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00:00:00The
00:01:00Well, there you have it, all you transistor radio bugs.
00:01:15How'd that one grab you?
00:01:16That...
00:01:18Howie, for heaven's sake, it's almost dark.
00:01:30If you don't hurry up, we're going to be late for the game.
00:01:33Margie, have you ever tried to fix a fuel pump to a rock and roll beat?
00:01:37Well, I'm sorry it made you nervous.
00:01:39I just thought it was a good chance to get in some practice.
00:01:42It's okay, forget it.
00:01:44Nothing I can do anyway, at least not way out here.
00:01:48Well, I wish you hadn't taken this crazy, nowhere shortcut.
00:01:52Boy, this is like Lostville.
00:01:55I know.
00:01:56I goofed.
00:01:58And I've got to get some help if we're going to get there in time for the kickoff.
00:02:01Hey, didn't we pass the farmhouse about a mile or two back down the road?
00:02:08Yeah, that's right.
00:02:09Back around the curve.
00:02:11Come on, we'll be shorter through those woods.
00:02:13Oh, Howie, look.
00:02:21I don't think we ought to go on that property.
00:02:23Look, you want to get to the game, don't you?
00:02:25Of course I do.
00:02:26Come on.
00:02:26Come on.
00:02:43Howie, it's cold.
00:02:57It's so dark, we should have brought the flashlight.
00:03:00Ah, it isn't working.
00:03:02Batteries are down and I forgot to replace them.
00:03:13I don't think we ought to go on that property.
00:03:43It seems like we've been walking for hours.
00:04:06Well, it can't be much further now.
00:04:09Hey, there's a light.
00:04:13Huh, that's strange.
00:04:33Camp far away out here in the middle of the woods and nobody around.
00:04:38Kind of creepy, isn't it?
00:04:40Yeah.
00:04:42Hold it right there, both of them.
00:04:44Hey, Dad, what are you made up for?
00:04:48I mean, what's the bit?
00:04:50Hey, now, don't point that thing at us.
00:04:51It could go off.
00:04:55Come on, now, who are you guys?
00:04:57What kind of a joke is this?
00:04:59I mean, out here in the middle of...
00:05:00Joke, boy.
00:05:01You think this is a joke?
00:05:03Howie, I'm frightened.
00:05:05Look at him.
00:05:06It's got to be some kind of a gag.
00:05:08This can't be for real.
00:05:12Howie, what's it all about?
00:05:13I don't know.
00:05:17Honey, do as I tell you.
00:05:20You edge around behind me.
00:05:22It's only between them and you.
00:05:23Then run like the devil.
00:05:25Howie, not alone.
00:05:26Do as I say.
00:05:28What are you two young'uns doing out here?
00:05:31Quick, don't let them get away.
00:05:36Run, Margie.
00:05:37Head for the car.
00:05:38Stop, boy.
00:05:39I'll hear you.
00:06:09Mar, Margie?
00:06:22Margie?
00:06:22Margie?
00:06:39Oh, hello, Jim.
00:07:05What do you need?
00:07:06I need my ever-loving paycheck.
00:07:08What's the rush?
00:07:09Payday's tomorrow.
00:07:10I know, but Reed said you'd have it for me tonight.
00:07:12Oh, did he now?
00:07:13Yeah, that way I get a couple hours head start on my first vacation in three years.
00:07:18Relax.
00:07:19The girl's on her way up from accounting with it now.
00:07:22Where you going on this vacation?
00:07:23Someplace that can't be reached by telephone, telegraph, teletype, or carrier pigeon.
00:07:29You don't think we'd interrupt your vacation now, do you?
00:07:32Why not?
00:07:33You guys did it for the last two years.
00:07:35Jim, nice story you turned in.
00:07:39Well written.
00:07:39Had a lot of fun.
00:07:41When he talks like that, he wants something.
00:07:44As a matter of fact, there is one little favor I'd like to ask you to do before you leave.
00:07:48Well, here it is.
00:07:49As a matter of fact, here it is.
00:07:51The accounting department is certainly coming up with much more interesting figures lately.
00:08:01See you guys.
00:08:02Oh, come on, Jim.
00:08:06Well, this will just take a few minutes.
00:08:08Not much out of your way.
00:08:09All you have to do is get a few details and phone them in from there.
00:08:13From where?
00:08:13Carver Street Hospital.
00:08:15Murphy called in from police headquarters.
00:08:18Some college kid was brought in with a gunshot wound.
00:08:21Here's his name.
00:08:22Why doesn't Murphy cover it?
00:08:23He's on police tonight.
00:08:24He's busy on the cat burglar story.
00:08:28Who shot the kid?
00:08:29That's why I want you to find out.
00:08:31May not be anything else, but you never can tell.
00:08:34Okay, I'll do it.
00:08:36But afterwards, I'm leaving for my vacation.
00:08:38Definitely, irrevocably, and finally.
00:08:41Do you read me great white fathers?
00:08:43Only two click.
00:08:45Have a good time.
00:08:46I intend to.
00:08:47Hello, blonde girl.
00:09:02Why, James Crandall, what brings you here?
00:09:05Now, don't tell me.
00:09:07Let me guess.
00:09:09They sent you down for an egoectomy.
00:09:11A what?
00:09:12An egoectomy.
00:09:14They're going to cut out that big, fat ego of...
00:09:17Oh, that's funny.
00:09:18Funny, funny.
00:09:20I want some information.
00:09:22Like what?
00:09:23Like, uh, you got a boy here.
00:09:27Howard Ellison.
00:09:28College kid.
00:09:29In some kind of shooting scrape.
00:09:31That's the kid they brought in this evening.
00:09:34But I don't think he's having visitors.
00:09:37Well, could I speak to his M.D.?
00:09:39Mm-hmm.
00:09:40That would be Dr. Wilson Blake.
00:09:42Ah, yes.
00:09:43Blake of the Rusty Scabble.
00:09:45Oh, you know him?
00:09:46I should.
00:09:47He broke into me once and stole an appendix.
00:09:50Oh, funny.
00:09:51That's funny, funny.
00:09:54He's in his office.
00:09:55I know where he is.
00:09:55Diggy later in, you'll see.
00:10:01Yes.
00:10:02That's all right with me, Dr. Thornton.
00:10:0410.30 will be fine.
00:10:08Yes.
00:10:08I think the whole administrative staff should be there.
00:10:13Fine.
00:10:13See you in the morning, doctor.
00:10:15Goodbye.
00:10:19Come in.
00:10:20Jim Crammel.
00:10:22Hello, Will.
00:10:23How are you?
00:10:24Hey, number one.
00:10:25How about you said?
00:10:25No complaints.
00:10:26Can you spare a few minutes?
00:10:27Sure.
00:10:28Sure I can.
