Inside the Lines (1930)

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Transcript

00:00:00The End

00:00:30The End

00:01:00The End

00:01:29The End

00:01:59But you look unhappy

00:02:01I am

00:02:02I am unhappy

00:02:04Terribly so

00:02:06Eric

00:02:09I have to say goodbye

00:02:11What?

00:02:13You're going away?

00:02:15Yes, to London

00:02:17I must go

00:02:19When?

00:02:21Tonight

00:02:21Tonight?

00:02:24But I thought you said you were going to stay here at least a month

00:02:26I know I did

00:02:27But something has happened to make me all for my plans

00:02:30It's terribly important

00:02:35Something I can't tell

00:02:37Even you

00:02:38But surely you owe me some explanation

00:02:41I know I do

00:02:42But I can't give you one

00:02:44But I can't give you one

00:02:44Oh, I know how you feel

00:02:55For I feel the same way myself

00:02:57Let me do that for you

00:03:14You know this is all so awfully strange and mysterious

00:03:21Like some old melodrama

00:03:24A week ago we hadn't met

00:03:27You didn't mean a thing to me

00:03:29And I didn't mean a thing to you

00:03:30Now you stand there

00:03:33Filling my pipe

00:03:35And

00:03:35Disturbing me terribly

00:03:37Can it be possible that we've only known each other such a short time?

00:03:43Just seven days

00:03:44It seems much longer than that

00:03:46Yes, but much has happened, Jane

00:03:48We've had a perfectly glorious time

00:03:53And until ten minutes ago

00:03:55I was possibly the happiest man in the whole world

00:03:58But now I'm

00:04:07What does it say?

00:04:24Oh, I forgot you

00:04:25You don't know German

00:04:26Germany has declared war on Russia

00:04:30War?

00:04:32May I go, friend?

00:04:34I have a boy who will be called

00:04:36Yes, Hans

00:04:37Thank you

00:04:38War is a ghastly thing

00:04:41God knows what this may lead to

00:04:44It's probably a good thing you're going

00:04:59You'll be safer in London

00:05:02You're not going away because

00:05:05Because of someone else

00:05:07Oh, no

00:05:09You mustn't think that

00:05:11There's no one else

00:05:13There couldn't be

00:05:15Eric

00:05:17Will you say goodbye to me, dear?

00:05:21Why here?

00:05:23Because I want my last thought of you to be here in this garden

00:05:26Where we've been so happy together

00:05:29Last thought

00:05:31You don't mean that this is really goodbye

00:05:34No

00:05:36Not goodbye

00:05:38Just

00:05:39Auf Wiedersehen

00:05:41A

00:05:43I

00:05:45You'll be

00:05:49I

00:05:51I

00:05:51사실

00:05:52I

00:05:53I

00:05:54I

00:06:55Good morning.

00:07:11Ah, good morning, Miss Gershon.

00:07:13Prompt as usual.

00:07:14Just to show you that I don't need much more prompting.

00:07:17We shall see.

00:07:55Now I hope you are as trafficking your lessons as you were yesterday.

00:07:58I think I shall be.

00:08:00It's becoming second nature to me.

00:08:02Right.

00:08:03You are now no longer Jane Gershon, you are Ellen Cotier.

00:08:09Who is this?

00:08:10Major General Sir George Crandall, KCB.

00:08:13How long has he been in command of Gibraltar?

00:08:15Two years.

00:08:17Who is this?

00:08:18Lady Crandall.

00:08:19How did you first meet Lady Crandall?

00:08:21Our mothers were friends.

00:08:23Have you seen much of Lady Crandall in the last few years?

00:08:25Not since I was 14.

00:08:28Has your family kept in touch with Lady Crandall?

00:08:30My sister Pauline writes to her all the time.

00:08:32And it was through her that Lady Crandall invited you to visit Gibraltar?

00:08:35Yes.

00:08:40What was the name of your governess when Lady Crandall knew you?

00:08:43Elizabeth Breckett.

00:08:44And what is your name?

00:08:46And after whom were you named?

00:08:47My name is Ellen Cotier.

00:08:48I was named after my Aunt Ellen.

00:08:51Where have you been living the last three years?

00:08:54In Paris, studying the violin.

00:08:56Anybody else?

00:08:57No.

00:08:58That's splendid, miss.

00:09:00One eight nine three.

00:09:02Correct number one eight nine three.

00:09:04I think you pass anywhere, under any test.

00:09:07I will because I feel as though I really am Ellen Cotier.

00:09:10We have to be careful, because I feel this house is being watched.

00:09:16Would you like to go on the plans again?

00:09:18I don't think it's necessary.

00:09:19I have a picture of every room in my head.

00:09:30You'd better take this.

00:09:32You never know when you may need it.

00:09:34You have all your instructions.

00:09:36Yes.

00:09:37But are you sure there is no chance of the actual Miss Cotier

00:09:40appearing?

00:09:41None whatever.

00:09:43We have taken good care of that.

00:09:45And the passport?

00:09:47Here.

00:09:50Also her violin.

00:09:54I hope Miss Gershon still plays the violin as well as ever.

00:09:57Yes.

00:09:58And where is the luggage?

00:10:00Her luggage is at your hotel.

00:10:02Yes.

00:10:03Yes.

00:10:04Yes.

00:10:05Yes.

00:10:06Yes.

00:10:07Yes.

00:10:08Yes.

00:10:09I almost believe it myself.

00:10:16Of course, I don't have to tell you to be careful.

00:10:19Chief Walter is not exactly a pleasant spot for people in our line of endeavor.

00:10:23I'll be careful.

00:10:24I want to impress upon you that this is not only an unusually important mission, but an unusually

00:10:30dangerous one.

00:10:31Under no circumstances whatsoever must you reveal your identity, except by the innocent

00:10:37use of your number.

00:10:38Of course, Mr. Kahn.

00:10:39Remember, you are acting absolutely alone, without assistance.

00:10:44In enemy country, your sex cannot save you.

00:10:48Male or female, you are a spy.

00:10:51I understand perfectly.

00:10:52I understand perfectly.

00:10:53There is no more to be said, except...

00:10:58As German as I.

00:10:59Perfect, my dear.

00:11:00As German as I.

00:11:01Perfect, my dear.

00:11:02As German as I.

00:11:03As German as I.

00:11:04As German as I.

00:11:05As German as I.

00:11:06Perfect, my dear.

00:11:07As German as I.

00:11:08As German as I.

00:11:09As German as I.

00:11:10As German as I.

00:11:11As German as I.

00:11:12As German as I.

00:11:13As German as I.

00:11:14As German as I.

00:11:15As German as I.

00:11:16As German as I.

00:11:17As German as I.

00:11:18As German as I.

00:11:19As German as I.

00:11:20As German as I.

00:11:21As German as I.

00:11:22As German as I.

00:11:23As German as I.

00:11:24As German as I.

00:11:25As German as I.

00:11:26As German as I.

00:11:27As German as I.

00:11:28As German as I.

00:11:29As German as I.

