- 6 weeks ago
Deadline (2010) is a suspense drama that follows a writer searching for inspiration who retreats to an old house to finish her work. What begins as a quiet stay soon turns mysterious as she uncovers secrets that challenge her sense of reality and purpose.
Starring Brittany Murphy and Thora Birch, this emotional and thought-provoking film blends mystery, imagination, and human emotion. Deadline is a captivating story about creativity, courage, and the strength to face what lies within.
Starring Brittany Murphy and Thora Birch, this emotional and thought-provoking film blends mystery, imagination, and human emotion. Deadline is a captivating story about creativity, courage, and the strength to face what lies within.
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PeopleTranscript
00:00:00We've set up fair trade agreements with women's organizations in poverty-stricken areas of Turkey, Morocco and Indonesia, with future developments scheduled for India and Central and Southern Africa.
00:00:27So tell us, how does this work exactly?
00:00:29Being properly compensated for their labor and their goods enables them, in turn, to support their families, educate their children, create local industry and build economic growth.
00:00:40And your partners? I mean, Fine Designs is not just Sophie Fine, is it?
00:00:44No, we are three equal partners with three very specific talents.
00:00:48Ian Jameson, for example, he's had a lot of international recognition for his innovative development strategies. A bit of a whiz kid, wouldn't you say?
00:00:56No, he definitely is. And Adam Fine brilliantly manages our finances, which enables both Ian and I to do what we do best.
00:01:03And what is it that you do best, Sophie?
00:01:05Using regional and sustainable materials.
00:01:09I try to design clothing and accessories that reflect the strength and resilience of women, honoring their cultural skills and craftsmanship and celebrating their beauty.
00:01:20Wonderful.
00:01:22Now, with only a few select retailers carrying the Fine Design label to now launching your very own store in Manhattan's coveted Lower East Side, how do you feel?
00:01:37Positive.
00:01:39Exhilarated.
00:01:41mostly terrified.
00:01:44uh
00:01:56Oh
00:02:00Uh
00:02:01Let's talk a little bit about your highly anticipated ad campaign.
00:02:20It's expected to be very cutting edge, to really make a statement.
00:02:25Tell us.
00:02:26It's called Empower, stressing how women should not be victimized by fashion.
00:02:29And that means those wearing it, buying it, or making it.
00:02:32Great.
00:02:33Thank you so much for taking time out to speak to us.
00:02:35And we wish you all the best with the big opening just seven days away.
00:02:39We'll be following closely.
00:02:42I'm Megan Harris for Fashion Uncovered.
00:02:46Gorgeous.
00:02:48Very pretty.
00:02:50I love that.
00:02:52Don't move, Dania.
00:02:54All right.
00:02:55A little more to the right.
00:02:56Reach out a little bit.
00:02:57Right.
00:02:58Great.
00:02:58Look.
00:02:59Chin up, girls.
00:03:06Gorgeous.
00:03:08So hot.
00:03:12Very pretty.
00:03:15Love it.
00:03:17We're almost there, girls.
00:03:19Just a few more.
00:03:22Oh, for God's sake.
00:03:23What now?
00:03:24No, seriously.
00:03:25Like, my arm is killing me.
00:03:26Yeah, well.
00:03:27Let's take 20.
00:03:28Thank you, everybody.
00:03:30It looks amazing.
00:03:37I don't know about you, but I'm kind of turned on right now.
00:03:39Yeah, that would be why I hired you and why I would never sleep with you.
00:03:42Are you sure about this?
00:03:45I mean, an ad campaign about a clothing line without me clothes.
00:03:49I mean, I've done some pretty out-there stuff, believe me.
00:03:52We're talking personally or professionally.
00:03:54Is there a difference?
00:03:55No, I've got something important to say, and right now I've got a rare opportunity to do it.
00:04:00So with your help, hopefully we can get somebody to actually hear what it is and maybe even do something about it.
00:04:05So you think there's actually more to life than satisfying your own needs and desires?
00:04:12Get out.
00:04:18Hey, honey.
00:04:18Hey, Mom.
00:04:19You home from school?
00:04:20Not yet.
00:04:20I was going to stop by the studio and maybe help out the photo shoot.
00:04:23Spencer.
00:04:23What?
00:04:24All I want to do is show you I can do it.
00:04:26I'm totally ready.
00:04:27Honey, how many times do we have to have the same conversation?
00:04:30It's not going to happen.
00:04:31I don't get it.
00:04:32You work in fashion and with models who are my age or even younger than me.
00:04:35What's the difference?
00:04:36You know what?
00:04:36If you had to pay for oxygen, you wouldn't be wasting so much of it on this.
00:04:39It's not fair.
00:04:40Daddy would let me.
00:04:41You know, we'll talk about this when I get home, okay?
00:04:43Fine.
00:04:43You know, I try to order.
00:05:13You know, I try to order.
00:05:43You know, I try to order.
00:06:13I miss you too.
00:06:14I miss you too.
00:06:34I miss you too.
00:06:42I don't think it does either.
00:06:57What's wrong?
00:07:00You okay?
00:07:03I'm just crying.
00:07:07This time it's all so real.
00:07:11You came to me again, making me stronger.
00:07:18We're moving up, keep the flame burning longer.
00:07:24You're making it stronger.
00:07:29It's building up higher.
00:07:34Corner locked, 5110.
00:07:49Mm-hmm.
00:07:50No, the key just snapped off in the lock.
00:07:53Okay, I'll see you in an hour, thanks.
00:07:55Thank God, what happened?
00:07:56Huh?
00:07:57Ugh.
00:07:58What is that?
00:07:59Your extremely clumsy husband tripped and impaled himself on a bead carving tool in one of our workshops.
00:08:03Did you see a doctor?
00:08:04I did, yeah, but there was a woman there who fixed me up pretty good, huh?
00:08:07Looks vicious, but it's better than it was.
00:08:10It's nothing.
00:08:11Yeah, it doesn't look like nothing.
00:08:16Hey, Dad.
00:08:17Hey.
00:08:19Wow, remind me to go away more often.
00:08:21If that is the kind of welcome I get from my beautiful daughter when I get home.
00:08:24She's saving money on oxygen.
00:08:26I bet, come on.
00:08:27I missed you.
00:08:28I missed you.
00:08:29Yes.
00:08:30I missed you too.
00:08:31And you're late.
00:08:34Come eat.
00:08:35Models don't eat.
00:08:37Spencer, sweetheart, you will model over my dead body.
00:08:40You're too young.
00:08:41Besides, six months ago I came in and you were ripping up fashion magazines protesting the exploitation of women.
00:08:46Now all of a sudden you want to be a model.
00:08:48It's a woman's privilege to change her mind.
00:08:50Yes.
00:08:51Yes, it is.
00:08:52Except you are not a woman yet.
00:08:55Daddy.
00:08:56Well, legally your mother's got a point, but my point would be if you're going to declare your womanhood,
00:09:00it kind of weakens your argument to be calling to Daddy for help, huh?
00:09:08Hey, not near the Chanel, Spencer.
00:09:10Sometimes I think you care more about that stupid speech book than me.
00:09:15Ouch.
00:09:16What's going on with you two?
00:09:19It's been three weeks of that.
00:09:20Yeah?
00:09:21What prompted it?
00:09:23Her 16th birthday?
00:09:26So, how was the trip?
00:09:27Oh, well, after jumping through way too many frustrating hoops and time zones, everything is finally arranged and on schedule.
00:09:33Oh, good.
00:09:34And did you bring a sample of the beaded garments with you?
00:09:36Uh, Ian's got them.
00:09:37I'll get them from him later.
00:09:38Yeah, well, he's not back yet, so...
00:09:40What?
00:09:41Is there a problem?
00:09:42You said everything was on track.
00:09:43Everything's on track, Sophie.
00:09:44It's just that, you know, Ian, he's...
00:09:46He's thorough.
00:09:47He, uh, decided to head back to Fez to triple-check everything.
00:09:49Oh!
00:09:50Reminds me.
00:09:51Did you see this?
00:09:52Ready, Ian?
