- 2 days ago
Dr@cula: Dead and Loving It (1995) is a hilarious comedy that parodies classic vampire tales. Count Dr@cula arrives in England, encountering quirky townsfolk and bumbling heroes, leading to a series of funny and outrageous situations. Full of slapstick humor, clever gags, and memorable performances, the film is a lighthearted take on the iconic Dr@cula story.
Starring Leslie Nielsen, Mel Brooks, Peter MacNicol, and Steven Weber, this comedy delivers laughs for audiences of all ages. Dr@cula: Dead and Loving It is a fun, entertaining film that blends parody, humor, and classic horror motifs in a family-friendly way.
Starring Leslie Nielsen, Mel Brooks, Peter MacNicol, and Steven Weber, this comedy delivers laughs for audiences of all ages. Dr@cula: Dead and Loving It is a fun, entertaining film that blends parody, humor, and classic horror motifs in a family-friendly way.
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PeopleTranscript
00:00:00I'm sorry, I'm sorry, I'm sorry.
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00:04:24Oh, driver, don't take my luggage down.
00:04:26I'm going on to Borgo Pass tonight.
00:04:28Yes.
00:04:32What are you doing?
00:04:33Too dark.
00:04:35I go no further.
00:04:37From here on, you walk.
00:04:41You are going on tonight?
00:04:44Yes, I'm going to the castle.
00:04:48Yes, I'm scheduled to meet Count Dracula.
00:04:51Dracula.
00:04:52Dracula.
00:04:53Dracula.
00:04:55Scheduled?
00:04:59Yes, I have business with the Count.
00:05:01No, no, no.
00:05:03You must not go.
00:05:05Why not?
00:05:06Because we people of the mountains believe vampires live at the castle.
00:05:12Vampires?
00:05:14Yes, they are the undead.
00:05:17They rise from the coffins at night.
00:05:22Yes.
00:05:25Yes.
00:05:26They take the form of wolves or bats and puncture the throats of the victims with their teeth and drink their blood.
00:05:39Well, surely that's just superstition.
00:05:43No.
00:05:44Madam Wolfman's caillou is right.
00:05:47Please, my son.
00:05:49Take this cross.
00:05:50Oh, no, thank you.
00:05:52Oh, no, thank you.
00:05:53Oh, take the cross.
00:05:55Its holy love and spirit of goodness will shield you from the lurking danger.
00:06:09Oh, no, no, no, really.
00:06:10No, thank you.
00:06:11Damn it.
00:06:12Take the cross.
00:06:13Of course, of course.
00:06:14That'll be 15 coppacks.
00:06:15Okay.
00:06:17Well, if I have to walk, I have to walk.
00:06:18Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:06:42Well, if I have to walk, I have to walk.
00:06:47No.
00:06:48Don't go.
00:06:49Please.
00:06:50I beg of you.
00:06:53But you don't understand.
00:06:55I'm expected.
00:06:57Well, ta.
00:07:20Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:07:27Oh.
00:07:57Extra!
00:07:59What?
00:08:09Oh.
00:08:11How do you do?
00:08:13I'm Thomas Renfield.
00:08:15Oh.
00:08:17Oh.
00:08:19Oh.
00:08:21Oh.
00:08:23How do you do?
00:08:25I'm Thomas Renfield.
00:08:27Solicitor from London.
00:08:29To see...
00:08:31Count Dracula?
00:08:37Oh, my.
00:08:39Oh, dear. Oh, dear.
00:08:41Oh!
00:08:43Ah!
00:08:47Children of the Nine.
00:08:49What a mess they make.
00:08:53I am count...
00:08:55Ah!
00:09:01Dracula.
00:09:03Are you hurt?
00:09:05I am perfectly fine.
00:09:07It would take much more than that to hurt me.
00:09:09Come.
00:09:11Come.
00:09:13Ah!
00:09:15Oh!
00:09:17Oh!
00:09:18Oh!
00:09:19Oh!
00:09:20Oh!
00:09:21Oh!
00:09:22Oh!
00:09:23Oh!
00:09:32Come, Renfield.
00:09:34Do...
00:09:35See there in half a tick!
00:09:36Oh!
00:09:37Oh!
00:09:38Oh!
00:09:39Oh!
00:09:40Oh!
00:09:41Oh!
00:09:42Oh!
00:09:43Oh!
00:09:44Oh, dear!
00:09:45Renfield.
00:09:46Do...
00:09:47See there in half a tick!
00:09:52Yes.
00:09:53Sorry.
00:09:54I was detained.
00:09:55It was embarrassing, really.
00:09:56I...
00:09:57I thought I saw...
00:09:58You walk through the web, so I assumed I could.
00:10:00Then I thought to myself, well, perhaps I can go around the other way.
00:10:04But no.
00:10:06No.
00:10:07It's attached to all your sides.
00:10:09So I thought to myself, well...
00:10:10Renfield.
00:10:11I don't care.
00:10:12I don't care.
00:10:20And now, if you are not too fatigued from your journey, I'd like to discuss the purchase
00:10:24of Carfax Abbey.
00:10:25Yes, of course.
00:10:26I have the papers right here.
00:10:29Ah.
00:10:30Very good.
00:10:31There we are.
00:10:32A bit dusty, isn't it?
00:10:33Yes, I like it.
00:10:34Sign here.
00:10:35And here.
00:10:36There we are.
00:10:37Yes, congratulations.
00:10:38You are now the owner of Carfax Abbey.
00:10:40One copy for you.
00:10:41And...
00:10:42Ah.
00:10:43Ah.
00:10:44Ah.
00:10:45Ah.
00:10:46Ah.
00:10:47Ah.
00:10:48Ah.
00:10:49Ah.
00:10:50Ah.
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00:10:57Ah.
00:10:58Ah.
00:10:59Ah.
00:11:00Ah.
00:11:01Ah.
00:11:02Ah.
00:11:03Ah.
00:11:04Ah.
00:11:05Ah.
00:11:06Ah.
00:11:07Ah.
00:11:08Ah.
00:11:09Ah.
00:11:10Ah.
00:11:11Ah.
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00:11:15Ah.
00:11:16Ah.
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00:11:30Ah.
00:11:31Tsk, tsk, tsk.
00:12:01Tsk, tsk, tsk, tsk, tsk!