00:11:30As German as I.

00:11:31As German as I.

00:11:32As German as I.

00:11:33As German as I.

00:11:34As German as I.

00:11:35As German as I.

00:11:36As German as I.

00:11:37So your name is Buckley now.

00:12:06You certainly have a great deal of courage to come back here at this time.

00:12:11I... I don't know what you mean.

00:12:14You know exactly what I mean, Belquet.

00:12:18Sergeant.

00:12:19Sergeant of the Guard.

00:12:20Sergeant of the Guard. Two men.

00:12:22Quick march.

00:12:27Hold. Left turn. Left turn. Quick march.

00:12:36Not a very pleasant thing to see on landing, I'm afraid.

00:12:46No, it isn't.

00:12:48I'm sorry, but it's war.

00:12:54Miss Courtier?

00:12:55Miss Courtier.

00:12:57May I ask why you were in Gibraltar?

00:13:00I've come to visit Lady Crandall.

00:13:03Oh, I beg your pardon.

00:13:05If you don't mind waiting a minute or two, I'll see that Lady Crandall knows you're here.

00:13:08That's very kind.

00:13:09You see, in order to go through the fortifications, one has to have an escort.

00:13:13I understand.

00:13:14And how long must I wait?

00:13:16Possibly 10 or 15 minutes, Miss Courtier.

00:13:19If you'd rather wait in that hotel across the street to Paris, I'll send the car over there.

00:13:27Boy, take this lady's bags across the street.

00:13:30You just put my bags just over there.

00:14:00Good morning, mademoiselle.

00:14:01I'm the maid to the hotel.

00:14:02Good morning.

00:14:03I am at your service.

00:14:05You see, I'm the guest of Mr. George and Lady Crandall.

00:14:06I'm just waiting for the car.

00:14:07Then while you are waiting, permit me to...

00:14:08you see, the guest of Mr. George and Lady Crandall is waiting for the car.

00:14:13Good morning, mademoiselle. I'm the maid to the hotel.

00:14:24Good morning.

00:14:25I am at your service.

00:14:27You see, I'm the guest of Sir George and Lady Crandall.

00:14:30I'm just waiting for the call.

00:14:32Well, then, while you are waiting,

00:14:35permit me to offer you the hospitality of my private office.

00:14:38That's very kind.

00:14:43May I?

00:15:13I see, mademoiselle, is a musician.

00:15:19Not a very good one, I'm afraid.

00:15:21Violins are my hobby.

00:15:23Oh, yes?

00:15:24Will you permit me to look at yours?

00:15:27Violins?

00:15:31Oh.

00:15:34Then, I should like to play it.

00:15:36I see you have my favorite melody.

00:15:52That's odd.

00:15:53Do you know it, too?

00:15:55Not very many people do these days.

00:15:57Well, it's not so old.

00:16:02It was written in, uh, 1889.

00:16:05No, 1893, I believe.

00:16:11So, you are 1893.

00:16:16I'm glad you've come, fraulein.

00:16:19Ich wurde nervis.

00:16:20And you are 1889.

00:16:24But tell me, how did you ever recognize me?

00:16:27I was told to, uh, look out for a pretty lady carrying a violin case, marked E.C.

00:16:34Everything is working fine.

00:16:40For 12 years, I've served the Bullenstrasse, in Constantinople, in London, and here on the rock.

00:16:46But never before has there been such an opportunity.

00:16:49All right, well, let's get down to Bisp's.

00:16:55Good.

00:17:00Do you have studied any plans of the fortification of the rock?

00:17:03No.

00:17:03I remember them quite well.

00:17:04You see, I was here seven years ago.

00:17:19Here are the plans that will give you the details you need.

00:17:33Study these tonight, and burn them before you sleep.

00:17:36And be careful.

00:17:38This?

00:17:39Do you know room B?

00:17:42Yes, as I remember, that's next to the governor's office.

00:17:44Right.

00:17:45Now, in that room, there's a safe, to which only two have the combination.

00:17:49The staff major, and myself.

00:17:57There it is.

00:17:59The dual combination.

00:18:01It sounds all too easy.

00:18:03Don't fool yourself.

00:18:05There are two sentries on duty by day, and one by night, watching that room.

00:18:10Well, sentries are only human.

00:18:15The safe is not.

00:18:19It is charged with electricity, and will kill anyone.

00:18:25Anyone who doesn't know the right way to touch it.

00:18:28And how am I to learn the right way?

00:18:31Let me show you.

00:18:37There are three handles on the panels on the bookcase.

00:18:40Yes.

00:18:40The two on the right, you turn so, and the bookcase on the wall will slide away, exposing the safe.

00:18:51Then what?

00:18:53Now, on this safe, there are two dials.

00:18:57I see.

00:18:58But if you stand in the natural position to open the safe, and touch those two dials, you'll not only give the alarm, you'll electrocute yourself.

00:19:08Electrocute, Mike.

00:19:09But if you stand 16 inches back from the safe, so, and over, you can work the combination without danger.

00:19:29Hope you're right.

00:19:30And in the event that you are, then what works?

00:19:43In the drawer marked D, there is a key.

00:19:49Tomorrow morning, early, you must get it out.

00:19:57For at five minutes to five, number 54 will come to you for it.

00:20:03And who is number 54?

00:20:05That none of us know.

00:20:07But he will meet you there, and make himself known to you.

00:20:11Until then, you must work alone.

00:20:19Beg pardon, sir, but there's an officer here.

00:20:33An officer?

00:20:34Yes, sir, with a car for Miss Courtier.

00:20:36Miss Courtier?

00:20:38Yes, sir.

00:20:40Oh.

00:20:49Miss Courtier, I presume?

00:21:15Yes, I am Miss Courtier.

00:21:16Well, I'm the general's aide, you know.

00:21:19Oh.

00:21:20I've been sent down to escort you to his quarters.

00:21:23How do you do, Captain?

00:21:24Oh, really, please forgive me.

00:21:27I haven't introduced myself, have I?

00:21:28I'm Lieutenant.

00:21:31Archibald Plantagenet Chumley.

00:21:34Royal Garrison Artillery.

00:21:36How do you do, Lieutenant, sir?

00:21:38Oh.

00:21:39Yes, it's an awfully long name.

00:21:40Don't you bother with it, please.

00:21:41Most of my friends, and quite a lot of people, who really aren't my friends at all, call me Archie.

00:21:50Just blame Archie.

00:21:53But it is so sudden.

00:21:58The luggage is in your car, sir.

00:21:59All right, thank you.

00:22:02Shall we go?

00:22:02Oh, no, sir.

00:22:28Miss Courtsier, an affectionate.

00:22:47Lady Flanagan!

00:22:51My dear!

00:22:53Why, I was nearly going to call you child.

00:22:56You've grown into a woman.

00:22:59A beautiful woman, if I might say so.

00:23:01That's awfully kind of you.

00:23:04Somehow, I don't recognize you at all.

00:23:07You've changed, sir.

00:23:09Changed?