00:09:53Yes.
00:09:54I did.
00:09:57Nice.
00:09:58It's good, right?
00:09:59Sure getting a lot of press, isn't he?
00:10:02For our company.
00:10:03I know.
00:10:04I just...
00:10:05I know.
00:10:07He'll be back in a few days.
00:10:09Just in time for the opening.
00:10:11I'm glad you're home.
00:10:12Glad to be home.
00:10:17Spencer, you're gonna be late for school.
00:10:19Oh.
00:10:26Oh, hey.
00:10:27You know, I heard this rumor that models don't eat.
00:10:29Students do.
00:10:31Have a good day, sweetie.
00:10:33Oh.
00:10:34Well, you know, we made it through the terrible twos.
00:10:37This is gonna be a breeze.
00:10:38Yeah.
00:10:44Sophie, we've got a problem.
00:11:08Challenge, Alexa, not a problem.
00:11:11The color of the fabric dyed at the workshop in Fez
00:11:13doesn't match our finished purse style, SF-1227.
00:11:17But they said it turned out pretty nice anyway,
00:11:19so the problem is, sorry, the challenge is,
00:11:22if you need to see the color for approval,
00:11:24it'll just delay getting to the embroiderers
00:11:26and the beaders and the sewers,
00:11:27which will postpone the scheduled completion
00:11:29and shipping date for the bags.
00:11:31I'll take care of it. Thank you.
00:11:35Yeah, I'm here.
00:11:39All right.
00:11:43Jeff, Jeff, come here.
00:11:57Hope all this publicity isn't going to your handsome head.
00:11:59Excuse me?
00:12:00Oh, Adam, I thought you were Ian calling me back.
00:12:03Networks are a little spotty in some of the more remote villages.
00:12:05So, uh, what's up?
00:12:07You said he was going back to Fez, right?
00:12:09Yeah, that's right.
00:12:10We've got a dialogue question that needs an answer,
00:12:13so I thought maybe...
00:12:14Perhaps he can take his handsome head
00:12:16and check in with Miss Bashiri, is that right?
00:12:19Exactly.
00:12:20If I can reach him, I will ask.
00:12:22Thank you. Bye.
00:12:24See ya.
00:12:54How's life in the art world?
00:12:56Oh, it's insane.
00:12:56The worse the economy gets,
00:12:57the more people need to sell their collections.
00:12:59It's actually brought some amazing pieces to the market.
00:13:02I'm overseeing this huge auction this week.
00:13:07You okay?
00:13:08Oh, sorry, Dre.
00:13:09It's just Spencer.
00:13:11I wish there was a way to make her understand
00:13:13that her mother actually does know what's good for her.
00:13:14Yeah, well, if you figure it out,
00:13:16you'll revolutionize parenting.
00:13:17Listen, you are a fantastic mother who loves her daughter.
00:13:22You guys are gonna figure this out
00:13:23by the time she's 40.
00:13:25Great.
00:13:25Oh, great.
00:13:26Thank you so much.
00:13:28Oh, and the deadline for the opening isn't exactly helping.
00:13:31It's five days away.
00:13:32I don't even know if our shipment's gonna get here in time.
00:13:34Everything we have is riding on this.
00:13:37Oh, it's my turn.
00:13:38Thanks.
00:13:46It's just a lot, you know?
00:13:47Yeah.
00:13:49Madames?
00:13:50Claudio.
00:13:51Hi.
00:13:52Your whole saving the world one designer outfit
00:13:55at a time thing is,
00:13:57well, it's really starting to wear thin.
00:13:59There's a certain way that the fashion business
00:14:01has always been done
00:14:02and will continue to be done.
00:14:05You're getting to be a little too good
00:14:06at making us all look very bad.
00:14:08You don't need Sophie for that.
00:14:11Claudio, you know,
00:14:11you can change the way you run your company.
00:14:14Enable everybody involved to benefit
00:14:16rather than just a select elite few.
00:14:18Or you can stick to your old ways
00:14:20and take and take and never give anything back.
00:14:22But the way we run our business,
00:14:24I can sleep at night.
00:14:25And you know what?
00:14:25There's a lot of amazing women all over the world
00:14:28working with us who can do the same thing.
00:14:30Rest assured, Sophie, dear.
00:14:32I sleep like a baby.
00:14:34Besides, you should never mess with the classic.
00:14:37Speaking of which,
00:14:38any chance you are ready to part
00:14:40with that beloved Chanel book of yours?
00:14:41No, Claudio.
00:14:43A word to the wise,
00:14:44fashion has its price
00:14:46and it's very, very high.
00:14:49Um, I'm sorry, it's fine,
00:14:51but there seems to be a problem
00:14:53with your credit card.
00:14:54Oh.
00:14:54Like I said, very high.
00:14:58That's impossible.
00:14:59I'm sorry, would you mind running it again?
00:15:00Um, I already did.
00:15:03Next time.
00:15:07Ugh, he just keeps getting older
00:15:09while his playmates stay the same age.
00:15:11He's taking a babysitting.
00:15:13Probably needs the extra cash
00:15:14after the rotten year he's had.
00:15:15See?
00:15:15Maybe karma doesn't exist.
00:15:16Ugh.
00:15:25Well, give Spencer a hug for me, huh?
00:15:26I'll try.
00:15:29Bye.
00:15:30Bye.
00:15:30Bye.
00:15:49Bye.
00:15:49Bye.
00:15:54Bye.
00:15:56Bye.
00:15:58Hey, Mike, it's lunchtime.
00:16:12Let's go grab a bite.
00:16:16Look out!
00:16:28Listen, if we don't have it this week, my guys are going to be delayed.
00:16:32There's no way we'll be able to finish on time.
00:16:34Listen, we'll finish this later, okay, Jerry?
00:16:36Thank you, I promise.
00:16:38Hey, how was lunch?
00:16:39It was okay, except why would my credit card have been declined?
00:16:42What?
00:16:42Um, I don't know, it's strange.
00:16:44I'll give him a call.
00:16:45Okay, and did you get hold of Ian about the dye lot?
00:16:47Yes, I did, enabling the purses to be sized and cut before heading to Mechness for embroidery
00:16:51and beading and finishing.
00:16:53Yes, I did.
00:16:54And when's he coming back?
00:16:56Actually, he's in Tunisia.
00:16:57Yeah, he's checking out some new suppliers.
00:16:59The opening's in five days.
00:17:00We need everybody here, not Tunisia.
00:17:02I don't think that's really the best use of his time, do you?
00:17:04I'll call him.
00:17:07You're welcome.
00:17:08Hey, is that my key?
00:17:09Yes, your new copy.
00:17:12Oh.
00:17:14Hello?
00:17:16Okay, thanks.
00:17:19Customs.
00:17:20Our shipment?
00:17:21Oh, that would be really good.
00:17:23See you.
00:17:25Bye.
00:17:25Hello.
00:17:27Sophie, we really got to go.
00:17:28Kitty's waiting in the studio.
00:17:30Oh, yeah.
00:17:30Thanks.
00:17:37The dried fibers of the lochka bark woven into the fabric gives it more body and texture.
00:17:42That's very exquisite, Kitty.
00:17:43So the lochka plant is sustainable?
00:17:45Well, we harvest just the bark, which regenerate.
00:17:47I can already think of a dozen designs for the next collection with this.
00:17:52Let's add, um, let's add a 20-yard cut of this one to my order.
00:17:56Actually, you know what?
00:17:57Mm-hmm.
00:17:58You know what?
00:17:58One each of this and the gray.
00:18:02Always a pleasure.
00:18:02Um, uh, Sophie, I do have to talk to you about something that isn't sustainable.
00:18:09Of course.
00:18:11Our payment terms.
00:18:12We need to switch to COD.
00:18:15Don't be ridiculous.
00:18:16As long as we've known each other, you know we have impeccable credit.
00:18:19Word on the street right now is otherwise big city, small street.
00:18:24Katif, there's got to be some kind of mistake.
00:18:25Sorry, Sophie.
00:18:28It's business.
