thanks over
00:44:03the telephone service in Japan has much room for improvement I must apologize for the operator
00:44:11disturbing you oh it wasn't the operator's fault no no they just got me mixed up with somebody else
00:44:17whom do you mean by they pardon I said whom do you mean by they they all the Tokyo police inspector
00:44:26Tabuchi or something like that I know inspector Tabuchi quite well did he say who he thought you
00:44:33were yeah an intelligence officer he said to call my office right away and then hung up before I could
00:44:39put him straight that is odd inspector Tabuchi is a very careful man I do not see how he could make
00:44:46such a careless mistake anybody can make a mistake once in a while that's why they put erasers on lead
00:44:52pencils oh you've even got one on yours that's very amusing critical take it sir no thanks boy must
00:45:04some beans the sauce is excellent
00:45:22have any more such incident happened since you have been in Tokyo as a matter of fact yes there's
00:45:31something going on I don't understand and I seem to be right in the middle of it sounds interesting I
00:45:37enjoy a good mystery go on mr. Carter well the other night I ran across a fellow I went to college
00:45:42with but instead of the glad hand he gave me the cold shoulder cold shoulder the brush off the
00:45:48antisocial business and back in my room I was hit over the head and given the third degree like my
00:45:53eyes knives of my throat the full treatment you do seem to be in the middle and did you report it to
00:46:00the authorities yes but there's much in the dark as I am somebody's got me mixed up with somebody else
00:46:07and frankly mr. we am I'm worried I can understand your concern but perhaps tonight will be the end of it
00:46:15I hope it's a happy ending come we'll drink to that
00:46:21oh excuse please your sake has grown cold
00:46:30to the end of your troubles mr. Carter
00:46:45father
00:46:49yeah
00:46:51yeah
00:47:01yeah
00:47:05yeah
00:47:09yeah
00:47:10yeah
00:47:11yeah
00:47:13Hello?
00:47:21Yes, this is Jim Carter, the National Weekly Indicator.
00:47:25Yes, I completed that article.
00:47:27I'll see you in the morning and discuss it with you.
00:47:31Goodbye.
00:47:43Oh, Carter, I was just slipping a letter underneath your door, in the box of my mail by mistake.
00:48:09Thanks.
00:48:10That's all right, old boy.
00:48:13Oh, my God.
00:48:43Oh, my God.
00:49:20Hello, Namico.
00:49:29Remember me?
00:49:30Jim! Jim Carter!
00:49:33I can't believe it's ready you.
00:49:35It's me, all right.
00:49:36Mr. Macedo said you kept in touch with him for a while and then stopped.
00:49:40I told him you must be married.
00:49:41No, I'm not married.
00:49:44Well, I'll bet you're engaged anyhow.
00:49:46Who's the lucky fellow?
00:49:47Praise Jim.
00:49:50You're still carrying a torch for Taro, huh?
00:49:53No. I hate him. I hate him.
00:50:00You know, I've got a hunch he feels the same way about you.
00:50:05You have seen him?
00:50:06Where's he, Jim? Take me to him.
00:50:09It's not quite that simple.
00:50:10He's mixed up with some pretty bad company.
00:50:12I was afraid that would happen.
00:50:17He was so, so confused when the war ended.
00:50:21He's like a man walking in his sleep, Namico.
00:50:24He can't see what's going on around him.
00:50:26But I think you and I can wake him up.
00:50:28Oh, Jim, I'll do anything.
00:50:30Might be a little risky. You might have to take a chance.
00:50:33I'm not afraid.
00:50:35Good girl.
00:50:35Watch her. Don't let anything happen to her.
00:50:47Good girl.
00:51:01See you soon.
00:51:02See you soon.
00:51:03See you soon.
00:51:04See you soon.
00:51:31See you soon.
00:51:59See you soon.
00:52:02See you soon.
00:52:07See you soon.
00:52:08See you soon.
00:52:29See you soon.
00:52:44See you soon.
00:52:59See you soon.
00:53:14See you soon.
00:53:15See you soon.
00:53:16See you soon.
00:53:17See you soon.
00:53:18See you soon.
00:53:19See you soon.
00:53:20See you soon.
00:53:21See you soon.
00:53:22See you soon.
00:53:23See you soon.
00:53:24See you soon.
00:53:25See you soon.
00:53:26See you soon.
00:53:27See you soon.
00:53:28See you soon.
00:53:29See you soon.
00:53:32See you soon.
00:53:33See you soon.
00:53:34See you soon.
00:53:35See you soon.
00:53:36See you soon.
00:53:37See you soon.
00:53:38See you soon.
00:53:39See you soon.
