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Short filmTranscript
00:00500 years, enduring perennial, this be the time of our quincentennial, husband, wife,
00:27son, and daughter. Pray silence for the story of this great slaughter.
00:41No, no, no, Dottie. Music needs to flow around my words like a river.
00:48Dottie, do remember, your cue is the reverend mother symbolically handing over the key.
00:55I'm so sorry. I was worried I'd miss it.
00:58No, fear not, Miss Thimble. That will be near impossible.
01:01Sort of sisters wanted to be involved.
01:04Reverend mother's idea out with their heads held high.
01:07But I agree with you, it seems an odd time to celebrate staring down the barrel of St Vincent's being sold off.
01:12Apologies, Lord Sedgwick.
01:14No, you're right. Their courage and enthusiasm is inspiring.
01:19Hippi-piri.
01:22Inspector, Mr. Pernassa here apparently has a model of the proposed development,
01:30which will need to be brought on stage for the speeches.
01:33Right you are. Where is it? Somewhere very safe.
01:38Ruth?
01:39Hello, Sam.
01:44Ruth Penny. In the flesh, or flash, as it were.
01:47How lovely.
01:49You know each other?
01:50We do.
01:51Hello, Felix.
01:52Hello, Ruth.
01:53Sister.
01:54But how? Why?
01:56Well, don't get excited, Sam. Things are wonderful with Kingsley.
01:59I'm working.
02:00A story on how the St Vincent's development could be rolled out nationwide.
02:03I'll explain everything in my speech tomorrow.
02:06Tomorrow is about great slaughter, Mr. Pernassa, not world domination.
02:12Lynn Goodwin, as our town's council leader, I shall be doing the unveiling.
02:19I give you Lord Adam Sedgwick Towers.
02:26Oh, my.
02:28Yes, I thought you'd be impressed, sister.
02:30Progress. Like a shark, we keep moving forward or we die.
03:05Our last day before we're all separated. Let's try to enjoy it.
03:11At this rate, I'll be enjoying a hernia.
03:14Your reward should be in heaven, sisters.
03:16One briefcase bomb.
03:18I remember that one. Thought I was a goner.
03:21One ritual dagger from the secret covenant of witches.
03:26And one brassiere.
03:29Are you blushing, Sam?
03:32That was a lethal murder weapon.
03:34We had some fun, didn't we?
03:37Our little family's breaking up.
03:40There, there, Peggy.
03:42To everything, there is a season.
03:44The time to laugh.
03:46Don't you want to danger at me, young man?
03:47The time to...
03:48What do you think you are?
03:49I am the person kicking you out.
03:51Shout.
03:51You stubborn penguin.
03:52The new owner.
03:54Makes no odds to me who you are, dear.
03:58It is a matter of simple physics.
04:00If you want me moved, you are going to have to physically pick me up.
04:05Oh, my.
04:05It's really her.
04:06For goodness sake, woman.
04:08My builder needs to take sight measurements.
04:10All right.
04:11We're all emotional.
04:12This is hard for every one of us.
04:14Oh, Lord Matthew Sedgwick.
04:16Upon whose land do we stand?
04:19The fact that I oppose this Frankenstein's monster of a development is irrelevant.
04:25Oh, you horrible old battle axe.
04:30What on the earth is going on?
04:34This is a place of prayer, not to wash a woman's beck fence.
04:38Reverend Mother Adrienne, may I introduce Sister Helena, esteemed archaeologist and, well,
04:44something of a hero.
04:46We are acquainted.
04:48Helena?
04:50Reverend Mother, I have written permission from the diocese to photograph and document
04:56this glorious ancient chapel before it is butchered.
05:02Yes, and I try to tell her I need...
05:05Young men, you do not own this land, not yet.
05:08So until tomorrow, when contracts are exchanged, Sister Helena stays.
05:16Sorry for raising my voice earlier.
05:28Council elections are upon us, and I boarded at a convent school.
05:34Life was a living hell.
05:36Hated nuns ever since, no offense.
05:37None taken.
05:41Yes.
05:43Clip-tick as ever, Helena.
05:45We'll talk at dinner.
05:46Yes, Sister?
05:57Boniface.
05:58I've read all your papers.
06:00Egypt, Machu Picchu, Ephesus.
06:02Just extraordinary.
