- 3 months ago
Chronicles the lives of three generations of the upper-middle-class British family, the Forsytes, from the 1870s to 1920.
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00:00:00I'm lower than the servants in this house and I'm tired of him.
00:00:03No, my team!
00:00:05You're a thief and a blaggard.
00:00:07Where is he?
00:00:08Vanessa Harris.
00:00:10Your mother's petitioning for a divorce.
00:00:11So.
00:00:12Why?
00:00:13I'm tempted to thump you right now.
00:00:15You can't.
00:00:17We're engaged.
00:00:18You stay away from her, are you here?
00:00:19Only if she tells me to.
00:00:21I love her.
00:00:21Prove it.
00:00:22Sign up.
00:00:23Go off and fight the boas and see if she's still waiting for you when you come back.
00:00:26I need evidence for a divorce.
00:00:28Would you speak to her?
00:00:29On my behalf.
00:00:30I had a visit yesterday from Soames.
00:00:34He wants a divorce.
00:00:35Tell him I'm sorry he's not free.
00:00:38He had his chance.
00:00:39I don't know why he didn't take it.
00:00:40If Irene weren't free the ties of our marriage, she must abide by its duties.
00:00:43I retain my rights.
00:00:45Think very carefully, Soames, before you try to bully her.
00:00:48You can set your own conditions.
00:00:50Keep your own company.
00:00:51Anything.
00:00:51Just give me a son.
00:00:53I was soon to die!
00:00:58Hello, Freddie.
00:00:59Mrs. Heron has been traced to a small hotel in Paris.
00:01:05There, she's had regular contact with 47.
00:01:08Dark-haired gentleman, medium-height.
00:01:10Keen painter, it would seem.
00:01:12How to proceed depends upon your client.
00:01:14I'd like to go away.
00:01:19Thanks for having new days.
00:01:20You could go now, keep home.
00:01:20Okay.
00:01:21That's good.
00:01:23I'll cerify you.
00:01:23And I'll take you faster.
00:01:27Which side is more accessible.
00:01:29We know when you next door.
00:01:31Yeah, that's good.
00:01:34You could go in there.
00:01:35You could go in there, then.
00:01:35It's great.
00:01:36If you sides of the injury...
00:01:37I won't go there!
00:01:39It all looks rather real, thinking about men.
00:01:49He does it for hours.
00:01:51You two going out as a nurse?
00:01:54I do so admire you.
00:01:57To do one's bit.
00:01:58I always thought you were anti-war.
00:02:00Well, of course.
00:02:01But there's a life one can save.
00:02:05Training's frightfully dull.
00:02:09Well, it's good to be back.
00:02:12Was Paris warm?
00:02:14No.
00:02:17How was Irene?
00:02:21In health.
00:02:26Did you see much of her?
00:02:28Most days, most days.
00:02:30What's she doing with herself?
00:02:32Jundia, I'm very aware of the awkwardness of things.
00:02:34No awkwardness for me.
00:02:36She could be an excellent charm for you.
00:02:38And you need someone.
00:02:42Look how good Jolly is.
00:02:45Irene is very much her own person, you know.
00:02:49And needs a charm as much as you.
00:03:00Sure.
00:03:01It would be rather a different thing with a boa in the sights.
00:03:05I suppose one should hope so, really.
00:03:07Though, apparently, we should be thinking of them as just so much target practice by the time we're out there.
00:03:14I don't want to a bit, of course.
00:03:16I admire for you.
00:03:17I don't believe I'd have enlisted at your age.
00:03:20Too much of a foresight.
00:03:22There are any number of reasons why one signs, you know.
00:03:25Of course, but ultimately it's down to altruism.
00:03:30Shall I tell you my reason?
00:03:33Because I dared Val Darty to.
00:03:35Why?
00:03:38Can't abide the young ass.
00:03:41So you see, no altruism there.
00:03:45Nor heroism.
00:03:46Why did he come back?
00:03:53Oh, my poor dear.
00:03:55My poor darling.
00:03:57This is too much of Monty, really.
00:04:00It's all right, mother.
00:04:01No good fussy.
00:04:02By the deuce, didn't we try cruelty?
00:04:04Oh, don't, Soames.
00:04:06Could not Winifred say she'd prosecute him if he doesn't keep away?
00:04:10He took her pearls.
00:04:11A kipper, Winifred.
00:04:18Could you manage?
00:04:19No.
00:04:20You mustn't worry about your father.
00:04:22Leave me to tell him.
00:04:23Tell me what?
00:04:25Nobody tells me anything.
00:04:26Morning, Father.
00:04:28James.
00:04:29It's all right, Mummy.
00:04:32It's your husband, isn't it?
00:04:35He's bankrupt.
00:04:36I knew how to be.
00:04:39Not bankrupt, Daddy.
00:04:41Just back.
00:04:43Oh.
00:04:45Back.
00:04:47Well, we'll pay him off, then.
00:04:49That's all I'll do.
00:04:50Pay him to stay away.
00:04:52No.
00:04:54I'm going to keep him.
00:04:57Huh?
00:04:59It's rather the luck of the draw, isn't it?
00:05:02Marriage.
00:05:05I made it, after all, choose Monty.
00:05:08So in that sense, I've made my bed.
00:05:09See, I just can't...
00:05:13I can't face it all again.
00:05:19I'd sooner put up with him.
00:05:21But he's a bounder.
00:05:24Yes.
00:05:26Thanks all the same, Daddy.
00:05:29But I think I'll keep him now he's back.
00:05:31Huh?
00:05:39What do you think I should?
00:05:46She must love him, I suppose.
00:05:48Do you think she does, Sam's?
00:06:02In our generation, people married...
00:06:06...and then just got on with it.
00:06:09I thought getting on with it was precisely what Winifred said she intended doing.
00:06:16Yes, she did, didn't she?
00:06:20I suppose it wasn't merely Winifred I was thinking of.
