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Short filmTranscript
00:00:00.
00:02:00This is America, homeland of a people strong in self-reliance, proud in the way of free
00:02:11men.
00:03:20Now listen.
00:03:21You can't do this to me.
00:03:22Now take it easy, Parker.
00:03:23You're not my mother.
00:03:24You're only my manager.
00:03:25And my mind's made up.
00:03:26So save your win.
00:03:27Hello, Bob.
00:03:28Hello, Rita.
00:03:29Say, Rita.
00:03:30See if you can't talk some sense into this guy.
00:03:31Why, he is the most...
00:03:32Quiet, will you?
00:03:33You'll get your 10% commission just the same.
00:03:35Say, what's cooking?
00:03:37The man is out of his mind.
00:03:38That's what's cooking.
00:03:39Don't mind me, folks.
00:03:40I've got all day to rehearse.
00:03:41Oh, hiya, Gil.
00:03:42Yeah, he's a new contract for 4,000 a week with international pictures.
00:03:46And he won't sign it.
00:03:474,000 a week for a crooner?
00:03:50What's the matter with that pretty boy?
00:03:53Yes, Bob.
00:03:54What's the matter?
00:03:55He's ruining me.
00:03:56The man is ruining me.
00:03:57Now, wait a minute, Parker.
00:03:58This is my own gossip.
00:03:59Let me tell it.
00:04:00I'm signing up all right.
00:04:01Good.
00:04:02But with the army.
00:04:03Oh, boy.
00:04:04The Yanks are coming.
00:04:05Yes.
00:04:06Yeah.
00:04:07The Yanks are coming.
00:04:08Yeah.
00:04:09The Yanks are coming.
00:04:10Oh, would I like to be a one-man army and clean up this whole mess right away?
00:04:15Well, gang, I came to say goodbye.
00:04:18Bob, that's great stuff.
00:04:20Let me be the first to congratulate you.
00:04:22Yeah, and let me be the first to call you a chump.
00:04:25Gil, this is war.
00:04:27Surely you don't mean that.
00:04:28Certainly, Parky's right.
00:04:30You're a sap.
00:04:31Go ahead and enlist.
00:04:33But they'll never get me.
00:04:35Not as a private, anyway.
00:04:37Oh, yeah?
00:04:38Maybe you haven't heard of the draft.
00:04:40I'm way ahead of you.
00:04:41My kid brother's in the army.
00:04:43He's a first-class private, so what?
00:04:45One first-class sucker in my family's plenty.
00:04:48When I go, I'll have something up here.
00:04:51A captain.
00:04:52A major.
00:04:53Get it?
00:04:54Well, it's nice work.
00:04:55If you can get it.
00:04:57I'll get it.
00:04:58I've got connections.
00:04:59But you'll work your way up from the ranks.
00:05:01You bet I will.
00:05:02Gil.
00:05:03Yeah?
00:05:04The new number I wrote.
00:05:05The Yanks are coming.
00:05:06It all fits in.
00:05:07Let's do it for Bob and Akana.
00:05:08He's gonna be a Yank, huh?
00:05:09The band doesn't know it.
00:05:10They do know it.
00:05:11We've been rehearsing it.
00:05:12Well, I don't know about it.
00:05:13Please, Gil.
00:05:14It'll be Bob's.
00:05:15Yeah, my swan song.
00:05:16Civvies.
00:05:17Well, alright.
00:05:18Let's get it over with.
00:05:19Come on.
00:05:20Let's give out with the sentiment.
00:05:21For Glamour Boy.
00:05:37Times have been tough, and this war has been rough, but we will see it through.
00:05:45There is work that must be done, and it's up to everyone, and this means you and you.
00:05:53Let's pass the word that you have heard, that the Yanks are coming right away.
00:06:01Ten million strong, we'll march along, for we'll not be happy till we right the wrong.
00:06:10We've got a day, and we can't wait. We're on our way to make the Axis pay.
00:06:18We must do this now or never, and be free forever. Yes, the Yanks are coming right away.
00:06:26Let's pass the word that you have heard, that the Yanks are coming right away.
00:06:34Ten million strong, we'll march along, for we'll not be happy till we right the wrong.
00:06:42We've got a day, and we can't wait. We're on our way to make the Axis pay.
00:06:49We must do this now or never, and be free forever. Yes, the Yanks are coming right away.
00:07:02Boy, oh boy, that was terrific.
00:07:04Sammy, I'm sure you have a hit.
00:07:06You said it.
00:07:07Thanks.
00:07:08Do you mind breaking up the mush?
00:07:10We've got work to do.
00:07:12Well, so long, Rita.
00:07:15I just want to tell you how lovely you look, especially in that dress.
00:07:18Ah, parting is such sweet sorrow.
00:07:21Wake up, you mugs. We're through playing for pretty boy.
00:07:41Say, pardon me, are you the doctor?
00:07:43Yes.
00:07:43Say, doctor, I got an idea how you can win the whole war.
00:07:46You have?
00:07:47Yes, sir.
00:07:47Well, that's splendid. What is it?
00:07:49Don't take Bob Reynolds.
00:07:51Really?
00:07:51Yes.
00:07:51What's the matter with Bob?
00:07:53You give the whole army measles.
00:07:55When he was a small boy, he had the measles, he never got rid of.
00:07:57Oh, well, we'll cure him of that, all right.
00:07:59He also got bad tinsels.
00:08:01Tinsels?
00:08:01Yes, sir.
00:08:02And this arm.
00:08:03Well, what's the matter with that?
00:08:04He can't lift it at all.
00:08:05No.
00:08:06I was in a restaurant with him, and he couldn't even pick up a small check.
00:08:10Oh, my.
00:08:11That seems serious.
00:08:12That's nothing.
00:08:13This food.
00:08:14Ah, wait a minute.
00:08:15I suppose...
00:08:15He's got more corn than anybody in America.
00:08:18Well, we'll fix that up, all right.
00:08:20You will?
00:08:20Yes.
00:08:22Say, maybe you're right.
00:08:24You know something?
00:08:24I think that everybody should get into this thing.
00:08:28Say, listen.
00:08:30Do you think they would take me?
00:08:32Well, why not?
00:08:34You're big, strong, and you look intelligent.
00:08:39Is he kidding?
00:08:54Oh, my God.
00:09:24Stop it, stop it, fellas.
00:09:45That's murderous.
00:09:49Fellas, once again from the beginning.
00:09:51Okay.
00:09:52Gil, that passage.
00:09:54Sammy, why don't you mind your own business?
00:09:56I know what I'm doing.
00:09:57But when I wrote the arrangement, I meant it for the...
00:09:59Well, look.
00:10:00Let's get this straight once and for all, Sammy.
00:10:02This is Will Whitney, and I'm playing the music.
00:10:06Okay, if you...
00:10:08Sammy, if it wasn't for you and your arrangements, he wouldn't have a band.
00:10:16Thought you could use it.
00:10:19Onions.
00:10:20Onions!
00:10:20Do I.
00:10:21Well, today, I don't want any onions.
00:10:23Here, Spike.
00:10:26Onions or no onions, he still stinks.
00:10:30Sorry, Gil.
00:10:31I'll change it for you.
00:10:32Oh, never mind.
00:10:33Maybe if I go on a hunger strike, I can get some music out of these palookas.