00:10:29Are you on duty?
00:10:30No, not really.
00:10:31I'm officially on vacation.
00:10:38Soda?
00:10:38Just straight, thanks.
00:10:41I thought you're here for a story on that Ellison boy.
00:10:44Good bet.
00:10:45Sit yourself down.
00:10:46So were some friends of yours.
00:10:48They left about an hour ago.
00:10:50Uh-oh.
00:10:50The local gendarmes, no doubt.
00:10:52Right.
00:10:52Lieutenant Partain and a couple of his men.
00:10:55They talked to the boy for about an hour and then finally...
00:10:57Wait a minute.
00:10:58Talked to him?
00:10:59You mean the Ellison kid's able to talk?
00:11:01Sure.
00:11:01He wasn't hurt too badly.
00:11:02The bullet didn't enter any of his vital organs.
00:11:04But the nurse said he couldn't have any visitors.
00:11:06Well, he can't.
00:11:07At least not now.
00:11:08He was too tired after that session with Partain.
00:11:11I wanted him to get some rest.
00:11:13Well, when can I see him?
00:11:14In the morning?
00:11:15In the morning?
00:11:16But talk.
00:11:16I gotta phone something into the editor.
00:11:18I can't fool around on this thing.
00:11:20I'll leave on my vacation tomorrow.
00:11:22Well, I envy you.
00:11:23We're so short-staffed here at the hospital,
00:11:25there's no telling when I'll be able to take a vacation.
00:11:28What did the kid say when he talked?
00:11:30He told a real weird story.
00:11:33The police have a transcript of it.
00:11:35I'd rather hear it from you if you don't mind.
00:11:37I don't think I should repeat it.
00:11:39I imagine the lieutenant would rather tell you himself.
00:11:42Ah, come off it, Doc.
00:11:43You know Partain's not gonna give me anything till he's good and ready.
00:11:47All right.
00:11:48All I can do is repeat what the boy said.
00:11:50But I'll warn you, you won't believe it.
00:11:52Suppose you try me.
00:11:54Well, this Ellison kid is a student at the university.
00:11:58A cheerleader.
00:11:59An honor student.
00:12:00An all-around popular kid.
00:12:02Early this afternoon, he and this co-ed...
00:12:04Co-ed?
00:12:05You mean there was a girl with him?
00:12:08Yes.
00:12:08Uh, one of the majorettes from the band.
00:12:11A girl named Margaret DeMar.
00:12:13DeMar?
00:12:14Couldn't be related to Sandy DeMar and the nightclubs, right?
00:12:17As a matter of fact, yes.
00:12:18Her sister.
00:12:19Well, that ends it, ain't you color?
00:12:20What about the girl?
00:12:22I'm getting to that.
00:12:23Now, do you want to hear this story or not?
00:12:25Okay, okay.
00:12:26Go ahead.
00:12:27Well, early this afternoon, they left the university on their way downstate to that night game against Southern Tech.
00:12:34They had permission to drive down instead of going on the bus with the other students.
00:12:39They were running short of time, so they took a shortcut on one of those farm roads.
00:12:43Ellison's car started acting up and finally quit on them.
00:12:47They had to have help, so they started walking, trying to make it to a farmhouse.
00:12:50I said, hold her right there.
00:12:59Hey, Dad.
00:12:59What are you made up for?
00:13:01What are you two young'uns doing out here?
00:13:05Quick!
00:13:06Don't let them get away!
00:13:09Run, Marjorie!
00:13:10That's the car!
00:13:12Stop, boy!
00:13:13I'll shoot!
00:13:14He started running, and that's when he got shot.
00:13:18He got up, and he kept on running.
00:13:20He made it back to the car.
00:13:22He looked around for the girl, and she wasn't there.
00:13:25After that, he blacked out.
00:13:27A passing motorist picked him up and brought him in, and that's the story the way he told it.
00:13:32You sure weren't kidding when you called it weird.
00:13:35I've heard some screwy ones in my time, but this one takes the prize.
00:13:39Yeah.
00:13:39That was exactly my reaction.
00:13:42At first.
00:13:43What do you mean, at first?
00:13:44Well, sometimes I'm forced to alter my opinion by certain evidence.
00:13:49I don't know if you're aware of it, Jim, but my hobby is American military history.
00:13:54I collect historical military objects like some men collect stamps.
00:13:58Like this item that was brought in by a patient a couple of months ago.
00:14:01You know what that is?
00:14:05Well, it looks like some kind of rifle slip.
00:14:08Mm-hmm.
00:14:09I have a cigar box full of those at home.
00:14:12My brother and I used to find those in the woods and dig them out of trees when we were kids, back in Georgia, 30 years ago.
00:14:19It was one just like the one you're holding now that I took out of young Ellison's body and gave to the police this evening.
00:14:27And if you ask me, they're going to have to dig a long way back in their ballistics file to find anything that matches that.
00:14:34Yeah?
00:14:35Yeah.
00:14:35You see, that's a mini-ball.
00:14:39The kind of a bullet they used during the Civil War.
00:14:42The Civil War
00:15:12The Civil War
00:15:42The Civil War
00:16:12Now, ladies and gentlemen, it is my privilege to present our heavenly little headliner and collector of two gold records,
00:16:28the girl with the orchid voice, Miss Sandra DeMar.
00:16:30Go on away and leave me alone
00:16:48I want to be by myself when I cry
00:16:54And there's gonna be some crying
00:16:57Cause I just told my baby goodbye
00:17:01Get out of here
00:17:07Get out of here and leave me alone
00:17:11I don't care whether I live or I die
00:17:17Cause my life's already over
00:17:20It ended when it ended when he told me goodbye
00:17:26Why is it everything happens to me and my dreams all explode in my face
00:17:34He was my own for a while, he was my own for a while, but he's gone and I know no one can ever take his place
00:17:43So go away and leave me alone
00:17:50I've got a right to my own private pride
00:17:56Coming down with the sorrows
00:18:00Cause I just told my baby goodbye
00:18:04Why is it everything happens to me and my dreams all explode in my face
00:18:34He was my own for a while, he was my own for a while, but he's gone and I know no one can ever take his place
00:18:39Good evening, Terry
00:18:40Good evening, Ramon
00:18:41Good evening, Ramon
00:18:42Is this place at a position?
00:18:43Oh, there's nothing to worry about
00:18:44We'd like to talk to Miss DeMar when she's through singing
00:18:46Would you care for something while you're waiting?
00:18:48Thank you, no girl, I'm doing it
00:18:49Go away and leave me alone
00:18:51I've got a right to my own private pride
00:18:57I'm coming down with the sorrows
00:19:01Cause I just told my baby goodbye
00:19:08Cause I just told my baby goodbye
00:19:13Cause I just told my baby goodbye
00:19:28Yes?