00:06:31Irene has gone, hasn't she?
00:06:32I mean, she's quite gone.
00:06:35Of course she's gone.
00:06:36I mean, gone emotionally, Soames.
00:06:39That's what I mean.
00:06:40From you.
00:06:45There is, or has been, another young woman who's interested you.
00:06:52This, I take it, is Winifred talking?
00:06:54Out of concern, merely.
00:06:56Concern for what does not concern her.
00:06:57As with most women.
00:07:01How dare she.
00:07:02How dare she.
00:07:02I'm going to miss this, so much.
00:07:04Can we be seen from here?
00:07:06I don't care.
00:07:07I don't care.
00:07:08I don't care.
00:07:27I'm going to miss this, so much.
00:07:30Can we be seen from here?
00:07:31I don't care if we can.
00:07:34Daddy will have to know sometime.
00:07:36It's all yours, you know.
00:07:38You don't suppose Jolly will tell him.
00:07:40He'd think it's sneaking.
00:07:42It would be.
00:07:45Come here.
00:07:56Only three more days, Winifred.
00:07:57I can't bear it.
00:07:59Have you heard any more about going out there?
00:08:03We're hardly ready.
00:08:05I wish something good would happen.
00:08:07If only the war would finish.
00:08:09No chance of that.
00:08:10No chance of that.
00:08:10Come on.
00:08:13That was a bullet.
00:08:20Silly, your lass.
00:08:22It was miles away from us.
00:08:23I don't care. It was a stupid thing to do.
00:08:32What are you doing?
00:08:33Hmm?
00:08:35Oh, just a chap in the street.
00:08:39How's the old man?
00:08:41Not dead.
00:08:43I want a straight answer, Monty.
00:08:47Why did you come back?
00:08:50I had nowhere else to go.
00:08:54I was frightened, Freddy.
00:08:57They do this dance in Buenos Aires.
00:09:00It's exciting beyond words when you first see it,
00:09:02but it's a dreadful thing.
00:09:04Men and women clutching together.
00:09:07It's as if what shouldn't be seen
00:09:10is being seen, you know, in the street.
00:09:15There's evil in it.
00:09:18I should have thought that was rather your cup of tea.
00:09:21Kick me, I'm down.
00:09:22I don't want to kick you.
00:09:27I'm going to let you stay.
00:09:31They were all against it, but I can't throw you out.
00:09:35I've suffered so much for you.
00:09:39It's good of you, Olga.
00:09:40It is.
00:09:42Very.
00:09:42And is that all you can say?
00:09:52You're going to take this the wrong way.
00:09:55Probably.
00:09:59There's a commercial traveller in the street.
00:10:01He was on the boat with me,
00:10:02and I needed the fare from Southampton.
00:10:04And, well, he needs paying off.
00:10:07Yes.
00:10:22Monty's back.
00:10:23Sorry, old boy.
00:10:51I'm going to be scared, old boy.
00:10:56I didn't want to frighten you.
00:10:57What the devil are you doing here?
00:11:00Got back last night, old boy.
00:11:04You were out then as well.
00:11:06But what?
00:11:06I mean, does Mum know?
00:11:08Yes.
00:11:12Cheers, old man.
00:11:13Have a shrimp.
00:11:14I don't want a shrimp.
00:11:16Are you screwed?
00:11:19No.
00:11:23They say you've enlisted.
00:11:25I have.
00:11:27Well, good for you, old boy.
00:11:28Queen and country, et cetera.
00:11:30Look here, I...
00:11:35I'm sorry about all the...
00:11:40What?
00:11:42Yeah.
00:11:43My going away, and things are too young to understand
00:11:46about the way things are.
00:11:47You mean leaving my mother for a dancer?
00:11:50Well, yes, that's what it looks like.
00:11:52I can see that.
00:11:53You stole her pearls.
00:11:55Stole?
00:11:56Stole.
00:11:57Borrowed?
00:11:57Stole.
00:12:00I went with mother to the hearing, you know.
00:12:04I'd say it's one of the most disgusting things
00:12:06that could happen to somebody.
00:12:08One's husband run off with a dancer,
00:12:10and it ought to be public and in the papers.
00:12:16We do go wrong sometimes, old man.
00:12:22I didn't have much of a time of it.
00:12:27Well, are you back now?
00:12:33That's what they said would happen.
00:12:36Val, dear.
00:12:39I didn't get a chance to tell you.
00:12:42What does this mean?
00:12:43No divorce?
00:12:45It does, Val.
00:12:47Yes.
00:12:49I rather wish there would be.
00:12:51It's been a great shock to him.
00:13:01What kind of example am I?
00:13:04A very bad one.
00:13:09Oh, dear Val,
00:13:11to go out there,
00:13:12it's so worrying.
00:13:15Young, jolly foresight.
00:13:17We have never met, of course, but...
00:13:18No one has.
00:13:20But dear Val going.
00:13:22Oh.
00:13:23What about June to go?
00:13:25Last I heard,
00:13:27she was pro-boar.
00:13:28Seen sense at last.
00:13:31Here's Ladysmith, you see?
00:13:33That's where it is.
00:13:34Under siege.
00:13:35Shocking.
00:13:36Man for king?
00:13:38Under siege, too.
00:13:39And here, look, Smitham.
00:13:40Boar's here.
00:13:43British here.
00:13:43Spian cop.
00:13:48Know what we need?
00:13:50We need Napoleon.
00:13:52Excuse us, General.
00:13:53Napoleon's dead.
00:13:55We need another.
00:13:58Save you money, save you men,
00:14:00save you energy.
00:14:01If you train Napoleons.
00:14:03I rather think you're right to them.
00:14:06Silly Swithin.
00:14:09Napoleon was on the wrong side.
00:14:11I'm going to take you the birdie.
00:14:39Come on, step up, lad.
00:14:46Hey, move on.
00:14:47Papers.
00:14:49Papers.
00:14:50That was after you, sir.