00:10:39Hello, Peggy, honey.
00:10:41Morning, Sammy.
00:10:42Looks like Gil's blood pressure is up again.
00:10:45Yeah, 212 in the shade.
00:10:47I can't understand why Rita takes it from him.
00:10:50Maybe she's in love with him.
00:10:51Oh.
00:10:52You must think a lot of him yourself.
00:10:55By the way he treats you.
00:10:56Talk about what she takes.
00:10:59He thinks less of you than a dog does of a flea.
00:11:01So, I'm making a living the hard way.
00:11:04Well, that's this crazy business I'm in.
00:11:06But if you dislike him so much, what's keeping you around here?
00:11:09This is my business.
00:11:11Only a cigarette girl to you.
00:11:13But at least I'm not working for that lug.
00:11:17Oh, I'm sorry, Sammy.
00:11:19But it makes me so mad to think of all the talent you have
00:11:22and Gil not even giving you a tiny break.
00:11:24Yeah, I know, I know.
00:11:26And it burns me up to think that you have to hustle cigarettes around here
00:11:29when you should be singing with one of the top bands in the country.
00:11:31All we need, Sammy, is a couple of breaks.
00:11:33And we'll get them, too.
00:11:35Anyone who can write music like you
00:11:37just simply can't hide his blue notes under a bushel.
00:11:40You're a honey, Peggy.
00:11:41And if I do get a break, know what you're going to get.
00:11:43I'll take my last guess first.
00:11:45A husband?
00:12:07What a day.
00:12:32What are you beeping about?
00:12:35This is Finch.
00:12:36Oh, I guess I'm a little soft.
00:12:39Ah, you guys are a bunch of cream puffs.
00:12:41Ah, cut it out, Butch.
00:12:42Now, you fellas are doing fine.
00:12:43Keep it up and we'll have the best squad in E Company.
00:12:45That's great, Corporal.
00:12:47But I never knew it took so much drilling to drill a Jap.
00:12:50What I'd like to know is when do we sail for Tokyo?
00:12:53Any day now.
00:12:54You, you mean we're going overseas?
00:12:57No, sweetheart.
00:12:58We're going to a big party.
00:12:59How are we going overseas?
00:13:01That's what you journeyed the army for, didn't you?
00:13:03Uh, I didn't join.
00:13:04I was drafted.
00:13:06Say, are you a commissioned officer?
00:13:08State salary.
00:13:09I'm so funny.
00:13:11Oh, take it easy, kid.
00:13:12They're only ribbing you.
00:13:13Oh, they were kidding, eh?
00:13:14Sure, they're only ribbing.
00:13:15Say, listen.
00:13:16Frank, why don't you snap out of it?
00:13:18We're going to get leave tomorrow
00:13:19and then you can go home and visit with your folks.
00:13:22Well, my people are in the Middle West.
00:13:26Oh, okay then.
00:13:26Well, listen, let's go downtown and we'll have a lot of fun.
00:13:29I guarantee you'll have a good time, too.
00:13:30Oh, thanks a lot.
00:13:32You bet.
00:13:34Why are you looking at me like that?
00:13:36You know, I ought to bust you right in the nose.
00:13:38Hey, wait a minute, fella.
00:13:39What, you're crazy.
00:13:40I don't even know your girl.
00:13:41Don't give me that.
00:13:42It came to me like a flash when I seen you sideways.
00:13:45What do you mean?
00:13:46I should have been superstitious of you the first time I met you.
00:13:49Don't lie.
00:13:50You're that movie actor.
00:13:51Me?
00:13:51Yeah, you, your name's Robert Reynolds, ain't it?
00:13:55Oh, well, just an unfortunate coincidence, that's all.
00:13:59Oh, I get it.
00:14:00You think I'm that two-bit moving picture actor, don't you?
00:14:03Well, ain't you?
00:14:04Of course not.
00:14:07Gee, you sure look like him anyhow.
00:14:09Well, you say you ain't him all right,
00:14:11but that fancy pants ham, I hate the pieces.
00:14:14I once took my girl to a movie and she saw him in a picture.
00:14:18Well, I ain't got no more Maisie.
00:14:22Oh, boy, was she a Lulu.
00:14:24Butch, she was only trying to make you jealous, that's all.
00:14:27Imagine any girl trying to throw you overboard for some celluloid Romeo,
00:14:31like Robert Reynolds.
00:14:33On the level?
00:14:33On the level, Butch.
00:14:37You know, Bob, you ain't such a bad number.
00:14:39I guess I ought to be ashamed of myself or blow my topper.
00:14:42Come on, let you and me go to town and I'll buy a beer, huh?
00:14:45Oh, no thanks.
00:14:47Not even for a beer.
00:14:48It's too part of town.
00:14:50Why, it's only four miles, it's a cinch.
00:14:52I used to do twice that much road work before breakfast when I was in training.
00:14:55Oh, a fighter.
00:14:58Hey, now I remember you.
00:14:59You used to box over at the Legion Stadium.
00:15:01That's right, that's me.
00:15:03I used to fight for soldiers in the last war.
00:15:05Now I'm fighting with them in this war.
00:15:07It's a strange world, isn't it?
00:15:08Yeah, and a lot of strange people in it, too.
00:15:10You know, for three years I've been trying to get a match with the champ.
00:15:14I think he's scared of me, that's why he drew in the army.
00:15:16But he can't run out of me now.
00:15:18That's why I'm in the army.
00:15:20I'll get a match with him yet.
00:15:23You better be in condition.
00:15:25Are you kidding?
00:15:26Me in condition?
00:15:27Why, I'm not pink.
00:15:28Why, I hit him with shape.
00:15:29First I hit him right across the jaw.
00:15:31Then the left hook.
00:15:33And then an uppercut.
00:15:34And then a left hook.
00:15:35Oh, jeepers, jeepers.
00:15:38It was an accident, sir.
00:15:39It's a hoppy.
00:15:40I didn't mean to hit you.
00:15:43You.
00:15:45Why, you ugly baboon.
00:15:47Don't you know I could have you shot?
00:15:49You're going to suffer for this, you big hunk of cauliflower.
00:15:52Corporal.
00:15:52Corporal.
00:15:53Yes, Sergeant.
00:15:54I'm going to recommend to the CO that this Crosonbury here gets...
00:15:56Sergeant.
00:15:57Sergeant, he didn't do it on purpose.
00:15:58He was only shadow boxing.
00:15:59Yeah, that's right.
00:16:00Oh.
00:16:00So I'm a shadow, huh?
00:16:02No, but, uh...
00:16:02You got me wrong, Sergeant.
00:16:03Stop arguing.
00:16:04Sergeant, uh...
00:16:05These men have the makings of good soldiers.
00:16:07They're working hard.
00:16:08Maybe...
00:16:09Uh, maybe I should forget the whole thing.
00:16:11Oh, it won't happen again?
00:16:12Yes, Sergeant, it won't happen again.
00:16:13All right, keep quiet.
00:16:14This time you're going to get off easy.
00:16:16Thanks a million.
00:16:16But I'm going to see to it that you do get 30 days fatigue duty.
00:16:20And be confined to quarters for a week, understand?
00:16:22See, that's mighty decent of you, Sergeant.
00:16:25Oh.
00:16:25Yeah.
00:16:26I'm going to be twice as decent.