00:23:10Why, yes.

00:23:11I think you're just being entirely different.

00:23:13Then I suppose you've surprised everybody.

00:23:15You know, as a child, you weren't particularly good-looking.

00:23:18But now, you've developed into a most extraordinarily beautiful woman.

00:23:22Oh, rather, Lady Crandall, yes.

00:23:25I think Sir George was looking for you a moment ago, Archie.

00:23:30Why, Jobe, that means I've got to go and report, I suppose.

00:23:33I don't if I were you, Archie.

00:23:35It will make you any happier.

00:23:36You may tell your fellow officers from me that Miss Courtier is grade A.

00:23:41Oh, really, Lady Crandall?

00:23:43And that you'll be here for several weeks.

00:23:45I'm so glad.

00:23:46You know, I'll be seeing you again, Miss Courtier.

00:23:50Yes.

00:23:51Goodbye, Archie.

00:23:53I beg your pardon?

00:23:54Goodbye.

00:23:55Oh, goodbye.

00:23:56Yes, of course.

00:23:57Goodbye.

00:23:58He's a nice boy, but still a boy.

00:24:03Oh, but you let me think about it, dear.

00:24:05Come and sit down.

00:24:07I'm so glad you brought this.

00:24:10Oh, my sister has a picture like this, Archie.

00:24:13Oh, yes, I know.

00:24:14It's my favorite one.

00:24:15It's rather sad of me.

00:24:16That's why I sent it to all my friends.

00:24:18But tell me, how is Pauline?

00:24:20Splendid.

00:24:21He's very happy and very busy with the family.

00:24:24You know, he always gives me a shock when I think Pauline having children.

00:24:29It's our time tonight.

00:24:30Why, it seems only yesterday we used to rock together.

00:24:34Indeed, he made me feel quite old when I saw you standing at the door.

00:24:38Somehow or other, I didn't expect you to be as just as you are.

00:24:42I suppose we all change.

00:24:44I don't think you look a day old.

00:24:47But tell me, how is Sir George?

00:24:50Oh, Sir George is very well.

00:24:51Well, he's very worried.

00:24:53I suppose it is a great responsibility being in command of Gibraltar, particularly now.

00:24:59Well, it isn't only that.

00:25:01Well, he's dreadfully upset because of spies.

00:25:03Spies?

00:25:04Yes.

00:25:05The intelligence department has notified him to take every precaution.

00:25:09But surely it's impossible for a spy to come here, Gibraltar?

00:25:13That's just it.

00:25:14It isn't impossible.

00:25:15Why, only this morning they caught a man in the barrier.

00:25:17Did they think he was a spy?

00:25:19Don't think it, my dear.

00:25:20They knew it.

00:25:21Sir George is just arranging for his trial.

00:25:23Poor fellow.

00:25:24Well, Sir, thank goodness that's over.

00:25:25Yes, there's nothing I hate more than a court martial.

00:25:29I think these should be locked up at once.

00:25:31Come in.

00:25:32Captain Woodhouse, Sir, the royal engineer.

00:25:33Woodhouse?

00:25:34Engineers?

00:25:35Yes, that's the new staffer to assist me.

00:25:36Oh, yes.

00:25:37Show him in.

00:25:38Oh, yes.

00:25:39Show him in.

00:25:40Major General Cranville, Sir.

00:25:41Major General Cranville, Sir?

00:25:42Yes.

00:25:43So you're Woodhouse, eh?

00:25:44Yes, sir.

00:25:45Glad to have you with us, Woodhouse.

00:25:46Thank you, Sir.

00:25:47Thank you, Sir.

00:25:48Thank you, Sir.

00:25:49I think these should be locked up at once.

00:25:50Come in.

00:25:51Captain Woodhouse, Sir, the royal engineer.

00:25:52Woodhouse?

00:25:53Engineers?

00:25:54Yes, that's the new staffer to assist me.

00:25:55Oh, yes.

00:25:56Show him in.

00:25:57Major General Cranville, Sir?

00:25:58Yes.

00:25:59So you're Woodhouse, eh?

00:26:00Yes, Sir.

00:26:01Glad to have you with us, Woodhouse.

00:26:02Thank you, Sir.

00:26:03This is Major Bishop.

00:26:04How do you do, Sir?

00:26:05How are you, Woodhouse?

00:26:06Have you got your movement orders?

00:26:07There you are, Sir.

00:26:08Thanks.

00:26:09Had an eventful journey?

00:26:10Not particularly, Sir.

00:26:11I came through Spain.

00:26:12France, of course, is in a turmoil.

00:26:13The line is chaotic.

00:26:14Paris is blackest pitch after dark.

00:26:16You know, everybody there is suspected of being a spy.

00:26:17Oh, yes.

00:26:18Next time you're a spy.

00:26:19Sir, you are a spy.

00:26:20We've got to have you with us, Woodhouse?

00:26:21The one who's been in a while.

00:26:22I'm in a while.

00:26:23I'm in a while.

00:26:24Thank you, sir.

00:26:25I'm in a while.

00:26:26I've got to have you with us, Woodhouse.

00:26:27Good to have you with us, Woodhouse.

00:26:28Thank you, Sir.

00:26:29This is Major Bishop.

00:26:30How do you do, Sir?

00:26:31How are you, Woodhouse?

00:26:32How are you, Woodhouse?

00:26:33blackest pitch after dark. You know, everybody there is suspected of being a spy. Our intelligence

00:26:39department is suspicious too. They think the Willamstrasza has agents everywhere. The orderly

00:26:46told me that you caught a spy trying to slip through this morning. We did. We've just come

00:26:51from the court-martial now. Court red-handed. Court Doble's to be shot tomorrow morning.

00:26:56I couldn't have admired any pluck, though. Our intelligence department thought he might

00:27:00have accomplices on the rock. And they offered him his life if he betrayed the master spy.

00:27:05Of course, he denied everything.

00:27:08Oh, that's all right, Willamstrasza. Now, look here. There's something for you to learn.

00:27:16It's the sapper's job to keep it working.

00:27:30By Jove, that's clever, sir. How do you do it?

00:27:36There's a lot about this room you'll have to learn. The duplicate controls of all the

00:27:41harbour defences are here.

00:27:42Where?

00:27:44Oh, concealed, of course. You'll soon learn all about our little tricks, except the combination

00:27:50of that saint. That's Bishop's secret.

00:27:52Yes, I hope no fool tries to meddle with it.

00:27:56It'd be a convenient method of suicide.

00:28:00I see Lady Crandall's having some friends to teach. Why don't you come over?

00:28:03Oh, thank you very much, sir. But, uh, this must be. Hadn't I got a change in the uniform?

00:28:08Oh, well, that's all right, my boy.

00:28:09Oh, well, that's all right.

00:28:39Oh, well, that's all right.

00:29:09Oh, well, that's all right.

00:29:10Oh, well, that's all right.

00:29:11Oh, well, that's all right.

00:29:12Oh, well, that's all right.

00:29:13Oh, well, that's all right.