00:14:52Have you written you all out?
00:14:53No, lad.
00:14:54Thank you, sir.
00:14:56Thank you, sir.
00:14:56Next.
00:14:57Move along.
00:14:58Nick, step up, lad.
00:14:59Come on, you see.
00:15:00Prepare to move.
00:15:05That's Jolion Forsythe.
00:15:07We call him young Jolion.
00:15:09Young?
00:15:11Come on, lad, next.
00:15:12No, don't stare, Imogen.
00:15:14I haven't seen him in years.
00:15:16And that's his daughter June by his first wife.
00:15:19And we can assume the other to be the young girl by his second.
00:15:22Gosh.
00:15:23But why do we not speak to them?
00:15:25No.
00:15:25No.
00:15:26No.
00:15:26Move along now.
00:15:27We made you well out.
00:15:32Chin up, Freddy.
00:15:33It'll all be over by...
00:15:34soon.
00:15:38It's come so suddenly.
00:15:42Doughty.
00:15:42Come on, lad.
00:15:44Pawsight.
00:15:44See who's over there.
00:15:54Yes.
00:15:57He's been in touch with Irene.
00:16:03I'm going to look for Jolly.
00:16:04What will you do when we've all gone?
00:16:10Oh, I suspect I'll be extremely miserable.
00:16:15Why not go back to Paris?
00:16:17June.
00:16:18I'm sure she'd like it.
00:16:20June, Irene has no interest in me other than as a friend.
00:16:23Did I imply something else?
00:16:24No.
00:16:24Maybe I misunderstood.
00:16:25And there's her husband over there.
00:16:29Well, you don't think she cares a fig for him?
00:16:32Why have you come here anyway?
00:16:37We will get leave, won't we?
00:16:39Bound to.
00:16:39We might be able to see each other.
00:16:42But we might not.
00:16:45Ever again?
00:16:49It's all right for some.
00:16:55Ah, there you are, old man.
00:16:58Here I am.
00:17:00Your sister was looking for you.
00:17:01I saw her a moment ago.
00:17:02Ah, good.
00:17:03She'd found you.
00:17:05She's rather upset.
00:17:06Oh, of course.
00:17:07You all are?
00:17:08Yes.
00:17:10So, um, old man, this is it, I suppose.
00:17:14I knew you were against this war, Dad.
00:17:16I'm glad I'm going.
00:17:18That's good.
00:17:20We're well trained.
00:17:21We'll do a good job.
00:17:22You're a crack shot.
00:17:24All those hours in the garden.
00:17:25You ought to be.
00:17:27I do.
00:17:30Hope I'll see you out there.
00:17:33Not in your professional capacity.
00:17:35No.
00:17:39Well.
00:17:43Just go back.
00:17:44Of course I will.
00:17:46We're crack troops now, you know.
00:17:52Father, it's all to play for, old man.
00:17:55Good luck.
00:17:59Thank you, Uncle.
00:18:00We'll get you all to parade and get this shit big here.
00:18:04Where's Jolly?
00:18:06He said he'd seen you.
00:18:08No!
00:18:12Jolly!
00:18:13Jolly!
00:18:13Jolly!
00:18:15Jolly!
00:18:22I'm sorry.
00:18:29Take care.
00:18:30Jolly.
00:18:31Jolly!
00:18:43Jolly!
00:18:48Jolly!
00:18:49Jolly!
00:18:51Jolly!
00:18:53Jolly!
00:18:54Come on!
00:18:55You've been in Paris, I hear.
00:19:23Yes.
00:19:25You didn't happen to see Irene, I suppose.
00:19:30Yes, I saw her.
00:19:36I've decided, and I think you'd better know.
00:19:38I'm going to ask her to come back to me.
00:19:43You have asked her, you know.
00:19:46That was a shock to her.
00:19:48But if she thinks it over, she'll see it's the only way out for us.
00:19:50That wasn't my impression of a state of mind.
00:19:52I don't altogether care about your impression.
00:19:54What I need is your undertaking that you won't influence her against me.
00:19:58I don't know why you think I have any influence.
00:20:01But if I did have, I would use it in the direction of her happiness.
00:20:06Against me?
00:20:07I'm against any woman living with a man who she dislikes.
00:20:12Ah, dislikes.
00:20:14And it's that sort of opinion you put into her mind.
00:20:16She is my wife in name, in law, in fact.
00:20:21This is my wife in name, in law, in law, in law, in law, in law, in law, in law.
00:20:35I mean, I don't know what she's doing.
00:20:37You know.
00:20:38Give me what you can do with my smoothie.
00:21:08I hope I haven't startled you.
00:21:15Are you waiting for someone?
00:21:22Yes.
00:21:25My shadow.
00:21:32There she is.
00:21:33Well, it's your own fault. You gave me no choice.
00:21:35Come back with me and there's an end to it.
00:21:43You are inhuman.
00:21:48Then why do you want me?
00:21:50Because you are mine! I have a right!
00:21:53I'm sorry. I'm here to offer you any terms you choose.
00:22:06If I promise a separate house with just a visit now and again...
00:22:11No.
00:22:14No.
00:22:16Nothing.
00:22:18You can hunt me to my grave, but I shall never go with you.
00:22:23I just want a child.
00:22:25A son.
00:22:27On any terms.
00:22:29Please, Irene.
00:22:31Goodbye.
00:22:34Cannot be goodbye.
00:22:36We are married.
00:22:38Will you for once listen to me?
00:22:41Yes, I married you, but...
00:22:44It was wrong.
00:22:45I disliked you from the moment we first lived together.
00:22:53I hate you now.
00:22:55And for hounding and bullying me.
00:22:58I hate you more.
00:23:00You should have kept your promise and let me go.
00:23:05Instead, you have suffocated me.
00:23:09Dear children, you're a son!
00:23:13It's an utter degradation.
00:23:15I know what you're up to.
00:23:25You and Julian Forsyte!
