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Short filmTranscript
00:00New Boho Boots by Groovy Shoe.
00:26The coolest kicks in town.
00:30These killer heels are definitely something to twist and shout about.
00:38Boho, the only way to go-go.
00:47People cannot wait to get their hands on these boots.
00:50Then you mean their feet?
00:51Exactly.
00:52You'll be in next week's edition.
00:55He'll be wrapped around a fish supper come Friday.
00:57Coolest kicks in town.
00:59Made right here in our town.
01:04You can have that one.
01:06And did you say the launch is being brought forward to Saturday?
01:09Saturday?
01:10By popular demand.
01:12Much obliged, Mr Millington.
01:14Cheerio, ladies.
01:15Bye.
01:16Right, let's get these machines humming and make some beautiful music together.
01:21I thought we made boots.
01:23With staff numbers already down, we'll never get it finished by Saturday unless you're going to pay us overtime.
01:29Yeah, we'll have to pull double shifts.
01:31I'm afraid factory finances are rather tight at the moment, ladies.
01:35Meaning?
01:36Meaning I'm very much relying on your goodwill to get this order out on time.
01:41So you want us to work extra hours for no extra pay?
01:44Well, we don't want to see the factory go under, do we?
01:47What?
01:48The rather brutal fact is we pull together or you could all be out of a job.
01:53Sorry, won't be I can do it?
01:57Well...
02:18Have you seen this?
02:32Boho boots.
02:34They're to die for.
02:36Not that I can afford them on my wages.
02:39They don't look very comfortable.
02:41They're rather daring.
02:43Yeah, I had a pair of heels like that once.
02:45Nearly broke my neck running for the bus after a night of passion.
02:50It was a nightclub.
02:52Anyway, never mind the boots.
02:54I sniff a business opportunity.
02:56Reckon we can sell our vino at the launch party?
02:59Mr Millington's using the spitfire after work.
03:02You could ask him.
03:04Look.
03:10We should be getting paid for this extra work.
03:12I'm talking to the union.
03:13You heard Mr Millington.
03:15If we don't get these boots ready on time, we could be out of a job.
03:19Ladies, I cannot tell you how much I appreciate this.
03:25Oh, Uncle Arthur.
03:27Sorry, Mr Millington.
03:28The women are grumbling about the additional hours.
03:32Dermot, the thing you have to understand about women
03:34is how much they love to complain.
03:36You just have to know how to handle them.
03:39Turn on the charm.
03:40Mr Millington.
03:42Ah, the lovely Bernice.
03:43I was wondering.
03:45Well, I wonder no more.
03:46I'm sure Dermot will be able to help.
03:49Charm Dermot.
03:50She can muster any.
03:51Hello, girls.
03:53Ah!
03:54Look, I can't see you in ages.
03:56Oh.
03:57Pamela, to what do we owe the pleasure?
04:00That girl popped by to see her favourite uncle.
04:03She can.
04:04But I bet she's after something.
04:06You know me so well.
04:08Just give me half an hour.
04:10Pamela, my dear, I've got a couple of things to go on top of.
04:12We have a big order to finish.
04:16I can see that.
04:17Stick the kettle on, then.
04:18I'll wait.
04:19I'll wait.
04:33Interesting.
04:42Snowball?
04:43Oh, just a small one.
04:44We're here on convent business, remember?
04:46I don't understand the force.
04:49They're just boots.
04:51They're boho boots.
04:53I thought they were go-go boots.
04:55The boho boot is the go-go boot.
05:01Apparently, yeah.
05:03They look great on you, Peggy.
05:05Thanks.
05:08So, how's your arty-farty stuff going?
05:11I am getting my portfolio together.
05:14Much to Uncle Arthur's disgust.
05:16There's no money in art.
05:18No money in footwear, either.
05:20Got calluses on calluses with these sewing machines.
05:22Moan, moan, moan.
05:24You don't hear the men complaining about the extra work.
05:27They're just glad of the extra cash.
05:29Shh!
05:30Extra cash?