00:12:31the furniture what you on about what's all this thing who are you people I I'll
00:12:45have you know that's my knee you're Stradley stop it at once oh no no this
00:12:52is wrong this is wrong this is wrong do you hear me wrong
00:13:01wrong me wrong me wrong my brains are oh yes this time somebody what is going on
00:13:24here you think this makes me proud of you now go whilst I make him my
00:13:31sleep
00:13:32and stop that
00:13:41so Renfield do you feel better now you are having a nightmare a nightmare but it was so real so
00:13:57vivid two voluptuous women grinding heaving how to describe it have you ever been to Paris yes
00:14:05let me show you an old Transylvanian method for relaxation look into my eyes your eyelids are getting heavy
00:14:20you feel that Renfield you fell asleep too soon I have more to tell you wake up now you are feeling rousy
00:14:38what a simpleton
00:14:45Renfield
00:14:46forget about sleeping listen to me you hear only my voice from this moment on you are my slave
00:14:55you will sacrifice everything for my safety in return I will give you lies not big lies insects flies spiders I have chartered the ship to take us to England we will leave tomorrow evening I command you watch over the safety of my coffin
00:15:22you have my coffee
00:15:24yes master
00:15:25yes master
00:15:29yes master
00:15:31yes master
00:15:36yes master
00:15:38yes ROBOT
00:15:41yes
00:15:43yes
00:15:46yes
00:15:48yes
00:15:53yes
00:15:55I'm coming, master.
00:16:10Master, master, don't worry.
00:16:13I'll help you.
00:16:25I have you now, master.
00:16:45You look poorly, master.
00:16:47You're all dried out.
00:16:49Here, you should have fluids.
00:16:52Yes, I agree.
00:16:53I think I will start with the first meat.
00:17:23Oh, it makes me so happy to be at the opera.
00:17:34I love this palace of art and beauty.
00:17:37Oh, yes, my dear.
00:17:39The opera is astonishing.
00:17:42The music is fraught with love, hate, sensuality, and unbridled passion.
00:17:47All the things in my life I've managed to suppress.
00:17:53Sorry I'm late, my dear.
00:17:55We were worried, father.
00:17:57I'm sorry.
00:17:58Sit, sit, sit, sit.
00:18:00I was detained at my asylum.
00:18:02The most extraordinary lunatic was brought in today.
00:18:05He was the only man found alive on that schooner that drifted into Whippy Harbor.
00:18:09Absolutely bizarre.
00:18:10Hello.
00:18:11Can I help you, sir?
00:18:13Yes, you may help me.
00:18:16Dr. Seward is in the next box.
00:18:18It is imperative that I meet with him alone.
00:18:24You will tell him there is a message for him in the lobby.
00:18:28A message for Dr. Seward in the lobby.
00:18:32Good, now go.
00:18:35A message in the lobby for Dr. Seward.
00:18:40And you will remember nothing of what I tell you.
00:18:56Hello.
00:18:59Hello.
00:19:00Can I help you, sir?
00:19:01Can I help you, sir?
00:19:04What is the matter with you?
00:19:05Why did you not tell him?
00:19:07About what?
00:19:09About the message.
00:19:11For whom?
00:19:13Never mind.
00:19:14I will tell him myself.
00:19:17And for your miserable performance,
00:19:20you will receive no tip.
00:19:22No tip?
00:19:24Oh, that you remember.
00:19:28Oh, look at India.
00:19:31Excuse me.
00:19:35Are you the Dr. Seward whose sanitarium is in Whitby?
00:19:40Why, yes.
00:19:41I have just purchased Carfax Abbey.
00:19:43And I understand.
00:19:45It adjoins your grounds.
00:19:47Quite so, quite so.
00:19:48And you are?
00:19:49Oh, forgive me.
00:19:50I am so renowned in my own country,
00:19:53I sometimes forget to introduce myself.
00:19:57I am Count...
00:19:58Dr. Seward, there is a message for you in the lobby.
00:20:04Oh, dear God.
00:20:05Oh, God.
00:20:05I don't think so.
00:20:06Oh, bother.
00:20:07Excuse me.
00:20:09Dracula.
00:20:11Uh, how do you do, Count Dracula?
00:20:14Um, I'm Jonathan Harker, Dr. Seward's assistant.
00:20:18This is Lucy Weston-Ra.
00:20:20And this is my fiancée, Dr. Seward's daughter, Mina.
00:20:24Count Dracula.
00:20:25It will be a relief to see lights burning through those dismal windows of Carfax Abbey once again.
00:20:30Oh, yes.
00:20:31The abbey always reminds me of that old toast, you know.
00:20:35Lofty timbers.
00:20:36The walls around our bear.
00:20:38Echoing to our laughter.
00:20:41As though the dead were there.
00:20:43I like the way you think, my dear.
00:20:46That is one of my favorite subjects.
00:20:49We must get together and have a long discussion.
00:20:52Very long.
00:20:56And now I take my leave.
00:20:57I have a pressing appointment.
00:21:05Count Dracula?
00:21:08I'm sorry, my dear, but you have such a lovely euccipital material.
00:21:15What's that?
00:21:20This.
00:21:22Oh, thank you.
00:21:26And now I take my leave.
00:21:35There's something otherworldly about that man.
00:21:40He gives me the shivers.
00:21:42Oh, yes.
00:21:44Me, too.
00:21:45Oh, Count Dracula.
00:22:03Wish we could have that long, long talk right now.
00:22:08Oh, Lord.
00:22:08My child faço немen if not, I need them.
00:22:10He will.
00:22:12No, no, no, no, no, no.
00:22:12No, no.
00:22:13No, no, no.
00:22:14Oh, you know, no, yeah.
00:22:17Oh, I need some answers.
00:22:30I need some answers.
00:22:30Oh, I need some answers.
00:22:33Oh, wow.
00:22:33Oh.
00:22:34Goodbye.
00:22:34Oh, my God.
00:23:04Oh, my God.
00:23:34Oh, excuse us, my dear.
00:23:47Oh, Dr. Seward.
00:23:49Jonathan.
00:23:49I was sleeping.
00:23:52Yes, we're sorry, dear, but we heard a noise in the bushes below your window.
00:23:55We thought perhaps it might be a prowler.
00:23:57Yes, would you mind terribly if we had a look about?
00:23:58Oh, no, please do.
00:24:06Well, nothing out here.
00:24:08Nothing amiss here either.
00:24:10Oh, what a relief.
00:24:11I'm very confident there's no danger here whatsoever.
00:24:21Sorry to disturb you, dear.
00:24:23We've searched every inch of the room and there's no sign of forcible entry.
00:24:27Good night.
00:24:27Good night.
00:24:28Something wrong with this latch.
00:24:32Not to worry.
00:24:33I'll give it a jolly good slam.
00:24:35Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:25:05Oh, no, no, no, no.
00:25:35Renfield!
00:25:37Yes!
00:25:39I can't take it. Can you take it?
00:25:41The lights, the screaming, the crazy faces staring at me.
00:25:45I tell you, the walls are closing in on me.
00:25:48I've got to get out of here!
00:25:50Come on! Get back to work!
00:25:52Yes, sir!
00:26:05Come along then, Renfield.
00:26:09You're going to have tea with the governor.
00:26:11At last!
00:26:13Now you'll see, Martin.
00:26:15Dr. Seward will believe I'm not insane.
00:26:17I wouldn't bet me last shilling on it.
00:26:20Let's go.
00:26:33Stay.
00:26:35Dr. Seward?
00:26:39Yes?
00:26:40Mr. Renfield is here.
00:26:42Oh, good. Send him out, Martin.
00:26:44Oh, McManus, the patient in the West Wing?