00:23:36I understand you have been in close contact with Julian Forsyte.
00:23:44Pursue things with him.
00:23:50And you will learn the true meaning of degradation.
00:24:14How do you see that Mrs. Heron gets this note, please?
00:24:38Mrs. Heron left this afternoon, monsieur.
00:24:40Very sudden.
00:24:42Do you know her address?
00:24:43No, monsieur.
00:24:44England?
00:24:49Bonjour, monsieur.
00:24:50How much did Jolly tell you?
00:25:03Hmm?
00:25:04About why he enlisted?
00:25:06Oh, he said it was to do with Val Darty.
00:25:11Some sort of a...
00:25:12Dare.
00:25:13Silly young fool.
00:25:14It was more than that.
00:25:20It was a dare, but the reason was that he was trying to stop our engagement.
00:25:30Val and I are in love.
00:25:32When we got engaged, Jolly found out, and he dared Val to enlist to try and break us up.
00:25:38It's all my fault.
00:25:41And they're out there now, and they could be killed.
00:25:47Now, you think me wicked.
00:25:49No, no, no, no.
00:25:51Of course not, my darling.
00:25:52You know that I'm not very friendly with Val's family.
00:25:58I know.
00:26:00But I love him.
00:26:03Well, that's subtle, isn't it?
00:26:08I'm very happy for you.
00:26:13Oh, and you were frightened to tell me.
00:26:16Oh.
00:26:17Dad.
00:26:20Why do they dislike each other?
00:26:22They just do.
00:26:25And because it happened like it did, because it's my fault, I'm going out there.
00:26:31Oh.
00:26:32I'm going out with you.
00:26:34I'm going out as a nurse, too.
00:26:38There's all three of you out there.
00:26:44Oh.
00:26:48Terrible news from Maffer King, isn't it, Mr. Forsyte?
00:26:51Let's hope that Baden-Powell fellow turns up trumps.
00:26:54What do you want, Pulteat?
00:26:56Not to talk about the war.
00:27:02We've done your business for you, sir.
00:27:04At last.
00:27:06Conclusive evidence.
00:27:09Of?
00:27:10Everything.
00:27:11The male party, sir.
00:27:13Who is this party?
00:27:15Who is this party?
00:27:15Description as follows.
00:27:18Middle-aged.
00:27:20Tall.
00:27:21Pale.
00:27:22Red-haired.
00:27:23Guilty-looking man.
00:27:25Well, what's so significant?
00:27:36Well, the significance, sir, is that that same evening, that same male was seen leaving her
00:27:44hotel bedroom.
00:27:46It's hot.
00:27:48Isn't it?
00:27:48Yeah.
00:27:49So now what?
00:27:51It's just a matter of tracing them again.
00:27:53Hmm.
00:27:53It seems that they slipped off back to England.
00:27:57Well, we had thought together, but...
00:27:59But what?
00:28:02It's very possibly the case.
00:28:09You'd better concentrate on the fellow at this end.
00:28:1147, you called him.
00:28:13Watch him and you may well find her.
00:28:15Not to pursue the Paris party, then, sir?
00:28:19No.
00:28:37Don't come to the station, Dad.
00:28:39It only prolongs the agony.
00:28:40I won't.
00:28:43Don't worry about that.
00:28:45Oh, it's strange that she arrived today.
00:28:48Mint, you see.
00:28:50We'll give Jolly the best nursing possible.
00:28:53You might not even see him.
00:28:54Dad, he's our brother.
00:28:55Of course they'll let us nurse him.
00:28:57And all our training's been for wounds.
00:28:59We've had virtually nothing for typhoid.
00:29:01He's not in any danger, honey.
00:29:04No immediate danger.
00:29:05Ill enough for them to send the telegram telling you Jolly's so unwell.
00:29:09Well, he'd be safe from bullets.
00:29:11It's almost a relief.
00:29:12Exactly my feeling.
00:29:13Well, is this it?
00:29:18If it be now.
00:29:23I'm so proud of you all.
00:29:31You're left behind.
00:29:33That's worse.
00:29:34Safe journey.
00:29:43Julian.
00:30:07Julian.
00:30:08I don't understand.
00:30:20Soames came to Paris.
00:30:23So I returned to England three days ago.
00:30:25I'm in a hotel in Richmond.
00:30:28Oh.
00:30:29I first thought of Richmond, I suspect, because it's so close to Robin Hill.
00:30:38So I've just said my goodbyes to Holly and June.
00:30:43I'm selfish.
00:30:45You must want to be alone.
00:30:46No, no, no.
00:30:47I'm sorry, no.
00:30:48My boy's very ill out there.
00:31:08sorry
00:31:12the two that is 17 and 47 have been observed to meet daily in richmond park there's a degree of
00:31:24intimacy in their demeanor well add to that our observations in paris earlier in the year and i
00:31:29feel confident that you we your clients could now make a very strong case for divorce you know who
00:31:42she is don't you such things happen mr. Forsyth they behave with great familiarity laughing together
00:31:49walking both in and out of the tree there i don't want to hear this i'll put it with linkman and
00:31:53labor do you know them yes sir then there's nothing more to say make your report to them
00:31:58and continue to observe discretion my shadow has returned oh in fact there's more than one
00:32:07it appears that here in england they can afford to win the changes how do they find you well that's
00:32:14absolutely clear they're also watching you they're watching me yes no surely not mr. Forsyth how
00:32:23sordid a telegrams
00:32:26telegrams
00:32:30oh no
00:32:32is it johnny
00:32:49yes
00:32:52yes he's dead
00:33:07if you could have would you have changed places i think
00:33:23out there back yes of course i would oh very pretty
00:33:32what do you want
00:33:35what do you want and as if one needed further evidence well i think you're a witness aren't you
00:33:39that's that's all right no i should have brought a horsewhip
00:33:42what do you want
00:33:44i am here to tell you that unless you swear to keep clear of each other i shall divorce her with every
00:33:53circumstance of degradation to you both
00:34:00will you swear it will you keep away from her
00:34:04no
00:34:06your name will be dead
00:34:08so be it
00:34:12what about you will you swear it
00:34:14no
00:34:15i have enough evidence you know
00:34:20you've been watched everywhere
00:34:21hmm
00:34:22you've been watched
00:34:24and it won't just be desertion you know what i'm saying
00:34:27yes
00:34:28and it doesn't worry you
00:34:31please go
00:34:33what adulterous
00:34:34that term fits does it not
00:34:40yes
00:34:43you have
00:34:48yes
00:34:53you're a devil
00:34:58and you an embezzler of trust property a thief stealing his cousin's wife
00:35:09go
00:35:11you'll pay for it
00:35:13i should be very happy
00:35:24i hope you treat him as you treated me
00:35:27you
00:35:30who
00:35:31do we
00:35:34well
00:35:35let it
00:35:36look
00:35:49Well, it wasn't difficult.