06:03If you'll forgive, you are one of the reasons I felt called to the sisterhood, and just to know that you're a sister here yourself.
06:11All right, all right.
06:12That's enough bootlicking.
06:13If you must know, I've admired your work from afar, too.
06:21Your forensic deductions, your eye for detail.
06:25Golly.
06:27Well, um, one detail from your writings.
06:32You already examined this chapel a number of years ago.
06:35Did you miss something?
06:36The Lord works in mysterious ways, Sister.
06:42We shall speak further.
06:46Yes.
06:50And another just like that?
06:57It's lovely.
06:59Religious.
07:01Oh.
07:02You have a journalist's eye, Ruth Penny.
07:04Seek from my mum.
07:07She must be so proud.
07:10Actually, I don't know.
07:12Is she no longer with us?
07:14No, she...
07:16She got mixed up with some religious types.
07:21Left me with my dad.
07:26Are we done?
07:27Oh, yes.
07:36Good Lord.
08:04No, no.
08:05Just his helper wrestling this tiny batch of forensic records.
08:09Well, lucky you found a good Samaritan.
08:11Lord Sedgwick, I presume.
08:13Matthew, please.
08:14I could hardly leave Sister Boniface to shift all these on her own.
08:17I'm already making her homeless.
08:19Well, perhaps we could assuage some of that guilt with an interview.
08:24Ruth Penny, journalist.
08:27I noticed they're naming the development after your father.
08:30My only request.
08:31He loved St. Vincent's so dearly.
08:36I just wish there was another way.
08:41Sister, please.
08:43Sister Peter, breathe.
08:45What is it?
08:46This is Sister Helena's writing.
08:52Return post-haste.
08:54Vitally important.
08:55I can drive.
08:57Oh, yes.
09:02Sister Helena!
09:03Oh, goodness.
09:15There's no two ways about it.
09:17She's really, truly dead.
09:21What in the name of all the saints happened?
09:24Blunt force bopped to the back of the skull.
09:27I'm afraid it's murder.
09:29Another one?
09:31Here?
09:32Now, listen to me, Inspector.
09:35I am not having the sisterhood's parting legacy
09:39be a brutal, unsolved killing.
09:42Understood.
09:43Sister Boniface?
09:45No bruising.
09:46No broken nails.
09:48All signs of a struggle.
09:49I think she was struck from behind, unaware.
09:52Sister.
09:53Sister.
09:54What are these flags that are on her habit?
09:57Oh, yes.
09:58Ivory-coloured lipophilic compound.
10:02Wax.
10:05From its hue and pigmentation,
10:08it's the sort utilised in...
10:11a traditional Catholic pillar candle.
10:13I believe we have our killer candlestick.
10:24Oh, no, no.
10:25Touch.
10:26So, it was opportunistic.
10:28Grabbed in the moment.
10:30But why?
10:32Why, indeed.
10:34Did Sister Helena say anything else at all when she gave you the note?
10:37No.
10:40Actually, yes.
10:43She was walking around nervous and whispered, I should tell you,
10:50in suchello, in conspectu.
10:54Latin, in the chapel, in plain sight.
11:00It's curious.
11:02It does suggest she'd either seen or found something.
11:08Her camera might contain a clue.
11:10If we can still use your darkroom.
11:12Expose the lead.
11:13Yes.
11:14Ingenious idea, Peggy.
11:16Let's get this all to the lab.
11:18One last time.
11:19The chapel was out of bounds because of the model to everyone,
11:28aside from the nuns, Sister Helena, and you two.
11:31You think one of us did this?
11:32Well, we did see you argue with her.
11:34Yes.
11:35Over getting started on building work.
11:38Why would we complicate things?
11:39What does this mean for the quincentennial?
11:41Do I need to cancel?
11:42Just keep calm and carry on.
11:44But let us do our job.
11:46And this chapel is now closed to everyone.
11:49Journalists included.
11:52Oh, come on, Sam.
11:54Don't be such a killjoy.
11:56Sister gets her last case.
11:57Why can't I play too?
11:59All the old team together one last time.
12:02If we're going to do this, we do it properly.
12:04No games.
12:05Maybe you could check the bugle,
12:06see if there's anything on Sister Helena's past.
12:08Inspector Gillespie, you are on.
12:17The film's drawing.
12:19I'm off to see Reverend Mother about her records.
12:24I know someone's been brutally murdered, but...