00:26:47Yes?
00:26:48He's having a conniption fit.
00:26:50Oh.
00:26:51Give him an enema.
00:26:54An enema?
00:26:56Yes.
00:26:57You'll give him a feeling of accomplishment.
00:26:59Yes, sir.
00:27:01Yes.
00:27:02Oh, Renfield, but if you recall.
00:27:05Nice to see you, old chap.
00:27:07How are we feeling today?
00:27:08Normal.
00:27:09Perfectly normal.
00:27:10Excellent.
00:27:11Yes.
00:27:12Excellent.
00:27:13Dr. Seward, may I ask why I've been brought to the sanitarium?
00:27:16Oh, we would just like to perform a few tests, that's all.
00:27:19If you don't mind?
00:27:20No, not at all.
00:27:21As you can see, I'm quite all right now.
00:27:23Quite, sir.
00:27:24Quite, sir.
00:27:25Hungry?
00:27:26Famished.
00:27:27Help yourself.
00:27:28Such a bounty.
00:27:29Yes.
00:27:32I was just telling my...
00:27:35What was that?
00:27:36What?
00:27:37You just grabbed something from the table.
00:27:39I did not.
00:27:40Yes, you did.
00:27:41I saw you.
00:27:42You put it in your mouth.
00:27:43I think it was an insect.
00:27:44Oh, that was a raspberry.
00:27:46Raspberry?
00:27:47We're not serving raspberries.
00:27:49But it must have been a raisin.
00:27:51Yes, it fell off the muffin.
00:27:53There.
00:27:54Seems to be one missing.
00:27:55It's probably.
00:27:56How is it?
00:27:57Only a raisin.
00:27:58That's extraordinary.
00:28:00How silly of me.
00:28:02Must have been my imagination.
00:28:04There, you did it again.
00:28:05Huh?
00:28:06You just put a bug in your mouth.
00:28:08I think it was a spider.
00:28:10I did not.
00:28:11Yes, you did.
00:28:12I did not.
00:28:13Yes, you did.
00:28:14I did not.
00:28:15Yes, you did.
00:28:16I did not.
00:28:17I tell you, I saw you snatch a spider right out of the air and eat it.
00:28:20A spider?
00:28:22How absurd.
00:28:23Huh.
00:28:28What?
00:28:29Oh.
00:28:30I've got my fork.
00:28:31You dropped it.
00:28:32You flung it.
00:28:33What's the matter with you?
00:28:34I don't know.
00:28:35Mr. Giffey, I'll ask you what are you doing down there?
00:28:37What?
00:28:38What are you?
00:28:39Fork found!
00:28:40This is most unseemly.
00:28:41I don't think I can...
00:28:42Sorry for the delay.
00:28:43My God, man.
00:28:44You're eating insects right from the ground.
00:28:46What makes you say that?
00:28:47Because I can see one trying to get out of your mouth.
00:28:48What makes you say that?
00:28:49Because I can see one trying to get out of your mouth.
00:28:50What makes me say that?
00:28:51Out of my mouth?
00:28:52Yes, out of your mouth.
00:28:53You're a very own mouth like it's wriggling about.
00:28:54Don't be ridiculous, wriggling.
00:28:55I'm not ridiculous at all.
00:28:56It's wriggling all over the place.
00:28:57Poor thing.
00:28:58It's fighting for its life.
00:28:59I don't know what you're talking about.
00:29:00If you insist on ranting like this, I'm going to leave.
00:29:01Me ranting?
00:29:02You're the ranter.
00:29:03Hello, little darling.
00:29:04Don't be afraid.
00:29:05It's cracking.
00:29:06I won't hurt you.
00:29:07All I want is you lying.
00:29:08Marken!
00:29:09Marken!
00:29:10Marken!
00:29:11I lost anyone.
00:29:12Ah!
00:29:13Put him in a state jacket and give him an enema.
00:29:14Wait!
00:29:15Give him an enema first.
00:29:16I'm going to leave.
00:29:17I'm going to leave.
00:29:18You're the ranter.
00:29:19You're the ranter.
00:29:20Hello, little darling.
00:29:21Don't be afraid.
00:29:22I'm going to leave.
00:29:23Hello, little darling.
00:29:24Don't be afraid.
00:29:25He's cracking.
00:29:26I won't hurt you.
00:29:27All I want is you lying.
00:29:28No!
00:29:29Marken!
00:29:30Marken!
00:29:31Marken!
00:29:32Marken!
00:29:33Marken!
00:29:34Marken!
00:29:35Marken!
00:29:36Marken!
00:29:37Marken!
00:29:38Marken!
00:29:39Marken!
00:29:40Marken!
00:29:41Marken!
00:29:42Marken!
00:29:43Marken!
00:29:44Marken!
00:29:45Marken!
00:29:46Marken!
00:29:47Marken!
00:29:48Marken!
00:29:49Oh, Lucy, you lazy girl.
00:29:50It's past ten.
00:29:52The horses are settled and waiting.
00:29:58Oh!
00:29:59Mina!
00:30:00I don't think I could put a foot out of bed today.
00:30:04It's such horrid dreams.
00:30:05such horrid dreams. I feel completely drained. Darling, you're dreadfully pale. You look
00:30:14absolutely peaked. Perhaps Father should have a look at you. Yes, perhaps. Father, it's
00:30:31Lucy. What's the matter with her? I mean, I don't know. She's frightfully pale and worn. Pale and worn? Well, I'd best have a look. I've given you some laudanum, dear. It'll help you sleep. I see no sign of infection. Are you sure you don't remember where these marks came from? An insect? Perhaps a spider? Do you recall being bitten? No.
00:31:01But I had a dream. Oh, yes? What about that dream? I remember nothing.
00:31:15She's asleep. I must confess I'm completely confounded. I'm going to take the liberty of contacting Professor Abraham Van Helsing. Van Helsing? I thought he was some sort of metaphysician and philosopher.
00:31:27He's also a medical doctor. Knows more about obscure diseases than anyone in the world. He may be the only man who can help us.
00:31:33Oh, yes. Contact him, Father. Contact him straight away.
00:31:37Yes.
00:31:37Gentlemen, you are about to observe your first autopsy.
00:31:54It is not unusual for some members of the freshman class to feel a bit faint during this procedure.
00:32:03So this is where we begin to separate our future physicians from those who just want to play doctor.
00:32:10Now, first things first, we uncover the corpse.
00:32:17We make an incision from the groin to the upper chest cavity. There.
00:32:27Now, as I open the abdominal wall, you will observe that the organs have gone from a nice, healthy pink to a disgusting green.
00:32:44We must check the intestines for pathological clues.
00:32:51Sir.
00:32:56Here. Pass it along.
00:32:59Don't worry. There's plenty to go around.
00:33:08Well.
00:33:10No one seems to be standing.
00:33:14Hello. I am still standing, Professor Van Helsing.
00:33:19Ah.
00:33:21Woodbridge, right?
00:33:22Mm-hmm.