00:16:28You can keep your little pal company.
00:16:29See?
00:16:34Oh, how I hate that guy.
00:16:37I wish he had a brother so I could hate him, too.
00:16:40Oh, my little chum, how's your gin rummy?
00:16:42You mean my old man?
00:16:43Ah, he's in jail.
00:16:53Hello?
00:16:55Oh, hello, Bob.
00:16:57Oh, isn't that mean.
00:17:01And I'd wanted to see you so much.
00:17:05Say, that's an idea.
00:17:07Certainly.
00:17:08I'd love it.
00:17:09Yes?
00:17:10I'll be right down.
00:17:15Yes, I'm driving.
00:17:16Oh, that's sweet, Bob.
00:17:19All right, I'll hurry.
00:17:21Goodbye.
00:17:21Bye.
00:17:26I'm sure that that would be splendid.
00:17:29Oh, now tell me.
00:17:30Don't you think my little thought just too, too divine, Colonel?
00:17:34It's captive, Mrs. Van Asden.
00:17:36Oh, but it should be, Colonel.
00:17:39Or at least, General.
00:17:40You're so, so understanding.
00:17:44I'll be glad to take up your offer.
00:17:54Say, Sergeant, do you know where I could find Bob Reynolds?
00:17:58I'm sorry, but I don't know the young man.
00:18:00What?
00:18:00You never heard of Bob Reynolds, the movie star?
00:18:03See, Bob Reynolds.
00:18:05Sure, he's making a personal appearance for Uncle Sam,
00:18:08and he don't even know it.
00:18:09And, and he's really here in, in this camp, Mr. Uh...
00:18:12I used to be Parky Cockers,
00:18:14but the priorities made me cut it down to Parky.
00:18:17Yes, Missy's here in person.
00:18:19Oh, Mother, dear, we simply must have him for our show.
00:18:23Mr. Parky will help us, won't you?
00:18:26Well, that's what they call me, helping hand Parky.
00:18:28I help everybody, including human beings.
00:18:31But in this case, I think you better make your deal with him direct,
00:18:35and I'll go okay it later.
00:18:37You see, I got so much influence with him, it don't mean a thing.
00:18:40Oh, could we please, please have him?
00:18:43Well, we'll see.
00:18:44I'll do the best I can.
00:18:45Oh, how nice.
00:18:48Let's all go and find him.
00:18:49Isn't that exciting?
00:18:51Uh, just a moment.
00:18:54Locate private Bob Reynolds
00:18:56and have him meet me in front of the recreation hall, right away.
00:18:58Oh, Bob Reynolds.
00:19:01Oh, Nonna, I'm so thrilled.
00:19:05They look like a couple of cats in the Canary Islands.
00:19:28Hello, Gil.
00:19:33Hello, Rita.
00:19:42What's on your mind?
00:19:44You lucky person, I'm going to take you to lunch.
00:19:46Didn't you know?
00:19:47Oh, but I...
00:19:48Uh-uh, never mind.
00:19:49You're all ready.
00:19:49Come on, let's go.
00:19:50I'm sorry, Gil.
00:19:51Well, I'm driving down to camp to meet Bob.
00:19:54Well, you're not running after him, are you?
00:19:56Why not?
00:19:57Basil by uniform.
00:19:59I get it.
00:20:01But tell me something.
00:20:02Why doesn't he come after you?
00:20:04Oh, it's a long story.
00:20:06Skip it.
00:20:07Skip it?
00:20:08Why don't you skip him, that grandstander,
00:20:11making a play for publicity?
00:20:13I'm in a hurry, Gil.
00:20:14I've no time to argue.
00:20:16You don't have an argument.
00:20:18Look, I'm leaving.
00:20:20Are you going to stay here?
00:20:21I'm going to stay here until you change your mind.
00:20:24All right, then, make yourself at home.
00:20:26You'll find all the latest magazines.
00:20:28So I see.
00:20:30And in case you get lonesome,
00:20:31there's an egg in the icebox.
00:20:33Of course, I know you're very modest, Mr. Reynolds.
00:20:46But this is war.
00:20:49And I know our little show's going to be a great success.
00:20:52So uplifting for the boys.
00:20:54Well, you see, I was thinking that...
00:20:57Oh, marvelous.
00:20:58We simply must have your health.
00:21:01Mustn't we, Vicki?
00:21:02Oh, yes, Mother, dear.
00:21:03But don't say no, Bobby, please.
00:21:06Well, certainly, Ma.
00:21:08And this is our recreation hall.
00:21:15I see all of your pictures.
00:21:18Why, goodness me, you're my favorite star.
00:21:21And Vicki's too, isn't he, Vicki?
00:21:24Oh, yes, indeed.
00:21:26And remember, my name's Vicki.
00:21:29V is for victory, you know.
00:21:31Reynolds.
00:21:32Yes, sir.
00:21:33If you like, I can arrange to have you transferred to my office as my assistant in charge of entertainment.
00:21:40Oh, thank you very much, sir.
00:21:41But...
00:21:41And because of your ability, you'd be relieved from further drilling.
00:21:45But, sir, I...
00:21:45Oh, how wonderful, Sergeant.
00:21:47But, sir, I enjoy...
00:21:51I enjoy drilling, sir, and I joined up to pack a gun, not to yodel my way back to Yokohama.
00:21:57Oh, Bobby, that's so wonderful of you.
00:22:02We must all do our little bit, and I'll want to do mine.
00:22:06Uh, excuse me, please.
00:22:13Why, uh, hello, Freda.
00:22:15This being confined to your quarters is a delightful punishment, isn't it?
00:22:19But, but you don't understand, I...
00:22:21I can't understand why you were too busy to meet me in town.
00:22:25Well, they...
00:22:25They don't mean a thing to me, honestly.
00:22:27They're just a couple of crumbs from the upper crust.
00:22:29Yes, I noticed the younger crumb was, uh, giving her all to your war effort.
00:22:35Oh, don't be silly.
00:22:36Now, you just wait right here, and I'll get out of all of this.
00:22:39Oh, Bobby, darling.
00:22:43You'll never get out of that.
00:22:45Oh, Rita.
00:22:46Go ahead.
00:22:47Sing for your supper, Bobby.
00:22:51You don't have to put the bee on me.
00:22:53Go ahead.
00:22:55I'll wait.
00:22:56Gosh, thanks.
00:23:02Where's Reynolds?
00:23:04You heard me?
00:23:05Where is he?
00:23:05Uh, uh, Reynolds?
00:23:07Oh, uh, oh, I remember.
00:23:09I think he went out with the general to go promenading.
00:23:12Yeah, well, I'll find him, and when I do...
00:23:16You know where he is?
00:23:17Oh, yes.
00:23:18He went over to the recreation hall.
00:23:19Well, why didn't you say so?
00:23:20Now, wait a minute.
00:23:21Oh, it's a good thing you didn't say it while Assange was here.
00:23:24Hey, where are you going?
00:23:25Out to find him.
00:23:26But you can't.
00:23:27You can find the quarters.
00:23:28So, why?
00:23:28Quarters, smoters.
00:23:29I gotta protect my buddy, don't I?
00:23:32Oh, you know that song you sang in your last picture?
00:23:35Yes.
00:23:36Oh, that's the one I'd love to hear you sing.
00:23:39Oh, please do.