12:28I'm really going to miss doing this.
12:30You and me both, Peggy dear.
12:33I mean, what are we going to do without you, your sister?
12:36It's hardly like we can replace you.
12:39Is it?
12:39Is it?
12:39Felix, Peggy, it's murder.
12:46You know what to do.
12:49Mind the camera?
12:50What?
12:51What on earth is this?
13:02Sister?
13:04Sister?
13:05What is it?
13:06A fingerprint?
13:06Uh, no, no.
13:09It seems our killer had presence of mind to wipe those away.
13:12However, their waxy weapon remains illuminating.
13:16Have a look at this.
13:18They left their mark in the wax?
13:20An indentation containing form and detail,
13:23hitherto invisible to the human eye.
13:25Deduction, it was made as the killer gripped the candlestick holder
13:29to deliver the fatal blow.
13:31So it was something that they wore?
13:34Presumably on their wrist.
13:36Yes, precisely.
13:37Find that object and I'll catch our candlestick killer wax-handed.
13:41Ruth may have something.
13:42That was quick.
13:43Well, Norman was already putting together materials on Lynn and Ronnie.
13:47He was willing to share for a favour.
13:49Oh, you may owe him a date, Peggy.
13:52Oh, thanks a bunch.
13:55So, what we know.
13:57Sister Helena used to be a resident at St Vincent's.
14:00What we didn't know,
14:01she used to teach at a local Catholic school called St Peter's.
14:06Sister's success.
14:07St Peter's pupil wins national essay competition.
14:10She was scary even back then.
14:12Look at the girl.
14:13Wait, is that...?
14:18Oh, no.
14:20Sister Helena was the teacher who made your life a living hell.
14:24When I saw her this morning, just...
14:27standing there,
14:30it all came flooding back to me.
14:33The humiliating, goading,
14:37demanding things of me I could never deliver.
14:40Did you speak to her, Lorne?
14:41It's too late for lies, Lynne.
14:47I wanted her to know what she'd done to me.
14:50I felt this urge.
14:52When I did, it was so odd.
14:55Oh.
15:01I wondered when you might muster the courage to speak.
15:06That's right, Lynne.
15:08I remember you.
15:09You have no idea how unhappy you made me.
15:16No idea.
15:17I'm afraid it was a habit of mine.
15:19I was always hardest on my favourites.
15:24Those girls who I could imagine achieving great things.
15:29Going to the world with just the right amount of push.
15:33Look at you now, leader of the council,
15:36holding your own in a man's world,
15:38shaping your community.
15:40We may not agree on how,
15:42but I have to say,
15:44I'm proud of you.
15:51I always wondered where I got my resilience from.
15:53Maybe it was her all along.
15:57After that, I walked around outside,
16:00a bit dazed.
16:01I did hear raised voices,
16:03but I couldn't tell you who.
16:07The war of roses did good times bring.
16:11There was Henry VII, our new Tudor king.
16:16And a theatre and a poetry to prick a tear,
16:21Courtesy of our bard, Mr. William Shakespeare.
16:26Oh, so sorry.
16:28Sorry.
16:30Not at all, Your Highness.
16:32It's terribly heavy.
16:34For goodness sake, could you just keep going?
16:37Am I still sparkle, larkle?
16:39Of course you're still dead, Tom.
16:41You've got an arrow through your head.
16:43Sister Peter, could you please stop wielding that broadsword?
16:48Whoa, whoa, whoa, whoa, Mrs. Clam?
16:50Where on earth do you think you are going?
16:53I am going to divest myself of this ridiculous costume.
16:57It's extremely cumbersome.
17:00And besides, I have to be back at the office for the last post.
17:03No, you do not.
17:06People, please, please, people.
17:09Can we just get the last stanza right?
17:13The symbolic passing of the key.
17:16Are you ready, Reverend Mother?
17:18I would hope so.
17:20Ahem.
17:21Ahem.
17:22No longer a convent, but what?
17:24Ha, ha, ha, ha.
17:25We shall see.
17:27It is time for the sisters to pass on the key.
17:41Reverend Mother.
17:42To pass on the key.
17:44Let go.
17:45Perhaps we should leave this bit for tomorrow.
17:50Perhaps we should leave this bit for tomorrow.
17:53Perhaps we should leave this bit for tomorrow.
18:03Sister.