00:19:47Sandy? Are you decent?
00:19:49Yes
00:19:50Two gentlemen from the police department
00:19:52I want to talk to you
00:19:53Police?
00:19:54Yes, Miss DeMar
00:19:56I'm Lieutenant Park Tain
00:19:57And this is Detective Lasky
00:19:59We're just making a routine investigation
00:20:01Have you heard from your sister this evening?
00:20:03Margie?
00:20:04Why no?
00:20:05Why do you ask?
00:20:06Well, we just thought she might have called you
00:20:08You see, we have reason to believe she may be missing
00:20:11Missing?
00:20:12I don't understand
00:20:14She's at a football game
00:20:15In Stephenville
00:20:16With Howard Ellison
00:20:17I'm afraid not, Mr. Moore
00:20:19Maybe you'd better sit down
00:20:20And let me tell you all that we know about it so far
00:20:22Well, Lieutenant Park Tain, is it a raid or payoff?
00:20:45Lasky, we got the Walter Winch of the Boondocks again
00:20:48You been talking to the DeMar girl?
00:20:50So you know about it already?
00:20:52Yeah, but not enough
00:20:53Can you fill me in?
00:20:54At this point, you probably know just about as much about it as we do
00:20:57Why don't you stop by the office in the morning when we have more time to work on it?
00:21:00Aw, come on, Fred
00:21:01Can't you give me something tonight? I'll start my vacation tomorrow
00:21:05Good fishing
00:21:20Miss DeMar?
00:21:34Yes?
00:21:35I'm Jim Crandall with the Sentinel
00:21:36Could I talk to you a moment?
00:21:38I'm sorry, Mr. Crandall
00:21:39I really haven't time to talk
00:21:40I've got to get home in case my sister calls
00:21:42Well, that's what I wanted to talk to you about
00:21:45Can I give you a lift home?
00:21:47Thanks, but I'll take a cab
00:21:49Well, they're kinda slow this time of night
00:21:52Well, alright, if you're sure it's not out of your way
00:21:55Of course not
00:21:56It's part of my job
00:21:57What's the matter?
00:22:06Mr. Crandall, I'm too upset to go home
00:22:08You know my sister's missing
00:22:09Yes?
00:22:10Do you know where it happened?
00:22:11Just about
00:22:12Would you drive me there?
00:22:14It's nearly one o'clock in the morning
00:22:16Besides, what if she calls you?
00:22:18If she were going to call me, I'm sure she would have done so by now
00:22:22It's nearly a 45 minute drive up there
00:22:24Howie was picked up on a farm road just this side of Stephenville
00:22:28There's too much trouble
00:22:29You can drop me to my apartment and I'll take my car
00:22:32You're pretty determined to go, aren't you?
00:22:33If my sister's in trouble, I've got to be near her
00:22:37Hop in, I need to go up there myself
00:22:54Lieutenant, we checked that house from top to bottom
00:23:06Nothing there
00:23:07Okay, Lasky
00:23:08As soon as the boys are through, have them go in and get some rest
00:23:11We've done everything we can do here
00:23:13Maybe the sheriff and his bloodhounds will turn something up
00:23:16Right
00:23:17Right
00:23:42Lieutenant Partain around
00:23:43He's up in the woods someplace
00:23:45Evening, ma'am
00:23:46Has there been any news of my sister?
00:23:47You signed her tomorrow?
00:23:48Here comes Partain now
00:23:57Lieutenant, have you found her yet?
00:23:59I'm afraid not
00:24:01Randall, what did you bring her out here for anyway?
00:24:03I made him bring me, Lieutenant
00:24:05Can you tell me anything about Margie?
00:24:07No, ma'am, I think you both made a trip out here for nothing
00:24:09Why don't you go home and get some sleep?
00:24:14He's right, Sandy
00:24:15You should do as he says
00:24:17Jim
00:24:19Somewhere out there in that horrible blackness
00:24:21It's my sister
00:24:24Those dreadful dogs
00:24:27They sound so terribly ominous
00:24:30Oh, Jim
00:24:31Come on
00:24:36We'd better get back
00:24:38No, I'm going to check all the antique gun shops this morning
00:24:54Soon as they open
00:24:55How about the kids' parents, you contact them?
00:24:58Lieutenant
00:24:59Ellison's live in Denver
00:25:00I tried all night to call them, but they weren't home
00:25:04How about a cup of coffee, Jim?
00:25:05Yeah
00:25:06Black
00:25:07What about the kids at the university?
00:25:10Ellison's fraternity brothers
00:25:12I talk to everyone in the dorm
00:25:13They like him
00:25:15What do his professors say about him?
00:25:17Bright popular boy
00:25:19Good scholastic records
00:25:21Level-headed, down to earth
00:25:22Not the kind to make up
00:25:24Wild stories
00:25:26Well, that cracks another one of our little series wide open
00:25:31You just getting here?
00:25:32Some of the other fellas came in a couple of hours ago
00:25:34Yeah, I was out with the sheriff and his bunch
00:25:36And have we got a Lulu
00:25:38Yeah, what is it?
00:25:39The girl's sweater
00:25:41We found it out in the woods, not far from a smoldering campfire
00:25:44Go on
00:25:45Well, we gave the scent to the dogs
00:25:47And they took off like Moody's Goose
00:25:49Well, we followed them for about a mile or two
00:25:52Till they got through the woods
00:25:53And into a small open space
00:25:56Well, the dogs got about halfway through the open space
00:25:59And then they stopped
00:26:01Well, you've never seen so much confusion of tangled dogs in your life
00:26:05They didn't know which way to go
00:26:07The scent had stopped right in the middle of nowhere
00:26:11It was as if the girl had just been snatched off the face of the earth
00:26:16Into thin air
00:26:17Wait a minute
00:26:19You mean no footprints, no tire tracks, no nothing?
00:26:22Well, nothing
00:26:24But this
00:26:25Well, so you've found part of a costume
00:26:28Costume?
00:26:29Uh-uh
00:26:30This is the real article
00:26:31I checked it out
00:26:33What do you mean checked it out?
00:26:35Look at the label on the inside
00:26:37McCord Brothers
00:26:39McCord
00:26:40Outfitter to the military
00:26:43Charleston, South Carolina
00:26:45I checked with the Charleston department
00:26:48And they gave me some very interesting facts from one of their newspapers
00:26:51It seems that McCord Brothers
00:26:54The company that made that hat
00:26:56Burned to the ground in 1869
00:26:59And was never rebuilt
00:27:01It's been non-existent for over a hundred years
00:27:05This case is getting screwed here by the minute
00:27:07Don't it, though?
00:27:09I ask you to run this down to the lab
00:27:11And then go home and get some sleep
00:27:14How about me, Lieutenant?