00:23:41Go ahead, Reynolds.
00:23:42Oh, yeah.
00:23:43Yes, sir.
00:23:44Say, Charlie.
00:23:44Yes, Bob.
00:23:45You know the accompaniment to this song.
00:23:47Will you play it for me?
00:23:48Well, I'll do my best.
00:23:51You've been mystifying, my darling, I wonder who is to blame.
00:24:08There is no denying, my darling, I'm just a moth, and you're the flame.
00:24:19Please keep my heart in mind, for true love's hard to find.
00:24:26If you're only fooling, don't fool with my heart.
00:24:38You must have the wrong conception of what a sweetheart should be.
00:24:41Won't you please be kind, for all who love are blind.
00:24:46And I have loved you from the start, if you're only fooling, don't fool with my heart.
00:24:58You must have the wrong conception of what a sweetheart should be.
00:25:07And I have known from its inception that you've been fancy free, but I have one desire to keep our love on fire.
00:25:25So kindle it when we're apart, and if you're only fooling, don't fool with my heart.
00:25:39Please keep my heart in mind, for true love's hard to find.
00:25:45Won't you please be kind, for all who love are blind, and I have loved you from the start.
00:26:10If you're only fooling, don't fool with my heart.
00:26:19You must have the wrong conception of what a sweetheart should be.
00:26:27And I have known from its inception that you...
00:26:30What do you think of my darling, he's all right, honey?
00:26:32He's phenomenal.
00:26:34He's good.
00:26:36You know, it makes me think of my girl, Maisie.
00:26:41I have one desire, to keep our love on fire.
00:26:46So kindle it when we're apart.
00:26:52And if you're only fooling, don't fool with my heart.
00:27:04Oh, Bobby, you don't know what that did to me.
00:27:11One set of pipes. That's my buddy.
00:27:13Yes, Hollywood's gonna miss him.
00:27:15You ain't kidding, sister. Hollywood's sure gonna...
00:27:18Who's gonna miss him?
00:27:20Hollywood.
00:27:21Why, he's one of the biggest stars at Hollywood.
00:27:24But everybody knows that.
00:27:25Oh, sure, sure.
00:27:27Everybody but me.
00:27:29Pardon me, sister. I got there with a catastrophe.
00:27:34Oh, you just must take charge of our little show.
00:27:38Indeed, after hearing your angelic voice.
00:27:41We'll never, never let you go.
00:27:44Will we, Vicki?
00:27:45No, Mama Bear. Never.
00:27:48Well, I, uh... I think I...
00:27:50Oh, darling. Why don't you give up and give out?
00:27:54Reynolds, the army certainly needs plenty of men to pack guns.
00:27:59But we also need men like you behind the men who pack the guns.
00:28:02Why don't you take hold of this and help to put it over?
00:28:04Is that in order, sir?
00:28:06Well, not exactly.
00:28:08I think I understand, sir.
00:28:10Uh, could I have permission to leave, sir?
00:28:12Of course.
00:28:13And I must be leaving, too.
00:28:15Good day to all of you.
00:28:16Oh, you've been just too, too wonderful, Command.
00:28:24Wait a minute.
00:28:25Come here a minute.
00:28:26Excuse me.
00:28:27I'll be back right away.
00:28:33Come on, sir. I want to talk to your party.
00:28:34Quick.
00:28:36Come on.
00:28:39Come on.
00:28:40Wait a minute. Wait a minute.
00:28:41What's the matter with you, Vicki?
00:28:42Are you crazy?
00:28:43Oh, wait a minute.
00:28:46That's all. It's two other guys, huh?
00:28:48And you ain't that movie actor.
00:28:49And you ain't that punk crooner.
00:28:50And you did turn major against me.
00:28:52Wait a minute, budge, will you?
00:28:53What? My use.
00:28:54Now, wait a minute. I'm trying to tell you.
00:28:55What?
00:28:56And you're yellow, too, huh?
00:28:57I'm yellow, am I?
00:29:02Break it up. Break it up. Break it up.
00:29:04You're lucky, boy.
00:29:06Saved by a sergeant.
00:29:07Now, isn't this pretty?
00:29:08Only disobeying orders, that's all.
00:29:10I'm going to report you birds to the CO,
00:29:11and you'll probably spend the rest of your life in the guardhouse.
00:29:13I hope.
00:29:14Listen, sergeant, it was all my fault.
00:29:15I thought it was my fault.
00:29:16Say, what is this, a sister act?
00:29:18Well, I'm going to finish it.
00:29:19Come on.
00:29:20Wait a minute, sergeant.
00:29:21I get going.
00:29:22Oh, stop.
00:29:23Give us one more chance.
00:29:24Come on.
00:29:44Please, keep my heart and mind, for true love's hard to find.
00:29:59Why promise that we'll never part?
00:30:03If you're only fooling, don't fool with my heart.
00:30:12Won't you please be kind for all who love are blind?
00:30:16And I have loved you from the start.
00:30:21If you're only fooling, don't fool with my heart.
00:30:30You must have the wrong conception of what a sweetheart should be.
00:30:38And I have known from its inception that you've been fancy free.
00:30:49I have one desire to keep our love on fire.
00:30:53So kindle it when we're apart.
00:30:58If you're only fooling, don't fool with my heart.
00:31:05Oh, I have one desire to keep our love on fire.
00:31:29So kindle it when we're apart.
00:31:34If you're only fooling, don't fool with my heart.
00:31:59I've arranged with your commanding officer for 24 hours leave, Reynolds, as you requested.
00:32:03I'm sorry all this happened.
00:32:05Thank you, sir, and for getting us out of the guard house.
00:32:08I'm gonna need this 24 hours to square myself with a certain young lady.
00:32:12You just refer her to me.
00:32:14Pass for you too, Crisenberry.
00:32:16Oh, oh, thanks, Cap... er, sir, er, Captain.
00:32:19Don't mention it.
00:32:23Hey, he ain't a bad guy.
00:32:24You know, Bob, you're not a bad guy either.
00:32:26I think I'll write my girl Maisie a letter and apologize, because on account of you, I wouldn't smack you right on a kisser.
00:32:31You know, Butch, you're not such a bad guy yourself.
00:32:34Hey, you remind me a lot of this Maxi Rosenblum.
00:32:36No, no, anybody but him.
00:32:38Hello, Beethoven.
00:32:42You look like someone poisoned your pup.
00:32:46Now, don't try and change the subject.
00:32:48Where were you last night after you left here?
00:32:50Out.
00:32:51Who with?
00:32:52That comes under the heading of strictly personal.
00:32:55Oh, honey, don't do this to me.
00:32:57You know how I am about you.
00:32:59We could go places together, and we'll make a swell team.
00:33:02Like, uh, ham and eggs?
00:33:04Oh, Peggy, I've got to know where I stand.
00:33:07Listen.
00:33:12We must sacrifice a lot through this emergency.
00:33:16Be prepared, be prepared.
00:33:21I'd make any sacrifice to help democracy.
00:33:25But one thing I insist.
00:33:30They keep you off the list.
00:33:33I must have priorities on your love.
00:33:39That's one thing I've got to be certain of.
00:33:45In love or war, you need defense.
00:33:48And I must do my part.
00:33:51And even though it don't make sense,
00:33:54I'll build a fence around your heart.