00:36:13Charlie.
00:36:16Charlie.
00:36:19Charlie.
00:36:21My boy.
00:36:22Oh.
00:36:24Oh.
00:36:32Oh.
00:36:37Oh.
00:36:38Oh.
00:36:40Oh.
00:36:41Oh.
00:36:43Oh.
00:36:44Oh.
00:36:45Oh.
00:36:47Oh.
00:36:48Oh, my God.
00:37:18Oh, my God.
00:37:26Excuse me, sir.
00:37:48What?
00:37:50Are you all right, sir?
00:37:52Yes.
00:37:54Go away.
00:37:58What?
00:38:00Are you all right, sir?
00:38:02Yes.
00:38:04Go away.
00:38:06Go away.
00:38:08Come on.
00:38:10Come on.
00:38:12Come on.
00:38:14Come on.
00:38:16Come on.
00:38:18Come on.
00:38:20Come on.
00:38:22Come on.
00:38:26Come on.
00:38:28Come on.
00:38:30Come on.
00:38:32Come on.
00:38:34Come on.
00:38:36Come on.
00:38:38Come on.
00:38:40Come on.
00:38:50Come on.
00:38:52Come on.
00:38:54Come on.
00:38:56Come on.
00:38:58Come on.
00:39:00Come on.
00:39:02Come on.
00:39:04Just one chance.
00:39:29Just one last chance.
00:39:34Why doesn't he come in?
00:39:37You can speak to him in the morning.
00:39:39I could be dead in the morning.
00:39:41Don't be ridiculous.
00:39:46I'm here.
00:39:48Oh, he's here. Look.
00:39:51He's been in the state all evening.
00:39:54I could die tonight.
00:39:56Nonsense.
00:39:58Yeah, but if I did...
00:40:00There's all that money.
00:40:03Where's it going to go?
00:40:05Darty?
00:40:06No.
00:40:07Well, of course, there's too much.
00:40:10These aren't there in any case.
00:40:12Things could happen.
00:40:17And there's his money.
00:40:19Whose money?
00:40:20Soames' money.
00:40:21Where's that going to go?
00:40:23If he dies, the name goes out.
00:40:26The name?
00:40:27There are dozens of foresights.
00:40:29Well, as if that helped me.
00:40:31I'll be my grave and there'll be nobody.
00:40:35Unless he has a son.
00:40:37How can Soames have a son?
00:40:38A divorce!
00:40:39James!
00:40:40No, I've said it.
00:40:43I don't know what's become of her.
00:40:47They say she's gone abroad.
00:40:50She won't be alone, I should say.
00:40:52She isn't.
00:40:53See?
00:40:55Get a divorce.
00:40:58And have a son.
00:40:59James, Soames, it's his business.
00:41:04You're quite right, Dad.
00:41:05What?
00:41:07I'm getting a divorce.
00:41:09Yeah, nobody tells me anything.
00:41:11Well, this is a surprise.
00:41:13I'm setting it in motion.
00:41:16It won't be defended.
00:41:17You are quite a stranger, Monsieur.
00:41:35Where's your mother, Annette?
00:41:37I have some news for her.
00:41:41Monsieur, please sit down.
00:41:44Let it pass.
00:41:45I'm strong.
00:41:46It's merely the weather.
00:41:50Is your mother here?
00:41:52Of course.
00:41:58I'll be quite straight with you, Madame Lamotte.
00:42:00I am a rich man.
00:42:02I have never doubted it.
00:42:04My house at Maple Durham, while I live with my parents,
00:42:07it seems such a waste.
00:42:10A most beautiful house.
00:42:12But not for a man alone.
00:42:16It needs a wife.
00:42:19You do understand.
00:42:21It's many years since my wife and I lived together.
00:42:25Under English law, I shall not be free to marry until the decree absolute six months from now.
00:42:31Annette is patient.
00:42:32Annette is patient.
00:42:36Elle a le temps.
00:42:39In which case, I have the honor to ask to be considered a formal suitor for the hand of your daughter.
00:42:45May I ask, Monsieur, what might Annette's expectations be?
00:42:56I calculate I am worth approximately 130,000 pounds.
00:42:59My annual income appears to be around 10,000 pounds per annum.
00:43:04My expenditure around 2,000 pounds.
00:43:07I would immediately settle 15,000 on Annette and I would suggest that I buy this restaurant and the good will from you.
00:43:13You could retire on the capital.
00:43:15And if I were to install a manager here, I would designate such income as it generates towards you.
00:43:23I think Annette would be very happy to accept you as a suitor, Monsieur.
00:43:28It was quite straightforward in the end.
00:43:43Decree nicer.
00:43:45Then it's over, dear boy.
00:43:47Not before time.
00:43:51Were they in court?
00:43:52They're abroad. Somewhere.
00:43:53I was fond of her.
00:43:58Always have been.
00:44:04Hello, Ma.
00:44:06Phil.
00:44:08Oh, Phil!
00:44:10Oh!