00:27:16Sure, sure, go on home
00:27:18You weren't arrested
00:27:21Well, what do you think?
00:27:25I was Mr. Marr when you left her
00:27:27Shook up, naturally
00:27:28She's spending the night with her girlfriend
00:27:31I've read about this whole mess
00:27:33What's your opinion?
00:27:35I'm not paid to have opinions
00:27:38I'm paid to put jigsaw puzzles together
00:27:40But seriously, what do you think?
00:27:43I think there's a logical explanation to everything
00:27:46Two men were in those woods in costume and makeup
00:27:48Anyone knows there's lots of guys around nowadays
00:27:51Who collect antique guns
00:27:53They belong to clubs
00:27:55They have meetings and shooting contests
00:27:57Every so often
00:27:59A couple of them got liquored up a little
00:28:01Wanted to have some fun and scare the kids
00:28:03But, something went wrong
00:28:05It's as simple as that
00:28:07My hunch is, as soon as they get up enough nerve
00:28:09They'll come in, give themselves up
00:28:11It's a nice theory, Jim
00:28:13But, uh, what happened to the girl?
00:28:15Well, your guess is as good as mine
00:28:18Jim, you know this whole thing is
00:28:21Well, it's spooky
00:28:23Reminds me of something that happened in Germany in 1945
00:28:26Towards the end of the war
00:28:28Yeah? What was that?
00:28:29Well, our outfit liberated a small concentration camp near the Alsatian border
00:28:34When we took it, we expected to find the usual half-starred, ragged inmates
00:28:39You can imagine our surprise when we were greeted by about 50 young people
00:28:44All a picture of perfect health
00:28:47That sounds a little hard to believe after all I've read of Dachau and Auschwitz
00:28:51Well, that's what made it hard to be
00:28:53Here were these kids, not over 21 and some as young as five
00:28:58Living in apparent luxury
00:29:00Good food, complete recreational facilities, no forced labor
00:29:04Reminded me of a bunch of calves being fattened up for the kill
00:29:08You mean there were no old people in the camp?
00:29:11There were a few, but not alive
00:29:13We found their bodies in the rooms next to the ovens
00:29:17Apparently we'd taken the camp so fast they hadn't had time to dispose of the bodies
00:29:21But before they left the night before
00:29:24They blew up the largest building in the camp
00:29:26It was some sort of a laboratory
00:29:28And inside, amidst the rubble and blown into a million pieces
00:29:33Was the scariest piece of machinery I've ever seen
00:29:36Some sort of a crazy electronic apparatus
00:29:40And half buried underneath it amidst the rubble
00:29:43Still strapped to the table was an old, old man
00:29:46Just barely alive
00:29:47Just barely alive
00:29:49Our medics tried to save him, but they couldn't
00:29:51Now here's the weird thing
00:29:53This is the part we could never understand
00:29:56In trying to identify him
00:29:58We checked the camp records with the prison number tattooed on his arm
00:30:02According to those records
00:30:04That old man should have been
00:30:06An 18 year old boy
00:30:08What about the other bodies?
00:30:10Same thing
00:30:11Their numbers indicated they all should have been kids
00:30:14What type of experiments were they conducting there?
00:30:18We never found out
00:30:20Even the young inmates were aware of why they were there
00:30:22They never found the commandant of that camp to bring him to trial with the rest of the Nazi brass
00:30:27His name was, uh, Ernst von Hauser
00:30:30Did you ever hear of him?
00:30:32He was a German physicist
00:30:35A contemporary of Einstein's
00:30:37I don't follow you
00:30:39You mean you think there might be some connection between all that and what happened here last night?
00:30:44I'm not saying that, no
00:30:46But just suppose
00:30:48For the sake of argument
00:30:50The Ellison kid didn't see two men out of the past of a hundred years ago
00:30:53That would mean somebody around here is tampering with time
00:30:57Somebody was also tampering with time in that concentration camp
00:31:01Now wait a minute, let me get this straight
00:31:03You think that the machine found in that concentration camp was some kind of time machine
00:31:08And that there may be another one like it around here
00:31:10Is that what you're saying?
00:31:12I'm not saying anything
00:31:14I'm just supposing
00:31:16After all, they never found von Hauser
00:31:19Lieutenant?
00:31:20It won't
00:31:21Captain wants to see you in his office
00:31:22I want you to bring the file on the Maddox case
00:31:25Be right there
00:31:29How am I ever going to turn in a story like that?
00:31:32That's your problem
00:31:40Hello?
00:31:52Give me the city desk
00:31:56Hello, Reed
00:31:57Crandall again
00:31:59Would you tell Shaw I'd like to postpone my vacation and stick with the Ellison story?
00:32:03Yeah, that's right
00:32:05You know that Pulitzer Prize you're always kidding me about?
00:32:09Well, if this thing turns out to be what it looks like, I just might win it
00:32:14No, nothing new at the moment
00:32:17I'll keep you posted
00:32:19Yeah, I've got a little research to do in the library
00:32:22Then I'm going to the hospital to interview the kid
00:32:24Right, talk to you later
00:32:25Talk to you later
00:32:39All right, Howie, you can go on with your story
00:32:44That's about it, Mr. Crandall
00:32:46I remember reaching the highway
00:32:49And Margie wasn't there
00:32:51And then I blacked out and the next thing I knew I was here at the hospital
00:32:53And you really don't think, Howie, that those guys were just a couple of cooks in Civil War costumes?
00:33:01Mr. Crandall, I don't know how to explain it
00:33:04But I got the distinct feeling that these guys were for real
00:33:08I mean like something straight out of Gone with the Wind
00:33:12Howie, what's your idea of what happened to Margie?
00:33:15Do you think these two guys grabbed her?
00:33:17I don't know, Mr. Crandall
00:33:19I don't know
00:33:20That's what's bugging me out of my skull
00:33:26Nurse, is Mr. Ellison awake?
00:33:27Yes, he is
00:33:28He has another visitor
00:33:29But you can go on in
00:33:31Thank you
00:33:41Sandy!
00:33:42Hello, Howie, how are you?
00:33:44Hello, Jim
00:33:45Good morning, have you heard anything from Margie?
00:33:47Not yet
00:33:48I brought you some flowers
00:33:50Thank you, Sandy
00:33:53I'm sorry about all this
00:33:55I mean...
00:33:56It's alright, Howie
00:33:57Now don't you worry
00:33:58Whatever happens, I know it wasn't your fault
00:34:01Jim, have the police found out anything yet?
00:34:05No new developments
00:34:06I'm going up there in a little while and have a look around myself
00:34:09I want to see the place in the daylight
00:34:11Would you mind if I went with you?
00:34:12Of course not, I'd enjoy your company
00:34:14Howie, would you forgive us if we ran off right away?