00:33:57I must have priorities on your love.
00:34:03My only ally is the moon above.
00:34:09Now you've got lips to lend and lease.
00:34:12So I won't have a moment's peace until I get priorities on your love.
00:34:22I must have priority on your love.
00:34:26But only, maybe, that's one thing I've got to be certain of.
00:34:32Pretty baby, listen dear.
00:34:35I'll be right here to answer all alarms.
00:34:40If you're the one in trouble, hon, give me a call.
00:34:44A call to arms.
00:34:46I must have priorities on your night.
00:34:50Every night.
00:34:52Got to have that in our bill of rise.
00:34:57Without you, me, my spirit's gone.
00:35:01I just can't cash and carry on.
00:35:04Until I get priorities on your love, baby.
00:35:09I must have priorities on your love.
00:35:15Do you mean it?
00:35:18I must have priorities on your love.
00:35:28The Mites are playing.
00:35:36Because the big, bad cat's been away to lunch.
00:35:38Yeah, but I don't like it.
00:35:40Don't be mean, Gill.
00:35:41Mean?
00:35:42Are you turning against me the way the rest of them are around here?
00:35:45Of course not, Gill.
00:35:47No one's really against you.
00:35:49Oh, darling, I've got to talk to you man to man.
00:35:53May I?
00:35:55Of course, Gill.
00:35:56Any time.
00:35:57What's on your mind?
00:35:59Oh, am I so bad?
00:36:01Nobody seems to understand me or like me around here.
00:36:03Oh, Gil, I understand you.
00:36:05I know what makes you tick.
00:36:07Oh, you're a grand.
00:36:09Do you mind if I kind of get a little personal?
00:36:11Of course not, Gil.
00:36:15This way, Butch.
00:36:17Get a load of the invasion.
00:36:19Oh, no, no, no, no.
00:36:21No, no, no, no.
00:36:23No, no, no, no.
00:36:25Rita, I'd like to explain about yesterday.
00:36:29Don't bother.
00:36:30I saw your explanation, and she's very cute.
00:36:32Will you listen to me?
00:36:33Why should I?
00:36:34Your affairs mean nothing to me.
00:36:35Is that so?
00:36:36Well, I'm gonna make you listen, see?
00:36:37Soldier boy.
00:36:38Rita's still a civilian,
00:36:39and doesn't take orders from the Army.
00:36:41Keep out of this, sweetheart.
00:36:42Oh, who do you think you are, you little...
00:36:44Shut down.
00:36:45Even my own brother couldn't get away with a thing like that.
00:36:47No, Butch.
00:36:48That was a tactical error.
00:36:50I'm sorry, Bob.
00:36:51I'm sorry.
00:36:52I'm sorry, Bob.
00:36:53But we're buddies, ain't we?
00:36:55Buddies?
00:36:56So that's it.
00:36:57You brought that big ape down here to pick a fight with Gil.
00:36:59I did not.
00:37:00Don't speak to me.
00:37:01Don't be silly, Rita.
00:37:02I could've...
00:37:03Mr. Reynolds, will you please leave and take that uniform baboon with you?
00:37:06Look, my little Juliet.
00:37:07I'd just as soon smack you in a kiss or two.
00:37:08I'm proud of my uniform.
00:37:09Probably the best suit of clothes he ever had in his life.
00:37:12You ain't kidding, brother.
00:37:14I'm proud of my uniform.
00:37:15Probably the best suit of clothes he ever had in his life.
00:37:18You ain't kidding, brother.
00:37:21Butch, let's go AWOL from here.
00:37:24Yeah, let's look up that witchy dam.
00:37:26I can go for the old lady.
00:37:35All right, you monks.
00:37:36Let's go.
00:37:37You've had enough time for lunch.
00:37:38Gil.
00:37:39Yeah, I want to talk to you.
00:37:40I have no time.
00:37:41Save it, will you please?
00:37:42It won't keep.
00:37:43Will you please save it, Sammy?
00:37:44I'm quitting.
00:37:46Atta boy.
00:37:47You can't quit.
00:37:48This says I can.
00:37:49But, my boy, I have a contract.
00:37:51Says you.
00:37:52Yes.
00:37:54Your eyesight's all right.
00:37:55I'm being drafted.
00:37:57Sammy's going in the army.
00:37:58Will you cut it out, fellas?
00:37:59Cut it, will ya?
00:38:00Sammy, you can't do this to me.
00:38:01I'm being drafted.
00:38:02Sammy's going in the army.
00:38:03Will you cut it out, fellas?
00:38:04Cut it, will ya?
00:38:05Sammy, you can't do this to me.
00:38:07You can't do this to me.
00:38:08You can't do this to me.
00:38:10That's what makes Sammy run.
00:38:12Towards Tokyo.
00:38:13But you can get 30 days to Furman.
00:38:15You can be reclassified.
00:38:16But you might get out of it entirely.
00:38:18Ooh, listen to him wheedle now.
00:38:20Gil, I've taken an awful lot from you.
00:38:23I'm not going to wait 30 days,
00:38:25and I'm not going to get reclassified.
00:38:27I still have a chance to enlist,
00:38:29and I'm gonna take it.
00:38:30Today.
00:38:31All right, you double-crossy.
00:38:33You probably think I can't get along without you.
00:38:35Gil, please don't act this way.
00:38:38That's the only act he knows.
00:38:40Well, what do you want me to do?
00:38:41Beg him to stay?
00:38:44You'll regret this.
00:38:47There goes our terrific arrangements.
00:38:49You mean there goes our band.
00:38:51So long, gang.
00:38:52Good seeing you, Sammy.
00:38:53Good luck to you all.
00:38:59What do you say?
00:39:01Oh, Pete, how about you?
00:39:03Okay.
00:39:07Where are you guys gone?
00:39:08Me and the boys are afraid Sammy might get lonesome.
00:39:10And just so he doesn't,
00:39:11we're going to join up to keep him company.
00:39:14But what happens to the band?
00:39:15Put it mothballed.
00:39:16Yeah, get yourself an organ, you monkey.
00:39:23Well, that's about to finish.
00:39:29Can I tell you, it's a great idea, sir.
00:39:31And we got the hottest band in the country.
00:39:33And Sammy is one of the sweetest arrangers
00:39:34that ever cleft a bar with a note.
00:39:36It's a natural.
00:39:37And as long as we're going to do it,
00:39:38why not have a real show?
00:39:43Of course, Reynolds, but what do you want me to do?
00:39:46Well, sir, couldn't these men enlist as a group?
00:39:48And that'll keep us all together.
00:39:50Well, I understand, but it's a bit irregular.
00:39:52However, I'll do the best I can.
00:39:55Well, I'll do the best I can.
00:40:25I'll do the best.
00:40:26I'll do the best.
00:40:27I'll do the best.
00:40:28I'll do the best.
00:40:29I'll do the best.
00:40:30I'll do the best.
00:40:31I'll do the best.
00:40:32I'll do the best.
00:40:33I'll do the best.
00:40:38Knitting a sweater, huh?
00:40:39Bundles for Bob, huh?
00:40:40No, not for Bob.
00:40:41Oh, you hope he freezes to death, huh?
00:40:42Parky, please.
00:40:43You seen this, I suppose?
00:40:46Pretty, isn't it?
00:40:47Ah, snap out of it.