00:33:23Come closer, Woodbridge.
00:33:25Good for you, stout fellow.
00:33:29Why don't we have a look at the brain?
00:33:32Mm-hmm.
00:33:34First, we crack open the skull.
00:33:40So.
00:33:40Behold the naked human brain.
00:33:48Examine it.
00:33:49Ah! Ah! Ah! Ah! Ah! Ah!
00:33:54So, a good morning's work.
00:34:01Charam!
00:34:06Oh, Professor! Ten out of ten!
00:34:09Yeah, I still got it.
00:34:13I have a message for you from Dr. Seward.
00:34:16A message from Dr. Seward? What does he say?
00:34:19He wants you to come to Whitby immediately. It's an emergency.
00:34:24An emergency?
00:34:26Mm-hmm. Yes, sir. An emergency.
00:34:45I am awake.
00:34:49I am awake during the daytime. What is happening? I cannot be up during the daylight.
00:34:53Ah!
00:34:55It must be the young blood from Miss Lucy. Her blood is still in my system.
00:34:58Is it possible she has cured me?
00:35:07Yes! I am cured. Now I can be up night and day.
00:35:13It is so bright. So many colors. And the sun is so warm.
00:35:28Hello, young lovers. I could not help but smell your lovely picnic. Could I presume to ask you for a piece of your chicken?
00:35:36Chicken?
00:35:37Surely, sir.
00:35:39Some wine, sir?
00:35:40I never drink wine.
00:35:42I never drink wine.
00:35:44Ah, what the hell? Let me try it.
00:35:53It's good.
00:35:55Master! Master!
00:35:56Renfield, look at me. I'm drinking wine and eating chicken.
00:36:01Master, what are you doing out in the daytime?
00:36:03Relax, Renfield. I am cured.
00:36:06No, no, you're not. Look.
00:36:10I made a mistake.
00:36:13I've got to get back to my cabin.
00:36:27It's night time.
00:36:30Well, it wasn't real.
00:36:34I was having a daymare.
00:36:36A daymare.
00:36:43Three tiny puncture marks on her throat.
00:36:48Three?
00:36:53Two.
00:36:55Two tiny puncture marks on her throat.
00:37:00What does it mean, Professor?
00:37:01Gentlemen, what I am about to say will shake the very foundation of every medical precept you hold dear.
00:37:13We have entered the realm of the supernatural.
00:37:20Supernatural?
00:37:22Realm of the supernatural?
00:37:23Yeah.
00:37:25Lucy has been attacked by a creature that rises from its grave and sucks the blood of the living in order to prolong its own unholy existence.
00:37:37What we are dealing with here is...
00:37:44A vampire!
00:37:46Vampire?
00:37:47Vampire?
00:37:48What are you saying?
00:37:50I'm saying vampire.
00:37:51But, Professor, modern science is not admit to such a fanciful creature.
00:37:56Modern science, pish-pash.
00:37:59She has lost a great deal of blood.
00:38:01Yeah?
00:38:02Yeah.
00:38:03Well, look.
00:38:05Look.
00:38:06Where did all the blood go?
00:38:08Look at the sheet, the pillowcase, the nightgown.
00:38:11Do you see anything?
00:38:13How does your modern science explain that?
00:38:16Can you explain that?
00:38:18Can you explain that?
00:38:19I can't explain that.
00:38:20I can't explain that.
00:38:21No one can explain that!
00:38:24Are you asking us to believe that some creature just flew in through that window, bit Lucy on the neck, and drank of her blood?
00:38:32Yes.
00:38:34Exactly.
00:38:36And tonight, the foul thing will return.
00:38:42It will sup on her life's fluid until it has drained her of every last drop.
00:38:50And if she dies, a victim of this unspeakable creature, she will become one herself.
00:39:03What?
00:39:04What can we do to protect her from this fiend?
00:39:05Stuart?
00:39:06Yes?
00:39:07Do you have any books on the occult?
00:39:08They're right here.
00:39:09Do you have Transylvanian folklore?
00:39:10No.
00:39:11Do you have the theory and the theology of the evil undead?
00:39:13No.
00:39:14Do you have the vampires of Prague?
00:39:15No.
00:39:16Do you have the vampires of Prague?
00:39:17No.
00:39:18Do you have Nosferatu?
00:39:19Yes, we have Nosferatu.
00:39:20We have Nosferatu.
00:39:21Nosferatu.
00:39:22We have Nosferatu today.
00:39:23It just came in the post.
00:39:24Here.
00:39:25Give it back.
00:39:26Here.
00:39:27Give it back.
00:39:28Come here.
00:39:29Here.
00:39:30Yeah.
00:39:31Here.
00:39:32Here.
00:39:33Here.
00:39:34Yes.
00:39:35Here.
00:39:36Here.
00:39:37Here.
00:39:38Here.
00:39:39Here.
00:39:40Here.
00:39:41Here.
00:39:42Here.
00:39:43Here.
00:39:44Here.
00:39:45Here.
00:39:46Here.
00:39:47Here.
00:39:48Here.
00:39:49Here.
00:39:50Here.
00:39:51there is a way to protect her how the creature is repelled by garlic its
00:39:59purifying effect is anathema to the tainted soul of the vampire
00:40:21i must move the coffin or the chandelier we've brought you down here so you'll be closer to us my
00:40:32dear we'll be just down the hall in the study you must get a good night's rest to regain your
00:40:37strengths my dear it's the only way to improve your health would an enema help
00:40:42sleep well miss lucy the garlic will protect you
00:41:12oh
00:41:24oh
00:41:26oh
00:41:30oh
00:41:32oh
00:41:34oh
00:41:36oh
00:41:42Grandfield.
00:42:00Grandfield.
00:42:02Master.
00:42:05It is time for you to serve your master.
00:42:09Come.
00:42:10Yes, master.
00:42:11Those battling idiots.
00:42:15They want to prevent me from entering Miss Lucy's bedroom.
00:42:19I want to take...
00:42:20Wait, master.
00:42:33All right. I'm listening.
00:42:35They have placed garlands of garlic around her room.
00:42:39What can I do, master?
00:42:40I can't leave this cell.
00:42:42Do you imagine I could not take you out of here if I wish?
00:42:45That these pathetic bars could stop me?
00:42:49Wait, master. I'm getting such a headache.
00:42:52How dare they try to match Vitz with me?
00:42:57Me who has commanded the forces of darkness.
00:43:00Me who has called forth the demons of the nine to do my bidding.
00:43:04Me who has destroyed every enemy now through the centuries.
00:43:08Me who has summoned to the choir in theutch.
00:43:09We are strange and sad and sad or sad.
00:43:12What do you do, master?
00:43:14Yes, you do.
00:43:15I need to make sure you can take your errands.
00:43:16Oh!
00:43:17Ah!
00:43:18Come, we have much to do, and less time to do it here.
00:43:34Branfield, hurry.
00:43:36Ah!
00:43:47Branfield, I meant for you to use the drainpipe.
00:43:52I fly, you don't.