18:04Lynn Goodwin's bracelet.
18:06Aunt, no one witnessed our walking outside yesterday.
18:09But we've still no idea who the raised voices belong to.
18:13Hmm.
18:14Well, I have a feeling my little putty pattern might get us close.
18:20Now, I wouldn't bet the convent on it,
18:22but I think this has the appearance of Guramuki's script.
18:26Possibly Sikh.
18:27That could make sense.
18:29We found something in the convent records.
18:31Remember how Ronnie Panisar said his mum was taken from him?
18:34That's right.
18:35Seduced by weird religious time.
18:37Right, well, look at this.
18:39A file on a young woman who was brought into St Vincent's
18:43by Sister Helena.
18:44And her name was Rand Panisar.
18:47Excellent word, Barton.
18:49Right, I'm going to go and talk to Ronnie.
18:50Uh, Inspector, given that I remember the specifics of the case,
18:55it might be wise if I join you.
18:57Follow me!
18:59Right.
19:00Sister.
19:03Moving to England.
19:04It's a mixed-race family.
19:07It took its toll on Mum.
19:09And you lot took advantage of her.
19:12So this is about revenge against Sister Helena?
19:16Revenge?
19:17I just wanted to turn that stain of a convent into something that helps families,
19:22not tear them apart.
19:23Mr Panisar.
19:24Mr Panisar, I was here when they brought your mother in.
19:29I can't imagine how hard it was for you.
19:32No?
19:34Then let me tell you, I woke up to a mum just gone.
19:39No contact allowed, no letters allowed.
19:41I'm afraid that's not true.
19:44No, my dad told me.
19:46You cut us off.
19:47Sister Helena brought your mother to St Vincent's because she had been hospitalised.
19:54Hospital?
19:55Who by?
19:56Your father, dear.
19:57I'm so sorry, but the marriage was a violent one.
20:08Your mother was terrified.
20:09She tried to take you with her, but he threatened her.
20:16All St Vincent's did was give her refuge until she could get back to family in India.
20:23You said she was up north, that she wouldn't speak to us.
20:28I need to cross-check, but the match is far from perfect.
20:32When did you realise that it was Sister Helena that took her in?
20:35I didn't.
20:36Not until now.
20:38Then what was the argument about it?
20:41Lynn Goodwin said she heard raised voices.
20:43Whoever those voices were, they were nothing to do with me.
20:48Another dead end.
20:50Did Sister Helena's photographs give us anything else to work with?
20:53They're mostly just shots of the altar.
20:55She took rather a shine to this bronze plaque.
20:57Hmm.
20:58It's the inscription.
20:59St Vincent's convent, doors always open to those in need.
21:03Here there is goodness.
21:04Here there is goodness.
21:05In plain sight.
21:12Can the ransacking of this hell-old place not wait until tomorrow?
21:16The rivets were already loose.
21:17Sister Helena was hunting for something, and I dare say, she found it.
21:27Oh.
21:28Oh.
21:31Wax seal, recently broken.
21:35Sister Helena took what was inside?
21:37Or a killer.
21:40This jar was hastily replaced after the murder, so...
21:43Lady logic implies whatever was inside was relevant.
21:46How long has the plaque been there?
21:48It was put up in memory of the late Earl by his family when he passed on some six months ago.
21:54You're sure?
21:55Certain.
21:56Poor man.
21:57We hadn't seen him for weeks.
21:58He was very ill.
21:59Could this be something that affects the building development?
22:02Possibly.
22:03It still implicates both suspects.
22:04Lim would lose her entire career and Ronnie his investments.
22:08Of course.
22:10There is one other person who might have known about this.
22:14She's right.
22:16Well, I do believe it's cocktail hour.
22:20So you knew there was a capsule behind the plaque?
22:23Absolutely.
22:24I was the one who had it put there.
22:26Father's dying wish.
22:29And you can tell us what was inside?
22:32You're lucky I can speak at all after these whiskies.
22:37He said it was a photograph of him as a boy on the day of his confirmation at the chapel.
22:43So he would remain part of St. Vincent's.
22:47But the jar was already sealed so I never saw inside.
22:52Are you thinking it's something that could help us?
22:56I'm thinking how desperately you need this sale to go through.
23:04Miss Penny, I can't deny enjoying your company, but your subtext leaves something to be desired.
23:10Your father left you with debt.