00:18:34Yo, yo!
00:18:37Yo!
00:18:38Let's go!
00:18:39Hold up!
00:18:42It's fishing this over.
00:18:43It's excellent.
00:18:43It's a nice set.
00:18:44Oh, yeah.
00:18:45Hey, just wearing pants.
00:18:47Yeah, nice.
00:18:52Hey, pass it here!
00:18:54Good!
00:18:54Good!
00:19:21Come on.
00:19:22Adam, I just met with Khatif.
00:19:24He wants payment on delivery.
00:19:26Do we have a problem?
00:19:27Yeah, we do.
00:19:32I gotta go.
00:19:40May I have a look?
00:19:51Let's go.
00:20:08FBI agent Fincher.
00:20:09Thank you both for coming down.
00:20:12With high temperatures this time of year,
00:20:15decomp is severely accelerated,
00:20:17making time of death almost impossible to determine.
00:20:20We do know the Vicks female and was most likely strangled.
00:20:24I'm sorry, I'm not sure I understand.
00:20:26Aside from the fact that an article of our clothing was found,
00:20:28what does this have to do with us?
00:20:30The tracking label was fake,
00:20:31but the delivery address of the container was yours.
00:20:34Any way you look at it,
00:20:35we would be talking to you about this body.
00:20:37All the other ID, shipping documents, country of origin,
00:20:40all has to be verified.
00:20:42She could have been placed inside at any point along the way.
00:20:46Was there anything else found in the container?
00:20:49Nothing.
00:20:50Any idea who she might be?
00:20:53No.
00:20:55Do you know of anyone who might have something against your company
00:20:58trying to send you a message of some sort?
00:21:01No.
00:21:02No.
00:21:03No.
00:21:04Our company's philosophy differs from a lot of our competitors.
00:21:08Some of them have expressed their displeasure quite vocally,
00:21:11but none of them would do it this far.
00:21:14Well, there's more questions than answers at this point.
00:21:17We'll contact you when we know more,
00:21:19and please let us know if anything else out of the ordinary comes up.
00:21:23Look, anything we can do to help.
00:21:25Thanks.
00:21:47What was that, Adam?
00:21:48I don't know.
00:21:49I mean, it was clearly our label, our fabric.
00:21:51We would do something with this, and why?
00:21:52I don't know.
00:21:53I don't know, Sophie.
00:21:54Maybe we got caught up in something we have nothing to do with.
00:21:57That's no random incident.
00:21:58I mean, how is this connected to us?
00:22:01God, what's wrong with me?
00:22:04What?
00:22:06This could be somebody's mother.
00:22:08Somebody's daughter.
00:22:15Listen, we'll know more when they do.
00:22:17And then we'll deal with it together.
00:22:19Okay?
00:22:26A near tragedy at New York's Port Authority earlier today
00:22:28led to the discovery of another tragedy
00:22:31bizarrely interwoven with fledgling enviro design company Fine Designs.
00:22:36The question now is,
00:22:37how will fair trade becoming fear trade
00:22:40affect their highly anticipated flagship store opening
00:22:43just five days away?
00:22:46I'm gonna prepare a statement.
00:22:48Saying what?
00:22:49I don't know, Adam.
00:22:51We have to say something.
00:22:52We've got to take control of the situation.
00:22:53No, we've got to stay focused on the things
00:22:55that we actually can control.
00:22:58I'm trying to make our lives better and look what happens.
00:23:01Listen.
00:23:03We don't even know what happened to her.
00:23:05And what about Katif?
00:23:06And probably all our other suppliers asking for COD.
00:23:08How do we control that?
00:23:09It's just simple math.
00:23:10There's more money going out than coming in right now.
00:23:12That's all.
00:23:14Oh.
00:23:18Here.
00:23:19It's all straightened out.
00:23:21Sophie, listen to me.
00:23:23It's just like this in the beginning.
00:23:25The work at the store, I mean,
00:23:26it's never ever what it's quoted.
00:23:28It's what I was talking to Jerry about in the ad campaign.
00:23:30I mean, it's great.
00:23:33But it's a lot.
00:23:37When did you say the shipment's coming in?
00:23:38Our shipment?
00:23:39Yeah, the flight's coming in day after next.
00:23:42Nothing like cutting it close.
00:23:44It's going to be okay.
00:23:54Hello?
00:23:57Yeah, got your message.
00:24:00Yeah, you sent me.
00:24:01We're going to have to find the price.
00:24:09Hey.
00:24:10Can't sleep?
00:24:11No.
00:24:12Listen, everything's going to be okay.
00:24:16There's nothing to worry about, all right?
00:24:20Dad?
00:24:21Mm-hmm?
00:24:22What did Mom do to make you like her?
00:24:24Love her?
00:24:26What do you mean, what did she do?
00:24:27I mean, when you guys first met.
00:24:29Did she talk in a certain way or dress in a certain way
00:24:31that made you notice her?
00:24:33Oh, um...
00:24:37When I first met your mother, it was, uh...
00:24:40Love at first sight?
00:24:41Oh, no.
00:24:43No, no, no, no.
00:24:45It was more like loathe at first sight.
00:24:48What do you mean?
00:24:49It was the first few days of our design school,
00:24:52and we were put in the same group in marketing class,
00:24:54and, uh, our job, our job was just to make a business plan.
00:24:58That's it.
00:24:59But your mother, your mother, she was...
00:25:01Well, you know, she's idealistic, and she's, she's stubborn.
00:25:04I must get the stubborn part from her, then.
00:25:07For the record, you said that. I did not say that.
00:25:09Yeah.
00:25:10Okay.
00:25:12Those things, at first, they just, they drove me nuts.
00:25:16But those were the things that made up who she was, who she is.
00:25:23An independent, thinking, determined woman.
00:25:29And we'll never ever take no for an answer, if there's even the slightest possibility of a yes.
00:25:35So, no.
00:25:36She never had to say anything, or do anything, or be anything other than exactly what she was,
00:25:41because that's the person I fell in love with.
00:25:43Hmm.
00:25:48So, is there a reason you're asking?
00:25:50Hmm, no reason.
00:25:51No.
00:25:52No, no reason.
00:25:53Of course not.
00:25:54Hmm.
00:25:55Hmm.
00:25:56I love you, Daddy.
00:25:57I love you, too.
00:25:59Good night.
00:26:00Can you leave that on?
00:26:01Yeah, sure.
00:26:02Thanks.
00:26:10What's the money?
00:26:11Wait up, I'm going your way.
00:26:12Yes.
00:26:15So, what is there a moratorium on hating her mother?
00:26:17Oh, she doesn't hate you, no, can she?
00:26:19She's just like you.
00:26:20She's determined.
00:26:21She's a perfectionist.
00:26:22Really?
00:26:23Yeah, absolutely.
00:26:24And right now, she's determined to make your life a perfect hell.
00:26:31Coming to work?
00:26:32No, I've got to run some errands for the opening.
00:26:34Oh, uh-huh.
00:26:35You know, she may get her determination from me, but her ability to tune me out, she gets from you.
00:26:39Mm-hmm.
00:26:40No, no, no, no.
00:26:50Spencer!
00:26:51Spencer!
00:26:52Spencer!
00:26:59Spencer!
00:27:00Spencer!
00:27:01Are you okay?
00:27:02What?
00:27:03Oh, God.
00:27:04I'm fine.
00:27:05Why?
00:27:06Honey, you almost won over.
00:27:07What?
00:27:09Honey, you can't walk around in your own little bubble, all right?
00:27:12We're serious about this.
00:27:14Okay, I'm sorry.
00:27:16Oh, honey.
00:27:17Did you catch your license plate number?
00:27:18No.
00:27:19No.
00:27:20No.
00:27:21No.
00:27:22The make of the car.
00:27:23Black SUV American.
00:27:24I might recognize the driver if I saw him again.
00:27:25Listen, it all just happened so fast.
00:27:26Can't you do something?
00:27:27I mean, whoever this was was trying to run down our daughter.
00:27:28You're not exactly giving me a lot to go on here.