00:29:14Oh, well, that's all right.

00:29:15Oh, well, that's all right.

00:29:16Oh, well, that's all right.

00:29:17Oh, well, that's all right.

00:29:18Oh, well, that's all right.

00:29:19Oh, well, that's all right.

00:29:20Oh, well, that's all right.

00:29:21Oh, well, that's all right.

00:29:22Oh, well, that's all right.

00:29:23Oh, well, that's all right.

00:29:24Oh, well, that's all right.

00:29:25Oh, well, that's all right.

00:29:26Oh, well, that's all right.

00:29:27Oh, well, that's all right.

00:29:28Oh, well, that's all right.

00:29:29Captain Woodhouse.

00:29:52How do you do, Captain Woodhouse?

00:29:54How do you do, Lady Crandall?

00:29:56We've arrived at a very appropriate time.

00:29:58Do you know anyone here?

00:30:01No, I'm afraid I don't.

00:30:04May I inquire who was playing so delightfully?

00:30:06Oh, Ellen Courtier.

00:30:08And she's just as beautiful as her play.

00:30:10Would you care to meet her?

00:30:11I would like to.

00:30:14Ellen, dear.

00:30:23Ah, I see you know each other.

00:30:25Why, yes.

00:30:26Yes.

00:30:27You do know somebody, then.

00:30:29Well, I certainly didn't expect to find, Miss Gertrude.

00:30:32I didn't expect to find you here.

00:30:36Small world, isn't it?

00:30:38Yes.

00:30:39Archie, come along.

00:30:44Let's go and get some tea.

00:30:45Oh, I don't need it, Miss Gertrude.

00:30:46Archie?

00:30:47But you didn't tell me you were coming here.

00:30:48But you didn't tell me you were coming here.

00:30:49I?

00:30:51Oh, I didn't get a chance to tell you anything.

00:30:54You were the one who did all the telling.

00:30:57You told me you were going to London.

00:31:00Let us go out on the balcony.

00:31:05Quite right.

00:31:06I beg your pardon, sir.

00:31:16Mr. Kappa insists on seeing you, sir.

00:31:19Kappa?

00:31:20Kappa?

00:31:21He said she was with you in India, sir.

00:31:25Oh, that Kappa.

00:31:28Show him in.

00:31:29Very well, sir.

00:31:30And, uh, you stand there.

00:31:36Very well.

00:31:36You haven't forgotten that service I did for you in India, Jerry.

00:31:59Of course not.

00:32:00You were paid for it, weren't you?

00:32:03Yes.

00:32:03What I've been hearing about you since then hasn't been altogether a, a complimentary.

00:32:11I hope it isn't true.

00:32:13Well, I did go to pieces a bit for a while.

00:32:15I was sick.

00:32:17I've been running him pretty hard, Dr. Fast, two years.

00:32:20But they can't keep me down much longer.

00:32:22I'm going to show them.

00:32:24I hope so, I'm sure.

00:32:26You wanted to see me about.

00:32:29General.

00:32:29I'm an Englishman.

00:32:31You know that.

00:32:32I may be down and out, and my friends may not want to know me when we meet.

00:32:36But I'm English, and I am loyal.

00:32:39Yes, yes, I'm sure.

00:32:40I've no doubt about that.

00:32:41I just wanted you to keep that in mind, General, while I talk.

00:32:46General.

00:32:49Remember Crane?

00:32:50That chap in Burma.

00:32:54Crane?

00:32:54No.

00:32:56You haven't forgotten him, General.

00:32:58You haven't forgotten how he lived in Burma a couple of years, mingling with the English,

00:33:03until someone suddenly found out that his real name was Crane's, and that he was a mighty unhealthy chap to have about.

00:33:11Surely, General.

00:33:12Yes, I remember him now.

00:33:14And there was Alice Broughton, too.

00:33:16Now, thank you not to speak about her.

00:33:17I'm sorry, General, but you thought she was all right, until a couple of secret service men walked into Lady Langdon's drawing room and took her away.

00:33:24Some come warrior driving her down with it.

00:33:29General.

00:33:30You couldn't let me have a little drink, could you?

00:33:34One peg of decent scotch.

00:33:38Well, if it'll help you to talk more intelligently.

00:33:46I've just come from the Paris Hotel, too.

00:33:49There was a girl there today who had a private confab with Alba.

00:33:54She said her name was Coogee.

00:33:58Well, what of it?

00:34:01Remember Crane, General.

00:34:04Remember Alice Broughton.

00:34:06What do you mean?

00:34:11What do I mean?

00:34:12I mean that this girl who calls herself Coogee isn't Coogee at all.

00:34:16She is a spy.

00:34:17What?

00:34:20Almaty.

00:34:22Show this man out.

00:34:23Sir, help me, General.

00:34:24I'm telling you the truth.

00:34:25I know the real Ellen Coogee.

00:34:27I knew her in Paris.

00:34:29I can't do what I say, but the wildest dreams of the Willemstrasse come true.

00:34:34They've got a girl here, right in your quarters, General.

00:34:38I don't believe it.

00:34:40It's true all the same.

00:34:42I'm warning you.

00:34:44That's all I can.

00:34:46Now.

00:34:49Now I'll go.

00:34:53Good day.

00:34:54Good day.

00:34:54Good-bye, Kappa.

00:35:07Good-bye, Sir George.

00:35:14I told you once I couldn't give you an explanation.

00:35:40And I still can't.

00:35:43But, Jane, it's different now.

00:35:46You mustn't call me Jane.

00:35:47My name is Ellen Coogee.

00:35:49Oh, now I understand.

00:35:51When I met you in Germany, you thought perhaps it would be a nice little adventure.

00:35:55A romantic adventure with a stranger.

00:35:58So you gave me an assumed name and then left me.

00:36:02You needn't have done that, Jane.

00:36:04You could have been honest with me.

00:36:06I was.

00:36:07Then why did you tell me your name was Jane Gershaw?

00:36:11I can't tell you anything.

00:36:14But now you say your name is...

00:36:16Good heavens, Jane.

00:36:20You don't mean to tell me that Coogee is an assumed name.

00:36:23No.

00:36:24I am Ellen Coogee.

00:36:26Do you realize what you're doing?

00:36:28Do you know what could happen to you?

00:36:30Only this morning they picked up a suspect at the barrier.

00:36:33I know.

00:36:33He was right in front of me when he was arrested.

00:36:35What happened?

00:36:36What did they do?

00:36:37If you're interested in knowing, he's to be shot first thing tomorrow morning.

00:36:42Oh.

00:36:43This is war, Jane.

00:36:45When that poor devil tried to get through here this morning,

00:36:48he didn't know that his own side had sold him out.

00:36:50It's too horrible.

00:36:52Horrible, yes.

00:36:52It is horrible.

00:36:53Once I had to attend the execution of a spy.

00:36:57He didn't die like a hero, poor fellow.

00:37:00He died like a dog.

00:37:03But don't you think, after all, a hero is one

00:37:06who, knowing he may die a dog's death, still carries on.