00:34:18Sure
00:34:19I understand
00:34:21I'll drop back in later
00:34:22Bring me some magazines
00:34:24Yeah, True Confessions and Ladies Home Journal
00:34:27Gee, thanks, Mr. Crandall
00:34:28Those are two I never miss
00:34:30See you later, Howie
00:34:31It's not true
00:34:33This is not true
00:34:34There is no one
00:34:35With the light
00:34:37About these days
00:34:39If you're afraid
00:34:41For the light
00:34:43You might wanna see
00:34:44The light
00:34:45There's a light
00:34:46That is no one
00:34:47There's a light
00:34:48There's no one
00:34:50There's no one
00:34:51You might feel
00:34:53There's no one
00:34:54You might see
00:34:55There's no one
00:34:56There's no one
00:34:57You might not
00:35:57Looks like the typical haunted house, doesn't it, Jim?
00:36:13Yeah.
00:36:15The meadow where they found the cap and where Margie's trail ended is supposed to be nearby.
00:36:21Do you think this old place has anything to do with her disappearance, Jim?
00:36:24I don't think so.
00:36:26They searched it and didn't find anything.
00:36:29Her sweater was found somewhere in those woods.
00:36:30I think I'll have a look around.
00:36:35I don't think so.
00:37:05I don't think so.
00:37:35I don't think so.
00:37:36I don't think so.
00:37:37I don't think so.
00:37:38I don't think so.
00:37:39I don't think so.
00:37:40I don't think so.
00:37:41I don't think so.
00:37:42I don't think so.
00:37:43I don't think so.
00:37:44I don't think so.
00:37:45I don't think so.
00:37:46I don't think so.
00:37:47I don't think so.
00:37:48I don't think so.
00:37:49I don't think so.
00:37:50I don't think so.
00:37:51I don't think so.
00:37:52I don't think so.
00:37:53I don't think so.
00:37:54I don't think so.
00:37:55I don't think so.
00:37:56I don't think so.
00:37:57I don't think so.
00:37:58I don't think so.
00:37:59I don't think so.
00:38:00I don't think so.
00:38:01I don't think so.
00:38:02I don't think so.
00:38:03I don't think so.
00:38:04I don't think so.
00:38:05let's get out of here.
00:39:35What happened?
00:39:49I don't know, but we'd better get back to the car.
00:39:52Jim!
00:40:02Oh, the car!
00:40:04It's gone!
00:40:11Jim, someone must have stolen it.
00:40:13I would have heard the motor start up.
00:40:15Besides, I have the key in my pocket.
00:40:18Well, this must be the wrong place.
00:40:20This isn't where we left it.
00:40:21This is where we left it, all right.
00:40:23But it looks different here.
00:40:28There are more trees than there were before.
00:40:31And that fence, that wasn't here when we came down the road.
00:40:36And the barbed wire fence is gone.
00:40:40Jim, we're lost.
00:40:42I don't think so.
00:40:44At least, not the way you mean.
00:40:47Jim, I'm frightened.
00:40:49It's, it's all right.
00:40:52Let me think a minute.
00:40:53This road was paved.
00:40:56And now it's dirt.
00:40:58And there isn't a telephone pole in sight.
00:41:01I know, I know.
00:41:03Jim, what is it?
00:41:05What's happening?
00:41:06I don't understand it.
00:41:08Where's the car?
00:41:09Where are we now?
00:41:10Jim, I know you know what's happening to us, and you won't tell me.
00:41:13But why not?
00:41:15What's going on?
00:41:18Fantastic.
00:41:20Incredible.
00:41:21I never really believed it.
00:41:24Tell me.
00:41:25Tell me what's happening.
00:41:26Sandy.
00:41:27What's going on?
00:41:27What dreadful thing is happening?
00:41:29Tell me.
00:41:30Tell me.
00:41:32It'll be all right.
00:41:34Everything's going to work out.
00:41:36But we have to keep our heads.
00:41:41I believe our best bet is to follow this road
00:41:44and see where it leads.
00:41:46Come on.
00:42:14I believe our best bet is to follow this road.
00:42:18Jim, his clothing.
00:42:47I know.
00:42:48Ours are just as strange to him, especially your short skirt.
00:42:56Friend, what year is this?
00:43:03Where are we?
00:43:05Witchcraft! Witchcraft!
00:43:15Jim.
00:43:16Honey, I don't know how to explain it, but somehow we've been set back in time.
00:43:23But Jim, that's impossible.
00:43:26Impossible. I know it's supposed to be impossible, but it seems to have happened.
00:43:30Well, let's not try to figure it out now.
00:43:35We've got to get somewhere to find some help.
00:43:38Some way.
00:43:39Jim, I'm sorry, but I don't think I can go any farther.
00:44:01I simply have to rest.
00:44:04All right.
00:44:05We'll stop for a while.
00:44:07Welcome, my friends, to our little workshop.
00:44:29Do not be alarmed or cause unnecessary commotion.
00:44:35You are in no danger.
00:44:37At least, not for the moment.
00:44:39I am Dr. Ernst von Hauser.
00:44:51Professor, these are two of my assistants.
00:44:56Montreuk and Wolf.
00:44:58Where are we?
00:45:00I told you.
00:45:01We are in my little workshop.
00:45:04And I tell you again, please do not be alarmed.
00:45:08What time is this?
00:45:08What century are we in?
00:45:10Does it matter, my friend?
00:45:13There really is no such thing as time.
00:45:15Except as a relative measuring device in your own mind.
00:45:20We're not interested in double talk.
00:45:22What happened to Margaret DeMar?
00:45:24What have you done with it?
00:45:26Please, Mr. Crandall, you will please remain calm.
00:45:30What have you done with my sister?
00:45:32Your sister is entirely safe, Mr. Mar.
00:45:35And I assure you, I did not bring her here intentionally.
00:45:38She certainly didn't come here of her own free will.
00:45:41I didn't say that.
00:45:42I brought her here to keep her from harm.
00:45:45Then where is she?
00:45:46Let me see her.
00:45:47But of course.
00:45:49To the armor.
00:45:51Come into here.
00:45:52Schnell.
00:45:56To the armor.
00:45:57Bring in the FrƤulein de Mar to her at Shresta.
00:46:02Go.
00:46:07No need for alarm, Mr. Crandall.
00:46:10She'll be all right.
00:46:12She'll be able to freshen up.
00:46:13We will even furnish her a change of clothing.
00:46:16I noticed you were intrigued by my servant girl, Deliana.
00:46:27And there you might be.
00:46:30Just a few thousand years ago, she was serving in the court of Tonk Amemzes, one of the great
00:46:38pharaohs of Egypt.
00:46:39And now, she is serving me.
00:46:45Quite an experience, is it not?
00:46:49This is like a fantastic nightmare.
00:46:52I don't understand any of it.