00:27:29Maybe it wasn't intentional.
00:27:30Well, if any other details come to mind, let me know.
00:27:34We'll see what we can do.
00:27:35We'll see what we can do.
00:27:36We'll see what we can do.
00:27:37We'll see what we can do.
00:27:38We'll see what we can do.
00:27:39We'll see what we can do.
00:27:40Would you mind if I took some of these?
00:27:43They'll be returned?
00:27:45Yeah, of course.
00:27:46I don't know.
00:27:47I don't know.
00:27:48I don't know.
00:27:49I don't know.
00:27:50Who else?
00:27:51I don't know.
00:27:52I don't know.
00:27:53We'll see what we can do.
00:27:56Would you mind if I took some of these?
00:28:01They'll be returned.
00:28:03Yeah.
00:28:04Of course.
00:28:21No, crap!
00:28:30Sophie.
00:28:32Claudia.
00:28:36Feeling the pressure of a deadline, are we?
00:28:38Or perhaps dead bodies?
00:28:41Well, it's a little nasty even for you, isn't it?
00:28:44The quicker you rise, the faster you fall, my dear.
00:28:48The trick is not to look down.
00:28:50Yeah, well, fortunately, I'm not afraid of heights, Claudia.
00:28:53You can design a new wheel, Sophie, but you could never reinvent it.
00:28:57Best not to die trying.
00:29:08What the?
00:29:10What the?
00:29:12What the?
00:29:13What the heck?
00:29:38No.
00:29:40What the heck?
00:29:43They're in.
00:29:53What's in?
00:29:55The proofs from the photo shoot.
00:29:56Oh.
00:30:02Oh, these are good.
00:30:08These are really good.
00:30:10Oh, my God.
00:30:23Spencer.
00:30:30Spencer!
00:30:34Spencer!
00:30:34Hey, what's going on?
00:30:39This.
00:30:48Spencer, get over here now.
00:30:53What's going on?
00:30:54Why are you yelling?
00:30:56Recognize these?
00:30:57Look, I know what you're thinking.
00:31:03But I was fully dressed.
00:31:05Sure doesn't look that way.
00:31:07Your photographer thought it would be fun.
00:31:09He used his computer to put me in the picture.
00:31:11Why, Spencer?
00:31:15To shock you into seeing how good of a model I could be?
00:31:18Shock me.
00:31:19That's great.
00:31:20Why haven't you answered your phone?
00:31:21I've been calling you all afternoon.
00:31:22I fainted.
00:31:24What?
00:31:25Have you eaten anything?
00:31:26I had an apple.
00:31:29I came home earlier, but my keys didn't work.
00:31:31I was feeling kind of woozy, so I went to the park to sit down.
00:31:34And I guess I fainted.
00:31:35Next thing I know, some nice man is helping me up and insisting on taking me home.
00:31:39What man?
00:31:40He said he knew you guys through business.
00:31:42A Mr. Cassadrian or something.
00:31:44He's out front.
00:31:46He said he would wait to make sure I got in okay.
00:31:48All right, you're not eating to the point of passing out.
00:32:05Now this photo stunt you pulled...
00:32:06What are you thinking, Spencer?
00:32:08You're so grotty.
00:32:09Give me the cell phone.
00:32:10Now.
00:32:11What?
00:32:11Cell phone.
00:32:11Daddy!
00:32:12Cell phone.
00:32:12Cell phone.
00:32:18Maybe we should cut her a little slack, huh?
00:32:33She's starving herself.
00:32:34She went behind my back to model, and now she could have ended up with God knows who.
00:32:37She's smarter than this, Adam.
00:32:38Yes, she is.
00:32:40She's just trying to find a way to get what she wants.
00:32:44It's not so bad.
00:32:45I don't know anybody named Cassadrian, do you?
00:32:59No.
00:33:03I am what?
00:33:05Yeah.
00:33:15Hey.
00:33:16Hey.
00:33:18All right.
00:33:22Hey, is there any word from Ian yet?
00:33:24Yeah, he's on his way back.
00:33:25When?
00:33:26Any day now.
00:33:28Any day now?
00:33:28How non-committal is that?
00:33:30He's going to be here for the show, right?
00:33:32Yes.
00:33:33He will be here for the show.
00:33:36I got to go check in some custom specs, and then I got a meeting at the banks.
00:33:39Okay.
00:33:39See you at home tonight?
00:33:40All right.
00:33:40All right.
00:33:40Sophie, I've been getting calls from the press.
00:33:47Would you have time to go over to the seating room?
00:33:48Oh, oh, oh, oh, wait.
00:33:49Sorry, sorry, sorry, sorry.
00:33:50Adam!
00:33:50They're calling me off.
00:33:50I can't.
00:33:53Adam!
00:34:02That was very appreciative.
00:34:04See you later.
00:34:04Bye.
00:34:10Oh, for God's sake.
00:34:19Hey!
00:34:20Who the hell are you, and why have you been following me?
00:34:26He's with me.
00:34:29Agent Marks, FBI.
00:34:30You want something?
00:34:41Two coffees.
00:34:43What's your relationship with Mr. Ian Jameson?
00:34:48He's our business partner and friend.
00:34:50Is that all?
00:34:53Why have you been stalking me?
00:34:55I just wanted to see if you'd had any contact with Mr. Jameson.
00:34:58And what did you see?
00:34:59That you didn't.
00:35:01Physically.
00:35:02Does Ian have something to do with the body that was in that container?
00:35:06This situation has become a little complicated, and we thought you could help us clarify a few things.
00:35:18How about Mr. Jameson and your husband?
00:35:21How did they get along?
00:35:23My brothers.
00:35:24The occasional rivalry.
00:35:25Men and their egos.
00:35:26But they make a good team.
00:35:27All three of us do.
00:35:28Any conflicts?
00:35:29We're partners.
00:35:31With the demands of a growing business in a very competitive industry.
00:35:34Of course, there are conflicts, but there are also resolutions.
00:35:36Any reason to think otherwise?
00:35:38We each have certain strengths and weaknesses, don't you?
00:35:41Hello.
00:35:41How involved are you in each other's size of the company?
00:35:46We consult and keep each other informed on the overall activities, but we each have clearly our day-to-day responsibilities and tasks.
00:35:55I mean, if we kept our hands in each other's work all the time, we'd never get anything done, would we?
00:35:59Has your husband had any recent dealings with anyone new?
00:36:02My husband handles our finances.
00:36:04He's constantly dealing with people I don't know.
00:36:07Look, we're both extremely busy.
00:36:08I don't keep tabs on every person my husband has to deal with while managing our accounts and balancing our books.
00:36:13Nor does he check to see which buttons I choose.
00:36:16We trust each other.
00:36:17Do you know if your husband's heard from Mr. Jameson since their trip?
00:36:23Why don't you ask my husband that?
00:36:30Do I need to call my lawyer?
00:36:31No.
00:36:33Then I'm free to go?
00:36:36If you do come across anything else unexpected, it would be in the best interest of you and your family to give us a call.
00:36:44Just be careful who you trust, Mrs. Faye.
00:36:58Adam, we need to talk.
00:37:01Fine, but don't be home too late, all right?
00:37:03I'll see you there.
00:37:31Spencer, come here.
00:37:51Sit with me.
00:37:54Please.
00:37:58Sit.
00:38:01I know I've been really hard on you the last few weeks.
00:38:12God knows you've given me reason, but there's a lot going on with us right now.
00:38:20But I've had no right to take that frustration out on you, so I'm sorry.
00:38:23There's this boy at school, Justin.
00:38:30Always joking around and texting and...
00:38:34And?
00:38:37He asked Melanie to the end of the year dance.
00:38:41And Melanie is...
00:38:43A model.
00:38:44So you think if you model, that'll get Justin to ask you about?
00:38:48Whatever.
00:38:49Whatever.
00:38:50I don't know.
00:38:51Your great-great-grandmother, Ella, used to clean Coco Chanel's studio at night.
00:39:01And she would pull the sketches out of the trash can and collect them.