00:37:10I thank you, Father.

00:37:16Lady Cranwell sends a conscience to Captain Woodhouse.

00:37:19He requests the pleasure of his company at dinner.

00:37:21You were here as a junior officer, weren't you?

00:37:34I was, sir.

00:37:35Then I want you to come over to dinner tonight.

00:37:40Yes, sir.

00:37:40But this, uh, chart of the mind...

00:37:42Well, never mind that.

00:37:44Let the new aide do it.

00:37:46This is even more important.

00:37:47I've just heard a ridiculous story.

00:37:53Nevertheless, I can't afford to ignore it.

00:37:56Yes, sir?

00:37:56What is it?

00:37:57Well, it's preposterous, of course, but...

00:38:01I've just been told that our guest,

00:38:05Lady Crandall's friend, is...

00:38:07is a spy.

00:38:09You don't say...

00:38:13Was it a reliable person who told you, sir?

00:38:16Oh, not at all, but...

00:38:18I shall have to investigate.

00:38:21I want you to help me cross-examine her.

00:38:24Very well, sir.

00:38:26Shall we, uh, bring her in here?

00:38:29Oh, no, nothing official.

00:38:30We must do it in a more...

00:38:32casual fashion.

00:38:33What do you remember about 1907?

00:38:42Let me see.

00:38:44Cragan was governor.

00:38:47Cragan.

00:38:49Then she must remember his wife.

00:38:54That's a thought.

00:38:57What do you mean?

00:38:59You have a portrait of her hanging in your drawing room, sir.

00:39:01No one who ever knew her could fail to recognize it.

00:39:06Let's try her on Lady Evelyn.

00:39:09Splendid.

00:39:10That's a splendid idea.

00:39:13Come on over tonight.

00:39:14Out with you, sir.

00:39:18Tell me,

00:39:20why don't you like Gibraltar?

00:39:23It's too suggestive of war from the death.

00:39:26Why, this is the quietest place imaginable.

00:39:29It used to be an old monastery.

00:39:32Oh,

00:39:32it seems funny to think of a lot of old fat monks

00:39:35sitting around toasting their toes

00:39:37and thrilled as it's very fireplace.

00:39:39Yes, it would be funny.

00:39:40But as a matter of fact,

00:39:41that fireplace has only been built five years.

00:39:46Five years?

00:39:46Yes.

00:39:47Lady Crandall told me so.

00:39:49Oh.

00:39:52What are you doing, Archie?

00:39:54Trying to frighten Ellen?

00:39:55Oh, I say.

00:39:56You know, Archie can lose his heart

00:39:59more easily than any boy I've ever known.

00:40:02Oh, he's in good company then.

00:40:04Is that sarcasm or admiration?

00:40:07Oh, no.

00:40:08You know, I've often told Archie

00:40:09it's a good thing Lady Evelyn isn't here now.

00:40:12Lady Evelyn Cragan?

00:40:13Yes, Sir David Cragan's wife.

00:40:14Of course.

00:40:15She was a terrible flirt.

00:40:17That's her portrait here.

00:40:19Can't you tell?

00:40:20Oh, yes.

00:40:22Yes, she has that come-hither look in her eyes.

00:40:24I, uh, hope you're enjoying yourself, Miss Cotier.

00:40:31Oh, she's having a splendid time, sir.

00:40:33I suppose you take care of that.

00:40:35Yes, sir.

00:40:36It's been so nice to have him come and dine with us.

00:40:39Believe me, Lady Crandall,

00:40:41it's a pleasure that I've missed.

00:40:42But you know how I'm, uh, chained to my death.

00:40:45Like Atlas.

00:40:47Carrying the whole weight of the rock on your shoulders.

00:40:51Well, I shall hope to come more often

00:40:52now that, uh, I have Woodhouse to divide the weight.

00:40:55Oh, uh, coffee or liqueur?

00:40:58A liqueur, if I may.

00:41:01Won't you join the Woodhouse?

00:41:03Yes, thanks, old man.

00:41:03I will.

00:41:05You know, uh,

00:41:06I'm surprised you don't remember,

00:41:08Miss Cotier, Bishop.

00:41:11I'm afraid he doesn't remember

00:41:13the lanky young spirit once with me.

00:41:16He was a lieutenant then.

00:41:17And several times have eyes

00:41:19only for the colonel's wife.

00:41:20I suppose the old rock

00:41:23looks familiar to you, Miss Cotier.

00:41:26But seven years is a long time.

00:41:28Let me see.

00:41:30You were here, sir,

00:41:32when, uh, Craigan was governor.

00:41:33Yes, yes, sir.

00:41:34Sir David Craigan.

00:41:37Did you know him, Woodhouse?

00:41:39Uh, no.

00:41:39No, I think not.

00:41:40Oh, he's a corking chap.

00:41:42He's a big, blustering sort of a fellow.

00:41:46Wasn't he, sir?

00:41:47Why, no.

00:41:49As I remember,

00:41:50Sir David was a short, fat man.

00:41:53Rather bald.

00:41:54With a saber scar.

00:41:56Oh, ho, ho, ho, ho.

00:41:58Of course, sir, he was.

00:42:00It's my mistake.

00:42:02How stupid of me.

00:42:02I, I must have been confusing him

00:42:05with someone else.

00:42:06I imagine so.

00:42:07The reason I remember sir David so well

00:42:10is because I've had tea with him

00:42:12in his room many times.

00:42:14The place seems very much the same

00:42:16after seven years.

00:42:18Do you notice any change?

00:42:21Why, uh,

00:42:22somehow this fireplace

00:42:25doesn't look familiar to me.

00:42:26By Jove,

00:42:27you have a good memory, Miss Cotier.

00:42:29It wasn't built then.

00:42:30Though a woman is privileged to forget,

00:42:33it's sometimes very important

00:42:35that she have a good memory.

00:42:37Ho, ho.

00:42:39Very.

00:42:40Then you, uh,

00:42:41you must remember Lady Cregan.

00:42:43How could I ever forget?

00:42:45Seven years or seven.

00:42:47No one could ever forget her.

00:42:50So it was the general's wife

00:42:52and not the colonel.

00:42:53Ha, ha, ha, ha.

00:42:55But she was a wonderful woman.

00:42:57Yes, indeed.

00:42:58Do you think her picture

00:43:01is like her, Miss Cotier?

00:43:26It's perfect.

00:43:27Simply perfect.

00:43:29I always thought

00:43:31the hair was gorgeous.

00:43:33And the eyes.

00:43:35What expression.

00:43:40Tell me,

00:43:41does it still make your heart

00:43:43beat faster, Rachel?

00:43:44Ha, ha.

00:43:46Well, yes,

00:43:47it's a dashed good likeness.

00:43:49To my part,

00:43:53I think Lady Evelyn brought

00:43:55the greatest credit

00:43:56to the British Army.

00:43:57Just think,

00:43:59one small woman

00:44:00capturing an entire garrison.

00:44:03And I always thought

00:44:04Gibraltar was impregnable.