00:40:48You can't fool your uncle, Parky.
00:40:50Parky, I was...
00:40:51I know you're eating your heart out for him.
00:40:54You win.
00:40:55But what can I do about it?
00:40:57You certainly can't run after him.
00:40:59Listen, kid.
00:41:00There's a war on.
00:41:01And when there's a war on,
00:41:03everything is failing.
00:41:04You're not going to lose.
00:41:05You're not going to lose.
00:41:06You're not going to lose.
00:41:07You're not going to lose.
00:41:08You're not going to lose.
00:41:09You're not going to lose.
00:41:10You're not going to lose.
00:41:11And when there's a war on,
00:41:12everything is fair, even in love.
00:41:14You kind of like him, don't you?
00:41:17Yes, I do.
00:41:18Then what are you waiting for?
00:41:20Take my advice.
00:41:22Don't be a lily in the valley.
00:41:24Go out and bring him back alive.
00:41:26Turn the other cheek if you have to.
00:41:29And if at first you don't succeed,
00:41:31you gather no mosh.
00:41:33Rita, I'm telling you, he's really worth it.
00:41:37I know he's worth it.
00:41:39What about that Van Arsdale girl?
00:41:41It's up to you.
00:41:42Make him look before he leaps,
00:41:44and he'll land right in your lap.
00:41:46Harki.
00:41:48You're a darling.
00:41:50That's the stuff.
00:41:54I knew you would have a lot of good sense
00:41:56in that pretty little head of yours.
00:41:58If you'll only fake it along through here.
00:42:12And hold this note.
00:42:15Oh, Bobby.
00:42:18You must think I'm terribly stupid.
00:42:21All right.
00:42:22Let's not go into that again.
00:42:24Now look.
00:42:25Right down here.
00:42:27Bob.
00:42:28I want to talk to you.
00:42:30Alone.
00:42:41When I wrote it, I thought I had a hit.
00:42:44Yeah, I know.
00:42:45You meant it sweet, but it comes out sour.
00:42:47And that ain't all.
00:42:48The band has no pep.
00:42:49Can't get in the groove.
00:42:50Oh, maybe we ought to take the number out of the show.
00:42:53She can never sing it with you.
00:42:56Still a good number, Sammy.
00:43:00Maybe you could fix it up so I can sing it alone.
00:43:03No, it's strictly a boy and girl number.
00:43:15Sammy.
00:43:16Boy meets girl.
00:43:18Rita.
00:43:19Baby.
00:43:20Are you an answer to a soldier's prayer?
00:43:23Don't jump at conclusions.
00:43:24I've simply been assigned here to the USO.
00:43:26Well, that's great.
00:43:27It all fits in.
00:43:28Say, and do we need you for our show?
00:43:30But, Bob.
00:43:31But nothing.
00:43:32Come on.
00:43:33Gee, I've missed you, Rita.
00:43:35Sammy.
00:43:36Rita.
00:43:37I'm a success.
00:43:38Look.
00:43:39I know you and Bob can put it over.
00:43:41Oh, no, Sammy.
00:43:43You mean Bob and Miss Van Arsdale.
00:43:45Oh, let's not go into that.
00:43:47Why don't you and Bob get together?
00:43:50Rita, please.
00:43:52Can't you get off that green-eyed monster?
00:43:54Honestly, she means nothing to me.
00:43:56How you talk, Mr. Reynolds?
00:43:58Okay.
00:43:59You want me to prove it right here in front of everyone?
00:44:01You wouldn't dare.
00:44:02Oh, no?
00:44:03Well, now I know I'm forgiven.
00:44:04Is all this part of the show?
00:44:05Well, of course, Captain.
00:44:06This is the way we get into our number.
00:44:07You know, fight and make up with a song.
00:44:08I see.
00:44:09Well.
00:44:10Well.
00:44:11You see, sir, we get into the song and then we, uh, we start, uh, Rita, let's sing it for
00:44:17the Captain.
00:44:18Certainly we'll sing it for him.
00:44:19Darling.
00:44:20Darling.
00:44:21The downbeat maestro.
00:44:22The downbeat maestro.
00:44:23The downbeat maestro.
00:44:24The downbeat maestro.
00:44:25The downbeat maestro.
00:44:30I must have priorities on your love.
00:44:31That's one thing I've gotta be certain of.
00:44:32Oh, honey.
00:44:33In love of war.
00:44:34Oh, honey.
00:44:43The downbeat maestro.
00:44:44I thumbs up.
00:44:46I've gotta be certain of.
00:44:51Priorities on your love
00:44:54That's one thing I've got to be certain of
00:45:00Oh honey, in love of war
00:45:03You need defense and you must do your part
00:45:07And even though it don't make sense
00:45:10I'll build a fence around your heart
00:45:13I must have priorities on your love
00:45:18My only ally is the moon above
00:45:24Now you've got lips to lend and lease
00:45:28But I won't have a moment's peace
00:45:31Until I get priorities on your love
00:45:35Hey, by the lady.
00:45:37How dare you?
00:45:38You must have priorities on your love
00:45:41Can I sue after that?
00:45:42Oh, I hear you talking to me
00:45:44That's one thing I've got to be certain of
00:45:48Well honey, you needn't fear
00:45:51I'll be right here to answer all alarms
00:45:55And if you're the one in trouble, hon
00:45:58Give me a call, a call to all
00:46:02I must have priorities on your night
00:46:06Okay, by me
00:46:08And I will put that in our bill of rights
00:46:12Oh, without you kneel my spirit's gone
00:46:17I just can't catch and carry on
00:46:20Until I get priorities on your love
00:46:24Pretty baby
00:46:25I must have priorities on your love
00:46:31I must have priorities on your love
00:46:35How you doing, kid?
00:46:35Helping to win the war
00:46:36You said it with your mouthful
00:46:37Boy, you were great, thanks
00:46:39I'm sorry, maybe the band wasn't as good as it should be, but...
00:46:43Oh, it was perfect
00:46:44No, it wasn't too good
00:46:45Oh, Sammy, you're crazy, it was fine
00:46:47Well, we're all set now
00:46:49Especially that we've got Rita
00:46:50We can't miss
00:46:51You seem pretty sure of yourself, Private Reynolds
00:46:52How do you like this for the toy night?
00:46:53Cute, huh?
00:46:54Oh, I'm sorry
00:46:55I'm sorry, I'm sorry
00:46:56I'm sorry, I'm sorry
00:46:57I'm sorry, I'm sorry
00:46:58I'm sorry
00:46:59I'm sorry
00:47:00I'm sorry
00:47:01I'm sorry
00:47:02I'm sorry
00:47:03I'm sorry
00:47:04Maybe the band wasn't as good as it should be, but...
00:47:05Oh, it was perfect
00:47:06No, it wasn't too good
00:47:07Oh, Sammy, you're crazy
00:47:08It was fine
00:47:09Well, we're all set now
00:47:10Especially that we've got Rita
00:47:11We can't miss
00:47:12You seem pretty sure of yourself, Private Reynolds
00:47:14How do you like this for the toy night?
00:47:17Cute, huh?
00:47:19I like it
00:47:34Gil, I thought you were still in Washington
00:47:36Hello
00:47:37I got back a little while ago
00:47:38Come in
00:47:42Did you get the commission you went after?