00:39:05And eventually Chanel caught on, so she started leaving her discarded sketches out on purpose in a nice neat pile for her.
00:39:10And these are Ella's favorites.
00:39:11I've heard this story, like, a hundred times.
00:39:12Not this part.
00:39:13In France, at that time, once you were considered one thing, it was almost impossible to become something else.
00:39:24Ella wanted to be a designer, but she never had that choice.
00:39:29So, when I became a designer, it was, in part, to honor my great-grandmother, but mostly the choice was mine.
00:39:42That photo stunt you pulled.
00:39:46Chocha creativity and a hell of a lot of chutzpah.
00:39:50And those are exceptional qualities at any age, impressively so at yours.
00:39:55So, for the show, you can model.
00:40:00But it has to be a choice that you're making for you, not for Justin or anybody else.
00:40:05And?
00:40:13Oh, but part of the deal, you have to start eating again.
00:40:16Deal.
00:40:17Fuck.
00:40:23Let me get that.
00:40:24Knock it on doors now instead of hiding behind him.
00:40:39Miss Vaughn?
00:40:40Sorry to bother you.
00:40:41May we come in?
00:40:59So, what time do you expect him home?
00:41:00He should be here any minute.
00:41:02I'm sorry.
00:41:03Why are you here?
00:41:04The female egg from that container.
00:41:07Name's Rhianna Mingle.
00:41:08Any idea why we found your husband's DNA under her fingernails?
00:41:17Hey!
00:41:18And how would you have gotten my clients' DNA without their knowledge or their cooperation?
00:41:34They sip water and left their glasses.
00:41:36It's discarded genetic material.
00:41:38With reasonable doubt, we can do whatever.
00:41:40Now, it's syrup tissue sampling.
00:41:42It violates their constitutional rights to privacy.
00:41:44Round hair when people don't clean up after themselves.
00:41:47We do.
00:41:48And just happen to take a closer look at the garbage.
00:41:51Listen, I can explain.
00:41:52No, Adam.
00:41:53I tripped.
00:41:54I fell over backwards onto a textile tool, and it punctured me.
00:41:59Right here.
00:42:03She helped clean me up.
00:42:04That's probably why my DNA was under her fingernails.
00:42:07That's it.
00:42:08Yeah?
00:42:09Prove it.
00:42:12No, no.
00:42:13Look, he doesn't have to show you anything, okay?
00:42:16I never took home making school, but you obviously did.
00:42:19I just don't get how you'd sew your own label into the same fabric.
00:42:22You used to kill her.
00:42:23Okay, you're out of line, Fincher.
00:42:25Listen, she worked for us.
00:42:28That's it.
00:42:29I had no reason to kill her.
00:42:30And whoever did, obviously did it shortly after she helped me.
00:42:33That's all.
00:42:34Are you prepared to press charges?
00:42:36There are witnesses to this?
00:42:38About 35 very hard-working women at our dye factory in Marrakesh,
00:42:42near Rihanna's village.
00:42:43You gonna collect DNA from their garbage as well?
00:42:48Either you're extremely clumsy,
00:42:51or one hell of a liar.
00:42:55You can go.
00:42:56But not too far.
00:42:58All right, listen.
00:42:59If they call you again, you don't talk to them, okay?
00:43:13You call me first.
00:43:15Thank you for your support in there.
00:43:16Thank you for believing in me.
00:43:17You know what?
00:43:18I'm just not sure what I believe right now with everything that's going on.
00:43:19Look, we're trying so hard to do things in a new way, the right way, and this goes against
00:43:20everything we stand for.
00:43:21There's gotta be some logical explanation for this.
00:43:22There's something logical about this, Adam.
00:43:23Rihanna's dead.
00:43:24You know, the FBI came to see me earlier today, too.
00:43:25Asking questions about you and the company and Ian, and that's what I wanted to talk to you about, and then this happened.
00:43:29What?
00:43:30What?
00:43:31What is going on, Adam?
00:43:32I don't know, Sophie, but I will figure this out.
00:43:33I promise you, I need more time.
00:43:34Trust me.
00:43:35What?
00:43:36What is going on, Adam?
00:43:37I don't know, Sophie, but I will figure this out.
00:43:39I promise you, I need more time.
00:43:56Trust me.
00:43:59I'm doing everything I possibly can to keep our family safe.
00:44:01Safe from who?
00:44:03Sophie, please, trust me.
00:44:18Why aren't you answering?
00:44:19Listen, it's not important.
00:44:21Come on, let's... let's go.
00:44:24...endangering the very same women they're trying to help,
00:44:33as CFO Adam Fine remains the prime suspect
00:44:36in the death of one of their company's fair trade workers.
00:44:39So with their inaugural fashion show
00:44:41and flagship store opening just two days away,
00:44:43we'll Fine Designs be shutting their doors
00:44:46before they even open at all.
00:44:49Alexa, can you please try to reach Mrs. Bashiri
00:44:51and Fez for me, please?
00:44:52Of course.
00:44:54Yeah, the rice paper price tickets arrived.
00:44:59Is Adam here?
00:45:00He was, uh, he just stepped out for a few minutes,
00:45:01said he'd be right back.
00:45:02Thanks.
00:45:10Excuse me.
00:45:15Sophie, hi, Mrs. Bashiri on line one.
00:45:24Mrs. Bashiri, it's Sophie Fine.
00:45:25Please extend our condolences to Rihanna's family
00:45:26and let us know if there's anything that we can do.
00:45:29No, I-I just wish that Ian had mentioned that she was missing
00:45:32when he was there to talk to you about the dialogues.
00:45:33I'm sorry?
00:45:46He wasn't there.
00:45:50He wasn't there.
00:45:54I'm sorry.
00:45:54I-I-I have to go.
00:46:00Mine's there.
00:46:01Mine's mine.
00:46:02I-I'm sorry.
00:46:21It's missing. Our container is missing.
00:46:25This document error is rerouted,
00:46:28and now we cannot locate it.
00:46:30Ian never went back to Fez.
00:46:32Why did you tell me he did?
00:46:34I told you he'd try.
00:46:36Turns out he didn't have time,
00:46:37so, uh, he sent in his approval
00:46:38based on Ms. Machiri's opinion.
00:46:40Simple as that.
00:46:42Why isn't he here now?
00:46:44He's on his way back.
00:46:46Is he walking back?
00:46:47Adam, why do you have Ian's cell phone?
00:46:51Oh, boy!
00:46:57You okay?
00:46:58Yeah.
00:46:59You all right?
00:47:00No, this guy's been crazy.
00:47:02Okay, you all right about it?
00:47:04What's the jail now?
00:47:05What happened?
00:47:06I'm gonna check the main panel.
00:47:08Wow, you're going to the hospital, all right?
00:47:10Come on.
00:47:11You're coming, too.
00:47:12Call 911.
00:47:13All right, just check to make sure no one else is hurt.
00:47:21All right, behind the yellow line, please.
00:47:23All right, great.
00:47:24Stay back.
00:47:25What are we gonna do?
00:47:26What we're not gonna do is panic, all right?
00:47:27The press needs to know that everything is on schedule.
00:47:28We're opening as planned.
00:47:29Okay.
00:47:30Okay.
00:47:31Okay.
00:47:32I'm so good at you.
00:47:33And now, you can't help me.
00:47:34She's gone, you're going to the other one.
00:47:35Time for a while, please.
00:47:36All right, go on, go on.
00:47:37You can't please.
00:47:38I can't help you.
00:47:39Go on, please.
00:47:40Fine, please.
00:47:42All right, we're great.
00:47:43Stay back.
00:47:44What are we gonna do?
00:47:45What we're not gonna do is panic, all right?
00:47:46The press needs to know that everything is on schedule.
00:47:47We're opening as planned.
00:47:48Okay.
00:47:49Right.
00:47:50Excuse me.
00:48:05I don't know.
00:49:35Jerry.
00:49:42It's fine.
00:49:44You shouldn't be in here.
00:49:46It's dangerous.
00:49:48So they think the explosion was caused by an electrical problem with the old wiring?