23:13Yet my editor in London tells me that after he died you were quite the man about town.
23:21Circumstances change.
23:23Is that what your argument with Sister Helena was about?
23:26Lynn Goodwin heard raised voices.
23:31It was you.
23:35I didn't want everyone to know.
23:40It was after we locked horns that morning.
23:43I went to smooth things over.
23:46Miss Goodwin and Mr Panassar are only trying to keep things on track.
23:50They both have much to lose.
23:53You wish to talk of loss whilst casting the sisters asunder.
23:58What? Do you think I want this?
24:00Do you think I somehow enjoy it?
24:03My father left me crushed under impossible debt with no choices.
24:07None.
24:09I didn't even get a chance to grieve.
24:11Because right away I was forced to be the villain or become the Earl who brought down his family.
24:16I knew your father.
24:19In his last correspondence to me he told me he'd made provision to avoid this.
24:24And I know that the Sedgwick family estate was in fine fettle until your father died.
24:33It took one Lord Matthew Sedgwick to bring us all to this.
24:39Is this true?
24:40My father was no J.P. Morgan.
24:44But he was a man of faith and he balanced his books.
24:49I can claim neither.
24:51I lost everything on the stock exchange.
24:56What did Sister Helena mean when she said your father made provisions?
25:06I don't know.
25:08But if there's some secret pot of money somewhere, I am all bloody ears.
25:13Hi.
25:27You don't have to wait your dinner off it.
25:30Yes.
25:31I just wanted to leave it clean.
25:40Silly but I just keep thinking I don't quite know what I'm going to do without you next door every night.
25:50They have snoring up in Grimsby too.
25:53Here.
26:02I know I'm all the way down in Hastings but we can write.
26:09I wish I was like you.
26:12Nothing gets to you.
26:15You may be right.
26:18When he was young, me and Alfie learnt a lesson.
26:23If it's that tough.
26:25You feel tough.
26:28Yes, I'm trying.
26:32But right now, I don't feel too tough today.
26:36Good morning, Reverend Mother.
26:52You've met our solicitors.
26:57It brings little pleasure to confirm we exchange contracts at midday.
27:07Directly after speeches.
27:09I just wanted to, well, thank you for what you did for my mother.
27:25And, er, I suppose I wondered if...
27:31Her address?
27:32Her address.
27:50Sister?
27:51Yes, Lord?
27:52I don't know.
27:53Oh, no.
27:54Sorry.
27:55Oh, gosh.
27:56Must have dozed off.
27:57I was just, um, attempting to replicate the, um, the wax imprint with our two objects collected from the suspects.
28:05Alas, no match.
28:08Maybe it was something else that one of the suspects was wearing or holding.
28:11Good news.
28:12Oh.
28:14The paper have spiked my puff piece, and they want my scintillating crime story instead.
28:19Oh, well, I suppose, er, every unsolved cloud has a silver lining?
28:24Yes, the only problem is they want it for tomorrow, and they've already sent the courier to collect the prints.
28:28I don't suppose your darkroom's still operational?
28:30One final hurrah for the hydroquinone.
28:35Why not?
28:36Oh, you're a godsend.
28:40Right.
28:41I'd better be going.
28:46Sister, I just want to say, um, I'm sorry.
28:53Honestly, yesterday I thought that this would give us a chance to,
28:56I don't know, in some way, if I could undo all of this, keep us together.
29:09I'm, er, I'm afraid that I've let us down.
29:18Oh, Sam.
29:19There's one thing that's certain.
29:25You could never do that.
29:28We're family.
29:33The thing about family is
29:36that even when you're far apart,
29:39you're together.
29:43The Lord has a plan.
29:44What is that?
29:48Inspector!
29:50It's...
29:51It's...
29:52It's something...
29:53Just come see!
30:03It's like a grenade went off.
30:05This was Sister Helena's room.
30:06Yeah, we've come to pack it up.
30:08It was neat as a pin first thing this morning, I swear.
30:11They never found it.
30:13Sister?
30:15Whatever Sister Helena discovered in the chapel.
30:17We assumed that the killer took it from her, but we were wrong.
30:21I'm going to go through her notes and materials again.
30:24Right, you two.
30:26Reverend Mother will be waiting.
30:28It's showtime.
30:29A touch of stage fright, perhaps.
30:36Such a simple thing.
