- 19 hours ago
An adaptation of Anne Bronte's novel; a young widow takes her son and moves to Yorkshire.
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TVTranscript
00:00THE END
00:30And the righteous shall judge them after the manner of adulteresses
00:35And after the manner of women who shed blood
00:38Because they are adulteresses and blood is in their hands
00:43And the company shall stone them with stones
00:50And dispatch them with their swords
00:54And they shall slay their sons and daughters
00:58And burn their houses with fire
01:02Helen?
01:13Helen?
01:13Helen?
01:14Helen?
01:17Helen?
01:31Malcolm?
01:32What do you want?
01:34Come to finish me off?
01:35I couldn't stop him
01:36He pushed right past me
01:37It's all right, Anne
01:39I don't believe Mr. Markham's come to murder me
01:41Have you, Markham?
01:44It's all right, you can go
01:46Is it true?
01:53Is what true?
01:55Helen?
01:55Has she gone?
01:58Yes
01:58Yes, she has
02:00You're lying
02:03In the circumstances, Markham
02:05I shall overlook the rudeness of that remark
02:07She'd never go back to him
02:08On the contrary
02:09She left for Grasdale last night
02:12Why?
02:13She owes him nothing
02:14Mr. Huntington is ill
02:16I wanted to see his son
02:17My sister
02:19As you know
02:21Has a strong sense of her moral obligations
02:24What kind of a brother are you?
02:27What kind of a brother are you?
02:57Oh, what a mess
03:09Mr. Huntington is resting
03:19I hardly think it would be wise
03:21to disturb him now
03:22Your room's ready for you
03:27You don't like me, do you?
03:34Recent events have hardly warmed my disposition towards you
03:37After all, I'm only a yeoman farmer
03:42Hardly good enough for your sister
03:45What kind of a brother?
04:00A Wraith
04:00Awesome.
04:30It's a waste to be doing all this when we're not staying.
04:55You're surely not thinking of staying, are you?
05:03I don't know.
05:12Thank you, Miss Myers.
05:20I really don't think wine will alleviate my husband's condition.
05:24I'll take that.
05:31It is you.
05:39Such strange fantasies, I thought I was dreaming.
05:43Yes, Arthur, it's me.
05:46I knew you'd come back.
05:50If only to gloat.
05:53I came because you gave me no choice.
05:57I sent for the boy.
05:58I don't want you with your Christian charity hoping to gain yourself a higher seat in heaven and dig a deeper pit for me.
06:05Where is he?
06:06Where is he?
06:07What have you done with him?
06:08He's safe.
06:09You can see him when you're better.
06:11He's my son.
06:12You can see him now.
06:13No.
06:14This is delightful, isn't it?
06:19You never hoped for such a glorious victory.
06:26This is a glorious victory.
06:49The internal inflammation is well advanced.
06:52I can't say I'm surprised.
06:56Will you never learn, Mr. Huntington?
07:03I thought so.
07:06There must be no more of this.
07:13It's the only damn thing that keeps me alive.
07:16If you go on believing that, you'll give work to the sexton, not to me.
07:31Miss Myers?
07:33Where are you taking him?
07:35Mr. Huntington asked especially to see his son.
07:38I will say when Mr. Huntington can and cannot see his son.
07:42Arthur, go and play outside.
07:46Now that I am here, I hardly think Mr. Huntington needs two nurses.
07:56Do you?
07:57Especially one that seems more concerned with his whims than his welfare.
08:01I can't see it.
08:12What does it say?
08:15You know what it says.
08:18You'd have robbed me of my son again, would you?
08:22Oh, damn thing.
08:28It's no good I'm too ill, I can't.
08:30Then you must be too ill to see your son.
08:33Oh, you are determined to heap coals of fire upon my head.
08:42Where is it I have to sign?
08:46It's just no more than blackmail.
08:48Where's your Christian charity now?
08:52Forcing me to sign away the care of my own son.
08:54Forcing me to sign away the care of my own son.
08:55There.
08:56Are you satisfied?