05:33Oi, Derek.
05:36Hey, are you getting paid overtime?
05:37You and your big mouth.
05:39You're a liability.
05:42Arthur!
05:43Oh, hello, Hector.
05:45Now, you promised me some end-of-line sandals for my theatricals.
05:50I'm doing one of the Greeks.
05:52What's this?
05:54Vera, do you fancy a bit of Lysistrata?
05:56No poet's wiser than Euripides.
06:02As he says, no beast exists so shameless as womenkind.
06:12Bravo!
06:18Are you having a drink, Daisy?
06:20No, no, I'm here to clean.
06:22I'm moonlighting.
06:23Oh, I would have thought spirits are more on your line.
06:28Holy spirits.
06:30Good one.
06:31Yeah, bring a bottle to the factory tomorrow.
06:33We'll talk.
06:34Hey, Rowley.
06:51Have you got a second, second job?
06:53Who needs must?
06:54Who needs shouldn't?
06:55Wait till I tell you what I found out.
06:57Uh, chop, chop, Mrs Mopp.
06:59Need you on those machines when the clock strikes eight, hmm?
07:01Knock, knock.
07:02Boss in.
07:03Brought Miss Snifter.
07:04He's in his office, but he doesn't like to be disturbed before nine.
07:07Oh, well, you're travelling half an hour.
07:09Um, no, no.
07:12Never too early for a vein.
07:15Oh.
07:15Lacerations and swelling suggest a blow to the head.
07:29Perhaps there was a robbery gone wrong.
07:32The money's still in the petty cash team, but perhaps Mr Millington disturbed a burglar.
07:38Or the burglar disturbed him.
07:39Well, looks like he slept here last night.
07:48Blood on the corner.
07:50Hmm.
07:52Well, from the position of the body, I'd say that he hit his head as he fell.
07:55Well, so, an accident?
07:59No, I don't think so.
08:02Best open a window.
08:03Bitter almonds.
08:05Cyanide.
08:06There's a coffee pot here and a half-drunk cup.
08:15Oh, yes.
08:16Splendid.
08:16I'll take them for testing.
08:21Somebody's been malting.
08:22And this hair doesn't appear to be Arthur's.
08:39Sister, time of death.
08:43Well, no rigor mortis.
08:46Body's still warm.
08:47Can't have been more than a couple of hours ago.
08:49Sister Reg said there were some workers here when she arrived.
08:54They're out there.
08:55This is horrible.
08:56We have to open as normal.
08:57The launch is on Saturday.
08:59Not being funny, Demma, but you could look a little bit more groovestruck.
09:04I feel sick.
09:08Did any of you see or speak to Mr Millington this morning?
09:12He was in his office all night working on the launch.
09:15Nobody goes in there on pain of death.
09:17Or sacking.
09:18We wouldn't dare.
09:19Who's left their greasy mark here?
09:33There's another one here, Luke.
09:35What is it?
09:39Financial records.
09:41Sister, someone's been lighting a fire in here recently.
09:44In the heat of summer.
09:47Well, albeit British summer.
09:56Oh, yes.
09:58Someone's been burning paper.
10:00But why?
10:01I salvaged as many fragments as I could.
10:07Why the hair, Laka?
10:09Perhaps the fragments have a hot day.
10:11I need to stabilise their structural integrity before I can examine them.
10:17I'm running tests on the greasy smudges as well.
10:19Okay, what about the cyanide?
10:20Oh, most peculiar.
10:21Oh, most peculiar.
10:23Sample from the coffee cup and pot.
10:26When I add a mixture of iron sulphate, caustic soda and distilled water.
10:31This is usually the point you say, bingo.
10:35If any cyanide were present, the liquid would turn bright blue.
10:40So it wasn't cyanide that killed him?
10:41But the smell of bitter almonds was unmistakable.
10:45The cyanide acts quickly.
10:47He must have ingested it this morning.
10:49But there isn't any sign that he ate or drank anything else.
10:52And here's another interesting thing.
10:54The hairs that I found on the floor aren't human.