00:43:54Oh, yes, of course.
00:43:56Come.
00:43:57He flies, I do.
00:43:58He flies, I do.
00:44:00He flies, I don't.
00:44:06Oh, no.
00:44:11Oh.
00:44:15Oh.
00:44:19Oh.
00:44:23Oh.
00:44:27Oh.
00:44:32Oh.
00:44:34Oh.
00:44:36Oh.
00:44:37Ah.
00:44:39Ah.
00:44:40Ah.
00:44:46Ah.
00:44:48Ah.
00:44:50Ah.
00:44:52Ah.
00:44:54Ah.
00:44:56Ah.
00:44:57Ah.
00:44:59Ah.
00:45:01Ah.
00:45:03Renfield, you idiot.
00:45:06Grab him, Harker.
00:45:10I'm weak.
00:45:12I'm weak.
00:45:13I've strayed.
00:45:14What did he do?
00:45:15I caught him lifting up the sheets and looking at me.
00:45:19Grr.
00:45:20Nothing but a filthy pervert, eh?
00:45:22Martin.
00:45:23No, here you are.
00:45:25Take him back to his cell and give him a you-know-what.
00:45:28No.
00:45:29No.
00:45:30Not another anymore.
00:45:32Yes, another and another.
00:45:34Until you come to your senses.
00:45:37I'll close the window.
00:45:38Yes, yes.
00:45:47Good lad.
00:45:48Are you all right, dear?
00:45:49Oh, yes, I'm fine, Dr. Seward.
00:45:51Apart from this ghastly darling.
00:45:54I'm sorry, dear, but then Helsing insists.
00:45:56Oh, Lord.
00:46:03Lucy.
00:46:05I command you.
00:46:08Open the window.
00:46:11Come.
00:46:13Get in there, you stupid degenerate.
00:46:17I didn't say anything.
00:46:18I didn't say anything.
00:46:19I didn't say anything.
00:46:21I saw everything.
00:46:24It's Lucy.
00:46:25Someone was attacking her.
00:46:39Wait here.
00:46:41How is she?
00:46:42She's dead.
00:46:43Dead?
00:46:44The vampire has taken all of her blood.
00:46:46I told her not to leave the safety of the garlic.
00:46:49She's dead.
00:46:50Dead?
00:46:51The vampire has taken all of her blood.
00:46:52I told her not to leave the safety of the garlic.
00:46:54no, no, no, no, no.
00:46:56how is she she's dead dead the vampire has taken all of her blood i told her not to leave the safety
00:47:10of the garlic
00:47:11no no no it's absolutely absurd i tell you we must drive a wooden stake through her heart
00:47:29or else she will rise from a grave to seek the blood of the living lucy was my ward i won't
00:47:36permit you to desecrate her body in such a vile manner it's sacrilegious but dr seward shouldn't
00:47:42we at least stand guard over lucy's grave just to make sure no i'm having serious doubts about this
00:47:48whole vampire theory for heaven's sake who in all of england by the very furthest stretch of the
00:47:54imagination could possibly be a vampire count dracula well maybe him
00:47:59oh god dracula just talking about you favorably of course forgive my interruption but i was just
00:48:12made aware of the unfortunate passing of miss lucy i wish to offer my condolences thank you
00:48:19we're all very distraught yes oh count dracula allow me to introduce professor abraham van helsing of
00:48:26london university he is a doctor of rare diseases as well as theology and philosophy
00:48:30and gynecology oh i didn't know you had your hand in that too
00:48:34van helsing a name we know even in the vials of transylvania
00:48:41count dracula hmm curious are you descended from vlad teppish the first dracula
00:48:50teppish yeah it means the impaler it was a bloodthirsty butcher inflicted unspeakable
00:48:58torches on the peasants cutting off their hands and feet gouging out their eyes and then impaling
00:49:05them on iron spikes they had it coming
00:49:11what could they possibly have done to deserve such barbaric and inhuman treatment
00:49:18we have a saying in the old country
00:49:20we have a saying in the old country
00:49:20we have a saying in the old country
00:49:20we have a saying in the old country
00:49:24they also said
00:49:26they also said
00:49:26very impressed when helsing you speak the ancient moldavian
00:49:36apply well gentlemen i will take my
00:49:44leave i see van helsing you are a man who likes to have the last word
00:49:52i will not be drawn into such a childish exercise
00:49:57polostoy
00:49:58It is immaterial to me who has the last word.
00:50:03Polovnik.
00:50:07It is getting late. We'll carry on this conversation at another time.
00:50:11Good night.
00:50:13Good night.
00:50:19Such arrogance.
00:50:22It is easy to see why the decadent aristocracy
00:50:27is dying out in that part of the world.
00:50:30Fushta!
00:50:33Gentlemen.
00:50:35Our work is not done.
00:50:37The vampire is still among us.
00:50:39You must remember he is cunning.
00:50:41He has the wisdom of centuries.
00:50:43And above all, he will never give up.
00:50:47Gerenia.
00:50:49That man.
00:50:51He never gives up.
00:50:54Never gives up.
00:50:59What are you thinking, Professor?
00:51:01When did Count Dracula move in?
00:51:04About a month ago.
00:51:05And when did Miss Lucy's symptoms first appear?
00:51:08About the same time.
00:51:09Are you saying that Count Dracula is our vampire?
00:51:12Yes!
00:51:13And no.
00:51:15Then what are you saying?
00:51:16I'm saying no.
00:51:17But I'm leaning towards yes.
00:51:19Then you're saying yes.
00:51:20No.
00:51:21Then it's no.
00:51:22Not necessarily.
00:51:23You sound dubious.
00:51:24No, I'm positive.
00:51:25Of what?
00:51:26My theory.
00:51:27And that would be?
00:51:28The theory of yes or no.
00:51:31Good night, sweet lady.
00:51:44Let my angels' voices sing thee to thy rest.
00:51:48Help me.
00:51:50What's that?
00:51:52Help me.
00:51:53It's so dark in here.
00:51:54Who's in there?
00:51:55I'm alive.
00:51:56They've buried me alive.
00:51:57Saints preserve us.
00:51:58Don't worry, Miss.
00:51:59I'm coming.
00:52:00Oh, my God.
00:52:01They made a mistake.
00:52:02A terrible mistake.
00:52:03What's that?
00:52:04Help me.
00:52:05It's so dark in here.
00:52:06Who's in there?
00:52:07I'm alive.
00:52:08They've buried me alive.
00:52:09They've buried me alive.
00:52:10Saints preserve us.
00:52:11Don't worry, Miss.
00:52:12I'm coming.
00:52:13Oh, my God.
00:52:14They made a mistake.
00:52:15A terrible mistake.
00:52:16Oh, please help me.
00:52:17I'm so very cold.
00:52:18You'll be all right.
00:52:19You're alive.
00:52:20Ah!
00:52:21Ah!
00:52:22Ah!
00:52:23Ah!
00:52:24Ah!
00:52:25Ah!