30:40Hand it over.
30:42Hand it over.
30:44Five hundred years, enduring perennium.
30:47Today, I wanted to show people my sisters can go from strength to strength.
30:52White, son, and order.
30:56But now I'm here, and it's now.
30:59The story of this great slaughter.
31:07I know as well as anyone, life can take things from us.
31:14Things we'll miss every day.
31:16But sometimes what shows the most strength is letting go.
31:30Oh, there you all are.
31:32Come along, everybody.
31:33Places, people.
31:35Places.
31:36Come along, come along.
31:37You're late.
31:38Chop, chop.
31:39Five hundred years, enduring perennial.
31:49This be the time of our quincentennial.
31:59They guys are cooked, aren't they?
32:01The career will be here any minute.
32:03Oh, er, well, no, ideally they'd be dry.
32:05Well, they'll just have to have them pot off the press, so to speak.
32:12Oh, the front page.
32:13I think we have a new headline.
32:15Ruth, what is this?
32:16Well, it's the coat of arms on the model.
32:27And there it is.
32:29Of course.
32:31Oh, it all makes total sense.
32:33Well, there what is?
32:35I need to go.
32:36What?
32:37This instant.
32:41Now the first Lord Sedgwick acquired some land.
32:46The hallowed soil upon which we stand.
32:51And with spade and shovel and saw and pick,
32:56Sedgwick Manor rose brick by brick.
32:59And after starting his lineage of Sedgwick infants, they built on the edge of their land, St. Vincent's.
33:13Hooray!
33:14Hooray!
33:15At first, an abbey of monks and misters.
33:20It became a convent of nuns and sisters.
33:25Hooray!
33:26Hooray!
33:27Hooray!
33:28And around it sprouted a fledgling town that grew into a place of great renown.
33:36And 500 years of habitation saw a post office, a tea shop, a fine police station.
33:45Hooray!
33:46Hooray!
33:48And under the steadfast Sedgwick wing, great slaughter began to really sing.
33:56Hooray!
33:57Hooray!
33:58Hooray!
34:00The land passed down from father to son, the key to each and every one.
34:09And today sees an exciting new chapter start, with St. Vincent still at this town's very heart.
34:17No longer a convent.
34:21But what?
34:24We shall see.
34:27For it's time for the nuns to pass on the key.
34:42Wow.
34:43Well, that went surprisingly without calamity.
34:49Now then, to the future.
34:52As leader of the town council, it's my great pleasure to give you Lord Adam Sedgwick Towers.
35:14Oh, look at that! That's the future!
35:20Heavens above!
35:22What a hideous carbuncle!
35:25It looks like a spaceship.
35:27Does it fly?
35:29Adam Sedgwick Towers is not just a development.
35:33It's a passion project.
35:35A step into the future.
35:36In this era of prosperity and progress, our aim is to keep the spirit of St. Vincent's Convent alive, while providing much-needed accommodation for the area.
35:46Impressive.
35:49Isn't it?
35:50Using your car to arrive at the police station before Sister Peter, when she brought me the note, made it seem almost impossible that you could have committed the murder, even though you did.
36:02You did.
36:04Are you out of your mind?
36:06Our apartments are generous, modern, and aspirational.
36:11When you placed that capsule behind the plaque, you had no idea it contained something to save St. Vincent's.
36:19But with Sister Helena's remarks, you knew you'd sealed your own fate.
36:24All I knew was the nonsense she spouted when I confronted her.
36:29It took one Lord Matthew Sedgwick to bring us all to this.
36:33The man who found out that his father planned to bequeath the convent to the sisters, so he cut him off from the world.
36:44No more solicitors, no more pastoral visits, no more letters on the subject.
36:49But you failed to spot his code to me in his final correspondence.
36:54Find proof in Sacello Inconspectu.
37:03And find it.
37:05I have.
37:07What have you found?
37:09Where is it?
37:11Tell me!
37:16In Sacello Inconspectu.
37:20It's a bluff.
37:22There's nothing to find.
37:24Well then why did you ransack her room this morning?
37:27You had no proof.
37:30You're trying to shame me.
37:32To stop me leaving my mark.
37:34No, that's just the problem Lord.
37:36You did leave your mark.
37:38The signet ring that you usually wear on your right hand.
37:42A wax letter seal that leaves the imprint of your family crest.