11:01It's uniseriated.
11:03The shaft looks like a tiny ladder.
11:07Animal hair.
11:09Cat? Dog?
11:10No, the texture would be smooth if it were a dog.
11:13Spiculated, spiky if it were a cat.
11:16This is coarse.
11:17Probably horsehair.
11:20Uncle Arthur turned the stables into a garage years ago.
11:25No pets at all.
11:27Dermot and I weren't allowed so much as a goldfish growing up.
11:31We were more than enough to look after, apparently.
11:34You were raised by your uncle?
11:36Our parents were on a ship sunk by a U-boat.
11:41Uncle Arthur inherited us.
11:50These bristles are horsehair.
11:52Ah.
11:53So when were you in Arthur's office?
11:56I thought no one entered on pain of death.
11:58Oh.
11:59Well.
12:07Look.
12:09The boho boot design.
12:11I barged in on Uncle Arthur yesterday afternoon to have a go at him.
12:19You stole my design!
12:22Yes!
12:22You should be flattered.
12:32I thought them good enough.
12:33I'm not flattered!
12:34I'm furious!
12:37Look.
12:38Don't kick up a fuss about your precious doodle,
12:41and I'll pay for that fancy art school you're always banging on about.
12:45How's that?
12:46We made a deal.
12:49Still, he took your designs without asking.
12:52That must have made you angry.
12:54Are you all right?
12:56You look very flushed.
12:59My uncle has just died.
13:01I've got to kill someone over a stolen doodle.
13:11Besides, you said he died at the factory this morning.
13:15I was at home until Dermot rang with the news.
13:18Ask the housekeeper.
13:22LAUGHTER
13:23No, no, the boot launch is full steam ahead.
13:28I know.
13:30No, no, no, the police are looking into it.
13:33They've got a nun on the case.
13:36Yeah.
13:37Miss Marple in a wimple.
13:39Solving crime through the power of prayer.
13:42LAUGHTER
13:42Yeah, I know.
13:45I know.
13:47All right.
13:48Well, I'll see you on Saturday.
13:50All right.
13:52Excuse me, dammit.
13:53Is Mr Millington to you?
13:55Now?
13:55Mr Millington.
14:01I know you must be upset about your uncle.
14:03I'd be more upset if those boots don't get finished.
14:06About that.
14:08The, er, men at the warehouse were promised overtime pay?
14:12Yes.
14:15Well, those lads work hard.
14:17You can't begrudge them.
14:19The women work hard.
14:22What's sewing?
14:23Look, just finish those boots
14:26or I'll end your employment.
14:32I'm in charge now, love.
14:38We'll see about that.
14:40The smudge on the file is some sort of emollient.
14:43My first thought was hand cream, possibly face cream,
14:46but, er, when he added iron chloride...
14:55..the emollient contains lactic acid...
15:00..to remove dry skin.
15:02It's most likely a foot cream for bunions.
15:09Bunions...
15:10..and calluses.
15:11Dermot needs us as much as we need our jobs.
15:20I need every penny I can get.
15:22Erm, why aren't you lot working?
15:25You lie to us.
15:27This place isn't going under.
15:28It's booming.
15:30You just didn't want to pay us any extra.
15:32Oh, the men are getting overtime, though.
15:34And they already get twice what we do.
15:36Well, of course the men get paid more.
15:38They're the breadwinners.
15:40Most of you lot are just here for some pocket money.
15:43A chance to get out of the vacuuming.
15:44All right, ladies.
15:48Let's see how he manages to organise a boot launch without any boots.
15:53What?
15:54You wet.
15:55I'm calling a strike.
15:57Yeah!
15:58Someone get Norman at the bugle.
15:59I really can't afford...
16:01Time of the month, is it, girls?
16:03Look, just get back to work before I sack the lot of you.
16:07Daisy.
16:08I can't.
16:10Bernice, can we have a word, please?
16:12So, it's foot cream, but you use it on your hat?
16:20So?
16:21It's good for calluses.