08:57Now can I see him?
09:10Arthur.
09:11Arthur.
09:13Is that you?
09:28Come here, boy. Come here, where I can see you.
09:36Do you know me, boy?
09:38Yes, sir.
09:48Who am I, Martha?
09:50Papa.
09:52That's right. That's right. Papa.
09:58I'm your papa.
10:05And are you glad to see me, boy?
10:09Yes, sir.
10:13You're not.
10:17You've made him hate me.
10:22How can you do that?
10:26It's my own son.
10:29I have not made him hate you.
10:31Liar!
10:33I can see it in his face.
10:36I have perhaps encouraged him to forget you.
10:40Forget me?
10:42Forget me!
10:43Let me have a look at you.
10:44All right.
10:46You're nice.
10:47You're nice.
10:48You're nice.
10:49You're nice.
10:50You're nice, man, aren't you?
10:52You're nice.
10:53You're nice.
10:54You're nice.
10:55You're nice.
10:56You're nice, man, aren't you?
10:57You're nice.
10:58You're nice.
10:59You're nice.
11:00You're nice.
11:01You're nice, man, aren't you?
11:02You're nice.
11:03I haven't looked at you.
11:18I've never looked at you.
11:20Grown.
11:50Grown.
12:20Grown.
12:22Hey, well, that drunk, he acts as a landlord if he could recommend him to a wife.
12:26So began the final chapter of our marriage.
12:29Months passed slowly and I grew weary of my life.
12:32My greatest source of unease in this time of trial was my son,
12:36whose father delighted in nurturing all the vices a child can show,
12:40in a word, to make a man of him.
12:50He's got a taste of it.
12:52He must be inducted.
12:54The first thing he's learned to drink, I'll love to buy this.
12:57Come on, boys.
13:03Listen to me.
13:05Tilly Tit, they say, has wit.
13:08Come on, listen.
13:09Shy!
13:10Go on, boy.
13:12Tilly Tit, they say, has wit.
13:14And some, they say, have felt it.
13:17Huntingdon, I don't think this is the kind of thing...
13:19Nobody cares what you think, Hargraves.
13:21So just shut up.
13:22And some, they say, have felt it.
13:29She walks as if she walked the ship.
13:32And looks as if she smelt it.
13:36Go on, boy.
13:42Say it!
13:44Come on.
13:45Say it, boy.
13:46Say it, boy.
13:47Come on.
13:48Say it, boy.
13:49Come on.
13:53Say it.
13:54Say it.
13:55Say it.
13:56Say it.
13:57Say it.
13:58There you go.
14:00Say it.
14:10Arthur.
14:11She walks as if she was Bishop and looks as if she smelt.
14:19He's your boy hunting. Don't lie.
14:22Make her laugh, Papa. Make her laugh.
14:26Arthur, how could you?
14:29Stay!
14:32Stay where you are.
14:36I might let you freeze all the sunshine out of his heart
14:39until he is this cold and gloomy as his mama, as my son.
14:46I'm gonna make a man of him. Do you hear me?
14:49A man.
15:00I was a slave and prisoner in that house.
15:03We lived together as strangers with a mutual understanding
15:06that there was no love, friendship or sympathy left between us.
15:09Arthur, come and read to me.
15:11My son's education was the only pleasure of my lonely life.
15:14Don't worry.
15:15I was determined to cure him of the bad habits his father had taught him.
15:19Molly?
15:21Right.
15:22Dear me, come into the light and let me have a look at you.
15:26So they all went into the house.
15:30And then they put...
15:36Remember his name?
15:37Hoopoo.
15:39Hop-o-my.
15:40Hop-o-my.
15:41Hop-o-my thumb.
15:45On the table.
15:47Oh, such a big table.
15:49And then...
15:52Forgive me, my dear.
15:53Arthur, there's somebody I want you to meet.
15:58Come here, son.
16:08Arthur!
16:14Arthur, wait!
16:15I regret to say it, my dear, but I fear you are not fit to teach a young, spirited boy.