00:47:44No, and let's not talk about it
00:47:46Oh, I'm sorry
00:47:47I'm sorry
00:47:48I see you had to go for it
00:47:50Why shouldn't I?
00:47:51Everyone can help
00:47:53It isn't important to get a commission
00:47:56We're all in this together
00:47:57From General MacArthur and Uncle Joe Stilwell
00:47:59Down to the last private in the rear rank
00:48:01Meaning Bob Reynolds, I suppose
00:48:03No, I wasn't thinking of Bob
00:48:05I meant you
00:48:07What, are you in the recruiting service too?
00:48:09Well, count me out
00:48:11I offered my services
00:48:12On your terms?
00:48:13Of course
00:48:14Well, at least you tried in your own way
00:48:19Better luck next time
00:48:21Thanks
00:48:22I'm doing a show and I'll have to rush to rehearsal
00:48:25Well, may I drop you off?
00:48:29You wouldn't enjoy yourself, Gil
00:48:30This is a show for soldiers down at camp
00:48:32Oh well
00:48:33Look me up after the war
00:48:35When uniforms are a dime a dozen
00:48:48Another uniform
00:48:49They told me at his hotel that I'd find Mr. Whitney here
00:48:52I'm Mr. Whitney
00:48:53Telegram for you, sir
00:48:54Thank you
00:48:59Here you are
00:49:00Thank you, sir
00:49:01Probably from Washington
00:49:02Maybe it's about your commission
00:49:17What's the matter, Gil?
00:49:32From Berlin, Rome, and Tokyo
00:49:36We have been described as a nation of weaklings
00:49:40Playboys
00:49:41Who would hire British soldiers
00:49:44Or Russian soldiers
00:49:46Or Chinese soldiers
00:49:48To do our fighting for us
00:49:51Let them repeat that now
00:49:55Let them tell that to General MacArthur
00:50:00General MacArthur
00:50:02And his men
00:50:03Let them tell that
00:50:05To the sailors who today are hitting hard
00:50:09In the far waters of the Pacific
00:50:11Let them tell that to the boys in the flying fortresses
00:50:17Let them
00:50:19Tell that to the Marines
00:50:22Gee
00:50:27I felt as though he was speaking to me portionally
00:50:30Yeah, so did the rest of us
00:50:32There's 130 million of us
00:50:34And what an inspiration for a song I got
00:50:37And Bob
00:50:38You're gonna sing it in the show
00:50:40Well, dress rehearsals tomorrow
00:50:41You'll never have time to write it
00:50:43And make an arrangement for the band
00:50:44Listen, in times like these
00:50:46Even us daffy songwriters
00:50:48Have to double and triple production
00:50:50Leave it to me
00:50:51Okay, Sammy
00:50:52Keep them singing
00:50:53Yes, sir
00:50:56Yes, dear
00:50:57Well, we're down here at the camp
00:50:59We're entertaining
00:51:00Well, we're entertaining soldiers
00:51:02Oh, let's not argue, honey
00:51:04Well, I'm too busy now
00:51:05Goodbye
00:51:06Goodbye
00:51:09Hello, Lou
00:51:10Oh, hello, Charlie
00:51:11Glad to see you
00:51:12Hiya, fella
00:51:13You're a sight for sore eyes
00:51:14How do you like that?
00:51:15From a chocolate soldier to a corporal
00:51:17Great stuff
00:51:18Thanks, Lou
00:51:19After all, soldiering is like the show business
00:51:20A fella's always got his eye on a bigger part
00:51:22What do you want to be a general?
00:51:23Well, right now, I'm understudying a sergeant's role
00:51:26Oh, tough guy
00:51:28Goodbye, grease paint
00:51:29Hello, gunpowder
00:51:30I love you
00:51:31Me?
00:51:32It's a title for a song, Lou
00:51:34Oh, Bob
00:51:37Bob, come here
00:51:38Bob, you oughta know Lou Pollock
00:51:40Lou Pollock
00:51:41Hello
00:51:42He's one of Tin Pan Alley's greatest songwriters
00:51:44I see
00:51:45What's the matter, Frank?
00:51:46Why so downhearted?
00:51:47Come on over here, meet Lou Pollock
00:51:49Hi, Frank
00:51:50How do you do?
00:51:51Could I speak to you a minute, please?
00:51:52Yeah, sure
00:51:53Bob, I...
00:51:54I...
00:51:55Well, do you think there's any truth to the rumor
00:51:57that we're leaving for overseas?
00:51:58Well, Frank, we've got a job to do
00:52:00When we're ordered to go, we'll go
00:52:02and we'll do a grand job, too
00:52:04And look here, Frank
00:52:05One of the first things a soldier has to learn
00:52:07is to deal with rumors
00:52:08Don't spread them
00:52:11Don't listen to them, Frank
00:52:13Don't tolerate them
00:52:14Don't tolerate them
00:52:15And hey, kid
00:52:16Here's something we should all hear
00:52:18Zip your lip
00:52:21Let her go, Charlie
00:52:23Here are words we never heard before
00:52:31Commandos, blackouts, chiefs
00:52:33They're products of the war
00:52:35There's a brand new military slang
00:52:39When they want secrecy
00:52:41Here's how they tell the gang
00:52:45Zip your lip
00:52:47You may let something slip
00:52:49Something that's liable to be
00:52:51Of use to the enemy
00:52:53Zip your lip
00:52:55You may reveal a tip
00:52:57A shot in the dark
00:52:58An idle remark
00:52:59May lose a plane or ship
00:53:01If you have a boy in uniform
00:53:03You should be very proud
00:53:05If you happen to know where he is to go
00:53:07Don't dare to say it out loud
00:53:09Just zip your lip
00:53:11It's time we all get hit
00:53:13Remember it's a war we're in
00:53:15And if you want to see us win
00:53:17Just zip, zip, zip your lip
00:53:21Zip your lip
00:53:23You may let something slip
00:53:25Something that's liable to be
00:53:27Of use to the enemy
00:53:29Zip your lip
00:53:31You may reveal a tip
00:53:33A shot in the dark
00:53:34An idle remark
00:53:35May lose a plane or ship
00:53:37If you have a boy in uniform
00:53:39You should be very proud
00:53:41If you happen to know where he is to go
00:53:43Don't dare to say it out loud
00:53:45Just zip your lip
00:53:47It's time we all get hit
00:53:49Remember it's a war we're in
00:53:51And if you want to see us win
00:53:53Just zip, zip, zip your lip
00:53:57Yes, sir
00:53:59Thanks, Corporal
00:54:01I'll never forget that
00:54:03Good boy, soldier. That's fine
00:54:05Buck up, Buck Private
00:54:07That's a spirit, Frank
00:54:27I would have never believed it
00:54:37It ain't so
00:54:39What ain't so?
00:54:40That ain't music
00:54:41That's nothing but a bunch of hand tracks
00:54:43Oh, I get it
00:54:45You write this song about a turkey in the store, huh?
00:54:47Genius
00:54:49And we've been rehearsing all afternoon
00:54:57The band knows it all right, but I
00:54:59But what?
00:55:00It sounds great to me, Sammy
00:55:02Oh, I don't know
00:55:03It just doesn't sound so hot
00:55:05Oh, you're crazy
00:55:06Why, it's the biggest hit since Yankee Doodle
00:55:08Yeah, Sammy, you're just being modest
00:55:11Thanks, but I'm telling you
00:55:13Something's missing
00:55:15Oh, you mean Gil?