16:22Well, you left traces of it when you went through the account.
16:26All right.
16:30I came back here last night to take a sneak peek at a book's.
16:42Mr. Millington said the factory was going bust, but not according to the accounts.
16:49He was raking it in.
16:51A blinky liability.
16:52What could you tell me about what's going on?
16:57So, perhaps you thought a change of management was in order.
17:00Maybe you thought his nephew would be a better boss.
17:01Dermot?
17:03He's worse than his uncle.
17:05He's obnoxious and incompetent.
17:07Couldn't run an egg and spoon race.
17:09Look, if you're looking for someone with a motive, look at him.
17:12Because he called his nephew a liability?
17:15Last night, Mr. Millington was shouting about how he would never leave his beloved factory to Dermot.
17:21Not even if he was the last man in great slaughter.
17:23I'm the closest thing he had to a son.
17:30So, you stand to inherit everything?
17:33Yes, as Uncle Arthur's right-hand man.
17:36Unless your uncle didn't think you were capable.
17:39You know, perhaps he was going to change his will and leave everything to Pamela.
17:45He wouldn't leave his precious factory to a girl.
17:49Look, I hope you're not accusing me of murder.
17:53My uncle was very good friends with your boss.
17:55We're not accusing you of anything yet.
17:58But don't go anywhere.
18:03Of course I'm not going to go anywhere, am I?
18:04I've got this blasted boot launch to sort.
18:08Denise has got all my machinists out on strike.
18:14What do we want?
18:15Sarah Payne!
18:16When do we want it?
18:17Now!
18:18What do we want?
18:19Sarah Payne!
18:20When do we want it?
18:21Now!
18:21It was you, wasn't it?
18:22Telling tales to the police.
18:24And you were here snooping around last night.
18:26So?
18:27Is that when you poisoned my uncle?
18:29Me?
18:30I'm not the one inheriting this factory.
18:33Consider yourself fired.
18:35You can't sack me.
18:36I'm on strike!
18:37What do we want?
18:38Sarah Payne!
18:39When do we want it?
18:39Now!
18:40Can I get a coin for the paper?
18:42What do you think your uncle would have to say about all this?
18:44His uncle would never have allowed it to happen.
18:47Chief customer, thank goodness.
18:48Bernice McDowell is who you're after.
18:50Well, I'm not here on official business.
18:53I'm here because Arthur was, um, well, he was a very good friend of mine, and I've brought
18:57Vera along to try and talk some sense into this lot, woman to woman, as it were.
19:02Um, Mrs. Cloud.
19:03Brilliant.
19:04When do we want it?
19:05Now!
19:06What do we want?
19:07Fair pay!
19:08I worked in this factory during the First War, making boots for soldiers.
19:13No ho-ho boots in those days, not with the war on.
19:17What do we want?
19:18Fair pay!
19:18You ought to be ashamed of yourself, young lady, taking advantage of this gentleman's
19:23grief.
19:24Grief?
19:24The only thing he's mourning is his profit margins.
19:28Some of these women are struggling.
19:30Struggle?
19:31Ah!
19:31You wouldn't know the meaning of the word.
19:33Getting through two wars, that was a struggle.
19:36You tell them, Vera.
19:37We were prepared to make a sacrifice for the greater good in those days.
19:42Ten hours a day I worked in that factory.
19:45And proved you were every bit as good as the men.
19:48Exactly.
19:48You're my hero.
19:51Oh.
19:52Am I?
19:53But you were earning a fraction of what the men in the factory were getting.
19:56For doing the exact same job.
19:59I...
20:00Well, I hadn't.
20:03Was I?
20:04And we've barely seen a pay rise since.
20:07Unlike the men.
20:11Why should the women earn less?
20:14Because they're women.
20:17It's only a bit of sewing.
20:20Ah, bitters.
20:23Show them your hands.
20:26Red raw from machine work.
20:27Oh, I remember those calluses like they were yesterday.
20:31Calluses?
20:32The men were out on the front line, risking their lives.