16:26Arthur, meet Miss Myers. She's your new governess.
16:30Hello, Arthur.
16:35You needn't worry, my dear. Miss Myers is a very pious young person.
16:38Her father was a clergyman, isn't that right?
16:40I'll leave you to it.
16:45Arthur!
16:48Be a good boy.
16:49Blame Miss Myers.
16:54The boy is so like his father.
16:59Arthur!
17:01Arthur!
17:03Arthur!
17:05Arthur, please!
17:07Are you a car?
17:09You're mine?
17:10Don't do this to me.
17:11My dear, you have abdicated your responsibilities as a wife.
17:13You are inadequate as a housekeeper.
17:15And you've proved yourself unequal to the duties of a mother.
17:18I hardly feel it is your place to make demands.
17:28After the arrival of Miss Myers, I was rarely permitted to be alone with my son.
17:33son. Lessons and books were abandoned for gaming and guns. I continued to dream of escape.
17:42I could no longer bear to see my child abandoned to corruption. Better far that he should live
17:46in poverty and obscurity with a loving mother than in luxury and affluence with such a father.
18:03Get in the mood to slaughter birds. Go on, boy.
18:22The Lord God gave man dominion. Bows of the air, fishes in the rivers, and over every other
18:30creeping, crawling thing that creeps and crawls about the face of the earth. It says in the
18:34Bible. Ask your mother if it doesn't. She'll take it. Go on. The devil make war with a pheasant.
18:46Come here, boy. Now, stay behind me. When you see a bird, tell me to fire.
18:53Tell me to fire.
18:58Hargrave! Bird!
19:03Hurry up, man!
19:06The sportsman here yet, boy.
19:07I don't want to hear yet, boy.
19:23Go on in. Show them all that.
19:26Yeah.
19:27We'll be right.
19:28Go on, my son.
19:29See you next time.
19:30Let's go.
19:31I can't wait.
19:32Come on.
19:33Bye.
19:34Bye.
19:36Bye.
19:52Bye.
19:53Oh, my God.
20:23Arthur!
20:33What do you think you're doing?
20:47Here's the young Nimrod.
20:49I said we'd make a sportsman of him.
20:54You call it sport?
20:56Killing a bird in a cage?
20:58Even George could manage that.
21:01No, it's instinct.
21:04He has the instinct, don't you, boy?
21:06And what instinct is that?
21:12The instinct of a man.
21:16It's more wine, Benson.
21:18Here isn't half enough.
21:19There you go, boy.
21:33Drink it, boy.
21:34Come on.
21:43Come on, boy.
21:43What's the matter with you drinkers?
21:51If he doesn't want it, don't force...
21:53Quiet!
21:53This is your doing!
22:08What have you been doing, DNA?
22:12Drink it!
22:18Drink it!
22:19Sit down!
22:37Sit down!
22:45Benson, seat it.
22:46Now, man!
22:51Now, man!
22:56Excuse me.
23:01All right.
23:04All right.
23:19Bye-bye.
23:20I won't stay here another night.
23:50I could endure it for myself, but my son must bury no longer.
23:59But what will you do?
24:05I'm sorry, Rachel. You must go home or find another place.
24:15I have no home but with you.
24:19Go in now. Go on. You'll be missed.
24:24My mind was made up.
24:39My mind was made up. I decided to return to Wildfell Hall, the place my brother and I were born. To avoid discovery and evade suspicion, I took my mother's maiden name and disguised myself in widow's weeds.
25:06I'm sorry, Rachel. You're a lord.
25:16I'm ruined! I'm ruined!
25:28Don't worry about it.
25:30You're a storm!
25:46Quick, open gate up.
26:02As I bade farewell to that place, a scene of so much guilt, so much misery, I felt no shadow
26:08of remorse for the husband I left behind.
26:11There was nothing to disturb my joy, but the fear of detection, and every mile we travelled
26:17removed us further from that danger.
27:29What are you doing here?
27:43You said that once I'd read that, I wouldn't feel the same.
27:48You were right.
27:51Why did you come back to him?