00:53:40See you soon.
00:53:41See you soon.
00:53:42See you soon.
00:53:43See you soon.
00:53:44See you soon.
00:53:45See you soon.
00:53:46See you soon.
00:53:47See you soon.
00:53:48See you soon.
00:53:49See you soon.
00:53:50See you soon.
00:53:51See you soon.
00:53:52See you soon.
00:53:53See you soon.
00:53:54See you soon.
00:53:55See you soon.
00:53:56See you soon.
00:53:57See you soon.
00:53:58See you soon.
00:53:59See you soon.
00:54:00See you soon.
00:54:01See you soon.
00:54:02See you soon.
00:54:03See you soon.
00:54:04See you soon.
00:54:05See you soon.
00:54:06See you soon.
00:54:07See you soon.
00:54:08See you soon.
00:54:09See you soon.
00:54:10See you soon.
00:54:11See you soon.
00:54:12See you soon.
00:54:13See you soon.
00:54:14his land? Could the worker demand fair treatment? Was the voice of the lowest as strong as that of the highest? Those things are good, Taro. Why would you destroy them? Your father has invited me to his home until I am well again. Come with me, Taro.
00:54:44Come in.
00:55:06My typewriter is on the profession. Do you mind if I address an envelope on yours? Not at all, old boy. Have at it.
00:55:13Just finished my report on the Korean situation. Been over there a couple of days. Couldn't see much there in that blasted rain. I was fired at, you know. Frighted me out of my wits. In fact, I'm still in a panic.
00:55:43What did you do? Did you make a mistake? Yeah, I made a mistake.
00:55:53Jimmy!
00:56:03About time you showed up. How long have you been waiting? Too long. How do you like Steffi? She has been shopping today. She did all right for herself. How do you like the new bracelet? That's a coincidence. I brought you some myself. You did? Yep. Oh, Jimmy, how nice. Let me see them.
00:56:13Close your eyes. Those are not as nice as yours, but they are the best I could do. Jimmy is making a joke like a policeman just to tease Steffi, you know.
00:56:19No. Jimmy is paying Steffi off for the work she's done. It took me a little time to figure out what you had coming, but it's not as nice as yours, but they are the best I could do.
00:56:39Jimmy is making a joke like a policeman just to tease Steffi, no? No. Jimmy is paying Steffi off for the work she's done. It took me a little time to figure out what you had coming, but I think these will cover it.
00:56:51You really are a policeman? Yep, I really are. And you would really take Steffi to jail? Just as sure as Steffi would take me to Oyama's party where I was liable to be poisoned.
00:57:02I don't know what you mean. I was just helping with a survey. Yeah, only I was the one to be surveyed. I suppose I should tell you that I'm sorry about this, but I never apologize for my job.
00:57:14You are making a mistake, Jimmy. Steffi made the mistake. And here's another one. This note you put on Jeffrey's mail, telling me where I could find Namiko.
00:57:23Note? I do not know of any note. No? See how the E and the K are a little off-line?
00:57:31Well, this was written on your typewriter. There's a sample right below that matches identically.
00:57:37That doesn't mean that I did it. Anybody could use my typewriter just like you did.
00:57:42All right. We keep going. You said that was your sister in North Korea.
00:57:47She is. And that you write each other once a week. We do.
00:57:51Are these some of the letters? Yes. Where did you get them?
00:57:58That doesn't matter. They have been examined in their code letters concerning military strength and movements.
00:58:04Code letters? I do not know what you are saying.
00:58:08I say you are using the sister routine as a front to pass military information back and forth. The woman you are writing to looks no more like her than I do. She has been dead for six months.
00:58:17That is a lie. You are only saying that to make me talk.
00:58:22Here's a report that was just received. The full description of her and the way she died.
00:58:28The body found floating in the empty river.
00:58:41They have killed her. They have killed her. They have killed my sister.
00:59:04Oh, she is. She is in trouble.
00:59:06Oh, she is in trouble.
00:59:07Oh, she is in trouble.
00:59:10Despite her, she is in trouble.
00:59:11Are you on the level with this sister act?
00:59:26Take over this and I will prove it.
00:59:28How?
00:59:29How?
00:59:31I will kill him.
00:59:53Wait.
00:59:59You will stand a better chance with this.
01:00:03Good-bye, Jimmy.
01:00:15Good-bye, Jimmy.
01:00:19Just a minute.
01:00:21Good-bye, Jimmy.
01:00:31Just a minute.
01:00:37Why did you give me an empty gun?
01:00:40Why did you give me an empty gun?
01:00:42I had to be sure who you wanted to use it on.