20:40Dottie lost her mother to a stray bomb.
20:43I know women who crawled out from under rubble to get to work so that you could have boots to march in.
20:55What do we want?
20:56Fair pay!
20:58When do we want it?
20:59Now!
21:00What do we want?
21:01Fair pay!
21:02When do we want it?
21:03Now!
21:04They're refusing to work until Mr Millington negotiates.
21:08How exciting.
21:09Good for them.
21:10Yeah.
21:11Although not so good for us.
21:13If that launch doesn't go ahead, that's 12 cases of wine we're lumbered with.
21:17Sisterhood solidarity.
21:19We could organise food and collections in the morning.
21:21Maybe I could arrange a sing-song on the picket line.
21:25Raise everyone's spirits.
21:27A rousing chorus of kumbaya, perhaps.
21:34What do we want?
21:35Fair pay!
21:36When do we want it?
21:37Now!
21:38What do we want?
21:39Fair pay!
21:40When do we want it?
21:41Now!
21:42What do we want?
21:43Fair pay!
21:44When do we want it?
21:45Now!
21:45The three of you don't even work here.
21:47When do we want it?
21:49I'm only going in to clean.
21:50Boo!
21:51Boo!
21:52You're still breaking the picket line.
21:54I'm sorry.
21:55I need the money.
21:56Boo!
21:58Boo!
21:59Right.
22:00If I could get everyone's attention.
22:02Boo!
22:04I'm prepared to make you an offer.
22:08If you will agree to stop all of this nonsense, get back to work,
22:13then I will generously make sure that every woman gets a free pair of boho go-go
22:20Boo!
22:21Boo!
22:22Oh!
22:22Dormish!
22:22Oh!
22:23Boo!
22:24Boo!
22:24Boo!
22:25You can shove your boho boots!
22:27I'll be out!
22:31Morning.
22:33Is it morning?
22:33Oh, goodness.
22:34Oh, goodness.
22:36T'was the lark, not the nightingale after all.
22:42Romeo and Juliet.
22:44I...
22:44Oh, Mrs. Clam woke up at the crack of dawn
22:47to get to the picket line.
22:49Yeah, we had to make breakfast on our own.
22:52That turns out Felix is a whiz with a poached egg.
22:55Oh, you know, the secret is a little dash of vinegar.
22:59Whereas I have finally stabilised
23:01the fragments of paper that we found in Arthur's fireplace,
23:04I'll need a little longer to examine them under the microscope.
23:07In the meantime, something curious.
23:09There are no fingerprints on this at all.
23:12None? Not even Arthur Millington's?
23:14None. Suggesting it was wiped clean deliberately,
23:17which seems a little like overkill, if you'll pardon my vernacular,
23:21since whoever opened the tin was wearing gloves.
23:24How do you know that?
23:26Well, because...
23:29they caught their glove in the hinge.
23:34I left a piece behind.
23:38Wait, that...
23:39that looks like...
23:41Rubber.
23:42Yeah.
23:43So who at the factory has rubber gloves?
23:47I'm not a thief.
23:48But you were caught with your hand in the till,
23:50or tin, rather.
23:52There.
23:53The missing piece of your glove
23:55that we found in the petty cash tin.
23:57Look,
23:59we know no money was taken out of there.
24:03Did Arthur catch you in the act?
24:10My husband left me.
24:13Just over a month ago.
24:16Found out he hadn't been paying the rent or the bills.
24:21He'd been taking my wages too.
24:24Spending them on God knows what.
24:25Oh, sorry, sister.
24:29And then,
24:31the night before last,
24:32the landlord come banging on the door,
24:34threatening eviction.
24:36So you thought you'd help yourself to petty cash?
24:41Mr Millington is usually in his office when I get here.
24:45I was getting stuff out the cleaning cupboard by his office
24:47when I saw him pop out to use the lavatory.
24:50I knew he kept the petty cash tin in his office.
25:00And then I thought...
25:02I should have gloves on.
25:04What the hell do you think you're doing?
25:26It was a moment of madness.