27:58I had no choice.
28:00But it's always a choice, Ellen.
28:07My husband is very ill.
28:09I am his wife. I have to do my duty.
28:12That man has forfeited all right to be your husband.
28:15Is this what you've come to tell me?
28:17I came to tell you that I love you.
28:20I love you, Ellen.
28:21Please don't.
28:26Happiness is not a sin.
28:35Let God be the judge of sin, Mr. Markham.
28:37I fear we are all too eager to think our pleasures must be blessed.
28:42You are determined to misunderstand me, Mrs. Huntington.
28:48Forgive me.
28:50I shouldn't have come.
28:51Oh, my God.
28:52Let's do it.
28:52Let's do it.
28:53Come on.
28:58Let's do it.
29:00Go.
29:00Well, you never told me about your mysterious Mr. Markham, my dear.
29:30Perhaps I've misjudged you. Perhaps you're not so cold-hearted after all.
29:39Mr. Markham has a farm near Wildfell. We were neighbours.
29:44It's very neighbourly of him to come all this way to see you.
29:49He was very kind to Arthur.
29:51Only to Arthur?
30:00You disappoint me, my dear.
30:05I can't imagine how it would revive this sinful spirit of mine to know that you had guilty secrets too.
30:13Hargrave, pour me some of that wine.
30:27Arthur.
30:32You know, she never gives up, this wife of man.
30:41Still trying to save me.
30:44Still telling me we can meet again in heaven.
30:47You?
30:48In heaven?
30:49I know. Can you imagine? Whatever would I find to do there?
30:53But you know, I rather fancy I shall make a full recovery.
31:11What will you do then, my dear?
31:14Hmm?
31:16Will you run away from me again?
31:20That rather depends on you.
31:24Hmm, hmm.
31:27Well, I'll be very good.
31:47Arthur.
31:49Come here, keep your arm, please.
32:06Open the door!
32:08Come in.
32:14Just wait till you're safe and secure in heaven, and I'm down there, howling in hellfire.
32:24You won't even dip the tip of your finger in water to cool my thirst.
32:32Get me a drink.
32:38A proper drink for pity's sake.
32:40One more can't make any difference.
32:44I'm in hell already.
32:50Don't torment with your son, let's go.
32:52Leave.
32:54Leave.
32:56Leave.
33:02Leave.
33:04Leave.
33:06Leave.
33:08Oh.
33:14No!
33:20Oh.
33:22Oh, my God.
33:52Hello.
33:58Mr. Hargrave.
34:02I hardly know how to talk to you.
34:06Caring for him like this after all that he has done.
34:11You're half mortal, half angelic.
34:14I fear you exaggerate my virtues.
34:17Do I?
34:18I am only an ordinary mortal, but dare this ordinary mortal ask you something?
34:28Do you never think of revenge?
34:31Revenge?
34:32You see, Helen, I know that you're not the icy being that you pretend to be.
34:36I know that there are feelings in your nature that have never yet been called forth.
34:39Please, dear Lord.
34:40Why this constant reserve, Helen?
34:42Are you determined to be his slave forever?
34:44Let me go.
34:45Why deny yourself the possibility of love?
34:47Stop this at once.
34:48You may call it religion or moral screw calls, but I call it wild fanaticism.
34:53Let go!
34:54No man has ever dared to insult me the way you do.
35:00I do not insult you, Helen.
35:01I worship you.
35:03My husband may have many vices, Mr. Hargrave, but hypocrisy is not one of them.
35:10He does not make a science out of self-gratification as you do,
35:14or dress it up with affectations of sanctity.
35:17Now leave me and get out of this house.
35:38Poor old Hargrave.
35:42You never did know when to choose this moment.
35:47It's all right, my love.
36:00I'm not offended.
36:08I sent him away.
36:10I'm pleased to hear it, my dear.
36:14You deserve much better than Hargrave.
36:17It's curious.
36:38I always tend to love
36:45the most unsuitable people.
36:50Do you think so?
36:55It's a pity, isn't it?