00:44:12But you're hurt.
00:44:13Nothing to worry about.
00:44:14What happened? Your leg, is it?
00:44:15A bullet.
00:44:16A stray bullet. Just on the ankle.
00:44:18It's doing fine.
00:44:19But I have not much movement.
00:44:20It'll improve.
00:44:21Hello, Uncle Sam's.
00:44:24Phil?
00:44:25Is Dad here?
00:44:26Yes. I'll send for him.
00:44:27No.
00:44:28I just wanted to know, really.
00:44:31Right.
00:44:32Well, come and sit down.
00:44:36Tell us.
00:44:38Does this mean you're discharged?
00:44:40Yes.
00:44:41Oh, thank God.
00:44:42Yes.
00:44:43I was very lucky.
00:44:45It wasn't soldiering.
00:44:47It was burning farms.
00:44:48Awful business.
00:44:49They hated us, and who could blame them?
00:44:51Mm-hmm.
00:44:52I was lucky to get out with just this leg.
00:44:54And frankly, I was glad to.
00:44:56A little sympathy with our actions.
00:44:58Right.
00:44:59Well, I think I'll...
00:45:00Actually, Uncle Sam's, I'd prefer you to stay.
00:45:05You see, my leg isn't why I came back.
00:45:08Of course not.
00:45:09You're discharged.
00:45:10Not that either.
00:45:12The thing is...
00:45:15I'm married.
00:45:16What?
00:45:17What to?
00:45:18I mean, who to?
00:45:19To Holly Forsyte.
00:45:20My Uncle Jolyon's daughter.
00:45:22Oh, Val.
00:45:24Oh, Val.
00:45:26We intended to tell you.
00:45:28Why?
00:45:29I didn't even know that you knew her.
00:45:32You shouldn't have done it.
00:45:35You don't understand that that family that...
00:45:39There's a history.
00:45:40I know there's a history.
00:45:41I want to know what it is.
00:45:43You're too young.
00:45:44I'm married.
00:45:45I've been through a war.
00:45:47If this can't be undone, and I don't suppose it can,
00:45:50then I suggest he returns to South Africa with her.
00:45:53It's just about over, isn't it?
00:45:55They'll need new blood.
00:45:57There'll be opportunities.
00:45:59For God's sake, don't tell Father.
00:46:04It has deeply affected your Uncle Sam's.
00:46:08Are you saying Holly has things to be ashamed of?
00:46:09Not Holly.
00:46:10Of course not.
00:46:11Does her father know she's married you?
00:46:16We intended to tell him, but he's in Italy.
00:46:19Will you excuse me a moment?
00:46:21Where are you going?
00:46:24She's in a cab outside.
00:46:27Oh!
00:46:30Oh!
00:46:33Coast clear, is it?
00:46:35Of the dismal Soames.
00:46:37Val's here, Monty.
00:46:38Injured and married.
00:46:40And rather firmer.
00:46:42Married, you say?
00:46:44Yes.
00:46:45And you must be sensible and not show him up.
00:46:47He's very wary of you.
00:46:51Ah!
00:46:53Hello, Dad.
00:46:54Hello, old man.
00:46:57This...
00:46:59This is Holly.
00:47:01Belter.
00:47:02My dear.
00:47:03Oh, my dear.
00:47:05Oh, my dear.
00:47:07This is such a surprise.
00:47:11We were so sorry to hear about your brother.
00:47:16This is my father.
00:47:18Oh, yes.
00:47:19Well, how do you do?
00:47:20I'm very sorry how this has happened.
00:47:21I hope you don't feel we've been deceitful.
00:47:23Oh, I'm very well.
00:47:24Thank you, Mr. Darty.
00:47:26Have we met?
00:47:28And the weather out there is really terrific.
00:47:29It's much better for Val's leg than here.
00:47:31I...
00:47:32Hadn't told them yet, dear.
00:47:34I'm sorry.
00:47:36Uncle Soames will have his wish.
00:47:38You see...
00:47:40We're planning to go to South Africa anyway.
00:47:43Oh, my dear Val.
00:47:45Well...
00:47:47Nothing like a bit of weather.
00:47:49It's good in Buenos Aires, too.
00:48:02Father?
00:48:04Mother?
00:48:06This is Mademoiselle Lamotte.
00:48:08How do you do, Mr. Farsight?
00:48:10Did you have a good crossing?
00:48:12We've lost our queen.
00:48:14Did you know?
00:48:16Well, yes.
00:48:17It's the end of an era.
00:48:19Have to start all over again, you see?
00:48:22That's where you come in.
00:48:31Winifred.
00:48:33How do you do?
00:48:35How do you do?
00:48:36My sister.
00:48:38How kind of you to wear black.
00:48:43Most respectful.
00:48:45One doesn't expect it of foreigners.
00:48:48Certainly not the French.
00:48:54How do you take to London?
00:48:57Oh, I know London very well.
00:48:59Any particular part?
00:49:01Soho.
00:49:02Sir.
00:49:04I have lived there for years.
00:49:06My mother has a restaurant.
00:49:09You mean she owns a premises?
00:49:12She works there.
00:49:13As I do.
00:49:16We are tenants of Mr. Farsight.
00:49:21We shall be living down at Maple Durham.
00:49:23We have decided against a honeymoon.
00:49:24You have to get on with things, I suppose.
00:49:40No, by George.
00:49:42But your aunts are amusing.
00:49:44They are also infernally rude.
00:49:46You shouldn't mention Soho, you know.
00:49:48It's got rather a reputation.
00:49:50And this business about the restaurant.
00:49:53You need to understand it.
00:49:55In England, our leisured and professional classes
00:49:58believe themselves to be a cut above our business classes.
00:50:00That is, unless they're rich.
00:50:02So don't say you're in trade,
00:50:03because it puts a label around your neck
00:50:05and you won't meet the right people.
00:50:07Well, it is the same in France.
00:50:09It is?