01:00:46I'm sorry about your sister, Steffi,
01:00:48but if you want to settle with Oyama, do it my way.
01:00:52Tell me what to do.
01:00:54First, you tell me everything you know about him.
01:00:56I don't know anything I can prove. He's very clever.
01:01:01What was your job with him?
01:01:05I had to check on people he suspected, like you.
01:01:10Sometimes, carry messages to different cities in Japan.
01:01:15I knew it was wrong, Jimmy.
01:01:17But it was for my sister.
01:01:19I would have killed to get her out of North Korea.
01:01:22I tried everything, begged everyone to help me.
01:01:26But I have no country.
01:01:28And no one could offer any help until I met Oyama.
01:01:31He promised to help you if you'd help him.
01:01:34Yes. He was kind and sympathetic.
01:01:37I thought at last I had found a friend.
01:01:39I didn't care who he was or what he did.
01:01:42Did he handle these letters for you?
01:01:45I would give him mine and he would give me hers.
01:01:49But it's all so confusing.
01:01:52If she's dead, how could it have been her handwriting?
01:01:56There's nothing new about forgery or treachery either with that outfit.
01:02:00Do you know Taro Matsudo?
01:02:03I know who he is.
01:02:04Well, he thinks Naniko's kidnapping is a trick of the police.
01:02:07Can you get in touch with him and tell him the truth?
01:02:10I need him on our side too.
01:02:13I will do it.
01:02:14Okay, and you keep on going just as you were with Oyama.
01:02:18See if you can learn where he keeps his records.
01:02:20We need evidence, Tephi.
01:02:21And when we get it, you'll get your revenge.
01:02:23Taro, I want you to come here to your wife.
01:02:29Taro?
01:02:30Yes.
01:02:31Taro!
01:02:32Taro!
01:02:33Taro!
01:02:34Taro!
01:02:36Taro!
01:02:37Taro!
01:02:38Taro!
01:02:39Taro!
01:02:40What?
01:02:41Taro!
01:02:42Taro!
01:02:43Taro!
01:02:44Taro!!
01:02:46Taro!
01:02:47She's gonna give me a wedding.
01:02:49what brings you here something you should know about namico she's not in a hospital because of
01:03:03the police but because of your own comrades senji kato and oda did jimkara ask you to tell me that
01:03:11yes it has been suspected that you are more interested in him than your work
01:03:19and this proves it the truth is lost when a woman finds blood you are a fool taro and you're a
01:03:26traitor i have but to raise my hand and you'll not leave here alive go ahead and raise your hand
01:03:32what happens to me makes no difference now but it will not change the truth if you do not believe
01:03:39me find out for yourself i found out too late
01:03:43so
01:03:51so
01:03:58well miss novak oh good morning i did not expect to find you here
01:04:12i came to see there was anything you wish me to do your eagerness to cooperate is commendable
01:04:32but if there were anything i would have contacted you in the usual manner
01:04:37where is my secretary i brought her a gift of a pair of nylons she's putting them on
01:04:43that was a very generous gift which reminds me i have a gift for you
01:04:48another letter from your sister
01:04:51oh thank you
01:05:02i believe it won't be long now before the two of you are together
01:05:05your words are very encouraging i shall never forget what you have done mr oyama
01:05:11i received my greatest pleasure from aiding those in distress and now if you'll excuse me certainly
01:05:41because i was asked if i was able to get it
01:05:49and it will take it
01:05:53we are
01:05:55the situation in Korea has reached the critical stage I have just received
01:06:22instructions that something must be done immediately to disrupt interference coming
01:06:26from here but we must be careful it must be something that will direct the enemy's
01:06:39attention without its true purpose being suspected so we will use that great
01:06:45democratic privilege the workers strike they are planning a general strike of
01:06:55transportation industry it is to start in Tokyo and spread throughout Japan the
01:07:01man who will lead it is your son Taro the shame my son has brought on the name of
01:07:07Matsudo he is only exceeded by my concern for my country as my son his word will
01:07:16carry much weight you must stop him he'll be doing nothing illegal and if we
01:07:21arrest him on some trumped-up charge it'll just make a marker of him then I
01:07:28shall stop him myself
01:07:37she seems to be getting her support
01:07:52getting your support.
01:08:22ใฟใชใใ!
01:08:24ใฟใชใใ!
01:08:25ใฟใชใใใซใใฆใไฝใใใฎไฟ่กไธๆบใใใใชใใฐใ
01:08:28ใฉใใใจ็งใซ็ณใไธใใฆใใ ใใใ
01:08:30ๅฟ
ใ็ ็ฉถใ็ตใใๅ็ใซๅ็ญใใใใใจใใ็ญใใใใใพใใ
01:08:34ใฉใใใฟใชใใ!