00:52:26Ah!
00:52:27Ah!
00:52:28Ah!
00:52:29Ah!
00:52:30Ah!
00:52:31Ah!
00:52:32Ah!
00:52:33Ah!
00:52:34Ah!
00:52:35Ah!
00:52:36Ah!
00:52:37Ah!
00:52:38Ah!
00:52:39Ah!
00:52:40Ah!
00:52:41Oh!
00:52:42Ah!
00:52:43Ah!
00:52:44Ah!
00:52:45Ah!
00:52:46Ah!
00:52:47Ah!
00:52:48Oh, I say, Jonathan.
00:52:49What are you doing?
00:52:51Just for tonight, I'm going to stand guard at Lucy's grave, as the Professor suggested.
00:52:57Surely you don't believe this vampire business?
00:52:59Oh, I don't know what I believe.
00:53:02But on the odd chance that Van Helsing is right, I should never forgive myself if I didn't
00:53:08make sure.
00:53:09All right, all right.
00:53:10Go ahead, go ahead, but I think you're wasting your time.
00:53:13Oh, poppycock.
00:53:32Gotten Himmel!
00:53:40Gotten Himmel!
00:54:02Gotten Himmel!
00:54:05Gotten Himmel!
00:54:09Jonathan!
00:54:24You see?
00:54:26Oh, come away with me, Jonathan.
00:54:29I know you've always wanted me.
00:54:36And I've always wanted you.
00:54:38Finally, we can be together.
00:54:41But you see, I'm engaged to Mina.
00:54:46And you're dead.
00:54:48I'm not dead.
00:54:50I'm un-dead.
00:54:52I'm dead.
00:54:54Well, I'm not un-engaged.
00:55:00Jonathan, let me kiss you.
00:55:03Let me show you the deep, raw passion of unbridled sexual frenzy.
00:55:11But, Lucy, I'm British.
00:55:15But so are these.
00:55:18Lucy!
00:55:23Now we can be together forever.
00:55:27Bec!
00:55:32Bec and holy demon of Sinai!
00:55:34Eftar!
00:55:36This is our chance!
00:55:38For what?
00:55:39To destroy her, my boy!
00:55:41She's retreated to her crypt!
00:55:42Come!
00:55:44My God!
00:55:46Now she's dead!
00:55:47No, she's not!
00:55:48She's alive!
00:55:49She's nosferatu!
00:55:50She's Italian!
00:55:51No!
00:55:52It means the undead!
00:55:53She's cursed to spend eternity in misery!
00:55:55Hunting the living!
00:55:56Like a wild animal!
00:55:57What should we do?
00:55:58No!
00:55:59No!
00:56:00No!
00:56:01No!
00:56:02No!
00:56:03No!
00:56:04No!
00:56:05No!
00:56:06No!
00:56:07No!
00:56:08No!
00:56:09No!
00:56:10No!
00:56:11No!
00:56:12No!
00:56:13No!
00:56:14No!
00:56:15No!
00:56:16No!
00:56:17What should we do?
00:56:18For the sake of her eternal soul, we must destroy her!
00:56:22The only way is to drive a wooden stake through her heart!
00:56:29Oh, that's horrible!
00:56:31Is there no other way?
00:56:32One other!
00:56:33We could cut off her head, stuff her mouth with garlic, and tear off her ears!
00:56:42Give me the stake!
00:56:44Okay.
00:56:45oh no no I can't do it you do it it must be done by one who loved her in life I
00:56:54only liked her close enough here good boy you can do it you can do it here now
00:57:01place the point of the stake directly over her heart and hit as hard as you
00:57:08can wait now oh my god there's so much blood she just ate but she's still
00:57:34alive again no no I can't how much blood can she have left she's almost dead she's
00:58:00dead enough oh this is this is ghastly yes you're right we should have put
00:58:12newspapers down oh what have I done what have I done to pull you say you have
00:58:21released her my boy now she sleeps in peace forever here yeah clean yourself up
00:58:29thank you
00:58:30oh come on Lucy
00:58:32oh
00:58:33poor
00:58:34poor Lucy
00:58:36keep it
00:58:43poor Lucy
00:59:00yes see your eyelids are growing heavy you will sleep sleep
00:59:10me now me now me now open your eyes
00:59:23arise me now
00:59:31go to the door
00:59:35me now me now you are in the closet open the door and come out
00:59:56now walk to the terrace door watch out for the foot
01:00:04the foot
01:00:11the stool
01:00:12stand up
01:00:13not you sit
01:00:14no not you you sit
01:00:17you stand
01:00:18no
01:00:19sit
01:00:20no
01:00:21you stand
01:00:22you walk to the terrace door and you go back to sleep
01:00:26watch out
01:00:27wait
01:00:34I'm coming
01:00:35turn out the lights so no one will see me
01:00:40you
01:00:47you will be my bride throughout eternity we'll share the endless passion of immortal love
01:00:54oh my boy such a night oh such a night oh such a night oh my god man what's happened to you
01:01:07everything professor van helsing was absolutely right you see rose from her grave and attacked me and now at last she sleeps in peace you mean Lucy actually became a vampire
01:01:14yes where's Mina oh she's all right fast asleep as he is sitting watch over her
01:01:21oh good I'll just sit watch myself in front of her door then
01:01:28oh
01:01:35don't you go out to get cleaned up first over
01:01:37oh yes quite right
01:01:39oh do you mind using the service entrance
01:01:41there's a good check
01:01:56i don't understand it he's covered with blood and there's not a drop on you why
01:02:02i have been to many many staking's
01:02:05many stakings. You have to know where to stand. You know, everything in life is location, location, location.
01:02:35And now we shall do the dance of love.
01:03:05You're good.
01:03:35It's time.
01:03:58It's time.
01:04:10It's time.
01:04:30No hickeys.
01:04:42Mina?
01:04:52Oh, Jonathan.
01:04:57Shhh.
01:05:00Shouldn't we rouse her?
01:05:06Yes, perhaps you're right.
01:05:08Erse?
01:05:09Oh, I must have dropped off.
01:05:12Good gracious, it's morning.
01:05:15One moment I was on guard, wide awake, and the next I felt like a dark cloud came over me.
01:05:24Oh, are you all right?
01:05:26Oh, fine.
01:05:27Here we are then, safe and sound.
01:05:29Who's getting on?
01:05:30Our best seat to breakfast.
01:05:32Ow!
01:05:33Where'd that come from?
01:05:37Jonathan, I had the most extraordinary dreams last night.
01:05:43I feel so different.
01:05:46You look different, Mina.
01:05:51Come.
01:05:56Sit with me.
01:05:58Closer.
01:06:03Closer, you silly boy.
01:06:08Darling, we know each other so well, and yet we've never really explored each other.
01:06:15Thank God.
01:06:17Jonathan, I've changed.
01:06:19I'm not the Mina you knew.
01:06:21What do you mean, dearest?
01:06:23I want you to do something for me.
01:06:25Something that I have never asked you before.