00:50:11Well then, it's all down to class, isn't it?
00:50:14And now you're a cut above, so...
00:50:16Well, that's good.
00:50:17You understand.
00:50:20Comment vous êtes ça, Jean?
00:50:26Ah, monsieur et madame!
00:50:28How are you today?
00:50:47Are you being looked after?
00:50:50Yes, yes.
00:50:52Eh, Gustave.
00:50:54Excusez-moi.
00:50:56So, whatever is it?
00:50:58Those people?
00:51:00Monsieur et madame.
00:51:02They come often.
00:51:04They do?
00:51:05Yes, what is the matter?
00:51:07Ask them to leave.
00:51:08No, I cannot.
00:51:09Why should I?
00:51:10They are not respectable.
00:51:12What?
00:51:14They are not married.
00:51:16Coming in in that condition.
00:51:18Oh, but of course, you are serious.
00:51:22Throw them out at once!
00:51:23No!
00:51:24Annette!
00:51:25No!
00:51:26Do you disobey me?
00:51:30Do you disobey me?
00:51:32Yes.
00:51:35Soames, whatever those people are to you, you must let it go.
00:51:39It is for them that they are not married.
00:51:42What does it matter that she is pregnant?
00:51:45She is a beautiful woman.
00:51:47She will have beautiful babies.
00:51:48Mm!
00:51:52Oh, but you are bleeding.
00:51:57It's nothing.
00:52:00I'm going home.
00:52:07Good night, Soames.
00:52:18Mm!
00:52:31Ah!
00:52:33Oh, and Stay Uncle.
00:52:38Come on Uncle, don't eat yet.
00:52:40How's this for a wicki up, eh?
00:52:42You been here before?
00:52:43Oh, I wasn't asleep, you know.
00:52:45Absolutely, Uncle.
00:52:49Enchanté.
00:52:51Mrs Small.
00:52:54Annette.
00:52:55Miss Forsyte.
00:52:57Oh, my dear.
00:52:58It's a lovely house, lovely house.
00:53:01Aren't you so lucky, my dear?
00:53:03Isn't she haistar?
00:53:05Caught up in my cape.
00:53:07It's a beautiful house, so tasteful.
00:53:10So is, of course, exquisite taste.
00:53:13So, my captain!
00:53:15We had a pheasant!
00:53:19We had a blasted pheasant!
00:53:21Foul for supper, tell cook.
00:53:24Never again.
00:53:26I must look afraid.
00:53:27Deadful things.
00:53:28We never bothered with them in my time.
00:53:31Hello, old man.
00:53:33Ridiculous invention of that.
00:53:35Bang!
00:53:36Ninety years today.
00:53:47Excuse me, you're not getting up.
00:53:49You mustn't.
00:53:51I can't.
00:53:52We've brought you gifts, James.
00:53:54Wasting your money.
00:53:55You're very kind, Hester.
00:53:57James will be delighted with them.
00:54:00I wouldn't be.
00:54:01Julie chose them.
00:54:02How are you feeling?
00:54:04It's a long journey.
00:54:06He's very tired.
00:54:07I'm not sure I should have come.
00:54:14Come on, Dad.
00:54:16You're not ninety every day.
00:54:18There's life in you yet.
00:54:20No one else has reached ninety.
00:54:22Not Anne.
00:54:24Happy birthday, Daddy.
00:54:25You look marvellous.
00:54:27Happy birthday, Grandfather.
00:54:28And you're happy in your wife.
00:54:42Yes, Dad.
00:54:44Is she a good one this time?
00:54:48I think so, Dad.
00:54:52Then there's this dance they do out there.
00:54:55The tango.
00:54:56They do it in the streets.
00:54:59Anywhere.
00:55:01The man.
00:55:04Come on, George.
00:55:05Come on.
00:55:08He grabs the girl like this.
00:55:12She sort of turns round, bends back, sort of thrust in herself.
00:55:19Well, I mean, it looks as if they, I bet they do afterwards, to music.
00:55:25It's topping.
00:55:26Right up your street, old boy.
00:55:30What do you think of the French wife, Dottie?
00:55:34How does he do it?
00:55:36How does he do it?
00:55:38I'll let you six to four.
00:55:39A little Julian before a little sing.
00:55:41No takers.
00:55:42No takers.
00:55:46You're only a few years older than me, yet you're already married and everything.
00:55:50Isn't it extraordinary?
00:55:52You will soon be thinking of finding someone.
00:55:54Why did you pick Uncle Soames?
00:55:59You don't think I should have?
00:56:01Do you love him?
00:56:02No.
00:56:03Golly.
00:56:07I wanted a good husband.
00:56:10I want children.
00:56:11I want a comfortable life.
00:56:14I believe Soames will give me these things.
00:56:18Love, it is good, but there are things apart from love.
00:56:27To the dearest father in the world, it's been a privilege to know you.
00:56:48I bless you, I thank you.
00:56:51Privilege to know you.
00:56:53Hear, hear.
00:56:55Happy birthday, James.
00:56:58Happy birthday, Dad.
00:56:59I think you should say a word, James.
00:57:04Me?
00:57:05Thanks, Soames and everyone.
00:57:07Lovely party.
00:57:09Well, thanking people does no good.
00:57:12Soames has got his wife.
00:57:15That's all I care about.
00:57:19And I hope you're going the right way toward getting a son.
00:57:23Ha!
00:57:24Six to four, no takers.
00:57:26What?
00:57:27Well, it's here in black and white.
00:57:28To Mr. and Mrs. Jolion Forsyte,
00:57:31a son of Robin Hill.
00:57:40Irene has had a son.
00:57:42What did I tell you?
00:57:48Well, how strange.
00:57:51It only seems a month or two since we read of their marriage.
00:57:56It is only a month.
00:57:58Or two.
00:58:01How very interesting.
00:58:06Irene, eh?
00:58:08She wasn't fair, little popsy.