00:49:52I've been a licensed electrician for over 26 years, and I can tell you there's nothing wrong
00:49:57with the wiring in this building.
00:49:59Accidents can happen, right?
00:50:02This was not an accident.
00:50:05Jerry, I'm so sorry about your guys, but you know our situation.
00:50:08Is there any way that you can still get this door down in time for the opening?
00:50:11Well, my team was lightened by two.
00:50:13Two of my best.
00:50:14Listen, the way the things are going in the city, at the moment, I could get two more
00:50:20men.
00:50:21In fact, I could get you ten more men.
00:50:25You know, they'd be hardworking and eager.
00:50:29Great.
00:50:30But I won't.
00:50:32What?
00:50:32I like you, Mrs. Fine, but none of us have been paid in weeks, so we won't be hammering
00:50:41any more nails here or hanging any more sheetrock until we see some money.
00:50:46Hello.
00:51:04Mrs. Fine, this is Mrs. Lawson from Liberty Mutual.
00:51:08We can't seem to reach your husband, and there seems to be a bit of a problem.
00:51:16I don't understand.
00:51:18Company credit line is fully drawn, as well as the personal lines of credit in your name
00:51:23and Mr. Fine's.
00:51:24No, that can't be.
00:51:25I mean, the company line, I understand we've had a lot of expenses, but...
00:51:28You and your husband have more credit cards than just the two at this institution.
00:51:33Mrs. Fine, these are difficult times for everyone.
00:51:35Your situation isn't that much different from other people in the economy.
00:51:38Could you just check our retirement funds?
00:51:40I have.
00:51:40There's nothing there.
00:51:44How is that possible?
00:51:45I see that all process transactions included the three required signatures.
00:51:49Yours, your husband's, and Mr. Jameson's.
00:51:51May I see some of these documents, please?
00:51:53I...
00:51:53I never signed that.
00:51:59I...
00:51:59Or that.
00:52:02But this is your signature.
00:52:04Yeah.
00:52:07And your loft.
00:52:08You are aware that the bank has put a lien on it.
00:52:11A mortgage default past four months.
00:52:14Strange.
00:52:14It seems an extremely large deposit was made into one of your accounts
00:52:18and then almost immediately withdrawn.
00:52:20How large?
00:52:21Two million dollars.
00:52:22What?
00:52:23The transaction happened too quickly to have been red flagged.
00:52:26But an amount this substantial does warrant an investigation,
00:52:29especially if it's no longer there.
00:52:32Ugh.
00:52:32Where is it, Al?
00:52:46Where is the damn money?
00:52:49Ian took it.
00:52:56Took the whole thing.
00:53:00What?
00:53:01That's why he disappeared.
00:53:03Did the bank transactions online,
00:53:05then he forged the originals,
00:53:06carried them back and forth.
00:53:08And then he disappeared.
00:53:09I backtracked, went back to his hotel room looking for him.
00:53:13All I found was his cell phone.
00:53:14That was it.
00:53:16Had it ever since.
00:53:17It doesn't make any sense.
00:53:18Why would Ian do that?
00:53:20I don't know.
00:53:22It's Cassadrian, isn't it?
00:53:26Armand Cassadrian, the man who helped Spencer in the park.
00:53:29And the driver of that car that tried to run her over,
00:53:31he had something to do with the blast at the store,
00:53:32and he was with Cassadrian right after.
00:53:35Is this connected to Rihanna's death?
00:53:36Is this, is Ian involved in this?
00:53:38I don't know, Sophie.
00:53:40I don't know.
00:53:45And the two million dollars?
00:53:46Two million dollars.
00:53:47It was deposited and withdrawn in a blink.
00:53:50I don't know where it came from.
00:53:52I don't know where it went.
00:53:55You know, they're investigating.
00:53:56I know.
00:53:58Larson called me after she talked to you.
00:54:01You should have told me.
00:54:06You should have told me.
00:54:16Come on, man.
00:54:17Give me some good news, Phil, please.
00:54:18They got it.
00:54:20Eyewitness testimony backing your story.
00:54:23Investigations being transferred to local authorities.
00:54:26It's probably a domestic situation.
00:54:27A husband mad at his wife for working,
00:54:29or mad at the company for allowing women to be independent.
00:54:32What would it?
00:54:33Anyhow, everyone saw her help you,
00:54:35and no one saw her get killed.
00:54:38Great.
00:54:38Thanks, Phil.
00:54:41Yeah, that's supposed to be comforting information,
00:54:43but it's not.
00:54:46Sophie, we cannot save the entire world
00:54:47with one sewing job.
00:54:48You know, maybe we should just cancel the show,
00:54:53you know, delay the opening.
00:54:55Hey, we've done nothing wrong.
00:54:57All right?
00:54:57We've worked too hard and come too far to just give up.
00:55:01Timing is crucial to the launch of the ad campaign.
00:55:04Listen.
00:55:05Ian took the money.
00:55:06You know what?
00:55:07It's replaceable.
00:55:09Opportunities like this aren't.
00:55:10We've got one chance to make a first impression
00:55:13on the fashion world and make it unforgettable.
00:55:15With what?
00:55:17Huh?
00:55:17We've got no merchandise.
00:55:18Our store is a wreck.
00:55:19We don't have any money to pay Jerry to fix it.
00:55:21Hey.
00:55:21We...
00:55:21Hey.
00:55:26Okay.
00:55:28Already arranged for the second shipment to arrive
00:55:30by playing with any luck.
00:55:32Maybe it'll arrive today, right?
00:55:33And then the broker might build expedite clearance,
00:55:37get it to the warehouse by this afternoon,
00:55:38and then I can go to the bank,
00:55:40and I can plead for some emergency bridge financing,
00:55:43and then...
00:55:46You're gonna make this work,
00:55:49and we're gonna be okay.
00:55:52Don't shut me out again.
00:55:56Okay.
00:56:03Mom, have you seen my bag?
00:56:06It's by the couch where you left it.
00:56:08Oh, where I left it.
00:56:17Are you okay?
00:56:19Yeah.
00:56:20Yeah, I'm fine.
00:56:21You're a great designer.
00:56:23And for the most part, you're a pretty decent mom.
00:56:26But you're not much of a liar.
00:56:29And that's a bad thing?
00:56:30Is everything all right with you and Dad?
00:56:34Oh.
00:56:35You heard us arguing last night.
00:56:37No.
00:56:39Kind of.
00:56:40Yeah.
00:56:44We're fine.
00:56:46Well, I gotta go.
00:56:47Bye.
00:56:48Eating.
00:56:48Bye, Mom.
00:57:00Drea, hey, it's me.
00:57:14Yeah, I need a favor.
00:57:19$200,000 going once.
00:57:23Going twice.
00:57:24And lot number 51 is sold for $200,000.
00:57:36Next on the block is a unique collection
00:57:39of original fashion sketches by Coco Chanel,
00:57:43dating 1925 to 1932.
00:57:46Opening bid, $150,000.
00:57:49We have an offer of $150,000.
00:57:53Do we have an offer of $200,000?
00:57:57We have an offer of $200,000.
00:57:59Do we have an offer of $250,000?
00:58:03We have an offer of $250,000.
00:58:06Do we have an offer of $300,000?
00:58:11We have an offer of $300,000.
00:58:14Do we have an offer of $350,000?
00:58:15dollars. We have an offer of $350,000. Do we have an offer of $400,000? $350,000 going
00:58:31once, going twice, and the Chanel collection of original sketches is sold for $350,000.
00:58:45You didn't have to give up your book. We could have found another way. Not in time. We couldn't.
00:58:55I gotta go. I'll talk to you later. Success is often achieved by those who don't know that
00:59:04failure is inevitable. Coco Chanel. Thank you. No. Thank you.
00:59:15I called Claudia right after you called me. Who was bidding against him? Rufus Winthrop. He's often
00:59:21hired as a buyer's rep. I asked him to come to up Claudio's bid, which I could so lose my job over.