01:06:27Of course, my dear.
01:06:29Anything.
01:06:30Good.
01:06:31Touch this.
01:06:32Don't mind if I do...
01:06:34Hey!
01:06:35Mina!
01:06:36What are you saying?
01:06:38All right, you don't have to touch anything.
01:06:41I'll touch you.
01:06:43No!
01:06:44Mina.
01:06:45Stop this immediately.
01:06:48What's come over you?
01:06:50I'm leaving.
01:06:51No, please don't go.
01:06:53You're right.
01:06:54You're right.
01:06:55Something is wrong with me, and it's...
01:06:57It's taking over my mind and forcing me to say things I would never say and...
01:07:01And do things I would never do.
01:07:03Jonathan, please help me.
01:07:05Please help me.
01:07:06Oh, Mina.
01:07:07Mina, yes.
01:07:08Anything.
01:07:09What can I do?
01:07:10Touch this!
01:07:11Oh!
01:07:12Good morning, Mina.
01:07:13How did you sleep?
01:07:14Jonathan!
01:07:15Take your hands off me.
01:07:16Yes, yes.
01:07:17Take your hands off her.
01:07:18Sorry, sir.
01:07:19You should be ashamed of yourself.
01:07:20But she made me do it.
01:07:21Is that right, Mina?
01:07:22No, father.
01:07:23Suddenly, without any reason at all, he laid his hands on me.
01:07:25Oh, she told me to touch it.
01:07:26Ha, ha.
01:07:27You're a degenerate.
01:07:28I take you into my home.
01:07:29You eat my food, you drink my wine, but that's not enough for you.
01:07:31Oh, no.
01:07:32After being engaged to my daughter for only five years, you have the audacity to touch her.
01:07:34Oh, no.
01:07:35I'm sorry, sir.
01:07:36You should be ashamed of yourself.
01:07:37But she made me do it.
01:07:38Is that right, Mina?
01:07:39No, father.
01:07:40Suddenly, without any reason at all, he laid his hands on me.
01:07:41Oh, she told me to touch it.
01:07:42Ha, ha.
01:07:43You're a degenerate.
01:07:44I take you into my home.
01:07:45You eat my food, you drink my wine, but that's not enough for you.
01:07:47Oh, no.
01:07:48No.
01:07:49After being engaged to my daughter for only five years, you have the audacity to touch
01:07:54her.
01:07:55Get out.
01:07:56But, sir...
01:07:57Notice it!
01:08:00What is happening here?
01:08:02Terrible doings.
01:08:03Found young Harker here with his hands all over my daughter.
01:08:06But she forced me to, sir.
01:08:07She's been behaving rather strangely.
01:08:09It's as though she's been under some sort of a spell.
01:08:13Spell?
01:08:15Well, that's a very lovely scarf you're wearing, Miss Mina.
01:08:20Oh, yes.
01:08:21I...
01:08:22I felt chilly this morning.
01:08:24Hmm.
01:08:25Excuse me.
01:08:27May I have a look?
01:08:31Just as I thought.
01:08:33Like...
01:08:34Like Lucy.
01:08:35Oh, no, it's nothing.
01:08:38I accidentally did it while I was pinning a shawl.
01:08:40Oh, really?
01:08:42I have something for you, Miss Mina.
01:08:44A present?
01:08:45Sort of.
01:08:46Hold out your hand.
01:08:47Here.
01:08:48Ah!
01:08:49Mina!
01:08:51Here.
01:08:52Look!
01:08:53What is that?
01:08:54It is proof, my unfortunate friend, that your daughter has been corrupted by the evil
01:09:07of a vampire.
01:09:08We must find this vampire before Mina meets the same fate as Lucy.
01:09:13But who is the vampire?
01:09:15Van Helsing suspects Count Dracula.
01:09:17But could also be Renfield.
01:09:18The man drinks the blood of insects and vent the bars of his cell like they were cheese.
01:09:23It could be anyone.
01:09:24There is a way, an indisputable way, to reveal the vampire.
01:09:31It's an empire.
01:09:32I'm going along with you on this Van Helsing, but I think this ball is an extremely bad taste.
01:09:41Lucy dead less than a fortnight, mean as hell, hanging in the balance.
01:09:46The ball's been in progress for over an hour.
01:09:47It appears as if Count Dracula isn't coming.
01:09:48I hope you're wrong, my boy.
01:09:49I especially wanted to see Count Dracula tonight.
01:09:50I wonder if he suspects something.
01:09:51Good evening.
01:09:52Did I startle you?
01:09:53No, no, no, no, no, no, no, no, no, no.
01:09:54He's coming.
01:09:55May I take it?
01:09:56I'm going along with you on this Van Helsing, but I think this ball is an extremely bad taste.
01:09:58Lucy dead less than a fortnight, mean as hell, hanging in the balance.
01:09:59The ball's been in progress for over an hour.
01:10:01It appears as if Count Dracula isn't coming.
01:10:04I hope you're wrong, my boy.
01:10:06I especially wanted to see Count Dracula tonight.
01:10:09I wonder if he suspects something.
01:10:12Good evening.
01:10:13Did I startle you?
01:10:16No, no, no, no, no, no.
01:10:19May I take your cape, sir?
01:10:22No, not my cape.
01:10:24You may take my hat.
01:10:32You're afraid you wouldn't show up?
01:10:36I would not miss your gala.
01:10:39I always keep my nights open for new experiences.
01:10:44Ah, Miss Mina looks especially lovely tonight.
01:10:50Would you be insanely jealous if I should ask her to dance?
01:10:54Well, to be perfectly frank, not at all.
01:10:59Master.
01:11:00You're here.
01:11:01You're here.
01:11:02Shh.
01:11:03Do not call me master.
01:11:04What are you doing here?
01:11:05I don't know.
01:11:06They invited me.
01:11:07I smell a rat.
01:11:08Where?
01:11:09Branfield.
01:11:10If I am discovered, we must flee.
01:11:12Yes.
01:11:13I'll escape.
01:11:14I'll meet you at Carfax.
01:11:15No.
01:11:16That would be too dangerous.
01:11:17They will search there first.
01:11:18I have moved my coffin to the abandoned chapel at the top of the cliffs.
01:11:21When you come, make sure you're not being followed.
01:11:23Do you understand?
01:11:24Yes, master.
01:11:25Do not call me master.
01:11:26Yes, ma'am.
01:11:27Yes, ma'am.
01:11:28Mm-mm.
01:11:29Oh.
01:11:30Mm-mm.
01:11:31Mm-mm.
01:11:32Mm-mm.
01:11:33Mm-mm.
01:11:34Aw, my God.
01:11:36I'll meet you at Carfax.
01:11:37No.
01:11:38That would be too dangerous.
01:11:39They will search there first.
01:11:40I have moved my coffin to the abandoned chapel at the top of the cliffs.
01:11:42When you come, make sure you're not being followed.
01:11:44Do you understand?
01:11:45Yes, master.
01:11:46Do not call me master.