25:27He said he was going to speak to me at the end of the day.
25:32And why are you afraid he was going to go to the police?
25:35I don't know.
25:36I was more worried he'd sack me.
25:38But if you killed him,
25:40no-one would know that you've been sacked.
25:42I didn't kill him.
25:44I've got three kids to look after.
25:48I'm not going to abandon them like their dad did.
25:52That's why I can't go on strike.
25:55How would I feed him?
25:58Now all my friends hate me.
26:02If they're your friends,
26:04I suspect they'll understand.
26:05What do we want?
26:09Fair pay!
26:10When do we want it?
26:11Now!
26:12What do we want?
26:14Fair pay!
26:14When do we want it?
26:16Now!
26:16So we still don't know how, when or where Arthur was poisoned?
26:20Now!
26:21What do we want?
26:21What's going on?
26:22Fair pay!
26:23When do we want it?
26:24Now!
26:29What have you done now?
26:31Borrowed some machinists from Gemford's.
26:33Had to pay a chunk for the privilege.
26:34You see?
26:36Nobody's irreplaceable.
26:37You could have used that money to pay your own workers the overtime.
26:41You're as bad as Uncle Arthur.
26:44Look, Pam.
26:47Here's a headline for you.
26:49Emotional women throw toys out of pram.
26:52I'll use that.
26:53Emotional?
26:54Not you, Peggy.
26:56I'm sure your emotions are well under control.
27:04Excuse me.
27:08Ladies who've just got off the bus, we are on strike because groovy shoe do not pay a fair wage to women.
27:17Ladies, we are worth as much as the men.
27:22We're worth more than most.
27:24We deserve to be taken seriously.
27:28We deserve to be paid what we're worth.
27:31Silly old bat.
27:34What did you call me?
27:37Mr. Millington looks like he's about to face the firing squad.
27:42Please.
27:44Please have mercy.
27:46I'll give you anything you want.
27:47Ready, aim, fire!
27:58Oh, dear.
27:59You don't even work here.
28:01I stand in solidarity.
28:04And I call on all women to stand in solidarity in a general women's strike.
28:12What?
28:13I hear my call on every woman in great slaughter to down tools.
28:20Oh, let's see how emotional the men get when nobody cooks their tea, washes their clothes, looks after the children.
28:30Let's see how well great slaughter functions without women.
28:35You can use that one, Norm.
28:37Don't come off it, Vera.
28:38And I looked up that play you've chosen for G-Sats, Dysistrata.
28:46Absolute filth.
28:48Gracious, what's the play about?
28:51It's about a group of women who go on a strike to stop a war.
28:58It's a comedy.
28:59Sounds like a tragedy to me.
29:01We shall not, we shall not be moved.
29:05We shall not, we shall not be moved.
29:08We shall not, we shall not be moved.
29:23Ah, great slaughter to the standstill.
29:26All the women are striking.
29:27Yeah, everywhere you go, just confused-looking men.
29:31We were worried that you two might join the protest.
29:34I thought about it.
29:36Why?
29:37WPCs get paid less than PCs.
29:39Yeah, but that's because you're on a different pay scale.
29:42Exactly.
29:44Which isn't equality.
29:45Excuse me, Bronifast has found something.
29:52I've managed to piece together parts of the document.
29:55Used a light box to take away some of the charring.
29:58It appears to be a scientific study on acetonitrile.
30:01In particular, it's toxicity.
30:03Toxicity?
30:04Well, it can be used to assist in the manufacture of...
30:07Oh, come along.
30:25Ah-ha!
30:26What is it, sister?
30:29A murder weapon.
30:30Acetonitrile.
30:32Well, they must use it to help make the boots.
30:34Well, they shouldn't.
30:35Blaze havoc with your breathing.
30:37It was in the papers.
30:39Peggy.
30:40On it.
30:41Come on, Norm.
30:42Where are we going?
30:43The bugle.
30:44So this is what poisoned Mr Millington?
30:48I thought it was cyanide.
30:50Oh, but it is.