00:46:54How did you get Margie here?
00:46:56I was conducting an experiment with a pair of gentlemen from the past.
00:47:03Then the girl and her boyfriend wandered into the machine's field of materialization
00:47:09and encountered them.
00:47:11They shot the boy.
00:47:14They might have killed the girl, had I not teleported her here very quickly.
00:47:19And the two red soldiers?
00:47:21I sent them back to Shiloh, Mr. Crandall.
00:47:25But it doesn't matter.
00:47:26They probably died there anyway.
00:47:30Fantastic.
00:47:31Outerly fantastic.
00:47:34Tell me, Doctor, why did you send Sandy and me back to...
00:47:37To 1789?
00:47:39I admit I took advantage of you to conduct a little experiment.
00:47:44Oh, you are a little dangerous, but you see, no harm has come to you.
00:47:50Super-spectronic relativity.
00:47:53I believe that's what you once called it.
00:47:54Oh.
00:47:55Then you are familiar with my work.
00:47:58To some degree, yes.
00:47:59I read up on you this morning in the library after talking with the police.
00:48:04Oh.
00:48:04And what did you learn about me?
00:48:09Quite a bit.
00:48:11I know of your early career and some of the brilliant discoveries you made in the field of physics.
00:48:16And that you were expelled from the International Congress of Physicists because of your theories.
00:48:22That was a humiliation which will soon be avenged, Mr. Crandall.
00:48:28But go on.
00:48:29What else did you learn of me?
00:48:31Well, I know that you were a friend and sponsor of Adolf Hitler.
00:48:35That you helped elevate him to power in the 30s.
00:48:38And became the organizer and administrator of his Department of Scientific Warfare.
00:48:44That's another thing that puzzles me here, Doctor.
00:48:47Why a man of your brilliance should identify himself with a fanatical madman like Hitler.
00:48:52How dare you refer to Adolf Hitler as a madman?
00:48:56He was a great genius.
00:48:58Ahead of his time.
00:49:00The world in its ignorance was not ready to accept him.
00:49:04The world did not accept him because he was a lunatic bent on enslaving it.
00:49:08Do you call a man who is responsible for the mass murder of millions a great man?
00:49:13A genius?
00:49:14Anyone with enough intelligence to examine history knows there are times when lives must be sacrificed for the benefit of future generations.
00:49:24And he was willing to do this in order to lead his people into...
00:49:29Into darkness.
00:49:30Into oblivion.
00:49:31That's where he was leading them.
00:49:33And like all other power-crazed dictators before him, he failed.
00:49:37Thank God there were people in the world with enough courage to resist and to conquer him.
00:49:42What do you know in your stupid, pecty little mind?
00:49:47You will forgive me, Mr. Crandall, for my outburst of temper.
00:49:57You are, of course, entitled to your own opinion for whatever small purpose it may serve you.
00:50:06Let me enlighten you, Mr. Crandall, on a few things of which you and the rest of the world are unaffair.
00:50:14Blame for the loss of the war cannot be laid to Hitler or his doctrines.
00:50:23It was I who failed him.
00:50:27Me and the general staff.
00:50:30He called for weapons, super weapons, to turn the tide of war in those last few days.
00:50:36Because of my inability to deliver those machines soon enough, we were defeated.
00:50:44It might interest you to know that during those last few months of the war,
00:50:53we had almost perfected weapons so far in advance of anything that had gone before them
00:50:59as to make modern warfare in all its forms completely obsolete.
00:51:05Oh, if you had only had time for further experiments.
00:51:11I know of some of your experiments, like the ones carried out in a certain concentration camp.
00:51:17Oh, didn't you know about the agent machine?
00:51:21Yeah.
00:51:22They had almost perfected that one when the war ended.
00:51:26Oh, but that machine was one of the more primitive devices,
00:51:29like the jets and the rockets that they were used so briefly.
00:51:35We were in the final stages, Mr. Crandall,
00:51:38of perfecting weapons that were truly astounding
00:51:41and against which you would have had no defense.
00:51:45A cannon that killed with sound waves, yet was completely silent.
00:51:51A giant generator gun that could electrocute whole armies in the field.
00:51:56Oh, and more, many more.
00:52:00If you'd have only had a few more months to perfect those weapons,
00:52:05they could have plucked victory from the jaws of defeat.
00:52:09The turret race would have endured,
00:52:11not for a thousand years as the Fuhrer dreamed,
00:52:15but forever.
00:52:17But the fact is that you failed, Herr Doctor.
00:52:20Failed and lost.
00:52:22Ah, but you are forgetting one thing, Mr. Crandall.
00:52:26That was twenty years ago.
00:52:29Since then, I have perfected and even improved
00:52:32on my original weapons.
00:52:35And we have conquered time.
00:52:40Dr. Einstein's so-called fourth dimension.
00:52:45Hitler will return, Mr. Crandall,
00:52:48and soon your victory was but a temporary one.
00:53:15Margie!
00:53:16Baby!
00:53:17Sandy!
00:53:18Honey, are you all right?
00:53:19Do they hurt you?
00:53:20Oh, Sandy, I didn't think I'd ever see you again.
00:53:23Oh, I was...
00:53:24I'm all right.
00:53:31Let us out of here.
00:53:33Open this door.
00:53:34Let us out.
00:53:36Please, don't let them keep us here.
00:53:37Come here.
00:53:42I have my own underground atomic power supply
00:53:46right here.
00:53:47Here are the master controls,
00:53:47right here are the master controls,
00:53:48and here are the selectors.
00:53:51With this dial, I can control the century I wish to deal with.
00:53:57These other dials, of course, are for the selection of the year, the month, the day, even the hours, and minutes, and even seconds.
00:54:08These are the acceleration switches with which I can control the velocity or speed of the passage of certain relative segments of time.
00:54:21Mr. Crandall, just as you would increase or decrease the speed of an automobile, is that too difficult for you to grasp, Mr. Crandall?
00:54:31Frankly, I'm beginning to doubt my sanity.
00:54:34You needn't.
00:54:36After all, there are very few people in the world who can understand even Dr. Einstein's theory of relativity.
00:54:44And my theories go far beyond his.
00:54:48But you are an intelligent man, Mr. Crandall.
00:54:51Perhaps I can explain it a bit more simply.
00:54:54We will make this line represent the world.
00:55:02We have a line here that represents the equator,
00:55:06and a mark here, and a mark here, for the north and south poles.
00:55:11If an aircraft starts here, this side of the equator,
00:55:16and starts going up and up and up,
00:55:19it is going north toward the north pole.
00:55:24But the instant it passes over the pole,
00:55:28it is no longer going north.
00:55:32It is going south.
00:55:34And yet it has not turned or changed its direction in any way.