00:44:05And it is.

00:44:07To the ordinary invader.

00:44:08Ha, ha, ha.

00:44:11Ha, ha.

00:44:12Look, Sir George.

00:44:19Ships.

00:44:20Dozens of them,

00:44:21all brave and wonderful.

00:44:25What does it mean, Sir George?

00:44:26That's the British

00:44:27Mediterranean squadron, my dear.

00:44:29Wonderful.

00:44:30Wonderful.

00:44:32There's the power

00:44:33and the pride of England.

00:44:35Gives one quite a thrill,

00:44:36doesn't it?

00:44:36Yes, it probably thrills

00:44:40our friend the enemy

00:44:41in a rather different way.

00:44:45You know,

00:44:45it always gives me

00:44:46quite a homesick tug

00:44:47to see those grim old dogs.

00:44:50I haven't been to the home

00:44:51to the little island

00:44:52in four years.

00:44:53It seems as though

00:44:54the old rock

00:44:55must have had quite an awakening.

00:44:56Yes, sir.

00:44:57And you are just

00:44:58the kind of girl to do it.

00:45:00Oh, ah.

00:45:02Charlie.

00:45:03Yes, sir?

00:45:04Go and find out

00:45:04the latest reports

00:45:05from the fleet.

00:45:05At what time

00:45:07they'll be ready to sail.

00:45:08Yes, sir.

00:45:16Well, Bishop,

00:45:18and what do you think

00:45:18of Miss Courty?

00:45:21Oh, that's all right.

00:45:22He knew her before.

00:45:24And it's just as well

00:45:25that he should know

00:45:25what we suspected,

00:45:26even though I'm now convinced

00:45:28that I was wrong.

00:45:30I'm not so sure.

00:45:32Well, she knew

00:45:33about the fireplace

00:45:34and she'd recognized

00:45:36Lady Evelyn's portrait.

00:45:37What's the trouble, sir?

00:45:38Gosh.

00:45:39A fellow I shouldn't

00:45:40have listened to

00:45:41came to me with a story

00:45:42that your friend

00:45:43wasn't Miss Courty at all.

00:45:44It's a German spy.

00:45:46Oh, Jane,

00:46:11I'm glad I found you.

00:46:12I've been looking for you.

00:46:14I wanted to speak to you

00:46:15alone.

00:46:16I wanted you to explain.

00:46:19Explain?

00:46:21Captain Woodhouse,

00:46:22I think it's you

00:46:23who will be an explanation.

00:46:25I don't understand.

00:46:26You never told me

00:46:27you were an officer

00:46:28in the British Army.

00:46:29I made no attempt

00:46:30to conceal the fact.

00:46:32If you didn't,

00:46:33you were very repousant

00:46:34about it.

00:46:36Jane, if I was,

00:46:37it was because

00:46:37I had a definite reason.

00:46:38It was very difficult

00:46:40for you to understand me

00:46:41when I told you

00:46:42I had a reason.

00:46:43But that's it.

00:46:44I believe you.

00:46:45I'm willing to take

00:46:46your word.

00:46:47That's because

00:46:48I care for you.

00:46:49And I want you

00:46:50to care for me.

00:46:52I do.

00:46:53Oh, Jane,

00:46:54if you do,

00:46:54you must promise me

00:46:55this one thing.

00:46:57If you don't know,

00:46:57you can't possibly know

00:46:59the risk you're running.

00:46:59I wouldn't ask you

00:47:01if it weren't for the fact

00:47:02that I love you.

00:47:03But here you're running

00:47:04a terrible risk.

00:47:05If anything should happen,

00:47:06why,

00:47:07you must promise

00:47:08to do as I ask.

00:47:10What is it?

00:47:11Leave the rock

00:47:12as fast as you can

00:47:13by the next boat.

00:47:18Well?

00:47:21I can.

00:47:26So that's your answer.

00:47:29Please try to understand.

00:47:32I understand.

00:47:34Perfectly.

00:47:38Well, what is it?

00:47:40Excuse me, sir.

00:47:42Major Bishop requests

00:47:43that you see him

00:47:43immediately in room B.

00:47:46Very well.

00:47:46I'll come at once.

00:47:54Your answer is still the same?

00:47:59Good night, Miss Curkey.

00:48:12Sir?

00:48:14Ah, there you are,

00:48:15good house.

00:48:16What wanted you wanted me

00:48:17to do, sir?

00:48:19Land of care.

00:48:20Here's a chart

00:48:21of the harbour and straits.

00:48:24This is the plan

00:48:26showing the distribution

00:48:27of the mines.

00:48:27Please check them

00:48:29and send them out

00:48:31to the fleet

00:48:31to meet you, sir.

00:48:32Right, Your Arthur.

00:48:34Well, good night.

00:48:36I'm off to see the address.

00:48:38The fleet shows the door.

00:48:39Good night.

00:48:40Good night, sir.

00:48:47I'm sorry, lady.

00:48:48You can't go in that room.

00:48:50But it's very important.

00:48:52No, lady.

00:48:53Horders is horders.

00:48:54What's the trouble?

00:48:56I have something

00:48:57to say to you, my friend.

00:49:00All right, Tendrit.

00:49:01That is a beautiful sight.

00:49:23Each one is a little world

00:49:25within itself.

00:49:26But tell me,

00:49:27why are the lights

00:49:28blinking all the time?

00:49:29They're sending messages.

00:49:32Do they send messages

00:49:33all the time?

00:49:36Jane,

00:49:37you didn't come in here

00:49:38to ask questions.

00:49:40You said you had

00:49:41something important

00:49:41to tell me.

00:49:43I hope you think

00:49:45it's important.

00:49:47Well, what is it?

00:49:50I came to tell you this.

00:49:53I love you.

00:49:54Jane!

00:49:55Jane!

00:49:55It isn't easy

00:49:58for me to tell you

00:49:58this, Eric.

00:50:00To swallow my pride

00:50:01and follow you.

00:50:03But I couldn't bear

00:50:04to see you leave me

00:50:05like that.

00:50:06I just had to tell you.

00:50:09Darling!

00:50:19Captain Woodhouse,

00:50:21Miss Guggy,

00:50:22what's the meaning

00:50:24of this?

00:50:25How did you get in here?

00:50:26I let her in, sir.

00:50:28I...

00:50:28It was my fault,

00:50:29Sir George.

00:50:30I insisted upon coming in.

00:50:32So because you insisted,

00:50:34Captain Woodhouse

00:50:35broke the rules.

00:50:36You must be

00:50:37a very eloquent

00:50:37persuader, Miss Guggy.

00:50:40And as for you,

00:50:41Woodhouse,

00:50:41this is hardly

00:50:42an auspicious beginning.

00:50:44Chumley.

00:50:45Yes, sir.

00:50:46Will you please

00:50:46escort Miss Guggy

00:50:47to her quarters?

00:50:48With pleasure.

00:50:49And when you go,

00:50:51lock this room.

00:50:53Yes, sir.