30:51And this is the clever part.
30:53If you ingest acetonitrile,
30:55then your body converts it into cyanide.
30:57So, in effect...
30:59You poison yourself?
31:01The chemical process can take about eight hours,
31:03so Arthur may have swallowed acetonitrile the night before,
31:07but only been poisoned by cyanide early the next morning.
31:10Well, we know where he was the night before he died.
31:13The door's locked.
31:20The landlady's on straight.
31:21Well, if that doesn't just put the tin hat on everything.
31:25All right, old mess, come here.
31:27I'll put a letter of puzzle.
31:28Ha-ha.
31:29No thank you, Tom,
31:31though I'm sure it's delicious.
31:33What's going on?
31:34Pub shut!
31:36One moment, please.
31:38Because the blasted landlady's on strike,
31:41and I've had to cancel my rehearsal of Lysistratus.
31:44Isn't that that play where the women go on strike?
31:49Yes, thank you, Felix.
31:51I do see the irony.
31:53Scopey there, scopey, scopey, you.
31:56Fall it, fall!
31:57What?
31:58You're right.
31:59No, don't blame me.
32:01Blame the blimmin' women.
32:02Look, tell you what, first round's on me.
32:04Pub shut!
32:05It's not for us.
32:09Not for us.
32:19There.
32:20Splash marks.
32:22And a ring where the varnish is corroded.
32:24Whoever poisoned Arthur's drink had shaky hands.
32:27They didn't get it quite all in the glass.
32:29What was Arthur drinking that night?
32:31Brandy.
32:32Hang on.
32:33Well, brandy would have masked the smell of ether from the acetonitrile.
32:37OK, so the place was full that night.
32:41Anyone could have had access to Arthur's drink?
32:42We may have found something.
32:44What have you got?
32:44Local girl dies of asthma attack.
32:48Any mention of the girl's name?
32:49It hadn't been released when they went to press.
32:51But we found an obituary in the following week's paper.
32:55Cora Ashfield?
32:56Working at the factory, she's connected to all our suspects.
32:59This doesn't exactly narrow it down.
33:09Bingo.
33:12Give me fire in my heart, keep me striking.
33:16Give me fire in my heart, I pray.
33:19Give me fire in my heart, keep me striking.
33:23Keep me striking.
33:24Keep me striking till we get more pay.
33:30Here.
33:31Get that down, yeah.
33:33Castle to grind St. Vincent.
33:35Put airs on your chest.
33:36Thank you so much.
33:39We'll see you and your kiddies, right?
33:40Who needs a husband?
33:41You've got friends, eh?
33:43Men.
33:44More trouble than they're worth.
33:47Miss Millington?
33:49What do you want with Pam?
33:54Because if you want her, you're going to have to come through us.
34:00It's all right, Bernie.
34:04Shall we talk inside?
34:05What?
34:22You don't still think I killed my own uncle over a silly boot design?
34:27No, of course not.
34:29Your motive went much deeper than a motif.
34:31What's going on?
34:35Pam wouldn't hurt a fly.
34:36You should come with us, Miss Millington.
34:37No, I'm not leaving my sister.
34:42Cora Ashfield.
34:43She died of an asthma attack.
34:49But you knew there was more to it.
34:52Acetanitrile.
34:54You confronted your uncle with scientific proof of its toxicity.
34:57Yes, but he wouldn't listen.
35:02I'll pay for that fancy art school you're always banging on about.
35:06How's that?
35:08Oh, that's not even what I came to talk about.
35:11There's an ingredient you use in the factory.
35:14It's lethal.
35:17Cora Ashfield shouldn't have died.
35:20This factory killed her.
35:22Don't be dramatic.
35:24She died of an asthma attack.
35:28What's that?
35:30A study into the toxicity of acetanitrile.
35:35Cora always felt dreadful after a shift here.
35:38And she was working closely with it.
35:41Well, if you have a weak chest,
35:44perhaps don't take a job working with solvents.
35:46Did you already know about this?
35:55Nobody forced her to work here.