00:55:40Now that is the simplest way I know of
00:55:43to make you understand how my theory of superspectronic relativity was first developed.
00:55:52It has long been established that time and space do not exist except in relation to each other.
00:56:02Therefore, they are inseparable, indivisible, a space-time continuum.
00:56:11The faster we travel in space, the faster we travel in time.
00:56:16Now, let me use this short vertical line to represent an instant of time
00:56:24time on this horizontal arrow to represent velocity or speed.
00:56:31Now then, scientists have long heard that light is the top limiting velocity in the universe.
00:56:41In other words, there is nothing in the world faster than light.
00:56:47And yet, it is known that beta particles ejected from the nuclei of radioactive substances
00:56:54can attain velocities up to 99% of light.
00:57:01Now, I have always based my theories on the premise that there is no limit to space.
00:57:09The universe is limitless.
00:57:12Well, if there is no limit to space, then there is no limit to time.
00:57:18And no limit to velocity.
00:57:23Therefore, I thought, there must be something in the universe that was faster than light.
00:57:31The years of frustration and failure before I finally had to submit to the one irrevocable fact,
00:57:41there is nothing in the universe faster than light.
00:57:46But, I discovered a new ray in the spectrum with a wavelength infinitely shorter even than that of the cosmic ray.
00:57:58This ray I called the minus ray.
00:58:02I'm afraid you lost me, Doctor.
00:58:05Well, in other words, while I discovered that the velocity of light is indeed the top velocity in the universe,
00:58:15that velocity need not remain constant.
00:58:20I discovered that through minus rays, velocity could actually be accelerated.
00:58:28And let me illustrate in this way.
00:58:31This line represents an instant in time.
00:58:36An instant, that is, in relation to our immediate vicinity in space.
00:58:41Now, if you enter a dark room or flip a switch, that room is instantly flooded with light.
00:58:52That is because that light traveling at its great velocity takes hardly any time at all to cover that small area of a room.
00:59:02It is immediate, instantaneous.
00:59:07Now, if that light had traveled any faster, it would have come on before you flipped the switch.
00:59:18Are you beginning to understand?
00:59:21I think so.
00:59:23Fine.
00:59:24Now then, just as I illustrated a moment ago, with the airplane flying up over the world, heading north until it passed over the north pole,
00:59:37then its direction became south, the same thing is true in a sense of time.
00:59:44If the velocity of ordinary light, represented by this arrow, should be accelerated,
00:59:53then it will pass beyond the instant, represented by this vertical line,
00:59:59and no longer be moving in the direction of the future, but it will be moving in the direction of the past.
01:00:08It will no longer be going forward in time, but backward.
01:00:14The greater the velocity, or I should say, the greater the acceleration, the further back in time it will travel.
01:00:23In other words, if a guy left New York for Los Angeles and traveled fast enough, he'd get there before he started.
01:00:30You joked, Mr. Cranston, but crudely expressed, that is exactly what would happen.
01:00:40Why are you telling me all this?
01:00:43To impress upon you the superior scientific knowledge that we possessed, my friend,
01:00:50and to illustrate why we would have won the war, if we had only had a few more months.
01:00:57We were the slaves of time then. Time was our master.
01:01:03But I, I have changed all that. Now, we are the masters, and time is our servant.
01:01:12Ah, you Americans are an egotistical, arrogant lot. How proud and superior you felt as you strutted through the ruined streets of our cities.
01:01:25The proud conquerors claiming the spoils of war.
01:01:30But that is only temporary, my Yankee friend. Soon Hitler will return.
01:01:38They will rewrite history. And the Third Reich will endure.
01:01:43Not for a thousand years, or a hundred thousand years, but forever.
01:01:50Immortality, the age-old dream of man, is ours.
01:01:59The rest of the world will fall on our feet, and they shall rule for all eternity.
01:02:10Oh, Lord. Did you make the young ladies comfortable?
01:02:14Jawohl, Your Doctor.
01:02:16And mantra. Did you see that Mr. Maher had a change of clothes?
01:02:21Jawohl.
01:02:22Good.
01:02:24The lecture is over, Mr. Cranston, and you look tired.
01:02:28If you will follow Monfre and Wolf, they will show you to your quarters.
01:02:33We weren't planning on staying. We want out of here now.
01:02:37I'm afraid that is impossible, Mr. Crandall.
01:02:40I must insist that you accept my hospitality.
01:02:43Now, wait a minute.
01:02:44Hurry!
01:02:45Get your hands off!
01:02:46We can't go!
01:02:47Warthauser!
01:02:48You can't get away with this!
01:02:49Let's go!
01:02:50Jim!
01:02:51Jim!
01:02:52Jim!
01:02:53Sandy!
01:02:54Are you all right?
01:02:55Yes, we're all right.
01:02:56But why are they locking us up?
01:02:57What are they going to do with us?
01:02:58Nothing if I have anything to do with it.
01:02:59Oh!
01:03:00Oh, don't hurt him!
01:03:01Oh, don't hurt him!
01:03:02Oh, don't hurt him!
01:03:03Oh!
01:03:04Oh!
01:03:05Oh!
01:03:06Oh!
01:03:07Oh!
01:03:08Jim!
01:03:09Jim!
01:03:10Jim!
01:03:11Oh!
01:03:12What are you going to do with us?
01:03:13Nothing if I have anything to do with it.
01:03:14Oh!
01:03:15Oh!
01:03:16Oh!
01:03:17Don't hurt him!
01:03:18Don't hurt him!
01:03:19Oh!
01:03:20Oh!
01:03:21Oh!
01:03:22Oh!
01:03:23Oh!
01:03:24Oh!
01:03:25Oh!
01:03:26Oh!
01:03:27Don't hurt him!
01:03:28Oh!
01:03:29Don't hurt him!
01:03:30Oh!
01:03:31Oh!
01:03:32Oh!
01:03:33Oh!
01:03:34Oh!
01:03:35Oh!
01:03:36Oh!
01:03:37Oh, I'm so sorry!
01:03:38Sandy, Sandy!
01:04:05Sandy, answer me!
01:04:08We're here, Jim. We're all right. How about you?
01:04:12Just a minor headache, honey.
01:04:15Is Margie still with you?
01:04:17Yes. She's asleep.
01:04:19Jim, I'm scared.
01:04:21What do you think Von Hauser intends to do with us?
01:04:24I don't know.
01:04:25But I do know one thing.
01:04:27I've got to figure a way out of here.
01:04:31Sandy, honey, I'm sorry about everything.
01:04:33I shouldn't have brought you with me this morning.
01:04:36It wasn't your fault.
01:04:37I asked to come along.
01:04:39After all we've been through, you must be beat.
01:04:42Have you had any sleep?
01:04:44No, I was worried about you.
01:04:47Well, try to get some rest while I do some thinking.