00:59:29Thank you. Oh, I can't believe I sold it, Dre. And to him. Please, regardless of how much you dislike
00:59:37the man and everything he represents, the book is going to be well taken care of. It's probably
00:59:41going to build a shrine around it. And you got more than you hoped for, and you need it. Right?
00:59:47Okay, listen. I gotta go if I'm going to catch my flight, so...
00:59:50But does that mean you won't be back for the opening?
00:59:53I fly back that same night. Oh, I am just so sorry I'm not going to be there to tell you
00:59:57how great it was and how proud I am of you.
01:00:01Thank you for all your help.
01:00:07Thanks.
01:00:07Did you see it?
01:00:31I see it. I have to be blind to this.
01:00:36It's incredible, sir.
01:00:37Hey, they've zeroed in on the shipment. I'll keep you posted.
01:00:42Oh, that's great. Thanks.
01:00:47Bye.
01:00:47So, with all this attention, they can now show their audience what their innovative company
01:01:11stands for. Though hard not to question if their dead fair trade worker will overshadow
01:01:16any message they might want you to hear.
01:01:18You know what? Call it good press or bad, the phone is ringing off the hook. Almost as many complaints
01:01:27as congratulations, but everyone wants tickets to tomorrow's opening.
01:01:30If there is an opening. Did you ever have a chance to pick up the gold thread?
01:01:35No. No, I got there too late. They were closed for vacation.
01:01:37I'm sure we had some of that at some point.
01:01:40No, you're right. We did. It must, it must still be at the warehouse, right?
01:01:44That's great. I'll go look for it right now.
01:01:45No, you know what? I'll go. I think I remember where it might be. And I need some air anyway.
01:01:48Okay. Find the signs. Yeah, of course.
01:02:10Hey, Sophie, guess what? It's in. The shipment has arrived.
01:02:14Alexa tells me you're down at the warehouse and the truck is waiting at the loading dock.
01:02:18Oh, that is great news, Adam.
01:02:21Yes, it is. He'll be right down.
01:02:22No, no, no. I'm here. Just send some of the staff to meet me.
01:02:24We'll get it unloaded.
01:02:25I'm sure Jerry could use your help at the store.
01:02:29Okay. Sure. I'll see you soon.
01:02:31Oh, hey, we might just pull this off, all right?
01:02:34Yeah, we actually might. Bye.
01:02:36See ya.
01:02:44Yes. All right.
01:03:01I'm gonna be kidding.
01:03:18Oh.
01:03:20Oh.
01:03:22Oh.
01:03:47Oh, man.
01:03:48Oh.
01:03:49Oh.
01:03:50Oh.
01:03:51Oh.
01:03:52Oh.
01:03:53Oh.
01:03:54Oh.
01:03:55Oh.
01:03:56Oh.
01:03:57Oh.
01:03:58It's in the water.
01:04:03Oh.
01:04:04Oh.
01:04:06Oh.
01:04:07Oh.
01:04:08So we've chased this quarter.
01:04:10Just for us from six hours.
01:04:13Oh.
01:04:14Oh.
01:04:15Oh.
01:04:16Hey.
01:04:28Hey.
01:04:29How you doing?
01:04:31A little tired.
01:04:32Mm-hmm.
01:04:33Nervous.
01:04:34Mm-hmm.
01:04:35And you weren't one exceptional designer.
01:04:39Listen, I'm gonna head back to the store.
01:04:41Help Jerry finish setting up, okay?
01:04:43Okay.
01:04:44We're almost there.
01:04:46Here we go.
01:04:47Yeah, here we go.
01:05:11You okay?
01:05:12Here, come on over this one.
01:05:15All right.
01:05:16Take care of her.
01:05:17I will.
01:05:21Looking great, kiddo.
01:05:22Thanks.
01:05:25Mom?
01:05:26Thanks.
01:05:30I like it.
01:05:31Hey.
01:05:32Thank you for coming out.
01:05:33Good to see you again.
01:05:34Aw.
01:05:35Hey.
01:05:36Great, Dad.
01:05:37Bye.
01:05:38Bye.
01:05:39Bye.
01:05:40Hey.
01:05:41Thank you for coming out.
01:05:42See you again.
01:05:43Aw.
01:05:44Hey.
01:05:45Great, Dad.
01:05:46Bye.
01:05:47Bye.
01:05:48Bye.
01:05:49Bye.
01:05:50Bye.
01:05:51Bye.
01:05:52Bye.
01:05:53Bye.
01:05:56Bye.
01:06:00Bye.
01:06:15Bye.
01:06:16All right.
01:06:46You know, for a patient man, my reserves are getting dangerously low.
01:07:14Yeah.
01:07:15You don't want to see me on empty.
01:07:17Listen, I just need to get everything ready for tonight.
01:07:19I'll have everything all set up for tomorrow, okay?
01:07:25Not tomorrow.
01:07:28Now.
01:07:30I can't.
01:07:34When I don't get what I want when I'm supposed to get it, I just step in and I take it.
01:07:42I will.
01:07:48I will.
01:07:52I will.
01:07:59I will.
01:08:03You love me, baby
01:08:07You make me hot, baby
01:08:11I'll teach you, honey
01:08:15I can't get enough of you
01:08:33I can't get enough of you
01:09:03I can't get enough of you
01:09:33I can't get enough of you
01:09:50I can't get enough of you
01:09:55Queen
01:10:05Break it and take it and fuck out
01:10:07They didn't want to look at her, look at her now
01:10:09She doesn't need to hold it, she's looking right
01:10:11She's on her, Queen
01:10:25Wait, wait, wait, wait
01:10:37Excuse me, how many of those containers did you open?
01:10:39What? At the warehouse, how many?
01:10:41All of them
01:10:55Where's Spencer? Have you seen Spencer?
01:11:11I haven't seen her
01:11:21She's just out there, I don't know where she is
01:11:23You were supposed to keep an eye on her
01:11:27The much anticipated
01:11:29Inaugural fashion show and flagship store opening
01:11:31From designer Sophie Fine was not so fine
01:11:33As the events were marred by the possible
01:11:35Abduction of her teenage daughter
01:11:37Who was a model in tonight's show
01:11:39Now before the store could even be locked down
01:11:41For investigation as a crime scene
01:11:43Cashes were already open for business
01:11:45With purchases made by some very exciting
01:11:47Come sit
01:11:53Come sit
01:11:55There still has been no contact with any demands for your daughter.
01:12:14Why don't we backtrack?
01:12:16Body in a shipping container, possible hit and run, the accident at the store.
01:12:22We can call this a string of bad luck anymore, but there has to be a common thread here that
01:12:29links these events to each other and to someone.
01:12:34Mr. Fine, if there's any pertinent information we might need to know to help us find your
01:12:40daughter, now would be a very good time to tell us.
01:12:45No, there's nothing I can think of.
01:12:50Third partner in your company, Mr. Ian Jameson, any idea how we might be able to reach him?
01:12:57We actually haven't heard in over a week.
01:13:00You would change that to ex-business partner?
01:13:03Or how about ex-business partner with a score to settle?
01:13:06He's still our partner.
01:13:09Any other rogue partners we should know about?
01:13:13I can only imagine how you must feel like to have a member of your family put in this situation.
01:13:28Look, if she was taken by someone, it was for a reason, and that reason is worth more to
01:13:33them than your daughter.
01:13:40We'll be back shortly to set up.
01:13:46The truth, Adam.
01:14:05Please.
01:14:06Ian set up a drug deal with some very powerful and dangerous people.
01:14:16Because Adrian?
01:14:17Yeah.
01:14:18What kind of drug deal?
01:14:20$20 million one.
01:14:21The $2 million in our bank account, that was an initial payment.
01:14:26Guess Ian must have withdrawn it right away.
01:14:29The drugs were supposed to arrive in a shipping crate, the one that you found in the warehouse.
01:14:34There was nothing in that crate except the goods for the show and the store.
01:14:37I know, but they don't know that.
01:14:38And now they think that I've got the drugs.
01:14:40I don't have them.
01:14:42I swear to you, Sophie, I don't have the drugs.
01:14:45That's why they took Spencer.
01:14:47Yeah.