01:11:47Yes, ma'am.
01:11:48Mm-mm.
01:11:49Mm-mm.
01:11:51Good evening, Miss Mina. May I have the next dance?
01:12:04I beg your pardon, sir. Can't you see I'm having a drink with Miss Mina?
01:12:08You have finished your drink.
01:12:13So I have.
01:12:15Come, Miss Mina.
01:12:21I did.
01:12:34Right.
01:12:43Now.
01:12:44I can't see him. I hop on the speed.
01:12:57This vampire casts no reflection in a mirror.
01:13:01She's doing quite well without him, isn't she?
01:13:17Look, look, look at her hair.
01:13:18Is she there?
01:13:19Is not?
01:13:20Hey, he must be good.
01:13:23Let's really give him something to watch.
01:13:26Hey, the chardash!
01:13:27Chardash!
01:13:57They're loving it.
01:14:07Come on, big fish.
01:14:27Come on, Cosette.
01:14:29Come on, Cosette.
01:14:53You are a very wise man, Van Helsing.
01:14:57For someone who has yet to live a single lifetime.
01:15:20Mina, get him!
01:15:28Master! Master!
01:15:31I mean, mister!
01:15:34Mister!
01:15:36You!
01:15:38Professor!
01:15:40We must find him before sunrise.
01:15:43Why before sunrise?
01:15:44Because the rays of the sun will destroy him.
01:15:46He must hide during the daylight hours.
01:15:49Come!
01:15:50Or Miss Mina will be lost to us forever.
01:15:52Come!
01:15:53Come along, old fly-eater.
01:15:56We've searched Carfax Abbey from top to bottom.
01:15:58There's no trace of him.
01:15:59What can we do, Professor?
01:16:00Where could he be?
01:16:01I don't know.
01:16:02I don't know.
01:16:05Renfield.
01:16:06We must release Renfield.
01:16:08He is our only hope.
01:16:10He called Dracula master.
01:16:12I thought he said, mister.
01:16:15That was only a ruse to fool the feeble-minded.
01:16:19No offence.
01:16:20I understand.
01:16:21Renfield will go straight to Dracula.
01:16:23Yeah.
01:16:24And we will follow.
01:16:25This way.
01:16:26You'll stay here till you rot.
01:16:38Well, you're free to go.
01:16:40Free to go?
01:16:41Why?
01:16:42How?
01:16:43Good behaviour.
01:16:44But I've only been in here for a moment.
01:16:46Well, for that moment, your behaviour was very good.
01:16:51Let's go.
01:16:52Well...
01:16:55Watch your step.
01:16:58I'm coming, master!
01:17:02I know what they're up to.
01:17:03They think I'll lead them to the master.
01:17:06I must outsmart them.
01:17:07Lost them.
01:17:21Lost them.
01:17:26Gentlemen.
01:17:27We are fortunate.
01:17:28Why?
01:17:29He's an imbecile.
01:17:30Come.
01:17:37We are not.
01:17:38We are not.
01:17:39We are not.
01:17:40We are not.
01:17:41We are not.
01:17:42We are not.
01:17:43We are not.
01:17:44We are not.
01:17:45We are not.
01:17:46We are not.
01:17:47We are not.
01:17:48We are not.
01:17:49We are not.
01:17:50We are not.
01:17:51We are not.
01:17:52We are not.
01:17:53We are not.
01:17:54We are not.
01:17:55We are not.
01:17:56We are not.
01:17:57We are not.
01:17:58We are not.
01:17:59We are not.
01:18:00We are not.
01:18:01We are not.
01:18:02We are not.
01:18:03We are not.
01:18:04We are not.
01:18:05We are not.
01:18:06They have no idea where I am.
01:18:08He went into the chapel. Hurry!
01:18:10You have led them right to me, you stupid nuncompoop.
01:18:13I didn't know. I'm sorry, master. Punish me.
01:18:16No, no, go. Lead them away. I don't have any time.
01:18:19No, you must punish me. Hurt me. I deserve it.
01:18:22Not now.
01:18:23But I failed you, master. I'm a useless, pitiful fool who's betrayed you.
01:18:29You must hurt me.
01:18:31All right.
01:18:33Good, master.
01:18:37Good. Good.
01:18:40Okay. That's enough.
01:18:44Hey!
01:18:47No!
01:18:49Ooh!
01:18:51Why?
01:18:55Up there!
01:18:58Hey!
01:19:00Hey!
01:19:01Hey!
01:19:02Hey!
01:19:03Hey!
01:19:04Hey!
01:19:05Hey!
01:19:06Hey!
01:19:07Hey!
01:19:08Hey!
01:19:09It's locked!
01:19:10Break it open!
01:19:11Put your right into it!
01:19:13Doctor, okay.
01:19:14You are too late.
01:19:23Soon you will be my bride for eternity.
01:19:34Good! Keep it harder!
01:19:36Ah!
01:19:40The hinges are on the way!
01:19:431, 2, 3!
01:20:02Jonathan Duck!
01:20:04Woof!
01:20:06Oh!
01:20:15Beck!
01:20:16Jonathan!
01:20:17Get that steak!
01:20:18A sharp pudding stick!
01:20:19Anything!
01:20:21Beck!
01:20:23Good!
01:20:24Good!
01:20:25Now drive it to his heart!
01:20:29Uh-oh!
01:20:32Look out!
01:20:33God!
01:20:33Ah-oh!
01:20:34Arrogant mortal. You're in my world now, and you will never leave this attic alive.
01:21:01I will destroy you, and then I will possess she whom you love the most, and there is not a single thing in the world you can do to stop me.
01:21:13Ow!
01:21:20For that, you will watch while with your beloved Mena, I consummate our marriage.
01:21:31Ha!
01:21:33Ha!
01:21:34Ha!
01:21:36No!
01:21:38No, no!
01:21:44Oh!
01:21:45Ow!
01:21:47Ow!
01:21:48Ow!
01:21:50He's going to get away!
01:22:07Where is he?
01:22:16Where did he go?
01:22:17He's up there.
01:22:17We must catch him, or else all is lost.
01:22:26Monster, this way!
01:22:32And shield, you asshole!
01:22:34Oh, where am I? What's happened to Dracula?
01:22:48He's dead, and you're free.
01:22:51Oh, thank God. You're my own sweet, innocent Mina, again.
01:22:57Oh, and I have you, my darling Jonathan, to thank for it.
01:23:04And now, my dearest, let me take you home.
01:23:23Master, I am sorry for you.
01:23:34There. You're starting to look like your old self again.
01:23:47Your master has gone forever, Mr. Renfield. You are your own man now.
01:24:00I am? Yes. No one will ever control you again.
01:24:03You're right. Good.
01:24:06Come then, Phil. Yes, master.
01:24:08For I am sorry for you.
01:24:10Go, Mr. Renfield.
01:24:11I am sorry for you.
01:24:13I am sorry for you, Mr. Renfield.
01:24:15Mr. Renfield.
01:24:17Mr. Renfield.
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