00:51:00Captain Woodhouse,

00:51:01I wish to talk to you.

00:51:03I say,

00:51:17the old gentleman

00:51:18certainly was boiling.

00:51:20Do you suppose

00:51:21he's going to be very

00:51:21severe with Captain Woodhouse?

00:51:23Well, I don't know

00:51:24how severe he'll be,

00:51:25but I wouldn't like

00:51:25to be in Woodhouse's boots

00:51:26for the next half hour.

00:51:28Although I,

00:51:30I wouldn't have minded

00:51:31being in his boots

00:51:32for the last half hour.

00:51:34You know,

00:51:35I don't blame Woodhouse.

00:51:38I'd let you go

00:51:39anywhere you want.

00:51:46I feel just like a prisoner.

00:51:49And you're my guard

00:51:50taking me to myself.

00:51:51Yes.

00:51:52Isn't it jolly?

00:51:54Why?

00:51:54Well, I've never had you

00:51:56to myself

00:51:57for five minutes yet.

00:51:59Some bounder

00:51:59always comes barging in.

00:52:02Now that you're

00:52:03in my official charge,

00:52:04I've got you alone at last.

00:52:06But only from here

00:52:07to my room.

00:52:08Oh, that's all right.

00:52:09He certainly ordered me

00:52:10to take you to your room.

00:52:11But he didn't say

00:52:12how long I was to take.

00:52:14Taking you.

00:52:16Oh, I see.

00:52:17Well, I mean,

00:52:17we might, uh,

00:52:19sort of dilly-dally

00:52:20on the way.

00:52:21We might what?

00:52:24Dilly-dally.

00:52:25Loiter.

00:52:26Rally round.

00:52:27Huh?

00:52:28You know,

00:52:29I know a lovely place.

00:52:31Here.

00:52:32We might listen

00:52:33to the nightingales sing.

00:52:35Are the nightingales

00:52:36on Gibraltar?

00:52:37No.

00:52:39But there are monkeys.

00:52:40Don't you remember?

00:52:42Why?

00:52:42Gibraltar's over

00:52:43and run with monkeys.

00:52:44I remember

00:52:45reading

00:52:45some of them

00:52:46at home.

00:52:46Oh, my God.

00:52:47Oh, my God.

00:52:48Oh, my God.

00:52:49Oh, my God.

00:52:50Oh, my God.

00:52:51Oh, my God.

00:52:52Oh, my God.

00:52:52Oh, look.

00:52:56We can watch the fleet, too.

00:52:59Yes.

00:53:00Rather pretty, isn't it?

00:53:02It's more than pretty.

00:53:04It's beautiful.

00:53:05It's hard to think

00:53:06of them being

00:53:07fighting machines.

00:53:08They look so peaceful now.

00:53:11Somehow,

00:53:11their blinking lights

00:53:12remind me

00:53:13of fireflies dancing.

00:53:15Yes.

00:53:16I like watching

00:53:17the blinking lights, too.

00:53:19Let's sit down.

00:53:25I'd love to see them

00:53:26when they string to life,

00:53:27when they sail out

00:53:28to sea in formation.

00:53:30It must be beautiful.

00:53:32I'd like to stay up

00:53:33all night

00:53:34and wait until they sail.

00:53:35Topping idea.

00:53:38I'll stay up

00:53:38all night with you.

00:53:40It is.

00:53:41They sail tomorrow

00:53:42at dawn.

00:53:44At dawn?

00:53:45Yes.

00:53:46Six o'clock.

00:53:46The dawn round here

00:53:49is frightfully early.

00:53:51Yes.

00:53:55Do you know what makes

00:53:57tonight

00:53:57specially beautiful

00:53:59for me?

00:54:00No.

00:54:03You.

00:54:04No.

00:54:05Yes.

00:54:07I feel very much honored

00:54:09that I should be

00:54:09so important

00:54:10in the life

00:54:11of Lieutenant

00:54:11the Honorable

00:54:12Archibald Plantagenet

00:54:13Chumley.

00:54:14Oh, Miss Courtier.

00:54:15Alice.

00:54:17I mean, Helen.

00:54:18Helen.

00:54:20Please don't rag me.

00:54:22You know,

00:54:22I'm dreadfully sincere.

00:54:24Yes.

00:54:24You know,

00:54:25ever since you arrived here,

00:54:26I've been walking

00:54:27about in a daze.

00:54:30You know,

00:54:30you were possibly

00:54:31the most blue eyes

00:54:33I've ever seen.

00:54:34Yes.

00:54:36And I just adore

00:54:37blue eyes.

00:54:38Yes.

00:54:38I love blue eyes.

00:54:41Would you mind

00:54:42going away,

00:54:43old man?

00:54:43Thanks.

00:54:47Thanks so much.

00:54:48You know,

00:54:49ever since you came here,

00:54:50I've been walking

00:54:51about all goofy.

00:54:53You know,

00:54:54you were possibly

00:54:54the bluest eyes

00:54:56I've ever seen.

00:54:57Yes.

00:54:58I adore blue eyes.

00:55:01And yours

00:55:02are the bluest

00:55:03in the whole wide world.

00:55:04Oh.

00:55:05Darling.

00:55:07Now, now, Archie.

00:55:08Oh, but Helen,

00:55:09you are so gorgeous.

00:55:11What if Sir George

00:55:12should see you now?

00:55:13Oh, bother Sir George.

00:55:16Helen.

00:55:16No, but really,

00:55:17I have to go to my room.

00:55:19Won't you take me?

00:55:20Lady Crandall

00:55:21is waiting for me.

00:55:22Is she really?

00:55:23Yes.

00:55:23Why didn't you tell me?

00:55:24You're so fascinating,

00:55:25I almost forgot.

00:55:26Oh, there you are,

00:55:27laughing at me again.

00:55:29Come along.

00:55:29Well, I,

00:55:38I brought you back safely,

00:55:40much as I regret it.

00:55:43Good night, Archie,

00:55:44and, uh,

00:55:45thank you.

00:55:46Good night.

00:55:53Oh, I say.

00:55:55Good night.

00:56:25Good night.

00:56:55Good night.

00:57:25Good night.

00:57:55Good night.

00:57:57Good night.

00:58:25Good night.

00:58:27Good night.

00:58:29Good night.

00:58:55Good night.

00:58:57Good night.

00:58:59Good night.

00:59:25Good night.

00:59:27Good night.

00:59:29Good night.

00:59:31Good night.

00:59:33Good night.

00:59:35Good night.

00:59:37Good night.

00:59:39Good night.

00:59:41Good night.

00:59:43Good night.

00:59:45Good night.

00:59:47Good night.

00:59:49Eric!

00:59:51I came here expecting to find someone, but I hoped it wouldn't be you.

00:59:57Why did you expect to find someone?

01:00:09You do this as skillfully as you played that tune.

01:00:12You know, the one written in 1893.

01:00:15You. You of all men.

01:00:20Surely you can't be number 54.

01:00:24Yes. I am number 54.