00:58:10Well, I was going to tell you all in any case.
00:58:22The fact is, Annette is happily anticipating an event herself.
00:58:34Oh, well, I was going to tell you all the time.
00:58:35Oh, well, I'm going to tell you all in any case.
00:58:39I'm very proud.
00:58:42Yeah, a boy.
00:58:44A boy, you hear me?
00:58:46Oh, well, well.
00:58:47Oh, well, well.
00:58:48Oh, well.
00:58:49Oh, well.
00:58:50It has to be a boy.
00:59:01It's the house that was built as my prison.
00:59:05They are not Sam's.
00:59:12Come in, Nora.
00:59:17Not Nora.
00:59:18Oh, my word.
00:59:21Jane.
00:59:23Hello.
00:59:27Oh, well.
00:59:30I thought I was a surprise for you, but...
00:59:33It's wonderful.
00:59:36It's so wonderful.
00:59:39Let me... let me take this.
00:59:48A girl.
00:59:51Boy.
00:59:52John.
00:59:54John.
00:59:57That's lovely.
01:00:00June, sit.
01:00:01I never saw Jolly, you know.
01:00:05I tried, but they wouldn't let me.
01:00:07I was so appalled.
01:00:09Yes.
01:00:12No pain, apparently.
01:00:16Not too much.
01:00:17Not too much.
01:00:37Isn't this awkward?
01:00:39Would you like to hold him?
01:00:43No.
01:00:45No.
01:00:47No.
01:00:49No.
01:00:55No.
01:00:57No.
01:00:59I'm so glad you're here.
01:01:00No.
01:01:02This is one man I'm very pleased to know loves you.
01:01:05No.
01:01:06No.
01:01:11No.
01:01:12Oh, man.
01:01:14No.
01:01:15No.
01:01:16No.
01:01:18No.
01:01:20No.
01:01:21No.
01:01:23No.
01:01:25No.
01:01:27No.
01:01:28No.
01:01:29Where was he?
01:01:31Where was he?
01:01:46What's happening?
01:01:47You have a choice.
01:01:49I'm not an enviable one.
01:01:52If I operate, I can save your wife.
01:01:54But you'll lose the baby.
01:01:56If I don't operate, the baby will almost suddenly live.
01:02:02But at a great risk to your wife.
01:02:06A grave risk.
01:02:10Either way, she'll never have another baby.
01:02:16Don't be happy till he gets eaten.
01:02:20Don't be happy till he gets eaten.
01:02:26Hello, old man.
01:02:36What the hell do you want?
01:02:37Oh.
01:02:39Oh.
01:02:42It's here to bring you, old boy.
01:02:45I say, you're rather...
01:02:46What do you mean, bring?
01:02:47Well, I'm sorry to say, old chap,
01:02:50but the old man's not too chipper.
01:02:54Dad?
01:02:54Yes.
01:02:56Sorry, old boy.
01:03:00My wife might be dying out there.
01:03:11The doctor says he can save either her or the baby, not birth.
01:03:14Good grief.
01:03:15Sorry, old chap.
01:03:18What would she choose?
01:03:22Well, to live, wouldn't she?
01:03:24With me?
01:03:25With me.
01:03:27She didn't marry me for love, you know.
01:03:30She wants a child.
01:03:33Unless it's now the doctor says she'll never have one.
01:03:41Now, there's Dad, too.
01:03:46Well, he's a rotten show, old boy.
01:03:49That fellow, Julian, he had children already.
01:03:59And now he has the woman I want and a son by her,
01:04:02yet I'm asked to destroy my own child.
01:04:06Annette can't die.
01:04:11She's strong.
01:04:12I need a decision.
01:04:20I wish you.
01:04:27Do everything you can, but don't operate.
01:04:33You said there was a chance.
01:04:35Not much of one.
01:04:36She's young.
01:04:46She's strong.
01:04:48Don't operate.
01:04:52Very well.
01:04:52This time tomorrow, I could have her death on my hands.
01:05:18And I should be with my father.
01:05:25It's over, sir.
01:05:26Well, you made the right choice.
01:05:40Both alive.
01:05:41They'll be all right.
01:05:46The daughter.
01:05:47You can look.
01:05:52Daughter.
01:05:52Daughter.
01:05:52Daughter.
01:05:56I have to go.
01:06:01I have to go.
01:06:01Dad.
01:06:26Dad.
01:06:26Dad.
01:06:31Here I am, Dad.
01:06:45What news?
01:06:56Good news, Dad.
01:06:59The best.
01:07:00Ned.
01:07:04She's had a son.
01:07:13This is awful.
01:07:16Can't you do something?
01:07:18No.
01:07:19Only an ejection.
01:07:21Son.
01:07:24Son.
01:07:29Yes, Dad.
01:07:30He's being slowly smothered.
01:07:51Ah.
01:07:52Oh.
01:07:52Oh.
01:07:52Uh.
01:07:53Oh, my God.
01:08:23Oh, my God.
01:08:53Oh, my God.
01:09:23Oh, my God.
01:09:25At last.
01:09:36I suffer terribly.
01:09:40Terribly.
01:09:42Anna.
01:09:43Thank God I can't have any more.
01:09:50I suffer too much.
01:09:53Shh.
01:09:54The doctor came back again.
01:10:04He said I would get better.
01:10:08There's no more babies.
01:10:13Yes.
01:10:14How's your father?
01:10:25He died.
01:10:29Last night.
01:10:30Come on, look.
01:10:38Come on, look.
01:10:38Don't you want to see our daughter?
01:10:58Of course.
01:11:04Of course.
01:11:04Let's go.
01:11:34You can hold her.
01:11:55Petite Fleur.
01:12:04Fleur.
01:12:13We'll call her Fleur.
01:12:15Fleur.
01:12:34Fleur.
01:12:35Fleur.
01:12:45Fleur.
01:12:47ORGAN PLAYS
01:13:17ORGAN PLAYS
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