00:55:17Could be
00:55:18Why, Gil
00:55:22Hey, Gil, why, this is terrific
00:55:24And in uniform
00:55:25That's right
00:55:26Gil, I'm proud of you
00:55:28Boss
00:55:29Hello, Sammy
00:55:30Oh, home week
00:55:31Boy, are we glad to see you
00:55:32Sammy's missed you terribly
00:55:34Well, I really don't know what to say
00:55:36Say it with music
00:55:37Fine
00:55:38Hey, fellas, Gil
00:55:40It's Gil Whitney
00:55:41Hey, fellas, you're Gil
00:55:42How are you, Gil?
00:55:43How are you, Gil?
00:55:44How are you, Gil?
00:55:45How are you, Gil?
00:55:47My, he must be a general
00:55:54He used to be a general nuisance
00:55:56But he's finding out now that maybe he ain't such a bad guy after all
00:56:00Yeah, he ain't a bad guy after all
00:56:02Oh, I see
00:56:05She sees
00:56:06By the way, Mrs. Van Airdale
00:56:09I don't see your daughter Vicky around
00:56:11Yeah, where's Vicky?
00:56:13Oh, poor little dear
00:56:15She has such a headache
00:56:17She's got a headache
00:56:19Yeah, and I bet it's wearing a uniform
00:56:22Yeah
00:56:26And like I tell you, Gil
00:56:27We got a while of a show
00:56:28All that needs is you to take the band over
00:56:30But I don't deserve it, Sammy
00:56:32You've been all too decent of me
00:56:34And I just can't barge in on you now
00:56:36It's your show and your band
00:56:38Oh, I'm nothing but a two-fit songwriter
00:56:41The band wants you
00:56:43Come on, kid
00:56:44I'll put him in the groove, Gil
00:56:46It's Sammy's new song
00:56:47And Bob's gonna sing it
00:56:49Well, it doesn't make any sense after
00:56:51This is a new deal, Gil
00:56:52Oh, but I...
00:56:53After the heel I've been to all of you
00:56:55Don't talk about past history
00:56:57Make it
00:56:58Give us a downbeat, Maestro Militaire
00:57:00Well, I'll try
00:57:11This nation is united
00:57:13As it never was before
00:57:15130 million strong are we
00:57:19Nobody can deny
00:57:22We all see eye to eye
00:57:24Here's one thing we must guarantee
00:57:28There will be no blackout of democracy
00:57:33In the USA
00:57:37We must wipe out tyranny and slavery
00:57:42It is not the American way
00:57:46There's a man-side job
00:57:49For those who still are free
00:57:51To spread for freedoms over land and sea
00:57:55We have the solemn bow of Franklin D
00:57:58We have the solemn bow of Franklin D
00:57:59We have the solemn bow of Franklin D
00:58:00There will be no blackout of democracy
00:58:04There's a man-sized job
00:58:10For those who still are free
00:58:12To spread for freedoms over land and sea
00:58:16We have the solemn bow of Franklin D
00:58:19We have the solemn bow of Franklin D
00:58:22There will be no blackout of democracy
00:58:25There will be no blackout of democracy
00:58:37Marvelous, Marvelous
00:58:39What a combination you and Bob
00:58:41Toot your own horn, Sammy
00:58:42And plenty loud too, kid
00:58:44What a song
00:58:45Yeah, but it took you to put it over
00:58:46Oh, I think the three of you made the team
00:58:49Well, every team must have a good luck charm
00:58:51Rita, you're elected
00:58:52You're elected
00:58:53And by a landslide
00:58:54She must be a Democrat
00:58:56Young man
00:58:57You don't fool me
00:58:59I know you
00:59:00You're Gil's Whitney
00:59:02That's right
00:59:03I used to dance to your music
00:59:05You mean up north?
00:59:06Yes
00:59:07Oh, look
00:59:08Would you do me just a teensy, weensy little favor, please?
00:59:13A teensy, weeny little favor?
00:59:15Okay, give it to her
00:59:16Of course, certainly, madam
00:59:18Oh, you're so nice
00:59:20Please play something sweet and soulful
00:59:24So I can dance with my little Butchie
00:59:27I'm her Butchie
00:59:29It's a good idea, Gil
00:59:31And there are a lot of other Jack and Jills
00:59:33Who'd like to dance to Gil Whitney's music
00:59:35Do we want to dance?
00:59:36Yes
00:59:37We want Gil
00:59:38Come on, Gil
00:59:39Come on
00:59:40Okay, okay
00:59:41I'm all ready
00:59:50And I'm sure
00:59:51Sure
00:59:52Way
00:59:53True
00:59:54I judgment
00:59:55Sorry
00:59:56Best
00:59:57Special
00:59:58And
00:59:59Up
01:00:00Butchie
01:00:01Not
01:00:02Butchie
01:00:03Nothing
01:00:04Do
01:00:05Whatchie
01:00:06本
01:02:20Oh, Butchie.
01:02:23Oh, stop crying.
01:02:24You want us to win the war, don't you?
01:02:25Yes.
01:02:26I'm the guy that can do it, too.
01:02:28And if you're a good little girl, I'll bring you back a trophy for your home.
01:02:31It's upholmed.
01:02:32The men are ready to leave, sir.
01:02:34Very good.
01:02:35And thanks for all you've done.
01:02:37It's too bad about the show, but after all...
01:02:39Oh, that's all right, sir.
01:02:41We're going to the greatest show on earth.
01:02:43They're all yours, Sergeant.
01:02:46Men, prepare to fall in.
01:02:48Captain, may we use the finale of the show for an exit?
01:02:51That's a good idea.
01:02:52Thank you, sir.
01:02:56All right, gang.
01:02:57The Yanks are coming.
01:02:59Let's go.
01:02:59Come on.
01:03:00Let's go.
01:03:00Yes, sir.
01:03:01Yes, sir.
01:03:01Yes, sir.
01:03:02Yes, sir.
01:03:04That was the word that you have heard.
01:03:09That the Yanks are coming right away.
01:03:12Envy and strong will march along.
01:03:16But we'll not be happy till we right the wrong.
01:03:20We've got a day and we can't play.
01:03:24We're on our way to make the acts of pain.
01:03:27We must do this now or never and be free forever.
01:03:32Yes, the Yanks are coming right away.
01:03:36Let's pass the word that you have heard.
01:03:40That the Yanks are coming right away.
01:03:44Ten million strong will march along.
01:03:48Or we'll not be happy till we right the wrong.
01:03:51We've got a day and we can't play.
01:03:55We're on our way to make the acts of pain.
01:03:59We must do this now or never and be free forever.
01:04:03Yes, the Yanks are coming right away.
01:04:06We've got a day and we'll be free forever.
01:04:15See you next time.
01:04:16Bye-bye.
01:04:17Bye-bye.
01:04:18Bye-bye.
01:04:19Bye-bye.
01:04:27Bye-bye.
01:04:28Bye-bye.
01:04:28Bye-bye.
01:04:28Bye-bye.
01:04:29Bye-bye.
01:04:29Bye-bye.
01:04:31Bye-bye.
01:04:31Bye-bye.
01:04:32Bye-bye.
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