01:08:36ๅปบ่จญ้ไธใซใใใๆฅๆฌใ็ ดๅฃใใใใใชในใใฉใคใญใใ ใใ ใไธญๆญขใใฆใใ ใใใ
01:08:46่ทๅใฏไปใๅๅๅขๅใฎ้ไฝใใฉใฎใใใชใใใงใใใใใใฎๆๅณใง่ใใใ ใใใ
01:08:51ใฟใชใใ!
01:08:53ใฟใชใใ!
01:08:54ใฉใใ!
01:08:55็งใฏใ็งใฎๆฏๅญๅคช้ใใ็งใฎๆผ่ชฌใไฟกใใชใใใจใ็งใฏไผดใใพใใใ
01:09:00ใชใใชใใฐใๅฝผใฏใใใใใๅๅฟใใกใซใไฟกใใใใใ
01:09:05ๅฝผใใพใๅๅฟใไฟกใใชใใ
01:09:07ใคใพใใๅๅฟๅๅฟใไบใใซไฟกใใชใใใใงใใ
01:09:10ใๅใใๅ!
01:09:21ใฟใชใใใๆใ
ใซไธใใใใๆฐดไปไบใฎๆจฉๅฉใ้็จใใฆใใใฎ็ง!
01:09:27Oh, oh, oh, oh, oh, oh, oh!
01:09:57Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
01:10:27So you call those fellas your comrades?
01:10:45You still think the police kidnapped Namico?
01:10:57So you call those fellas your comrades?
01:11:13You are a fool, Stella. I found out too late.
01:11:18Do you still think it was the police who kidnapped Namico?
01:11:21Yes, please, Stella. You think we are blind. But it is you who cannot see.
01:11:29You are a fool, Stella. A fool, Stella. A fool, a fool, a fool, a fool.
01:11:51Namico, I have come to ask you to forgive me.
01:12:01Remember how we used to watch for the clouds to lift so we could see Fujiyama?
01:12:07And how suddenly the sun would shine through and there it was?
01:12:11Well, that is the way the clouds have suddenly lifted for me.
01:12:16I see things so different now that I cannot even find a good excuse.
01:12:21I will never hurt you again. We will go to my father.
01:12:29Namico! Namico!
01:12:35Namico!
01:12:41Namico!
01:13:00Namico!
01:13:02Walo!
01:13:04Tamo!
01:13:06Bye-bye!
01:13:08Namico!
01:13:09Hello, Jim!
01:13:10This is Taro.
01:13:11Yes, Taro.
01:13:13I wanna help you.
01:13:14What can I do?
01:13:18Yes, I will.
01:13:20I don't know how but I will.
01:13:22We have been looking all over for you, Taro.
01:13:33Mr. Oyama wishes to see you.
01:13:40He's angry about what happened last night.
01:13:43He's not pleased.
01:13:45Come.
01:13:52Come.
01:14:22I had great plans for you, Taro.
01:14:45You could have gone far in the organization.
01:14:47But your behavior at the strike meeting last night showed you were unfit to be a member.
01:14:53That you do not have the necessary heart for your work.
01:14:56Or I should say, perhaps you have too much heart.
01:15:03By your traitor's action, you have made us lose faith.
01:15:07It is fitting that your final act should help restore it.
01:15:14Come to the window.
01:15:17Do you see that man down there with the suitcase?
01:15:28That is your suitcase, Taro.
01:15:30What it contains will be very falsely disclosed at exactly 12 o'clock.
01:15:35Now, if you look down there by that waiting bench, you'll see your father.
01:15:41He has come in response to a note from you.
01:15:44Senji is very clever at imitating handwriting.
01:15:50Ah, there comes Mr. Carter.
01:15:52Also in response to a note from you.
01:15:54And he has brought Miss Novak as you requested.
01:15:59There's also another note in your handwriting.
01:16:01A note of confession.
01:16:03That you alone are guilty for what is to happen down there.
01:16:05But it will not be found until tomorrow, when your body is discovered floating in the palace moat.
01:16:14Now they are together.
01:16:17Undoubtedly surprised and puzzled that you should ask them all to come.
01:16:21Well, they have not long to wait for the answer.
01:16:32Even if you were successful in getting out of here, you could not reach them in time to save them.
01:16:38See, already the man is leaving the suitcase.
01:16:41In a few seconds, it will be over.
01:16:47And no one will ever suspect the truth.
01:16:59You are right.
01:17:01It is a perfect plan.
01:17:04They will never suspect the truth.
01:17:05No!
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