35:59Pamela, you're a clever girl.
36:01You know which side your bread is buttered.
36:05You do want to go to art school, don't you?
36:11But that doesn't mean I killed him.
36:13I was some girl she hardly knew.
36:17Hardly knew?
36:19Look at the necklace Cora's wearing.
36:21It's the same engraved motif that's on the groovy shoe boho boots.
36:25Your design?
36:26A design that you didn't think anyone else had seen.
36:29A design that you created specially for Cora.
36:32She was your friend.
36:34She was more than that.
36:37I loved her.
36:39And you blamed your uncle for her death?
36:41He put profit before people.
36:44So you killed him with the same toxin that killed Cora?
36:47You can't prove that.
36:49Whoever slipped the poison into Arthur's drink,
36:52spilled some of it on the table and on their own hands.
36:56Even if they washed them straight away,
36:57they would have given themselves very mild cyanide poisoning.
37:01Which is why you felt sick the morning of your uncle's death.
37:04And why you looked flushed when we visited you at the mill.
37:08If you show me your hands now,
37:11I suspect there'll be a nasty rash on them.
37:14How did you poison his drink without him seeing?
37:28I put the acetanide trial in a miniature brandy bottle.
37:32Cheers, Pamela.
37:53Offered him a free top-up?
37:56I knew he wouldn't say no.
37:59Anything to save a few bob?
38:00That's all that mattered to him.
38:05Money.
38:06Of everything.
38:08I'd shown him proof that acetanide trial was dangerous.
38:14That it killed Cora.
38:17I thought even he'd be horrified.
38:21But all he was interested in was covering up.
38:25Protecting the business.
38:26Cora died.
38:42And he wasn't even sorry.
38:45And now...
38:47I'm not sorry either.
38:49Norman, write about the acetanide trial.
39:09About Cora, please.
39:11But the launch.
39:13Dammit.
39:14Let something good come out of this.
39:16Good?
39:16You can change things now.
39:19Make the factory safe.
39:22Wouldn't know where to begin.
39:24I can help.
39:26You.
39:27I know I'm not your biggest fan, Mr Millington, but...
39:31Surely we can look after the workers and both get what we want?
39:34Please, Dermot.
39:36Be your own man.
39:38Not Uncle Arthur's.
39:40I'm willing to negotiate if you are.
39:44I suppose we could...
39:46talk.
39:47You can relax now, Mr Millington.
40:14One of the catwalk models is stuck on a train.
40:17Hmm.
40:20I don't suppose you...
40:21No chance.
40:22I make him.
40:23I don't model him.
40:24But don't worry.
40:25I will find you a willing volunteer.
40:32Those two seem to be getting a little better.
40:34He's paying us the overtime.
40:36And he's agreed to discuss a small pay rise.
40:39How are you, Daisy?
40:42Much better, thank you.
40:44It's like Bernice says.
40:46Who needs a man when you've got good friends?
40:52Um...
40:53I've been wanting to apologise.
40:57I don't think I fully...
40:59well...
41:01appreciated the efforts women such as you put in during the war.
41:06Or since.
41:07You never did compliment me on that crumble I made in March.
41:12March.
41:15I...
41:16I apologise.
41:19I also have to tell you that I've decided not to go ahead with my production of Lysistrata.
41:24Well, I'm sure there are, well, less salacious texts we can choose.
41:31There certainly are.
41:33Ah.
41:34Good.
41:36So, where is, er, is Peggy?
41:41Ah.
41:42Right.
41:44Now, your esteemed colleagues here have been talking to me, WPC Button, about how much they
41:54value you.
41:56So, the station would like to offer a gesture of appreciation for your service.
42:03Thank you so much.
42:16Mr. Melinton, I think we've found your replacement model.
42:22What?
42:22New boho boots by Ruby Shoe.
42:34The coolest kicks in town.
42:38These killer heels are definitely something to twist and shout about.
42:46Boho, the only way to go-go.
42:49Sensational.
42:54Thank you so much for joining us.
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