37:46Photographs show you were wearing it on the day of the murder.
37:49My guess is, you found remnants of wax.
37:54And then removed it.
37:56A forensic confession.
37:59Signed and sealed.
38:02Literally.
38:03Tell me!
38:13Get away from me.
38:14Stop, Lord Cedric.
38:16Lord Cedric, you wish to say a few words?
38:19There's nowhere to go.
38:20Don't make a scene.
38:21Shut up.
38:22Shut up!
38:23Just come with us.
38:24Matthew.
38:26It's over.
38:33I said shut up!
38:35Sister know it all.
38:38I am walking away.
38:40I am not going to prison for this.
38:41It was you!
38:42How could you kill an innocent nun?
38:45Innocent?
38:46That nosy bint nearly ruined everything.
38:48Nobody cares about St Vincent's.
38:51Nobody cares about you stupid nuns moping and mooning about in your ridiculous penguin outfits.
38:57You're a stain on this town, you hear me?
38:59Many beggars squatting on my land!
39:09Lord Cedric, I'm arresting you on suspicion of the murder of Sister Helena.
39:14You do not have to say anything unless you wish to do so, but what you say may be given in evidence.
39:18Oh, yeah.
39:20Give yourselves a big hand.
39:22Like it makes a difference.
39:24The sail will go through.
39:26Regardless.
39:30It's true, isn't it?
39:32Won't change a ruddy thing.
39:34I don't think we can stop them exchanging contracts.
39:37They'll take ownership in...
39:39Five minutes.
39:41Yes.
39:43Shall we?
39:45Reverend Mother?
39:46Of course.
39:59In Cicello.
40:00In Conspecto.
40:02She left me the same message.
40:06But what was she trying to tell me?
40:08In the chapel in plain sight.
40:11Should we go back to search?
40:17A different chapel.
40:19Yes.
40:21She knew that Matthew was prowling around and it wasn't safe.
40:23So she hid it.
40:32In plain sight.
40:39Oh, good golly gosh.
40:40The ownership of St. Vincent's convent and the land it hereby occupies, she'll...
40:46Reverend Mother!
40:51Sister Barnipas, what is it?
40:54Land's deeds.
40:56Which sister Helen have found transferring ownership of St. Vincent's convent to the Catholic diocese and its sisters?
41:03Signed by Adam Sedgwick, Earl of Great Slaughter.
41:07It belongs to us?
41:09Yes.
41:11St. Vincent belongs to us!
41:14Hallelujah!
41:16It's a pleading miracle!
41:18Hallelujah!
41:25You cut it fine this time, sister, but you did it.
41:27I believe.
41:28We did.
41:34They're here. I wanted you all to have a copy.
41:50Front page exclusive. Holy Homicide by Ruth Penny.
41:53Congratulations. Are you going to be going back to writing full time long?
41:57Oh, Kingsley would miss me too much.
41:59Alas, it's Jamaica, I'm afraid.
42:02Does it happen to mention how it utterly derailed my investment?
42:05No mention of that, no.
42:07Only how your story has inspired the local council to build a new women's refuge.
42:12And partner with a certain developer.
42:16If they wish.
42:18Sister Helena House.
42:20That's it, sisters.
42:21Work those wimples straight to the laboratory.
42:33So, you intend to carry on this forensic business then?
42:39Well, I, I had thought to.
42:43Good.
42:45I know, I know I haven't been the most supportive of advocates.
42:50But, I confess, I really did think it was over for us all.
42:56I'm proud of you, sister.
43:01Well, thank you, Reverend Mother.
43:06Oh, and, um, if you tell anyone I said that it's 10,000 Hail Marys, is that clear?
43:15Sister.
43:20Listen to this.
43:22And so, with the crime solved, we're left with proof that a town is more than just its buildings.
43:29Oh, that's so true.
43:31Go on, son.
43:32For 500 years, great slaughter has grown around families, building, living and loving.
43:39This place is its people.
43:41And now, the convent is safe for 500 years more.
43:45The nuns of St. Vincent keep their home.
43:48The town keeps its heart.
43:50And the family of great slaughter police keep their much-loved sister.
43:53So, criminals, but where?
44:23If you say goodbye, they don't know our place.
44:26Out of the city that we don't know about our truth.
44:27To try and address the
44:43ly friends tend to live in two galaxies.
44:47Here you go.
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