36:56Oh, Helen, I wish I could take you with me to plead for me.
39:28Did you see her?
39:30Yes.
39:32And?
39:34It's true.
39:36She's gone back to her husband.
39:41Does she love him?
39:42Who knows?
39:43I don't know.
39:44I don't think she does either.
39:46That's not my concern anymore.
39:50Oh, Gilbert.
39:54Oh, Gilbert.
39:56I don't know.
40:02I don't know.
40:04I don't know.
40:06I don't know.
40:08I don't know.
40:16I don't know.
40:18I don't know.
40:20I don't know.
40:22I don't know.
40:23I don't know.
40:24I don't know.
40:25I don't know.
40:26I don't know.
40:28I don't know.
40:30Oh, yeah.
40:32Well, I don't know.
40:34Oh, yeah.
40:35I can't wait until that part?
41:37Got you!
41:43Round and round!
41:45I'm getting dizzy.
41:46Woo!
41:55I took Arthur away to get the benefit of the sea air at Scarborough.
42:02I cannot go back yet to Grasdale.
42:05There are too many painful associations.
42:08Oh, Frederick.
42:09There is such a bitterness of pity for his life and death.
42:13Such a yearning for the emptiness of his whole existence.
42:16I trust time will allay these feelings.
42:19I know I must make a new life for myself.
42:24Hello, it's a day.
42:29Gilbert?
42:30Oh, Gilbert!
42:32You'll never believe it.
42:33Your father said yes.
42:35He said yes to the dress, yes to the party, yes to the riverbank and the carriage.
42:39We're going to have the best day ever.
42:42Are you ready yet?
43:04We must get there before the bride.
43:05We must get there before the bride.
43:05We must get there before the bride.
43:34Look, Mama, it's the mountains!
44:01What's happening?
44:04What's happening?
44:34What's happening?
44:36What's happening?
44:38What's happening?
44:39What's happening?
44:40What's happening?
44:45A quella LAUNEL
44:47***
44:48***
44:57AR disse
45:02***
45:03Well, that was okay, huh?
45:10Well, it's been nice.
45:18Nice job of ale there, aren't you?
45:20No, it wasn't.
45:22It's not.
45:23It's not.
45:24It's a morning to...
45:25She's got some water in a good few years, that's for sure.
45:33Come on!
46:03,,
46:10,,
46:12,,
46:13,,
46:14,,
46:18,,
46:20,,
46:24,.
46:28Hello, Miss Barkham.
46:58Don't you think I've grown?
47:00Grown? I should say so.
47:02Soon I should be as tall as you, nearly.
47:05Taller.
47:09You came back?
47:11Yes.
47:14Your husband?
47:17Arthur, why don't you go and see if you can catch this boat?
47:22He died three months ago.
47:28I see.
47:31I'm sorry.
47:35Will you be staying long a while, Fell?
47:37I don't know.
47:39Perhaps.
47:42I thought I could.
47:44What has changed?
47:48Everything.
47:49Good morning.
47:56Congratulations.
47:59Why?
48:02I hope you'll both be very happy together.
48:07Oh, Helen.
48:08You thought...
48:10Eliza's married Richard Wilson.
48:13She seems quiet and raptured.
48:22And you?
48:24I still have my dreams.
48:29Would you give me your hand if I ask for it?
48:31How is it Dr. Johnson described a second marriage?
48:38The triumph of hope over experience.
48:41Have you lost hope?
48:43No.
48:45But I have gained experience.
48:49Ask me again in a year's time.
48:51If you still feel the same.
48:55The year?
48:56Where is your constancy?
48:58She'll always be constant, but...
49:01How about the spring?
49:02No, no.
49:03Next autumn, perhaps.
49:05What?
49:08Summer, then?
49:10Well, at the close of summer.
49:12Then I'll be satisfied.
49:13Yeah, you did.
49:33Let me say,
49:36CHOIR SINGS
50:06CHOIR SINGS
50:36CHOIR SINGS
50:38CHOIR SINGS
50:40CHOIR SINGS
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