01:04:50Okay.
01:04:51As soon as Margie wakes up, I will.
01:04:53Jim!
01:05:18Jim!
01:05:19Jim!
01:05:19Sandy, what is it?
01:05:26I don't know.
01:05:28He wants to take Margie.
01:05:30Come on, see here, Fraulein.
01:05:32No.
01:05:33No, Sandy.
01:05:34Don't let him take me.
01:05:36Come on, see here.
01:05:37No.
01:05:37No, Sandy.
01:05:39No, leave her alone.
01:05:40Take your hands off her.
01:05:42Don't let him take me, Sandy.
01:05:44Don't let him take me.
01:05:45Don't let him take me, Sandy.
01:05:48Sandy, who is it?
01:05:49What's going on?
01:05:51No.
01:05:52No.
01:05:53What's going on in there?
01:05:54What's happening?
01:05:56What?
01:05:57Sandy, Daniel!
01:05:59No.
01:06:00What is it?
01:06:01Daniel!
01:06:02What are you doing?
01:06:03You're not taking her.
01:06:05Stop!
01:06:08Margie.
01:06:09Margie.
01:06:11So, you see my dad, I never know.
01:06:41There's no reason for all that hysteria.
01:06:43You're really nothing to fear.
01:06:46While I have never before tried sending anyone into the future,
01:06:50there is no reason to believe that the experiment will not be successful.
01:06:55And if something should go wrong,
01:06:58it will happen so quickly,
01:07:00you'll never feel a king.
01:07:02I'm not going to believe that the experiment will not be successful.
01:07:06I have no idea.
01:07:07I have no idea.
01:07:07Lady Alma, it is time you eat now.
01:07:30You speak English?
01:07:31Many others before you, they teach me talk.
01:07:34You mean there have been other prisoners here?
01:07:36Many.
01:07:37Are there any others here now?
01:07:38They all will disappear.
01:07:40You eat now.
01:07:45It is all they give me for you.
01:07:47It's all right.
01:07:48At least it's better than nothing.
01:07:51Lady Alma, you've got to help us.
01:07:53You're our only hope.
01:07:55No.
01:07:56I cannot help you.
01:07:58But you've got to.
01:07:59You're the only one.
01:08:00If you could get hold of the keys.
01:08:02No.
01:08:03They kill me.
01:08:04I cannot help you.
01:08:05Please, Lady Alma.
01:08:07Listen to me.
01:08:07No.
01:08:08We'll never get out of here if you don't help us.
01:08:10Please, Lady Alma.
01:08:11Please.
01:08:17I bring you food.
01:08:19You eat.
01:08:23Sandy.
01:08:23See if you can persuade her to help us.
01:08:25It may be our only hope.
01:08:26Someone's come.
01:08:30I must go now.
01:08:33Was it lost?
01:08:34Hang out.
01:08:35Hang out.
01:08:35Let's go.
01:09:05Stay away from me.
01:09:15Sandy! Sandy!
01:09:35Sandy! Sandy!
01:09:54Sandy, are you all right?
01:09:59Sandy, can you hear me?
01:10:09Sandy, honey. Thank God you're safe. Quick, get his keys.
01:10:15Oh, Jim, it was awful. He strangled her.
01:10:27It's all right, honey. Try to get a hold of yourself. We've got to get out of here.
01:10:32I'll be fine.
01:10:33I told you, Mr. Mark, this struggle is useless. You will only tire yourself needlessly.
01:10:48You will only tire yourself needlessly.
01:11:04You've got that machine on you.
01:11:20You've got that machine on you.
01:11:34Switch it off, Doctor.
01:11:36Jim, look, Marjorie!
01:11:52Reverse the machine, Doctor. Bring her back.
01:11:55I cannot guarantee that, Mr. Crandall. I have never experimented with the future before.
01:12:02You insane, sadistic. If you don't bring that girl back, I'll empty this gun into that warped brain of yours.
01:12:10Margie! Darling! Margie!
01:12:40It's too bad, Mr. Crandall, that you are not interested in science.
01:12:50But you Americans are so impractical anyway.
01:12:57Jim, look out!
01:13:07Just don't you try anything, Doctor.
01:13:09Don't try anything.
01:13:14That should cut down on your time travel, my good doctor.
01:13:25How about the attic? You searched that, didn't you?
01:13:27Yes, sir. That's where we found the Nazi soldiers and the radar equipment.
01:13:31Then this house has some connection.
01:13:34Crandall's car was found not too far from here.
01:13:37Von Hauser's headquarters must be around here somewhere.
01:13:39Crandall's car was found out here somewhere.
01:13:43Crandall's car was found out here somewhere.
01:13:44Crandall's car was found out here somewhere.
01:13:45I see you, Hooab.
01:13:46Crandall's car was found out here.
01:13:47I see you, Hooab.
01:13:49Lieutenant, yeah, what is it, Finley?
01:14:19Jim, and the DeMars, where did the devil do you three come from? Von Hauser's country place, Fred, we spent a very interesting night there, where is Von Hauser, down there in his laboratory, listen, what's that sound, that's the machine, you'd better stop it before he gets away, Lasky, you come with me, then you stay here with them,
01:14:49what machine, the time machine, the what machine, all right, professor, hold it right there, get away from that machine,
01:15:19if I hadn't seen it with my own eyes, Lieutenant, I wouldn't believe it, I know, I know,
01:15:35I don't know, I'll ask you if you ever tell anyone what I'm about to do, I'll have your job so help, is that clear?
01:15:46Lieutenant, I ain't seen nothing, I don't know what makes this contraption work, but I think I know a darn good way to shut it off,
01:15:56you I don't know, but I don't have a certain technique I don't know, I don't know what's in it right there,
01:16:15but I don't know what makes this contraption.
01:16:18Mm-hm.
01:16:20What's that?
01:16:50What happened down there, Fred?
01:16:56Forget it.
01:16:57Then they call Miller headquarters, have him send some of the boys out.
01:17:00Are you two all right?
01:17:01Everything's fine.
01:17:02Thank you, Lieutenant.
01:17:04Why don't you take your two ladies home?
01:17:07Come on, Lasky.
01:17:14The machine?
01:17:16Mangled beyond repair or recognition.
01:17:19Too bad the big brass didn't get a chance to look it over, isn't it?
01:17:22But why, Fred?
01:17:24You had no right.
01:17:26No right, huh?
01:17:28Listen, the way I figure is like this.
01:17:31Sooner or later, some other joker is going to invent a machine just like it.
01:17:35Maybe by then, the world will be ready for it.
01:17:38God only knows we aren't now.
01:17:41Hydrogen bombs are enough for people to worry about.
01:17:45Yesterday should be left alone.
01:17:46Because today, the world has enough problems just trying to make sure we'll have a tomorrow.
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