01:14:50Sophie, what we're doing here, it's a very expensive endeavor.
01:14:54All the travel expenses and the development work and these places, they're so corrupt.
01:14:59Our finances, they were in ruin.
01:15:02So Ian, he had an idea that we could make these sharp investments and we could time the market.
01:15:10Make the money back.
01:15:12I trusted him.
01:15:14It didn't work out.
01:15:16The losses started spiraling out of control and then our debt was just mounting and mounting
01:15:20and Ian was devastated.
01:15:22He had the deal with Cassadrine all worked out before I even knew anything about it.
01:15:26I guess he thought that it was like his one chance to replace all the money he'd lost.
01:15:32I don't know.
01:15:33But he got greedy and he demanded more money.
01:15:37They were furious.
01:15:39And they killed him.
01:15:41How could you have let it have gotten to this point?
01:15:46How could you have let it get this far?
01:15:48Because Cassadrine said that if I didn't carry on with the deal that was originally planned,
01:15:51it wouldn't be me that he hurt next.
01:15:54We are partners in business and in life.
01:15:58If you'd come to me in the beginning, this would have never gotten this out of control.
01:16:01It would never have gotten this far.
01:16:02And Spencer would never be...
01:16:03Where's my daughter?
01:16:08Sophie.
01:16:09Where is my daughter?
01:16:11Sophie.
01:16:12Sophie.
01:16:13Where is my daughter?
01:16:14Sophie.
01:16:15Sophie.
01:16:46Hello.
01:17:16They want to meet.
01:17:21Where?
01:17:24At our warehouse.
01:17:32You shouldn't be doing this.
01:17:34We tried to convince her that we could send an agent.
01:17:36She's my child. I will take care of it.
01:17:38This is fine.
01:17:39This is for you.
01:17:40It's a GPS, in case there's a problem.
01:17:48We'll be right behind you.
01:17:49You sure about this?
01:18:07No.
01:18:09She was your daughter?
01:18:10You better be damn careful.
01:18:14I love you, too.
01:18:23Okay.
01:18:29She's leaving the building.
01:19:31Hello?
01:19:36Hello?
01:19:48Hello?
01:19:48No!
01:20:18Mrs. Vine, it's so nice to finally meet you.
01:20:27I came alone, like you said.
01:20:30Now, where's my daughter?
01:20:32Oh, right, your daughter.
01:20:33Oh, lovely little girl you have.
01:20:37I did what you wanted.
01:20:38Let me see Spencer.
01:20:40No, if you had done what I wanted,
01:20:43well, this wouldn't have been necessary.
01:20:46Please just let me see my daughter,
01:20:48and I will get you anything you want.
01:20:50Really?
01:20:51Well, as soon as I get my shipment,
01:20:53you get your little girl.
01:20:55What? I don't know what you're talking about.
01:20:56What shipment? I don't understand.
01:20:58She doesn't know anything.
01:21:00Adam, what are you doing here?
01:21:02Uh, I called him.
01:21:05I thought it was about time that we cleared the air.
01:21:08She shouldn't be here.
01:21:10It's not about her.
01:21:11No. Oh, Adam.
01:21:13You're the one who got her involved
01:21:15because you're the one who backed out of our little deal, huh?
01:21:18What...
01:21:19What was he talking about? What deal?
01:21:21Just let her leave.
01:21:22We'll work this out.
01:21:23No, I'm not going anywhere without Spencer.
01:21:25Selfie, please.
01:21:26No, I don't know what Ian's gotten us into here,
01:21:28but I'm not just gonna stand back and do nothing.
01:21:30Well, tell her.
01:21:32Because if you don't, I will.
01:21:36It wasn't Ian.
01:21:38I lost all her money.
01:21:40And the deal with Cassadrian...
01:21:41Well, it wasn't Ian. It was me.
01:21:44I'm sorry.
01:21:46I was never supposed to go this far.
01:21:49I'm sorry.
01:21:50How could you?
01:21:53I was desperate.
01:21:54All right?
01:21:55I heard there was fast money to be made with Cassadrian.
01:21:57I approached him.
01:21:59He offered me a deal.
01:22:00I took it.
01:22:01It's that simple.
01:22:02I can't believe this.
01:22:08What was the deal, Adam?
01:22:10It's not a matter now.
01:22:11What was it?
01:22:14Heroin, Mrs. Fine.
01:22:17Heroin.
01:22:18Heroin.
01:22:21I don't know why.
01:22:24Everything's all so easy for you, isn't it?
01:22:29You're so talented.
01:22:31And Ian, well, Ian, you know, he's resourceful.
01:22:33He's innovative.
01:22:34He's a real whiz kid, isn't he?
01:22:37And there's me. I'm the money guy.
01:22:39But guess what?
01:22:42I failed.
01:22:45I'm a failure.
01:22:48Okay, this is all very touching.
01:22:49Now let's just get to the part where I get what I want.
01:22:52I want to see Spencer.
01:22:54You know, enough.
01:22:55I am through playing around.
01:22:57You don't understand.
01:22:59I need to see Spencer.
01:23:01Then I'll show you.
01:23:06Bring her in.
01:23:10Mom! Spencer!
01:23:16You know what I want.
01:23:19I'm not gonna ask again.
01:23:25Okay.
01:23:27Okay.
01:23:31Don't hurt her.
01:23:39Jimmy, I'm scared.
01:23:41It's gonna be okay.
01:23:42It's gonna be okay.
01:23:48Go see your mother.
01:23:53Go.
01:23:57Are you all right?
01:23:58All right.
01:24:07Oh, my God.
01:24:08There it is.
01:24:09I'll take you to the rest.
01:24:10Just let him go.
01:24:12My new son of a...
01:24:17Just been here the whole time.
01:24:21You know, we had a perfect deal.
01:24:25Arranged between two mutually respectful businessmen.
01:24:31But you got a little greedy, huh?
01:24:34Causing things to get a little...
01:24:36Messy.
01:24:43You know that woman in the crate?
01:24:46Well...
01:24:50Tell her, Adam.
01:24:52I strangled her.
01:24:57And why?
01:24:59Because she saw me shoot Ian.
01:25:01He was gonna stop me.
01:25:04He was...
01:25:06It was too late.
01:25:08I did.
01:25:10That's enough!
01:25:12That's enough.
01:25:13I'm calling her right now.
01:25:14Ian.
01:25:15Please.
01:25:16Please don't make me do this.
01:25:18Face it, Adam.
01:25:19It's over.
01:25:20No.
01:25:21And.
01:25:42Well, and then we...
01:25:45shipped her to you.
01:25:46Was to remind you of who you were dealing with.
01:25:48But you just kept putting everyone around you at risk, you know, people you supposedly care about.
01:25:53And that two million dollar deposit, that was just to let you know that we can give.
01:25:58And then so quickly taketh away, because when you play double or nothing, odds are you will end up with...
01:26:06...nothing.
01:26:07You done.
01:26:13Now, let's go to the store. We've got some shopping.
01:26:18Oh.
01:26:22I almost forgot.
01:26:25We can't leave any loose threads now, can we?
01:26:28No!
01:26:30Freeze!
01:26:32Don't move! Federal agent!
01:26:34No, no, no! Stop! Stop! I got no gun!
01:26:37Drop your weapon!
01:26:39We're out!
01:26:41We're out!
01:26:48It's okay.
01:26:52It's okay.
01:26:59Are you both okay?
01:27:01Depends what you mean by okay.
01:27:03Ian suspected Adam and contacted us a couple days before he was killed.
01:27:08We've been following Adam ever since.
01:27:11But we needed him to lead us to the dealers.
01:27:15Come on.
01:27:17Come on.
01:27:19Come on.
01:27:20Come on.
01:27:21You got out.
01:27:22Here we are, Dillard.
01:27:24Excuse me.
01:27:25Good.
01:27:26Yeah here, we're at Target.
01:27:27Checking particles!
01:27:28Alright!
01:27:29The guard is there.
01:27:34Yes.
01:27:35Oh, don't leave the chest without...
01:27:37I am a...
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