01:00:28Oh!

01:00:35Please. Oh, please, get away from here.

01:00:38Before you're seen. I'll put the key back and no one will ever suspect.

01:00:41No, Jane. I tried before to get you to go.

01:00:45And now I beg you again to give up this.

01:00:48Don't waste time. Please hurry, for my sake.

01:00:51For your sake?

01:00:53But I've always heard that you rule number 1893

01:00:56for the most fearless and ruthless woman in the service.

01:00:59Oh, Eric, please go. I have told you I love you.

01:01:02If you loved me.

01:01:04Do you think I could leave you here to bear the brunt of this alone?

01:01:07No.

01:01:09Oh! Oh!

01:01:17Eric, you couldn't do this.

01:01:20Come here, dear.

01:01:22Look.

01:01:23You couldn't send those sleeping men to their death.

01:01:27Trapped like rats.

01:01:29Mangled.

01:01:31Tortured.

01:01:33Drowned.

01:01:35The man who loved me couldn't do that.

01:01:37Now you're talking like the woman I loved.

01:01:42Not like the ruthless 1893.

01:01:46But why?

01:01:48Why are you pleading for these men?

01:01:51I'm not pleading for them.

01:01:53But for you.

01:01:58Why?

01:01:59Because I love you.

01:02:03I love you more than my duty.

01:02:06More than my life.

01:02:08And there's only one end for the man who does this thing.

01:02:13Death.

01:02:15With his back against the wall.

01:02:19Why, Jane?

01:02:29What am I doing?

01:02:37Don't you realize that what you're asking me to do is impossible?

01:02:41But you can't go on with this, Eric.

01:02:43It's all too horrible.

01:02:45What are the lives of those swine hunts to me?

01:02:47If I fail in this, it means my life.

01:02:49I'm not like Belki who sold us out.

01:02:51And for a woman, too.

01:02:53He's to be shot at dawn.

01:02:54Oh, but Eric.

01:02:55Oh, the time's getting short.

01:02:56The guard will soon be here to change centuries.

01:02:59You go to your room at once and let me get this thing done.

01:03:02I'm not going to let you do it, Eric.

01:03:04I love you.

01:03:05Love, you speak of love.

01:03:06You were treated to the fatherland.

01:03:08The love of such a woman as you is an insult.

01:03:12You call my love an insult.

01:03:16So this is the real, Eric.

01:03:18Then you'll see another side of the woman you've tricked.

01:03:21You said 1893 was fearless and ruthless.

01:03:24I am.

01:03:27And unless you give me back that pee, I'll kill you.

01:03:33But, Jane, you couldn't do that.

01:03:36You wouldn't force me.

01:03:38But if you do, you leave me only one alternative.

01:03:41To raise the alarm.

01:03:42To raise the alarm.

01:03:43To raise the alarm.

01:03:44To raise the alarm.

01:03:45To raise the alarm.

01:03:48What's that?

01:03:53Pick up!

01:03:54Arms!

01:03:55The firing squad.

01:03:57For Belke.

01:03:59Ready!

01:04:00Ready!

01:04:01Fire!

01:04:02You see, Eric, that's what will happen to you.

01:04:16I couldn't stand it.

01:04:18The man I loved couldn't die like that.

01:04:20I couldn't let you feel that I had died like...

01:04:24like Belke.

01:04:26Give me that pee.

01:04:27Do you know what you're doing?

01:04:29Do you realize that you're sending me to my death?

01:04:31Go!

01:04:32Go!

01:04:33Go!

01:04:34Go!

01:04:35Go!

01:04:36Go, go!

01:04:37Go, go, go!

01:04:38Give me that pee.

01:04:40Do you know what you're doing?

01:04:41Do you realize that you're sending me to my death?

01:04:43I'll see you soon.

01:05:13Eric! Eric!

01:05:25Eric!

01:05:43Eric!

01:05:47Eric!

01:05:49Eric!

01:05:51Eric!

01:05:53Eric!

01:06:19Amade!

01:06:21I have been listening to you and that weekly, watching you both.

01:06:35You made a pitiful creature out of a brave man and a useful one.

01:06:45You sent him to his death.

01:06:53And as he died,

01:06:57so will you die.

01:07:09But first, you'll see the men you pitied.

01:07:13As you so aptly put it.

01:07:17Nangled.

01:07:19Tortured.

01:07:21Then drowned.

01:07:23Drowned.

01:07:33But you can't be numbered.

01:07:35Yes.

01:07:45I am number 54.

01:07:47You, Sir George's faithful servant.

01:07:49Yes.

01:07:51I am number 54.

01:07:53You, Sir George's faithful servant.

01:07:55Yes.

01:07:57I, Sir George's faithful servant.

01:07:59I have waited ten years for this.

01:08:01But Eric!

01:08:03He was sent to help me.

01:08:05And you killed him.

01:08:07For nothing.

01:08:13I don't need to tell you what these are.

01:08:17This one is the master control to the minds which will destroy the fleet.

01:08:27And bring death to the men I hate.

01:08:31And your death also.

01:08:33You fool.

01:08:35Your death.

01:08:37Your hand will be found in the control.

01:08:39And I, Amadi, would have shot a spy.

01:08:45But too late.

01:08:55In 30 seconds all the relays will be set for the minds under the fleet.

01:09:09And .

01:09:11.

01:09:21To the engine.

01:09:23And the engine I am.

01:09:24There is a more than a complete truck.

01:09:26I can't wait.

01:09:27Even the engine.

01:09:28We will see theën.

01:09:29It's like a new engine.

01:09:30It's like a new engine.

01:09:31And the engine is like .

01:09:32It's like.

01:09:33I'm making up.

01:09:34I'm making a new engine.

01:09:35You can't wait.

01:09:36I'm making a new engine.

01:09:37You're making a new engine.

01:09:38Oh, there you are, sir.

01:10:05I've got the keys out of here.

01:10:06Let's bring it.

01:10:10What?

01:10:13A mountain.

01:10:16What's happened?

01:10:18General Crandall, your servant was an enemy spy.

01:10:23I want you to understand that no matter what Miss Curti may have done,

01:10:28you can now thank her for the safety of the fleet.

01:10:31Come in here.

01:10:32Sir George, it's going to Eric.

01:10:44Captain Woodhouse, that the fleet is safe.

01:10:47Please don't be too hard on him.

01:10:52But don't you know?

01:10:55Hey, Joe, the intelligent department certainly have a peculiar way of working.

01:11:00They didn't let me know who you were until this morning.

01:11:02I don't understand, sir.

01:11:08You're both working for the same cause.

01:11:11Miss Jane Gerson, of the British Secret Service,

01:11:15allow me to present Captain Woodhouse, of the intelligence department.

01:11:18But, Eric, why did you let me suffer so?

01:11:24But, dear, your life was in danger every minute.

01:11:28I saw his pistol behind the curtain.

01:11:30There was nothing else that I could do.

01:11:34Jane, darling, I've so much to say to you.

01:11:39For a long time, I see you.

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